| Disc: 1 |
| 1. Cigi |
| 2. Maria Elena |
| 3. Charmaine |
| 4. Mame |
| 5. Lara's Theme (Somewhere My Love) |
| 6. Hello, Dolly! |
| 7. Sweet Maria |
| 8. Margie |
| 9. Michelle |
| 10. Cecilia |
| Disc: 2 |
| 1. Souvenir de Montmartre |
| 2. Moulin Rouge |
| 3. Commissaire Maigret Theme |
| 4. Seine |
| 5. Rue Auz Fleurs |
| 6. Pigalle |
| 7. Valse de Copains |
| 8. Marianne |
| 9. Mademoiselle de Paris |
| 10. C'Est Si Bon |
The Music of Paris,Various Artists,Delta,France,French,French Pop,Int'l & World Music,Pop,World Music
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Gershwin: Rhapsody In Blue/An American In Paris
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000025MH Release Date: 1990-10-25 |
Tracks:
- Rhapsody in Blue
- An American in Paris
Customer Reviews:
Gershwin/Bernstein: Rhapsody In Blue and American In Paris.......2007-01-16
A glorious tribute!.......2006-11-22
To my mind, there just have been five pianists who have surmounted this peak: Oscar Levant, Jesus Maria Sanroma, Eugene List, Earl Wild and Leonard Bernstein.
So, under any pretext you should miss this invaluable musical gem.
A Truly Great Performance.......2006-08-19
GLORIOUS!.......2006-07-21
Well, how can you go wrong when Leonard Bernstein, with the help of the Columbia Symphony Orchestra and the New York Philharmonic, conducts(and performs brilliantly on piano)these two George Gershwin greats.You just can't. Even the quality of the CD is excellent.
Rhapsody will carry you away to some other place for a while. From that very first bluesy note, Bernstein and Orchestra will have you wrapped up in all it's jazzy glory. It's music that defines the word greatness and it's THE song I would pick (if I could only pick one) that exemplifies the masterfulness of American composers.
An American In Paris is wonderful. The feeling of a tourist on the loose in Paris is expertly portrayed through this recording. The highs, the lows and all the delights. I felt a part of it all(and I'm a long way from Paris!)
Now, if you have read any of my other CD reviews, you know that right about here is where I complain ,and sometimes even take a star off of my rating, when a CD is too short(considering how easy it is to get music elsewhere these days). But I have to say, even though the total time on this CD is only about 35 minutes, what a glorious 35 minutes it is.
Rhapsody a wonderful 16:26 and American In Paris a Yummy 18:22.
It's music that never gets old. It stands the test of time, and many repeated playings.
So you may want to keep a copy of this in your car. A great way to start your day. Listen on the way to work, and you'll have that "what? me worry?" attitude. Also fabulous for destressing on the way home from a long days work.It just seems to make everything okay.
As I said the CD has a nice quality. It also has a booklet with some notes on how Gershwin came to compose these songs.
Gershwin performed by Bernstein..it was meant to be!
Enjoy it...Laurie
The Definitive Version and Good Sound Quality!.......2006-06-06
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Live in Paris
Diana Krall Manufacturer: Umvd Labels ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006J9OT Release Date: 2002-10-01 |
Tracks:
- I Love Being Here With You
- Let's Fall in Love
- 'Deed I Do
- The Look of Love
- East of the Sun (and West of the Moon)
- I've Got You Under My Skin
- Devil May Care
- Maybe You'll Be There
- 'S Wonderful
- Fly Me to the Moon
- A Case of You
- Just the Way You Are
Amazon.com
Recorded at the historic Olympia Theatre in Paris in November 2001, this is Diana Krall's first live album. Backed by her quicksilver combo of bassist John Clayton, drummer Jeff Hamilton, and guitarist John Pisano (on some tracks), Krall's jazz heritage comes through loud and clear on this program of standards, ballads, and bossa novas. On Peggy Lee's "I Love Being Here with You," Bob Dorough's "Devil May Care," and Frank Sinatra's "Fly Me to the Moon," Krall's snappy, postbop piano playing shows off her debt to Nat "King" Cole and Jimmy Rowles. Her cool contralto vocals are illuminated by the Orchestre Symphonique Europeen, under the direction of Alan Broadbent, as well as the London Symphony Orchestra, led by conductor Claus Ogerman. Krall's deep take on Joni Mitchell's "A Case of You" is a great choice for an encore, and the CD concludes with Billy Joel's "Just the Way You Are" (a studio track from a film called The Guru), with tenor saxophonist Michael Brecker and bassist Christian McBride. This collection only hints at what Diana Krall has to offer in the future.--Eugene Holley Jr.Album Description
Canadian version of 2002 live release includes one exclusive bonus track, 'Charmed Life' & the U.S. bonus track, 'Just The Way You Are' (Studio Version/Billy Joel cover). The first-ever live concert recording from Grammy winning vocalist/pianist Diana Krall, recorded at the Paris Olympia Theatre winter 2002. Here finally, captured in amazing audio quality, is an album showcasing the magic of Krall's concert performances. Krall & her band - perform some of the tunes from Krall's studio recordings, such as 'East of the Sun (West of the Moon)' & 'Devil May Care'. Joined by special guests John Pisano (acoustic guitar) & Paulinho DaCosta (percussion) for several tracks, including the Gershwin's 'S'wonderful'. The Orchestre Symphonique European, conducted by Alan Broadbent with special guest conductor Claus Ogerman, is featured on the upbeat 'Let's Fall in Love' & a haunting interpretation of 'I've Got YouAlbum Details
Includes Two Bonus Tracks of "Charmed Life" and the Enhanced Track "Look of Love".Customer Reviews:
Diana Krall at her best.......2007-06-20
you know that.......2007-04-12
Very Enjoyable and that's all that matters..........2007-02-24
This is a very very good Jazz band and Diana Krall swings. She plays well and she does an incredible amount with the voice that the maker gave here. The album is very enjoyable to me and it's a good place to start if you want to hear Diana Krall.
Is she great? That question is so subjective and who cares anyway. One reviewer suggested that calling her great was disrespectful to the great Jazz singers. Popular singers like Diana bring attention to Ella Fitzgerald and Sarah Vaughn and Sinatra etc... People start with Diana and move backward from there... 5 stars from this reviewer!!!
Not a fan of live albums, but this one's energy shines through.......2007-01-19
terrific band.......2007-01-19
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Putumayo Presents: Paris
Various Artists Manufacturer: Putumayo World Music ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000E6UX20 Release Date: 2006-04-18 |
Tracks:
- Au Cafe De La Paix - Thomas Fersen
- Samba De Mon Coeur Qui Bat - Coralie Clement
- Dites Moi Tu - Karpatt
- Quelqu'un M'a Dit - Carla Bruni
- Je Reste Au Lit - Pascal Parisot
- Jardin D'Hiver - Keren Ann
- Serre-Moi - Tryo
- Lettre A P... - Paris Combo
- L'ongle - Presque Oui
- Ta P'tite Flamme - Amelie-Les-Crayons
- Les Pages - Myrtille
- Carpe Diem - Aldebert
Product Description
Highlighting artists from the Nouvelle Scene (New Scene), Paris features modern takes on classic French chanson. Thomas Fersen Au Café de la Paix Coralie Clément Samba de Mon Cur Qui Bat Karpatt Dites Moi Tu Carla Bruni Quelqu'un M'a DiAmazon.com
Many Putumayo compilations fail to capture the essence of a specific region by focusing on music that is simply too polite for its own good. When it comes to the languid charms of French chanson, however, the label has always excelled. An indispensable companion to the previously released French Café Paris focuses on the renaissance of French popular music in the hands of artists such as the raspy voiced Thomas Fersen, supermodel-turned-songwriter Carla Bruni and the ineffable Paris Combo-- arguably, the one group that started the smoky cabaret song revival in the mid-'90s. An air of luxury and languor defines the 12 tracks here, from the breezy bossa nova of Coralie Clément's "Samba de Mon Coeur Qui Bat" ("Samba of my Beating Heart") to the accordion laced atmospherics of Amelie-Les-Crayons and the wistful "Ta P'tite Flamme" ("Your Little Flame"). Judging by this disc, contemporary French pop may very well be one of the most exciting musical movements in the world right now. --Ernesto LechnerCustomer Reviews:
Now you can always have Paris!.......2007-05-15
My only criticism might be that it's too bad that Putumayo does not include the lyrics to the songs!
Paris, City for Dreamers.......2007-04-11
French Music for YOUR Home.......2007-03-25
Cool and seductive........2007-03-10
Packed with some of the best, chilled French café songs of the moment, Paris is this summer's essential for barbeques, soirées, dinner parties or possibly just for those hot nights in.
From Coralie Clément singing seductively about the "Samba de Mon Coeur Qui Bat" to the equally seductive Carla Bruni's "Quelqu'un M'a Dit", Keren Ann's "Jardin d'Hiver" -- which she whispers rather than sings -- and Karpatt's caressed and tapped acoustic guitar, this is a compilation of class and smooth charm.
While Paris recalls the heyday of French chanson it is a thoroughly modern mix from the nouvelle scène. It's entirely easy listening -- nothing from the outer reaches of French culture here.
Part of the proceeds from each CD sold goes to Terre des Hommes, who support disadvantaged children around the world, so you can feel good about your purchase while humming along to the catchy tunes.
Great intro to La Chanson Francaise for the novice..........2007-03-06
If you like the songs on this album, definitely check out Rupa and the April Fishes. Rupa Marya is an Indian woman living in San Francisco who sings in French; the April Fishes' music is a jazzy eclectic riff off of chanson, and is definitely 5-star. If it weren't enough that she's beautiful and sings like an angel, Rupa in her "free time" is also a medical doctor. Talk about talent. Check 'em out!
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Cocktail Disco
Dimitri from Paris Manufacturer: Bbe ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000PAAI70 Release Date: 2007-06-19 |
Tracks:
- Summertime [Original LP Version] - The Blue Velvets
- Ocean's Apart [Original 12" Version] - Vast Majority
- Never Too Late [Original 12" Version] - Victoria Hubbard Barnes
- Girl from Ipanema [Original 12" Version] - Astrud Gilberto
- C'est Si Bon [Original LP Version] - Rhoda Scott
- It's Got to Be Love [Original 12" Version] - Darcus
- Who Can I Turn To (When Nobody Needs Me) [Original 12" Version]
- Joy of You [Original 12" Version]
- Disco Village [Original 12" Version]
- Show You the Way to Go [Original LP Version] - Charlie's Roots
- Starfight [Original 12" Version]
Tracks:
- What You Need Is My Love [Original 12" Version] - Cindy & Tito Rodriguez
- Never Gonna Let You Go [Original 12" Version]
- Take Me with You [Original 12" Version] - Ralfi Pagan
- Frenesi [Original LP Version] - The Ritchie Family
- Lady of the Night (Hey Honey Come Gimme Money) [Original 12" Version]
- Canteen [Original 12" Version]
- Keep It Up - Nightfall
- Little High Things [Original 12" Version]
- Something About You [Original 12" Version]
- Again [Original 12" Version] - Night People
- Baby, I Just Wanna Love You [Original 12" Version] - Jonelle Allen
Customer Reviews:
Cocktail Disco.......2007-07-07
"Greetings ladies and gentleman, welcome to the wonderful world of Cocktail Disco.".......2007-06-24
Dimitri from Paris (DFP) is no stranger to disco and anyone who has been following his career knows that he is possibly the number 1 de facto leader or ambassador to this genre of music post its rise and fall in the late 1970's. Not surprisingly he continues to favor and deeply supports the genre faithfully, this album is a true testiment to that note.
"And what does Cocktail Disco refer to you may ask?... Rich orchestrations, a touch of Latin influence, the ubiquitous 4/4 Disco beat, and rather over the top vocals... Maybe some would find it Cheesy, I would rather say cheeky and glamorous, something that would be fit for a Broadway musical show."
His two album releases from the "Defected in the House" label showcase the music side he is known for spinning when he is in a live event club space. Here Dimtri returns to the major indie London based DJ label "BBE" in which he also has two prior album releases with. DFP with this record label is oriented with his disco loving side (Both prior albums have disco in the title "Disco Forever" and "The Kings of Disco"). Contrary to what all previous albums were like, this one is different in the fact that it is unmixed but rather compiled. He chose to unalter any of the music to keep them true to their original sound. All the tracks are their full-length versions however and even though they are not mixed or original compositions, they still are very much Dimitri and each song rings his name loudly.
Welcome back to the '70s..........2007-06-20
But more to the point, unlike some of Dim's previous releases, this one feels very relaxed, and even though it's not a continuous mix per se, the tracks groove together flawlessly. Whether you play it loud to shake your booty to, or soft during your next swank soiree, this music is meant to be played.
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Beethoven: Piano Concertos Nos. 1 & 4
Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000OYC3FM Release Date: 2007-05-08 |
Tracks:
- 1. Allegro Con Brio
- 2. Largo
- 3. Rondo. Allegro
- 1. Allegro Moderato
- 2. Andante Con Moto
- 3. Rondo. Vivace
Amazon.com
What a beautiful recording! Perhaps the most exciting thing about Lang Lang's playing is that when he plays softly and lyrically, he doesn't sound as if he's holding back; when he opts to stomp and yell, it sounds equally natural. The First Concerto is played with lightness and bounce in the outer movements and is as tuneful as imaginable in the stunning second movement's Largo. The Fourth Concerto is a whole other matter - mature Beethoven - and Lang rises easily to the occasion, playing with potency and handsome tone. The first movement makes us sit and admire his skill, and he is poetic and sensitive in the second movement. It would have been easy for him to run away with the final movement in a blaze of virtuosity, but he sticks to its classical outlines. These are superb performances, and the sonics are gloriously rich. --Robert LevineAlbum Description
Lang Lang delivers his first-ever Beethoven recording, a stunning reading of the extensive Concerto no. 4 and the jubilant Concerto no. 1. Even though he has performed this repertoire extensively in concert, Lang Lang waited for the perfect moment and the perfect team to record his first pair of concertos from these milestones of piano repertoire When Lang Lang embarked on his international career, Christoph Eschenbach became one of his first and most enthusiastic proponents - and a mentor and close friend ever since, Eschenbach was the ideal collaborator for Lang Lang's first Beethoven recording. Nimbly supported by Eschenbach's superb Orchestre de Paris, with its tradition of having been the first orchestra ever in France to perform music by Beethoven, Lang Lang's performance gives further proof as to why he is one of today's most acclaimed pianistsCustomer Reviews:
False emotion.......2007-07-10
dexterity unquestioned.......2007-07-07
Without soul!.......2007-06-10
Artistically Improving.......2007-05-23
And yet, Lang Lang shows signs of development that are encouraging. His performance of the First Concerto is both lively and exquisitely melodic, except for the occassionally ham-fisted showmanship he is often (and deservedly) derided for. However, the Fourth Concerto seems beyond his artistic grasp. While technically brilliant, it is a soulless and showy performance that displays none of the depth a more mature artist would be capabale of. Beethoven was not a composer known for showmanship but artistry and restraint. These are not qualities Lang Lang is exactly reknown for.
Still, Lang Lang's occassional lyricism can override his more exaggerated tendencies, which makes he and Beethoven quite compatible. This is what makes this CD as effective as it is. Perhaps this young man has received too much acclaim too soon. He needs time to mature as an artist but has so far chosen to present himself to the public at every possible turn. This recording indicates that there is something more to him than has consistently met the ear. Frustrating and encouraging at the same time, Lang Lang's latest CD shows a definite progression in his interpretive skills. It's exciting to think what may be coming in his future.
Finally, the typically exquisite DG sound and fidelity must be acknowledged. Every note and romantic passage is beautifully displayed in a pristine recording of gourgeous beauty. A wothwhile addition to any modern classical collection.
The beginning of an anchorage - and Beethoven is well chosen........2007-05-23
I have listened and greatly admired the Harnoncourt Beethoven piano concertos (Harnoncourt being one of my favorite contemproary conductors since the 1970's). The orchestration in that recording was simply superb, and the character, style and soul of Harnoncourt in Beethoven's works hard to beat.
Eschenbach's conducting here is also good, but to my personal view, not as good as Harnoncourt's. This may be subjective, but I do find the authenticity in Beethoven's style some what lacking here.
Then the soloist - I must say that the soloist in Harnoncourt's set could not be compared with Lang Lang here. (Again my subjective view). That is not to say that Lang's playing is perfect, nor the best. Why compare him with Argerich? Argerich had declined Harnoncourt's invitation to record for HIM then, because she does not play the entire set of Beethoven Concertos, and would not want to learn those that she did not know.
So much for the mature pianist. The two concertos chosen here could indeed still be improved upon, though one must bear in mind that the 4th is considered to be the most introverted piano concertos of Beethoven, and Lang Lang had tuned down much of his highly inflammatory style. Lang's playing could interestingly be compared to Wilhelm Kempff's made in 1962 (when the pianist was 67 years old). Cannot imagine a young chap to be so reserved in this piece. A result of the vast criticisms he's got from negative reviewers?
The 3rd movement of the 1st concerto really should be more fiery, but Lang Lang some how missed the fireworks in this movement.
Lang Lang, so far, has NOT established himself as a virtuoso of any specialty, much unlike his compatriot Yundi Li. Well, in my humble view this is something that he should do right now. And I've heard that he is going to record more Beethoven concertos with Eschenbach. This is certainly good news.
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The Best of the Three Tenors
Luciano Pavarotti , Placido Domingo , Jose Carerras , Zubin Mehta , and James Levine Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004UB8A Release Date: 2002-06-11 |
Tracks:
- 'O sole mio
- Funiculi, funicula
- Libiamo ne' lieti calici (Brindisi)
- Sous le ciel de Paris
- Torero quiero ser
- Parlami d'amore, Mariu
- Manha de Carnaval
- Lolita
- Dicitencello vuie
- Core 'ngrato
- Because
- You'll Never Walk Alone
- Singin' In The Rain
- Maria
- Tonight
- 'O paese d' 'o sole
- Cielito lindo
- Ochi tchorniye
- Caminito
- La Vie en Rose
- Mattinata
- Wien, Wien, nur du allein
- Amapola
- Lippen schweigen
- Brazil
- Sous les ponts de Paris
- Torna a Surriento
- Nessun dorma
- La donna e mobile
Amazon.com
Back in 1990, three of the world's most celebrated tenors--namely, José Carreras, Plácido Domingo, and Luciano Pavarotti--combined forces to create the Three Tenors, now celebrated on a best-of CD. They gave their first concert in Rome. The event was recorded and went on to become one of the best-selling classical titles of all time.This latest release brings together tracks from that night in Rome (including "Nessun dorma" and a competitive rendition of "O sole mio") with music performed in a 1994 concert in Los Angeles and at the 1998 event in Paris where the Three Tenors sang to an audience of thousands with the Eiffel Tower as their backdrop.
The 22 tracks making up The Best of the Three Tenors range from operatic standards, such as the joyful "Brindisi" from La Traviata, to popular songs like "Singin' in the Rain" and "You'll Never Walk Alone" (from Carousel). There are no solos on this disc; each piece is performed by all three singers. And with plenty of applause and cheering to be heard, not to mention the sense of fun in the singers' voices, the disc captures the atmosphere of these extraordinary musical events. --Rebecca Agnew
Customer Reviews:
Not bad.......2006-03-18
The best from the three greatest..........2005-08-11
There are no solos on the cd. I think I've read somewhere that they felt there had been enough "three tenors cd's" and if they were to release yet another one it would be one containing what the audience demands, the three of them joining forces and performing together in the songs.
The result, in my opinion is highly recommendable. The three voices blend perfectly together. I have to admit that I have a personal favourite among the tenors and that I would never buy an entire recording featuring only one of the two others, but I recognize their talents and -as stupid as it may sound- since they are performing together I can also appreciate the other two. (I like them too, but in smaller doses....)Some people have commented on their problems with mastering the english language. If anything, I think it just adds to their charm. By the way, who is perfect??
The songs on this cd is a mixture of beautiful songs, heartwrenching songs, toe-tapping songs and powerful songs. It's wonderful to just listen to the beauty in the three voices. It's fun hearing Pavarotti pushing his "high-note-button" in "O sole mio" and Carreras and Domingo copying his stunt. I have no idea what they're singing about in "Manha de Carnaval", but boy does it sound romantic...... And "Dicitencello vuie" brings tears to my eyes (even if I'm still left in the dark when it comes to understanding the meaning of the words...) In "Because" Carreras takes my breath away when singing "because God made thee mine, I'll cherish thee...through light and darkness, through all time to be, and pray his love may make our love divine...." (What woman wouldn't like to hear those words..??!?) Their rendition of "You'll never walk alone" should satisfy some of the soccer-fans since it's the anthem of a European football-club and "Nessun Dorma" will probably satisfy the rest of the soccer-fans, being the antheme of the 1998 world soccer championship. In short, there should be something for every taste on this cd.
It's a very "versatile" cd. You can play it almost everywhere. You can sing along to it in the car, you can dance around the house to it while doing your chores, you can put your feet up and unwind after a hectic week. Or you can write an Amazon review while listening to it.... (Feel free to add suggestions of your own here.....)
To make a long story short - a very enjoyable cd!
Just Like the Real Thing!.......2005-07-14
Powerful and moving!.......2004-10-21
Great Compilation.......2003-07-16
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Bizet: Carmen (complete opera) with Maria Callas, Nicolai Gedda, Georges Pretre, Paris Opera Orchestra
Georges Bizet , Maria Callas , Nicolai Gedda , Georges Prêtre , Orchestre de Théâtre National de l'Opéra de Paris , Choeurs René Duclos , Robert Massard , Jane Berbié , Andrea Guiot , and Claude Cales Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002RXS Release Date: 1997-08-19 |
Tracks:
- Carmen: Prelude - (Orchestre)
- Carmen: Act One: Sur la place - (Choeur/Morales/Micaela)
- Carmen: Act One: Avec la garde montante - (Choeur d'enfants/Morales/Jose)
- Carmen: Act One: C'est bien la, n'est-ce pas
- Carmen: Act One: La cloche a sonne... Dans l'air, nous suivons des yeux la fumee - (Choeur)
- Carmen: Act One: Quand je vous aimerai ?... L'amour este un oiseau rebelle - (Carmen/Choeur)
- Carmen: Act One: Carmen ! sur tes pas, nous nous pressions tous ! - (Choeur/Carmen/Jose)
- Carmen: Act One: Quels regards ! Quelle effrontere !
- Carmen: Act One: Parle-moi de ma mere !
- Carmen: Act One: Reste la, maintenant, pendant que je lirai - (Jose/Micaela)
- Carmen: Act One: Que se passe-t-il donc la-bas?...Au secours! Au secours! - (Zuniga/Choeur)
- Carmen: Act One: Mon officer, c'etait une querelle - (Jose/Zuniga/Carmen)
- Carmen: Act One: Pres des remparts de Seville - (Carmen/Jose)
- Carmen: Act One: Voico l'ordre; partez - (Zuniga/Carmen)
- Carmen: Entr'acte - (Orchestre)
- Carmen: Act Two: Les tringles des sistres tintaient - (Carmen)
- Carmen: Act Two: Messieurs, Pastia me dit - (Frasquita/Zuniga/Carmen/Mercedes)
- Carmen: Act Two: Vivat ! vivat ! le Torero ! - (Choeur/Zuniga)
- Carmen: Act Two: Votre toast, je peux vous le rendre -(Escamillo/Choeur)
- Carmen: Act Two: La belle, un mot - (Escamillo/Carmen/Zuniga)
- Carmen: Act Two: Eh bien ! vite, Quelles nouvelles ?.. Nous avons en tete une affaire - (Frasquita/Le Dancaire/Mercedes/Le Remendado/Carmen)
Tracks:
- Carmen: Act Two: Mais qui donc attends-tu? - (Le Dancaire/Carmen/Le Remendado)
- Carmen: Act Two: Halte-l- (Jose/Carmen/Frasquita/Mercedes/Le Dancaire/Le Remendado)
- Carmen: Act Two: Enfin c'est toi! ...Tout doux, Monsieur, tout doux
- Carmen: Act Two: La fleur que tu m'avais jet...Non, tu ne m'aimes pas - (Carmen/Jose)
- Carmen: Act Two: Holarmen! HolHol- (Zuniga/Jose/Carmen/Le Dancaire/Le Remendado)
- Carmen: Entr'acte - (Orchestre)
- Carmen: Act Three: oute, ecoute, compagnon, ecoute - (Choeur/Le Dancaire/Remendado/Jose/Carmen/Mercedes/Frasquita)
- Carmen: Act Three: Reposons-nous une heure ici, mes camarades - (Le Dancaire/Carmen/Jose)
- Carmen: Act Three: Mns! Coupons! - (Frasquita/Mercedes/Carmen)
- Carmen: Act Three: Eh bien? - (Carmen/Le Dancaire/Frasquita)
- Carmen: Act Three: Quant au douanier, c'est notre affaire - (Carmen/Mercedes/Frasquita)
- Carmen: Act Three: C'est des contrebandiers le refuge ordinaire...Je dis, que rien ne m'epouvante
- Carmen: Act Three: Je ne me trompe pas...c'est lui sur ce rocher - (Micaela)
- Carmen: Act Three: Quelques lignes plus bas...HolholJos (Escamillo/Jose/Carmen/Le Dancaire/Micaela/Frasquita/Mercedes/Remendado/Choeur)
- Carmen: Entr'acte - (Orchestre)
- Carmen: Act Four: A deux cuartos! A deux cuartos! - (Choeur/Zuniga)
- Carmen: Act Four: Les voici! voici la quadrille! - (Choeur/Escamillo/Carmen/Frasquita)
- Carmen: Act Four: C'est toi!...Carmen, il est temps encore ...Viva! viva! la course est belle! - (Carmen/Jose/Choeur)
Amazon.com essential recording
This recording was made near the end of Maria Callas's career. It is a role she never sang onstage, but it suited her almost perfectly, and she gives a deep, compelling performance on this recording. The mezzo-soprano tessitura was comfortable for her voice, and the role did not call for a pretty sound. Nor did the recording studio require the kind of huge vocal power expected in an opera house. And furthermore, the character of a strong-willed, capricious, sexually compelling woman who thinks exclusively of herself was close to the offstage personality that made Callas so famous. --Joe McLellanCustomer Reviews:
K.Teezy.......2007-07-11
Bizet: Carmen (Callas, Gedda, et al).......2007-01-10
Imperfect? Maybe. Worthwhile? Yes!.......2006-10-11
Maria Callas' performance for this set is interesting. One of the greatest strengths of her singing was her ability to portray a character through her voice and this may be why this set has a loyal following. We feel as if we are encountering the fiery, sensual woman that is Carmen in just about every note that Callas sings. It's hard not to forgive what some critics called an imperfect vocal performance when there is such a passion behind the singing. In the end, we have one of the most original interpretations of the role. Callas is joined by tenor Nicolai Gedda. Technically Gedda's performance cannot be faulted. He hits the notes and sings with ease. For Don Jose, this may not be enough, however. We want Jose to darken vocally as the opera progresses, and this does not happen. Gedda's strength is his beautiful voice that has suited him well in a great array of operas, but it doesn't have the robust quality that tenors such as Domingo or Corelli can bring to the role. For some of the opera's more tender moments, most notably the Don Jose/ Micaela duet in Act I "Parle-moi De Ma Mere," Gedda's light and lyrical voice is a perfect fit. I find the duet astounding and it could arguably be the best rendition of this work, which is due in no small part also to the beautiful voice of Andrea Guiot, who likewise gives a great solo performance in her aria "Je Dis, que rien ne `epouvante". Robert Messard as Escamillo does the job, but lacks the bravado of the confident lady-killer bullfighter he supposed to be. The orchestra and chorus under the direction of Georges Pretre perform beautifully and the smaller roles are all well cast.
With an opera such as CARMEN, where so many great singers have performed and recorded major roles, there is stiff competition between sets. It also seems as if there isn't one perfect set. Some great Carmens have been paired with lousy casts, and some lousy Carmens have great casts. This set isn't perfect, but overall it has a certain flow to it and for me, it feels like a CARMEN should feel.
Throw me into solitary confinement with this CD.......2006-01-25
Callas...Callas...Callas..........2005-12-21
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Mozart for Meditation
Manufacturer: Philips ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000041CD Release Date: 1995-01-17 |
Tracks:
- Flute Concerto No. 1 In G
- Piano Concerto No. 23 in A
- Horn Concerto No. 4 In E-Flat
- Symphony No. 31 In D: Symphony No. 31 In D - Andante
- Piano Concerto No. 15 In B-Flat
- Violin Concerto No. 4 In D
- Wind Serenade No. 12 In C Minor - Andante: Wind Serenade No. 12 In C Minor
- Concerto For Flute And Harp I - In C - Andatino
- Piano Concerto No. 27 In B-Flat
- Symphony No. 34 In C: Symphony No. 34 In C - Andante Di Molto
- Fantasia In D Minor
Customer Reviews:
Good Music to Sleep By.......2007-06-08
Enjoyment.......2007-05-07
Best Music to Have on When You Work.......2007-01-22
Excellent for Massage!.......2006-04-06
MOZART FOR MEDITATION.......2005-09-07
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Motifs
Paris Combo Manufacturer: Drg ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0006SSNPA Release Date: 2005-01-11 |
Tracks:
- High, Low, In
- Calender
- Aquarium
- Ennemis Siamois
- Etoile Pale
- Touriste D'une Vie
- Baguee
- Motus
- Reflet
- Prete A Porter
- Baron De Chaise
- Discordance
- Aleas
- Je Ne Sais Qui Fumer
Amazon.com
With a sound made up of equal parts bossa nova and classic chanson transported almost unchanged from the 1960s, plus American jazz, Argentinean Tango, bal musette and the Manouche swing made famous by Django Reinhardt, Paris Combo undeniably personifies that city's aesthetic. French music and film tend to share an elegant, humorless, surreal, coolly theatrical artificiality so ingrained that observed or remembered passion becomes more seductive than the real thing. Style-over-substance is merely a different reality, no less involving than daily life. The band's membership includes a guitarist from Madagascar, a keyboardist/trumpeter from Australia, a French drummer and a French-Algerian guitarist, each of whom contribute whimsical, cosmopolitan images from their own travels. Bandleader-singer Belle du Berry's lyrics are wry metaphors, in which estrangement, loss and desire are experienced in nightclubs under the light of pink lampshades and each carefully posed film-noir frame is wreathed in expensive perfume and cigarette smoke. --Christina RodenCustomer Reviews:
Upbeat Jazz.......2007-06-24
If you like Pink Martini.......2006-05-29
Highly entertaining, keeps you jumping.......2006-05-20
Many of the things I like about Pink Martini are present here. The work is delightful, playful, fun, and danceable. You will hear the influence of jazz, pop, swing, tango, and sophisticated lounge music. In one song you will hear Kurt Weil's influence and then in the next you hear the nightclub music found in 1940 gangster films. The range of music keeps you on your toes - but all in fun. Great for a cocktail party or to get yourself going on a Saturday morning.
Belle Du Barry, the vocalist, has great presentation. All the lyrics are in French.
Cool fusion continues, but start with one of their earlier CDs.......2006-03-23
Witty, urbane, funky beats.......2006-02-13
Paris Combo's latest album is a tour of another world, a forgotten era, when music moved your heart but was classy and seductive at the same time.
There is no one today producing a sound like this. Their music will stay with you; it is mesmerising.
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Tous Les Matins du Monde/Dix Ans Apres
Manufacturer: Alia Vox Spain ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005S0MD Release Date: 2002-03-12 |
Tracks:
- Marche pour la ceremonie des Tures (Jean-Baptiste Lully)
- Improvisations sur les folies d'Espagne (Marin Marais) - extraits
- Prelude pour Mr. Vauquelin (Improvisation d'apres le Prelude en Sol mineur de Mr. de Sainte Colombe le fils)
- Gavotte du Tendre (Mr. de Sainte Colombe)
- Une jeune fillette (melodie populaire- arranged by Jordi Savall)
- Les Pleurs (Mr. de Sainte Colombe) - solo version by Jordi Savall
- Concert a deux violes " Le Retour" (Mr. de Sainte Colombe)
- La Reveuse (Marin Marais) 4th book of Pieces de viole
- Troisieme Lecon de Tenebres a 2 voix (Francois Couperin)
- L'Arabesque (Marin Marais) 4th book of Pieces de viole
- Fantaisie en Mi mineur (arranged by J. Savall d'apres Mr. de Sainte Colombe le fils)
- Le Pleurs (Mr. de Sainte Colombe) version for 2 viols
- Le Badinage (Marin Marais) 4th book of Pieces de viole
- Tombeau pour Mr. de Sainte Colombe (Marin Marais)
- Muzettes I-II (Marin Marais) 3rd book of Pieces de viole
- Sonnerie de Ste. Genevieve du Mont-de- Paris (Marin Marais)
Album Details
The Original Motion Picture Soundtrack to the Film by Jordi Savall.Customer Reviews:
Beware - this is NOT the right version!.......2007-07-07
Disc one is great....disc two doesn't exist...beware.......2007-07-05
It's still great music though.
Hauntingly Beautiful.......2006-06-11
Vive Savall and M. Sainte Colombe .......2006-04-27
French Baroque Performed by The Absolute Master of the Viola Da Gamba.......2005-10-09
The double album primarily contains solos or duets for viola da gamba by Marais and Sainte-Colombe but has pieces by other contemporaries such as Lully. This album is a great sample of the variety of works and composers of the unique French Baroque tradition that continued to use the viola while other musical styles in Europe had virtually abandoned it for the cello. The viola da gamba has a lot more range, depth, and resonance than the cello and so the music is moodier and more contemplative than cello works such as Bach's magnificent cello suites. Solo music for viola from the French Baroque also allows freer interpretation than conventional compositions for orchestra or other chamber pieces. The jewel in this album is Marais' haunting but divine Sonnerie de Ste-Genevieve in which the dynamics of the violas and violins are truly a spiritual voyage into one's soul; at points serenely docile to demonically ferocious as if phantasms both luring and forbidding the listener to follow. The intricate complexity and resonance of this exquisite piece makes it one of the most spiritually moving Baroque sonet variations I have ever heard and it's one of my personal favorites. Both Marais and Sainte-Colombe were probably the pinnacle of achievement in terms of expressive techniques for the viola da gamba during the French Baroque period while later contemporaries such as Forqueray and Couperin became more formulaic although no less accomplished.
Jordi Savall has many priceless performances apart from this soundtrack and he is really the only competent artist for both viola da gamba specifically and primarily all French Baroque interpretations. There are no other viola players who can even compare to Savall as they really sound as little else than amateurs in comparison to his applied skills and passion of playing. I strongly recommend for anyone looking for music for viola da gamba or really any French Baroque to buy Savall/Le Concert Des Nations' performances exclusively as there's simply nothing else to look for or find that's in his caliber. Apart from a few other performnances by groups such as Les Arts Florissants, I guarantee you that the performances of all others in this style will rise to no further than being mediocre at best such as Harncourt or even Koopman who often plays with Savall. Most other viola performers quickly descend to atrocious standards in comparison to those of Savall. Even though Savall's recordings tend to be on the more expensive side, he's worth every penny take my word for it: you won't regret it! What you will regret is having bought a mediocre viola peformance after you hear Savall's as the differences will be very significant.
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