Fourth Volume in this Series of Compilations Gathering the Works by this Great Violin Player, Arranger and Composer Well-known for his Soundtracks Written for Several Movies and TV Specials.
Trilhas E Temas V.4,Marcus Viana,Sonhos E Sons,World Music
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Lighten our Darkness
Manufacturer: Collegium ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000I2IS5Y Release Date: 2006-10-17 |
Tracks:
- In Pace
- Libera Nos, Salva Nos
- Justorum Animae
- Pater Noster
- O Lord, The Maker Of All Thing
- Visita, Quaesumus Domine
- Abendlied
- O Christ Who Are The Light And Day
- O Gladsome Light
- Te Lucis Ante Terminum
- Alma Redemptoris Mater
- Ave Regina Caelorum
- Regina Caeli Laetare
- Salve Regina
- Ave Maria
- Bogoroditsye Dyevo
- In Manus Tuas
- In Manus Tuas
Tracks:
- Opening Sentences And Responses
- Psalm 91
- Lesson: Come Unto Me
- Respond: Into Thy Hands
- Hymn: Before The Ending Of The Day
- Keep Me As The Apple Of An Eye And Nunc Dimmittis
- The Apostles' Creed And Lord's Prayer
- Verscicles And Responses
- Confession And Absolution
- Responses And Collects
- We Will Lay Us Down In Peace
- Closing Responsies And Blessing
Customer Reviews:
ravishing..........2007-07-02
the Byrd setting of "Oh Christ who art our light and day" is one of the loveliest things that I have ever heard.
I play it ever day at the same, appointed hour; so comforting, so beautifully well-sung.
the Compline setting on Disc 2 is pretty memorable, too.
a strong rec.
Marvelous.......2007-01-19
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O Magnum Mysterium
Thomas Tallis , Tomas Luis de Victoria , Morten Lauridsen , Francis Poulenc , Sergey Rachmaninov , Franz Schubert , Anonymous , Spiritual Traditional , Henryk Gorecki , Christopher Cock , Robert Shaw Festival Singers , and Robert Shaw Chamber Singers Manufacturer: Telarc ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004WFLW Release Date: 2000-08-22 |
Tracks:
- If Ye Love Me
- A New Commandment
- O Vos Omnes
- O Magnum Mysterium
- O Magnum Mysterium
- O Magnum Mysterium
- Praise The Name Of The Lord
- Der Entfernten
- Wondrous Love
- Amazing Grace
- Sometimes I Feel Like Moanin'
- Totus Tuus
Amazon.com
The trademark qualities of a Robert Shaw-trained chorus included perfect tonal blend and balance, expressive phrasing, and superb tuning. As an interpreter, Shaw hewed to the middle road, steering clear of eccentricities and honoring the composer's intentions. On this tribute disc, we hear these virtues coalesce in works such as Poulenc's austere Christmas hymn "O magnum mysterium," one of three settings of the text here. Shaw was at his best in works whose fervent spirituality he shared, and the selection from Rachmaninov's Vespers, with its repeated alleluias, is a highlight, both radiant and passionate. But then, virtually everything here is a highlight: the Schubert part song done to a turn with soft singing projected in rounded tones; the curve of "Wondrous Love"'s melody perfectly traced; and "Amazing Grace" in Shaw's arrangement all the more moving for its calm dignity. The longest piece, Górecki's Marian hymn "Totus tuus," is otherworldly in an enthralled reading that never loses focus. Like all of Shaw's Telarc recordings, the sonics are first-class. --Dan DavisCustomer Reviews:
This is an amazing, amazing product.......2007-02-07
If you aren't blown away by the performance of the Tallis, you'll probably still cry when you hear the Lauridsen later in the CD. One thing about this CD is that after hearing it, my standard for what I could expect in a recording became a lot higher.
a voice teacher and early music fan.......2007-01-17
The selections on this disc are taken from several different Telarc recordings that were made at summer festivals he directed during the last decade of his life.
The Poulenc "O Magnum Mysterium" is one of the four motets on a Christmas album made in 1989. "Wondrous Love", "Amazing Grace", and "Sometimes I Feel Like a Moanin' Dove" are from the collection of 'American Hymns and Spirituals', performed and recorded in 1992. Gorecki's motet "Totus Tuus" appeared on 'Evocation of the Spirit' recorded in 1994.
In the Summer of 1989, the first year of Shaw's choral festivals in France yielded an impressive array of unaccompanied music which included Rachmaninoff's 'Vespers' or 'All Night Vigil', Op.37, the 2 Thomas Tallis pieces and the two in Latin by Vittoria.
"Der Entfernten" comes from a collection of 'Schubert Songs' for Male Chorus taped in the Summer of 1992. Morton Luridsen's 'O magnum mysterium', the most recent composition on this disc as well as the last recorded (1997), was included on 'A Robert Shaw Christmas'.
It is interesting to note that there are no less than three settings of the anonymous medieval text "O Magnum Mysterium". Shaw, a deeply spiritual man, often lamented about the commercialism that had pervaded the celebraton of the American Christmas. He retained a sincere awe for the miraculous details of the Nativity story, and it was natural that he should return again to music having this text, with its wondrous mixture of the homespun and the mystical, the lowly and the most high.
This is a truly interesting variety of compositions featuring a diversified group of fine composers!!!!.Any choral group that Shaw conducted always sang with much emotion and always great skill. There is never a 'ragged' entrance OR exit; there is never poor balance between the voices; the diction is crisp and clear and never 'muddied'; and the sound is ethereally beautiful. I would have liked to know who the personnel were in each of his 2 groups on this disc, but they were not listed, so I guess I never will know. Just a fabulous recording!!!!!
Incredible.......2005-08-02
Very inspiring for this Christian (Catholic).......2004-07-22
I read somewhere that Robert Shaw was deeply religious/spiritual. I have no reason to doubt this...his faith shines through on this disk. I couldn't recommend it highly enough.
"Then I saw a new heaven and a new earth; for the first heaven and the first earth had passed away, and the sea was no more. And I saw the holy city, new Jerusalem, coming down out of heaven from God, prepared as a bride adorned for her husband; and I heard a loud voice from the throne saying, "Behold, the dwelling of God is with men. He will dwell with them, and they shall be his people, and God himself will be with them; he will wipe away every tear from their eyes, and death shall be no more, neither shall there be mourning nor crying nor pain any more, for the former things have passed away." - Revelation 21
Amazing!.......2004-02-10
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The Essential Tallis Scholars
Manufacturer: Gimell UK ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00009NJ20 Release Date: 2003-09-09 |
Tracks:
- Miserere
- Ave Maria For Double Choir
- Sicut Lilium I
- Praeter Rerum Seriem
- Pater Peccavi
- Ego Flos Campi
- Tota Pulchra Es
- Descendi In Hortum Meum
- Alma Redemptoris Mater
- Salve Regina
- Ave Regina Caelorum
- Gloria
Tracks:
- Media Vita
- In Manus Tuas
- O Nata Lux
- Audivi Vocem
- Exaudiat Te Dominus
- Ah, Robin
- Salve Regina
- Kyrie
- Gloria
- Credo
- Sanctus
- Agnus Dei
Customer Reviews:
Great choral music CD.......2007-01-26
a voice teacher and early music fan.......2007-01-08
Victoria's 8-part 'Ave Maria' and Palestrina's 'Sicut lilium' are both pieces iln a contemplative mood, the first making direct reference to the Virgin Mary, and the second indirect reference to her via the poetry of the 'Song of Songs'. The remaining selections on Disc l, maintain the consistent, intense sonority of Flemish polyphony.
Disc 2 falls into two parts. The pieces by Sheppard, Tallis,White and Cornysh come from the first half of the sixteenth century and are part of the 'English School' of writing. Here the music is made up of long lines, more notes than syllables, with the emphasis on the part-writing and not the harmonic background.
The second part of Disc 2 is Byrd's five-part Mass, which was written in the 1590's for a recusant Catholic community. Byrd's music has drawn closer to the Flemish style; that is imitative voice parts, largely syllabic in setting with the occasional examples of word-paintings, and the voice parts closer together. But the mood has a different intensity than the writing on Disc one; darker and more questioning. Never was polyphony more passionate than in Byrd's masses,of which the five-part is the crowning achievement.
The members of the Tallis Scholars vary from year to year, and the list of participating singers is included in the accompanying booklet; but it does not tell you which singers are singing each year. That bothered me somewhat because I like to know to whom I am listening specifically. It does mention, however, that the solo group in Allegi's 'Miserere' is Alison Stamp (treble), Michael Chance (countertenor) Jane Armstrong and Julian Walker.
The recording is outstanding in every way. Perfect balance between the voices, perfect emotional investment, flawless dicton and the most beautiful vocal sounds you will ever hear; just Two and One-half hours of pure pleasure!!!!!
Lovely!!!.......2006-06-02
Beautiful, but a little cold.......2006-02-06
The Greatest Hits of a Pioneer Ensemble.......2005-09-27
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Chanticleer: A Portrait
Caroll Coates , Harold / Mercer, Johnny Arlen , Spiritual Traditional , Vince Guaraldi , Joseph Jennings , Ettore Stratta , Eric Alatorre , Tim Krol , Corey McKnight , Kevin Baum , David Munderloh , and Dawn Upshaw Manufacturer: Teldec ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00008J2VP Release Date: 2003-03-18 |
Tracks:
- Quem Terra Pontus Sidera
- Ave Maria (Gregorian Chant)
- Alma Redemptoris Mater
- The Angel Cried Out
- Angelicas Milicias
- Wherewithal Shall A Young Man...
- Love Is A Beautiful Dream
- This Heart That Flutters Near My Heart
- Wild Grass
- Labbra Vermiglie E Belle
- Jeanie With The Light Brown Hair
- Dulaman
- Shenandoah
- Spanish Carol
- Love Is Letting Go
- Blues In The Night
- Wade In The Wate
- We Shall Walk Through The Valley In Peace
- Christmas Time Is Here
Amazon.com
With this disc, Chanticleer, the internationally renowned, all-male 12-voice chamber choir, celebrates its 25th anniversary. Presenting songs from earlier albums plus one not previously recorded, the selection displays the group's remarkable stylistic and linguistic versatility, as well as all the qualities that have made it famous: the impeccable precision and intonation; the pristine tonal purity; the deep, inner expressiveness; the infinitely variable range of colors, textures, dynamics and moods; and the incredible vocal control that allows voices to stand out as well as to blend into a seamless, sonorous whole. Not for nothing has the group been called "an orchestra of voices" with its ability to sound like a big band in chordal passages and to imitate bass pizzicati as well as patter-songs and gospel shouts. The sopranos take off into stratospheric heights with florid coloratura; it is hard to believe that these are male voices. The program ranges from Gregorian chant and liturgical music of the 16th and 17th century, through traditional and jazz-influenced folk songs and spirituals (some in deplorably bad arrangements), to works by contemporary composers. Chanticleer's mostly vibrato-less vocal style still reflects its roots in its original Renaissance repertoire, but the way the singers use their voices in the popular, jazzy songs makes one aware of the evolving kinship between the two traditions. Though primarily an a capella ensemble, Chanticleer is occasionally joined by various instrumental groups, from period instrument orchestras to a jazz trio, and Dawn Upshaw adds her radiant, smiling, unmistakably "real" soprano to a delightful, high-spirited performance of a Spanish Carol. This disc is a fine, varied sampling of Chanticleer's discography and should inspire listeners to search out all the complete albums. --Edith EislerCustomer Reviews:
My idea of heaven.......2007-02-17
Then there is the one Kiri Tekanawa (sp?) offering, which is the only female voice on the recording.
Wonderful, but not quite the best of I had hoped.......2006-07-18
A treasury.......2005-11-06
Chanticleer: A Portrait.......2005-10-26
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Chanticleer: Magnificat (A Capella Works by Josquin, Palestrina, Titov, Victoria, and Others)
Chanticleer , William Cornysh , John Taverner , Claudio Monteverdi , Vasily Polikarpovich Titov , Tomas Luis de Victoria , Vassili Polikarpovich Titov , Giovanni Pierluigi da Palestrina , Josquin Desprez , and Marianne Kach Manufacturer: Teldec ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004SDN3 Release Date: 2000-07-11 |
Tracks:
- Ave Maria
- Ave Maria, Mater Dei
- Magnificat
- Stabat Virgo Maria
- Maria, Quid Ploras
- The Angel Cried Out
- Regina Caeli Laetare
- Alma Redemptoris Mater
- Ave Maris Stella
- O Thou Joy Of All The Sorrowful
- Ave Regina Caelorum A 8
- Ave Maria A 4
- Salve Regina A 5
Amazon.com
In the wake of its previous, Grammy-winning disc of contemporary madrigals (Colors of Love), the all-male a cappella ensemble that calls itself Chanticleer--in homage to Chaucer's Canterbury Tales --comes home to roost in this theme album of early music. After all, this is the territory that Chanticleer first staked out when the group banded together in 1978, and the return is most welcome. Magnificat offers manifold rewards, from the sensitive, imaginative culling of its program to the warmth and lithe interweaving of vocal layers in its execution (vividly recorded in splendid 20/24-bit process at the Skywalker Ranch)--not to mention the capsule music history that it traces. Like depictions of the Annunciation in medieval and Renaissance paintings, musical settings of texts that are centered on Mary abound during this period. Chanticleer's anthology includes familiar gems (the hymn "Ave Maris Stella"), but the group is delightfully unpredictable in many of its choices: examples of the polychoral sacred music of Russian Vasily Titov, contrafactum reworkings of two Monteverdi madrigals to Marian texts, and a full Magnificat setting by Tudor master John Taverner. The latter gives a microcosm of Chanticleer's vocal versatility, presenting stern, unadorned plainsong side-by-side with melodies that blossom like tendrils. Or listen to the ensemble's dynamic control, from the exultant climaxes of the Titov choral concerto to the achingly beautiful, held diminuendo on the second Monteverdi piece. Most impressive of all is that Chanticleer manages to avoid the bane of a cappella groups--a bland, homogenized sameness of sound--through its subtle variations in color and thoughtful musicality. A real treasure. --Thomas MayCustomer Reviews:
Beautiful with excellent sound engineering and singing.......2007-06-27
Should be a grammy nominee
Beautiful performances and some nice surprises.......2005-06-17
Titov composed at the time of Tsar Peter the Great's modernisation drive in Russia. He brought in composers from the West and Titov's music represents a marriage of the Italian compositional styles of the Seconda Prattica with the traditions of the Russian Orthodox Church. Like the grand architecture of St Petersburgs, and the Hermitage this is an fascinating mixture of Western influences with distinctly Russian ones. The twelve part polychoral writings have some of the dark solemnity of Russian Orthodox music while clearly being heavily influenced by the likes of Monteverdi, Gabrielli, Lassus and Palestrina. Perhaps a more authentically Russian approach to this music would have given far more prominence to the basses, but this still has trumendous impact. It makes it strange that there is so much interest in composers such as Tchaikovsky, Rachmaninov, Moussorsky, Shostakovich and the like but the Early Music movement have yet to catch up with Eastern Europe - Titov is very easily their equal and I would welcome more substantial recordings devoted to exploring this neglected composer.
This is a great recording recommended both to a general audience as well as to lovers of Renaissance music alike. The recorded sound is natural and full bodied. You can pick out individual voices in the chorus without them being drowned into an amorphous porridge of sound - a sign of a good recording. Still, I have heard wider sound staging and a wider dynamic range, so for all its virtues this is almost - but not quite - audiophile quality. Clearly a SACD format DSD recording would have been preferable.
Heavenly.......2003-01-04
Marvelous sound.......2002-03-08
Gorgeous choral voices surrounding you.......2002-02-03
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Moreschi - The Last Castrato
Manufacturer: Pearl ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000000WYS Release Date: 1993-01-21 |
Tracks:
- Domine salvum fac
- Et incarnatus est, Crucifixus
- Ideale
- Ave verum
- Tui sunt coeli
- Ave verum
- Crucifixus
- Crucifixus
- Pie jesu
- Hostias et preces
- Preghiera
- Ave Maria
- Incipt lamentatio
- Laudamus te
- Improperia
- La cruda mia Nemica
- Oremus pro pontifice
- Pope Leo XIII
Customer Reviews:
For historical reference, a must have........2007-05-09
A real rarity.......2007-05-07
a voice teacher and early music fan.......2006-10-03
What a beautiful voice!.......2005-08-16
A new world opened in front of me........2005-08-16
I was at first slightly shocked about the CD. Spoiled by our standards today I had to get used to the voices and especially to the low quality of the recordings (1902-04). The more I was listening the better I liked it. I started to understand that this long ago poeple were feeling different and therefore singing different. So many more emotions and so much suffering, you can hear it in the music if you can open up to it and, ignore the bad technical part of it.
I don't regret buying this rare recording since it gave me more than just music.
Thanks for saving these recordings and thanks to Amazon for making it possible to buy them.
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Lambarena-Bach to Africa
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002A94 Release Date: 1995-10-24 |
Tracks:
- Jesus bleibet meine Freude
- Sankanda
- Mayingo
- Herr, unser Herrscher
- Mabo Maboe
- Bombe
- Pepa Nzac Gnon Ma
- Mamoudo Na Sakka Baya Boudouma Ngombi
- Agnus Dei
- Ikoukou
- Inongo
- Okoukoue
- Lhr Lieblishste Blicke, ihr freudige Stunden
- Jesus bleibet meine Freude
Customer Reviews:
A Communication between Alien Worlds.......2006-12-01
entire music collection. Let me explain what this music is NOT. It is not a group of African singers and musicians performing Bach. No, instead it is the response of African musicians listening to the music of Bach and talking back in their own tonal language. First we hear melodies of Bach - tame and civilized - played on the traditional instruments, perhaps organ or piano or violin. On hearing Bach, the Africans join in and respond with their own raw, primeval, earth-centered music. Think of a bird which changes its song and rhythm in response to a classical flute melody and you get the idea. A treat not to be missed.
Absolutely amazing.......2006-04-06
Inspiring.......2005-08-28
sophisticated.......2005-08-06
The blend is almost unthinkable, but after you listen to this CD you feel the musical magic that was created at that early days of the 29th century, where two opposite worlds meet to surprise our senses with new sounds.
A real banquet for a music lover!
keep it open.......2005-03-28
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Sing We Christmas
Chanticleer Manufacturer: Teldec ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000000SNL Release Date: 1995-09-19 |
Tracks:
- Es ist ein Ros entsprungen
- O magnum mysterium
- In dulci iubilo
- O virgo virginum
- O Jesulein s Jesulein mild
- Hodie Christus natus est
- Marabile mysterium
- Verbum caro factum est: Y la Virgen le dezia
- A un nilorando
- Here Is The Little Door
- Noel canon
- Quelle est cette odeur agrle
- El Noi de la Mare
- A Christmas Carol
- A virgin unspotted
- In the bleak mid-winter
- Glory to the newborn King
- Stille nacht - Douce nuit - Silent night
Amazon.com
Christmas is the season for whipping out those holiday-specific standard recordings. This splendid gift by Chanticleer should top the list, for one will never tire of this a cappella choir's interpretations. With selections spanning the last five centuries of Latin, German, English, Spanish, and French festive fare, this recording exemplifies the sacrifice of the ego to the higher form of choral sound. Jacob Handl's "Mirabile Mysterium" takes you on a trip into the chromatic wonderlands, where you temporarily lose tonal balance. Victoria's eerie and dissonant "O Magnum Mysterium" treats us to rich voices swelling out of one organic whole. The phenomenal blend and perfect intonation elevate this recording above others in its category. --Barbara Eisner BayerCustomer Reviews:
Pure Christmas.......2007-01-16
Christmas magic.......2007-01-10
a voice teacher and early music fan.......2006-12-02
'Es ist ein Ros entsprungen' is a hymn that originated in western Germany around 1500, and is best known in the harmonization by Michael Praetorious published around 1609. The poem used biblical imagery that pictures the newborn Christ growing forth from the "stem of Jesse'(the father of King David), as foretold in Isiah 11. The metaphorical writings of the Middle Ages depict the patriarchal figure of Jesse as a rose bush.
'O Magnum mysterium',Victoria's most famous motet, uses a subline text from the Christmas Vespers. This is incredibly beautiful with its interweaving polyphony which leads to a hushed choral declamation at the words "O beata Virgo"(O Blessed Virgin) ending with a Alleulia Section.
'Here is the Little Door' is from a set of three "carol anthems", dating from 1918-1920. Herbert Howells was revered as one of the 20th century's most distinguished Choral composers, and I recently discovered him thru the album " by the Corydon Singers conducted by Matthew Best. It includes Howells Requiem in addition to the Vaughan Williams Mass in G Minor. It is the most heavenly somewhat exotic choral music I think I have heard in many years of listening; I highly recommend it.
'Glory to the newborn King'. Joseph Jennings, Georgia native and present musical director of Chanticleer, has often drawn upon his roots to create special gospel and spiritual arrangements of familiar songs. 'Glory to the newborn King' features four traditional songs combined to showcase Chanticleer's unique choral virtuosity!
This is an excellent group of carols,and it is always refreshing to hear 'new' melodies, arrangements; a joy for the ear!!!!
Simply beautiful.......2006-02-20
It's that time of year...for Chanticleer!.......2005-12-20
These twelve male voices create an ambience that can only be labeled 'spiritual', so resonant and exquisitely performed are each of the generous works on this recording. The moods pass through Praetorius, Victoria, Bach and traditional carols of unknown authorship to works by Ives, Billings, Holst, Guerrero, Howells and Sametz. The repertoire is both familiar and rarely heard and the result of combining all these forms is the truest form of Christmas spirit on record: this is music to cleanse the Muzak blitz! Highly recommended. Grady Harp, December 05
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Pilgrimage to Santiago
Manufacturer: Soli Deo Gloria ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000IFRPUA Release Date: 2006-11-14 |
Tracks:
- Dum Pater Familias
- Congaudeant Catholici
- O Virgo Splendens
- Parce Mihi Domine
- Alma Perpetui
- Jesu Rex Admirabilis
- Rite Majorem
- O Quam Gloriosum/Missa O Quam Gloriosum
- Kyrie
- Psallat Chorus Caelestium
- Gloria
- O Lux Et Decus Hispaniae
- Sanctus
- Benedictus
- O Venerande Christi
- Agnus Dei
- Nesciens Mater
- O Maria Vernans Rosa
- Vadam Et Circuibo
- Justorum Animae
- Sanctus
Customer Reviews:
Transcendant spiritual beauty.......2007-05-19
More Gardiner than "Renaissance", but nonetheless undeniably vivid..........2007-01-22
If there can be any criticism of the disc, it is that, at times, the towering force of Gardiner's musical personality is perhaps a little too dominant. In his defence, Gardiner makes no pretence that this is anything but a highly idiosyncratic account, a fact as obvious from the presentation (note the CD cover and booklet notes featuring personal reflections from himself [pp.1-2] and members of the choir [pp.34-5]) as from the performances themselves. A number of the interpretations, for example, rely on a rhetorical approach to dynamics and tempo arguably more appropriate to late 16th/early 17th century secular music than 'prima prattica' (and earlier) sacred music, and whilst this musicological liberty is often effective, sometimes it is not. The declamatory 'forte' outbursts of Dufay's 'Rite majorem' are indicative of this over-emphasis on text; similarly the rather organic tempo in Victoria's motet 'O quam gloriosum' sounds a little mannered in places and seems to contradict what is known about tempo in Renaissance music (see below *). Additionally, the choice of forces (see below **) and occasional mannerisms (such as the clipped 'Hosanna' in the Sanctus and Benedictus of Victoria's Mass) are powerfully suggestive of the mixed-voice Cambridge choral tradition of Rutter, Marlow and Brown (Gardiner himself having studied there). And incidentally, why is the Credo from Victoria's Mass silently omitted...?!
If the overall result, then, is really more a personal invitation to Gardiner's insight than an accurate representation of the selected works, this does not detract from the profound and ethereal experience which is created upon listening to this marvellous release. Highly recommended.
(*) It would be dangerous to interpret sources too literally, but it surely significant that contemporary theorists almost consistently relate the tactus to mediums with a regular factor, most commonly the heartbeat (e.g. Ramis de Pareia [1482], Adam of Fulda [1490], etc...), but also breathing (Gaffurius, 1496), walking (Buchner c.1520), etc.
(**) Performance of Iberian polyphony with instruments - rather than 'a cappella' (as here) - is well documented, and Santiago Cathedral itself boasted 4 salaried ministriles from 1539. In Rome too, where Victoria's Mass was published (1583), instrumental participation was common. The English jesuit Gregory Martin, describing music in Roman churches c.1576-8, for example, notes: "...with the Organs a childes voice shriller and louder than the instrument, tuneable with every pipe: Among the quyre, Cornet or Sagbut, or such like above the voices..." (Roma Sancta, 1581, p.96)
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Villancicos y Danzas Criollas
Manufacturer: Alia Vox Spain ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000E64U4 Release Date: 2004-03-09 |
Tracks:
- Chacona: A La Vida Bona
- Danza Del Hacha - Hesperion XXI
- Moresca: Di Perra Mora
- Negrilla A 4: San Sabeya Gugurumbe
- Ritual Formulario: Hanacpachap Cussicuinin
- Joto
- Tono Humano: Ay Que Me Rio De Amor
- Mestizo E Indio: Tleycantimo Choquiliya
- Negra A 5: Antonya Flaciquia Gasipa
- Cachua - Hesperion XXI
- Rorro: Desvelado Dueno Mio
- Negrilla: A Siolo Flasiquiyo
- Juguete: Un Juguetico De Fuego
- Juguete A 4: Convidando Esta La Noche
- Guaracha: Ay Que Me Abraso
- Villancico A 8: Serafin Que Con Dulce
Customer Reviews:
Perfect Performances.......2007-07-11
The transmission of musical culture is a favorite (and fascinating) subject for Jordi Savall and this CD includes some beautiful and rousing music. The CD begins with four selections reflecting Iberian music that sets the stage of presenting a song (usually) followed by a dance. Following this introduction we are off the Americas and music from Peru, Guatemala and Mexico.
As pointed out in the booklet, the colonial expansion that took place during the 15th and 16th centuries widen cultural connections to include Africa, Asia and the Americas, which is reflected in this collection of music. One will discover a mixing of African dance rhythms and percussion with European polyphony. This is nicely demonstrated by the first selection with its strong use of drums and bold brass playing combined with a fast-paced dance melody and mixed voices. The second work, by an anonymous composer, is quite a contrast with its more restrained and courtly rhythms played by string instruments without the percussion or brass. The Hanacpachap Cussicuinin is scored for percussion, brass and voices sounding like a solemn funeral procession and is followed by a beautifully played piece for harp and percussion from Mexico. The incomparable Montserrat Figueras sings with peerless passion and beauty, particularly in the short Tono Hidalgo of Juan Hidalgo. One could go on and on extolling the wonderful music of this CD, suffice it to say that among my collection of early music discs this one is at the top.
As with all of Jordi Savall's recordings the performance is excellent and beautifully balanced with voices and instruments receiving equal emphasis. If you do not have this disc and love early music get it without hesitation.
Mucho me pesa la cabeza.......2007-07-02
Again and again we hear "Mucho me pesa la cabeza"..... "Much it pains my head."
This music is so ephemeral... so unique.... so mind massaging..... I love reading while it softly plays in the background in the room!
The massage is quite expansive!
Not a painful massage at all, but it does get inside your head!
Just Get it!.......2006-08-20
Gracias, Senores!
This is such a great recording.......2006-01-10
breath taking that leaves me with
only this to say: since the day it
arrived to my doorstep back in mid
December, I have listen to it daily,
not just few tracks, but the whole
CD several times a day.....One
of the best works of Savall and
Hesperion XXI.....
ýCreoleý Songs and Dances from Old Spain to the New World.......2004-05-16
My translation of the album title, given above, is not exact. "Criolla" can refer to anything Latin American, and a "villancico" is first and foremost a Spanish poetic genre from the 15th and 16th centuries. The Norton/Grove Concise Encyclopedia tells us that it was "originally derived from a medieval dance lyric and associated with rustic or popular themes." Certainly the rustic and popular loom large in this lively selection of Renaissance music. Hesperion XXI and its director Jordi Savall have often sampled folk styles in their imaginative reconstitutions of early performance tradition. So most of these selections get percussion accompaniment accentuating the dance element, while strumming guitars, castanets, maracas, and more are employed discreetly but effectively. Lusty and characterful vocal contributions come courtesy of La Capella Reial de Catalunya and soprano Montserrat Figueras, who takes a couple of fine solo turns. It's all recorded in a warm, resonant church acoustic.
In his liner notes, Prof. Rui Vieira Neri introduces the Spanish part of this collection by noting a long tradition of mixing high and low culture, not to mention Christian, Jewish, and Muslim cultural elements in the art and music of the Iberian peninsula. And right away we get to hear a vocal chaconne (a dance imported from the Indies "by mail" according to Lope de Vega) and a Moresca "Di Perra Mora," with strong Arabic flavor and hints of 5/2 meter.
Of the New World selections, some of the most engaging combine indigenous languages with Netherlands musical style. The solemn processional hymn "Hancpachap cussicuinin," written by a native composer in the Quechua language of Peru, was also the first example of polyphony printed in the Americas. Gaspar Fernandes (1570-1629), chapel master at the Puebla cathedral, wrote a number of villancicos that mix Castilian with Nahuatl, the Aztec tongue, including "Tleycantimo choquiliua" on this recording. It is based on a local Indian dance, as is another Christmas villancico included here, "Ay que me abraso," which moves to the beat of the Mexican guaracha.
Bantu and Yoruba phrases crop up frequently in the refrains of the African-influenced numbers, so numerous in their day that they were customarily referred to in the old manuscripts as Negro, Negrilla, or Guineo. Savall includes three such pieces on this recording; they abound in the sort of rhythmic intricacies and call-and-response effects that Europeans already associated with Africa. Among the most infectious is "Antonya, Flasiquiya, Gasipá," in which the song's characters wake up after a long night of drinking and dancing in order to go to Bethlehem to pay homage to baby Jesus, where more carousing will be called for. Each refrain ends with the words "Mucho me pesa la cabeza": "Oh, my aching head."
I wouldn't want to give the impression that this music will appeal mostly to scholars. In fact, it is simply full of human joy, tenderness, and fun, qualities that leap across the centuries at us and need no special pleading, thanks to the terrific performances on this CD. You will enjoy it.
International Music: