This Is New Sunrise [Import]

1. New Sunrise

2. Japanese Title

3. No Idea

4. Why?

5. Japanese Title

6. O.M.D.

Tracks:

Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
Also Sprach Zarathustra (Of The Afterworldsmen)
Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
Variations On A Theme Of Frank Bridge (No. 4)
Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

Tracks:

Be My Love
I'll Never Love You
Because You're Mine
The Song Angels Sing
Drink, Drink, Drink
Serenade
The Loveliest Night of the Year
La Donna E Mobile
Because
For You Alone
Golden Days
Deep In My Heart, Dear
If I Loved You
Yours Is My Heart Alone
One Night Of Love
Beloved
Beautiful Love
With A Song In My Heart
You Are My Love
Call Me Fool

Tracks:

All The Things You Are
My Song,My Love
Love Is The Sweetest Thing
Will You Remember
Granada
Lolita
Serenade
Temptation
Lygia
Lady of Spain
This Land
Lee-Ah-Loo
Tina-Lina
Boom Biddy Boom Boom
The Bayou Lullaby
The Lord's Prayer
And Here You Are
Song of Songs
Somewhere A Voice Is Calling
I Never Knew

Tracks:

Ciribiribin
Wonder Why
Come Dance With Me
O Sole Mio
Younger Than Springtime
For the First Time (Come Prima)
Never Till Now
Arrivederci, Roma
If You Were Mine
Behold!
A Night to Remember
Love in a Home
Do You Wonder
Softly as in a Morning Sunrise
One Alone
Aida:Celeste Aida
Carmen: Flower Song
La Traviata: Brindisi
Rigoletto:Questa O Quella
Pagliacci:Vesti La Giubba
Cavalleria Rusticana: Addio Alla Madre

Customer Reviews:

Selections from the Greatest Voice of the Last Hundred Years.......2007-03-13

Mario Lanza was, arguably, the greatest tenor and greatest singer of this and the last century. It is difficult to appreciate him without listening to a variety of selections. This collection has some of his best recordings and exhibits the versatility and variety that he possessed that permitted him to "crossover" from opera to popular music with a ease.

I recommend this for those who already know Lanza to some extent but want to go into more depth and understand his marvelous skills.

A Must Have .......2006-12-12

I had forgotten what a beautiful voice Mario Lanza had. This collection contains opera and pop selections that exhibit the power yet sweetness of his voice. Fortunately, we have his CD's and videos so we can remember and listen to his gorgeous, vibrant voice and personality. I highly recommend this collection along with his wonderful movies, especially The Great Caruso.

The Mario Lanza Collection.......2006-11-10

I had forgotten just how beautiful a voice from the past was. It is a wonderful collection

The MARIO LANZA Collection.......2006-08-19

extract from most important LPs. Brilliant sound quality from RCA. Also included are soundtrack recordings from some of his movies. The are several reissues from Mario Lanza but this one is a collection you should have.

WONDERFUL!!!!!.......2005-10-19

The Mario Lanza Collection is a three CD set and it has 61 songs and they all sound great. The mastering on this set is excellent and the song choice is very very good. It would have been perfect if they added a forth CD with more Arias, Italian songs and Sacred Arias. BUT still this set is a great introduction to Lanza. Lanza's voice was powerful and beautiful; if you are a fan of great singing, you will love Lanza. Highlights on this CD set are; Be my Love, Because your Mine, Serenade, With a Song in My Heart, Temptation, The Lord's Prayer, Ciribirbin, O Solo Mio, Ariverducci Roma, and on and on. They are many many great songs on this set, and I highly recommend it.

Average customer rating:

Soft and Sentimental
Tutti Camarata
Manufacturer: Avid Records UK
ProductGroup: Music
Binding: Audio CD

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Tutti's Trumpets and Trombones

ASIN: B00009NJ6U
Release Date: 2003-05-19

Tracks:

Night Is Young and You're So Beautiful
It Might as Well Be Spring
I'll Remember April
Paris in the Spring
Spring Will Be a Little Late This Year
April in Paris
Spring Is Here
Spring Romance
Stars Fell on Alabama
Moonlight in Vermont
Poinciana
Softly, As in a Morning Sunrise
Stella by Starlight
Summer Serenade
Summertime
Heat Wave
By the Sleepy Lagoon
In the Still of the Night
June in January
So Deep Is the Night (Tristesse)

Album Details

20 Beautiful Melodies, Produced, Arranged and Conducted by the Legendary Camarata.

Average customer rating:

Like taking a scented bath in sheer symphonic sound...
Pure Orchestra
Tesh, a savior..... maybe, just maybe
Did not reach its fullest potential
Uplifting

Pure Orchestra

Manufacturer: Garden City Music
ProductGroup: Music
Binding: Audio CD

General | New Age | Styles | Music

Meditation | New Age | Styles | Music

General | Classical | Styles | Music

General | New Age | Indie Music | Stores | Music
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The John Tesh Project: Pure Movies 2
One World
The Power of Love
Monterey Nights
Grand Passion

ASIN: B0000560S9
Release Date: 2001-01-16

Tracks:

Book of Days
After the Sunrise
Picture This
Silk Road
Song for Jennifer
Marching Season
Watermark
Longing / Love
The Mummer's Dance
Dancin' In The Stars
Havana
Angel Eyes
Blue

Amazon.com

The thinking behind Pure Orchestra is as follows: select 11 familiar melodies composed by New Age-related artists, arrange them for a 60-member orchestra, then hope something special happens. Alas, nothing much does. This installment from John Tesh's music factory is a decent, well-intentioned effort that may find fans among listeners drawn to symphonic renditions of pop music. Yet for anyone who holds dear the compositions addressed on Pure Orchestra (Enya's "Book of Days," Jim Brickman's "Picture This," "Marching Season" by Yanni, and so on), these lightweight, soundtrack-like interpretations will probably only make you long to hear the originals. Tesh's role here is only as a producer, not a performer, though he does include two original, though uneventful, pieces of his own ("Song for Jennifer" and "Blue"). Kenny G's "Havana" sounds as though its re-creation was being handled by 101 Strings. Meanwhile, the interpretations of two Yanni tracks pale compared to what can be found on Live at the Acropolis, and truly affecting solo pieces such as Brickman's "Angel Eyes" and "Longing/Love" by George Winston gain nothing by orchestral treatment. Sometimes it's better to leave well enough alone. --Terry Wood

Album Description

Lose yourself in a dynamic swirl of strings, horns and percussion as performed by a 60-piece Symphony Orchestra! Powerful melodies transform 13 memorable songs from the world's most popular new age composers into fully orchestrated, symphonic

Customer Reviews:

Like taking a scented bath in sheer symphonic sound..........2004-12-09

This album comes in handy when you want to take a break from all those Mancini, Bacharach, John williams etc. reissues. The program is drawn from compositions of top New Age artists all arranged for a sixty piece orchestra. The arrangements are quite weighty for the most part with a lot of bravado during the big moments. Strings breeze from speaker to speaker, with glissening brass and horns throughout. Yanni, Chip Davis, and Tesh himself have all used orchestras extensively. Keep in mind
John Tesh does not perform on the album; he produces and had a hand in choosing the selections. One does not have to be a New Age fan to enjoy this disc; in fact I was not even familiar with most the compositions. When your in the mood for a semiclassical atmosphere this will fit the bill. Add a star if you think this album will inspire you to pursue more on the original artists.

Pure Orchestra.......2004-08-11

I loved it! I enjoyed every piece on the album. I have played it several times and have enjoyed just as much each time. I bought a copy for my Sister & Brother-in-law.

Tesh, a savior..... maybe, just maybe.......2003-07-31

If you are looking for some powerful and great new age music, and who is, this disc is not for you. i feel like i should be crossing a finish line in the olympics every time i hear tesh. to call the music corny would be the greatest compliment, and accomplishment for tesh to this day. much worse words are needed to truely describe the music of the infamous, john tesh. now, if you dont take my word, and you actually go through with the purchase of this cd, please, please, make sure your running shoes are laced, be sure to have plenty of water and run that mile. make sure there is something for you to run through at the end of the mile, and time it so a big orchestra stab hits at that moment. well, i dont care for tesh, but i am looking very much forward to the day when tesh, hasselhoff, kevin bacon, keanu reeves (sp) & william shatner all join forces to create a monster, star-laden group, that all sorts of people will buy, even though it truely smells of week old britches that have been soiled and sitting in the sun.

Did not reach its fullest potential.......2003-01-04

I hate to be the only partly dissenting review so far (taking a deep breath), but here goes:

This is a wonderful album in concept, but earns about a C+ in execution. The song selection is wonderful - truly some of the best melodies from the modern "new age" genre. (I agree with John Tesh in his liner notes: "...'new age' music never really gets much respect as a musical genre. It's a shame, because I believe these melodies to be strong and vital.") Unfortunately, this album may not advance the "new age" genre's reputation as he (or I) had hoped.

It is vital to note that John Tesh didn't do the arranging or orchestrating on this album. One can almost immediately hear it doesn't have his trademark lush, full sounds. Arranger, orchestrater, and conductor J. Eric Schmidt didn't take full advantage of his source material. Most of his arrangements sound thin, especially considering the intent was to fill-out the songs with a 60 piece orchestra. Almost every piece sounds rushed and too staccato. There's no hallmark fermatta-type chords one can hang on to and truly luxuriate in.

Though I do enjoy a few pieces on this album, the tracks I'm most disappointed in are the songs with which I'm most familiar. A couple of examples: Jim Brickman's "Angel Eyes", normally a very pensive and peaceful piece, is so fast it sounds like the conductor just couldn't wait to get out of the studio. Enya's "Book of Days" starts out impressively, but again, there's an underlying rushed feeling and Schmidt changes some of the original chords in the chorus that sound like either lazy arranging or mistakes. The horns in the 2nd and 3rd choruses sound really frail, almost pathetic.

Ultimately, this is a collection of great songs that under poor management falls flat and short of its grander intent. One can enjoy it simply because the skeletons of each piece is so strong. The fleshing out leaves something to be desired.

Uplifting.......2001-10-20

This is the album I selected to be played around the clock in the hospital room of a dear friend who was in a coma. Every selection is uplifting, the melodies and instrumentation beautiful. There are no howling wolves, crashing waves, or dripping water...just music that makes you feel good all over. I am buying it for my dad who is a classical music purist (distrusts the contemporary composers.) It will convert him immediately!

Average customer rating:

Carreras goes theatrical!
delightful
Maestro Carreras sings Operetta and Broadway

José Carreras - My Romance

Manufacturer: Elektra / Wea
ProductGroup: Music
Binding: Audio CD

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Similar Items:

With a Song in My Heart
José Carreras ~ Pure Passion
Jose Carreras Sings Andrew Lloyd Webber
Passion
Malinconia d'Amore

ASIN: B000005E5B
Release Date: 1997-10-14

Tracks:

All The Things You Are
Drinking Song
Lippen Schweigen
This Nearly Was Mine
Rose Marie
If I Loved You
Lover Come Back To Me
Indian Love Call
Canto del volga
Softly, As In A Morning Sunrise
Deep In My Heart, Dear
Cancion del gitano
Dein ist mein ganzes herz

Customer Reviews:

Carreras goes theatrical!.......2000-12-29

A wonderful album of classic romantic love songs from operetta and Broadway repertoire...from Lehar to Rodgers and Hammerstein. Joined by soprano Eva Lind on two tracks, Jose Carreras is at his romantic best. Jose shows that he is equally at home singing these types of songs as he is classical opera. The 24 page booklet contains numerous photos, all the lyrics and an essay. Highly recommended for fans of Carreras.

delightful.......1999-07-08

This disc is here to remind those who doubted, that the maestro is back and he does not simply rest on his past laurels as many of his counterparts do. Venturing into the genre of operetta and Broadway musicals (less known to me than the classics) Carreras proves that his voice is fully back with all its glorious qualities. You bet, he can sustain high notes! He sounds as romantic, powerful, and confident as ever. Breath control is excellent! Two songs are particularly outstanding: "Softly, as in a Morning Sunrise" and "Cancion del Gitano", and the whole collection is highly melodic and charming. A pleasant appearance of soprano Eva Lind in "Lippen Schweigen" and "Indian Love Call" is very welcome. The voices blend marvelously, supported warmly and graciously by the conductor David Gimenez. My only wish is that now, sounding this good, the maestro would record a complete opera for his devoted fans.

Maestro Carreras sings Operetta and Broadway.......1998-12-26

Even though I love the selection of arias and songs, I think Jose should stick to more classical works that fits his style and lyric voice. I admire Jose for his "crossover" offerings, but there is much more that I'd rather hear on disc than "Rose Marie" or "If I Loved You".In the phrase of "afraid and shy" Jose sounds like he is singing "a Frankenstein". I own over forty Carreras CD's and probably will buy even more no matter what the works may be, but I'd rather have Jose offer works like Puccini's "Avanti urania" and Menti all'avvisio" and "sole amore". Works that he often performs on stage in recital format. That's when the Maestro is at his best!

Average customer rating:

Lesley Garrett: The Gold Collection

Manufacturer: Silva Screen
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

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Similar Items:

Best of lesley Garrett

ASIN: B00006ZSHI

Tracks:

Dome Epais
Memory
O Mio Babbino Caro
All I Ask Of You
Dat's Love
Summertime
Gershwin In Hollywood-Medley Love Walked In
Man I Love
Love Is Here To Stay
Pie Jesu
Ebben? Ne Andro Lontano
Bailero
Un Bel Di Vedremo
Lascia Ch'io Pianga
Je Veux Vivre Dans Ce Reve
In Trutina
Laughing Song
And This Is My Beloved
Si, Mi Chiamano Mimi
Rejoice Greatly
Ave Maria
Phantom Of The Opera
I Want To Be A Prima Monna
With A Song
Smilin' Through
Smoke Get In Your Eyes
Barcarolle
Waltz For My Heart
Last Rose Of Summer
Voi Che Sapete
Les Filles De Cadix
Sun Whose Rays...
Long Ago
Let The Bright Seraphim
None But The Lonely Heart
Softly As In The Morning Sunrise
Song To The Moon
Quando M'envo
Chi Il Bel Sogno Di Doretta
Ecco... Lo Son L'umile Ancella

Album Details

The UK'S Most Famous Soprano Presents her Greatest Hits Collection from Over Five Successful Years in the Public Eye. Featuring Classic Songs from the Musicals, Opera and TV, It's an Inspiring Introduction to her Style While Retaining a Complete Familiarity with the Music.

Average customer rating:

Oscar Hammerstein Legacy: Operettas

Manufacturer: Pearl
ProductGroup: Music
Binding: Audio CD

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Ah, Sweet Mystery of Life: The Songs of Victor Herbert

ASIN: B0000520X6
Release Date: 2001-02-27

Tracks:

The Song Is You - Lawrence Tibbett
One Kiss - Jeanette MacDonald
Rose Marie - Nelson Eddy
One Alone - Richard Crooks
Romance - Edith Day Drury Lane Theatre Chorus
Wanting You - Lawrence Tibbett Stewart Wille
The Mounties - Nelson Eddy
When I Grow Too Old To Dream - Evelyn Laye
Indian Love Call - Jeanette Macdonald Nelson Eddy
Sweet Melody Of Night - Jan Keipura
Marianne - Howett Worster Drury Lane Theatre Chorus
Hand In Hand - Stanley Holloway
Lover Come Back To Me - Jeanette MacDonald
Stout-Hearted Men - Nelson Eddy
The Desert Song - Harry Welchman Edith Day Drury Lane Theatre Chorus
The Night Is Young - Evelyn Laye
The Riff Song - Harry Welchman Drury Lane Theatre Chorus
French Military Marching Song - Edith Day Drury Lane Theatre Chorus
The Girl On The Prow - Evelyn Laye Drury Lane Theatre Chorus
I've Told Every Little Star - Mary Ellis His Majesty's Theatre Chorus
And Love Was Born - Lawrence Tibbett
Softly As In A Morning Sunrise - Nelson Eddy
One Day When We Were Young - Richard Tauber

Average customer rating:

This Is New Sunrise
Bugy Craxone
Manufacturer: Jvc Victor
ProductGroup: Music
Binding: Audio CD

General | International | Styles | Music

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ASIN: B00005UJO7
Release Date: 2002-01-30

Tracks:

New Sunrise
Japanese Title
No Idea
Why?
Japanese Title
O.M.D.

Average customer rating:

Best of Broadway

Manufacturer: Intersound Records
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Musical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music

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ASIN: B00000DUNW
Release Date: 1996-03-04

Average customer rating:

Legendary

Manufacturer: BMG International
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

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Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

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ASIN: B000060P0U
Release Date: 2002-03-12

Tracks:

Be My Love
Drink, Drink, Drink
Rigoletto: Act IV: La Donna E Mobile
Danny Boy
Granada
Because You're Mine
Ave Maria
Valencia
Loveliest Night of the Year
Song of India
Because
O Sole Mio
Donkey Serenade
I Pagliacci: Act I: Vesti la Giubba
Serenade
FuniculFunicul
Golden Days

Tracks:

Tosca: Act III: E Lucevan le Stelle
Come Prima
Beloved
Santa Lucia
I'll Walk With God
Lord's Prayer
And This Is My Beloved
Cielo E Mar (La Gioconda)
If I Loved You
Deep in My Heart, Dear
Core 'Ngrato
Una Furtiva Lagrima [From l'Elisir d'Amore]
Ah! Sweet Mystery of Life
Canta Pe' Me
Santa Lucia Luntana
Memories
You'll Never Walk Alone

Tracks:

With a Song in My Heart
O Paradiso (L'Africaine) [From Because You're Mine]
Temptation
Aida: Act I: Celeste Aida
Feneste Che Lucive
Night to Remember
Non Ti Scordar Di Me
Somewhere a Voice Is Calling
Softly, As in a Morning Sunrise
All the Things You Are
Passione
One Night of Love
Danza
Trembling of a Leaf
Look for the Silver Lining
Arrivederci Roma

International Music:

International Music

International Music