Product Description
Features Alternate Cover Art Exclusive to Japan.
Bolero Eterno,Ivor Lancellotti,Crown,World Music
Average customer rating:
- True Cuban Music...
- The Cuban Nat King Cole
- Soulful
- Thank you, thank you, thank you...
- Inimitable grace.
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Mi Sueño
Ibrahim Ferrer
Manufacturer: Nonesuch
ProductGroup: Music
Binding: Audio CD
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- CéU
ASIN: B000NVHWLG
Release Date: 2007-04-24 |
Tracks:
- Dos Almas
- Si Te Contara
- Melodia del Rio
- Cada Noche un Amor
- Deuda
- Uno
- Convergencia
- Quiereme Mucho
- Perfidia
- Copla Guajira
- Quizas, Quizas
- Alma Libre
Amazon.com
When Grammy-winning Buena Vista Social club lead vocalist Ibrahim Ferrer died in August 2005 at the age of 78, he was within a few weeks of accomplishing a lifelong ambition: to record an album of suave, sexy, elegant Cuban boleros. The first acknowledged tune of the genre, "Tristezas," was composed in Santiago by Pepe Sánchez during the late 1800s. The form was descended from a Spanish waltz-like dance of the same name, which in turn evolved from the French contradanse and, even earlier on, from English rural styles. Strangely, Ferrer had repeatedly been told that his voice was not sufficiently "manly" for these leisurely, achingly romantic ballads. But judging by the present tracks--and despite the inevitable depredations of age, which only give his interpretations an added, rueful vulnerability--this is demonstrably untrue. The singer's reedy tenor, in some cases rescued from high-quality demos with instrumentals recorded posthumously, touches places in a listener's soul that no power-popster with an umpteen-octave range and mud-slides of melisma could remotely approach. Ferrer is joined by BVSC band-mates Rubén González (piano) and Omara Portuondo (vocals) on one tune each and is accompanied by the soulfully rinky-tink piano of Roberto Fonseca, Orlando "Cachaíto" López's sinuous, resonant acoustic bass and Manuel Galbán's sensitive guitar, with Ramses Rodrigues and Emilio del Monte manning trap drums and percussion. Overall, Mi Sueño ("My Dream") has a late-night feeling, as though captured amid an after-hours jam in a smoky, malt-scented Havana nightclub, long after sleeves have been pushed up and chairs piled on the tables. --Christina Roden
Album Description
Mi Sueno is essential listening. Ferrer brings warmth, ease, humor and poignancy to his vocals, where romance is looked back on fondly and still longed for passionately. Featuring "Uno" and "Perfidia," Mi Sueno is a dream everyone can share.
Customer Reviews:
True Cuban Music... .......2007-07-03
Just amazing, I play it over and over! For me it serves as a bridge that brings to reality a cuba that was experienced by a generation that is slowly passing like the Maestro Ibrahim Ferrer. I grew up with this style/era of music in thanks to my grandparents.It allows me to be a part of them and bring to them a little piece of the Cuba they left behind.
The Cuban Nat King Cole.......2007-05-31
Mi Sueno is the kind of CD that you can put on and play over and over again for hours. Ibrahim sings each song with such conviction you feel every note and you know he has been in love and was deeply in love when he sang these songs. Rest in peace Ibrahim! You were indeed God's gift to us while you were on this earth.
Soulful.......2007-04-26
I have quite a few of Ibrahim Ferrer's recorded music and found his boleros (slower songs) quite pleasing and emotional. I would pick the boleros he sang out of all the Buena Vista recordings and put them on my MP3 player because I liked the soulful emotion he envoked when he sang. It's hard to describe in words, sometimes an artist interpretation of a song really touches the soul, Ibrahim was one of these unique artists. I was very pleased to see that there is finally a release of just slow songs, about love and relationships, even if you don't understand the Spanish language, I think you will hear his Cuban soul and warmth penetrate your senses. I must say that in his earlier recordings ( from the original Buena Vista recordings) the tone and clarity of his voice was prime. In this CD, one can hear the aging of his voice a bit, but don't let that deter you from adding this CD to your collection, for such a soulfoul voice only comes about once in a decade or two, and Ibrahim's expressive qualities were as eminently apparent in his earlier years as they were in his late years. This is a good selection of songs, some were very popular, such as "Perfidia," and "Quizas, Quizas, Quizas," others less recognizable, but all suitable for both listening and slow dancing.
Thank you, thank you, thank you..........2007-04-26
I was absolutely crushed when I heard of Ferrer's death back in 2005, and the recent release of Mi Sueno was more than I could have asked for to bring his music back into my life.
I take issue with the previous reviewer who stated that Ibrahim did not have much of a voice (unless having a "voice" nowadays only means how loud someone can sing, which seems to be the case when watching contestants on American Idol). I'm sure it wasn't meant in a negative way--after all, those are words I would use to describe the inimitable Billie Holiday--but there is nothing lacking in his vocal strength or technique. Even in the last years of his life, he could still carry a note so meltingly beautiful and full of emotion without sounding strained. The most wonderful quality about his singing is the brightness of his tone yet the ability to convey bittersweet sadness at the same time. I don't have to understand Spanish to know what the songs are about.
Roberto Fonseca brings a wonderful modern sound to the album, and while I miss the virtuosic Ruben Gonzalez, I'm glad that this was my introduction to another talented Cuban pianist who I will be looking out for in the future.
Inimitable grace........2007-04-24
When those magnificent Cuban veterans Buena Vista Social Club exploded on to the scene, their singer Ibrahim Ferrer was the life and soul of the party.
It wasn't so much his voice - he really didn't have much of one - but more what he did with it: his timing, and the irrepressible glee with which he delivered his frequently saucy lyrics.
"Mi sueno" means "my dream", and that is literally what this posthumous new album meant for him: he had always wanted to record a collection of boleros - meltingly romantic traditional songs - and that is what he spent his last weeks recording.
Luckily, his death didn't prevent that dream being realised, as he'd left a cache of high-definition demos.
So here we are: sensitively backed by his superb group on piano, bass, guitar, and drums, and at one point poignantly joined by fellow veteran Omara Portuondo, Ibrahim calls to us from beyond the grave with inimitable grace.
Average customer rating:
- Excelente!!!!
- I LIKE A SPICY CUBAN DISH (In A Little Black Dress)
- Good.
- Ibrahim
- May he live forever
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Buena Vista Social Club Presents Ibrahim Ferrer
Ibrahim Ferrer
Manufacturer: Nonesuch
ProductGroup: Music
Binding: Audio CD
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ASIN: B00000J7IL
Release Date: 1999-06-08 |
Tracks:
- Bruca Manigua
- Herido De Sombras
- Marieta
- Guateque Campesino
- Mami Me Gusto
- Nuestra Ultima Cita
- Cienfuegos Tiene Su Guaguanco
- Silencio
- Aquellos Ojos Verdes
- Que Bueno Baila Usted
- Como Fue
Amazon.com's Best of 1999
Picking up where Buena Vista Social Club left off, BVSC Presents Ibrahim Ferrer soothes with the hushed romanticism of Cuba's yesteryear while boasting the talents of one of its greatest singers, Ibrahim Ferrer. Again there's an all-star lineup of musicians led by pianist Rubén González and singer Omara Portuondo creating music at the renowned Egrem studios, whose live room brings the slow lucidity and intense vigor of the Cuban classics to life. --Karen K. Hugg
Amazon.com
It should never cease to amaze how spry and dramatically potent a force is the Buena Vista Social Club. The group--really a gaggle of aging Cuban maestros brought together for stunning all-star performances--keeps its footing in Cuban dance music at the same time as it revels in the lax tempo of layered hand percussion and traditional rhythms. Ibrahim Ferrer stepped to the international fore as the vocalist on the eponymous BVSC CD in 1997 and here furthers his already-obvious command of everything from sultry, horn-swaying ballads to gritty son tunes like "Mamí Me Gustá." Ferrer's tattered vocal inflections shape the more rollicking tunes so their texture is palpable, especially when belted in antiphonal give-and-takes with the rest of the huge band he totes along here. A 15-member-strong string section steps forward on the bolero tracks, which send off a smoldering passion that's startling in light of the BVSC's heightened, horn-charged charts. But the rich string passages color songs in wide brush strokes, which is to say that they heighten the passion to no end. Ferrer's debut might come in his twilight years, but it's a majorly luminous event. --Andrew Bartlett
Customer Reviews:
Excelente!!!!.......2007-06-12
Jamas escuche a este Señor en Cuba, pero su voz en guaracha o en bolero es inigualable. El duo de El con Omara Portuondo esta fuera de liga. Una lastima que lo tuvieran escondido por tantos años.
I LIKE A SPICY CUBAN DISH (In A Little Black Dress).......2007-03-19
[*I first became conscious of the strange phenomenon when I was about 15 years old: I ordered something to eat in a little fast food Mexican joint on Venice Boulevard in West Los Angeles. Unbeknownst to the young Latinas working behind the counter, the very next person to place his order was my Pa, and when he joined me at a table, he related to me how one girl said to her co-worker after I walked away, "That guy was cute," and the other agreed.*]
Good Friend Melanie gave me the IBRAHIM FERRER album of Cuban Jazz as a gift the Christmas before last. (I had mentioned beforehand that I have more music than time to hear it, but she listened to me about like men listen to women. No one's to blame for the communication disconnect between the genders, really, because we have such disparate origins: A woman is from Venus and a man is from a woman's "Monologue.")
[*Including my ENTIRE life, I can count on two fingers how many White, Black, or Asian women have had me and the "Mystery Dance" occupying the same thought in their mind. But Hispanic women have always found me to be irresistible, and I don't know why. I am a very ordinary looking, but extremely analytical individual who tends to mentally dissect everything in order to comprehend why and how such and such is so. But I've yet to concoct even the most rudimentary theory to explain the Latin woman's attraction to me.*]
I almost gave up on the IBRAHIM FERRER recording because I just couldn't seem to warm up to it for the longest time. At one point, I considered posting a Two-Star review on this website which I thought to title, "I'LL HAVE THE NUMBER THREE COMBINATION PLATE AND A MARGARITA, PLEASE." The music just made me feel like I was sitting in a booth at a Mexican restaurant. "Not that there's anything wrong with that", but tunes for home listening? And since Good Friend Melanie wasn't too crazy about Bright Size Life - the Pat Metheny disc I had given to her - we even considered trading, and each of us keeping the item we had purchased.
[*The brilliant and world-renowned South American sociologist, Yoey O'Dogherty, once observed that, "Hispanic women are especially drawn to the warm magnetism of masculine intensity, just as conversely, snowmen are drawn to frigid climates." And in my youth I was sometimes known by the nickname, "Mister Intense." Perhaps this accounts for why Latinas are so susceptible to the energy of my aura?*]
I finally decided that I would play nothing but IBRAHIM FERRER whenever writing on my computer until either my ears became educated enough to enjoy it, or until I could stand it no longer and gave it away to Lupe, the waitress at Abuelo's Mexican Food Embassy who always gives me extra guacamole and a wink.
[*You know how women can give men "the once over" without tipping their hand to the guys, while men just ogle openly? Well, these spicy Hispanic gals sometimes lose their highly refined skills around me, unable to extinguish the hungry flames in their orbs. Even at my advanced age of 47, wearing spectacles, and with plenty of grey cohabitating with the brown on my scalp and in my goatee, I still sometimes catch `em eyeing me.*]
Well, to my great surprise, I not only eventually came to differentiate between all of these melodies, but came to embrace them as if they were part of my own culture. The tremendous blasts of brass; the lively, intricate percussion work; the sparse but soulful guitar touches of Ry Cooder; and the emotional and romantic Spanish vocals really move me ... and they make my writing move, too. I've found that IBRAHIM FERRER puts some added zest into my words - really gets the creative juices flowing. (Can't you tell?) Because of its dancing rhythms, it's become maybe my very favorite disc to play as background music while writing anything.
[*I once had a sweet and shy Mexican girl tell me about a week before her wedding that all along it was me she had been hoping to catch. And less than twelve months ago, this 18-year-old hot Hispanic thang let it be known that she was interested in me. (She went by Wendy, but I'm pretty sure her Mama named her Maria.) She was a real cutie and had an absolutely OUTRAGEOUS body to go with that face: all the curves in just the right places and very well pronounced like: "The rain in Spain stays mainly in the plain!" To borrow from The Commodores, she was truly built like a "Brick OWse!" The night I had to turn her down, pointing out that at my age I was nearly old enough to be her grandpa, I drove home gnawing on my knuckles and chanting over and over again, "There had better be a Heaven! There had better be a Heaven!"*]
As if the music alone wasn't reason enough to purchase IBRAHIM FERRER, the song MARIETA contains one of the funniest lyrical passages ever. Translated into English it says: "My wife was suffering from an illness of the heart in Havana. So the doctor came one morning to examine her. He took off her dress, her p*nties, too. And her slip. But when I saw that indecency I said: This isn't good; I really don't think my wife's heart is that far down." Imagine that, a song about a doctor "playing doctor."
[*So, you're wondering why I told you how attractive Latinas find me? Well, it just so happens that I wasn't talking to you, Dude; I was trying to send a discreet message to your hot, Hispanic girlfriend. But you know what? To heck with subtlety: Hola guapa, llamame cuando tu novio esta fuera.*]
Good........2007-02-14
The only bad thing about it is that artists are almost all of dying age.
Ibrahim.......2007-02-12
I love Ibrahim, he has just the right feel for the cubano music, I've heard other cubano's sing the same songs but they come alive with Ibrahim. When I'm in the mood for the latin beat and sound of another era this is the first artist I think about.
May he live forever.......2007-01-10
Ibrahim Ferrer is just the best. This CD contains lively but relaxing Cuban music with an international touch
Average customer rating:
- Great Album
- How Divine!
- Eydie Gorme in all her glory!
- Absolutely Wonderful!
- Wonderful!
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Canta en Español
Eydie Gorme Y Trio Los Panchos
Manufacturer: Sony International
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ASIN: B000002DFR
Release Date: 1990-02-05 |
Tracks:
- Nosotros
- Piel Canela
- Y...
- Sabor A Mi
- Noche De Ronda
- Caminito
- Cuando Vuelva A Tu Lado
- Di Que No Es Verdad
- La Ultima Noche
- Historia De Un Amor
- Media Vuelta
- Amor
Customer Reviews:
Great Album.......2007-07-01
My parents owned this album then lost it along with other great albums many years ago, now I have a copy of this in LP (record format). The original album contains 3 records with a total of 30 songs and I have never been able to find the exact release in CD format. Most CD releases like this one only contain a partial listing of the original album. If they ever release it in its' full glory I will buy it in a second. I can only say that I feel sorry for all individuals that do not understand or speak Spanish, because great songs like these can never be translated into English with the same fervor, and gut wrenching soulfulness that this album brings.
I can genuinely say this album in its' LP glory is one of my greatest treasures.
How Divine!.......2007-05-21
Have you ever had a CD that the minute you heard it you fell instantly in love with it? That's what happens with Canta en Espanol. It doesn't matter if you understand Spanish or or, the beauty, poetry and melodic nature of the music transcends any language barrier. The guitars are soft and gentle, the voices lush and filled with emotion and passion that can only be Latin. The result is incredibly romantic. Listen to it with someone you love or someone you'd like the sparks to fly.
Eydie Gorme in all her glory!.......2007-04-01
Combine the gorgeous voice of Eydie Gorme, with the talented music trio Los Panchos, and what do you get? Some of the most amazing, beautiful music ever recorded!
Although she's best-known for her collaborations with husband Steve Lawrence, Miss Eydie Gorme also enjoyed a rich and popular partnership with the Los Panchos, and they recorded a few albums together; the best probably being 'Canta En Espanol'.
On this album (remastered in stereo for the very first time), Eydie Gorme gets to wrap her sensuous, velvet voice around such pieces as "Amor", "Sabor A Mi", "Noche de Ronda", and "Historia de un Amor".
Gorme's phrasing and accents are absolutely spot-on, and the arrangements from Los Panchos are very lush, suiting Gorme's vocals perfectly. For fans of Eydie Gorme, this would be a fine title.
[Sony/CBS International CD-80193]
Absolutely Wonderful!.......2007-03-12
I remember listening to this as a child, my mom and grandma would play it. Over the years it was lost during moves. I'm so glad that I was able to find it on CD. I love the music Eydie Gorme's voice is so beautiful.
Wonderful!.......2007-01-30
Absolutely beautiful voice, accompanied by an exceptional Trio (Los Panchos) Highly recommend this CD. , would be perfect if words to the songs were included.
Average customer rating:
- Wow.
- Love this CD
- Could it get any better?
- Moulin rouge tried to fill up the GAP
- ahahahahaha
|
Moulin Rouge 2
Manufacturer: Interscope Records
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ASIN: B00005YW4Z
Release Date: 2002-02-26 |
Tracks:
- Your Song
- Sparkling Diamonds [Original Film Version]
- One Day I'll Fly Away
- The Pitch (Spectacular Spectacular) [Original Film Version]
- Come What May [Original Film Version]
- Like a Virgin [Original Film Version]
- Meet Me in the Red Room [Original Film Version]
- Your Song
- The Show Must Go On [Original Film Version]
- Ascension/Nature Boy (From the Death and...)
- Bolero (Closing Credits) [Original Film Version]
Amazon.com
There are but two kinds of people in the world: Those captivated by Baz Luhrmann's heady, postmodernist musical romp Moulin Rouge--and everybody else. Oddly, the film's initial soundtrack release may have been the project's most traditional element, marketing a slate of pop-star contributions that gave listeners a sometimes-skewed perspective on its true musical charms. This follow-up corrects much of that oversight, offering original film versions of "Sparkling Diamonds" (the lavish, Nicole Kidman-performed medley of "Diamonds Are a Girl's Best Friend" and "Material Girl"), Jim Broadbent's and Richard Roxburgh's loopy take on "Like a Virgin," as well as the lively Offenbach "Can Can" parody "The Pitch (Spectacular Spectacular)." It also pays homage to the efforts of composer Craig Armstrong, whose quietly compelling underscore often binds the film's other far-flung musical influences together, be they stately orchestral readings of Elton John's "Your Song," a dramatic arrangement for Kidman and Ewan MacGregor's original film duet of "Come What May," or his dark, melodramatic take on Queen's "The Show Must Go On." The first Moulin Rouge soundtrack collection flaunted the film's bold, cross-genre ambitions; this one chronicles its nakedly emotional heart and soul. --Jerry McCulley
Album Details
Volume Two Includes the Memorable Renditions of 'like a Virgin' and 'your Song' and 'the Pitch (Spectacular Spectacular).' It also features a Mix of the Nicole Kidman Song 'one Day I'll Fly Away.'
Customer Reviews:
Wow........2007-01-15
I must say...I was very glad when they released Part Two of the Moulin Rouge soundtrack. Don't get me wrong...the first part was great and all, but it was nothing spectacular. I was specifically looking for certain songs from the movie, and I was completely disappointed when they were on there. The release of a second soundtrack was, in my opinion, an absolute necessecity.
The highlights of the album are:
-Your Song (Instrumental)
-Sparkling Diamonds (original film version)
-Come What May (original film version)
-The Show Must Go On (original film version)
In my opinion, "The Show Must Go On" is the best song on this album...it was just so perfect for the ending of the movie, and I fell in love with the song. I was so disappointed that it wasn't on the first soundtrack. This song is part of what makes the second soundtrack so amazing...the song is fierce!!
If you love the movie and are a fan of the first soundtrack, then definitely, get this one. Many of the songs are versions taken straight from the movie - I recommend this with 4.5 stars...you will NOT be disappointed!
Love this CD.......2006-07-04
I love everything about this movie. The music is amazing and the instrumental songs on this CD are perfect. The first CD seemed to be more for a bunch of teenyboppers that wanted to hear the worst song on the whole CD (Lady Marmalade). If only they could combine the good songs from the first CD into this one.
I gave this 5 stars even though it's about a 4.5 because they split the soundtrack over two seperate cds.
Could it get any better?.......2006-03-02
So i thought that the first instalment in these soundtracks was great (and it was) but the purchase of this sequel is a must if you want the full effect. With the original film versions of these songs, sung by the stars of the movie, you get the real feel that was the magnifisence of Moulin Rouge! Ewan McGregor is still by far the star, with his talent spilling over the dramatic lovesong 'Come What May' and 'Your Song', but Nicole's brilliant performance as Satine definatly takes front and center in 'One Day I'll Fly Away' and the film version of 'Sparkling Diamonds'...I have noticed that many complain about how the first soundtrack did not include the film version of this song...well you need this CD then...you will not be dissapointed. Other highlights include 'Like a Virgin' which is downright histarical, and the dark cover of 'the show must go on' which highlights the tragidy behind this tightly woven tale. THis is one must have soundtrack for your ever growing collection. A perfect companion to soundtrack number 1!
Moulin rouge tried to fill up the GAP.......2006-02-12
This contains many great tracks missing from the original soundtrack, including Like A Virgin, Spectacular Spectacular and The Show Must Go On. I thought the inclusion of two instrumental versions of Your Song might be a bit redundant, but upon listening to them I really enjoyed them and they are quite different from one another. OK, it's not the best soundtrack that could have been put out. But it's pretty darn close. One thing that many DEDICATED fans of the movie (including myself) said is that the original movie soundtrack lacked the actual original movie score. There are 10+ songs in "Moulin Rouge" and many didn't make the final cut.
Baz did the smart thing, taking the audiences favorite music, a few gems from the first soundtrack such as "Come What May" and "Sparkling Diamonds" as well as a few new songs, like "Like a Virgin", "The Show Must Go On" and "The Pitch (Spectacular Spectacular)" and releasing the Original Film versions, allowing for the amazing vocal performances of the actors, including the fabulous Jim Broadbent, to be shine through. Also, released is background music "Meet Me in the Red Room", played during Christian's arrival in the elephant, marking the only non-actor/orchestral piece within the context of the CD.
One thing that this soundtrack included that I didn't expect was several orchestral pieces that were mostly used as background music throughout the film. "Your Song - Instrumental" (#1) has personally become a favorite and is constantly being repeated in the CD player. Also included is the ending credits music "Bolero" and the final piece ... known as "Ascension/Nature Boy". Also included is a remix of "One Day I'll Fly Away", and like all MR remixes, is a little tough to listen to at first but after repeat listening, it becomes music to your ears.
To all you MR diehards out there: this is a must. Not like I could stop you anyways. To others who haven't been introduced to the spectacular (spectacular) world of Moulin Rouge, this is a great introductory piece, especially side-by-side with the first soundtrack.
ahahahahaha.......2006-02-01
Everything the other customers are saying is true: more music from the film, thankyouverymuch, not irritating pop conceits like the first. However, I would not have reviewed this album unless I found it absolutely necesary to point out that, in the climactic moments of track 5 "Come What May," Ewan MacGregor's voice is for some reason missing and replaced by a bizarre, operatic man's voice. It truly had me crying with laughter the first few times I heard it, and I wanted to share this wondrous discovery with the world.
Average customer rating:
- Point of Information
- Estrellita
- Ugly
- Carmen
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Beverly Sills
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Similar Items:
- The Very Best of Beverly Sills
- Art of Beverly
- The Singers: Beverly Sills
- The Great Recordings
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ASIN: B00000FCKP
Release Date: 1998-11-24 |
Tracks:
- Parlez-moi d'amour
- Ouvre ton coeur
- Oh, quand je dors
- Waltz From Mireille
- Si tu le veux
- Les filles de le Cadiz
- Les chemins de l'amour
- Plaisir d'amour
- Villanelle
- Goyescas: Interludio
- Goyescas: La maja y el ruisenior
- Estrellita
- La morena de mi copla
Customer Reviews:
Point of Information.......2007-07-06
Folks, please read the recording data! This album does not present merely the "older Sills" of 1975. Tracks 10 to 13 were recorded in February 1961, when Sills was about three months shy of 32 years old. To hear her any younger on disc, you have to go to her splendid recording of *The Ballad of Baby Doe*, released in 1959. (If anyone knows of still earlier recordings, please holler!) So these 1961 tracks alone make the album priceless, especially since it offers vastly better sound than the slightly boomy acoustic of *Baby Doe*.
For me, the initial main attraction here was the Granados, and it was a hallelujah moment when I spotted this CD in the bins almost 10 years ago. While this disc represents the commercial first release of the *Goyescas* selections, they received limited issue around December 1963 on a holiday-bonus LP ("The Sound of Genius 1963") from the Columbia Record Club.
That LP was my introduction to Sills, and it made me fall in love with her voice. It was always a special treat to play her vocal track for those who had no idea it existed and watch their astonishment as Beverly's voice floated through sonic space like the very nightingale she sings about. It is simply some of the loveliest, most haunting singing I've ever heard. To get two additional tracks from the same recordings sessions -- especially "Estrellita" -- was an unexpected blessing.
So get this CD for the last three tracks, if nothing else (track 10 is purely orchestral). They capture Sills at a magical moment. Even if you like nothing else on the disc (and I think you'll like much more), you can claim these three special treasures for a mere pittance. How much more precious are they, now that she has gone on to sing, we pray, in other realms.
Estrellita.......2006-12-07
The incomparable Beverly Sills beautifuly sings here a true bouquet of songs in French and Spanish. A pleasure to the ear.
Estrellita is not a Spanish song as claimed by some commentators, but a Mexican one, whose author is the late Manuel M. Ponce.
Ugly.......2004-05-20
Sills screeching a mezzo-role? She already ruined belcanto with her puny, fake screeching!
Carmen.......2004-04-26
She DID sing Michaela. And it's said that she also did Carmen. But if she did, she was completely miscast. She also did Aida, live-recording of her Aida is...interesting. Anyway, Sills rules in the French rep, esp. as Manon.
Excellent disc.......2004-03-21
This is a fantastic disc and shows Beverly Sills at her interpretive best with zesty, go-for-broke vocalism that is truly wonderful to hear.
Sills DID sing Carmen. She sang it on tour in the 1950s.
Average customer rating:
- At The Movies by Andre Rieu
- very beautiful
- Refreshing Music
- from texas--AND FROM A MUSIC LOVER
- Andre Rieu - Music for the masses
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At The Movies
Manufacturer: Denon Records
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- Tuscany
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ASIN: B0001HAGPG
Release Date: 2004-03-23 |
Tracks:
- Love Theme - Romeo and Juliet
- Lara's Theme / Somewhere My Love - Dr. Zhivago
- My Heart Will Go On - Titanic
- The Second Waltz - Eyes Wide Shut
- Heigh-Ho - Snow White
- Moonriver - Breakfast at Tiffany's
- Sirtaki / Zorba's Dance - Zorba the Greek
- Main Title - The Godfather
- Bolero - "10"
- John Dunbar's Theme - Dances with Wolves
- The Windmills of Your Mind - The Thomas Crown Affair
- Edelweiss - The Sound of Music
- True Love - High Society
- Stranger in Paradise - Kismet
- Romance - The Gadfly
- Main Title - Once Upon a Time in the West
Customer Reviews:
At The Movies by Andre Rieu.......2007-05-20
Andre Rieu brings a warmth and pop-like aire to his music.Here he plays popular music with a classical orchestra and adds his special ingredients to it ie:humor (musical jokes for the serious listener),fun,light-heartedness.It's a band of very talented musicians having alot of fun as is evident in the playing and especially if you've seen them in concert.I can "hear" the smiles on their not serious faces by their style of playing...less staccato and with more feeling.Andre and company swing and dance through every track climaxing on Ravel's Bolero from the movie "10".
very beautiful.......2007-01-09
This cd is very beautiful. It captures the songs wonderfully. The orchestra does a fine job.
Refreshing Music.......2006-11-03
Andre Rieu presents wonderful songs in a very inspirational way. They are to be enjoyed as "dinner music" or just for times when the TV is off and you need some "quiet time". It is a great grouping of melodies.
from texas--AND FROM A MUSIC LOVER.......2006-08-30
ANDRE RIEU TAKES US ON A WONDERFUL TRIP BACK IN TIME TO THE MOVIES YOU CAN=T FORGET AND THE MUSIC THAT MADE THEM CLASSICS. DO BUY IT. IT IS A TREASURE...
Andre Rieu - Music for the masses.......2006-08-10
Sometimes you just want enjoyable music as a backdrop to the job at hand. I turn to Andre to get me through these events. Probably not a glowing endorsement, but if you know of Mr. Rieu's feelings about music, he would just smile and nod his head. This is music to just enjoy for the sake of music - and that is a good thing.
Average customer rating:
- What a voice!
- Omara Sears my Synapses. Let her Blister yours, too..
- Excellent representation of this genre
- beautiful music
- Builds on a great foundation
|
Buena Vista Social Club Presents Omara Portuondo
Omara Portuondo
Manufacturer: Nonesuch
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Buena Vista Social Club Presents Ibrahim Ferrer
- Buena Vista Social Club
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- Introducing...Rubén González
- A Toda Cuba Le Gusta
ASIN: B00004SVHO
Release Date: 2000-05-09 |
Tracks:
- La Sitiera
- He Perdido Contigo
- Donde Estabas Tu?
- Mariposita De Primavera
- Canta Lo Sentimental
- Ella Y Yo
- No Me Vayas A Enganar
- No Me Llores Mas
- Veinte Anos
- El Hombre Que Yo Ame (The Man I Love)
- Siempre En Mi Corazon
Amazon.com
While she came to global prominence as the female singer on the Buena Vista Social Club album and in the film, Omara Portuondo has a career that--like the other participants--stretches back many years. She puts her experience to good use on this record, sounding for all the world like a Cuban Billie Holiday, smoky and quietly tragic, with a history of lost love. The lush arrangements, which often sound transplanted straight from 1950s Havana, frame her voice exquisitely while guests such as Ibrahim Ferrer, Compay Segundo, and Rubén González add their inimitable talents to the mix. Her reading of "The Man I Love" ("El Hombre Que Yo Ame") is also a microcosm of the disc--slightly jazzy, with a yearning vocal that's emotive without ever being overwrought. There's little doubt that Portuondo is a world-class singer, and this is the ideal showcase for her extraordinary talents. --Chris Nickson
Customer Reviews:
What a voice!.......2007-05-13
I had heard Omara Portuondo only on the Buena Vista Social Club CD, so I didn't know what to expect. I really love this CD. Her selections and delivery show great emotional range and a sense of humor -- lovely!
Omara Sears my Synapses. Let her Blister yours, too.. .......2006-10-27
Euphoria. Endorphin overload. Shake yourself a martini or something equally svelte, put this on, find the divan on the patio and just let all gringo unpleasantness evaporate into the Habana infused dusk.
This is the best of all the Buena Vista Social Club productions, IMAO. And whatever that woman up in one of the featured reviews means in saying that this music isn't danceable, I have no idea. Maybe she's in traction or something and can't move. I mean, I barely can myself. It takes something special to bring whatever rhythm I have out of me, but Omara does it every time. No drum machines or thumping bass, true- she's much more potent than that. It's much more a Billie Holiday slow burn, but in Spanish, y el espanol es una idioma mas proximo al corazón que ingles.
El fuego va consumirle.
Sorry about that. Soy el asesino del espanol. But it is still one of el gitano's axioms that if he can break his excreble Spanish down on a lady, then the repartee is practically over. And Omara is one of his very most secret weapons. Loose her, and the party or date will- how to say this - improve. Coulé, coupé, touché.
It happens every time. This album comes with el gitano's seal of guarantee. Buy it, use it with judicious abandon, and enjoy..
Excellent representation of this genre.......2005-10-06
Another wonderful cd from the buena vista social club. Excellent variety of fast paced and slow songs. I highly recommend this cd if you have bought any of the others.
beautiful music.......2004-05-14
Very laid back CD. This CD really highlights Omara's skill as a singer, she sings with great emotion. Highly reccomended! One of the best recordings out of the "Buena Vista" series. On this recording, thankfully, Ry Cooder is not mucking about, this recording is pure Cuban soul.
Builds on a great foundation.......2004-04-27
Since I was first introduced to the jewels of Cuba's past, I have craved more and more of this wonderful music. Omara's solo CD does not dissapoint, her voice is beautiful and the orchestrations are superb. Detractors of Ry Cooder's slide guitar will be happy to know that it is absent from this release.
Average customer rating:
- Simply wonderful!
- quiet time reorganization of the mind
- Sumptuous
- You never have enough Ravel - just never.
- The Best of Ravel By Master Conductor And Orchestra
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Ravel: Boléro
Manufacturer: Decca
ProductGroup: Music
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Similar Items:
- Gershwin: Rhapsody in Blue - Piano Concerto in F - An American in Paris
- Debussy: La Mer
- Stravinsky: Rite Of Spring, Fireworks, Petrouchka / Ozawa, Tilson Thomas, Chicago Symphony
- Rimsky-Korsakov: Scheherazade/Capriccio Espagnol
- Ravel: Piano Works
ASIN: B00002MXMX
Release Date: 1999-11-09 |
Tracks:
- Bolero
- Alborada del gracioso
- Ma Mere I'Oye (Complete Ballet): Prelude
- Ma Mere I'Oye (Complete Ballet): 1 Tableau: Andse du rouet et Scene
- Ma Mere I'Oye (Complete Ballet): 2 Tableau: Pavane de la Belle du bois dormant
- Ma Mere I'Oye (Complete Ballet): 3 Tableau: Les Entretiens de la Belle et de la Bete
- Ma Mere I'Oye (Complete Ballet): 4 Tableau: Petit Poucet
- Ma Mere I'Oye (Complete Ballet): 5 Tableau: Laideronette, Imperatrice des pagodes
- Une Barque sur l'ocean
- Rapsodie espagnole: Prelude a la nuit - Malaguena - Habanera - Feria
Tracks:
- La Valse
- Pavane pour une infante defunte
- Le tombeau de Couperin: Prelude
- Le tombeau de Couperin: Forlane
- Le tombeau de Couperin: Menuet
- Le tombeau de Couperin: Rigaudon
- Valses nobles et sentimentales: Modere - Assez lent
- Valses nobles et sentimentales: Modere - Assez anime
- Valses nobles et sentimentales: Presque lent - Azzez vif
- Valses nobles et sentimentales: Moins vif - Epilogue
- Menuet antique
- Fanfare pour 'L'Eventail de Jeanne
- Daphnis et Chloe (Suite No. 2): Lever du jour
- Daphnis et Chloe (Suite No. 2): Pantomime
- Dapnis et Chloe (Suite No. 2): Danse generale
Customer Reviews:
Simply wonderful!.......2007-01-09
If you are a music buff like myself ( and I do like all kinds of music ), than what's not to like about The Boléro, by Ravel? And I don't buy into that hog-wash of a story that Ravel wrote this piece in the beginning of dementia...gimmie a break and give that man credit where credit is due.....The Boléro is a master piece! Ok...my review: It was a pleasure to shop for this Cd on Amazon ( after a disappointing search in a main music store )I found what I was looking for, ordered it and anxiously waited it's delivery, which was only about 5 days. The Cd was delivered in tip-top shape and I have enjoyed repeated plays of The Boléro! ( if it were an LP, the grooves would have been worn down by now! ) Today...it's back to classic rock for me. I would surely order from Amazon again!
quiet time reorganization of the mind.......2007-01-05
Have listened to this over the years from a teen who couldn't understand why anyone would write something so slow and repetitive, to a young married who now understood a vehicle for passion in a world filled with disraction, to a person who hears the joy and passion and struggles of a composer and appreciates the pain as a growth process for humans. Tenderly,hot,good stuff.More please.
Sumptuous.......2007-01-04
To heck with arguments about Elvis, Chuck Berry, Bill Haley, etc. Ravel's Bolero was the first ever piece of rock music, so there. This version by Dutoit and the Montreal Symphony totally nails it, always been my favorite version. The trick is to not let things get over the top as the intensity heightens. Flawless readings of the Rapsodie Espagnole and La Valse to boot makes this an essential disc. This is all the evidence you need that Charles Dutoit is the greatest living Ravel interpreter.
You never have enough Ravel - just never........2006-01-15
This two disk set is one of those that you should add to your collection because it is wonderful music, sounds great, and is extremely affordable. Everyone knows and loves "Boléro". Commissioned by Ida Rubinstein as a ballet and premiered in 1928 was not a musical success. At another performance, led by Toscanini, Ravel complained that the tempo was too fast. Toscanini replied that it was the only way to save the work. But it soon became a mass success to Ravel's surprise and consternation. He felt they loved it for all the wrong reasons. The violinist Hélène Jourdan-Morhange relates this interesting story of one incident involving the work:
"Ravel was extremely surprised at the mass success of "Boléro" `They're going to turn it into another "Madelon", he said, rather crossly; and deep down he felt that the obsessive, musico-sexual element in the piece was probably behind its enormous popularity. But one old lady was proof against the contagion. Ravel's brother Edouard saw her, at the first performance, wedged tightly in her seat shouting above the applause `Rubbish! Rubbish!' Maurice, when informed by his brother, replied mysteriously: `That Old Lady got the message!'" from Ravel et nous 1945 page 166.
The other works on this disk are more substantive than the 15-minute crescendo and its constantly changing orchestral colors. The entire "Mother Goose" ballet - who doesn't love this? Although you usually here it performed as the suite. The "Rhapsodie Espagnol" is a favorite and delivers that wonderful Spanish flavor with a French sauce.
"Le tombeau de Couperin" and "Valses nobles et sentimentale" are orchestrations of major piano works (with some alterations in the tombeau) (there are other pieces on these disks that also began as piano works) that are probably more well known to the general public as orchestral works. However, they are very essential works in the pianist's repertoire, and I encourage you to get to know them in that form as well.
"La Valse" is really two things. There is a tribute to Johann Strauss. Ravel admitted that every composer wanted to write a very good waltz, but that it was very difficult. So, he wrote this symphonic waltz as a tribute. However, the second half is something else, is it not? There is decadence and a madness to it that seems like a nightmare to me. As if we are all trapped in this thing until everything falls apart with pain and loss into nothing. A fascinating piece.
There are other small and popular pieces on this disk that are all done well.
Recommended!
The Best of Ravel By Master Conductor And Orchestra.......2005-11-10
French-Canadian conductor Charles Dutoit and the Motneral Symphony Orchestra deliver what is the most musically satisfying collection of Ravel Bolero's French music. At a fine price, this is a fine jewel, with moments that sparkle and burn with a beautiful fire. The first track is of course the famous Bolero, with its hypnotic, singular theme that is expanded into a climatic crescendo which is overtly sexual, primal and sensuous. It was originally a ballet about a Spanish dancer (dancing the bolero of course) in a bawdy cafe. She is spurred on to dance even more erotically by the lusty men until we can assume the men can take no more. The Rhapsody Espagnole is an evocative portrait of Spain, with lyrical passages and tonal beauty. The Valse is another classic of French music of the early 20th century. Ravel's mother had died prior to the premiere. It is a slow, romantic waltz that escalates into a frenzied dance of death. In musical terms, there is nothing too different from La Valse and Bolero. They are both basically one motif that is repeated but changes in volume and pacing. The Pavane For A Dead Princess is my favorite work of his. It is possibly the most gorgeous funeral music one will ever hear. Far from being a melancholy piece, it is a stately, Renaissance-like work that pays homage to exoticism of the East and Romanticism of the West. The Dead Princess we assume is either Moorish or Spanish and the music is lilting and spiritual without ever reaching the heights of frustration or despair that Bolero or Valse take on. The Tomb of Couperin is also a funereal piece but its beauty lies in its imitation of Baroque music. Couperin was a Baroque composer of keyboard works. The music is aptly called neo-baroque or neoclassical since it was composed in the 20th century. This same style is embedded in Valses Nobles Et Sentimentales and Minuet Antique- all works that reflect the music of the Baroque and classical eras, an homage to Handel and Gluck. Daphne Et Cloe is perhaps his most ambitious work, as it expands on the Baroque classic and makes it more operatic and orchestrally grander. All fans of Ravel will want to own this recording. Dutoit knows this music down to a T and the orchestra captures nuance and subtlety in a variety of both light and dark textures. The music is brimming with life and the sound is crisp and beautifully remastered.
Average customer rating:
- CD set is misnamed
- Do not Buy
- Classical Music for People Who Hate Classical Music
- Seek better versions
- It Is What It Is
|
Classical Music for People Who Hate Classical Music
Manufacturer: Compendia
ProductGroup: Music
Binding: Audio CD
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- The Most Relaxing Classical Album in the World...Ever!
- The Most Relaxing Classical Music in the Universe
ASIN: B000003QWH
Release Date: 1994-06-09 |
Tracks:
- Canon In D
- 'Brandenburg' Concerto No. 3: Allegro
- The Four Seasons - The Winter: Largo And Allegro
- Fanfare ('Masterpiece Theatre' Theme)
- Camerata Romana: Air For The 'G' String
- 'Eine kleine Nachtmusik': Allegro
- Piano Concerto No. 21 ('Elvira Madigan' Theme): Andante
- Introduction To Symphony No. 5
- 'William Tell' Overture: Finale
- 'Aida': Triumphal March
- On The Beautiful, Blue Danube Waltz
- 'The Nutcracker': Waltz Of The Flowers
- '1812' Overture: Finale
Tracks:
- Sabre Dance
- 'Light Cavalry' Overture: Finale
- Carmen: The Toreadors
- ' Midsummer Night's Dream': Wedding March
- Radetzky March
- Symphony No. 9, 'Choral': Finale
- 'Prince Igor': Polovstian Dance No. 17
- Jesu, Joy Of Man's Desiring
- Peer Gynt: Solveig's Song
- Sleepers, Wake
- Water Music: Hornpipe
- Symphony No. 9, 'From The New World': Largo
- Emperor Waltz
- 'Emperor' Quartet: St. Anthony's Chorale
- 'The Tales Of Hoffman': Barcarolle
- L'Arlesienne: Farandole
- 'The Nutcracker': Dance Of The Mirlitons
- 'The Nutcracker': Dance Of The Sugar-Plum Fairy
- 'Rhapsody In Blue': Highlight
- 'Orpheus In The Underworld': Can-Can
Tracks:
- Introduction To 'Also sprach Zarathustra'
- Symphony No. 4, 'Italian': Saltarello: Presto
- Piano Concerto No. 20: Romance
- 'The Valkyrie': Ride Of The Valkyries
- 'The Four Seasons' - The Spring: Allegro
- Toccata and Fugue
- Trumpet Voluntary
- 'Royal Fireworks Music': la rejouissance: Allegro
- 'Moonlight' Sonata: Adagio Sostenuto
- London Festival Orchestra: Overture To 'The Barber Of Seville'
- Piano Concerto No. 2: Adagio Sostenuto
Tracks:
- Carmina Burana: Introduction To 'Carmina Burana'
- Peer Gynt: Dawn From 'Peer Gynt'
- Lohengrin: Prelude To 'Lohengrin'
- 'Lieutenant Kije': Troika From 'Lieutenant Kije'
- Adiago For Strings
- 'Carmen': Habanera From 'Carmen'
- 'Double' Concerto: Allegro From 'Double' Concerto
- The Marriage Of Figaro: Overture To 'The Marriage Of Figaro'
- (Rondo) Alla Turca
- Xerxes: Largo From 'Xerxes'
- Symphony No. 5: Allegro vivace From Symphony No. 5
- 'Swan Lake': Scene: Enchanted Lake From 'Swan Lake'
- Clair De Lune
- Bolero
Customer Reviews:
CD set is misnamed.......2007-06-08
They should have titled this "classical music for people who love classical music" because most of the selections are typical classical music. The title suggests it would be lively selections of "light classical" music that is more upbeat, i.e. Sabre Dance, etc. I really don't hate classical music at all and have many classical CDs in my collection but I really wanted to hear more exciting selections. I won't be purchasing any more of this set but if you like traditional classical music these are good one.
Do not Buy.......2007-02-21
I do know it says classical music for people who hate it, but serioulsly you would have better luck never listening to classical music again. The recordings are awfull and do not do justice to any of the composers. Buy something else.
Classical Music for People Who Hate Classical Music.......2007-01-30
We love this set of CD's. I just got a new copy because my kids keeping taking our first copy with them so that they can listen at work or in their bedrooms but then I can never find them.
Seek better versions.......2006-12-09
If you are fairly new to classical purchases then compilation CD's can be useful for deciding what to buy next. Sometimes you only need a small taste of a piece to inspire you to buy a release with the whole performance on. The problem with this compilation however is that most of the versions are poor in performance or recording quality (or both) when compared to the best versions and the fact that the conductors aren't even credited on the track listing made me suspect that this would be the case. One of my favorite classical pieces is Tchaikovsky's 1812 festival overture but if the first CD version I had heard had been the finale excerpt that is on this compilation I may not have gone on to buy the whole thing. Luckily I heard Adrian Leaper's version first and Adrian's version is rather good.
My classical CD buying experience is limited to only a couple of dozen discs but I have found that the Naxos and Deutshe Grammophon releases are fairly safe. Avoid any release which does not name the conductors on the track listing or sleeve notes.
It Is What It Is.......2006-10-27
It's fitting that this page is fraught with the same kind of silly snobbery that turns people off from classical music (and necessitates collections like this) in the first place.
Any criticism of this compilation, which focuses on the quality of the performances or the fact that many tracks are excerpts, misses the point. This is not a collection for people who consider such things, nor does it purport to be. The idea is to package as many ultra-famous classical melodies as possible in one affordable collection and market it to people who have never purchased a classical recording. As such, top-tier performances are likely too expensive to be sold so cheaply and are unnecessary anyway. Those of us who already know and love a piece or two can forgive the compilers the inclusion of sub-par recordings, when we are exposed to so many other beautiful pieces for the first time.
It probably comes as a shock for some to hear that most people are not familiar with these classics. We may hear snippets on TV or movies, but are left with no idea as to the composer or historical context. With that in mind, it is extremely intimidating to begin buying classical. I suppose those among us, who so thoroughly dismissed the very notion of a boxed set like this, would have us begin by buying full albums by reputable interpreters. Surprisingly enough though, the majority of people would consider that a tad cost-prohibitive.
To conclude, this is a STARTER collection. It will either affirm a listener's feelings about classical music or lead to an interest in purchasing better recordings. Ideally, I suppose the interpretations would be better, but, for reasons mentioned above, that just isn't in the cards for a collection of this nature. If you're familiar with 50 different recordings of "The Ring" series, or have season tickets to the New York Philharmonic, then this probably isn't for you. For us cretins with limited foreknowledge of classical music though, it serves as a succinct introduction with little to complain about.
Average customer rating:
- Linda or Lola?
- Mas Canciones
- Authentic Mexican
- Let the sun shine in...
- MAS CANCIONES
|
Mas Canciones
Linda Ronstadt
Manufacturer: Elektra / Wea
ProductGroup: Music
Binding: Audio CD
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- Linda Ronstadt - Canciones de Mi Padre: A Romantic Evening in Old Mexico
- Aniversario 100: Canciones Mexicanas Que Canta el Mundo
ASIN: B000002H9Z
Release Date: 1991-11-19 |
Tracks:
- Tata Dios
- El Toro Relajo
- Mi Ranchito
- La Mariquita
- Gritenme Piedras Del Campo
- Siempre Hace Frio
- El Crucifijo De Piedra
- Palomita De Ojos Negros
- Pena De Los Amores
- El Camino
- El Gustito
- El Sueno
Customer Reviews:
Linda or Lola?.......2007-05-26
Who is a better ranchera singer, Linda Ronstadt or Lola Beltrán? Lola has a deeper voice, but both can certainly belt out a song! It's hard to say who is better. It's like choosing between Pavarotti and Plácido Domingo.
The sad fact, though, is that the fidelity of most of Lola's albums is very low...they sound like they were recorded on a home tape recorder. And since she has now passed away, there will never be any new recordings.
Mas Canciones.......2005-09-07
Linda Ronstadt, has done it agian. Very good music you can join your friends around a fire and just enjoy her songs for hours.
Authentic Mexican.......2005-03-10
Original Review 9 March 2005
I am not a Mexican, but I have circulated for years in the Mexican parts of Los Angeles, and I have travelled throughout Mexico, enjoying the native musicians on street corners and in parks and cafes. I have always wondered about those who praise Lola Beltran as the "great" Mexican singer. She sounds too urbane and too international to me--in the manner of Catarina Valente. I always thought the real spirit of Mexican music was better represented by such as Las Hermanas de Alba. And now Linda Ronstadt carries on the true Mexican tradition in her later work. Whatever else she may have sung in her career, I find in Linda's Mexican singing the authentic flavor of Old Mexico.
Update 17 May 2006
Last night as I was browsing the reviews of this record, I got curious about the various comparisons to Lola Beltran. Not having listened to Lola for quite some time, I went through a stack of stuff from both Linda and Lola to refresh my ear.
My conclusion. Lola is good, but Linda is better.
Linda has a much broader emotional range. With all of her musical excelence, Lola has a dreadful sameness from song to song--even songs which should be handled quite differently. For example, It is quite disconcerting to hear Lola back to back on "Ya No" and "Me equivoque contigo"--songs which should be very different in emotional tone sound all too similar. As it happens, I heard the latter song on the radio a few days ago by a male artist. His rendition shoots Lola's down the drain.
By contrast, Linda's emotional range is both subtle and immense. For example, from her "Tata Dios," which wrenches me to tears every time I hear it, to the mock seriousness of her "El toro relajo," which is always worth a good laugh. After reviewing a batch of Lola's work this morning, I can't imagine her ever having such an effect on me. Lola still strikes me as a city person trying to sing country. Whatever else Linda may have done in her life, she somehow manages to dig her toes into the true country soil of Old Mexico.
Viva Linda!
Let the sun shine in..........2005-01-13
I don't know the first thing about the "authentic" style of this music, the native singers, or if Linda has the correct spanish phrasing... All I know is that when I play this CD, a little bit of sunshine enters my gray Philadelphia winter days, and it makes me want to do a bit of dancing! (And I'm sure my dancing isn't the least bit "authentic"...) Plain and simple, this CD is just a lot of fun.
MAS CANCIONES.......2004-09-02
THIS IS A WONDERFUL CD, I ALSO HAVE HER FIRST CD CALLED CANCIONES DE MI PADRE, BOTH ARE GREAT. SONGS . I AM A MARIACHI FAN. IAM ALSO MEXICAN AND LINDA SINGS GREAT IN SPANISH. I TOTALLY DISAGREE WITH ANYONE THAT SAYS ANY DIFFRENT. WE HAVE ALOT OF SPANISH (MEXICAN ) SINGERS. THAT CALL THEMSELF SINGERS AND DONT EVEN COME CLOSE TO THEY WAY LINDA SINGS. I HAVE PLAYED THIS CD AT PARTYS AND MY FRIENDS AND FAMILY WANT TO KNOW WHO SHE IS, THEY LOVE HER SINGING AND THEY LOVE THE SONGS THAT WERE SELECTED.
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