Sacred Offering

1. Raga Hansadwani

2. Raga Hansadwani

3. Raga Chandrakauns [Alap/Jor/Jhala]

4. Raga Chandrakauns

5. Divine Mystery

6. Konnakol [Vocal Percussion]

7. Dancing with the Joy of You

8. Percussion Duet

9. Raga Durga

10. My Head at Your Feet

Tracks:

Brandenbutg Concerto No.3 In G First Movement
Overture No.3 In D Second Movement
Violin Concerto In E First Movement
Prelude In C minor
Jesu Bleibet Meine Freude (Chorus From Cantata No.147)
Overture No.2 In B minor Minuet And Badinerie
Oboe Concerto In D minor Second Movement
Brandenburg Concerto No.4 In G Third Movement
Musical Offering - Fuga canonica
Easter Oratorio - Overture
Minuet In D minor
Kommst Du Nun, Jesu, Vom Himmel herunter(From Choral Prelude BWV 650
Brandenburg Concerto No.1 In F Second Movement
Art Of The Fugue - Contrapunctus 9
Concerto For Flute, Violin, Harpsichord And Strings. Triple Concerto - Third Movement
Overture No.4 In D - Réjouissance
Concerto No. 1 in E: Spring
Concerto No. 1 in E: Spring
Concerto No. 1 in E: Spring
Concerto No. 2 in G minor: Summer
Concerto No. 2 in G minor: Summer
Concerto No. 2 in G minor: Summer
Concerto No. 3 in F: Autumn
Concerto No. 3 in F: Autumn
Concerto No. 3 in F: Autumn
Concerto No. 4 in F minor: Winter
Concerto No. 4 in F minor: Winter
Concerto No. 4 in F minor: Winter
Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
Concerto Grosso in A minor, Op. 3, no. 8
Concerto Grosso in A minor, Op. 3, no. 8
Concerto Grosso in A minor, Op. 3, no. 8
Water Music - Alla Hornpipe
Xerxes - Ombra Mai Fu (Largo)
Messiah - And The Glory Of The Lord
Concerto Grosso In A Minor, Op. 6, No. 4 - Larghetto Affettuoso
Organ Concerto In F, Op. 4, No. 4 Allegro
Water Music - Air
Messiah - For Unto Us A Child Is Born
Concerto Grosso In B flat, Op. 3, No. 2 - Largo
Salomon - Sinfonia, Act 3
The Choice Of Hercules - While For Thy Arms
Water Music - Allegro (Suite No. 1)
Suite No. 5 In E - Air With Variations
Jephtha - How Dark, O Lord
Organ Concerto In F, Op. 4, No. 5 Alla Siciliana - Presto
Mi Palpita Il Cor (Solo Cantata) S'un Di M'adora
Water Music - Andante Allegro Da Capo
Concerto for Trumpet & Orchestra in E-flat: First Movement
Symphony No. 94 in G: Surprise Symphony-second movement
Concerto for Violin No. 2 in D: Third Movement
Flute Trio No. 31 in G: Second Movement
Symphony No. 31 in D: Hornsignal-First Movement
String Quartet No. 17 in F, Op. 3, no. 5: Serenade Quartet-Second Movement
Sinfonia Concertante in B-flat for Violin, Cello, Oboe, Bassoon and Orchestra-Third Movement
Concerto for 2 Horns & Orchestra in E-flat: Second Movement
Symphony No. 88 in G: Fourth Movement
String Quartet No. 77 in C: Kaiser Quartet-Poco adagio cantabile
Notturno No. 1 in C: Second Movement
Symphony No. 98 in B: Londoner No. 4-Fourth Movement
Eine Kleine Nachtmusik - first movement
Piano Concerto in A - second movement
Flute Concerto in D - Rondeau
Serenade - Minuet
Violin Concerto - first movement
Symphony No. 40 in G minor - first movement
Clarinet Concerto - second movement
Turkish March
Divertimento - Minuet
Horn Concerto No. 3 in E-flat - first movement
Symphony No. 5 in C minor, Op. 67-First Movement
Piano Sonata No. 14 in C sharp minor, Op. 27, no. 2: Moonlight Sonata-First Movement
Overture
O welche Lust (Prisoners' Chorus)
Ha, welch ein Augenblick (Pizarros's Aria)
Concerto for Piano and Orchestra No. 3 in C minor, Op. 37: Second Movement
Concerto for Violin and Orchestra in D, Op. 61: Third Movement
Piano Sonata No. 8 in C minor, Op. 13: Pathétique-Second Movement
Sympony No. 6 in F, Op. 68: Pastorale-First Movement
Fantasy for Piano, Chorus and Orchestra in C minor, Op. 80: Choral Fantasy - Finale
German Dance No. 1 In C
Impromptu Op. 90, No. 3 In G-Flat
Heidenroslein
Ave Maria
Der Lindenbaum
Quintet In A 'Trout Quintet' - Andante
Mass No. 6 In E-Flat - Kyrie
Die Schone Mullerin Des Mullers Blumen
German Dance No. 2 In G
Piano Sonata In B-Flat
Nachtgesang Im Walde
Winterreise - No. 15: Die Krahe
German Mass - Zum Sanctus (Heilit, Heilig Ist Der Herr)
Symphony No. 8 In B Minor 'Unfinished' - Second Movement
Waltz No. 1 in E-flat, Op. 18 Grande Valse brillante
Nocturne in E-flat, Op. 9, no. 2
Etude in G-flat, Op. 10, no. 5
Concerto for Piano and Orchestra No. 2 in F minor, Op. 21-Second Movement
Mazurka in D minor, Op. 33, no. 2
Prelude in D-flat, Op. 28, no. 15 Raindrop
Etude in C, Op. 10, no. 1
Nocturne in D-flat, Op. 27, no. 2
Impromptu No. 4 in C-sharp minor, Op. 66 Fantasy Impromptu
Scherzo in B minor, Op. 20
Piano Sonata No. 2 in B-flat minor, Op. 35-Third Movement
Concerto for Piano and Orchestra No. 1 in E minor, Op. 11 - Third Movement
Piano Concerto No. 1 in B-flat minor - first movement 113.String Seranade - Waltz
Violin Concerto - second movement
The Sleeping Beauty - Waltz
Capriccio Italien, Op. 45
Swan Lake - Waltz
Eugene Onegin - Polonaise
The Nutcracker - Waltz of the Flowers
Orchestral Suite No. 4 - Mozartiana - Third Movement
Swan Lake - Dance of the Swans
Symphony No. 6 in B minor - Pathétique - Third Movement
Hungarian Dance No.5
Lullaby
Symphony No.1 in C minor, Op. 68 - Third Movement
Intermezzo in E-flat, Op.117, no. 1
Concerto for Violin and Orchestra in D, Op. 77 - Third Movement
Waltz, Op. 39, no. 15
Concert for Piano and Orchestra No. 2 in B-flat, Op. 83 - Second Movement
String Quintet in G, Op. 111 - Second Movement
Symphony No.4 in E minor, Op. 98 - Third Movement
Intermezzo in A minor, Op. 76, no. 7
Hungarian Dance No.1 in G minor
German Requiem Selig sind die Toten (Final Chorus)
Die Fledermaus - Overture
Kaiser Waltz, Op.437
Thunder And Lightning Polka, Op. 324
Roses From The South Waltz, Op. 388
AnnenPolka, Op. 117
Vienna Blood Waltz, Op. 354
Eljen A Magyar Polka, Op. 332
Wine, Women and Song Waltz, Op. 333
On The Beautiful Blue Danube Waltz, Op. 134
Die Meistersinger Von Nurnberg - Overture
Tannhauser - Die Pilger sind's (Pilgims' Chorus)
Tannhauser - O du mein holder Abendstern (Wolfram's Aria)
Lohengrin - Act 3 Prelude and Bridal Chorus
The Flying Dutchman - Jo-ho-he Traft ihr das Schiff (Senta's Ballad)
The Flying Dutchman - Steuermann, lass die Wacht (Sailors' Chorus)
Die Walkure - Wintersturme wichen dem Wonnemond (Siegmund's Aria)
Die Walkure - Ride of the Valkyries
Siegfried Hoho! Hoho! Hohei! Schmiede mein Hammer (Siegfried's Forging Song)
Tristan und Isolde - Liebestod
Thus sprach Zarathustra, Op. 30 (excerpt)
Don Juan, Op. 20
Eine Alpensinfonie, Op. 64, I.Nacht
Don Quixote, Op.35, first movement: Introduction
Salome, Op. 54, Dance Of The Seven Veils
Der Rosenkavalier, Op. 59, Finale: Hab' mir's gelobt ihn lieb zu haben
Piano Concerto 2 In C minor, Op. 18 - First Movement
Vocalise, Op.34, No. 14
Prelude In G Sharp minor, Op. 32, No. 12
Piano Concerto No. 4 In G minor, Op. 40 - Third Movement
Symphony No. 2 In E minor, Op. 27 - Third Movement
Piano Concerto No. 1 In F sharp minor, Op. 1 - Second Movement
Rhapsody, Op. 43 On A Theme By Paganini
Hungarian Rhapsody No.2
Liebestraum No.3 in A-flat
Piano Concerto No.1 in E-flat - third movement
Angelus
Mephisto Waltz No.1 (Dance in a Village Tavern)
Prelude and Fugue on B-A-C-H
Dante Symphony - Finale. - Purgatorio - Magnificat
Les Préludes
Boléro
Daphnis et Chloé first movement: Nocturne
Rhapsodie Espagnole
Shéhérazade - first movement: Asie
Ma Mère l'Oye - fourth movement: La Belle et la Bête
Introduction and Allegro for Harp, Flute, Clarinet, and String Quartet
La Valse
Slavic Dance No. 1 in C, Op. 46, no.1
Symphony No. 9 in E minor, Op. 95 'From the New World' - second movement
Humoresque, Op. 101
Slavic Dance No. 8 in G minor, Op. 46, no. 8
Serenade for String Orchestra, Op. 22 - second movement
Romance for Violin and Orchestra In F minor, Op. 11
Symphony No. 7 in D minor - third movement
Melodie (Songs My Mother Taught Me)
Carneval Overture, Op. 92
Concerto for Cello and Orchestra in B minor, Op. 104 - third movement
Symphony No.4 In A, Op. 90. Italian - First Movement
Frühlingslied In A, Op. 62, No. 6
Wedding March (From A Midsummer Night's Dream, Op.61)
Duetto In F, Op.30, No.6 (From Songs Without Words)
String Symphony No.9 In C. Schweitzer Symphony - Third Movement
Concerto For Violin, Piano And String Orchestra No. 1 In D minor - Second Movement
Symphony No.3 In A minor, Op.56 Scottish - Third Movement"
Notturno (From A Midsumment Night's Dream, Op. 61)
Rondo Capriccioso, Op.14
String Symphony No. 12 In G minor - First Movement
Venetian Gondola Song In F Sharp minor, Op.30, No.6
Scherzo (From A Midsumment Night's Dream, Op. 61)
Violin Concerto In E minor, Op.64 - Third Movement
Peer Gynt - Suite No. 1, Op. 46 - Morgenstimmung
Holberg Suite, Op. 40 - I. Prelude. Allegro vivace
Holberg Suite, Op. 40 - IV. Air. Andante religioso
Arietta, Op. 12, no. 1
Homage March from Sigurd Jorsalfar, Op. 56
Peer Gynt - Suite No. 2, Op. 55 - Solveig's Song
Wedding Day at Troldhauen, Op. 65, no. 6
The Last Spring, Op. 34, no. 2
Peer Gynt - Suite No. 1, Op 46 - Anitra's Dance
Nordic Melody Op. 63
Notturno, Op. 54, no. 4
Elegie, Op. 47, no. 5
Peer Gynt - Suite No. 2, Op. 55 - Arabic Dance
Piano Concerto in A minor, Op. 16 - Allegro
Symphony No. 3 in E flat, Op. 97 - Rhenish - first movement
Traumerai (from Kinderszenen, Op. 15)
Mondnacht (from Eichendorff-Liederkreis, Op. 39)
Aufschwung (from Fantasietucke, Op. 12)
Triolett, Op. 114, no. 2
Tanzlied (No. 1 from Duets, Op. 78)
Symphony No. 4 in D minor, Op. 120 - second movement
Frühlingsgruss
Abschied (from Waldszenen Op. 82)
Dichterliebe, Op. 48 - Im wunderschonen Monat Mai
Manfred Overture, Op. 115
Romance in F sharp, Op. 28, no. 2
Die Rose stand im Tau
Liebesgarten (from Four Duets, Op. 34)
Warum? (from Fantasiestucke, Op. 12)
Kennst du das Land, Op.79, no. 29 (from Lieder der Mignon, Op. 98a)
Von fremden Landern und Menschen (from Kinderszenen, Op. 15)

Album Description

An extraordinary 20-CD collection of great works by Bach, Vivaldi, Handel, Haydn, Mozart, Beethoven, Schubert, Chopin, Tchaikovsky, Brahms, Ravel, Mendelssohn, Rachmaninoff, J. Strauss, R. Strauss, Schumann, Wagner, Dvorak, Grieg and Liszt. It also features worldrenowned artists such as Sir Neville Marriner, Martha Argerich, Ivo Pogorelich, Hermann Prey, Reiner Goldberg, Sylvia Sass, Jochen Kowalski, Peter Schreler and many more. This exquisite, copper metallic, deluxe boxed set is the perfect gift for the classical music neophyte.

Customer Reviews:

Mill. Classical review.......2007-05-13

This is a great set of recordings for the money, the only problem was I've had to clean some of the CD's before they played correctly.

classical music for the unitiated.......2007-04-01

This set is a good way to start listening to classical music. It's very well produced and easy to listen to. I purchased it to use as part of my world history high school class. It would have been nice to have some bio information on the composers. However, the product is exactly as advertised and good value for the money. The students were intrigued by how many of the excerpts they had heard before.

Some little gems there that I had forgotten!.......2007-03-30

Although I studied classical music at school, I had all but forgotten it until I bought this set. I heard several tracks I haven't heard for over 30 years, and I had been humming Brahms's 'Hungarian Dance no. 5' for years without ever knowing what it was and it was on the disc, so that was nice.

I found it to be a very good selection overall, but I felt too much had already been heard on TV, which of course is what lots of newcomers to classical music might appreciate. I managed to find about 2 hours of tracks that I wanted to keep, which works out quite expensive per disc, but I did find some wonderful music I had completely forgotten about, so it was worth it. All in all, it represents good value, and I have only knocked one star off as so much of it had been used in adverts.

It is definitely a good introduction to classical music, and it has made me want to listen to more of it, so I don't regret this 'expensive' purchase one bit!

Classical Masterpieces of the Millennium [20 CD Set]

A very helpful collection.......2007-03-24

I define this set as an excellent way to find out who you like, and who you don't, among 20 of the important composers. It opens the door to purchasing more complete pieces by composers you do like, and can save a lot of time and money in the process.
To criticize the set for not containing more composers, or more than just snippets of those who are in the set, is missing the point: it is a helpful introduction to finding your way in the huge maze of classical music. It succeeds admirably in this.
Sound quality is uniformly very good on an audiophile system.
Highly recommended.

Excellent!.......2007-03-08

A great way to start a classical music collection. It's nice to have a full CD of each composer. It makes it easy to keep track of selections/composers I already have and what composers I still need to puchase to complete my collection.

Average customer rating:

Thank You Boulez
5 Star music. Some very good performances, some are aimless.
not much more to be said
a transcendent masterpiece
Five stars and a bullet

Complete Webern
Anton von Webern , Clemens Hagen , David Finckel , Anton Webern , Pierre Boulez , Ensemble InterContemporain , Mary Ann McCormick , Berliner Philharmoniker , Eric Schneider , Gianluca Cascioli , Krystian Zimerman , Oleg Maisenberg , Pierre-Laurent Aimard , Christiane Oelze , Francoise Pollet , Lawrence Dutton , Gidon Kremer , and Philip Setzer
Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

Dances | Ballets & Dances | Classical | Styles | Music

Quartets | Chamber Music | Classical | Styles | Music

Quintets | Chamber Music | Classical | Styles | Music

Trios | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music

Classical | Box Sets | Stores | Music

Opera & Vocal | Box Sets | Stores | Music

Deutsche Grammophon: Music | Specialty Stores | Music
Similar Items:

Alban Berg Collection / Various (Coll)
Arnold Schoenberg: Chamber Music for Strings
Arnold Schoenberg: Serenade/Five Pieces For Orchestra
Schoenberg: Piano Concerto
Schoenberg: Piano Works

ASIN: B00004R9F0
Release Date: 2000-05-09

Tracks:

Passacaglia For Orchestra Op. 1: Sehr massig, Tempo I - Massig bewegt, Tempo II - Sehr lebhaft, Tempo III
5 Movements Op. 5: I. Heftig bewegt
5 Movements Op. 5: II. Sehr langsam
5 Movements Op. 5: III. Sehr lebhaft
5 Movements Op. 5: IV. Sehr langsam
5 Movements Op. 5: V. In zarter Bewegung
6 Pieces For Orchestra Op. 6: I. Etwas bewegte Achtel
6 Pieces For Orchestra Op. 6: II. Bewegt
6 Pieces For Orchestra Op. 6: III. Zart bewegt
6 Pieces For Orchestra Op. 6: IV. Langsam. Marcia funebre
6 Pieces For Orchestra Op. 6: V. Sehr langsam
6 Pieces For Orchestra Op. 6: VI. Zart bewegt
2 Arrangements: J.S. Bach: Fuga (Ricercata) a 6 voci: Sehr massig
Franz Schubert: German Dances Op. Post. D 820: No. 1 - No. 2 (No. 1) - No. 3 ( No. 1) In A Flat Major
Franz Schubert: German Dances Op. Post. D 820: No. 4 - No. 5 (No. 4) - No. 6 (No. 4) In B Flat Major
Im Sommerwind - Idyll For Large Orchestra: Ruhig bewegt - Ruhig - Lustig - Schnell - Feierlich bewegt - Voll Schwung - Aufjauchzend - sehr ruhig und weihevoll

Tracks:

5 Pieces For Orchestra: I. Bewegt
5 Pieces For Orchestra: II. Langsam (sostenuto)
5 Pieces For Orchestra: III. Sehr bewegte Viertel
5 Pieces For Orchestra: IV. Langsame Viertel
5 Pieces For Orchestra: V. (Alla breve)
3 Orchestral Songs: I. Leise Dufte: 'Leise Dufte, Bluten so zart'
3 Orchestral Songs: II. Kunfttag III: 'Nun wird es wieder Lenz'
3 Orchestral Songs: III. 'O sanftes Gluhn der Berge'
Symphony Op. 21: I. Ruhig schreitend
Symphony Op. 21: II. Variationen: Thema. Sehr ruhig - Var. I. Lebhafter - Var. II Sehr lebhaft - Var. III. Wieder massiger - Var. IV. Ausserst ruhig - Var. V. Sehr lebhaft - Var. VI. Marschmassig. Nicht eilen - Var. VII. Etwas breiter - Coda
Das Augenlicht Op. 26: 'Durch unsre offnen Augen' - 'The Eyes Of Radiance' - Langsam
Cantata No. 1 Op. 29: I. 'Zundender Lichtblitz des Lebens' - Getragen - Lebhaft
Cantata No. 1 Op. 29: II. 'Kleiner Flugel Ahornsamen' - Leicht bewegt
Cantata No. 1 Op. 29: III. 'Tonen die seligen Saiten Apolls' - Ruhig
Variations For Orchestra Op. 30
Cantata No. 2 Op. 31: I. 'Schweigt auch die Welt' - Sehr lebhaft - Ruhig
Cantata No. 2 Op. 31: II. 'Sehr tief verhalten innerst Leben' - Sehr verhalten
Cantata No. 2 Op. 31: III. 'Schopfen aus Brunnen des Himmels' - Sehr bewegt
Cantata No. 2 Op. 31: IV. 'Leichteste Burden der Baume' - Sehr lebhaft
Cantata No. 2 Op. 31: V. 'Freundselig ist das Wort' - Sehr massig
Cantata No. 2 Op. 31: VI. 'Gelockert aus dem Schosse' - Sehr fliessend

Tracks:

Piano Quintet: Moderato
'Entflieht auf leichten Kahnen' op. 2: Zart bewegt
2 Lieder op. 8: I. 'Du, der ichs nicht sage'
2 Lieder op. 8: 'Du machst mich allein'
5 Pieces for Orchestra op. 10: I. Sehr ruhig und zart
5 Pieces for Orchestra op. 10: II. Leghaft und zart bewegt
5 Pieces for Orchestra op. 10: III. Sehr langsam und ausserst ruhig
5 Pieces for Orchestra op. 10: IV. Fliessend, ausserst zart
5 Pieces for Orchestra op. 10: V. Sehr fliessend
4 Lieder op. 13: I. Wiese im Park: 'Wie wird mir zeitlos'
4 Lieder op. 13: II. Die Einsame: 'An dunkelblauem Himmel'
4 Lieder op. 13: III. In der Fremde: 'In fremden Lande lag ich'
4 Lieder op. 13: IV. Ein Winterabend: 'Wenn der Schnee ans Fenster fallt'
6 Lieder op. 14: I. Die Sonne: 'Taglich kommt die gelbe Sonne'
6 Lieder op. 14: II. Abendland I: 'Mond, als trate ein Totes'
6 Lieder op. 14: III. Abendland II: 'So leise sind die grunen Walder'
6 Lieder op. 14: IV. Abendland IV: 'Ihr grossen Stadte steinern aufgebaut'
6 Lieder op. 14: V. Nachts: 'Die Blaue meiner Augen'
6 Lieder op. 14: VI. Gesang einer gefangenen Amsel: 'Dunkler Odem im grunen Gezweig'
5 Sacred Songs op. 15: I. 'Das Kreuz, das musst' er tragen'
5 Sacred Songs op. 15: II. Morgenlied: 'Steht auf, ihr lieben Kinderlein'
5 Sacred Songs op. 15: III. 'In Gottes Namen aufstehn'
5 Sacred Songs op. 15: IV. 'Mein Weg geht jetzt voruber'
5 Sacred Songs op. 15: V. 'Fahr hin, o Seel', zu deinem Gott'
5 Canons op. 16: I. 'Christus factus est'
5 Sacred Songs op. 15: II. 'Dormi Jesu, mater ridet' From 'Des Knaben Wunderhorn'
5 Sacred Songs op. 15: III. 'Crux fidelis'
5 Sacred Songs op. 15: IV. 'Asperges me, Domine'
5 Sacred Songs op. 15: V. 'Crucem tuam adoramus, Domine'
3 Traditional Rymes op. 17: I. 'Armer Sunder, du'
3 Traditional Rymes op. 17: II. 'Liebste Jungfrau, wir sind dein'
3 Traditional Rymes op. 17: III. 'Heiland, unsre Missetaten'
3 Lieder for voice, E flat clarinet and guitar op. 18: I. 'Schatzerl klein'
3 Lieder for voice, E flat clarinet and guitar op. 18: II. Erlosung: 'Mein Kind, sieh an' From 'Des Knaben Wunderhorn'
3 Lieder for voice, E flat clarinet and guitar op. 18: III. 'Ave , Regina coelorum'
2 Lieder op. 19 for mixed choir: I. 'Wiess wie Lilien'
2 Lieder op. 19 for mixed choir: II. 'Ziehn die Schafe'
Quartet op. 22: I. Sehr massig
Quartet op. 22: II. Sehr schwungvall
Concerto op. 24: I. Etwas lebhaft
Concerto op. 24: II. Sehr schwungvoll
Concerto op. 24: III. Sehr rasch

Tracks:

3 Poems: I. Vorfruhling: 'Leise tritt auf...'
3 Poems: II. Nachtgebet der Braut: 'O mein Geliebter'
3 Poems: III. Fromm: 'Der Mond scheint auf mein Lager'
8 Early Lieder: I. Tief von fern: 'Aus des Abends weissen Wagen'
8 Early Lieder: II. Aufblick: 'Uber unsre Liebe hangt eine Trauerweide'
8 Early Lieder: III. Bleuengruss: 'Der Strauss, den ich gepflucket'
8 Early Lieder: IV. Bild der Liebe: 'Von Wald umgeben'
8 Early Lieder: V. Sommerbend: 'Du Sommerbend! Heilig, goldnes Licht!'
8 Early Lieder: VI. Heiter: 'Mein Herz ist wie ein See so weit'
8 Early Lieder: VII. Der Tod: 'Ach, es ist do dunkel in des Todes Kammer'
8 Early Lieder: VIII. Heimgang in der Fruhe: 'In der Dammerung'
3 Lieder on poems by Ferdinand Avenarius: I. Gefunden: 'Nun wir uns lieben, rauscht mein stolzes Gluck'
3 Lieder on poems by Ferdinand Avenarius: II. Gebet: 'Ertrage du's, lass schneiden dir den Schmerz'
3 Lieder on poems by Ferdinand Avenarius: III. Greunde: 'Schmerze und Freuden reift jede Stunde'
5 Lieder on poems by Richard Dehmel: I. Ideale Landschaft: 'Du hattest einen Glanz auf deiner Stirn'
5 Lieder on poems by Richard Dehmel: II. Am Ufer: 'Die Wlet verstummt, dein Blut erklingt'
5 Lieder on poems by Richard Dehmel: III. Himmelfahrt: 'Schwebst du nieder aus den Weiten'
5 Lieder on poems by Richard Dehmel: IV. Nachtliche Scheu: 'Zaghaft vom Gewolk ins Land'
5 Lieder on poems by Richard Dehmel: V. Helle Nacht: 'Weich kusst die Zweige der weisse Mond'
5 Lieder from 'Der siebente Ring' by Stefan George op. 3: I. 'Dies ist ein lied'
5 Lieder from 'Der siebente Ring' by Stefan George op. 3: II. ''Im windes-weben'
5 Lieder from 'Der siebente Ring' by Stefan George op. 3: III. 'An baches ranft'
5 Lieder from 'Der siebente Ring' by Stefan George op. 3: IV. 'Im morgen-taun'
5 Lieder from 'Der siebente Ring' by Stefan George op. 3: V. 'Kahl reckt der baum'
5 Lieder on poems by Stefan George op. 4: I. Eingang: 'Welt der gestalten lang lebewohl!'
5 Lieder on poems by Stefan George op. 4: II. Noch zwingt mich treue uber dir zu wachen'
5 Lieder on poems by Stefan George op. 4: III. 'Ja heil und dank dir'
5 Lieder on poems by Stefan George op. 4: IV. 'So ich traurig bin'
5 Lieder on poems by Stefan George op. 4: V. 'Ihr tratet zu dem herde'
4 Lieder on poems by Stefan George: I. 'Erwachen aus dem tiefsten traumes-schoosse'
4 Lieder on poems by Stefan George: II. Kunfttag I: 'Dem bist du kind, dem freund'
4 Lieder on poems by Stefan George: III. Trauer I: 'So wart bis ich dies dir noch kunde'
4 Lieder on poems by Stefan George: IV. 'Das lockere saatgefilde lechzet krank'
4 Lieder op. 12: I. 'Der Tag ist vergangen' - Folksong
4 Lieder op. 12: II. Die geheimnisvolle Flote: 'An einem Abend, da die Blumen dufteten' - Li-Tai-Po
4 Lieder op. 12: III. 'Schien mir's, als ich sah die Sonne' - 'Gespenstersonate'
4 Lieder op. 12: IV. Gleich und gleich: 'Ein Blumenglockchen'
3 Songs From 'Viae inviae' by HildegardJone op. 23: I. 'Das dunkle Herz, das in sich lauscht'
3 Songs From 'Viae inviae' by HildegardJone op. 23: II. Es sturzt aus Hohen Frische'
3 Songs From 'Viae inviae' by HildegardJone op. 23: III. Herr Jesus mein'
3 Lieder on poems by Hildegard Jone op. 25: I. 'Wie bein ich froh!'
3 Lieder on poems by Hildegard Jone op. 25: II. 'Des Herzens Purpurvogel fliegt durch Nacht'
3 Lieder on poems by Hildegard Jone op. 25: III. 'Sterne, ihr silbernen Bienen der Nacht'

Tracks:

Slow Movement For String Quartet: Langsam, mit bewegtem Ausdruck
5 Movements For String Quartet: I. Heftig bewegt
5 Movements For String Quartet: II. Sehr langsam
5 Movements For String Quartet: III. Sehr bewegt
5 Movements For String Quartet: IV. Sehr langsam
5 Movements For String Quartet: V. In zarter Bewegung
String Quartet
6 Batatelles For String Quartet op. 9: I. Massig
6 Batatelles For String Quartet op. 9: II. Leicht bewegt
6 Batatelles For String Quartet op. 9: III. Ziemlich fliessend
6 Batatelles For String Quartet op. 9: IV. Sehr langsam
6 Batatelles For String Quartet op. 9: V. Ausserst langsam
6 Batatelles For String Quartet op. 9: VI. Fliessend
Rondo For String Quartet: Bewegt
Movement For String Trio op. post.: Ruhig fliessend
3 Pieces For String Quartet: I. Bewegt
3 Pieces For String Quartet: II. Langsam: Grief Always; Looking Upward; Heaven's Dew; Memory; Black Flowers; On Breast; Out Of Mother
3 Pieces For String Quartet: III. Nicht zu langsam
String Trio op. 20: I. Sehr langsam
String Trio op. 20: II. Sehr getragen und ausdrucksvoll
String Quartet op. 28: I. Massig
String Quartet op. 28: II. Gemachlich - Bewegt
String Quartet op. 28: III. Sehr fliessend

Tracks:

2 Pieces For Cello And Piano: I. Langsam
2 Pieces For Cello And Piano: II. Langsam
Movement For Piano: Lebhaft
Sonata Movement (Rondo) For Piano: (Bewegt) - Ruhig bewegt - Sehr ruhig
4 Pieces For Violin And Piano op. 7: I. Sehr langsam
4 Pieces For Violin And Piano op. 7: II. Rasch
4 Pieces For Violin And Piano op. 7: III. Sehr langsam
4 Pieces For Violin And Piano op. 7: IV. Bewegt
3 Little Pieces For Cello And Piano op. 11: I. Massige
3 Little Pieces For Cello And Piano op. 11: II. Sehr bewegt
3 Little Pieces For Cello And Piano op. 11: III. Ausserst ruhig
Cello Sonata: Sehr bewegt
Children's Piece For Piano: Lieblich
Piano Piece: Im Tempo eines Menuetts
Variations For Piano op. 27: I. Sehr massig
Variations For Piano op. 27: II. Sehr schnell
Variations For Piano op. 27: III. Ruhig fleissend

Amazon.com

Pierre Boulez's Complete Webern Edition appears just over two decades after his last traversal. Well, it's not literally complete, but does have enough early works to set the mature ones in the right context. These days, Webern is no longer seen so much as a new music guru as he is a major composer, pure and simple--his expression as concise as it is intense. Performancewise, there's a quality of musicianship here that few previous recordings have matched; familiarity with the idiom certainly plays its part, but so does Boulez's belief that what we're hearing needs to be presented with conviction. Try the Passacaglia, sensuous music that combines the soundworld of Brahms and Mahler, or the string quartet or orchestra pieces--miniatures in duration, but whole dramas of expression.

Ease of performance doesn't always make this music easy to come to grips with: the song cycles need several listenings to grasp the meaning behind the compression, while the later instrumental and choral works have a luminous austerity that looks back to Bach and beyond to Renaissance masters such as Schütz and Isaac. While much of Webern's music has long been admired, only now is it becoming possible to respond to it through the heart as well as the brain. This set, superbly packaged and comprehensively documented, marks a major step forward, and deserves investigating by anyone keen to appreciate something of the music's quiet, calm essence in an often strident, dislocated century. --Richard Whitehouse

Customer Reviews:

Thank You Boulez.......2001-10-23

If you are a fan of the "New Vienna School" (Schoenberg, Berg, Webern) or 20th century "classical" or "serious" music, this disk set is very rewarding. Beautifully recorded and packaged, and with equally good liner notes, it is a treat to strap on the headphones and listen.

I debated between buying this or Boulez's older Webern set and went with this one. There is much more music on this set because pieces without opus numbers are included. They lend a lot of insight into his "published" works. I also went with this set because it is a modern digital recording, the previous set being from the early 70's. I will often side with a classic recording when needed-performance over sound. Here, I'm happy to report, the listener gets both. Every detail is captured.

Thank you very much Pierre Boulez and DG for making this project happen. Please keep the Schoenberg and Berg disks coming. And thank you Anton Webern for continually opening my ears.

5 Star music. Some very good performances, some are aimless........2001-08-25

Webern's music demonstrates a level of craft, in which few composers ever contend. The more that I listen to the works of Webern, the more I hear that each note must be just as it is. There is nothing wasted in this music. The expression is never vague, always intense. I do admire the works of many modern composers, but few are so discerning and meticulous in their works. Webern's craft is equal with the greats of music history; Guillarme de Machaut, Carlo Gesualdo, Claudio Monteverdi, J.S. Bach, Franz Joseph Haydn, Ludwig Beethoven. He is a towering figure. The music that is played here is first rate. However, I have not yet heard performances of many of his works that bring out everything that Webern's music has to offer. For example, the Op. 27 Piano Variations are seldom done justice. All of the movements are given `circa' tempo indications, but many take the movements much slower or faster than indicated. Unfortunately, on this recording the fast movement is slow and the slow movements fast. Presumably the slower tempo in the fast movement would allow for more accurate interpretation of the frequent changes between piano and forte. The problem is that the F's typically don't fade away fast enough and drown out the P's. The other option is to make the P's a little bit more like mezzo forte's. The recording that Pollini did of the work on Deutsche Gramaphon with the Boulez 2nd Sonata manages to reconcile the dynamics with the tempo. However, what I have not heard with the work is the full impact of the affect in the work. What the Pollini performance fails in is the coldness of the interpretation. For those interested, I believe that DG is currently putting out the Pollini performance with Stravinsky's Petruska and a Prokofiev sonata at a fairly low price. This recording brings together several performances of more `high profile' ensembles than the older recording on Sony, which mostly featured performances of musicians from Juilliard. The performances are often more colorful, but I can't say that I always think they surpass their predecessors. The interpretations of the works are a little bit `hit and miss.' The ensembles that Boulez conducts tend to bring out the same sorts of things in the works that the previous ensembles did with the last `complete Webern.' This is good in places; I appreciate the more resonant quality that the recent recording equipment affords, and Boulez conducts a comparable performance of the orchestral works such as the `Symphonie.' The recording of the `Konzert' for nine instruments is good. The performances of the early expressionist works, such as the `Five Orchestral Pieces,' are powerful. Boulez is less afraid to see the human in Webern and let the shocked silences speak. Furthermore, the peaks are less harsh, allowing more of the subtle affects to become visible. Some of the performances just lack a certain power of expression that the previous `complete webern' had; a viscerally that the strength of the `Webern - Vogue' afforded them. The musicians that played the previous complete were looking at Webern as a giant, they are young and virile performances. These performances sometimes view Webern as a curiosity, a historical anachronism, the way that your grandfather will tell you a strange story, of which he himself doesn't understand the point, but he relates as a bit of curio. All in all, I wouldn't say that this set of recordings is the final word on the majority of Webern's works. Many of the performances in the previous set are just as good, but neither do those constantly surpass these performances. Both have their faults. The previous set tended to be cold and more aggressive than was necessary in places. The new set tends to wander at times, as if the performer does not understand the point. It's always difficult to sum up a complete works set for a prospective buyer. Just as in `complete works' of Bach sets that I own, the performances are not always amazing. However, the strength of the compositions often overcomes my desire for a strong performance, and I'm just glad that I have a recording of someone performing that Bach work that I want to hear. Here, similarly, the performances aren't always the best, but there is a wider range of Webern's ouvre represented and many of the performances are quite good. I suppose my counsel would be that one should consider the price of this set vs. the older sony set. The sony set is less complete, but it does include all of the really monolithic, profound Webern works. You also get a view of the younger, romantic Webern in this new set, in addition to better sound quality. Certain performances are better in each set, and so you'll get some good and some bad in either choice. For those that already have a strong taste for Webern's music, try this set. For those who are looking for a starting place, you might try the sony set. The highlights of this set are the Boulez orchestral performances. He has honed his vision for Webern since the last set and they are `worth the price.' For those further exploring Webern, those performances should be heard.

not much more to be said.......2001-08-01

... i could be extremely nit-picky, and complain about the solo piano pieces, and their performer's occasional humming, and the baffling ordering of the quartet disc, and the discrepencies in the translations of the booklet, and how the english left out any explanation of sator arepo etc..., yet the french seems to, and all the little tiny errors, in the booklet... but... these are all moot points when any of the performances are heard. it brings to light all facets of the composer, so he no longer seems ascetic and overly intellectual, just check out the highly romantic string quartet op. 28, and variations for orchestra, yes even the solo piano pieces with the humming. all in all, a very enlightening experience.

a transcendent masterpiece.......2000-07-17

The performances here are absolutely brilliant.

Nuance, detail, sensitivity.

This is not merely music, this is magic!

Five stars and a bullet.......2000-06-13

Pierre Boulez, the enfant not-very-terrible-any-more of French music, has surpassed himself. Twenty-two years ago, CBS released his Complete Works of Anton Webern, and it's remained the definitive Webern collection. Until, as they say in movie trailers, now.

This consists of the three Webern albums Boulez has recorded for DG over the past five years or so, plus everything else Webern ever wrote. It thus scores straightaway over the earlier CBS/Sony set, which was restricted to works that had opus numbers and filled three CDs. This one includes the charming early songs, the equally early "Im Sommerwind" for orchestra and a number of posthumous and otherwise non-Opus works that didn't make it onto the earlier set. Webern is a composer whose entire output takes about six hours to listen to in its entirety, and it's all here, on six CDs.

That's fine; is it any good? Well, it's digitally recorded, and if ever a composer was born for CD, it's Webern. The pianissimos are more ppp than ever, thanks to better recording techniques. Boulez himself has also unbuttoned a bit. His earlier set, recorded between 1967 and 1972, was high on austerity and, if it fell down at all, did so on emotion. The older Boulez (he's 75 this year) is more relaxed about letting tuttis blare and climaxes, well, climax. The result is both as intellectually satisfying as we've come to expect from Boulez, and warmly expressive; in general, a more moving and less didactic set of recordings than the previous lot. And all the better for it, as far as this composer (and this listener) is concerned.

There are many benefits of a digital set, not the least being the better registration of timbral variety, which Webern (as is well known) made into a compositional principle. Even those allergic to twelve-tone music can't help but be ravished by the intricate sweetness of his arrangement of the Bach six-part fugue from the "Musical Offering". The arrangement of Schubert's German Dances has been re-recorded, and can be heard now in all its sprightliness. (The CBS/Sony set has an archive recording conducted by Webern himself in the thirties, but dodgy sound quality prevented it from shining forth properly, despite Webern's witty conducting.)

Tracks:

Passacaglia fur grobes Orch Op.1 - LSO/Pierre Boulez
'Entflieht auf leichten Kahnen' Op.2 (Text: Stefan George) - John Alldis Chor/Pierre Boulez
Funf Lieder Op.3, aus 'Der siebente Ring' von Stefan George: I. Dies ist ein Lied fur dich allein... - Heather Harper/Charles Rosen
Funf Lieder Op.3, aus 'Der siebente Ring' von Stefan George: II. Im Windesweben-Sehr fliebend - Heather Harper/Charles Rosen
Funf Lieder Op.3, aus 'Der siebente Ring' von Stefan George: III. Am Bachesranft-Ziemlich rasch - Heather Harper/Charles Rosen
Funf Lieder Op.3, aus 'Der siebente Ring' von Stefan George: IV. Im Morgentaun-Fliebend - Heather Harper/Charles Rosen
Funf Lieder Op.3, aus 'Der siebente Ring' von Stefan George: V. Kahl reckt der Baum-Langsam - Heather Harper/Charles Rosen
Funf Lieder Op.4, nach Gedichten von Stefan George: I. Eingang-Ruhevoll - Heather Harper/Charles Rosen
Funf Lieder Op.4, nach Gedichten von Stefan George: II. Noch zwingt mich Treue-Bewgt - Heather Harper/Charles Rosen
Funf Lieder Op.4, nach Gedichten von Stefan George: III. Ja Heil und Dank-Sehr langsam - Heather Harper/Charles Rosen
Funf Lieder Op.4, nach Gedichten von Stefan George: IV. So ich traurig bin-Sehr fliebend und zart - Heather Harper/Charles Rosen
Funf Lieder Op.4, nach Gedichten von Stefan George: V. Ihr tratet zu dem Herde-Langsam - Heather Harper/Charles Rosen
Funf Satze fur Streichquartett Op.5: I. Heftig bewegt - Juilliard Str Qt
Funf Satze fur Streichquartett Op.5: II. Sehr langsam - Juilliard Str Qt
Funf Satze fur Streichquartett Op.5: III. Sehr bewget - Juilliard Str Qt
Funf Satze fur Streichquartett Op.5: IV. Sehr langsam - Juilliard Str Qt
Funf Satze fur Streichquartett Op.5: V. In zarter Bewegung - Juilliard Str Qt
Sechs Stucke fur grobes Orch Op.6: I. Etwas bewegte Achtel - LSO/Pierre Boulez
Sechs Stucke fur grobes Orch Op.6: II. Bewgt - LSO/Pierre Boulez
Sechs Stucke fur grobes Orch Op.6: III. Zart bewegt - LSO/Pierre Boulez
Sechs Stucke fur grobes Orch Op.6: IV. Langsam - LSO/Pierre Boulez L
Sechs Stucke fur grobes Orch Op.6: V. Sehr langsam - LSO/Pierre Boulez
Sechs Stucke fur grobes Orch Op.6: VI. Zart bewegt - LSO/Pierre Boulez
Vier Stucke fur Geige und Klavier Op.7: I. Sehr langsam - Isaac Stern/Charles Rosen
Vier Stucke fur Geige und Klavier Op.7: II. Rasch - Isaac Stern/Charles Rosen
Vier Stucke fur Geige und Klavier Op.7: III. Sehr langsam - Isaac Stern/Charles Rosen
Vier Stucke fur Geige und Klavier Op.7: IV. Bewegt - Isaac Stern/Charles Rosen
Zwei Lieder fur mittlere Stimme und acht Instrumente Op.8, nach gedichten von Rainer Maria Rikle:... - Heather Harper
Zwei Lieder fur mittlere Stimme und acht Instrumente Op.8, nach gedichten von Rainer Maria Rikle:... - Heather Harper
Sechs Bagatellen fur Streichquartett Op.9: I. Mabig - Juilliard Str Qt
Sechs Bagatellen fur Streichquartett Op.9: II. Leicht bewegt - Juilliard Str Qt
Sechs Bagatellen fur Streichquartett Op.9: III. Zeimlich fliebend - Juilliard Str Qt
Sechs Bagatellen fur Streichquartett Op.9: IV. Sehr langsam - Juilliard Str Qt
Sechs Bagatellen fur Streichquartett Op.9: V. Auberst langsam - Juilliard Str Qt
Sechs Bagatellen fur Streichquartett Op.9: VI. Fliebend - Juilliard Str Qt
Funf Stucke fur Orchester Op.10: I. Sehr ruhig und zart - LSO/Pierre Boulez
Funf Stucke fur Orchester Op.10: II. Lebhaft und zart bewegt - LSO/Pierre Boulez
Funf Stucke fur Orchester Op.10: III. Sehr langsam und auberst ruhig - LSO/Pierre Boulez
Funf Stucke fur Orchester Op.10: IV. Fliebend, auberst zart - LSO/Pierre Boulez L
Funf Stucke fur Orchester Op.10: V. Sehr fliebend - LSO/Pierre Boulez
Drei kleine Stucke fur Violoncello und Klavier Op.11: I. Mabige Achtel - Gregor Piatigorsky/Charles Rosen
Drei kleine Stucke fur Violoncello und Klavier Op.11: II. Sehr bewegt - Gregor Piatigorsky/Charles Rosen
Drei kleine Stucke fur Violoncello und Klavier Op.11: III. Auberst ruhig - Gregor Piatigorsky/Charles Rosen
Vier Lieder fur Singstimme und Klavier Op.12: I. Der Tag ist vergangen (Volkslied)-Sehr ruhig - Heather Harper/Charles Rosen
Vier Lieder fur Singstimme und Klavier Op.12: II. Die geheimnisvolle Flote (Li Tai po/Bethge)-... - Heather Harper/Charles Rosen
Vier Lieder fur Singstimme und Klavier Op.12: III. Schein mir's als ich sah die (aus August ... - Heather Harper/Charles Rosen
Vier Lieder fur Singstimme und Klavier Op.12: IV. Ein Winterabend (Goethe0-Sehr flieBend - Heather Harper/Charles Rosen

Tracks:

Vier Lieder fur Sopran und Orch Op.13: I. Wiese im Park (karl Kraus)-Sehr ruhig - Heather Harper
Vier Lieder fur Sopran und Orch Op.13: II. Die Einsame (Wang Xen Yu/Bethge)-Bewegt - Heather Harper
Vier Lieder fur Sopran und Orch Op.13: III. In der Fremde (Li Tai Po/Bethge)-FlieBend - Heather Harper
Vier Lieder fur Sopran und Orch Op.13: IV. Ein Winterabend (Georg Trakl)-Sehr ruhig - Heather Harper
Sechs Lieder fur Singstimme und vier Instrumente Op.14, nach Gedichten von Georg Trakl: I. Die... - Heather Harper
Sechs Lieder fur Singstimme und vier Instrumente Op.14, nach Gedichten von Georg Trakl: II. ... - Heather Harper
Sechs Lieder fur Singstimme und vier Instrumente Op.14, nach Gedichten von Georg Trakl: III. ... - Heather Harper
Sechs Lieder fur Singstimme und vier Instrumente Op.14, nach Gedichten von Georg Trakl: IV. ... - Heather Harper
Sechs Lieder fur Singstimme und vier Instrumente Op.14, nach Gedichten von Georg Trakl: V. Nachts... - Heather Harper
Sechs Lieder fur Singstimme und vier Instrumente Op.14, nach Gedichten von Georg Trakl: VI. Gesang.. - Heather Harper
Funf geistliche lieder fur Sopran und funf Instrumente Op.15: I. Das Kreuz-Getragen - Halina Lukomska
Funf geistliche lieder fur Sopran und funf Instrumente Op.15: II. Morgenlied (aus'Des Knaben... - Halina Lukomska
Funf geistliche lieder fur Sopran und funf Instrumente Op.15: III. In Gottes Namen aufstehn-... - Halina Lukomska
Funf geistliche lieder fur Sopran und funf Instrumente Op.15: IV. Mein Weg geht jetzt voruber-... - Halina Lukomska
Funf geistliche lieder fur Sopran und funf Instrumente Op.15: V. Fahr hin , o Seel'-FlieBend - Halina Lukomska
Funf Kanons nach lateinischen Texten fur Sopran, Klarineete und BaBklarinette Op.16: I. Christus... - Halina Lukomska
Funf Kanons nach lateinischen Texten fur Sopran, Klarineete und BaBklarinette Op.16: II. Dormi... - Halina Lukomska
Funf Kanons nach lateinischen Texten fur Sopran, Klarineete und BaBklarinette Op.16: III. Crux... - Halina Lukomska
Funf Kanons nach lateinischen Texten fur Sopran, Klarineete und BaBklarinette Op.16: IV. Asperges... - Halina Lukomska
Funf Kanons nach lateinischen Texten fur Sopran, Klarineete und BaBklarinette Op.16: V. Crucem... - Halina Lukomska
Drei Volkstexte fur Singstimme und drei Instrumente Op.17: I. Armer Sunder, du - Halina Lukomska
Drei Volkstexte fur Singstimme und drei Instrumente Op.17: II. Liebste Jungfrau, wir sind dein - Halina Lukomska
Drei Volkstexte fur Singstimme und drei Instrumente Op.17: III. Heiland, unsre Missetaten - Halina Lukomska
Drei Lieder fur Singstimme, Es-Klarinette und Gitarre Op.18: I. Schatzerl klein - Halina Lukomska/John Williams/Colin Bradley
Drei Lieder fur Singstimme, Es-Klarinette und Gitarre Op.18: II. Erlosung - Halina Lukomska/John Williams/Colin Bradley
Drei Lieder fur Singstimme, Es-Klarinette und Gitarre Op.18: III. Ave Regina - Halina Lukomska/John Williams/Colin Bradley
Zwei Lieder fur gemischten Chor und funf Instrumente Op.19, aus'Chinesisch-deutsche Jahres-... - John Alldis Choir/Pierre Boulez
Zwei Lieder fur gemischten Chor und funf Instrumente Op.19, aus'Chinesisch-deutsche Jahres-... - John Alldis Choir/Pierre Boulez
Streichtrio Op.20: I. Sehr langsam - Members of the Juilliard Str Qt
Streichtrio Op.20: II. Sehr getragen und ausdrucksvoll - Members of the Juilliard Str Qt
Sym Op.21: I. Ruhig schreitend - LSO/Pierre Boulez
Sym Op.21: II. Variationen - LSO/Pierre Boulez
Qt fur Geige, Klarinette, Tenorsaxophon un Klavier Op.22: I. Sehr maBig - Charles Rosen/Daniel Majeske/Robert Marcellus/Abraham Weinstein
Qt fur Geige, Klarinette, Tenorsaxophon un Klavier Op.22: II. Sehr schwungvoll - Charles Rosen/Daniel Majeske/Robert Marcellus/Abraham Weinstein
Drei Gesange Op.23, aus 'Viae inviae' von Hildegard Jone: I. Das dunkle Herz-Getragen - Halina Lukomska/Charles Rosen
Drei Gesange Op.23, aus 'Viae inviae' von Hildegard Jone: II. Es sturzt aus hohen Frisch-Bewegt - Halina Lukomska/Charles Rosen
Drei Gesange Op.23, aus 'Viae inviae' von Hildegard Jone: III. Herr Jesus mein-Langsam - Halina Lukomska/Charles Rosen
Konzert fur neum Instrumente Op.24: I. Etwas lebhaft - Members of the LSO/Pierre Boulez
Konzert fur neum Instrumente Op.24: II. Sehr langsam - Members of the LSO/Pierre Boulez
Konzert fur neum Instrumente Op.24: III. Sehr rasch - Members of the LSO/Pierre Boulez
Drei Lieder fur Singstimme und Klavier Op.25, nach Gedichten von Hildegard Jone: I. Wie bin ich... - Halina Lukomska/Charles Rosen
Drei Lieder fur Singstimme und Klavier Op.25, nach Gedichten von Hildegard Jone: II. Des Herzens... - Halina Lukomska/Charles Rosen
Drei Lieder fur Singstimme und Klavier Op.25, nach Gedichten von Hildegard Jone: III. Sterne, Ihr... - Halina Lukomska/Charles Rosen

Tracks:

'Das Augenlicht' fur gemischten Chor und Orch Op.26, Worte von Hildegard Jone - John Alldis Chor/Pierre Boulez
Variationen fur Klavier Op.27: I. Sehr maBig - Charles Rosen
Variationen fur Klavier Op.27: II. Sehr schnell - Charles Rosen
Variationen fur Klavier Op.27: III. Ruhig flieBend - Charles Rosen
Streichquartett Op.28: I. MaBig - Juilliard Str Qt
Streichquartett Op.28: II. Gemachlich - Juilliard Str Qt
Streichquartett Op.28: III. Sehr flieBend - Juilliard Str Qt
Kantate Nr.1 Op.29, Worte von Hildegard Jone: I. Zundender Lichtblitz-Getragen - Halina Lukomska/John Alldis Chor
Kantate Nr.1 Op.29, Worte von Hildegard Jone: II. Kleiner Flugel, Ahornsamen-Leicht bewegt - Halina Lukomska/John Alldis Chor
Kantate Nr.1 Op.29, Worte von Hildegard Jone: III. Tonen die seligen Saiten -Ruhig - Halina Lukomska/John Alldis Chor
Variationen fur Orch Op.30 - LSO/Pierre Boulez
Kantate Nr.2 Op.31: I. BaB. Schweigt auch die Welt - Halina Lukomska/Barry McDaniel/John Alldis Chor
Kantate Nr.2 Op.31: II. BaB. Sehr tiefverhalten - Halina Lukomska/Barry McDaniel/John Alldis Chor
Kantate Nr.2 Op.31: III. Chor. Schopfen aus Brunnen des Himmels - Halina Lukomska/Barry McDaniel/John Alldis Chor
Kantate Nr.2 Op.31: IV. Sopran. Leichteste Burden der Baume - Halina Lukomska/Barry McDaniel/John Alldis Chor
Kantate Nr.2 Op.31: V. Chor. Freundselig ist das Wort - Halina Lukomska/Barry McDaniel/John Alldis Chor
Kantate Nr.2 Op.31: VI. Chor. Gelockert aus dem SchoBe - Halina Lukomska/Barry McDaniel/John Alldis Chor
Funf Satze fur Streinchquartett Op.5: I. Heftig bewegt - LSO/Pierre Boulez
Funf Satze fur Streinchquartett Op.5: II. Sehr langsam - LSO/Pierre Boulez
Funf Satze fur Streinchquartett Op.5: III. Sehr bewegt - LSO/Pierre Boulez
Funf Satze fur Streinchquartett Op.5: IV. Sehr langsam - LSO/Pierre Boulez
Funf Satze fur Streinchquartett Op.5: V. In zarter Bewegung - LSO/Pierre Boulez
J.S. Bach/A. Webern: Fuga (Ricercata) Nr.2 aus dem 'Musikalischen Opfer' - LSO/Pierre Boulez
F. Schubert: 'Deutsche Tanze' (German Dances/Danses allemandes/Danze tedesche): I. - Frankfurter Funkorchester/Anton Webern
F. Schubert: 'Deutsche Tanze' (German Dances/Danses allemandes/Danze tedesche): II. (I.Da capo) - Frankfurter Funkorchester/Anton Webern
F. Schubert: 'Deutsche Tanze' (German Dances/Danses allemandes/Danze tedesche): III. (I.Da capo) - Frankfurter Funkorchester/Anton Webern
F. Schubert: 'Deutsche Tanze' (German Dances/Danses allemandes/Danze tedesche): IV. - Frankfurter Funkorchester/Anton Webern
F. Schubert: 'Deutsche Tanze' (German Dances/Danses allemandes/Danze tedesche): V. (IV. Da capo) - Frankfurter Funkorchester/Anton Webern
F. Schubert: 'Deutsche Tanze' (German Dances/Danses allemandes/Danze tedesche): VI. (IV. Da capo) - Frankfurter Funkorchester/Anton Webern

Amazon.com essential recording

This collection presents all Webern's works with opus numbers in chronological order, allowing listeners to scrutinize the inner workings of this influential composer's intense, compressed style from the lush Passacaglia to the starkness of his late vocal works. A broadcast recording of Webern conducting a group of Schubert Dances makes a lively bonus. --Jed Distler

Customer Reviews:

Excellent Webern from the master Boulez and company........2006-09-12

Boulez has a DG recording, which I have several singles from that set. The DG is very good and recommended as a second set. This Sony recording is outstanding and the finest in my Webern collection. If you have this set , you still may want to look at the DG set. Why? Because this music is so wonderful, so that another experience is well worth the price of say $40. But if you have the DG set, you definetly want to keep that set and also get this Sony set.
Notice how few new Webern recordings are released. When conductors hear this set, I guess they feel its pointless to try to meet these standards. The artists here are all in excellent form and understanding of this extremely difficult but rewarding music.

Webern may grow on you and Boulez et al. are worth every penny........2005-09-18

If you are looking for an introduction to Webern, give this a try. It has the advatage of being comprehensive and well played. If you don't like all of Webern, so be it. If you buy this recording and give it a few listenings you will have heard enough to make an informed judgement.

I have found that Webern's music demands mutiple hearings before you can say you've really heard it. When you are in the mood for some 20th century pioneering work, turn to this recording and listen. Over time, you will be glad you did.

Interesting and Challenging.......2004-04-09

I don't know if I "like" Webern, but he is certainly interesting and challenging. The textures of his music are very fragile and transparent. The pieces are extraordinarily economical (the average Webern piece, I would guess, is about two minutes in duration, maybe less). The dissonances are extreme (strange to say, twelve-tone music can vary in how dissonant it sounds, as some twelve-tone composers (Berg, for example) use "easier" tone rows as the bases of their works). Webern was a musician of great integrity, and he pushed twelve-tone music to the radical extreme (as compared his more conservative teacher, Schoenberg, and fellow-pupil, Berg.) Again, I don't know if it works, and I don't know if I like it. I will definitely continue to listen to it. What I definitely like is this wonderful recording, with performances lovingly rendered. For this reason, I'm giving the recording five stars. However, if you want an "easier" introduction to twelve-tone and atonal music, get Berg's Violin Concerto, or even Schoenberg's piano concerto. With respect to the Schoenberg piano concerto, Mitsuko Uchida's disc is wonderful, and is highly recommended.

The original and still the best.......2003-11-25

Boulez's seminal original recordings of Webern are still important today. They capture the extraordinary distance this composer travelled from his tonal opus 1 passacaglia, though the atonal expressionism of the opus 5 and opus 6 pieces, the extreme compression of the opus 9 bagatelles, the contrapuntal abstraction of the mid-period songs to the serial masterpieces of his later years. These pieces still divide concert audiences today--I've been to Webern performances where half the audience was electrified and the other half clearly wanted to be elsewhere--but their historical significance cannot be denied. I believe their musical significance cannot either: close on a dozen of these works are amongst the finest pieces the 20th century has to offer. This set of performances, dating from the late 1960s and early 1970s and largely recorded under the direction by Pierre Boulez, has long since been regarded as being as close to definitive as one can get. I wouldn't go so far--there are occasional less impressive performances (such as the saxophone quartet) amongst the very fine ones. However, as complete sets go, I find the performances here largely superior to Boulez's more recent traversal on DG.

Technically, this set is not a Complete Works. It only includes those works that Webern published with an opus number, with the addition of the composer's wonderful orchestral transcription of the Ricercare a 6 from Bach's Musical Offering, and an old recording of Webern conducting his orchestrations of Schubert's German Dances. There are more works included on Boulez's rival set on DG--at twice the price--but most of what you gain are juvenilia.

And, for those who remain unconvinced that they'd like Webern, check out http://www.antonwebern.com -- a website that has free streaming mp3s of several of the recordings on this set. Listen to a few of them a few times (though skip the opus 16-18 songs, some of his driest works), and then decide.

Boulez's Webern -- brilliant modern miniatures.......2001-11-27

All 31 works that Webern gave official Opus numbers on 3 discs, conducted by Boulez (not Kolbe!), with the Juilliard Quartet and the London Symphony Orchestra, and a superb booklet with commentary and lyrics -- so why only 4 stars? My objection is the strictly chronological presentation, and the fact that I am not won over by Webern's vocal works -- I would vastly prefer grouping the music by form. Everything is brilliantly performed, and Charles Rosen, who accompanies sopranos on piano on several pieces, plays with sparkling luminosity. But the reason I sought out this collection is because I wanted to hear Boulez's versions of Webern's masterpieces, the "Symphony (Op. 21)" and "Variations for Orchestra (Op. 30)," as well as the string trios and quartets. Here these instrumental works are mixed among the lieders, Webern's many vocal works, and I find this frustrating. I prefer hearing the instrumental pieces grouped together, as on the Dohnanyi or Sinopoli discs of orchestral works (see my reviews of both), or the Schoenberg or Emerson Quartet's discs of the string trios and quartets (see my reviews of both). Unfortunately there is not a Boulez disc comparable to the Dohnanyi (on London) or Sinopoli (on Teldec). So it's either this Sony box or the several more recently recorded discs on DG, unless of course you are a total Webern fanatic and want the Ultra-Complete box with all the numbered AND un-numbered pieces...

It's really hard to fault this excellent Webern collection. Obviously if you have a more catholic appreciation of Webern's music than I (including the vocal works), my criticism is irrelevant. If you are a completist on a budget, this is a clear choice over the more expensive box. But if you are looking for an introduction to Webern's music, the best of which is some of the best of the 20th century in my opinion, I suggest that you begin with 1) Dohnanyi and the Cleveland Orchestra, and 2) the Schoenberg Quartet.

[There is a mistake on the site. Pierre Boulez is the conductor, not Helmuth Kolbe. Careful inspection of the box reveals that Kolbe was the engineer...]

Average customer rating:

Classical Masters (Box Set)

Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD

Dances | Ballets & Dances | Classical | Styles | Music

Mazurkas | Ballets & Dances | Classical | Styles | Music

Minuets | Ballets & Dances | Classical | Styles | Music

Polkas | Ballets & Dances | Classical | Styles | Music

Polonaises | Ballets & Dances | Classical | Styles | Music

Waltzes | Ballets & Dances | Classical | Styles | Music

Quartets | Chamber Music | Classical | Styles | Music

Quintets | Chamber Music | Classical | Styles | Music

Septets | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Etudes | Forms & Genres | Classical | Styles | Music

Fantasies | Forms & Genres | Classical | Styles | Music

Preludes | Forms & Genres | Classical | Styles | Music

Rondos | Forms & Genres | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

Baroque (c.1600-1750) | Symphonies | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Sacred & Religious | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Russian | Languages | Opera & Vocal | Styles | Music

Oratorios | Opera & Vocal | Styles | Music

Masses | Vocal Non-Opera | Opera & Vocal | Styles | Music

Motets | Vocal Non-Opera | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

Passions | Vocal Non-Opera | Opera & Vocal | Styles | Music

Requiems | Vocal Non-Opera | Opera & Vocal | Styles | Music
ASIN: B00005YAZ5
Release Date: 2000-07-10

Average customer rating:

A Sacred Space
Ronu Majumdar
Manufacturer: Sterns Music USA
ProductGroup: Music
Binding: Audio CD

India | India & Pakistan | International | Styles | Music

General | International | Styles | Music
ASIN: B000A1G9TK
Release Date: 2005-11-15

Tracks:

Raag Bhairav
Raag Bhairav
Raag Kedar
Raag Kedar
Raag Charukeshi
Raag Charukeshi
Chalo Man Ganga Jamuna Teer (Bhajan)

Average customer rating:

Sacred Offering
John Wubbenhorst
Manufacturer: Facing East Prod.
ProductGroup: Music
Binding: Audio CD

General | International | Styles | Music

General | Jazz | Styles | Music
ASIN: B000B6TRIY
Release Date: 2005-11-15

Tracks:

Raga Hansadwani
Raga Hansadwani
Raga Chandrakauns [Alap/Jor/Jhala]
Raga Chandrakauns
Divine Mystery
Konnakol [Vocal Percussion]
Dancing with the Joy of You
Percussion Duet
Raga Durga
My Head at Your Feet

Average customer rating:

Bach Edition Leipzig [Box Set]

Manufacturer: Capriccio
ProductGroup: Music
Binding: Audio CD

Dances | Ballets & Dances | Classical | Styles | Music

Minuets | Ballets & Dances | Classical | Styles | Music

Musettes | Ballets & Dances | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

Baroque (c.1600-1750) | Symphonies | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Sacred & Religious | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Oratorios | Opera & Vocal | Styles | Music

Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music

Caprices | Vocal Non-Opera | Opera & Vocal | Styles | Music

Motets | Vocal Non-Opera | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

Classical | Box Sets | Stores | Music
ASIN: B000028DFA
Release Date: 1999-11-02

Average customer rating:

Sweet and Sacred-A Fragrant Offering
Bill Neubauer
Manufacturer: Music by 7tx7
ProductGroup: Music
Binding: Audio CD

Gospel | Christian & Gospel | Styles | Music
ASIN: B000CAESWY
Release Date: 2004-12-21

Tracks:

I Love to Tell the Story
What a Friend We Have in Jesus
Closer Walk/In the Garden
Iesu No Ke Kahuhipa (Savior Like a Shepherd Lead Us)
Old Rugged Cross/Were You There?
Fairest Lord Jesus
Fragrant Offering
Ka'u Mele Pule (W/Sweet Hour of Prayer)
Feast on Him in Your Heart/Feastin' at the Table of the Lord
Abide with Me/My Faith Looks Up to Thee
Softly and Tenderly
Amazing Grace

Bach 2000 Light (Without Sacred Cantatas)

Average customer rating:

Bach 2000 Light (Without Sacred Cantatas)
Various Conductors , Various Performers , and Various Ensembles
Manufacturer: Elektra / Wea
ProductGroup: Music
Binding: Audio CD

Minuets | Ballets & Dances | Classical | Styles | Music

Trios | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Canons | Forms & Genres | Classical | Styles | Music

Fantasies | Forms & Genres | Classical | Styles | Music

Fugues | Forms & Genres | Classical | Styles | Music

Inventions | Forms & Genres | Classical | Styles | Music

Preludes | Forms & Genres | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

Toccatas | Forms & Genres | Classical | Styles | Music

Scherzo | Forms & Genres | Classical | Styles | Music

Baroque (c.1600-1750) | Symphonies | Classical | Styles | Music

General | Sacred & Religious | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Oratorios | Opera & Vocal | Styles | Music

Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music

Caprices | Vocal Non-Opera | Opera & Vocal | Styles | Music

Magnificats | Vocal Non-Opera | Opera & Vocal | Styles | Music

Masses | Vocal Non-Opera | Opera & Vocal | Styles | Music

Motets | Vocal Non-Opera | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

Passions | Vocal Non-Opera | Opera & Vocal | Styles | Music

Psalms | Vocal Non-Opera | Opera & Vocal | Styles | Music

Classical | Box Sets | Stores | Music
ASIN: B00001IV8C
Release Date: 1999-09-21

Amazon.com

The Bach renaissance--which began in earnest in the early 19th century thanks to the efforts of Felix Mendelssohn and others--inspired an endeavor of far-reaching significance. It led to the founding of the Bach Society in 1850, with the goal of gathering and publishing the composer's complete works, and thus set into motion one of the great projects of musical scholarship. That effort has continued and been refined throughout the 20th century, ultimately influencing not only our perception of how to perform early music but fundamental ideas of musical history, evolution, and reception as well.

Teldec's mammoth Bach 2000 box set represents a kind of culmination of that original attempt to come to terms with Johann Sebastian Bach's unparalleled legacy. This set brings together performances recorded over the last several decades--a small percentage of the recordings are previously unreleased--of all the extant works determined by modern scholarship to be authentic. There are also some pieces the authorship of which is still in question and a few now deemed "inauthentic" but familiarly associated with the composer. Bach was a prodigious reviser of his compositions, and alternate versions of a particular work have been included "where the changes seemed sufficiently important," such as the glorious Magnificat. No doubt manuscripts will continue to be unearthed here and there in various archives (Bach 2000 contains, for example, the "Neumeister chorales," which were rediscovered in 1984), but the set does not represent the many fragments of music that consist of just a few bars; however, there are some reconstructions of lost concertos (such as one for three violins reconstructed by Christopher Hogwood from an extant concerto for harpsichords).

Of course a truly comprehensive recorded edition of every note Bach wrote remains a utopian impossibility--about one-third of his cantatas, for example, have not survived. Even so, the dimensions of Bach 2000 are staggering. With its 12 boxes comprising 153 CDs, the set can be compressed into fewer boxes to save shelf space yet is still about ten times as long as the Ring cycle. (It should be noted that the packaging--using thin cardboard sleeves for the CDs--is distinctively unattractive.) That adds up to just under 160 hours of music--but a lifetime of discovery. Each box (grouped according to genre) contains a booklet with excellent notes on individual works and--for all the choral works--texts and translations. Tracking indexes are useful and thorough. Also included is a profusely illustrated hardbound volume of 24 Inventions, in which journalist Wolfgang Sandberger uses the composer's biography as a peg for some enigmatic and fascinating musings on the meaning of Bach today.

The presiding philosophy behind this project and its approach to musical interpretation can be largely ascribed to Nikolaus Harnoncourt, a true musical pioneer and galvanizing force of the "period performance" movement. Harnoncourt's epoch-making recordings of the sacred cantatas (using, for instance, boy sopranos and choristers according to the practice in Bach's time) with the Concentus musicus Wien and colleague Gustav Leonhardt comprise the first four volumes here (those who already own them can turn to the Bach 2000 Light edition, which contains everything sans the cantatas). These recordings--which were not remastered for this set--have long been controversial and are notably uneven, embracing some magnificent accounts as well as others that lack fire and seem clearly underrehearsed. But Harnoncourt is one of the most fascinating conductors of our era, and his interpretations amply bear out his assertion: "I have never felt that Bach worked in a routine manner, that he repeated himself in his works." Harnoncourt--who has articulated many of his ideas in his book The Musical Dialogue--displays his gifts as a cellist in a remarkably probing performance of the Cello Suites (originally recorded in 1965) and in his concertizing for a number of chamber works. For\ the St. Matthew Passion, you get Harnoncourt's groundbreaking earlier account from 1970, while his 1986 recording of the sublime B Minor Mass is also represented here (the St. John Passion included is Harnoncourt's 1995 acount).

Other artists included are colleague Gustav Leonhardt, whose thoughtful if occasionally dry harpsichord artistry is heard in the Goldberg Variations as well as in the concertos and chamber music. The harpsichord is in fact used throughout in preference to piano for the keyboard works. Ton Koopman (himself the conductor of an ongoing complete cantata series and of the Easter Oratorio included here) performs the organ works, including some newly recorded offerings, while Il Giardino Armonico's well-known high-energy account represents the Brandenburg Concertos. Violinist Thomas Zehetmair is exceptionally compelling in the unaccompanied sonatas and partitas, and the Concentus musicus Wien--again under Harnoncourt--perform a superb Musical Offering that richly repays frequent listening.

The result of Bach 2000 as a whole is an aptly encyclopedic grappling with the infinite legacy of this most compendious of composers, whose works are on one level a summation of all the styles available to him. Bach was once thought to represent a "terminal point" (to use Albert Schweitzer's famous formulation), the end of an era; today he is at least equally recognized as a fertile source of inspiration for composers since. To be sure, individual recordings of particular works will be found to be preferable, and it would be misguided to consider Bach 2000 any kind of "final" or "definitive" word. Instead, it's an indispensable starting point that represents a monumental achievement for our own contemporary understanding of Bach. --Thomas May --This text refers to the complete edition of this title

Album Description

Volume 1, 11 Discs
Secular Cantatas App. Sacred Cantatas; 11 CDs; Koopman, Harnoncourt, Koopman, Goebel and others

Volume 2, 14 Discs
The Sacred Vocal Works Masses,Magnificat, Passions, Oratorios; 14 CDs; Harnoncourt, Koopman, Corboz and others

Volume 3, 7 Discs
The Motets, Chorales & Songs Kirnberger Chorales,Schemelli Songs, Quodlibet

Volume 4, 16 Discs
The Organ Works; 16 CDs; Ton Koopman

Volume 5, 11 Discs
The Keyboard Works (I) The Well-Tempered Clavier, English & French Suites, Partitas etc; 11 CDs; Curtis, Ross, Wilson, Ruzickova

Volume 6, 11 Discs
The Keyboard Works (II) Goldberg Variations, Toccatas, Fugues, Italian Concerto, etc; 11 CDs; Staier, Barchi, Leonhardt, von Asperen, Baumont, and others

Volume 7, 13 Discs
The Chamber Music Violin Sonatas & Partitas, Flute Sonatas, Works for Lute, Art of Fugue, Musical Offering, etc; 13 CDs; Harnoncourt, Pianca, Tachezi, Brggen, Zehetmair, and others

Volume 8, 10 Discs
The Orchestral Works The Concertos & Orchestral Suite; 10 CDs; Il Giardino Armonico, Harnoncourt, Leonhardt

Sacred Earth
Average customer rating:
Sacred Earth

Manufacturer: Airborn
ProductGroup: Music
Binding: Audio CD

General | Dance & DJ | Styles | Music
Electronica | Dance & DJ | Styles | Music
ASIN: B000CA4AIQ
Release Date: 2004-08-10

International Music:

International Music

International Music