Catcher in the Sky [Import]

1. Il Signor Hood

2. Bambini Venite Parvulos

3. Pane E Castagne

4. Sotto Le Stelle Del Messico A Trapanar

5. Ninetto & La Colonia

6. Buonanotte Fiorellino

7. Donna Cannone

8. Leva Calcistica Della Classe 1968

9. A Pa]

10. Titanic

11. Bufalo Bill

Catcher in the Sky,Francesco De Gregori,Sony Bmg,World Music

Average customer rating: All of a sudden I miss you EITS don't disappoint Holy Moly! not one of my favorites All of a Sudden I Miss Everyone

All of a Sudden I Miss Everyone Explosions in the Sky Manufacturer: Temporary Residence ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music Indie Rock | Indie & Lo-Fi | Alternative Rock | Styles | Music Experimental Rock | Rock | Alternative Styles | Alternative Rock | Styles | Music General | Rock | Styles | Music Pop Rock | Pop | Styles | Music Experimental Music | Miscellaneous | Styles | Music Similar Items: You, You're a History in the Rust We Were Dead Before the Ship Even Sank Sound of Silver Lift Your Skinny Fists Like Antennas To Heaven New Magnetic Wonder ASIN: B000MCH54K Release Date: 2007-02-20

Tracks:

1. The Birth And Death Of The Day
2. Welcome, Ghosts
3. It's Natural To Be Afraid
4. What Do You Go Home To?
5. Catastrophe And The Cure
6. So Long, Lonesome

Amazon.com

Sometimes Explosions in the Sky start with a whisper and end with a scream, but on "Birth and Death of the Day", they begin with a scream and proceed into a symphonic odyssey that Aaron Copland might have composed if he'd played electric guitar. Like Copland, EITS are cinematic, but with more kinetic drive than any film--except maybe Koyaanisqatsi--could match. Compositions like "It's Natural to Be Afraid" take you on epic journeys that roar like a Harley Davidson one minute and slip into taut contemplation the next, using the slow-tension build that EITS have perfected. All of a Sudden I Miss Everyone was produced by John Congleton, who has worked with lo-fi groups like the Roots and the Mountain Goats. That might explain why the album lacks the atmosphere of EITS's monumental The Earth Is Not a Cold Dead Place and their Friday Night Lights soundtrack. Instead, they rely even more on the arc of their compositions and the integral twin lead guitar lines that never solo but always drive the songs. They can shift from power-chord aggression to the sound of plucked mandolins in an instant. This is progressive rock for people who weren't even born when prog reigned supreme. It's the sound of King Crimson, transmuted through punk and grunge aesthetics. --John Diliberto

Customer Reviews:

All of a sudden I miss you.......2007-07-09

Explosions in the Sky specializes in sweeping, atmospheric prog/postrock/whatever. Call it constellation pop.

And in "All of a Sudden I Miss Everyone," it sounds like they're creating the soundtrack to some epic, arty movie, kicking off with a bang and heading into more contemplative territory later on. Robust instrumentation and complex, swirling melodies keep it from ever getting dull or stagnant, despite no lyrics or vocals.

It opens with a bang -- the blaze of rumbly guitar like a car revving. But then it explodes into a ringing expanse of exquisite, soaring instrumentation that sounds like a post-rock orchestra... and quiets down into a gentle, rippling melody in the middle... only to blaze back into a determined, ringing melody, and sink back into a gentle rattling ballad.

It's an epic song, with more mood changes and more "highs" than most albums ever achieve in their entirety. And it segues seamlessly into the moody "Welcome Ghosts," with its blasts of percussion over a gentle melody, and into a string of other songs -- pretty acoustic balladry with explosive climaxes, gentle melodies that trickle like water.

It ends with both kinds of music: the tightly wound, upward-spiralling "Catastrophe and the Cure." And the finale is as intimate as the opener was epic, with a tinkly piano and dreamlike riffs smoothly lulling listeners right to the end.

Like any good post-rock album, "All of a Sudden I Miss Everyone" is just like an exploration sketched out through music -- it has rises and falls, exciting moments, lulling peaceful stretches. If they ever made silent movies again, this would be a brilliant soundtrack for some epic, exquisitely-shot movie.

And it's performed with a robust quality that much post-rock doesn't have, not to mention their variety. Despite the lack of pop rhythms, they stick to melodies that hang around in your mind, and vary between ethereality and expansiveness, gentleness and bombastity.

It's especially impressive, because they use only typical rock'n'roll instrumentation. They have some truly brilliant guitar work, with dreamlike stretches or ringing riffs, and explosive, grimy eruptions off bass. There's some solid, smashing percussion, and a few songs have trickles of gentle piano and keyboard under them.

"All of a Sudden I Miss Everyone" is another solid collection of spacey, epic post-rock, and Explosions in the Sky are only getting better. Definitely a good listen.

EITS don't disappoint.......2007-07-04

Instrumental post-rock has often been accused of being too lightweight and unobtrusive to function as anything but aural wallpaper, and a great deal of what the genre has produced has done little to rebut such an assertion. Explosions in the Sky, however, have (to this point in their career at least) managed to largely avoid such pitfalls, as their three-guitar assault produces lengthy, towering soundscapes that can be relaxing one moment and launch into full-bore sensory overload the next. It may frequently be all pretty and dreamy, but this stuff can still assault your eardrums, frequently building up a mellow atmosphere before rending it in the most dramatic manner possible with a daunting rush of noisy distortion and piercing leads. And while their most recent effort, this year's All of a Sudden I Miss Everyone, doesn't mark much of a stylistic departure, at its best (which constitutes much of the album) it does see EITS honing their blend of power and grace to a razor-sharp edge.

This album doesn't take too long to hit its stride, with the opening The Birth and Death of the Day serving as a convincing statement of the band's mission. It starts with a relatively placid period of shoegazerish fuzz and fragile microtonalities, expertly building tension before giving way to a midtemp gallop of explosive riffs that hit the mark with devastating effect. The even-better following track, Welcome, Ghosts, is one of the most stirring and exhilirating compositions in the band's already impressive catalogue, with intricate layers of interwoven guitar lines underlain by a pummeling, martial drum performance from Chris Hransky. Taken together, these first two pieces are easily among the best one-two punches I've heard open an album recently, encapsulating all the incendiary songwriting and fearsomely virtuosic musicianship this band can muster.

From there, though, things do get a bit dicey, at least by EITS's lofty standards. It's Natural to Be Afraid, at over thirteen minutes, is the obligatory epic, and anyone who would expect a song that long to have some gratuitous moments would be correct, at least in this case. Granted, the stretches in the song's later going where all three guitarists lock in for a shimmering, Sonic-Youth-on-Steroids style freakout is worth the wait, but I could've done with a little more muscle-flexing and a little less buildup. Similarly, the piano-accented What Do You Go Home To? is a nice enough tune, but lacking in the dynamic range that makes to many EITS songs so memorable. It's stuck in a sort of in-between zone--too long for an interlude, but without enough meat to function as an independent piece.

Fortunately, Catastrophe and the Cure provides a welcome return to form, shifting in scintillating fashion from hard-driving and intense to, er, even more-hard driving and intense, occasionally hovering in minimalist stasis for a brief interlude before leaping back into the fray, with Hransky once again pushing the song further into the stratosphere with his enthusiastic demolition of his drumkit (just check out that ending). Not so fortunately, So Long, Lonesome, is another temperate, piano-driven mood piece that does provide a decent comedown to the sonic maelstrom that preceded it, but the end result is an album that fades away rather than burning out.

That said, while I would have liked a more exciting ending, it's hard to complain when so much quality material preceded it. Overall, All of a Sudden I Miss Everyone is yet another excellent album from a band that anyone who gets high on music should check out posthaste if they haven't already. Let's just hope to see a little more progression the next time out.

Holy Moly!.......2007-06-26

Epic music that whether you're paying attention to it or not, you can still appreciate it. Warning though, sit down, lie down, stare at the ceiling or close your eyes and you will be blown away by the beautiful melodies of explosions in the sky. This is the type of cd that can make one appreciate the simple beauties in life. truly inspiring. Forget the post rock title that has been given to them by those who feel the need to label everything and everyone. Great music. Thanks.

Recommendations:

Mono (Japan)
Mogwai
Ovum (japan)
Sonograph
Godspeed you black emperor

not one of my favorites.......2007-06-16

Explosions in the sky are still better than 95% of the music that's out there but I was rather disappointed by this album after falling in love with their last one.
Unfortunately, none of the tunes were very memorable. I found the second cd (with remixes of the songs by artists like jesu and four tet among others) more engaging.
They're still a band with vast potential and I'm still waiting for their next release but I just wasn't pleased with this one.

All of a Sudden I Miss Everyone.......2007-06-07

There was a moment during All of a Sudden I Miss Everyone that truly scared me. It came in the middle of the 13-and-a-half-minute "It's Natural to be Afraid," where two guitars quietly and comfortably meander in three-fourth time. Guitar One picks its way up as though climbing a ladder, while Guitar Two strums a countermelody an octave below. Soon, drums enter with a determined martial gallop as the instruments continue their ascent; there's the illusion of building toward a grand climax, but nothing really happens. There was something so eerily "post-rock"--indeed, something so Explosions in the Sky--about that moment that I thought I saw the death of the entire genre in front of me. At some point, it seems, the evolution of instrumental post-rock simply ceased.

But does a genre or a band need to grow in order to stay vital? It should seem so, since boredom is the enemy for most discerning listeners, but All of a Sudden I Miss Everyone finds the Texas quartet towering so highly above their peers that the lack of progression hardly matters. Six years after first breaking out, Explosions in the Sky remain on the A-list precisely because they haven't strayed from their patented formula, and why should they? In their self-contained universe, evolution doesn't occur over the course of multiple albums; it happens as we listen, and we return to their music because each song presents a drama in miniature, with meditative lows and exultant highs, and because the stories they tell tremble with emotion that never feels feigned or forced.

Finding differences between All of a Sudden I Miss Everyone and the group's previous two outings is tough, but they're there if you care to look. The sonic building blocks are much the same as on The Earth is Not a Cold Dead Place--high-pitched, ringing guitars and stately drums with lots of snare--but this is a more tumultuous record, warding off criticism the band may have suffered for supposedly going soft. "The Birth and Death of the Day" sets the scene perfectly, beginning with a skyward scream before settling down and rising again in a march that feels custom-fitted for a film score. As the intensity builds and the band rocks out for the first time, one can easily picture--literally--explosions in the sky. At the same time, there are few outright surprises; while Those Who Tell the Truth Shall Die, Those Who Tell the Truth Shall Live Forever knocked the blocks out from under our feet at any moment, we can see the climaxes on this album coming a mile away. It's a technique that had me yawning initially, then ultimately taking comfort in the familiarity of these lovely, well-spun tales.

So, then, what's it all about? Explosions in the Sky deal in cautious optimism in an era when most rock musicians think that anything optimistic is lame. The pre-Sept. 11 Those Who Tell the Truth Shall Die was oblique and destructive; the post-Sept. 11 The Earth is Not a Cold Dead Place was blindingly radiant and uplifting--understandable since, in 2003, many of us in America badly needed succor. If All of a Sudden I Miss Everyone has a message, it's that a little faith in humanity isn't going to save the world, but that's no reason to give up. "What Do You Go Home To?" and "Catastrophe and the Cure" begin with impending doom that, by the end, has vanished in favor of harmoniousness and redemption. "It's Natural to be Afraid" lays out its problems before blasting them away in a cloud of heavy, major-key guitar and crashing cymbals. That these "message tracks" are completely free of words testifies to how instrumental music can speak for itself when it's put into just the right hands.

With All of a Sudden I Miss Everyone, I'm now more convinced than ever that the knee-jerk comparison to Godspeed You! Black Emperor isn't going to work anymore. Both bands specialize in tension-and-release instrumental rock, their songs often exceed 10 minutes and they exhibit a grandmother-upsetting range of volumes. But while Godspeed are open detractors of the United States government, there's something unabashedly American about Explosions in the Sky, in a national anthem sort of way. When they were asked to score Friday Night Lights (a film about a Texas high school football team), many fans took it as a slap in the face, believing that setting music to celluloid meant that it couldn't stand alone, but the pairing now makes perfect sense. Like an epic American film, this music sweeps us up with grand gestures and shows us hope amid destruction. We know exactly how it's going to end--the good guys will win and conflicts will be resolved--and that's just fine.

Average customer rating: Deffinately NOT cold and dead easily their best album Excellent ambient music for reading/coding. melodophonic Woah

The Earth Is Not a Cold Dead Place Explosions in the Sky Manufacturer: Temporary Residence ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music Indie Rock | Indie & Lo-Fi | Alternative Rock | Styles | Music Experimental Rock | Rock | Alternative Styles | Alternative Rock | Styles | Music General | Rock | Styles | Music Pop Rock | Pop | Styles | Music Experimental Music | Miscellaneous | Styles | Music Similar Items: Lift Your Skinny Fists Like Antennas To Heaven Friday Night Lights Finally We Are No One Takk... f#a# (infinity symbol) ASIN: B0000DJYME Release Date: 2003-11-04

Tracks:

1. First Breath After Coma
2. Only Moment We Were Alone
3. Six Days At The Bottom Of The Ocean
4. Memorial
5. Your Hand In Mine

Customer Reviews:

Deffinately NOT cold and dead.......2007-07-07

I don't normaly do reviews, nor do I normaly recomend music to my friends and family. But I did with this CD.
Perhaps one of the best CD's I've ever bought. I recomended it for all of my friends and family that enjoy instumental music.

Buy this CD and enjoy.

easily their best album.......2007-06-16

I totally love this album. Tracks such as "Your hand in mine" are really wonderful. In their previous album they sounded like GYBE wannabes but here they have their own voice. This is the kind of music you would want to listen to while driving through a lonely Texas highway late in the night.

Excellent ambient music for reading/coding........2007-05-14

EITS did a great job with this album. The music works well in the car or at home while working.

melodophonic.......2007-05-14

good. this is the first explosions in the sky cd i own. i suppose a measure of how much i like them is the fact i will probably buy another. yet nothing about them really grabbed me. fairly a-typical. more melodic than i prefer, a distinct lack of the chaos factor thats so appealing about godspeed you black emperor or early mogwai. but still the peaks of the songs, especially the second track, are pleasing. those of you who found the length of some of mogwai's songs tedious explosions in the sky are less so. i found this meant alot of what did happen seem too condensed but others will be refreshed. the artwork is pretty cool aswell. overall: good. and tag suggestions are stupid

Woah.......2007-02-26

There are plenty of words that come to mind when listening to this CD. Awash, beauty, melancholy, transcendence... the list rolls on. Unfortunately, these aren't exactly words that can be put together to form sentences, just as the songs of Explosions in the Sky can't easily be translated into a review. This album, as a blurb on the cover says, will destroy anyone who has a soul. Anyone who has been in love, has a heart, or has awoken in the morning feeling like things just might end up okay. The melancholy that the album brings also carries with it an intense feeling of hope, especially in the first song, First Breath After Coma. As it crescendos, one can't help but just feel that things will be alright, and there's something to this life, if we can just get it right. And that's what this album seems to be about; destroying anyone with a soul, and leaving them okay.

Average customer rating: The Alan Parsons Project's most famous album gets a royal treatment for its 25th anniversary Entering the pop era Eye in the Sky is brilliance... but the remaster... not so much Cinematic Genius Uno de los mejores

Eye in the Sky Alan Parsons Project Manufacturer: Sony Legacy ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music General | Pop | Styles | Music Soft Rock | Pop | Styles | Music Pop Rock | Pop | Styles | Music General | Rock | Styles | Music Progressive Rock | Progressive | Rock | Styles | Music Album-Oriented Rock (AOR) | Classic Rock | Styles | Music Similar Items: I Robot Vulture Culture The Turn of a Friendly Card Tales of Mystery and Imagination Pyramid ASIN: B000IOM1Y6 Release Date: 2007-03-20

Tracks:

1. Sirius
2. Eye In The Sky
3. Children Of The Moon A
4. Gemini
5. Silence And I
6. You're Gonna Get Your Fingers Burned
7. Psychobabble
8. Mammagamma (Instrumental)
9. Step By Step
10. Old And Wise
11. Sirius (Demo)
12. Old & Wise (Eric Woolfson guide vocal)
13. Any Other Day (Studio Demo)
14. Silence & I (Early version; Eric Woolfson guide vocal)
15. The Naked Eye
16. Eye Pieces (Classical Naked Eye)

Customer Reviews:

The Alan Parsons Project's most famous album gets a royal treatment for its 25th anniversary.......2007-07-04

The Alan Parsons Project released its sixth album in as many years entitled Eye in the Sky in June of 1982.
The album was the first since late 1980's Turn of a Friendly Card. Whilst that album had its moments (Games People Play and Time), the album had not been as successful. In 1981, Alan Parsons (well known engineer and producer who had worked with The Beatles as a tape operator and engineered Pink Floyd's Atom Heart Mother and classic Dark Side of the Moon and produced albums for Pilot, The Hollies and Al Stewart) and collaborator Eric Woolfson began work on Eye in the Sky with musicians that were bass player David Paton and guitarist Ian Bainson formerly of the band Pilot (famed for its 1975 hit "Magic") and drummer Stuart Elliott (famed for his work on Al Stewart's Year of the Cat and Time Passages albums and on Paul McCartney's 1984 hit "No More Lonely Nights"). When the album was released, it was right in the middle of New Wave and schlock pop ala Air Supply time. Would this album be a classic or seen as a relic of the past, read on and find out as I did recently.
We open the album with the instrumental "Sirius". What a great opener. i first heard this piece when former WWE wrestler Ricky "The Dragon" Steamboat used this music as his entrance theme during his 1986/1987 tenure with WWE (formerly World Wrestling Federation). Since then, "Sirius" has been used by sports teams such as The Chicago Bulls for its entrance music and sampled by Diddy (a/k/a Puff Daddy a/k/a P Diddy a/ka Sean Combs) on his The Saga Continues album. We then segue into the album's title cut and Parsons Project's biggest hit. The track, sung by Eric Woolfson, got its name from Woolfson hearing that phrase whilst in the US to describe air traffic, surveilance cameras and every other device. Next is "Children of the Moon" which is sung by ex-Pilot frontman and APP bass player David Paton and it's a great song about the death of culture (which still holds up today). We segue into the short but sweet "Gemini" sung by Chris Rainbow. The first half closes with the epic "Silence and I", which was sung by Woolfson. The piece harkens back to some of the classic prog sounds of I Robot. What a great piece.
Next is the rocker "You're Gonna Get Your Fingers Burned" which was sung by Lenny Zatatek (whose voice was dominant on songs like "I Wouldn't Want to Be Like You" and "Games People Play"). What a great rocker. Next is the album's other sing "Psychobabble" sung by Elmer Gentry. This piece is another winner. Next is the album's second and last intrumental called "Mammagamma". Whilst it sounds like something that could have been used on the soundtrack to Scarface, the piece had more b*lls and passion than anything that Giorgio moroder could have come up with. Next is another Zatatek sung piece called "Step by Step" whcih is another great piece. We close the album with possibly my favorite APP track ever, the ballad "Old and Wise". The track's orchestrations is so powerful that it can actually bring tears to your eyes hearing it. The track is sung by former Zombies frontman Colin Blunstone and this is his best lead vocal EVER done (surpassing anything he recorded pre-1982). The track ends with the most powerful alto saxophone solo ever recorded by famed saxophonist Mel Collins (who has worked with people from King Crimson to Eric Clapton to Roger Waters to Bad Company and The Rolling Stones) and his ending solo playing with the orchestra and band even had brought tears to my eyes as it is the most moving piece I had ever heard (and I hardly ever cry but something about this makes me shed tears of joy).
The album became the APP's biggest selling album here in the US and reached the US Top 10.
Now, the album was rereleased and superbly remastered by Parsons himself with Dave Collins and features SIX bonus tracks including demos for "Sirius" and "any Other Day". Plus the Eric Woolfson guide vocals for "Old and Wise" and "Silence and I". Then the rough mix medleys dubbed "Naked Eye" and "Classical Eye". These tracks are excellent different looks of each of the album's tracks.
Recommended!

Entering the pop era.......2007-06-20

After several progressively influenced concept albums, the APP returned strongly with "Eye In The Sky". It was a welcome return to form after the synth-heavy, boring "Eve", even though Eye is more pop than anything else they had recorded at this point. Eye really points to the future sound APP would go for on subsequent releases. The material is very good, and the final song "Old And Wise" should send chills down the spine of anyone with a pulse.

The remastered version adds quite a lot of brilliance and air to the recording when compared to the original Arista release.

Eye in the Sky is brilliance... but the remaster... not so much.......2007-06-02

It's Eye in the Sky after all... it was a great album. Had a lot of ups, a couple downs as the album gets a little to poppish with "Step by Step". Overall, this is the most successful Alan Parsons Project album and also one of the best albums as well for that band.

But this review is about the remaster. The improved sound quality... what improved sound quality? The music on the original CD sounds almost identical to the new release (granted... this isn't a "remix"). So if you are looking to really step it up a notch with this CD, unless you are going from tape to CD, you aren't getting a noticeable sound improvement here. Granted, I don't own a $2000 sound system, so maybe for them, it is improved, but for most people, I don't think they'll appreciate any new quality to the sound.

That said, the extra tracks are indeed interesting. The best being the two last tracks. The first of those two is a conglomeration of studio recordings in the process of developing the songs. The second is a conglomeration of the orchestral music developed for the songs. These two tracks are really cool to listen to. It seems apparent that the Alan Parsons Project didn't have B sides, because there are no extra songs really as part of the additional tracks. You'll just be hearing first / second draft recordings of some of the songs. The experience is really neat.

The other additional feature is added material in the CD booklet. Pics and stuff from the mind of Alan Parsons and Eric Wolfson. Perhaps the only thing that would have been nicer was contributions from the other members or guest members of the band, but all in all, the additional material given in the booklet definitely is nice.

To round it out, overall, you aren't getting too much from this. You'll read the booklet once or twice, you won't be able to listen to the raw tracks that often like you could the album itself and as I noted, at least from my experience from Eye in the Sky (and I Robot), these remasters aren't particularly ground shattering in their remastery (you can go pretend that's a word ;)).

Luckily, the price isn't expensive. Whoever was in charge of the releases had mercy and realized they weren't giving us much we hadn't already had. To me the most important thing is the sound! So buying up all these new remasters probably won't be my plan. However, if you really want to hear the additional tracks, especially the "naked" tracks and appreciate the material put into the CD booklets, you won't be wasting your money.

Cinematic Genius.......2007-05-12

The Alan Parsons Project hit their greatest commercial pinnacle with "Eye In The Sky," the only album other than "I Robot" to reach the top ten. It was also the moment that the revolving members of APP centralized the two main strengths of their albums: concept and songcraft. "Eye In The Sky" is so creamily melodic that it's almost easy to miss the underlying concept of intrusive surveillance. Probably more than any other APP CD, this is where the Adult Contemporary sound that eventually dominated Parson's following efforts took hold.

That is not to say the songs are lacking. As usual, they are tunefully hooky and usually memory grabbers, like the title track. The opening instrumental "Sirius" became the introductory theme for thousands of athletic events, and "Psychobabble" is the obligatory prog-rock song aimed directly at 80's AOR Radio. (Actually, the other song in the vein, "You're Gonna Get Your Fingers Burned," is the weakest song on the CD.) As on previous CD's, the highlights include ballads. On "Eye In The Sky," it's "Old and Wise" with ex-Zombie Colin Blunstone on the lead vocal. One of the discs' more interesting extras is Eric Woolfson's vocal demo on that particular number.

The bonus tracks are indicative of just how much work Parsons and Woolfsons put into their music. While "Eye In The Sky" plays almost like a soundtrack to a movie never produced, the demos show the tinkering that goes on before the final, lush and cinematic sound is crystallized. (Frankly, I like the album enough to have not needed to hear works in progress.) But now that "Eye In The Sky" and "I Robot" have been given their sonically upgraded due, it's a joy to hear the kind of mastery Parsons and company put into this soft-rock marvel.

I am now hoping for the eventual remastered versions of "Pyramid," "Eve" and "Turn Of A Friendly Card."

Uno de los mejores.......2007-04-06

Gracias a este cd, fue que comencé a escuchar a alan parsons project, hace como 10 años estaba escuchando en la radio eye in the sky un sabado en la mañana mientras iba a trabajar en la construccion de una planta de exraccion de petroleo, me gusto mucho y me sorprendió cuando dijero que era alan parsons, ya que pensaba que alan parsons eran puras baladitas de amor tipo air supply. Resulta que me compre el disco, y da la casualidad de que tenia otra gran cancion que me gustaba de siempre, pero no sabia que era de alan parsons, la cual es old and wise, me siento tan satisfecho con la compra de este disco, que tengo casi toda la coleccion, me falta solo freudiana, time machine y gaudi que no se consiguen. Acabo de comprar la reedicion de este disco, que trae nuevas canciones ineditas. Alan Parsons es uno de los pocos artistas que he escuchado, los cuales me gustan todas las canciones de todos los discos, eso, es bastante complicado de lograr.

Average customer rating: It is great pleasure to find the Item. Riders in the Sky - Cowboy Songs Very very very nice one of my very favorite CDs Real Cowpucher Songs

Cowboy Songs Riders in the Sky Manufacturer: Easydisc ProductGroup: Music Binding: Audio CD Cowboy | Country | Styles | Music General | Country | Styles | Music Western Swing | Country | Styles | Music General | Traditional Country | Country | Styles | Music CDs $7 - $10 | Country General | Country | Today's Deals in Music | Formats | Music All Bargain Titles | Country General | Country | Today's Deals in Music | Formats | Music CDs $7 - $10 | Cowboy | Country | Today's Deals in Music | Formats | Music All Bargain Titles | Cowboy | Country | Today's Deals in Music | Formats | Music General | Country | Indie Music | Stores | Music Traditional Country | Country | Indie Music | Stores | Music 4-for-3 Country | 4-for-3 Music | Stores | Music 4-for-3 Pop | 4-for-3 Music | Stores | Music 4-for-3 All Music | 4-for-3 Music | Stores | Music Similar Items: Yodel the Cowboy Way Greatest Cowboy Songs Ever The Cowboy Way Cool Water (& 17 Timeless Favorites) Songs Of The West, Vol. 4: Movie & Television Themes ASIN: B000003OA9 Release Date: 1996-08-20

Tracks:

1. Jingle Jangle Jingle
2. Tumbling Tumbleweeds
3. Don't Fence Me In
4. Cattle Call
5. Ghost Riders In The Sky
6. Streets Of Laredo
7. I Ride An Old Paint
8. Red River Valley
9. Rawhide
10. Chasin' The Sun
11. Back In The Saddle Again
12. Home On The Range

Amazon.com

This bargain introduction to nouveaux Westerners Ranger Doug, Woody Paul, and Too Slim features the kind of songs any singing cowboy worth his salt knows by heart. If there are few surprises, there's more than enough engaging musicianship and singing, highlighted by Ranger Doug's mellow croon and skillful yodeling. The arrangements are spare and exact, emphasizing guitar, bass, and some fiddle, but the real attraction is the trio's harmonies. If Riders in the Sky never quite live up to their heroes like Sons of the Pioneers and Riders of the Purple Sage, the playful affection they bring to these tunes is never less than charming. --Roy Kasten

Customer Reviews:

It is great pleasure to find the Item. .......2006-08-09

Although I have been looking for the CD, I could not find. But, fortunately, you shipped it. I am always listening it every morning.

Riders in the Sky - Cowboy Songs.......2006-02-26

I love this CD the Riders are great and so are the songs.

Very very very nice.......2004-03-09

This cd is light hearted and FUN!

one of my very favorite CDs.......2003-08-12

This group is 'muy bueno'! And the collection of songs on this CD is outstanding. My wife even likes this CD. My 2 favorites are 'Cattle Call' and 'I Ride an Old Paint' but there isnt a bad song on the CD, very unique.

Real Cowpucher Songs.......2003-04-17

I'm a cowpuncher not a cowboy and I love this CD. I just wish they didn't call it Cowboy Songs.

Average customer rating: They were right--there is NO business like the show business they did way back when !!! One of the best cds I ever bought. Never Sounded Better Somewhere Over The Rainbow "Hollywood Musicals of the Golden Age are still among us"

Somewhere over the Rainbow: The Golden Age of Hollywood Musicals Various Artists Manufacturer: Rhino / Wea ProductGroup: Music Binding: Audio CD Vocal Jazz General | Vocal Jazz | Jazz | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music General | Musicals | Broadway & Vocalists | Styles | Music Traditional Vocal Pop | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music General | Vocal Pop | Pop | Styles | Music Rhino Records | Amazon.com Label Stores | Stores | Music Similar Items: Ultimate Broadway Only Broadway CD You'll Ever Need The Best Of Broadway (Cast Recording Anthology) Greatest Hits: Broadway That's Entertainment!: The Best Of The M-G-M Musicals - Motion Picture Soundtrack Anthology ASIN: B000066RO5 Release Date: 2002-06-04

Tracks:

1. Singin In The Rain - Gene Kelly
2. Theres No Business Like Show Business - Betty Hutton, Howard Keel, Keenan Wynn & Louis Calhern
3. 'S Wonderful - Gene Kelly & Georges Guetary
4. Thats Entertainment! - Fred Astaire, Jack Buchanan, Nanette Fabray & Oscar Levant
5. Stranger In Paradise - Ann Blyth & Vic Damone
6. Easter Parade - Judy Garland & Fred Astaire
7. Lullaby Of Broadway - Winifred Shaw, Dick Powell & Chorus
8. Get Happy - Judy Garland
9. Night And Day - Fred Astaire
10. True Love - Bing Crosby & Grace Kelly
11. Honeysuckle Rose - Lena Horne w/ Benny Carter & His Orchestra
12. They Cant Take That Away From Me - Fred Astaire
13. Milkman, Keep Those Bottles Quiet - Nancy Walker & The M-G-M Studio Chorus w/ Tommy Dorsey & His Orchestra
14. Baby, Its Cold Outside - Esther Williams & Ricardo Montalban
15. For Me And My Gal - Gene Kelly & Judy Garland
16. Puttin On The Ritz - Clark Gable & Co.
17. Hallelujah! - Tony Martin, Vic Damone, Kay Armen, Ann Miller, Debbie Reynolds, Clark Burroughs & Co.
18. Bless Yore Beautiful Hide - Howard Keel
19. Taking A Chance On Love - Ethel Waters & Eddie "Rochester" Anderson
20. As Time Goes By - Dooley Wilson w/ Elliot Carpenter (Bonus Track)
21. Laras Theme (Main Title) - The M-G-M Studio Orchestra (Bonus Track)

Tracks:

1. Over The Rainbow - Judy Garland
2. Its A Most Unusual Day - Jane Powell
3. Wunderbar - Kathryn Grayson & Howard Keel
4. Cant Help Lovin Dat Man - Ava Gardner
5. Going Hollywood - Bing Crosby
6. The Trolley Song - Judy Garland, The M-G-M Studio Chorus
7. Gigi - Louis Jourdan
8. I Got Rhythm - Judy Garland, Mickey Rooney & Co.
9. Aba Daba Honeymoon - Debbie Reynolds, Carleton Carpenter & M-G-M Studio Chorus
10. The Lady Is A Tramp - Lena Horne
11. The Best Things In Life Are Free - June Allyson & Peter Lawford
12. Cheek To Cheek - Fred Astaire
13. A Kiss To Build A Dream On - Louis Armstrong
14. Put 'Em In A Box - Doris Day & The Page Cavanaugh Trio
15. If Swing Goes, I Go Too - Fred Astaire
16. Almost Like Being In Love - Gene Kelly
17. Lets Face The Music And Dance - Fred Astaire
18. Be A Clown - Gene Kelly & Judy Garland
19. Embraceable You - Connie Francis
20. On The Atchison, Topeka And The Santa Fe - Judy Garland & Co.
21. One For My Baby (And One More For The Road) - Fred Astaire

Amazon.com

The "Golden Age" referred to here spans The Jazz Singer and the advent of the talkies to the death throes of the old studio system in the 1960s. So vast was the era's musical landscape that even this 42-track, double-disc anthology can't encompass all its peaks. Not surprisingly, the bulk of this collection originated with the Tiffany's of the screen musical, M-G-M, a body of work whose riches here encompass both pop-cultural bedrock ("Over the Rainbow," "Singin' in the Rain," "There's No Business Like Show Business," etc.) and some less familiar, if equally delightful star turns: Clark Gable gamely "Puttin' On the Ritz"; the sassy, 1948 original of "The Lady Is a Tramp" by Lena Horne; and a loopy duet of "Baby, It's Cold Outside" by Esther Williams and Ricardo Montalban. Fred Astaire's elegant, epochal reign at RKO and M-G-M is represented by "Night and Day," "Let's Face the Music and Dance," and three others, while Metro mainstays Gene Kelly and Judy Garland share equal time and billing. It's not perfect--Cagney's "Yankee Doodle Boy" and/or some Sinatra seem more logical choices than the odd "bonus" duet of Casablanca's "As Time Goes By" and "Lara's Theme" from Dr. Zhivago that close out disc one--but it's a stunning, surprisingly comprehensive primer on the Hollywood film musical nonetheless. --Jerry McCulley

Customer Reviews:

They were right--there is NO business like the show business they did way back when !!!.......2006-11-18

Everything that happens in life
Can happen in a show
You can make 'em laugh
You can make 'em cry
Anything
Anything can go....

The clown with his pants falling down
Or the dance that's a dream of romance
Or the scene where the villain is mean
That's entertainment!

The lights on the lady in tights
Or the bride with the guy on the side
Or the ball where she gives him her all
That's entertainment!

The plot and the hot simply teeming with $ex
A gay divorcee who is after her ex
It could be Oedipus Rex
Where a chap kills his father
And causes a lot of bother

The clerk who is thrown out of work
By the boss who is thrown for a loss
By the skirt who is doing him dirt

The world is a stage,
The stage is a world of entertainment!

This two CD set amply proves that the musical melodies and lyrics from the golden age of the Hollywood musical remain unsurpassed to this day. This generous two CD set offers 42 incredible songs from Hollywood classic musicals. Most of these fine numbers are indeed from MGM, as Amazon correctly notes; but there are some RKO numbers and even a little from Warner Brothers. Thank goodness, though, that most of these songs came from MGM movies; MGM was the only studio that could boast that it truly had "more stars than there are in the heavens."

I love so many songs on these two CDs. Of course, there's the unforgettable classic "Over The Rainbow" sung by Judy Garland; she also performs "Easter Parade" and "Get Happy" on this two CD set and she carries most of the tune for "I Got Rhythm" even though Mickey Rooney helps her a little. I love "Baby, It's Cold Outside" for its' romantic overtones; and Lena Horne's "The Lady Is A Tramp" is flawless! We also get a rare chance to hear Clark Gable sing in "Puttin' On The Ritz;" and Bing Crosby's "Going Hollywood" may be brief but it's a fun song anyway.

There are two "bonus" tracks on the first CD: "As Time Goes By" from Casablanca and "Lara's Theme" from Doctor Zhivago. "As Time Goes By" is a good choice; it is another unsurpassed classic song that brings back memories and touches even the hardest of hearts. "Lara's Theme," however, is from the mid 1960s and I don't consider this period to be part of the "golden age" of Hollywood musicals.

The liner notes are excellent and they offer wonderful photos of the stars as well. The cover art is well done and the reverse cover art tells which movie each song is from and who is performing each song. Moreover, the quality of the sound is excellent especially when you consider that these numbers were recorded quite a few decades ago.

In short, this superlative two CD highlights the glory of the Hollywood musical when a certain type of sophistication dominated professional movie production. I highly recommend this CD for fans of Hollywood musicals, classic pop vocals and fans of the artists and actors who perform on this two CD set.

One of the best cds I ever bought. .......2006-06-07

What an amazon collection of songs! This is bar none my favorite cd just because of the variety and the quality of songs on it. I love music from this era, and this cd is the perfect companion to my life. Love it! Buy it, you won't regret it for a moment!

Never Sounded Better.......2006-03-16

Apart from the great selection of soundtracks, what really makes this compilation top value is the quality of the sound processing. Executed with finesse, these tracks sound better than when first issued and many are unedited, fuller versions: like "Singing In The Rain", for example. Throw in the great price, and this double disc set is a "must have" for all lovers of classic movie music.

Somewhere Over The Rainbow.......2006-02-24

A Sensational CD with Lots of Showtunes that Keep You Happy and makes You Want To Sing Along With!!!

"Hollywood Musicals of the Golden Age are still among us".......2005-07-13

Rhino Records and Turner Classic Movies Music present - "SOMEWHERE OVER THE RAINBOW: THE GOLDEN AGE OF HOLLYWOOD MUSICALS", some of the long ago musicals and stars that will never be forgotten...a 2-CD-Set covering several decades from 1935-1965 with many of the show stoppers of that time...some rare moments from entertainers that you haven't heard or thought of in sometime.

The lineup is fantastic and gives the listener a variety of what musicals were all about in the "Golden Age of the Hollywood Musicals"
June Allyson, Kay Armen, Louis Armstrong, Fred Astaire, Ann Blyth, Jack Buchanan, Louis Calhern, Bing Crosby, Vic Damone, Doris Day, Nanette Fabray, Connie Francis, Ava Gardner, Judy Garland, Kathyrn Grayson, Georges Guetary, Lena Horne, Betty Hutton, Louis Jourdan, Howard Keel, Gene Kelly, Grace Kelly, Peter Lawford, Oscar Levant, Ann Miller, Ricardo Montalban, Page Cavanaugh Trio, Debbie Reynolds, Winifred Shaw, Nancy Walker, Ethel Waters, Esther Williams, Dooley Williams and Keenan Wynn.

On Disc One 21 Classic Songs from great musicals with songs in alphabetical order:
AS TIME GOES BY - Dooley Wilson with Elliot Carpenter, pianist (1942)
BABY, IT'S COLD OUTSIDE - Esther Williams & Ricardo Montalban (1949)
BLESS, YORE BEAUTIFUL HIDE - Howard Keel (1954)
EASTER PARADE - Fred Astaire & Judy Garland (1948)
FOR ME AND MY GAL - Gene Kelly & Judy Garland (1942)
GET HAPPY - Judy Garland (1950)
HALLELUJAH! - Tony Martin, Vic Damone, Kay Armen, Ann Miller, Debbie Reynolds, Clark Burroughs (for Russ Tamblyn) (1955)
HONEYSUCKLE ROSE - Lena Horne with Benny Carter & His Orchestra (1943)
LARA'S THEME (MAIN TITLE) - M-G-M Studio Orchestra (1965)
LULLABY OF BROADWAY - Winifred Shaw & Dick Powell (1935)
MILKMAN, KEEP THOSE BOTTLES QUIET - Nancy Walker with Tommy Dorsey & His Orchestra (1944)
NIGHT AND DAY - Fred Astaire (1934)
PUTTIN' ON THE RITZ - Clark Gable & Company (1939)
'S WONDERFUL - Gene Kelly & Georges Guetary (1951)
SINGIN' IN THE RAIN - Gene Kelly (1951)
STRANGER IN PARADISE - Ann Blyth & Vic Damone (1955)
TAKING A CHANCE ON LOVE - Ethel Waters & Eddie "Rochester" Anderson (1943)
THAT'S ENTERTAINMENT - Fred Astaire, Jack Buchanan, Nanette Fabray & Oscar Levant (1953)
THERE'S NO BUSINESS LIKE SHOW BUSINESS - Betty Hutton, Howard Keel, Keenan Wynn & Louis Calhern (1950)
THEY CAN'T TAKE THAT AWAY FROM ME - Fred Astaire (1949)
TRUE LOVE - Bing Crosby & Grace Kelly (1956)

On Disc Two more memorable performances from the Golden Age of Hollywood Musicals:
A KISS TO BUILD A DREAM ON - Louis Armstrong (1951)
ABA DABA HONEYMOON - Debbie Reynolds & Carleton Carpenter (1950)
ALMOST LIKE BEING IN LOVE - Gene Kelly (1954)
BE A CLOWN - Judy Garland & Gene Kelly (1948)
BEST THINGS IN LIFE ARE FREE - June Allyson & Peter Lawford (1947)
CAN'T HELP LOVIN' DAT MAN - Ava Gardner (beautiful woman, who my youngest grandaughter is named after...Avalon) (1951)
CHEEK TO CHEEK - Fred Astaire (1935)
EMBRACEABLE YOU - Connie Francis (1965)
GIGI - Louis Jourdan (1958)
GOING HOLLYWOOD - Bing Crosby (1933)
I GOT RHYTHM - Judy Garland & Mickey Rooney (1943)
IF SWING GOES, I GO TOO - Fred Astaire (1946)
IT'S A MOST UNUSUAL DAY - Jane Powell (1948)
LADY IS A TRAMP - Lena Horne (1948)
LET'S FACE THE MUSIC AND DANCE - Fred Astaire (1936)
ON THE ATCHISON, TOPEKA AND THE SANTA FE - Judy Garland & Company (1946)
ONE FOR MY BABY (AND ONE MORE FOR THE ROAD) - Fred Astaire (1943)
OVER THE RAINBOW - Judy Garland (became her theme song for the rest of her life) (1939)
PUT 'EM IN A BOX - Doris Day & the Page Cavanaugh Trio (1948)
THE TROLLEY SONG - Judy Garland & MGM Studio Chorus (1944)
WUNDERBAR - Kathryn Grayson & Howard Keel (two of MGM's favorite singing duos) (1953)

It was once said by the songwriters of that era - "There are two artists you want perform your songs on the big screen, they are Fred Astaire and Judy Garland they sing it just the way we wrote it, for which you will have a guaranteed hit on your hands"...well, this collections certainly has some merit to that statement...because with Judy Garland and Fred Astaire performing seven songs each, there must be something to it.

This collection of musicals still has the magic that we remember from those bygone years...but as long as we have the labels and networks who play and show these wonderful films of yesteryear, they will never be forgotten...hats off to Rhino Records, George Feltenstein (producer) and Doug Schwartz (engineer) and Turner Classic Movies for sharing those 42 selections from 42 films...celebrating decades of the tunes and artists that gave it their all...from what it commonly called "The Hollywood Dream Factory"...The Golden Age of Hollywood Musicals is still among us...gotta love it!

Total Time: 2-CD-Set ~ Rhino Records 78323 ~ (6/02/2002)

Average customer rating: great choice Brilliant offering Easy Listening Very Relaxing Music What more can you expect?

The Opera Band Amici Forever Manufacturer: RCA Victor ProductGroup: Music Binding: Audio CD General | Dvorák, Antonín | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Elgar | Elgar, Sir Edward | ( E ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Puccini | Puccini, Giacomo | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Kamen | Kamen, Michael | ( K ) | Featured Composers, A-Z | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music Romances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music Czech | Languages | Opera & Vocal | Styles | Music French | Languages | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Anthems | Vocal Non-Opera | Opera & Vocal | Styles | Music Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: Defined Beyond Imagination Il Divo Ancora The East Village Opera Company ASIN: B0000V0DE2 Release Date: 2004-01-13

Tracks:

1. Prayer in the Night
2. Senza Catene (Unchained Melody)
3. Canto Alla Vita
4. Vita Mia
5. Requiem for a Soldier (Band of Brothers)
6. Whisper of Angels
7. The Pearl Fishers
8. Soave sia il vento
9. Nimrod: Lux Aeterna
10. Song to the Moon
11. Zadok the Priest
12. Nessun Dorma

Amazon.com

The debut of the young, classically trained international quintet of sopranos Jo Appleby and Tsakane Valentine, tenors David Habbin and Geoff Swell, and basso Nick Garret offers up a familiar take on the crossover formula that has enriched everyone from genre pioneers The Three Tenors to Russell Watson and beyond. While their occasionally electro-pumped rhythms and youth-angled marketing shtick ("The world's first opera band!") may borrow a page from Opera Babes and Bond, it still manages to evoke the spirit (if not the letter) of its eclectic classical sources. And if the world hasn't exactly been burning for yet another dramatized update of Turandot's melodic "Nessun Dorma," The Pearl Fishers, or--for that matter--"Unchained Melody," Amici Forever's takes on the pop side of the crossover equation are indeed promising, recasting Alex North's "Unchained.." ("Senza Catene") and their reworked theme to the miniseries Band of Brothers("Requiem for a Soldier") in a successful, neo-classical light. If Neopolitan-shaded originals like "Canto Alla Vita" and "Vita Mia" sound like Josh Groban clones, their glorious harmonic vocal reworkings of Faure's "Pavane" ("Whisper of Angels") and Elgar's "Enigma Variations" ("Nimrod: Lux Aeterna") bristle with an ambitious sense of adventure that's missing from much of their crossover competition. Serious opera buffs may still quarrel with the daring "impurity" of it all, but if Amici Forever prod a few more pimply punters to peruse Puccini, won't it all have been worth it? --Jerry McCulley

Customer Reviews:

great choice.......2007-01-11

this was a gift for family. family member loves album quality and selections.

Brilliant offering.......2007-01-10

Amici Forever is suberb in every way. Their arrangements are exceptional and the original lyrics are perfect poetry.

Easy Listening.......2006-09-21

Bought the album after hearing someone talk about the group. Thought the voices were okay (baritone was the best) but in some songs didn't blend properly. Selection of pieces was interesting . . . pop, classical, opera. Good album for "background" music.

Very Relaxing Music.......2006-09-11

I first heard it at a shop that sells English products. I thought it was interesting to hear and decided to get the CD for myself. I find the chorus very relaxing especially the last song which nearly put me to sleep as I am doing my homework. Amici Forever is a good CD to listen to when you have nothing to do or to soothe your wracked nerves.

What more can you expect?.......2006-08-04

CD was delivered quickly, in excellent shape, and for a great price. What more can you say? George

Average customer rating: One of Savall's finest Nearly every night for 6 months! Diáspora sefardí / Hespèrion XXI

Diáspora Sefardí Manufacturer: Alia Vox Spain ProductGroup: Music Binding: Audio CD Vocal & Song | Early Music | Historical Periods | Classical | Styles | Music | Requiems General | Classical | Styles | Music Compilations | Classical | Styles | Music General | Opera & Vocal | Styles | Music Classical | Imports | Stores | Music Similar Items: Orient - Occident Villancicos y Danzas Criollas El Cant de la Sibil-la, Mallorca & València, 1400-1560 Isabel I: Reina de Castilla Elizabethan Consort Music ASIN: B00004RBWV Release Date: 2000-03-14

Tracks:

1. El Moro De Antequera
2. Levantose El Conde Nino
3. El Rey De Francia
4. Por Alli Paso Un Cavallero
5. Por Que Llorax Blanca Nina
6. La Guirnalda De Rosas
7. Nani Nani
8. El Rey Que Tanto Madruga

Tracks:

1. Las Estrellas De Los Cielos
2. En La Santa Helena
3. A La Una Yo Naci
4. Improvisacion
5. Paxarico Tu Te Llamas
6. Yo Era Nina De Casa Alta
7. Longe De Mi Tu Estaras
8. Hermoza Muchachica
9. Axerico De Quinze Anos
10. Improvisacion Sobre 'Axerico'

Amazon.com essential recording

The Sephardic Jews, scattered through the world after their expulsion from Spain in 1492, kept alive for centuries not only their language, Ladino, but an extraordinary repertory of "folk" songs, many of them quite sophisticated. As Ladino culture began to slowly fade away over the course of the 20th century, musicologists collected and transcribed these melodies from Ladino-speaking communities in Sarajevo, Sofia, Salonika, Smyrna, Jerusalem, and other cities. Beginning in the 1970s, these extraordinary songs were revived (to considerable excitement) for concert audiences--a revival sparked in large part by a 1976 recording by Hesperion XX. This now-legendary early music ensemble, renamed Hesperion XXI for the new century, has returned to the music of the Sephardic Diaspora with this beautifully produced and packaged release. Disc 1 contains eight songs performed lovingly by the magnetic Montserrat Figueras (who sings with an appropriately unstudied tone). The second disc includes eight more melodies performed instrumentally; the choice of instruments reflects the influence of the Muslim-ruled areas where the Sephardim settled with the oud, rebab, and qanun (Middle Eastern equivalents of the lute, fiddle, and dulcimer) performing alongside harps, lutes, flutes, and frame drums. (Inexplicably, however, the final track of this second CD--an improvisation for the sarod and tabla--sounds nice but feels completely foreign to the theme of this release.) It may have been more effective programming to mingle the vocal and instrumental tracks across the two CDs rather than segregating them. --Matthew Westphal

Customer Reviews:

One of Savall's finest.......2004-05-19

Hespérion XXI (formerly Hespérion XX, but renamed to honour the new century) is one of the most accomplished ensembles specialising in the early music of the Iberian peninsula. It is one of the ongoing collectives led by the formidable Jordi Savall, renowned for his interpretations on the viol da gamba. The members are always changing, which makes the ensemble simply a name for a grouping of artists and interpreters of this immensely rich musical heritage, yet always under Savall's masterful direction. Diaspora Sefardi is a double-CD of music of the Sephardic Jews, a diverse culture originating in Spain and later settling in countries around the Mediterranean after their expulsion from most of Spain in 1492. Never losing sight of their basic identity as Jews or their awareness of their Spanish origins, the Sephardic culture gradually incorporated numerous influences from the peoples among whom it evolved: from the Arab culture of north Africa, from the Turks, Greeks, Bulgarians, Rumanians, Serbocroats, etc. In short, Sephardic music is an amazing blend of all these influences, immediately recognisable for its unique manifestation of this diversity.

Led by the impeccable soprano Montserrat Figueras, a generous collection of sephardic romances resides on disc one, and ten instrumental pieces are found on disc two. Savall (performing on lira, viola and rebab) is joined by some virtuoso players here: Pedro Estevan on percussions, Yair Dalal on oud, Andrew Lawrence-King on arpa doppia, Pedro Memelsdorff on flutes, and a handful of others on psaltry, qanun, laud, sarod and medieval harp. This recording differs in kind from other interpretations (by Savall or by countless other interpreters of this music) in that it employs a more diverse instrumentation that lies beyond the standard western European grouping of percussion, viol, flutes and harps, and rather embraces the instrumentations of eastern influences of this music (oud, qanun, sarod, etc.).

Disc one, subtitled "Por que llorax blanca nina" (Why do you weep fair child?) is a selection of beautiful songs, mostly from 16th and 17th century documents, though all of them look back much earlier to a very old tradition of songs. Montserrat Figueras is full of vitality, her breathtaking voice and accomplished techniques show her complete mastery of this challenging material.

Disc two, "Las estrellas de los cielos" (The stars in the sky), is a diverse collection of instrumental pieces, interpreted and performed to perfection by this ensemble. This second disc is the real jewel here. Even in the complexity of rhythms, fostered by Pedro Estevan's challenging techniques, the rhythms are extremely accessible, allowing the listener to move around within the multifaceted and subtle instrumentations. Some are traditional dance pieces, while others more meditative reflections and variations on the music of the popular romances.

Listening to this music is always a rewarding enterprise. Full of surprises, it never provokes the same response twice. This release comes highly recommended for the curious listener. It comes beautifully packaged with lyrics and an informative essay by Paloma Diaz-Mas.

Nearly every night for 6 months!.......2003-05-01

After owning this CD for about 4 years, when my newborn daughter needed bedtime soothing I grabbed this (the 2nd CD). We listen to it nearly every night and I am never bored with it. It only bothers me a little when I find it getting stuck in my head during the day. I still enjoy sitting in the dark listening to it after 6 months. Beautiful moving music.

Diáspora sefardí / Hespèrion XXI.......2000-11-13

En este disco Jordi Savall y su grupo retoman el trabajo que emprendieron en discos anteriores sobre la música de origen judío ("Secular music from christian and jewish Spain" y los dedicados a la Sibila). El primer disco está compuesto por obras vocales que pertenecen a distintas expresiones de la diáspora judía a través de Europa, pero todas en ladino (lengua de los sefarditas o judíos españoles), interpretadas con una gran variedad de instrumentos (percusiones, flauta dulce, salterio, arpa, laúdes, etc.) sobre las que se alza la voz de Monserrat Figueras, que maneja bastante bien el estilo y el dramatismo requeridos, a pesar de que a mi juicio su interpretación es poco variada, y no se distingue tanto de sus versiones de música barroca italiana, por ej. El segundo disco trae sólo obras instrumentales, en las que se da un mayor espacio a la improvisación y la ornamentación, lo que considero bastante pertinente pare este tipo de música, y que realmente está muy bien lograda en este caso, permitiendo trabajar toda suerte de matices (el uso del aire por parte del flautista Pedro Memmelsdorff, por ejemplo). En todo caso, es necesario señalar que éste es un disco muy fresco, donde realmente se percibe un compromiso emotivo de los músicos con las obras, que pertenecen a un repertorio bastante poco trabajado en el campo de la música antigua, y sobre el cual todavía debe quedar mucho por investigar.

Average customer rating: God be with us Eh? I Feel I'm Missing Something... A cure for "Modern Rock" to this cd i give my undisputed respect Perfect

Those Who Tell the Truth Shall Die, Those Who Tell the Truth Shall Live Forever Explosions in the Sky Manufacturer: Temporary Residence ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music Experimental Rock | Rock | Alternative Styles | Alternative Rock | Styles | Music General | Rock | Styles | Music Pop Rock | Pop | Styles | Music Experimental Music | Miscellaneous | Styles | Music Similar Items: Lift Your Skinny Fists Like Antennas To Heaven f#a# (infinity symbol) Slow Riot for New Zero Kanada Takk... Friday Night Lights ASIN: B00005Q6OS Release Date: 2001-09-04

Tracks:

1. Greet Death
2. Yamin The Light
3. The Moon Is Down
4. Have You Passed Through This Night?
5. A Poor Man's Memory
6. With Tired Eyes, Tired Minds, Tired Souls, We Slept

Amazon.com

If you do a Web search on the phrase "explosions in the sky," what you're likely to come up with are Afghanistan, Iran, Iraq, Vietnam, fireballs, space debris. And a band from Austin, Texas. The sophomore effort from this band of emo-style prog-rockers, Those Who Tell the Truth Shall Die, Those Who Tell the Truth Shall Live Forever was released in September 2001--and the cover art features the prescient words, "This plane will crash tomorrow." Intense, instrumental music infused with fatalistic affect, this is a requiem for a planet. Expressionist, it recalls a simmering Texas landscape placid for days, suddenly punctuated by a punishing electrical storm. Playing like a symphony in six movements, the album is composed entirely of bass, guitar, and drums. A moody but gorgeous album infused with youthful sincerity, it is cinematic in scope with soothing soundscapes of atmospheric, ambient, and shimmering chimes interspersed with crashing interludes of heavy metal-style guitar explosions and drums with intricate time signatures. File under post-rock . . . or modern composition. --Jillian Steinberger

Album Description

Opening October 15th nationwide, Friday Night Lights (a Universal picture starring Billy Bob Thornton and Tim McGraw, based on the best-selling book of the same name) features an original score by Temporary Residence top-seller Explosions In The Sky!

The film chronicles the entire 1988 season of a high school football team from Odessa, TX (adjacent to Explosions In The Sky's hometown of Midland, TX). It focuses on the ongoing financial and emotional struggles of a small town that places all of its hopes on the team's chances at winning the state championship.

The Universal soundtrack - scheduled for release October 5 - includes Explosions In The Sky's score, as well as a new Faith Hill/Tim McGraw duet and a new track by No Doubt's Gwen Stefani. Universal estimates the soundtrack will top one million copies sold by Christmas 2004. It is expected to debut in Billboard's Top 10.

"Have You Passed Through This Night," from Those Who Tell the Truth Shall Die... is featured in the film's trailer, which began airing in theaters nationwide June 11. The trailer began airing on national television during the Olympic Games.

Customer Reviews:

God be with us.......2007-04-27

'Explosions'' best album. A tale of morality, brought out by the theme of death (as is evident from the album's title), resulting in an absolutely pristine, contemplative, dichotomous masterpiece of emotion. The band's philosophy is in full force here -- before, nor after, have they got their message across with such poignance or thought. On a strictly emotional level, the album is unfaulted, but to truly grasp the truth behind it one must use their creative powers of abstract thought, for while the music is, on an aesthetic plane, gorgeous, ultimately it is the symbolic power that makes it so powerful.

Desperately romantic is a fine way to put it. Poetic. Transcending pretense. For sure, this sort of romantic vision 'Explosions' possess is not for everyone (at least, they tell themselves this); an example of such potential dissuasion? Track four begins with an overlapping of subtle 'Explosions' material and verses from what happens to be my very favorite film within, well, the medium of film itself.

"Who's doing this? Who's killing us? Robbing us of light and life; mocking us with the side of what we might have known."

The last sentence of that quote, for myself, at this point in my existence, marks the most intimate verse I've ever felt. The absolutely tragic pool the words sulk in ultimately lead to the duality behind both the redemptive spirituality and inspiring, hope-ridden Humanism that lovingly transpires. 'Those Who Tell the Truth...' conveys this via music.

Some might deem the thought this album is truly enlightening preposterous, and, over time and meditation, I've come to the realization that until one has accepted the true will of each individual, along with their inherent freedom of choice and belief, impossibility bares itself in the attempt to fully grasp the divinity this album oft-evokes and, at the very least, so admirably attempts to capture through music and spirit. For me, it's difficult to feel anything but reverence for the band and this gift they've generously given us.

Am I a delusional dreamer? Are they? Is it a pathological condition of bogus idealism in the midst of our mortal existence? Certainly possible, but then again, whether the illusion is the divine truth will never truly be known -- thus, the true power, I find, comes from our utilization of will to its limits, creating and believing such things. God -- the infinite -- exists if you believe it to be so. There is objective truth, as our rational minds teach us every day, but the ultimate, existential answer of life will never be truly known to us -- therein, subjectivity becomes the foreground to absolutely unanswerable questions.

I hold this album close, as its convictions match mine so dearly, even if my particular Life, at this point in time, fails so very often in truly acting on such ideals (I'm 23 -- those enchanting hormones!). I hope, however, in my heart of hearts, that many of you will find the same vein of communion when listening to it, even if only a little bit. Inevitably, that slight communion will grow truer and truer with future listens, or, put more simply, with time itself.

In short, 'Those Who Tell the Truth' enraptures and inspires the spirit, if you let it, though I try my hardest to understand and respect those who find little fulfillment with it... To each his own.

Eh? I Feel I'm Missing Something..........2007-01-10

I really don't understand the massive acclaim this album receives. I would go as far to say it's...boring!!!

GAH strike me down, (and I'm sure this little review will be...) but I find this album way too monotonous to be interesting. This review may come across as scathing, but don't get me wrong, I think this is decent (hence 3 stars), but I will explain why I don't understand the mass of 5 star reviews.

I am not an expert on post-rock, but I do very much enjoy a selection of bands from it. The best, and probably most obvious choice, being the mighty Godspeed You! Black Emperor, who always manage to create epic, sprawling pieces with monumental climaxes. Bands like Mogwai, Silver Mt. Zion and Fly Pan Am also very much interest me, but this album just doesn't come close.

After giving it repeated listens, and really wanting to like it, I cannot fool myself. My biggest disappointment was the lack of climaxes in songs, not one song here takes me to that 'different level' - that disorientating adrenaline rush that the best of this genre can create. The loud rocking sections are just too generic and the band do not build them up enough, shown instantly by "Greet Death" which just thunders in with a barrage of boring guitars and drums after some ambient (what I originally thought was going to be build-up play) noise.

Too often in the quiet sections the guitar motifs are simply boring. I mean, just noodling slowly up and down a scale is atmospheric to a degree, but quite simply DULL. And then all of a sudden the listener is hit with massive noise, again highlighted in "Yasmin The Light" which farts around for a couple of minutes, then all of a sudden the band just crash out a fast-tempo section with no notable riff or motif, just lots and lots of drums.

And this is another problem for me, the drumming. This guy must be in a marching band, because he ALWAYS opts for the drum roll march build-up, which is frankly repetitive and unoriginal.

The only song that I really enjoyed here, and can easily listen to again is "Have You Passed Through This Night?", with its brooding spoken-word intro which leads to a crushing finale. This song is how the band SHOULD be doing it, creating atmosphere - building - climax, instead of noodling around and then banging the life out of everything.

Disappointing album for me, showing potential to be great, but just never quite reaching it.

A cure for "Modern Rock".......2006-10-31

I had a good feeling about this disc after hearing a few previews here at amazon. I wasn't disappointed. The songs are dynamic, emotional, well arranged, well mixed, and to put it simply, awesome. One of the best discs I've listened to this year.

to this cd i give my undisputed respect.......2006-10-06

I have been into explosions in the sky for a few years now and they are highly influential towards me and my fellow band members writing. This album I find as being their most experimental (apart from "the rescue" which isn't a million miles off impossible to get your hands on an actual copy of, other than it is free to download off their site). This album is my favourite alongside with "the earth is not a cold dead place", every song on this record is extremely well written and timed. The song "have you passed through this night?" is the only song they have recorded with vocals in and is extremely well placed dead on in the centre of the album. The classic formula of a progressive build up to a wall of noise finally isn't done better by any other band, songs like "a poor mans memory" back my point up undoubtedly. By listening to this album you can see how it takes them so long to write and record each track/album (sometimes taking up to six months to just write one track) they are composed perfectly and beautifully. Through my eyes what ever emotion you are feeling before you play this record is only added to by the masterpieces of the songs, sadness, bliss, ecstatic ness, despair etc. this bands ability to fuel emotions and thought patterns is quite astounding, I think that every song has a personal effect to everyone who listens to it. The album artwork is sweet and has a good use of line, textures and tone. Ever person I have recommended this band two has come back to me and expressed nothing but glee towards their listening experience. And so I say two you don't show hesitation towards purchasing this album.

Perfect.......2006-09-14

I can't think of a single bad thing to say about this album. Granted EitS is my favorite band, and I'm biased, but this is truly awe-inspiring music. Yes, its repetitive, but therein lies its appeal. The soul of the music lies in the margins, between the notes, and in the small variations.

If you dont already own "The Earth is Not a Cold Dead Place," I would recommend starting there, as it is the band's masterpiece. If you've already heard and loved that one, this record is the next logical step.

Average customer rating: Fabulous for any Broadway-lover Top Shelf TERRIFIC CD'S Great Collection of Broadways greatest Songs Great Compilation!

Broadway - The American Musical (PBS Series) Manufacturer: Sony ProductGroup: Music Binding: Audio CD Ballets | Ballets & Dances | Classical | Styles | Music All Works by Bernstein | Bernstein, Leonard | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Gershwin | Gershwin, George | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Porter | Porter, Cole | ( P ) | Featured Composers, A-Z | Classical | Styles | Music Rodgers, Richard | ( R ) | Featured Composers, A-Z | Classical | Styles | Music Sondheim, Stephen | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Weill | Weill, Kurt | ( W ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mancini | Mancini, Henry | ( M ) | Featured Composers, A-Z | Classical | Styles | Music Film Scores | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music General | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music English | Languages | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Musical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music General | Musicals | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music General | Vocal Pop | Pop | Styles | Music Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Classical Instrumental Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Musicals | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: The Best of Broadway - The American Musical (PBS Series) Broadway: The American Musical Broadway: The American Musical Broadway - The American Musical (PBS Series) Somewhere over the Rainbow: The Golden Age of Hollywood Musicals ASIN: B00064ADMK Release Date: 2004-10-19

Tracks:

1. Give My Regards To Broadway- Joel Grey
2. Swanee- Al Jolson
3. When The Moon Shines On The Moonshine- Bert Williams
4. A Pretty Girl Is Like A Melody- John Steel
5. My Man- Fanny Brice
6. Fascinating Rhythm- Fred Astaire, Adele Astaire
7. If You Knew Susie (Like I Know Susie)- 78rpm Version Eddie Cantor
8. Someone To Watch Over Me- Gertrude Lawrence
9. Bill- 78 rpm Version Helen Morgan
10. Ol' Man River- Paul Robeson
11. Ain't Misbehavin'- Louis Armstrong & His Orchestra
12. Ten Cents A Dance- Ruth Etting
13. Body And Soul- Libby Holman
14. Brother, Can You Spare A Dime- Bing Crosby
15. Night And Day- Fred Astaire
16. Heat Wave- Ethel Waters
17. Smoke Gets in Your Eyes- Tamara
18. You're The Top- Ethel Merman
19. Summertime- Anne Brown
20. September Song- Walter Huston
21. My Heart Belongs To Daddy- Mary Martin
22. It Never Entered My Mind- Shirley Ross
23. Bewitched, Bothered, Bewildered- Vivienne Segal
24. Oh, How I Hate To Get Up In The Morning- Irving Berlin
25. Oh, What a Beautiful Mornin'- Alfred Drake

Tracks:

1. New York, New York- Cris Alexander,Adolph Green,John Reardon
2. If I Loved You- John Raitt,Jan Clayton
3. Come Rain Or Come Shine- Ruby Hill,Harold Nicholas
4. There's No Business Like Show Business- Ensemble
5. How Are Things In Glocca Morra? From "Finian's Rainbow"- Ella Logan
6. Once In Love With Amy- Ray Bolger
7. Wunderbar- Alfred Drake,Patricia Morison
8. Some Enchanted Evening- Ezio Pinza
9. Lost In The Stars- Todd Duncan
10. Diamonds Are A Girl's Best Friend- Carol Channing
11. Luck Be A Lady- Robert Alda,Guys
12. Getting To Know You- Gertrude Lawrence
13. Who Cares?- Jack Carson,Betty Oakes
14. Stranger In Paradise- from " Kismet" Doretta Morrow,Richard Kiley
15. Ballad Of Mack The Knife- Gerald Price
16. Hey There- from "The Pajama Game" John Raitt
17. Whatever Lola Wants- Gwen Verdon
18. I Could Have Danced All Night- Julie Andrews
19. Standing On The Corner- from "The Most Happy Fella, 1956" Shorty Long,John Henson,Alan Gilbert
20. The Party's Over- Judy Holliday
21. Glitter And Be Gay- Barbara Cook
22. Tonight- Larry Kert, Carol Lawrence

Tracks:

1. Seventy-Six Trombones- Robert Preston
2. I Enjoy Being A Girl- from "Flower Drum Song, 1958" Pat Suzuki
3. Everything's Coming Up Roses- Ethel Merman
4. My Favorite Things- from "The Sound Of Music" Mary Martin
5. Put On A Happy Face- from "Bye Bye Birdie" Dick Van Dyke
6. Try To Remember- Jerry Orbach
7. Camelot- from "Camelot" Richard Burton
8. Love Makes The World Go 'Round- Anna Maria Alberghetti
9. I Believe In You- Robert Morse And Co.
10. The Sweetest Sounds- Diahann Carroll,Richard Kiley
11. Comedy Tonight- Zero Mostel
12. What Kind Of Fool Am I?- Anthony Newley
13. As Long As He Needs Me- Georgia Brown
14. Hello, Dolly!- Carol Channing,Cast
15. People- Barbra Streisand
16. Anyone Can Whistle- from "Anyone Can Whistle" Lee Remick
17. If I Were A Rich Man- Zero Mostel
18. Night Song- Sammy Davis, Jr.
19. The Impossible Dream- Richard Kiley
20. If My Friends Could See Me Now- Gwen Verdon
21. Open a New Window- from Mame Voice

Tracks:

1. Willkommen- from "Cabaret" Joel Grey
2. Let The Sunshine In- James Rado,Lynn Kellogg,Melba Moore,Cast
3. I'll Never Fall In Love Again- Jill O'Hara,Jerry Orbach
4. The Ladies Who Lunch- from "Company" Elaine Stritch
5. Tea For Two- Roger Rathburn,Susan Watson
6. I'm Still Here- Yvonne De Carlo
7. I Don't Know How To Love Him- Yvonne Elliman
8. We Go Together- Adrienne Barbeau,Barry Bostwick,Walter Bobbie,Cast
9. Corner Of The Sky- John Rubinstein
10. Send In The Clowns- Glynis Johns
11. Ease On Down The Road- Stephanie Mills,Tiger Haynes,Ted Ross,Hinton
12. One- from "A Chorus Line" Cast
13. All That Jazz- Chita Rivera,Ensemble
14. Tomorrow- Andrea Mcardle
15. Don't Cry For Me Argentina- Patti Lupone
16. Come Follow The Band
17. Lullaby Of Broadway- Jerry Orbach
18. And I'm Telling You I'm Not Going- Jennifer Holliday
19. The Bells Of St. Sebastian- Raul Julia

Tracks:

1. Memory- Betty Buckley
2. I Am What I Am- George Hearn
3. Move On- Bernadette Peters,Mandy Patinkin
4. Do You Hear The People Sing?- Michael Maguire,Cast
5. The Music Of The Night- Michael Crawford
6. You're Nothing Without Me- James Naughton,Gregg Edelman
7. The American Dream- Jonathan Pryce,Cast
8. Doctor Jazz- Gregory Hines,Company
9. With One Look- Glenn Close
10. On Broadway- Adrian Bailey,Frederick B. Owens,Ken Ard,Victor Trent Cook
11. Le Jazz Hot- Julie Andrews,Ensemble
12. Seasons Of Love-
13. Hakuna Matata- Max Casella,Tom Alan Robbins,Scott Irby-Ranniar,Jason Raize
14. I Wanna Be A Producer- Matthew Broderick,Ensemble
15. Dancing Queen- Louise Plowright,Jenny Galloway
16. Good Morning Baltimore- Marissa Jaret Winokur
17. Movin' Out- Michael Cavanaugh,Band
18. I Go To Rio- Hugh Jackman,Company
19. Defying Gravity- Kristin Chenoweth,Idina Menzel

Customer Reviews:

Fabulous for any Broadway-lover.......2007-01-30

Packs into 5 CD's a sampling of Broadway tunes from the 20's thru (almost) today, mostly from original cast recordings. Includes not just well-known hits, but also some lesser-known gems. Sound quality is first rate, booklet is informative too. Have given this as a gift to several friends with rave reviews.

Top Shelf.......2007-01-04

This is THE definitive collection of Broadway hits. I have other collections, and none of them measure up. A great deal of care was obviously taken in compiling and presenting this box set. It covers a lot of ground, starting with some long-forgotten but still very enjoyable hits from the days of yore, and finishing with present-day favorites. To the best of my knowledge, the recordings are by those who made them famous. You won't be disappointed.

TERRIFIC CD'S.......2006-03-23

THESE BROADWAY MUSICALS CD'S ARE A BROADWAY LOVERS DREAM. WITH EACH SONG, MEMORIES COME FLOODING BACK. BOTH THE FAMILIAR AND THE FORGOTTEN SONGS ARE A TRUE LISTENING PLEASURE. IF YOU LIKE BROADWAY, YOU'LL LOVE THIS SET.

Great Collection of Broadways greatest Songs .......2005-06-14

This Collection was perfectly made it has almost all the most famous Broadway songs on this 5 cd set. The Music is great and has Broadways greatest treasures like "Memory""People""With One Look""Give my regards Too Broadway" just to name a few of this numerous cd set with over 100 songs. This is a great buy if you like musicals or The music of Broadway

Great Compilation!.......2005-01-17

If you are a fan of the Broadway Musicals, this is a collection that you should purchase. Since I got the 5 disc set I've enjoyed listening to it. The majority of the songs are done by the original singers. The collection is priceless considering that you will have over 100 songs from popular musicals since the beginning of Broadway

Average customer rating: Sad Really Sad An excellent movie themes antology by ELMER BERNSTEIN Excellent Great Film Music Fun, Powerfull music

The Essential Elmer Bernstein Film Music Collection Manufacturer: Silva America ProductGroup: Music Binding: Audio CD Film Scores | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music General | Classical | Styles | Music Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music General | Musicals | Broadway & Vocalists | Styles | Music Orchestral Pop | Easy Listening | Pop | Styles | Music Similar Items: Jerry Goldsmith: 40 Years of Film Music Varese Sarabande 25th Anniversary Celebration Way Out West: The Essential Western Film Music Collection, Vol. 2 The Wild West: The Essential Western Film Music Collection John Barry: The Collection ASIN: B0007XTQ14 Release Date: 2005-06-07

Tracks:

1. The Magnificent Seven
2. To Kill A Mockingbird (Suite)
3. The Buccaneer (Overture)
4. Walk On The Wild Side
5. An American Werewolf In London (Metamorphosis)
6. The Age Of Innocence (End Titles)
7. The Comancheros
8. Ghostbusters
9. Heavy Metal (Taarna's Theme)
10. Johnny Staccato
11. True Grit (Rooster Cogburn/A Warm Wrap-Up)
12. Hollywood And The Stars
13. Zulu Dawn (River Crossing)

Tracks:

1. The Great Escape
2. The Man With The Golden Arm
3. Far From Heaven
4. The Sons Of Katie Elder
5. Airplane (Suite)
6. The Shootist (Main Title)
7. Hawaii (Overture)
8. The Birdman Of Alcatraz (Finale)
9. The Hallelujah Trail (Overture)
10. The Bridge At Remagen
11. Thoroughly Modern Millie (Sky-Hi)
12. The Scalphunters
13. The Ten Commandments (Overture)

Album Description

*A specially priced 2CD set with over 110 minutes of some of the greatest film music in the history of cinema.

*New digital recordings in spectacular and sound performed by the acclaimed City Of Prague Philharmonic Orchestra and National Youth Jazz Band.

*Includes world premiere recordings from "The Birdman Of Alcatraz," "Thoroughly Modern Millie," "Airplane!" and "An American Werewolf In London."

*In 2004 the world of cinema lost one of the most iconic figures in film composing. In a career that spanned half-a-century and over 250 films, Elmer Bernstein was responsible for writing the music to many of the greatest and most loved movies of all time ranging from "The Ten Commandments," "The Magnificent Seven" and "The Great Escape," through to "True Grit" and "Airplane!" This collection has been lovingly created and compiled as a tribute to a genius and true master of the art of film scoring.

Customer Reviews:

Sad Really Sad.......2007-05-13

These CDs don't meet the standards I would have expected from Elmer Bernstein's wonderful film music.
*Boring*
It just didn't have the energy one would expect from "The Magnificent Seven" and "The Man with the Golden Arm". I think the City of Prague and National Youth Jazz Orchestras were bargain orchestras used to make an inexpensive CD set of one of my favorite film composers. The conducting and arrangements were what made this an obviously bad album.

An excellent movie themes antology by ELMER BERNSTEIN.......2007-05-10

Silva Screen Records, presents this antology of the music from the late great composer/conductor ELMER BERNSTEIN, who supervised this recording just before die.
Played the The City of Prague Philharmonic Orchestra, and conducted by his one time assistant James Fitzpatrick
Recorded in HDCD and Dolby Surround

Excellent.......2007-04-22

it's unfortunate that more tracks weren't able to be recorded as theree was a good 15-20 minutes of space remaining on both discs. Regardless, this is an excellent sampler, especially in conjunction with Varese's Bernstein sampler including rare stuff like the Black Cualdron.


With regards to this silva set, these recordings range back to 1994, with Sons of Katie Elder and True Grit being recorded for a John Wayne CD and Bridge At Remagen for a CD of classic War themes. The Great Escape was also recorded for that CD, but producer James Fitzpatrick opted to record a new arrangement (same with Magnificent Seven). In '97, The Buccaneer for included on a Swashbucklers disc, while Heavy Metal was on the popular 'Space and Beyond' compilation. In '98, the world premiere recording of Airplane first appeared on a DISASTERS film disc. So while it may technically be the world premiere RECORDING it certainly is not the world premiere CD RELEASE of that recording. Ghostbusters was included on Space 3: Beyond the Final Frontier, the second followup to the popular 'Space and Beyond'. Fast forward to 2002 and 4 recordings first appeared on WAY OUT WEST: ESSENTIAL WESTERN FILM MUSIC COLLECTION VOLUME TWO, those being The Comancheros, The Hallelujah Trail, The Scalphunters and The Shootist. Man With the Golden Arm and Walk on the Wild are from Silva's JAZZ IN FILM cd.


The remaining tracks were all newly recorded for this release. They are of course the strongest tracks, seeing as the City of Prague Philharmonic has improved over time. I do wonder though why they did not include the older arrangements of Great Escape and Mag. Seven as bonus tracks.

I also recommend the simultaneously released '40 years of Film Music: Jerry Goldsmith' for another great set honoring a late great film composer.

Great Film Music.......2007-03-09

This is a great recording of some of the best film music ever. From the
great westerns to the Theme from Airplane to music he did for television,
Bernstein was one of the greatest.

Fun, Powerfull music.......2007-02-17

It's great! It brings back memories of my dad. He loved John Wayne and the old cowboys of the Magnificent Seven. But it's nice just to listen and relax (it's not all cowboy music).

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