Ever Lasting Days [Import]

1. Ever Lasting Days

2. Till We Meet Again

3. Ports

4. I Didn't See a Beautiful Rather Than You

5. Lights of Candels

6. Features from the Face of the Village

7. I Love My Sudan

8. Entre le Souvenir et la Tristesse

Tracks:

Jesus Christ Superstar: Overture - Andrew Lloyd Webber
Jesus Christ Superstar: Everything's Alright - Yvonne Elliman/Murray Head/Ian Gilllan
Jesus Christ Superstar: I Don't Know How To Love Him - Yvonne Elliman
Jesus Christ Superstar: Gethsemane (I Only Want To Say) - Steve Balsamo
Jesus Christ Superstar: Superstar - Murray Head
Evita: Oh What A Circus/Sing You Fools - Antonio Banderas
Evita: I'd Be Surprisingly Good For You - Elaine Paige/Joss Ackland
Evita: Another Suitcase In Another Hall - Barbara Dickson
Evita: Don't Cry For Me Argentina - Julie Covington
Evita: High Flying, Adored - Mandy Patinkin/Patti LuPone
Cats: The Jellicle Ball - Andrew Lloyd Weber
Cats: Memory - Elaine Paige
Cats: Gus: The Theatre Cat - Susan Jane Tanner/John Mills
Cats: Mr Mistoffelees - Paul Nicholas
Song And Dance: Take That Look Off Your Face - Marti Webb
Song And Dance: Tell Me On A Sunday - Marti Webb
Song And Dance: Unexpected Song - Sarah Brightman
Song And Dance: Nothing Like You've Ever Known - Sarah Brightman
Song And Dance: Introduction - Andrew Lloyd Webber
Song And Dance: Variations 1 -4 - Andrew Lloyd Webber

Tracks:

Starlight Express: Starlight Express - El Debarge
Starlight Express: Crazy - Greg Ellis/Reva Rice/Caron Cardelle/Samantha Lane/Voyd
Starlight Express: Next Time You Fall In Love - Reva Rice/Greg Ellis
Starlight Express: I Am The Starlight - Lon Satton/Ray Shell
Starlight Express: Light At The End Of The Tunnel - The Company
Requiem: Hosanna - Placido Domingo
Requiem: Pie jesu - Sarah Brightman/Paul Miles-Kingston
The Phantom Of The Opera: The Phantom Of The Opera - Michael Crawford/Sarah Brightman
The Phantom Of The Opera: The Music Of The Night - Michael Crawford
The Phantom Of The Opera: All I Ask Of You - Sarah Brightman/Steve Barton
The Phantom Of The Opera: Entr'acte - Andrew Lloyd Webber
The Phantom Of The Opera: Masquerade - The Company
The Phantom Of The Opera: Wishing You Were Somehow Here Again - Sarah Brightman
Aspects Of Love: Aspects Of Aspects - Orchester Der Vereinigten Buehnen Wien
Aspects Of Love: Love Changes Everything - Michael Ball
Aspects Of Love: Seeing Is Believing - Michael Ball/Ann Crumb
Aspects Of Love: The First Man You Remember - Kevin Colson/Diana Morrison
Aspects Of Love: Anything But Lonely - Sarah Brightman
Aspects Of Love: Chanson D'Enfance - Sarah Brightman

Tracks:

Joseph And The Amazing Technicolor Dreamcoat: Any Dream Will Do - Jason Donovan
Joseph And The Amazing Technicolor Dreamcoat: Joseph's Coat - Maria Friedman/Richard Attenborough/Donny Osmond
Joseph And The Amazing Technicolor Dreamcoat: Close Every Door - Donny Osmond
By Jeeves: Travel Hopefully - John Scherer/Martin Jarvis/Don Stephenson
By Jeeves: When Love Arrives - Steven Pacey/Diana Morrison
By Jeeves: Half A Moment - Sarah Brightman
Sunset Boulevard: With One Look - Glenn Close
Sunset Boulevard: New Ways To Dream - Glenn Close/Alan Campbell
Sunset Boulevard: The Perfect Year - Glenn Close/Alan Campbell
Sunset Boulevard: Sunser Boulevard - Alan Campbell
Sunset Boulevard: As If We Never Said Goodbye - Glenn Close
Whistle Down The Wind: Whistle Down The Wind - James Graeme/Lottie Mayor
Whistle Down The Wind: Cold - Everly Brothers
Whistle Down The Wind: No Matter What - Children/Adult Chorus
Whistle Down The Wind: The Nature Of The Beast - Marcus Lovett/Lottie Mayor
The Beautiful Game: Overture - Andrew Lloyd Webber
The Beautiful Game: The Beautiful Game - The Company
The Beautiful Game: Our Kind Of Love - Hannah Waddingham
The Beautiful Game: Dont Like You - Josie Walker/David Shannon
The Beautiful Game: Let Us Love In Peace - Josie Walker/Omagh Youth Community Choir

Tracks:

Oh What A Circus - David Essex
Memory - Betty Buckley
The Phantom Of The Opera - Sarah Brightman/Steve Harley
All I Ask Of You - Sarah Brightman/Cliff Richard
Love Changes Everything - Michael Ball
Any Dream Will Do - Donny Osmond
Amigos Para Siempre (Friends For Life) - Sarah Brightman/Jose Carreras
As If We Never Said Goodbye - Barbra Streisand
The Perfect Year - Dina Carroll
With One Look - Petula Clark
You Must Love Me - Madonna
The Heart Is Slow To Learn - Kiri Te Kanawa
A Kiss Is A Terrible Thing To Waste - The Metal Philharmonic Orchestra
Whistle Down The Wind - Tina Arena
No Matter What - Boyzone
The Vaults Of Heaven - Tom Jones
Try Not To Be Afraid - Boy George
Pie Jesu - Charlotte Church

Tracks:

Make Believe Love - Wes Sands
Down Thru' Summer - Ross Hannaman
I'll Give All My Love To Southend - Ross Hannaman
Believe Me I Will - Sacha Distel
Joseph And The Amazing Technicolor Dreamcoat (1969 Radio Luxembourg Commercial) - Joseph Consortium/Pete Murray
Try It And See - Rita Pavone
Come Back Richard Your Country Needs You - Time Rice And The Webber Group
Goodbye Seattle - Paul Raven
John 19:41 - The Andrew Lloyd Webber Orchestra
What A Line To Go Out On - Yvonne Elliman
Disillusion Me - Gary Band
The Ballad Of Robert And Peter - Tim Rice
Christmas Dream - Maynard Williams
It's Only Your Lover Returning/All Through My Crazy And Wild Days/Don't Cry For Me Argentina - Julie Covington
It's Easy For You (1977 Jungle Room Session Version) - Elvis Presley
Magdalena - Tony Christie
Buenos Aires - The Roja Rockers
Pollicle Dogs And Jellicle Cats - Andrew Lloyd Webber
Mungojerrie And Rumpleteazer (Live At The Sydmonton Festival 1980) - Gemma Craven
I Could Have Given You More - Petula Clark
I've Been In Love Too Long - Marti Webb
Benedicite - The Stephen Hill Singers

Album Description

Disc 1: Selections from Jesus Christ Superstar, Evita, Cats, and Song and Dance

Disc 2: Selections from Starlight Express, Requiem, Phantom of the Opera, and Aspects of Love

Disc 3: Selections from Joseph nad the Amaziong Technicolor Dreamcoat, By Jeeves, Sunset Boulevard, Whistle Down the Wind, and The Beautiful Game

CD 4: 1. "Oh What a Circus" --David Essex 2. "Memory" - Betty Buckleey 3. "The Phantom of the Opera" -Sarah Brightman, Steve Harley 4. "All I Ask of You" --Sarah Brightman, Cliff Richard 5. "Love Changes Everything"--Michael Ball 6. "Any Dream Will Do"--Donny Osmond 7. "Amigos Para Siempre (Friends for Life)"--Sarah Brightman, Jose Caerras 8. "As if We Never Said Goodbye"--Barbra Streisand 9. "The Perfect Year"--Dina Carroll 10. "With One Look" --Petula Clark 11. "You Must Love Me" 12. "The Heart Is Slow To Learn" --Kiri Te Kanawa 13. "Whistle Down the Wind"--Tina Arena 14. "A Kiss Is a Terrible Thing To Waste"--The Metal Philharmonic 15. "No Matter What"--Boyzone 16. "The Vaults of Heaven"--Tom Jones and Sounds of Blackness 17. "Try Not To Be Afraid"--Boy George 18. "Pie Jesu"--Charlotte Church

Disc 5: (All tracks available for the first time) 1. "Make Believe Love"--Wes Sands 2. "Down Thru' Summer"--Ross Hannaman 3. "I'll Give All My Love to Southend"--Ross Hannaman 4. "Believe Me I Will"--Sacha Distel 5. "Joseph and the Amazing Technicolor Dreamcoat: 1969 Luxembourg Radio Commercial--The Jospeh Consortium, Pete Murray 6. "Try It and See"--Rita Pavone 7. "Come Back Richard Your Country Needs You"--Tim Rice and the Webber Group 8. "Goodbye Seattle"-- Paul Raven 9. "John 19:41"--The Andrew Lloyd Webber Orchestra 10. "What a Line To Go Out On"--Yvonne Elliman 11. "Disillusion Me" --Gary Bond 12. "The Ballad of Robert and Peter"--Tim Rice 13. "Christmas Dream" --Maynard Williams 14. "It's Only Your Lover Returning/All through My Wild and Crazy Days/Don't Cry for Me Argentina--Julie Covington 15. "It's Easy for You" (1977 Jungle Room Session version)--Elvis Presley 16. "Magdalena"--Tony Christie 17. "Buenos Aires"--The Rioja Rockers 18. "Pollicle Dogs and Jellicle Cats"--Andrew Lloyd Webber original demo 19. "Mungojerrie and Rumpleteazer" (Live at Sydmonton Festival 1980)-Gemma Craven 20. "I Could Have Given You More"--Petula Clark 21. "I've Been in Love Too Long"--Marti Webb 22. "Benedicte"-- Stephen Hill Singers

Customer Reviews:

I waited for this for five years.......2006-06-30

Between Amazone, Ebay and Napster, I don't usually buy CDs anymore, and I usually wait till I can buy them cheaper "new and used". When this set came out, I was excited, mainly by Disc 5, but wasn't going to spend $70 on it. I waited till it was cheap enough, and got it for Father's day this year.
It was worth the wait.

The concept is great. The packaging is great. The recording is great. Disc five is really cool for an ALW aficionado. There are a few real gems on it; my favorites are Petula Clark's "I Could Have Given You More" and "Benedicite."
I've always thought "Gus the Theatre Cat" made a great medley on the piano with "Unexpected Song" and "I DOn't Know How to Love Him," but wished there was an alternate lyric to match the other two songs. Now that I know there *is*, and it's a good lyric, it's a dream come true.
The melody of "Benedicite" is one of my favorites from _Sunset_ (the book mis-identifies it as "SUrrender"; it's actually "The Lady's Paying" and "Eternal Youth is Worth a Little Suffering"). The lyrics are the canticle from Daniel 3, which comes up every odd Sunday in the Divine Office, so it's nice to have cool music to sing it with.

I haven't bought _By Jeeves_ or _THe Beautiful Game_ yet, to it was great to sample them.

There are other parts of the CD taht aren't found in my collection. I like CD 4 "The Hits."

But the selections on CDs 1-3 don't make sense.

First, any self-respecting ALW fan has the Original London Cast of _Phantom_, so six tracks are totally useless. Why not draw from the Canadian cast with Colm Wilkinson? Or pull out some obscure recordings never published.

Why two different tracks with Michael Ball singing "Love Changes Everything", yet they're hardly any different?

On Disc 5 is "It's Only Your Lover Returning," sung by Julie Covington. It's an early draft of the song (Lloyd Webber and Rice went through several suggested titles) and quite nice. The very thing one expects on a Boxed Set.
So why have the Julie Covington "Don't Cry for Me" on disc 1?? The only difference is a few words, but it's otherwise identical. Why not Elaine Paige or Patti Lupone or Madonna?

The _Evita_ section is otherwise the best, choosing a sample from each major recording, though I'd have chosen slightly differently (as above).

There is a great selection of "Mungojerrie and Rumpleteazer" from the Sydmonton festival, using the original music that was changed when _Cats_ went to Broadway_. It would have been nice if they'd included more recordings from Sydmonton, like the original lyric of "All I Ask of You" shown on the second DVD to the _Phantom_ movie.

With so many great actress-singers who've played Norma Desmond, why does the collection beat us over the head with Glenn Close?

Paul Miles Kingston must be set for life in royalties, for the number of albums the original recording of "Pie Jesu" has appeared on. "Amigos Para Siempre" is nice, but it reminds me of Shari Lewis's "The Song that Doesn't End," especially when it's been used on so many compilations.

In short, this is a great collection for the obscure material, if you can get it cheap. But for a boxed set, it's a poor sampling, drawn mostly from the most familiar recordings.

Excellent collection but BIG PUBLISHING MISTAKE! .......2006-01-10

Please beware they made a mistake on this. It's actually the shortened Ray Shell version of STARLIGHT EXPRESS from the original 1984 London cast - NOT the El Debarge single from 1987 like it says on the box. I don't know how they let that goof pass. Sorry to Ray Shell. Having said that, this is an outstanding compilation of Lloyd Webber's greatest hits.

ONE OF LLOYD WEBBER'S BEST COMPILATIONS, DESPITE A FEW FLAWS.......2005-03-21

Regardless of the fact that some of his latest efforts (most notably, The Woman in White) are disappointing, there can be little doubt that Andrew Lloyd Webber is one of the greatest composers ever to work in the musical theatre. Ever since his "Jesus Christ Superstar" hit the stage in the early 70-is, it was clear that the conception and perception of musicals are never going to be the same again. Many of his songs became standards not only in the theatre history, but also as tops on the charts. Even though he's British, his influence on the shape of the modern musical theatre expanded over the West End boundaries long ago and has thus made an enormous impact on Broadway. Two of his shows ("Cats" and "The phantom of the opera") hold the record as two the longest running shows in the history of Broadway. He has also been the only composer to have three of his shows running at Broadway concurrently. Some of his awards include three Grammies, a Golden Globe, an Oscar and a bunch of Tony awards. But perhaps most of all, Lloyd Webber is responsible for bringing the musicals and the theatre appealing to the wide audiences, who in different circumstances would not consider seeing a musical. The secret of his success is probably the mixture of beautiful and catchy melodies, interesting subject matter (though some, like Starlight Express, are too thin) and grandiose staging.

Over the years many compilations of his work have emerged. In the late 80-is and early 90-is it was the "Encore" series and lately the one-disc collection called "Gold". The one in question here can be considered one of the best currently on the market. First, it includes a 3-disc selections from all of his shows, minus the latest one, i.e., "The Woman in White", which, considering the triviality of the score, is no great lost. The fourth disc covers some of his most known songs sung by the famous artists. Then, there is the fifth disc with previously unreleased material, most of which are the songs ALW wrote with Tim Rice for various artists during the 70-is. The disks are all neatly packed in a hardcover book that features 67 pages of pictures and text with information about each of ALW's shows. One of the other assets here is the perfect sound quality, since all of the tracks have been digitally remastered.

Here are my basic impressions and comments regarding the material on the discs:

* Disc #1 has the selections from "Jesus Christ Superstar", "Evita", "Cats" and "Song & Dance". The Superstar material mostly comes from the Concept Recording. Although the songs sound beautiful as always, their orchestration is a bit dated now. Only Steve Balsamo's "Gethsemane" from the 1996 revival cast has a modern rock sound. "Evita" comes with the material from all of the major recordings: London, Broadway and the movie productions, as well as the Concept album. No objections here; since this is one of ALW's most satisfying works, every song is just perfect, although Patti LuPone, the Broadway and overall the best Evita, is left with only a couple of lines. With the selections from "Cats", however, I have some doubts. A plus to the choice of the "Jellicle ball" impressive orchestral sequence from the 1998 movie version and "Mister Mistoffelees" from the 1981 London cast. One of the best known ALW's songs, "Memory", also comes from that album. It's a pretty version and Elaine Paige's rendition cannot be matched, but why include this when the definite version, featuring an 80-piece orchestra and Elaine Paige with much better interpretation, can be found in the same movie version. Thusly, one has to buy Elaine Paige's latest 2-disc compilation "Centre Stage: The very best of Elaine Paige" to get that one. And "Gus the theatre cat" is more a recital than a song, so there was not much point in including that. Marti Webb brings her vocal charm to the "Song & Dance" sequence, Sarah Brightman sings "Unexpected song" with her famous soprano, but as much as I like her version, Bernadette Peters, who was in this show on Broadway is strangely left out here.

* Disc # 2 starts with "Starlight Express". This was never one of my favorite ALW's shows; the plot is even lighter than in "Cats" and the 1984 original cast recording is terribly dated. Yet, here we have one terrific duet, "I am starlight" from the original together with three songs from the later revivals and it seems that fresh orchestrations were just the thing Starlight needed. My favorite remains a touchy ballad, "Next time you fall in love". "Requiem" is the most solemn of all ALW's compositions, written in 1985 to commemorate the death of his father. Placido Domingo's tenor rides together with the chorus all the way through the strong "Hosanna", only to be joined by Sarah Brightman in the final moments of this song. She then gives an echoing deliverance of "Pie Jesu". What can be said of ALW's next show, "The Phantom of the Opera"? A phenomenon in its own right, it's easy to see from the six numbers included here why this is one of the best and most beloved musicals of all time. The cast, the music, the story - everything is perfect. Although "Aspects of love" was never a popular hit, it does have some of the most beautiful love melodies ALW has ever written. "Love changes everything" sung by Michael Ball is probably one of the best tunes ever about love. The rest of the selected material here has a dreamy love flavor and the melodies find their way into your brain in the best Lloyd Webber way.

* ALW's first musical, "Joseph and the amazing Technicolor dreamcoat" was more successful in its revival form than the original from the 70-is. The three songs included here are sung by the show stars, Jason Donovan and Donny Osmond. Maria Friedman was not a lucky choice to play the narrator, as the track from the 1998 movie version shows. "By Jeeves" was ALW's only big flop when it came to the stage in the 70-is. The 1995 revival sounds much better though, full of funny numbers in the best manner of the musical comedy. "Travel hopefully" remains one of the show's highlights on this compilation. "Sunset Boulevard" comes next. "Sunset" remains for me one of Webber's best scores; lush and beautiful. I listen to the original cast recording with Patti LuPone all the time. However, here most of the songs are performed by Glenn Close. A big mistake. If you've ever listened the American premiere recording with her, you'll know what I am talking about. She may have a strong stage presence, but her vocal abilities are too limited, and her aggressive approach to the role lacks any subtlety. Therefore, the two big numbers from this show, "With one look" and "As if we never said goodbye" are ruined by the fact she can't sing. The same goes for the American Joe Gillis, who was played by Alan Campbell. Luckily, Patti LuPone and Kevin Anderson, the original Norma and Joe from the London production, make their brief entrance here with the "Perfect year"; enough to show how better they are. The funny thing is, on the jacket and inside of it, Glenn Close and Alan Campbell are credited as performers in this song as well. If this was a mistake on ALW's part, it was a good one. The next ALW's show, "Whistle down the wind" was never a critic's dear and yet the audiences rushed in to see it in London. The score brings back ALW to his rock and roll roots of the seventies and the story is quite interesting. But the selections here are not the happiest, since the cast recording boasts with much better songs. And finally, "The Beautiful Game". Again, we have one of those ALW's shows that is worth in its individual parts rather than as a whole. "Our kind of love" and "Let us love in peace" are two catchy ballads. The latter is a nice amalgam version not available elsewhere. The two other tracks here I could live without.

* Disc # 4 has the songs from all the above shows performed by different artists. The assembled tracks have their pros and cons. For example, we have some previously unreleased stuff, like Dame Kiri Te Kanawa's operettic rendition of "The heart is slow to learn", or a stunning and epic "A kiss is a terrible thing to waste" from "Whistle down the wind", performed by The Metal Philharmonic Orchestra. Then again, what was the point in including almost identical tracks as the ones on the previous disks? So we have Michael Ball again singing "Love changes everything" with only a bit different orchestration; Sarah Brightman comes out again with the same Phantom duets, but only with the different male singers. It would be much more appropriate to include tracks from the Toronto Cast of the Phantom, with Colm Wilkinson. Other pop deliverances (Tina Arena's "Whistle down the wind", Barbra Streisand's "As if we never said goodbye", Boyzone's "No matter what" and many more) were wisely chosen. Patti LuPone is again nowhere to be found and Petula Clark's "With one look" sounds too worn-out.

* The last disc is probably the one that will be of most interest to Lloyd Webber aficionados. It consists of entirely previously unreleased material ALW for the most part wrote for various artists during his early years, with Tim Rice. Some of these tunes, not successful as a singles, were later used in his shows. Thus "Down thru' summer" became "Buenos Aires"in Evita, "Try it and see", an unsuccessful attempt for the Eurovision was used for "King Herod's song" in "Superstar" and so on. Some of these songs are nicely made pop songs: "Make believe love", ALW's first recorded composition, for which he provided the lyrics; "Goodbye Seattle", sung by Paul Raven, who later became Gary Glitter; "Come back Richard, your country needs you", from a never made musical, sung here by Tim Rice, or Latin flavored "Magdalena", with Tony Christie singing. My all time favorite here is a song called "It's easy for you", sung by none other than Elvis Presley himself. Lloyd Webber and Rice sent him a demo recording that he accepted and recorded this live version a couple of weeks before he died. It's amazing to hear how his voice remained in the perfect shape. Also, there is a track of Andrew Lloyd Webber singing "Policle dogs and Jellicle cats" while plying the piano. His voice doesn't sound bad at all.

Taken as a whole, this compilation makes a perfect birthday or Christmas present to any fan of Andrew Lloyd Webber shows, or just anybody interested in some of the best tunes from the modern era of the musical theatre; despite the flaws I mentioned above. To the former, it may just be the final addition for the Andrew Lloyd Webber collection.

SUCH MAGICAL MUSIC OF THE NIGHT!.......2003-01-19

"Evita." "Sunset Blvd." "Starlight Express." "Jesus Christ Superstar." "Joseph and the Amazing Technicolor Dreamcoat." "Requiem." "Aspects of Love." The man who is the most recognized composer in the history of the musical theatre, the man who has won more Tonys than any other composer, the man who boasts the best-selling show of all time ("The Phantom of the
Opera") and the longest-running show of all time ("Cats"), the man whose homes are filled with three Grammys, five Oliviers, a Golden Globe, and Oscar and too many other honors and hosannas to mention, the man knighted in 1992 certainly doesn't need an introduction. Now Decca Broadway pays tribute to Sir Andrew Lloyd Webber with "Now and Forever," a spectacular 5-CD set compiled and produced by Sir Andy himself. It's cheaper than a
ticket to "The Producers" ... and more much exciting. This treasure trove contains highlights from all of Webber's shows, and a bonus disc of tunes sung by Betty Buckley, Barbara
Streisand, Jose Carreras, Boy George, Charlotte Church, Madonna, Tom Jones, Petula Clark, even Elvis! A must for lovers of theatre---and good music.

A Must Have for Sir Andrew fans.......2002-05-21

This five-CD collection of Andrew Lloyd Webber's career is fantastic. It leaves virtually no stone unturned. I have no doubt that diehard Webber fans will love this, especially for the 5th disc entitled "From the Vaults." This disc alone is worth the price as it contains tunes never before heard by the typical fan. Who knew Elvis did a Lloyd Webber tune?!? I didn't! Also the tune "Benedictine" which the composer wrote for his most recent marriage is not only pretty, but it has the same medley as "The Lady's Paying" from "Sunset Blvd." which I found highly enjoyable. Another great track is the composer himself singing a cut song from "Cats" entitled "Pollicle Dogs and Jellicle Cats" which has the same tune as "Jellicle Songs for Jellicle Cats," but to hear Sir Andrew sing is a blast...he sounds a lot like Al "Year of the Cat" Stewart.
The cuts from the musicals are great but are likely owned by ALW fans as they are on the original cast albums. And I'm glad that there were tunes included from the composers most recent efforts which have yet to make it beyond London (Whistle Down the Wind, Beautiful Game).
My only complaint is the inclusion of way too many tracks by Sarah Brightman. She must've received a great divorce settlement that included having tunes on any ALW collection until the end of time!! Her interpretations of some of the tunes were limp and uninspired. I would've much rather heard casts from around the world rather than yet another song by this disdainful soprano! How about Colm Wilkinson's version of "Music of the Night" from the original Canadian cast of "Phantom"? Or Michael Crawford's version of "Unexpected Song"? What? No Betty Buckley from "Sunset Blvd."? And of course there are songs you KNOW are going to be on the collection before you even listen to it as they have been on EVERY ALW collection for the past decade or so.
A great collection but too much Sarah Brightman!

Average customer rating:

Handel: The Masterworks (Box Set)

Manufacturer: Brilliant Classics
ProductGroup: Music
Binding: Audio CD

Trios | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

Baroque (c.1600-1750) | Symphonies | Classical | Styles | Music

General | Sacred & Religious | Classical | Styles | Music

General | Classical | Styles | Music

Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Oratorios | Opera & Vocal | Styles | Music

Anthems | Vocal Non-Opera | Opera & Vocal | Styles | Music

Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music

Hymns | Vocal Non-Opera | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

Passions | Vocal Non-Opera | Opera & Vocal | Styles | Music

Blowout Box Sets | Classical Music Blowout | Stores | Music

More Titles at Least 20% Off | Classical Music Blowout | Stores | Music

All Classical Music Blowout | Classical Music Blowout | Stores | Music

Opera & Vocal | Classical Music Blowout | Stores | Music

Brilliant Classics | Amazon.com Label Stores | Stores | Music
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ASIN: B00062FLI8
Release Date: 2004-11-30

Average customer rating:

"The First"
MISSGYDER TOTALLY MISGUIDED
Great songs from not-so-great musicals
Poor Production Ruins Good Product
Unsung perhaps, but often wonderful

Unsung Musicals (Studio Cast)

Manufacturer: Varese Sarabande
ProductGroup: Music
Binding: Audio CD

Musical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music

General | Musicals | Broadway & Vocalists | Styles | Music

Traditional Vocal Pop | Broadway & Vocalists | Styles | Music

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Unsung Musicals II (Studio Cast)
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Unsung Musicals - The Ultimate Collection

ASIN: B0000014TY
Release Date: 1994-02-15

Tracks:

Smile: Smile - Harry Groener
The Bone Room: Postcards - Crista Moore
The First: Will We Ever Know Each Other? - Loni Ackerman
The Vamp: Ragtime Romeo - Liz Larsen
La Strada: Starfish - Judy Kuhn
We Take The Town: Silverware - Lee Wilkof/Timothy Jerome
How Do You Do, I Love You: Her Laughter In My Life - Guy Haines
Welcome To The Club: In the Name Of Love - Sally Mayes
The First: There Are Days And There Are Days - Michelle Nicastro
Smile: In Our Hands - Lynnette Perry
Sherry!: Sherry! - Christine Baranski/Jonathan Freeman
Drat, The Cat!: She's Roses - Jason Graae
Welcome To The Club: At My Side - Sally Mayes/Michael Rupert
Smile: Disneyland - Jodi Benson
One, Two, Three, Four, Five: New Words - Liz Callaway

Customer Reviews:

"The First".......2007-04-15

Greetings,

I am one of the few who actually got to see "The First" -- a musical about Jackie Robinson.

I do not have this CD but wish it had the title song from "The First" ...don't think it exists anywhere. I actually still remember some dialogue/lyrics from it and would like to hear it/read the words again.
I also would like to know if any version or scenes from the play are available to do in a school. Anybody?
Have a nice day!

MISSGYDER TOTALLY MISGUIDED.......2004-07-21

This is not so much a review as a rebuttal; I was the orchestrator for this album, MISSGYDER's assertion of totally synthesized sound is totally incorrect: the charts were played by 4 reeds, 3 trumpets, 2 trombones, tuba, harp, percussion, drums, keyboards, and a string section. I sorry the sound didn't meet the approval of the reviewer labeled MISSGYDER, but I can testify to the reality of the orchestra, the players, and my scores which are at the Library of congress.

Great songs from not-so-great musicals.......2003-04-19

I was given this for my birthday, along with Unsung Sondheim, my favorite composer. I was excited, and a little bit skeptical because I've NEVER heard of these musicals. Once I started though, I was hooked. I want sheet music to so many, they're fun to sing along to, or just to listen to they great singer/actresses they got. My personal favorites are Smile, Sherry, Ragtime Romeo, and Silverware. I recommend this for all Broadway Babies and theatre buffs like me!

Poor Production Ruins Good Product.......2001-05-15

Unsung Musicals is a great idea, presenting songs from shows that didn't get their due on Broadway. However, the production of this CD is very poor, using poorly synthesized instruments and cheesy drum tracks. I could have recreated these sounds using a home software program, they're so bad! The songs themselves are good, but the album is so horrid in terms of listening value that you'd be embarrased to put this in your CD player. I recommend this CD only for students and professionals in the music theatre world as a way to learn songs you wouldn't normally hear, but other than that, I can't recommend it.

Unsung perhaps, but often wonderful.......2001-02-14

Just because a musical was not successful, that doesn't mean that there were no good songs in it (pardon the double negative). These selections may be songs that are not well known from shows in the same category, but some of these are real gems, sung by fine show singers. My favorites are "Smile" (from Smile), "Ragtime Romeo" (The Vamp), "Sherry!" (Sherry!), and "She's Roses" (Drat! The Cat!).

What Ever Happened to Those Good Old Days at Club 47

Average customer rating:

What Ever Happened to Those Good Old Days at Club 47
Jim Kweskin
Manufacturer: Universe Italy
ProductGroup: Music
Binding: Audio CD

General | Folk | Styles | Music

Traditional Folk | Folk | Styles | Music

Revival | Folk | Styles | Music

Folk | Imports | Stores | Music
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Relax Your Mind
Jump for Joy
Garden of Joy/Jim Kweskin's America
Now and Again
Jim Kweskin & The Jug Band - Greatest Hits

ASIN: B0000D8L5Z
Release Date: 2004-08-09

Tracks:

Mississippi Mud
Buddy Bolden's Blues
Bioll Bailey, Won't You Please Come Home
Ain't She Sweet
Bomba
Good Morning Little Schoolgirl
I Had a Dream Last Night
Five Foot Two, Eyes of Blue
Ella Speed
Blues
Sheik of Araby

Album Description

Full title - Whatever Happened To Those Good Old Days At Club Forty-Seven In Cambridge, Massachusetts. On this 1968 album, Kweskin and his jug band bring us once again their own delirious brand of ''old time music'' - renditions of songs by Jelly Roll Morton, Jimmy Rodgers and many American songs that were popular in the 1940s and 1950s like ''Sheik of Araby''. Kweskin, thanks to an innate sense of humor and brilliant musicianship is one of the undisputed kings of American folk music. Miniature gatefold LP sleeve. Universe. 2003.

Average customer rating:

Something to Me
The JJ Schultz Band
Manufacturer: Last Stop Records
ProductGroup: Music
Binding: Audio CD

General | Country | Styles | Music

General | Folk | Styles | Music
ASIN: B000CAKQDE
Release Date: 2005-09-13

Tracks:

Jackie You, Jackie Me
Ol' 55
Drinkin' You off My Mind
Ol' Billy the Cab Driver
Speed Train
Someone Who's Not Me
Lonesome Truckdriver
Ol' Thomas Edwards
He Drives
Something to Me

Average customer rating:

You can't help but love this CD

Let Go of Your Bad Days
Salteens
Manufacturer: Boompa
ProductGroup: Music
Binding: Audio CD

General | Alternative Rock | Styles | Music

Indie Rock | Indie & Lo-Fi | Alternative Rock | Styles | Music

General | Indie & Lo-Fi | Alternative Rock | Styles | Music

General | Rock | Styles | Music

Psychedelic Rock | Classic Rock | Styles | Music

Pop Rock | Pop | Styles | Music
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Short-Term Memories

ASIN: B0001HOX1O
Release Date: 2007-01-08

Tracks:

Let Go of Your Bad Days
Damn You
You Stood out from the Crowd
Look Up! Look Out!
Turnpike
Summer's Gone
Not for Nothing
Thoughts from Sound
Time You Have Been Wasting
Home Again

Customer Reviews:

You can't help but love this CD.......2004-04-09

Let Go of Your Bad Days was one of the best CDs of 2003, and it continues to sit in my disc-player almost a year after I first purchased it. Filled with great instrumentation and catchy lyrics, this CD is like nothing that you hear on the radio - and that's what makes it so great. It's pop coming from people with classical and jazz training - "intelligent pop". And they can't be beat live.

Tracks:

Moonlight Serenade
Smoke Gets In Your Eyes
Love Is A Many Splendored Thing
Michelle
Embraceable You
Love Is Blue
Love Me Tender
Days Of Wine And Roses
A Man And A Woman
Laura
In The Mood
Star Dust
And I Love Her
Love Is Here To Stay
The First Time Ever I Saw Your Face
You Are The Sunshine Of My Life
Moon River
I Want To Hold Your Hand

Customer Reviews:

"classical music's greatest Ambassador...Arthur Fiedler!".......2001-07-14

When you think of classical music, Boston Pops and all-around-good listening...only one name rose above the rest ~ Arthur Fiedler! Not only did he have the best arrangements...but kept up with the times...everything from The Beatles, Gershwin, Henry Mancini, Carmichael, Stevie Wonder, Kern and Raksin...the list could go on...Fiedler brought classical into another dimension, before only the adults were the fans...with his imagination and personality...looked into the hearts of young Americans...and yes, you guessed it...won them over!

This CD is living proof...take a group of popular standards...Richard Hayman (arranger) and the rest will fall into place...Fiedler and the Pops give each tune life, exciting and beautiful melodies prevail...never before had such popularity with concerts and appearances, combining classical with tunes of today existed...but with the waving of his wan a new standard was born.

This recording is 1956 to 1974 performances...the entire 18 track selections are outstanding...leaving a rich legacy for all to enjoy now and years to come...this album is a rarity with you the music-lover in mind.

Tracks:

Let the Fifes and the Clarions - Jeffrey Dooley/Howard Crook/Louise Shulman/Daniel Reed/Mary Springfels/David Carp/Dennis Godburn...
Hark! The Ech'ing Air - Jeffrey Dooley/Howard Crook/Louise Shulman/Daniel Reed/Mary Springfels/David Carp/Dennis Godburn...
Beauty, thou Scene of Love - Jeffrey Dooley/Howard Crook/Louise Shulman/Daniel Reed/Mary Springfels/David Carp/Dennis Godburn...
In Vain the Am'rous Flute - Jeffrey Dooley/Howard Crook/Louise Shulman/Daniel Reed/Mary Springfels/David Carp/Dennis Godburn...
Saccharissa's Grown Old - Jeffrey Dooley/Howard Crook/Louise Shulman/Daniel Reed/Mary Springfels/David Carp/Dennis Godburn...
Sound the Trumpet - Jeffrey Dooley/Howard Crook/Louise Shulman/Daniel Reed/Mary Springfels/David Carp/Dennis Godburn...
Lord, What Is Man? - Jeffrey Dooley/Howard Crook/Louise Shulman/Daniel Reed/Mary Springfels/David Carp/Dennis Godburn...
Sweetness of Nature - Jeffrey Dooley/Howard Crook/Louise Shulman/Daniel Reed/Mary Springfels/David Carp/Dennis Godburn...
Be Welcome, Then, Great Sir - Jeffrey Dooley/Howard Crook/Louise Shulman/Daniel Reed/Mary Springfels/David Carp/Dennis Godburn...
Lovely Albina's Come Ashore - Jeffrey Dooley/Howard Crook/Louise Shulman/Daniel Reed/Mary Springfels/David Carp/Dennis Godburn...
One Charming Night - Jeffrey Dooley/Howard Crook/Louise Shulman/Daniel Reed/Mary Springfels/David Carp/Dennis Godburn...
Here Let My Life - Jeffrey Dooley/Howard Crook/Louise Shulman/Daniel Reed/Mary Springfels/David Carp/Dennis Godburn...
Many, Many Such Days - Jeffrey Dooley/Howard Crook/Louise Shulman/Daniel Reed/Mary Springfels/David Carp/Dennis Godburn...
If Music Be the Food of Love - Jeffrey Dooley/Howard Crook/Louise Shulman/Daniel Reed/Mary Springfels/David Carp/Dennis Godburn...
Me, O Ye Gods - Jeffrey Dooley/Howard Crook/Louise Shulman/Daniel Reed/Mary Springfels/David Carp/Dennis Godburn...
Hail, Gracious Glorianna, Hail! - Jeffrey Dooley/Howard Crook/Louise Shulman/Daniel Reed/Mary Springfels/David Carp/Dennis Godburn...

Tracks:

Las Cantigas de Santa Maria: Cantigas 36 - Russel Oberlin/Joseph Iadone
The Two Three Voice Masses: Kyrie - Schola Discantus
Istanpitta! Vol.I: Saltarello & Trotto - NY's ensemble for Early Music
Missa de Sancta Anna & Lamentations: Sanctus - Schola Discantus
The Art of the Lute: Credo in Unum Deum - Joseph Iadone
French Sacred Music: Kyrie - Schola Discantus
Lute Songs: Weep you no more... - Russell Oberlin/Joseph Iadone
Music of William Byrd: Who made thee... - New York Consort fo the Viols
Music for Voice and Viol: What pleasure... - In Nomine Players
Orfeo: Toccata - ARTEK
Orfeo: La ciate i monti - ARTEK
Orfeo: Rosa del Ciel - ARTEK
Orfeo: Ritornello-Vi Ricorda - ARTEK
Music from Renaissance & Baroque: Volta - Minstrelsy!
Airs & Duets: Hark! the Ech'ing Air - Jeffrey Dooley
Mensa Sonora: Ciacona - La Follia Salzburg
Flute Duets: Moderato - Tom Moore/Kimberly Reighly

George Frederick McKay: Caricature Dance Suite, William Bolcom Solo; Viola Suite Eguchi/Margolis

Average customer rating:

A good introduction to this virtually unknown composer

George Frederick McKay: Caricature Dance Suite, William Bolcom Solo; Viola Suite Eguchi/Margolis
George Frederick McKay , William Bolcom , Margolis , Morris , and Eguchi
Manufacturer: Naxos American
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

4-for-3 Classical | 4-for-3 Music | Stores | Music

4-for-3 All Music | 4-for-3 Music | Stores | Music
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McKay: Violin Concerto, 16th Century Hymn Tunes
McKay: From a Moonlight Ceremony / Harbor Narrative / Symphony for Seattle

ASIN: B00006I9HG
Release Date: 2002-09-17

Tracks:

Snickertyskip
Jabbertyflip
Swaggerhop
Burlesque March
Sunrise
A Morning Mood
Looking Upward
Storm Clouds
Caballeros
Sundown
Summer's End
Americanistic Etude, Op.27
To The Blue Eyed Days Of Spring
One April Morning
A Remembered Happiness
Prelude To A Summer Day
Insouciant Proclamation
Naive Pastorale
Athletic Poem
Calisthenics A La Hollywood
A Giddy Pace
Dancing In A Dream
Bunches Of Grapes
Days Of The Week
The Flower Will Bloom Another Year
Every Flower That Ever Grew
Allegro Moderato, Vigoroso E Parlando
Cantante E Poetico
Moderato Scherzoso E Grotesco
Moderato Cantabile
Moderato Marziale, Ritmico E Marcato

Customer Reviews:

A good introduction to this virtually unknown composer.......2002-09-18

McKay was, for most of his adult life, professor of music at the University of Washington. He was the first graduate of the composition program at the Eastman School of Music and his teachers there were Christian Sinding and Selim Palmgren. He was an early teacher of William Bolcom.

The main performer on this disc is the eminent composer/pianist William Bolcom, who is involved in all the performances save that of the Viola Suite. And, of course, he is well-known for his way with a rag; all the better, then, that the first piece, cutely named 'Snickertyskip', comes on like something by Zez Confrey or Billy Mayerl. Indeed, most of the music here is fairly light in nature. And I must say that it also tends to be somewhat generic; character pieces like 'Storm Clouds' sound little like their titles to me. Nonetheless, this music is winning in its low-key, soft-spoken way. It seems, in retrospect, that the only piece that ventures for very long above a gentlemanly mezzo-forte is the Suite for Viola and Piano.

The first piece in 'An April Suite', called 'To the Blue Eyed Days of Spring,' is lushly romantic and stands out from the surrounding pieces by its delectable melodies and jazz-inflected harmonies.

The four songs sung by Bolcom's wife, Joan Morris, are unpretentious but telling. I was particularly moved by 'Every Flower That Ever Grew,' written near the end of McKay's life to an ancient Irish text. Morris's style, well-known from the 20 or more albums that she and her husband have recorded, is quite apt for these gentle, sometimes humorous, sometimes melancholy songs.

The Viola Suite, altogether stronger meat, with anger, irony, wit, near-resignation but ultimately resolute determination is convincingly played by Mahoko Eguchi, viola, and Sanford Margolis, piano.

Naxos is to be commended for their continuing series of recordings of virtually unknown music by American composers.

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