Tulpen Aus Amsterdam [Import]

1. Tulpen Aus Amsterdam

2. Prego, Prego, Gondoliere

3. Tammy

4. HollandmÄDel

5. Du Bist Mein Erster Gedanke

6. Schenk' Mir Keine Roten Nelken

7. Der Spielmann

8. Zu Haus In Amsterdam

9. Echo In Der Nacht

10. Komm Mit Auf Die Reise

11. Io Ti Amo - Ich Liebe Dich

12. Wer Einmal In Paris War

13. Fahr Mich In Die Ferne, Mein Blonder Matrose

14. Rimini

15. Luna Hawaiiana

16. Denk Daran

17. Abends Am Lago Maggiore

18. Mister Mandolino

19. Die Rote Blume Von Den Blauen Bergen

20. Ann-Carolin

See all 28 tracks on this disc

Tulpen Aus Amsterdam,Mieke Telkamp,Bear Family,World Music

Average customer rating: Simply the Best

Simply Baroque Manufacturer: Sony ProductGroup: Music Binding: Audio CD All Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Boccherini | Boccherini, Luigi | ( B ) | Featured Composers, A-Z | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Preludes | Forms & Genres | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music Variations | Forms & Genres | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music Organ | Keyboard | Instruments | Classical | Styles | Music Cello | Strings | Instruments | Classical | Styles | Music Ma, Yo-Yo | ( M ) | Featured Performers, A-Z | Classical | Styles | Music General | Sacred & Religious | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Cantatas | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music Passions | Vocal Non-Opera | Opera & Vocal | Styles | Music $7.99 and Under | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Bach, Johann Sebastian | ( B ) | Composers, A-Z | Classical Music Blowout | Stores | Music Boccherini, Luigi | ( B ) | Composers, A-Z | Classical Music Blowout | Stores | Music Ma, Yo-Yo | ( M ) | Performers, A-Z | Classical Music Blowout | Stores | Music Opera & Vocal | Classical Music Blowout | Stores | Music Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Classical Instrumental Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: Yo-Yo Ma - Simply Baroque II ~ Bach & Boccherini / ABO, Koopman Vivaldi's Cello The Dvorak Album Classic Yo-Yo Bach: The 6 Unaccompanied Cello Suites ASIN: B0000CD5G9 Release Date: 2003-09-30

Tracks:

1. Sei Lob Und Preis Mit Ehren
2. Erbarme Dich
3. Jesu, Joy Of Man's Desiring
4. Ertot' Uns Durch Dein' Gute
5. Ich Ruf' Zu Dir, Herr Jesu Christ
6. Kommst Du Nun, Jesu, Vom Himmel Herunter
7. Lab Mein Herz Die Munze Sein
8. Dein Blut, Der Edle Saft
9. 'Air On A G String'
10. Cello Concerto In G Major
11. Cello Concerto In G Major
12. Cello Concerto In G Major
13. Cello Concerto In D Major
14. Cello Concerto In D Major
15. Cello Concerto In D Major
16. Cello Concerto In D Major
17. Was Gott Tut, Das Ist Wohlgetan
18. Aria From Goldberg Variations
19. Wachet Auf, Ruft Uns Die Stimme

Customer Reviews:

Simply the Best.......2005-05-31

I can only say, that as far as I am concerned, this is just some of the best music I have ever heard.... Im guessing this is the way Bach intended his music to sound in the first place, and who better for that than the AMO and Koopman...and of course YO YO... if u love classic music, you are absolutly going to LOVE this cd..I highly recommend it

Average customer rating: Great but not for massage Works on my kids Wakes you up instead Music for Life musical morphine

Beethoven at Bedtime: A Gentle Prelude to Sleep Manufacturer: Philips ProductGroup: Music Binding: Audio CD Quartets | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music All Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Bagatelles | Short Forms | Forms & Genres | Classical | Styles | Music Sonatinas | Sonatas | Forms & Genres | Classical | Styles | Music Romantic | Symphonies | Forms & Genres | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music CDs $7 - $10 | Classical General | Classical | Today's Deals in Music | Formats | Music All Bargain Titles | Classical General | Classical | Today's Deals in Music | Formats | Music Similar Items: Mozart for Meditation Bach at Bedtime: Lullabies for the Still of the Night Brahms at Bedtime: A Sleepytime Serenade Mozart at Midnight Baroque at Bathtime: A Relaxing Serenade to Wash Your Cares Away ASIN: B0000041CN Release Date: 1995-04-11

Tracks:

1. A Gentle Prelude to Sleep: Symphony No. 2 In D - Larghetto
2. A Gentle Prelude to Sleep: Romance No. 2 In F
3. A Gentle Prelude to Sleep: 'Emperor' Concerto - Adagio un poco mosso
4. A Gentle Prelude to Sleep: 'Pastoral' Symphony - Scene By The Brook
5. A Gentle Prelude to Sleep: 'Pathetique' Sonata - Adagio cantabile
6. A Gentle Prelude to Sleep: String Quartet No. 13 In B-Flat - Cavatina
7. A Gentle Prelude to Sleep: Fur Elise
8. A Gentle Prelude to Sleep: Violin Concerto In D - Larghetto
9. A Gentle Prelude to Sleep: 'Moonlight' Sonata - Adagio sostenuto

Customer Reviews:

Great but not for massage.......2007-03-10

TRY, just TRY to do a massage to Fur Elise. It just can't be done! It wasn't very relaxing. I felt like I should be doing tapotement or something. Threw my rhythm way off.

BUT as a CD, it's lovely. :)

Works on my kids.......2006-12-26

I'm purchasing my second copy of the CD. My kids listen to it every night to lull them to sleep - they usually don't make it through the first piece. It is true that some of the music doesn't seem very conducive to sleep, but by the time one hears those selections, one is fast asleep.

Wakes you up instead.......2006-03-09

This CD was supposed to be soft, easy music that would help you go to sleep. I did go to sleep almost immediately but not because of the music--I was just very tired. However, the music actually woke me up a couple of times when it got just a little louder. Maybe it's me, but I didn't find this product to do as promised.

Music for Life.......2006-03-09

Thanks to the Philips Set Your Life to Music series, we don't have to set aside a concert hour to experience great music. Beethoven at Bedtime gives us the music when we need it to enrich our quiet moments. As with the other titles in this series, the performance is pure and sensitive enough to satisfy the most intellectual listener. One has only to read the list of artists and listen to the clips. What a treasure!

musical morphine.......2005-08-18

this album will definately put you out unless youre manic or all cranked up or something.but why go to sleep? youd miss out on a bunch of beethovens most beautiful music ever written.and being as how hes only the second of 7 musical geniuses ever,no true music lover can be without this many spleandored collection.its got all the great slow songs beethoven did on it like the "moonlight sonata" used on the beatles song "because" and the video game "shadow man".im sure youve heard it somewhere."for elise" is another easily recognizable song.it was on the movie "bill and teds excellent adventure".theres some more musical bliss with his violin piece and even the all important "pathetique sonata".thats the real clencher.if youre not pretty drowsy after that beautiful but utterly sedating ditty perhaps you should seek out a drs prescription before you play it because youre an isomniac.it will put most anybody out though and is plum full of a number of the most beautiful songs ever!

Average customer rating: Say Hey-ho for Yo-yo No Disappointment Here Super Enjoyable Absolutely Amazing You mouth open in Awe. Hard to believe!

Vivaldi's Cello Manufacturer: Sony ProductGroup: Music Binding: Audio CD All Works by Vivaldi | Vivaldi, Antonio | ( V ) | Featured Composers, A-Z | Classical | Styles | Music Concertinos | Concertos | Forms & Genres | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Cello | Strings | Instruments | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music Ma, Yo-Yo | ( M ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music General | Opera & Vocal | Styles | Music Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Oratorios | Opera & Vocal | Styles | Music Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music Classical | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music More Titles at Least 25% Off | Blowout Music | Stores | Music Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Classical Instrumental Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: Yo-Yo Ma - Simply Baroque II ~ Bach & Boccherini / ABO, Koopman The Essential Yo-Yo Ma Simply Baroque Classic Yo-Yo Bach: The 6 Unaccompanied Cello Suites ASIN: B0001IN11Q Release Date: 2004-03-30

Tracks:

1. Allegro
2. Largo
3. Allegro
4. Largo
5. Allegro
6. Largo
7. Allegro
8. Cosi Sugl' Occhi Miei
9. Allegro
10. Largo
11. Allegro
12. La Gloria Del Mio Sangue
13. Allegro Non Molto
14. II. Adagio
15. III. Allegro Ma Non Molto
16. Noli, O Cara, Te Adorantis
17. Laudamus Te
18. Quanto Magis Generosa
19. Dite Oihme

Amazon.com

The great Yo-Yo Ma has recently (in addition to his world music explorations) moved to the baroque cello, a so-called period instrument, and his transition has been remarkably smooth. He is indeed a musical polyglot, and this CD finds him solidly in the heart of the Baroque period, with music by Vivaldi. In addition to three concerti the composer wrote for cello, there are some fascinating transcriptions. The Largo violin solo from the "Winter" concerto of the Four Seasons is here beautifully played on cello, its darker tone added substituting gravity for chill in the wintry landscape. A concerto originally for viola d'amore, lute and strings has been transformed into one for cello, organ, strings and continuo, with Baroque expert Ton Koopman as transposer and organist (and sympathetic, energetic conductor throughout). And oddest of all, Koopman has created cello solos out of arias (one of which is helped by a perky bassoon) originally composed for female voice from a couple of operas, the oratorio Juditha Triumphans, and the familiar "Laudamus te" from the famous "Gloria." Leave it to these musicians to re-invent Vivaldi with respect and a clear ear for musical values--not to mention sheer entertainment and a forward propulsion which makes it all so invigorating. --Robert Levine

Customer Reviews:

Say Hey-ho for Yo-yo No Disappointment Here.......2007-03-05

I often play European-classical music during massage treatments. My clients love hearing this CD again and again!

Super Enjoyable.......2007-01-03

Very nice. If you're a novice to classical, you'll really enjoy this CD. Perfect for a Sunday morning coffee or rainy afternoon.

Absolutely Amazing.......2006-01-27

I love this album from beginning to end. RV 531 will blow your socks off, especially the first and third movements! Yo-Yo and Ton have done it again, thank you for such a wonderful record. You will not be disappointed with this purchase.

You mouth open in Awe........2005-06-15

This album is complete. My mouth was open in Awe when I heard Allegro off this album, it's no.1 on this album. I couldn't stop picturing them all playing this. The piece was astouding! The dynamics, accents, just everything! I don't know what else to say about this album!

Hard to believe!.......2005-04-23

This album is just exquisite... At times there are no words to describe the depth and beauty -- his incredible bow control, intensity and passion, impeccable pitch, sense of dynamic movement... It's all there! The first time I heard "Largo" from Winter I had to hold my breath -- it is such a dazzling rendition! I say that this album deserves twice as many ears as there are people in the world today!

Average customer rating: New Amsterdam: Live at Heineken Music Hall Friggin excellent album It's a great performance and all, but ONE freaking hit Are you ready to folk rock? its good but....

New Amsterdam: Live at Heineken Music Hall Counting Crows Manufacturer: Geffen Records ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music General | Rock | Alternative Styles | Alternative Rock | Styles | Music Alternative | Live Albums | Alternative Rock | Styles | Music General | Live Albums | Alternative Rock | Styles | Music Alt-Country & Americana | Country | Styles | Music General | Rock | Styles | Music Alternative Rock | Live Albums | Rock | Styles | Music General | Live Albums | Rock | Styles | Music Pop Rock | Pop | Styles | Music Adult Alternative | Pop | Styles | Music General | Classic Rock | Styles | Music Similar Items: Across A Wire: Live In New York City Hard Candy Recovering the Satellites Films About Ghosts: The Best Of... This Desert Life ASIN: B000FII32O Release Date: 2006-06-20

Tracks:

1. Rain King
2. Richard Manuel Is Dead
3. Catapult
4. Goodnight LA
5. Four White Stallions
6. Omaha
7. Mami
8. Hazy
9. Good Time
10. St. Robinson In His Cadillac Dream
11. Perfect Blue Buildings
12. Hanginaround
13. Goodnight Elisabeth
14. Hard Candy
15. Holiday In Spain

Customer Reviews:

New Amsterdam: Live at Heineken Music Hall.......2007-07-15

Excellent CD !!!!!!! Of course, I love EVERYTHING that they do, produce, write and sing..........................................................
Just my humble opinion..................................................
For what it's worth.....................................................

Kathleen B. Riddle
Kathleen Riddle...
same as above.....

Friggin excellent album.......2007-07-05

For the REAL die hard fans-this is the one to get man.I bought it and got home with it qued the cd and played every song on a Fender Strat.Even the songs I'd not heard were real easy to figure out. If anyone needs chords @ lyrics------email me and I'll copy them off and mail them to you -----no charge.Rock on everybody!!!!!!!!!!!!!Lenny

It's a great performance and all, but ONE freaking hit.......2007-02-15

Are you kidding me?! It's a great performance and all, but ONE freaking hit or remotely recognizable song ("Hanginaround) out of 15?! They don't even perform "Mr. Jones." Wasn't the idea to have this show in New Amsterdam spawned from the opening line of that song? Would be better off as an internet only release, rather than a Nation-wide one.

Are you ready to folk rock?.......2007-01-05

I don't review a lot of CD's - I'd rather just enjoy them, or not. Counting Crows have always been a favorite, but never to the point where I'd waste my precious time reviewing something for an online store.

The disk is well recorded, and the band was very much "on" when the recordings were made. There isn't a bad track on the CD, but in particular, I liked "Holiday in Spain", which always carries a nice, wistful vibe, and is particularly good here.

The real measure of how much I enjoyed the CD is that I purchased it as a gift for another music dweeb (I already had all of the tracks in MP3 format).

If you like the Crows, or live music in general, this album is a worthy investment.

its good but...........2007-01-01

Counting Crows is a great band to see life. Their performances are filled will energy, emotion, and a wealth of alternate lyrics. That being said this CD (while good, dont get me wrong) isnt really indicative of that. Heres hoping the next time they decide to come out with a bootleg album its from a little more noteworthy show.

Average customer rating: One of my favourite symphonies Five stars for a sparkling, vivacious Ninth, but set a snooze alarm for the Fifth A Soviet Artist's Response to Just Criticism?! Superb interpretation and ultra superb recording Incredible!!!

Shostakovich: Symphonies no 5 and 9 / Haitink Manufacturer: Decca ProductGroup: Music Binding: Audio CD Symphonies | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Symphonies | Classical | Styles | Music Modern & 20th Century | Symphonies | Classical | Styles | Music General | Classical | Styles | Music All Works by Shostakovich | Shostakovich, Dmitri | ( S ) | Featured Composers, A-Z | Classical | Styles | Music London Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music The Decca Records Store | Specialty Stores | Music $9.99 and Under | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Shostakovich, Dmitri | ( S ) | Composers, A-Z | Classical Music Blowout | Stores | Music London Philharmonic Orchestra | ( L ) | Performers, A-Z | Classical Music Blowout | Stores | Music Instrumental | Classical Music Blowout | Stores | Music Similar Items: Shostakovich: Symphony No. 7 Bartók: Concerto for Orchestra; Music for Strings, Percussion and Celesta; Hungarian Sketches Dmitry Shostakovich: String Quartet Nos. 2,3,7,8 & 12 Shostakovich: Cello Concerto No1, Op107; Violin Concerto No1 (revised), Op99 Stravinsky: Rite Of Spring, Fireworks, Petrouchka / Ozawa, Tilson Thomas, Chicago Symphony ASIN: B00000IP35 Release Date: 2000-07-18

Tracks:

1. Symphony No.5 In D Minor, Op.47: I. Moderato
2. Symphony No.5 In D Minor, Op.47: II. Allegretto
3. Symphony No.5 In D Minor, Op.47: III. Largo
4. Symphony No. 5 In D MInor, Op.47: IV. Allegro non troppo
5. Symphony No.9 In E-Flat Major, Op.70: Allegro
6. Symphony No.9 In E-Flat Major, Op.70: Moderato
7. Symphony No.9 In E-Flat Major, Op.70: Presto
8. Symphony No.9 In E-Flat Major, Op.70: Largo
9. Symphony No.9 In E-Flat Major, Op.70: Allegretto - Allegro

Amazon.com

Gorgeously recorded so that all of Shostakovich's eerieness of texture (and harps) can be heard, Haitink's performance of the Fifth symphony is pretty wonderful. The bare landscape of the first movement, with its lonely oboe solos, leads into the very Mahlerian, faux-fun second movement with creepy ease. The Largo is introverted but poignant, with handsome, sustained pianissimo playing, and the finale has great energy, but not quite enough of the grotesque--it's a bit too well-groomed. The Ninth, on the other hand, is ideal, with a finale to rollick over, and a refusal to turn the sometimes sappy second movement into empty emotion. It's one of those moments when Haitink's coolness pays off. A good buy. --Robert Levine

Customer Reviews:

One of my favourite symphonies.......2007-01-24

I'm not going to debate who's interpretation of Shostakovich's symphonies is best as some reviewers have. I'll simply say this: the fifth symphony is among my favourite of all symphonies by anyone. I highly reccomend it, whether it is this recording or another one. However, without going into issues of interpretation, I will say that the recording quality on this CD is very good.

Five stars for a sparkling, vivacious Ninth, but set a snooze alarm for the Fifth.......2006-07-20

Here we have one triumphant Shostakovich performance and one nearly inexcusable one. The praise that Haitink's Shostakovich Fifth has garnered here is inexplicable--this is a plodding reading that barely gets on its legs for the entire first movement. Don't the reviewers below detect the total absence of rhythmic vitality and pace? I guess not. Oh well, one person's nobility is another's long nap.

The Scherzo clumps along well enough, but without bite or satire. The centerpiece of Haitink's interpertation is a hushed, singing slow movement expressed with great refinement, if a bit blandly. The finale, needless to say, is among the slowest, but there's so much impact in the brass playing that excitement is generated without undue speed. It will appeal to the tortoise-wins-the-race crowd. The Concertgebouw plays beautifully throughout, and is strikingly captured by Decca's engineers.

Fortunately, the skies brighten with Haitink's Shostakovich Ninth from the London Phil., his second orchestra. It's so good-humored and light on its feet that you are constantly smiling. Tempos are fast, the mood sprightly--Haitink was wise, I thin, not to take the more serious approach adopted by Bernstein and Gergiev. Good as the sonics are for the Fifth, these are of demonstration quality, with loads of inner detail and perfect clarity. The orchestra seems to relish every bar. They should send condolence notes to their counterparts in Amsterdam.

How odd of Decca to pair the very worst of Haitink's cycle with the very best.

A Soviet Artist's Response to Just Criticism?!.......2006-02-25

The Symphony No. 5 is one of Shostakovich's greatest masterpieces, which can hardly be ascertained from its origins as a piece to satisfy the Soviet state's artistically stifling demands in music (for example, all other aspects of music had to be subordinate to melody). The previous year Shostakovich was savagely attacked in the Pravda for his opera `Lady Macbeth of Mtsensk District', primarily because Stalin was shocked by its graphic sex and violence, and the fifth symphony was Shostakovich's reaction to this scathing criticism. (He was undoubtedly aware that the article extended further than trying to damage his confidence, if he didn't produce music along the lines of the states prerequisites he would be imprisoned or killed.)

It received the expected reaction: Rostropovich claimed that the ovation lasted for an hour. Whatever optimism and buoyancy the Soviet authorities may have seen in it; to me it seems more like a comic satire. The opening of the quasi-triumphant finale seems like a bitter, lacerating march fit to represent snide ridicule at its own hollow pomposity. This soon gives way to angry explosions in the brass which speak more of fury and violence than joyous optimism. Shostakovich himself said, `There is a feeling of rejoicing, but it is one of forced rejoicing. It is as if someone is hitting you over the head with an iron bar telling you "Your business is rejoicing" over and over again. Eventually, you walk away muttering "My business is rejoicing".'

The first movement is sombre and claustrophobic with its incessantly repeated, probing string melodies which for me speak of desolation and broken, empty landscapes, dead trees etc. etc. ... There are searching, melancholy oboe solos, warm horn chords, urgent string crescendos, pizzicato strings, pseudo-miliatary trumpet and snare drum jollity, and massive anger expressed through explosive brass. But it is also undoubtedly beautifully melodic, as is the entire symphony, and the symphony features enough material in major keys to bespeak at least forced hopefullness.

The second movement is brisk, occasionally pungently Russian, and bursting with Shostakovich's `forced' joy: an effect which is achieved through near superimposition of the melancholy and the mirthful; the minor and the major etc. The third movement can be summarised as one of subdued melancholy.

Haitink's performance is excellent, crystal clear, never over dramatic, and expressing the music with perfect musicianship and feeling. In comparison with this performance Bernstein's is demure, seeming like a piece designed more at ostentatious display than power and dignity. All I can say is buy this disk!!! You won't regret it.

Superb interpretation and ultra superb recording.......2006-01-09

I wish that Haitink made more amazing recordings like this one of the 5th and 9th symphonies by Shostakovich. He is usually thought of as being in the top rank of conductors, but by hearing this disc, you might think that he's just about the best. Maybe the amazing sound quality kind of makes him look good, but not really, this is just a greatly played superb interpretation. The Concertgebouw (which by the way is my favorite Orchestra at the present time) are on their toes throughout this version of the 5th. They are just truly amazing here, just as they are on most occasions. Did you know that this recording won the Gramaphone top prize for it's sound engineering? That was no surprise to me! Haitink alternated between the Concertgebouw and London Philharmonic for this symphony cycle, and of course the Londoners are in really fine form also, but still not the equal (in my opinion) of this fine dutch orchestra. I've never been quite so impressed with a classical cd's sound quality, except for a few cds of the conductors Christopher Hogwood and Trevor Pinnock. I haven't heard more than 8 or 9 different versions of the 5th, but this and Semyon Bychkov's version with the BPO in 1986 are my favorites at the present time. I think the Bychkov version has almost as good sound quality, and it's severely underrated, because I've never heard the Penguin Guide or any other classical magazine rate it, which is quite crazy, because it's a bold blistering performance that does deserve very high praise. This is also one of the best 9th's out there, but that is a symphony that I have not listened to very much to this point in my life, though I plan to listen to it more very soon. Haitink pretty much can't do wrong when he's conducting Bruckner or Shostakovich, but it you haven't listened to his Bruckner or Shostakovich, do yourself a favor and buy some, because he's definitely one of the top interpreters there are. If nothing else buy this for the demonstration sound quality, and I'm sure you'll fall in love with this incredible disc. ENJOY!!!

Incredible!!!.......2004-09-16

Few superlatives can match the incredible performances which Haitink achieves in Number 5...this has long been one of my favorite recordings for various reasons. Simply put the winds and brass and strings are all on the same waveleagnth...there is not a single phrase in this performance that isn't perfect. On top of this are the incredible heights of the DECCA recording which matches perfectly the great scores.

As to Nine I also love Bernstein in NY...here it also well recorded too. The London Phil plays brilliantly here as well!!

Average customer rating: Comparison - Jochum's Set vs. Colin Davis' Haydn's London Symphonies Excellent, but beware of Davis' groaning GOOD, BUT! Grand, Warm, Rich, Mature Symphony

Haydn: The London Symphonies, Vol. 2 Manufacturer: Philips ProductGroup: Music Binding: Audio CD All Works by Franz Joseph Haydn | Haydn, Franz Joseph | ( H ) | Featured Composers, A-Z | Classical | Styles | Music Classical | Symphonies | Forms & Genres | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music Similar Items: Haydn: The London Symphonies, Vol. 1 Haydn: Paris Symphonies Haydn: Symphonies Nos. 88 - 92 Haydn: String Quartets Op. 76, Nos. 1-3 Mendelssohn: 5 Symphonies; 7 Overtures ASIN: B0000041AR Release Date: 1994-10-11

Tracks:

1. Symphony In D: Adagio - Allegro assai - Joseph Haydn
2. Symphony In D: Largo cantabile - Joseph Haydn
3. Symphony In D: Menuetto. Allegro - Joseph Haydn
4. Symphony In D: Finale. Presto ma non troppo - Joseph Haydn
5. Symphony In E Flat: Adagio -- Vivace assai - Joseph Haydn
6. Symphony In E Flat: Adagio - Joseph Haydn
7. Symphony In E Flat: Menuetto. Allegretto - Joseph Haydn
8. Symphony In E Flat: Finale. Vivace - Joseph Haydn
9. Symphony In G: Adagio - Joseph Haydn
10. Symphony In G: Andante - Joseph Haydn
11. Symphony In G: Menuetto - Joseph Haydn
12. Symphony In G: Finale - Joseph Haydn

Tracks:

1. Symphony In G: 1. Adagio - J. Haydn
2. Symphony In G: 2. Andante - J. Haydn
3. Symphony In G: 3. Menuetto - J. Haydn
4. Symphony In G: 4. Finale - J. Haydn
5. Symphony In C: 1. Adagio - Vivace - J. Haydn
6. Symphony In C: 2. Adagio ma non troppo - J. Haydn
7. Symphony In C: 3. Menuetto. Allegretto - J. Haydn
8. Symphony In C: 4. Finale. Presto assai - J. Haydn
9. Symphony In D: 1. Adagio - J. Haydn
10. Symphony In D: 2. Andante - J. Haydn
11. Symphony In D: 3. Menuetto - J. Haydn
12. Symphony In D: 4. Finale - J. Haydn

Amazon.com

Someone once commented on the "sulphurous devilishness" of Haydn's surprises in the London symphonies. But it should come as no surprise that one of the best recordings of these works is from Sir Colin Davis, whose accounts with the Concertgebouw Orchestra stand among the most exalted phonographic accomplishments of recent years. There is a Beechamesque quality to these readings, and when it comes to Haydn, that is praise indeed. They are exceptionally personable, characterful, likable interpretations, with wit, warmth, and life in every measure. All 12 symphonies are wonderfully played and very well recorded. At full price, these recordings would be a top choice; as midprice offerings, three symphonies to a disc (averaging more than 75 minutes of music each), they're a steal. --Ted Libbey

Customer Reviews:

Comparison - Jochum's Set vs. Colin Davis'.......2006-02-23

Jochum and London Phil deliver the highest level of Haydn playing just like Colin Davis and Concertgebow do. I own both and tried to compare between two.

Jochum adds plenty of personal touches that decidedly grab your attention. You hear poignant romanticism or Beethoven-like roar in many places. Colin Davis, by comparison, lets the music flow naturally and makes it sound more balanced. Colin Davis sure gets a lot of help from the gorgeous Concertgebow band - silky but vivacious strings, show-stopping woodwinds, bright brass section, etc. In his set, you hear more of the orchestra than Colin Davis. I think it's the other way around in Jochum set. Concergebow's sound is more transparent and charmingly light-footed while London Phil sounds fuller and creamier without losing crispness. You get more agility and refinement from Davis set. You get more expressiveness and warmth from Jochum's.
Let me emphasize that all of the good qualities I attributed to either of the sets actually exist in both (they are inherently in Haydn's writing). It's just that some qualities are more apparent in one than the other.
As to the recording, Colin Davis set has more sparkle and vividness. It sounds more modern. Jochum's has a typical old-fashioned analogue sound in a very good way. It has plenty of natural ambience but doesn't sound muddy.
I recommend you buy both of these delightful and affordable sets. I never regretted doing so :-)

Haydn's London Symphonies.......2005-12-21

I have been listening to many of Haydn's earlier symphonies on the ongoing cycle of the complete series on Naxos. But for the final set of twelve, Haydn's masterpieces in the form, I wanted Sir Colin Davis conducting the Royal Concertgebouw Orchestra. Davis has recorded the twelve London symphonies on two mid-priced Phillips "duo" CDs. The performances are outstanding and filled with ebullience. They will make a good introduction to Haydn for those new to his music and will delight long-term lovers of Haydn.

Beginning when he was about 25, Haydn composed for the wealthy and music-loving Esterhazy family. His fame gradually spread throughout Europe and, with the "Paris" symphonies, Haydn began to write works for a public broader than his aristocratic patron. With the death of Nicholas Esterhazy in 1790, Haydn received an invitation to visit London. He visited twice, in 1791-1792 and again from 1794-1795. His twelve "London" symphonies are the result. These are full-scaled symphonic creations showing the consummate mastery Haydn had acquired over the years. The works are joyous and lively and were immediately welcomed by Haydn's London audiences. They are also highly sophisticated and endlessly creative works of art which will reward careful listening and study. For those listeners wanting a more detailed, yet non-technical overview of the twelve London symphonies than that found on liner notes, I suggest consulting their treatment in Michael Steinberg's valuable work, "The Symphony: A Listener's Guide."

This two-CD set includes six of the London symphonies: nos. 93, 94, 97, 99, 100, and 101. Let me mention a few features of each.

Haydn's most famous symphony is probably the 94th in G major, the "Surprise". The theme of the second movement, with the large "bang" at the end of the repetition of the opening phrase is one of the best-known moments of music, familiar to children. This remains an excellent work to introduce young people to music. The "surprise" movement proceeds with a lovely set of variations, and there is much to get to know, including more surprises, in the remaining three movements as well.

Symphony no. 100 is also in G major and is known as the "Military" for the martial tone of the second movement, replete with drums, cymbals, and triangle. In addition to the "Military" movement, this symphony features a vicacious finale replete with timpani, a contrapuntal section, and some soft moments of reflection hidden within the lively theme.

The "Clock" symphony, no 101 in D major is named for the tick-tock accompaniment figure in the second movement which is forever endearing. This movement gradually rises to a moment of passion as it develops. The work also features a lively opening movement, a lengthy minuet, and an outstanding finale that works from an inocuous opening to complex counterpoint.

The symphonies with nicknames are the easiest way to introduce the London set, but the symphonies without these names are on the same high plane. The first of the London set is symphony no. 93, also in D major. A memorable moment of this work is the opening of the second movement, which Haydn scores for a string quartet. The movement becomes rather introspective as it proceeds, but Haydn brings it back to earth with a toot on the bassoon at the close. The symphony opens with a slow. detailed introduction followed by an opening movement that develops two lively and lyrical themes.

The 97th symphony is the last of twenty Haydn symphonies in C major, a key he used for regal, ceremonial effect. The work opens with a surprisingly quiet slow introduction followed by an opening movement that develops broadly from many repetitions of the basic chord of C major.

The 99th symphony in E-flat major is the first in which Haydn used clarinets and, from the opening chord, clarinets play a major role in the texture of this work. This is one of the more complex symphonies of the London set, with a harmonically adventurous slow introduction followed by a movement that emphasizes the second of its two major themes. The slow movement is deeply intense and also stresses the second of the two primary themes on which it is based. After a lyrical, restrained opening, the movement turns to the minor key in a dramatic section before returning to the opening material, substantially embellished. The minuet combines elements of both courtliness and earthiness while the finale is rapid and culminates in a fugal passage. The 99th is one of the finest symphonies of an outstanding series.

This set, and its companion recording of the remaining six London symphonies, make a wonderful introduction to a great composer.

Robin Friedman

Excellent, but beware of Davis' groaning.......2005-02-23

Excellent recordings in general, as pointed out by others.

But Davis' groaning is very audible and ANNOYING in places. He does the same on most of his more recent LSO recordings.

Why do conductors groan/grunt away and spoil their recordings so often?

Jochum/DG is another great set of the London symphonies, and doesn't have conductor noises!

GOOD, BUT!.......2004-07-15

This set is good of course, but if you are looking for great performances for EACH of Haydn's 12 London symphony, you may want to buy individual discs. Here is my collection of the 12 'London' Masterpieces.
Symphony 93: Goodman/Hanover Band (Hyperion 66532)
Symphony 94: Monteux/Vienna Phil (Decca 452893-2)
Symphony 95: Britten/ECO (BBC 8008)
Symphony 96: Harnoncourt/Concg. Orchestra (Teldec/Warner 21337-2)
Symphony 97: Szell/Cleveland (Sony 67175)
Symphony 98: Jochum/LPO (DG 437 201-2)
Symphony 99: Davis/Concg. Orchestra (Phillips 442 614-2)
Symphony 100: Walter/Columbia (Sony 64485)
Symphony 101: Mackerras/St. Luke's (Telarc)
Symphony 102: Dorati/Philharmonia Hungarica (Decca 452 259-2)
Symphony 103: Kuijken/La Petite Bande (DHM 77362)
Symphony 104: Hickox/Collegium Musicum 90 (Chandos 0655)

Grand, Warm, Rich, Mature Symphony.......2003-05-07

Culmination of a marvelous life in composition are these London Symphonies.

Here, in one of the highest rated collections Sir Colin Davis leads the Royalo Concertgebouw Orchestra in over 150 minutes of some of the premier symphonic sounds of all times. There is style and substance in their treatment and the crisp, clean recording is marvelous at any price, but even better at this mid-range bargain.

I especially have fond of No. 93 and of course, No. 102 with its melodic richness and inventive harmony. His element of surpirse is always robust and mysterious, as here the third note spells departure.

How good can one set at this price be? Supremely good and satisfying Hadyn!

Average customer rating: Comparison - Jochum's Set vs. Colin Davis' Haydn's London Symphonies This is a good bargain but I don't recommend the performance GOOD, BUT! Thrill of Playing/Listening to Great Symphonic Composure

Haydn: The London Symphonies, Vol. 1 Manufacturer: Philips ProductGroup: Music Binding: Audio CD All Works by Franz Joseph Haydn | Haydn, Franz Joseph | ( H ) | Featured Composers, A-Z | Classical | Styles | Music Classical | Symphonies | Forms & Genres | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music Similar Items: Haydn: The London Symphonies, Vol. 2 Haydn: Paris Symphonies Bach - Mass in B minor / Argenta, Nichols, Chance, Stafford, Milner, W. Evans, Gardiner Mozart: Piano Concertos Nos. 24 & 25 Schubert: Piano Quintet "Trout"; Mozart: Clarinet Quintet ASIN: B0000041AQ Release Date: 1994-10-11

Tracks:

1. Symphony In C Minor, Hob. I:95: 1. Allegro moderato
2. Symphony In C Minor, Hob. I:95: 2. Andante
3. Symphony In C Minor, Hob. I:95: 3. Menuetto
4. Symphony In C Minor, Hob. I:95: 4. Finale. Vivace
5. Symphony In B Flat, Hob. I:98: 1. Adagio - Allegro
6. Symphony In B Flat, Hob. I:98: 2. Adagio
7. Symphony In B Flat, Hob. I:98: 3. Menuetto. Allegro
8. Symphony In B Flat, Hob. I:98: 4. Finale. Presto
9. Symphony In D, Hob. I:104: 1. Adagio - Allegro
10. Symphony In D, Hob. I:104: 2. Andante
11. Symphony In D, Hob. I:104: 3. Menuetto. Allegro
12. Symphony In D, Hob. I:104: 4. Finale. Spiritoso

Tracks:

1. Symphony In D, Hob. I:96: 1. Adagio - Allegro
2. Symphony In D, Hob. I:96: 2. Andante
3. Symphony In D, Hob. I:96: 3. Menuetto. Allegretto
4. Symphony In D, Hob. I:96: 4. Finale. Vivace assai
5. Symphony In B Flat, Hob. I:102: 1. Largo - Vivace
6. Symphony In B Flat, Hob. I:102: 2. Adagio
7. Symphony In B Flat, Hob. I:102: 3. Menuetto, Allegro
8. Symphony In B Flat, Hob. I:102: 4. Finale, Presto
9. Symphony In E Flat, Hob. I:103: 1. Adagio - Allegro con sirito
10. Symphony In E Flat, Hob. I:103: 2. Andante piu tosto allegretto
11. Symphony In E Flat, Hob. I:103: 3. Menuetto
12. Symphony In E Flat, Hob. I:103: 4. Finale, Allegro con spirito

Amazon.com

Someone once commented on the "sulphurous devilishness" of Haydn's surprises in the London symphonies. But it should come as no surprise that one of the best recordings of these works is from Sir Colin Davis, whose accounts with the Concertgebouw Orchestra stand among the most exalted phonographic accomplishments of recent years. There is a Beechamesque quality to these readings, and when it comes to Haydn, that is praise indeed. They are exceptionally personable, characterful, likable interpretations, with wit, warmth, and life in every measure. All 12 symphonies are wonderfully played and very well recorded. At full price, these recordings would be a top choice; as midprice offerings, three symphonies to a disc (averaging more than 75 minutes of music each), they're a steal. --Ted Libbey

Customer Reviews:

Comparison - Jochum's Set vs. Colin Davis'.......2006-05-03

Jochum and London Phil deliver the highest level of Haydn playing just like Colin Davis and Concertgebow do. I own both and tried to compare between two.

Jochum adds plenty of personal touches that decidedly grab your attention. You hear poignant romanticism or Beethoven-like roar in many places. Colin Davis, by comparison, lets the music flow naturally and makes it sound more balanced. Colin Davis sure gets a lot of help from the gorgeous Concertgebow band - silky but vivacious strings, show-stopping woodwinds, bright brass section, etc. In his set, you hear more of the orchestra than Colin Davis. I think it's the other way around in Jochum set. Concergebow's sound is more transparent and charmingly light-footed while London Phil sounds fuller and creamier without losing crispness. You get more agility and refinement from Davis set. You get more expressiveness and warmth from Jochum's.
Let me emphasize that all of the good qualities I attributed to either of the sets actually exist in both (they are inherently in Haydn's writing). It's just that some qualities are more apparent in one than the other.
As to the recording, Colin Davis set has more sparkle and vividness. It sounds more modern. Jochum's has a typical old-fashioned analogue sound in a very good way. It has plenty of natural ambience but doesn't sound muddy.
I recommend you buy both of these delightful and affordable sets. I never regretted doing so :-)

Haydn's London Symphonies.......2006-01-28

Haydn's twelve London Symphonies represent the culmination of Haydn's long and slow development as a symphonist. They remain among the greatest most varied set of symphonies ever written. Haydn composed them in two sets of six, for two lengthy trips to London in 1791 --1792 and 1794 -- 1795. The symphonies have been recorded in their entirety by many conductors, including Beecham, Scherchen,Bernstein, Jochum, and Van Karajan, but the set by Sir Colin Davis conducting the Royal Concertgebouw Orchestra is justly renowned. Davis's readings are available on two two-CD sets from Phillips, each of which sell at a modest price. There is no better way for the newcomer to get to know Haydn's masterworks. The first of the Phillips volumes, which I discuss here includes three of the earlier symphonies of the group, nos. 95,96, and 98, together with the magisterial final three symphonies, nos 102, 103, and 104.

Haydn's music speaks to the beginner in music (Remember the slow movement of the "surprise" symphony, known to every child.) as well as to the most demanding listener. The London audience for which he wrote them consisted both of people who knew little of music together with highly knowledgeable and sophisticated music lovers. Haydn had the ability to please both. The London symphonies are full of memorable and simple tunes, concertante solos for many instruments, jokes, and gimmicks. But they also include great musical variety, highly original slow introductions which become deeply integrated with the body of the work, deep slow movements, great development of material, creative orchestration, and extensive use of counterpoint. The symphonies have best been described as exemplifying a "sense of grandeur". They are large-scale, serious compositions, full of ease and mastery. They are also very much products of the Enlightenment as they move from their slow and mysterious openings through to their lively, positive, and triumphant conclusions.

The earliest of the London symphonies is the Symphony no. 96 in D major sometimes called the "Miracle". This is a simpler work than most of its companions. It opens with a fanfare slow introduction followed by a lively theme. Moments to listen for include the oboe solos at the end of the introduction and in the trio of the third movement, the counterpoint in the minor key in the slow movement, and the solos for flute and violin near the end of the slow movement.

The symphony no 95 in C minor is the only one of the London symphonies in a minor key and the only one without a slow introduction. It juxtaposes major and minor key elements coming to a major, triumphal close in the first movement. The first movement consists of an angular, angry minor key opening theme, followed by a long, lyrical theme in a major key. The second movement is a theme and variation while the minuet returns to the minor. The solo cello has large roles in the two middle movement. The finale is in the major with a great deal of fugal writing.

The symphony no 98 in B flat major is together with the following symphony no. 99, on of my favorites of the first nine of these symphonies. The slow introduction is, unusually, in the minor key and it is followed by a movement of great lightness with much counterpoint. The slow movement is one of Haydn's most sublime, probably written to commemorate the death of Mozart, with echoes of the slow movement of Mozart's "Jupiter" symphony. The minuet includes a trio for wind soloists while the swirling, humorous finale includes solo passages for the violin and, at the end, for the piano. (Haydn accompanied from the keyboard during the initial performances of these works.)

The final three symphonies of the "London" set are large-scaled masterpieces, the summit of the series. They were written for performance at the Opera Hall; and Haydn took full advantage of the orchestra and accoustics available to him to say his last word in symphonic form. There is much to hear and rehear in these symphonies.

The sympnony no. 102 in B flat major opens with a slow, largo introduction for the strings followed by a fast movement with two contrasting themes and a large-scaled development. The second movement is probably Haydn's best, as it glows with feeling and romance. The finale is a perpetuum mobile, developed canonically, with a theme that is tossed continually among the various instruments of the orchestra.

The "Drum-roll" symphony no. 103, opens with the instrument for which it is named followed by a growling introduction in the lower strings. In many ways, this symphony is similar to Haydn's Oratorio, "The Creation", composed subsequent to the London symphonies, with its movement from darkness to light. Unusually, the opening introductory material returns at the conclusion of the first movement. In the minuet of this symphony, Haydn moves from some simple, rustic writing for woodwinds to an immediately following theme for the violins of great urbanity. Haydn develops his final movement from some simple material, which he uses contrapuntally and with variety.

With its combination of depth, sophistication,wit,and highest mastery, the London symphony, in D major, No. 104, is my favorite of the set. It is a large work which begins with a minor-key and solemn introduction followed by an unusually lively and triumphant opening allegro. The slow movement is song-like with a darker middle section in the minor key. The minuet again features solos for winds in the trio, but the highlight of this symphony is its finale. Over a continuous drone, the orchestra articulates a theme, possibly derived from an English street tune, and develops it thoroughly from wit to grandeur. It is an apt conclusion to Haydn's symphonic career.

This is a set that can be heard many times, with increasing pleasure and discovery. Haydn's London Symphonies are among music's lasting joys. They are beautifully performed by Sir Colin Davis and the Amsterdam Concertgebouw.

Robin Friedman

This is a good bargain but I don't recommend the performance.......2004-11-17

One of my favorite conductors, Colin Davis, is not at his best here. The Dorati and Bruggen sets are both preferable.

GOOD, BUT!.......2004-07-15

This set is good of course, but if you are looking for great performances for EACH of Haydn's 12 London symphony, you may want to buy individual discs. Here is my collection of the 12 'London' Masterpieces.

Symphony 93: Goodman/Hanover Band (Hyperion 66532)
Symphony 94: Monteux/Vienna Phil (Decca 452893-2)
Symphony 95: Britten/ECO (BBC 8008)
Symphony 96: Harnoncourt/Concg. Orchestra (Teldec/Warner 21337-2)
Symphony 97: Szell/Cleveland (Sony 67175)
Symphony 98: Jochum/LPO (DG 437 201-2)
Symphony 99: Davis/Concg. Orchestra (Phillips 442 614-2)
Symphony 100: Walter/Columbia (Sony 64485)
Symphony 101: Mackerras/St. Luke's (Telarc)
Symphony 102: Dorati/Philharmonia Hungarica (Decca 452 259-2)
Symphony 103: Kuijken/La Petite Bande (DHM 77362)
Symphony 104: Hickox/Collegium Musicum 90 (Chandos 0655)

Thrill of Playing/Listening to Great Symphonic Composure.......2003-05-17

Imagine the thrill of Haydn finally hearing his work played the outstanding orchestra of Salomon in London, and for these musicians?

What a result for us to inherit these magnificent works performed by Sir Davis and the Royal Concertgebouw recorded at such an outstanding value by Philips.

I especially love the cello part in the Minuet of Sym.95 as well as the Adiago from the 98th. How hard is it to pick and choose though from this magnificent sounds? I find myself conducting as I listen as in Sandy Bottom Orchestra with the dairy manager.

Must have set!

Average customer rating: Fabulous Andre Rieu "Fiesta" Fiesta Not the best versions available This is a great album!

Fiesta André Rieu , Johann Strauss Orchestra , Georges Bizet , Gioachino Rossini , Mikis Theodorakis , Pascual Marquina , Vincent Youmans , Leo Ferré , E. Ramirez , Filippo Marchetti , Emmerich Kalman , Jacob Gade , P. Shott , Gerhard Winkler , Louis Louiguy , Glanzberg , Vincent Scotto , Luigi Denza , Scottish Traditional , Friedrich Schroder , and Anonymous Manufacturer: Philips ProductGroup: Music Binding: Audio CD All Works by Theodorakis | Theodorakis, Mikis | ( T ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rossini | Rossini, Gioacchino | ( R ) | Featured Composers, A-Z | Classical | Styles | Music Film Scores | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General Contemporary | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Rieu, Andre | ( R ) | Featured Performers, A-Z | Classical | Styles | Music Romances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music French | Languages | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music General | Easy Listening | Pop | Styles | Music Similar Items: The Vienna I Love, Waltzes From My Heart Andre Rieu in Concert At The Movies Roses from the South Tuscany ASIN: B000031WXB Release Date: 2000-01-01

Tracks:

1. Clavelitos
2. Espana Cani
3. Cielito Lindo
4. Seventh Heaven Of Love
5. Carmen: Ov
6. Hava Nagila
7. Tea For Two
8. Moulin Rouge/Paris Canaille
9. Sirtaki (Zorba's Dance)
10. Fascination
11. The Gipsy Princess Medley: Love, Love, Love!/The Swallow Song/How Could I Know?/Love, Love, Love!
12. William Tell: Ov
13. Jalousie
14. The Canals Of Amsterdam
15. Let's Go To Varasdin
16. Chianti-Lied
17. La Vie En Rose/Padam Padam/Sous Les Ponts De Paris
18. Funiculi Funicula
19. Auld Lang Syne

Customer Reviews:

Fabulous.......2005-10-23

This DVD is spectacular. Andre Rieu is absolutely fascinating to listen to and the costumes of the orchestra as gorgeous. Well worth every penny.

Andre Rieu "Fiesta".......2005-09-20

This CD is absolutely fantastic. There is no musician quite like Andre Rieu. His music does indeed lift the spirit.

Fiesta.......2005-09-12

The music lifts my spirits! It is fun and lighthearted. I sincerely recommend this CD by Andre Rieu.

Not the best versions available.......2002-02-12

First of all, why call this recording
"Fiesta"? only for the first four latin-american
works? because the rest of the cd is of
German music.I you want a real "Fiesta"
disc, I recomendation is that disc
of Keith Lockhart, is much more fun and
much more in a fiesta spirit than this one.

This is a great album!.......2002-01-02

I highly recommend this album. Andre Rieu is a great violinist. If you buy this album you will not be dissappointed. I'd give it ten stars if I could.

Average customer rating: Shostakovich Jazz Album Shostakovich the Jazz Guy Wonderfully engaging light music from Shostakovich Shostakovich Defies Stalin With "Jazz Music" High spirits from a composer known for melancholy

Shostakovich: The Jazz Album Manufacturer: Decca ProductGroup: Music Binding: Audio CD Dances | Ballets & Dances | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music General | Classical | Styles | Music All Works by Shostakovich | Shostakovich, Dmitri | ( S ) | Featured Composers, A-Z | Classical | Styles | Music The Decca Records Store | Specialty Stores | Music Similar Items: Shostakovich: Waltzes Jazz Suites 1 & 2 Shostakovich: Symphonies no 5 and 9 / Haitink Shostakovich: Cheryomushki, The Bolt, The Gadfly (The Dance Album) Shostakovich: The String Quartets ASIN: B0000041ZT Release Date: 1993-02-16

Tracks:

1. Jazz Suite No. 1: I. Waltz
2. Jazz Suite No. 1: II. Polka
3. Jazz Suite No. 1: III.Foxtrot
4. Piano Concerto No. 1 In C Minor, Op. 35 (Concerto For Piano, Trumpet And Strings): I. Allegretto
5. Piano Concerto No. 1 In C Minor, Op. 35 (Concerto For Piano, Trumpet And Strings): II. Lento
6. Piano Concerto No. 1 In C Minor, Op. 35 (Concerto For Piano, Trumpet And Strings): III. Moderato
7. Piano Concerto No. 1 In C Minor, Op. 35 (Concerto For Piano, Trumpet And Strings): IV. Allegro con brio
8. Jazz Suite No. 2 (Suite For Promenade Orchestra): I. March
9. Jazz Suite No. 2 (Suite For Promenade Orchestra): II. Lyric Waltz
10. Jazz Suite No. 2 (Suite For Promenade Orchestra): III. Dance 1
11. Jazz Suite No. 2 (Suite For Promenade Orchestra): IV. Waltz 1
12. Jazz Suite No. 2 (Suite For Promenade Orchestra): V. Little Polka
13. Jazz Suite No. 2 (Suite For Promenade Orchestra): VI. Waltz 2
14. Jazz Suite No. 2 (Suite For Promenade Orchestra): VII. Dance 2
15. Jazz Suite No. 2 (Suite For Promenade Orchestra): VIII. Finale
16. Tahiti Trot (Tea For Two)

Customer Reviews:

Shostakovich Jazz Album.......2006-01-29

An excellent rendition of Shostakovich's two jazz suites plus his Piano Concerto #1. However, I've heard Rostropovich conduct all three in person, and would welcome a recording of his, since he was a great friend of Shostakovich's. It hasn't been done, and until it is, this will suffice as a fine addition to any classical library.

Shostakovich the Jazz Guy.......2005-10-10

If Shostakovich had decided to write in the Russian folk idiom, this CD would probably be the best glimpse into that genre.

Intending to raise the level of Soviet jazz, we now have two jazz suites scored for orchestra, but featuring instruments used in a way we don't normally hear in Shostakovich. Using xylophone, twangy guitar, accordion, harmonica, and saxophones, we are treated to various "dance forms" such as waltzes, polkas, foxtrots, and marches. Shostakovich goes from the militant, to the humorous, to the sensual, each with an engaging and "catchy" Russian melody and unusual orchestration. He also orchestrates the famous "Tea for Two" into a short fantasia, which is rather whimsical.

The 1st piano concerto is a kind of odd fit on this CD in my opinion. More in the vein of what we are used to hearing from mainstream Shostakovich, he is rather melodic and often quotes from other works. The bare bones orchestration of piano, trumpet, and strings gives this work a very transparent feel. The first movement has an ominous opening theme. The slow second movement is very exciting in its own right with its sense of drama, rarely dwelling in lugubriousness, carrying the sense of dread from the first movement. The third movement is a sort of recitative to the last movement. The last movement has an unusual string mode mixture, the piano goes into a dance feel and the trumpet has some fanfare licks. Both piano and trumpet work together very well as separate soloists in this movement. He ends in a fury with piano and string poundings, the piano has some raucous quotes, and the trumpet ends with fanfares.

Overall, the performances are stellar. The jazz suites have natural Russian flair, the slow with great sumptuousness, the fast never taking itself too seriously and never careening out of control. The piano concerto doesn't fit the program in my opinion, but a very fine performance indeed. This CD is a must for any collection and an easy introduction to the lighter side of Shostakovich.

Wonderfully engaging light music from Shostakovich.......2004-12-05

Who knew Shostakovich had such a sense of humor? This disc is delightfully entertaining and sparkles a the turn-of-the century cosmopolitan sound that is simultaneously reminiscent of Milhaud, Gershwin, and Ibert. The result is something supremely different. It's certainly worth a listen or two.

Shostakovich Defies Stalin With "Jazz Music".......2004-08-26

Although he was much better known as a composer of symphonies, fifteen in all (the most of any major composer since Beethoven), many of them large and bold, Dmitri Shostakovich had moments where he could be light-hearted. Given that he worked under the watchful eyes of the Soviet Communist Party and that tyrant of Iron Curtain political correctness Joseph Stalin, this is nothing short of a miracle. This album of "jazz music", all of which was composed in the 1920s and 1930s, demonstrates Shostakovich's more "light-hearted" side.

The works featured here include the composer's First Piano Concerto (with pianist Ronald Brautigam and trumpeter Peter Masseurs), the famous Tahiti Trot, and the two Jazz Suites that Shostakovich composed in 1934 and 1938 respectively. Each of the four works gives us the knowledge that Shostakovich knew how to be wickedly subversive and humorous under severe conditions, though it is not necessarily "jazz music" the way Americans might think. There are twists in these works, as well: for example, the jaunty Foxtrot of the Jazz Suite No. 1 incorporates what sounds like a Dobro (more commonly associated with American bluegrass and country music).

The Jazz Suite No. 2, of course, contains the famous Second Waltz in the key of C Minor that director Stanley Kubrick used for his final film, the psychosexual drama EYES WIDE SHUT, in 1999. In fact, this very recording, by Riccardo Chailly and the Concertgebouw Orchestra of Amsterdam, is the one that Kubrick used. It has a salon feel to it, and has as much in common with Johann Strauss' classic waltz style as it does with Shostakovich's own individualistic approach to things.

Both Brautigam and Masseurs are brilliant in the Concerto, and Chailly and the Concertgebouw demonstrate the kind of orchestral brilliance that serves them as well in this lesser-known Shostakovich collection as it does in their Bruckner and Mahler sojourns. It comes highly recommended as an unusual look into how great music with humor could be created under extreme circumstances.

High spirits from a composer known for melancholy.......2004-06-26

It's too bad that Riccardo Chailly and the Concertgebouw haven't recorded more Shostakovich (perhaps because Haitink did), since this project is pretty winning. As several other reviewers have noted, however, the term "jazz" here is a bit of a misnomer. Some of the music is lighter than usual for the composer, but anyone expecting to find even as much as what Bernstein created in his "jazz moments" is likely to be a bit disappointed.

But never mind, the recording is superb. Shostakovich's "Piano Concerto No. 1," for piano, trumpet and strings, is one of his most wittily engaging works, and Ronald Brautigam (piano) and Peter Masseurs (trumpet) sound wonderful. The final movement is fairly hilarious, despite a somewhat introspective middle movement that precedes it. The second of the two "Jazz Suites" has the dark little waltz made famous by its appearance in Kubrick's "Eyes Wide Shut." (This is the very recording used in the film.)

As if all this weren't enough, the concert closes with the composer's hilarious take on "Tea for Two" called "Tahiti Trot." Its sparkling insouciance is a gentle reminder that despite the composer's anguish and pain, he still had wit to spare.

Terrific playing, terrific sound, and lovely cover art, too. One of Chailly's best, most imaginative recordings with this orchestra.

Average customer rating: pre bedtime music Great For Bedtime A true disappointment Naptime A good choice for quiet time and nap.

Brahms at Bedtime: A Sleepytime Serenade Manufacturer: Philips ProductGroup: Music Binding: Audio CD Quartets | Chamber Music | Classical | Styles | Music Trios | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music All Works by Brahms | Brahms, Johannes | ( B ) | Featured Composers, A-Z | Classical | Styles | Music Concertinos | Concertos | Forms & Genres | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Intermezzos | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music CDs $7 - $10 | Classical General | Classical | Today's Deals in Music | Formats | Music All Bargain Titles | Classical General | Classical | Today's Deals in Music | Formats | Music Similar Items: Bach at Bedtime: Lullabies for the Still of the Night Beethoven at Bedtime: A Gentle Prelude to Sleep Mozart for Meditation Mozart at Midnight Debussy for Daydreaming: Music to Caress Your Innermost Thoughts ASIN: B0000041FU Release Date: 1996-10-15

Tracks:

1. Lullaby
2. Piano Concerto In B-Flat - Piu adagio
3. Violin Concerto In D - Adagio
4. 'Double' Concerto In A Minor - Andante
5. Clarinet Quintet In B Minor - Adagio
6. Piano Quartet In C Minor - Andante
7. As Melodies Were Passing By
8. Sonata In D Minor - Adagio
9. Trio In C Minor - Andante grazioso (Excerpt): Piano Trio In C Minor - Andante grazioso (Excerpt)
10. Intermezzo No. 1 In E-Flat
11. Fantasy No. 4 In E
12. Variations & Fugue On A Theme By Handel - Variation V
13. Waltz No. 15 In A-Flat
14. Lullaby: Lullaby (Reprise)

Customer Reviews:

pre bedtime music.......2007-05-30

Great music for helping you unwind after a long day so you can be more relaxed at bedtime.

Great For Bedtime.......2005-12-15

A few years ago I started having trouble sleeping at night. It was probably due to my new husband's snoring! I remembered how when I worked at a daycare, we would play classical music while the children took naps. So I thought I would give it a try. I have tried a couple different CD's and so far this is my favorite! All of the music is soothing. There aren't any songs that get loud or fast. The only weird thing is that the first and last song are the same. I repeat the CD all night and it really does help me to sleep! If the power goes out I notice immediately because my soothing music is gone! I highly recommend this CD!

A true disappointment.......2004-11-04

Amazingly this compilation has managed to get together some of the most untallented performances of Brahms' music. With a few exceptions the moto of this CD can be summed up as 'no understanding and appreciation for a musical genius'. The choice of music is also quite perfunctory. There are many Brahms pieces that could have served better the bedtime purpose. Buy at your own risk. My only fear is that some people will get their first impressions of Brahms from this CD...

Naptime.......2003-04-18

I love to listen to this cd if I'm tired and need to take a nap or just rest for a while. It is very soothing.

A good choice for quiet time and nap........2000-09-27

This is one of my favorite nap and quiet time choices. It is very mellow and soothing. My three year old frequently falls asleep listening to it, and even turns it on again for herself if she wakes up in the middle of the night and can't get back to sleep!

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