| 1. New World In The Morning |
| 2. I Don’T Believe In If Anymore |
| 3. River Lady |
| 4. Mexican Whistler |
| 5. Streets Of London |
| 6. Why |
| 7. Mamy Blue |
| 8. Morning Please Don’T Come |
| 9. Durham Town |
| 10. If I Were A Richman |
| 11. Sunrise Sunset |
| 12. Morning Has Broken |
| 13. Dirty Old Town |
| 14. Mistral |
| 15. Moon Shadow |
| 16. Last Farewell |
| 17. Sky Boat Song |
| 18. Image To My Mind |
| 19. Swaggy |
| 20. Butterfly |
60 Wereldsuccessen,Robert Whittaker,Universal,World Music
Average customer rating:
|
Are You Experienced
The Jimi Hendrix Experience Manufacturer: Experience Hendrix ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002P5Y Release Date: 1997-04-22 |
Tracks:
- Purple Haze
- Manic Depression
- Hey Joe
- Love Or Confusion
- May This Be Love
- I Don't Live Today
- The Wind Cries Mary
- Fire
- Third Stone From The Sun
- Foxey Lady
- Are You Experienced?
- Stone Free
- 51st Anniversary
- Highway Chile
- Can You See Me
- Remember
- Red House
Amazon.com essential recording
As emblematic of its time as of its sorcerer-like creator, 1967's Are You Experienced unleashed Jimi Hendrix onto a world in the midst of such cultural and musical shakeups that it really didn't seem as "far out" as it actually was. It wasn't just Hendrix's virtuosic skill as a pure player that was so impressive; it was, even more, the range and scope of sheer sound that he coaxed, cajoled, and ripped out of his instrument. "Purple Haze," "Manic Depression," and "I Don't Live Today" filled ears with indelible sonic images, and songs like "Foxey Lady" and "Fire" pointed the way toward a new brand of rock-charged soul music. And how about a hand for drummer Mitch Mitchell? --Billy AltmanCustomer Reviews:
the best.......2007-06-17
purple haze, hey joe, wind cries mary, fire etc. its a essential album if you do not have the whole album you need to get the full album now if you dont have it yet or inleast download it i mean c'mon. so if your new to the JHE then i suggest this album or the best of
divine inspiration.......2007-05-18
The Jimi album.......2007-05-15
The hits are here and there is surprisingly no filler. Even though it came out during the zenith of the psychedelic craze, it is far less trippy than Electric Ladyland two years later. The focus of this record is thoroughly blues, r'n'b, and rock based. Even Third Stone From The Sun has enough of a point and vibe to not succumb to the obvious psychedelic theme. The additional tracks mostly lifted from Smash Hits are a nice bonus, especially Red House, one of his greatest songs.
This is the definitive Hendrix album and one of the most important rock records because it introduced this phenomenal artist and his shocking and spectacular guitar brilliance which continues to provide inspiration for guitarists today. Without Hedrix, you can write off dozens of famous guitarists to come in his wake who tried to recreate just some of his magic. If there is one necessary Hendrix album (and there are only a few in total), this is it.
I Am Now Experienced. Are You?.......2007-04-13
Also reccomended: Band of Gypsys, later work of Hendrix if you don't have the means of finding the album at least download Machine Gun.
Cheers
Excellent Debut, Excellent Re-issue.......2007-03-12
First off, the music itself is timeless. Who hasn't heard "Foxy Lady," "Hey Joe" or "Purple Haze"? Tracks 1-11 represent the breadth of what was the original US LP version of the album. And man, is it great. There's variety galore in this. From the tender approach on "The Wind Cries Mary" to the psychedelic jazz-like excursion of "Third Stone From The Sun," there are plenty of avenues that this album embarks on. This ain't no blues rock plodfest. This is an experience in and of itself.
But wait, there's more!
Tracks 12-17 are the 1997 bonus tracks; some were originally on the UK but not US version of the album, while others stem from other sources. But, unlike some bonus tracks that only sully the content of the album, these go along quite well with the first 11 songs. Certain songs, like "Stone Free," are bursting with energy. Others have a bluesier vibe but its actually rather refreshing to hear that after the mindblowing nature of the album.
And the packaging itself is quite commendable. Long (albeit tremendously sycophantic) liner notes, lyrics and release dates for the songs. Well done!
Is there anything bad? Well, if psychedelic rock isn't your thing, you might not particularly like the album anyway.
Overall, this is a great example of a re-issue. They restore the album, add bonus material that compliments the original work and give us the best liner notes possible. Oh, and the CD itself has a groovy design as well.
A must-have!
Average customer rating:
|
Electric Ladyland
The Jimi Hendrix Experience Manufacturer: Experience Hendrix ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002P5U Release Date: 1997-04-22 |
Tracks:
- ... And The Gods Made Love
- Have You Ever Been (To Electric Ladyland)
- Crosstown Traffic
- Voodoo Chile
- Little Miss Strange
- Long Hot Summer Night
- Come On (Let The Good Times Roll)
- Gypsy Eyes
- Burning Of The Midnight Lamp
- Rainy Day, Dream Away
- 1983 ... (A Merman I Should Turn To Be)
- Moon, Turn The Tides ... Gently Gently Away
- Still Raining, Still Dreaming
- House Burning Down
- All Along The Watchtower
- Voodoo Child (Slight Return)
Amazon.com essential recording
Bursting with ideas and energy, Jimi Hendrix's second album release of 1968 (following Axis: Bold as Love) was a double-LP set that showcased virtually everything the guitar genius had to offer: blistering blues ("Voodoo Chile"), galaxy-patrolling space jams ("1983... A Merman I Should Turn to Be"), psychedelic soul ("Crosstown Traffic"), and skyscraping rock ("Voodoo Child (Slight Return)"). In the midst of all this was even a hit song--Hendrix's remarkable reading of Bob Dylan's "All Along the Watchtower," featuring a series of baton-passing guitar solos, all distinct and brilliant. Seemingly diffuse when first released; in hindsight, kaleidoscopically eclectic. --Billy AltmanCustomer Reviews:
Jimi Hendrix Electric Ladyland.......2007-07-03
Great sound quality.......2007-05-16
If this isn't a 5 star CD,what is?! A masterpiece........2007-04-15
Long live Hendrix!
Not his best - not a masterpiece.......2007-04-12
First, it is not his best studio album. That would be his first. I would put this after Axis: Bold As Love as well. My biggest gripe with this, as with much of the sixties music, is that it is so dated and trippy sounding that it just wears away at you. Buried beneath stoned lyrics about breathing underwater and psychedelic (yech!) trickery is some brilliant guitar work, it's just a shame that you have to wade through the dopey stuff to get to the nugget below. I'll no doubt piss plenty of folks off, but I don't consider Jimi a particularly great songwriter. He had the riffs, no doubt, but his lyrics tended towards the silly sixties b.s. that I truly can't stand. Still, he did put together some beauties and there are some on this album as well.
The first four songs are solid, mostly because the first track is short and to the point despite not really being much of a song as much as a lot of effects. The soulful Have You Ever Been (To Electric Ladyland) is sweet and Crosstown Traffic simply rocks, ala Fire and so many of Jimi's most inspired moments when he cuts the crap and just lays down the rock. Voodoo Chile is a slow blues that just simmers like a delicious stew punctuated by Jimi's hummingbird wail that about shatters glass. From there, the next five songs are good, as well, with the only questionable inclusion being Noel's Little Miss Strange. Burning of the Midnight Lamp is very good and the guitar work on Gypsy Eyes and Come On (Let The Good Times Roll) are pure Jimi brilliance.
The biggest problem I have with Electric Ladyland begins afterward, on what used to be the third side of the record. Despite a nice guitar melody on 1983, the lyrics, studio/psychedelic silliness, and the whole dated sixties vibe just kills anything else that is contained on these three tracks, and there are some nice guitar moments at the tail end of Moon, Turn the Tides, just to mention one spot. This whole section is little more than self-indulgence and filler, something left for headphone orgasms and acid trips.
The fourth section of the recording might be the best with the second half of Rainy Day (called Still Raining, Still Dreaming) kicking it off, followed by the final three strong cuts which culminate in one of Jimi's crowning achievements, Voodoo Child (Slight Return).
This is a mixed bag of stuff. I love Jimi Hendrix - at times. But there are reasons I won't just carte blanche this five stars. This album seems to lack direction, as if no one was there to tell him (or no one had the courage) "Hey Jimi...what is that crap?" It was all so groovy and so hip and so trippy, man, that no one bothered to question Jimi's self-indulgence in the peace, love, and grooviness of the times. If you want proof that perhaps even Jimi realized the excesses herein, look at the songs he recorded after this one. Those songs were concise and much more straight ahead lyrically and structurally. There is much to love on this recording but there is also much that I don't care for at all. For this low price, you won't regret the purchase, but I wonder how spectacular this often sprawling document might've been had someone cut away the trippy filler and stuck to the meat.
Okay, now you can click "no." Peace, man.
Jimi at his Best.......2007-04-12
I miss you, brother. Only a once-in-a-century musician like you could influence the playing style of a bloody bass player like me, and for that I modestly thank you. You've touched lots of lives in your short stay on this planet.
Average customer rating:
|
Pure 60's: The #1 Hits
Various Artists Manufacturer: Utv Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006LSNA Release Date: 2002-10-15 |
Tracks:
- Runaround Sue - Dion
- Runaway - Del Shannon
- The Lion Sleeps Tonight (Wimoweh) - The Tokens
- Please Mr. Postman - The Marvelettes
- It's My Party - Lesley Gore
- My Boyfriend's Back - The Angels
- (Love Is Like A) Heat Wave - Martha & The Vandellas
- My Girl - The Temptations
- Do Wah Diddy Diddy - Manfred Mann
- I Can't Help Myself (Sugar Pie, Honey Bunch) - The Four Tops
- Stop! In The Name Of Love - The Supremes
- Wild Thing - The Troggs
- Hang On Sloopy - The McCoys
- I Got You Babe - Sonny & Cher
- Monday, Monday - The Mamas & The Papas
- Good Vibrations - The Beach Boys
- Summer In The City - The Lovin' Spoonful
- Windy - The Association
- Happy Together - The Turtles
- The Letter - The Box Tops
- I'm A Believer - The Monkees
- Incense And Peppermints - Strawberry Alarm Clock
- Crimson And Clover - Tommy James & The Shondells
- I Heard It Through The Grapevine - Marvin Gaye
- Aquarius/Let The Sun Shine In (The Flesh Failures) - The 5th Dimension
- Na Na Hey Hey Kiss Him Goodbye - Steam
Customer Reviews:
This is Music!!.......2007-07-04
Billy
Great collection!.......2007-05-14
60's number one hits.......2007-05-06
Pure 60's, Pure Entertainment.......2007-04-27
Just what I wanted.......2007-03-18
Average customer rating:
|
Classic Disney: 60 Years of Musical Magic
Disney Manufacturer: Disney Int'l ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000055XD7 Release Date: 2003-05-27 |
Tracks:
- A Whole New World - Brad Kane/Lea Salonga
- Circle Of Life - Carmen Twillie
- Beauty And The Beast - Angel Lansbury
- Under The Sea - Samuel E. Wright
- Hakuna Matata - Jason Weaver
- Kiss The Girl - Samuel E. Wright
- I Just Can't Wait To Be King - Jason Weaver
- Poor Unfortunate Souls - Pat Carroll
- Chim Chim Cher-ee - Julie Andrews
- Jolly Holiday - Julie Andrews
- A Spoonful Of Sugar - Julie Andrews
- Let's Get Together - Hayley Mills
- The Monkey's Uncle - Annette Funicello
- The Ugly Bug Ball - Burl Ives
- The Spectrum Song - Paul Frees
- Colonel Hathi's March - J. Pat O'Malley
- A Whale Of A Tale - Kirk Douglas
- You Can Fly! You Can Fly! You Can Fly! - Bobby Driscoll
- The Work Song - The Mouse Chorus
- A Dream Is A Wish Your Heart Makes - Ilene Woods
- Zip-A-Dee-Doo-Dah - James Baskett
- Dance Of The Reed Flutes - Peter Ilyich Tchaikovsky
- Love Is A Song - Donald Novis
- Some Day My Prince Will Come - Adriana Caselotti
- Minnie's Yoo Hoo! - Carl Stalling
Tracks:
- Be Our Guest - Angela Lansbury
- Can You Feel The Love Tonight - Sally Dworsky
- Part Of Your World - Jodi Benson
- One Jump Ahead - Brad Kane
- Gaston - Richard White
- Something There - Paige O'Hara
- Supercalifragilisticexpialidocious - Julie Andrews
- Candle On The Water - Helen Reddy
- Main Street Musical Parade - Jean Jacques Perrey
- The Age Of Not Believing - Angela Lansbury
- The Bare Necessities - Phil Harris
- Feed The Birds (Tuppence A Bag) - Julie Andrews
- Best Of Friends - Pearl Bailey
- Let's Go Fly A Kite - Dick Van Dyke
- It's A Small World (After All) - The Disneyland Chorus
- The Tiki, Tiki, Tiki Room - Thurl Ravenscroft
- Mickey Mouse Club March - The Mouseketeers
- On The Front Porch - Burl Ives
- The Second Star To The Right - The Jud Conlon Chorus
- Ev'rybody Has A Laughing Place - Johnny Lee
- Bibbidi-Bobbidi-Boo - Verna Felton
- So This Is Love - Ilene Woods
- When You Wish Upon A Star - Cliff Edwards
- Heigh-Ho - The Dwarf's Chorus
- Who's Afraid Of The Big Bad Wolf? - Pinto Colvig
Tracks:
- Colors Of The Wind - Judy Kuhn
- You've Got A Friend In Me - Randy Newman
- Be Prepared - Jeremy Irons
- Out There - Tom Hulce
- Family - Original Cast
- Les Poissons - Rene Auberjonois
- Mine, Mine, Mine - Mel Gibson
- Jack's Lament - Danny Elfman
- My Name Is James - Paul Terry
- Heffalumps And Woozles - Disney Chorus
- The Mob Song - Original Cast
- Poortobello Road - Angela Lansbury
- Stay Awake - Julie Andrews
- I Wan'na Be Like You - Louis Prima
- Oo-De-Lally - Roger Miller
- Are We Dancing - John Davidson
- Once Upon A Dream - Mary Costa
- Belle Notte - Bill Thompson
- Following The Leader - Paul Collins
- Trust In Me - Sterling Holloway
- The Ballad Of Davy Crockett - The Wellingtons
- I'm Professor Ludwig Von Drake - Paul Frees
- Pink Elephants On Parade - Disney Chorus
- Little April Shower - Disney Chorus
- The Silly Song (Dwarfs' Yodel Song) - Adriana Caselotti
Tracks:
- One Last Hope - Danny DeVitto
- A Guy Like You - Charles Kimbrough
- On The Open Road - Aaron Lohr
- Just Around The Riverbend - Judy Kuhn
- Home - Susan Egan
- Fantasmic! - Bruce Healey
- Oogie Boogie's Song - Ken Page
- I Will Go Sailing No More - Randy Newman
- Substitutiary Locomotion - Angela Lansbury
- Stop, Look, And Listen/I'm No Fool - Cliff Edwards
- Love - Nancy Adams
- Thomas O'Malley Cat - Phil Harris
- That's What Friends Are For - J. Pat O'Malley
- Winnie The Pooh - The Disney Chorus
- Femininity - Hayley Mills
- Ten Feet Off The Ground - Janet Blair
- The Siamese Cat Song - Peggy Lee
- Enjoy It! - Maurice Chevalier
- Although I Dropped $100,000 (I Found A Million Dollars In Your Smile) - Paul Frees
- Give A Little Whistle - Cliff Edwards
- Oh, Sing Sweet Nightingale - Ilene Woods
- I Wonder - Mary Costa
- Looking For Romance (I Bring You A Song) - Donald Novis
- Baby Mine - Betty Noyes
- I'm Wishing/One Song - Adriana Caselotti
Tracks:
- I'll Make A Man Out Of You - Donny Osmond And Chorus
- I Won't Say (I'm In Love) - Susan Egan
- God Help The Outcasts - Heidi Mollenhauer And Chorus
- If I Can't Love Her - Terrence Mann
- Steady As The Beating Drum - The Disney Chorus
- Belle - Richard White
- Strange Things - Randy Newman
- Cruella DeVil - Dr. John
- Eating The Peach - Simon Callow
- Seize The Day - David Moscow
- What's This? - Danny Elfman
- Lavender Blue (Dilly Dilly) - Burl Ives
- The Rain Rain Rain Came Down Down Down - The Disney Chorus
- A Step In The Right Direction - Angela Lansbury
- Boo Bop Bopbop Bop (I Love You, Too) - Charlie Callas
- Yo Ho (A Pirate's Life For Me) - The Disney Chorus
- My Own Home
- Ev'rybody Wants To Be A Cat - Phil Harris
- In A World Of My Own - Kathryn Beaumont And Chorus
- You Belong To My Heart - Dora Luz
- Humphrey Hop - The Disney Chorus
- He's A Tramp - Peggy Lee
- Song Of The South - The Disney Chorus
- When I See An Elephant Fly - Cliff Edwards
- I've Got No Strings - Dickie Jones
Album Description
Aussie exclusive box-set featuring a collection of Disney's best-loved songs. 60 years of musical magic from 'Snow White' to the 'Lion King', from Mary Poppins' to 'Toy Story'. Five standard jewel cases housed together in a slipcase.Album Details
Spectacular Five Disc Box Set with all the Original Recordings of all the Great Songs from Disney Cartoons and Motion Pictures Assembled in One Fantastic Set!Customer Reviews:
GREAT ITEM.......2007-06-27
Slow shipping & Minor Damage.......2007-05-14
The Shipping was fairly slow. It took about two weeks (10 business days) to arrive through standard mail. This probably wouldn't have been so bad, but most of the other orders that I have placed through Amazon have arrived in 5 business days or less.
The product itself seemed to be damaged during manufacture. All of the CDs were lose in the cases. It appears that they didn't seat properly, and during the seating process the tines in the center of the case that hold the CDs in place were broken. None of the discs were damaged or scratched.
Grrrrrreat!.......2007-05-03
This CD is Awesome.......2007-04-12
Love It!.......2007-03-10
Average customer rating:
|
Hard to Find 45s on CD, Volume 6: More 60's Classics
Various Artists Manufacturer: Eric Collection ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005Q6Q4 Release Date: 2001-10-30 |
Tracks:
- Lightnin' Strikes - Lou Christie
- Every Day I Have To Cry - Steve Alaimo
- Everybody - Tommy Roe
- Tobacco Road - Nashville Teens
- Black Is Black - Los Bravos
- My Boy Lollipop - Millie Small
- Hold Me Tight - Johnny Nash
- Pata Pata - Miriam Makeba (Stereo Single Version)
- Nothing But A Heartache - The Flirtations
- (Just Like) Romeo & Juliet - The Reflections
- (Down At) Papa Joe's - The Dixiebelles
- A Kookie Little Paradise - Jo Ann Campbell (Stereo CD Debut)
- Sailor (Your Home Is The Sea)- Lolita (Stereo U.S. Single Version)
- Rumors - Johnny Crawford
- Laurie (Strange Things Happen) - Dickey Lee
- I'm Leaving It Up To You - Dale & Grace
- Walk Away Renee - The Left Banke
- Master Jack - Four Jacks And A Jill (Original Mono Single Version)
- Witchi Tai To - Everything Is Everything
- Guantanamera - The Sandpipers
- The More I See You - Chris Montez
Album Description
21 really hard-to-find HIGH-CHARTING HITS! Seventeen of these songs made the Top 20. All tracks digitally mastered from the best available analog sources (master tapes in most cases), all but 7 in TRUE STEREO! Detailed 8-page booklet. A must for collectors & sixties enthusiasts.Album Description
Volume 6 in the Eric Records series features 21 hard-to-find high-charting Sixties Classics, most in stereo, all superbly mastered from the absolute best sources available! These never sounded better! Detailed 8-page booklet. A must for any serious Sixties enthusiast. Includes the songs 'My Boy Lollipop' Millie Small; 'Hold Me Tight' Johnny Nash; 'A Kookie Little Paradise' Jo Ann Campbell (first time on CD!); 'Sailor' Lolita (first-time stereo, single version!); 'Witchi Tai To' Everything Is Everything; 'Laurie (Strange Things Happen)' Dickey Lee; 'Master Jack' Four Jacks & a Jill (mono single version); 'Every Day I Have to Cry' Steve Alaimo; '(Just Like) Romeo & Juliet' Reflections; '(Down at) Papa Joe's' Dixiebelles; 'Nothing but a Heartache' Flirtations and more.Customer Reviews:
oldies that are hard to find........2007-07-13
Amy
Disappointing.......2007-05-26
Unfortunately I was terribly disappointed to discover that the version presented here is a very short 2 minute and 55 second version, without the introductory chant. Luckily the version of Miriam Makeba's "Pata Pata" presented here was also one I wanted for my collection, but that's a lot to pay for one song.
As for the other sings on the disk- a few are winner, most are forgettable, and one- "Papa Joe's"- was incredibly annoying when I originally heard it on the radio, and time has not changed my opinion!
The Search Is Over.......2007-01-10
Glad to find.......2006-11-10
Eric Records Production of Old R&R Tunes.......2006-02-01
Average customer rating:
|
Appalachian Stomp: Bluegrass Classics
Various Artists Manufacturer: Rhino / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000033GO Release Date: 1995-02-28 |
Tracks:
- Uncle Pen - Bill Monroe & His Blue Grass Boys
- Foggy Mountain Breakdown - Lester Flatt, Earl Scruggs & The Foggy Mountain Boys
- This Weary Heart You Stole Away (Wake Up, Sweet... - The Stanley Brothers & The Clinch Mountain Boys
- Are You Missing Me? - Jim & Jesse (McReynolds Bros.) & The Virginia Boys
- You Don't Know My Mind - Jimmy Martin
- Rocky Top - Osborne Brothers
- Blue Moon Of Kentucky - Bill Monroe & His Blue Grass Boys
- Orange Blossom Special - Stanley Brothers
- The Ballad Of Jed Clampett - Lester Flatt, Earl Scruggs & The Foggy Mountain Boys
- Dooley - The Dilliards
- Nine Pound Hammer - The Kentucky Colonels
- Roving Gambler - The Country Gentleman
- Roll In My Sweet Baby's Arms - Del McCoury
- Dueling Banjos - Eric Weissberg & Steve Mandell
- Will The Circle Be Unbroken - The Nitty Gritty Dirt Band
- Old Home Place - J.D. Crowe & The New South
- Little Cabin Home On The Hill - Ricky Skaggs
- Love You In Vain - Alison Krauss & Union Station
Amazon.com
Appalachian Stomp is an ideal starter disc for those just beginning to explore bluegrass. Mostly this is because its 18 selections are so immediately accessible. The "classics" here, in other words, are usually those infrequent bluegrass cuts to have gained radio recognition beyond a core bluegrass audience. That explains why along with timeless standards such as Flatt & Scruggs' "Foggy Mountain Breakdown" and the Osborne Brothers' "Rocky Top" we also get "Dueling Banjos" from the film Deliverance, a cut that is to classic bluegrass what Walter Murphy is to Beethoven. There are less immediately obvious choices too, though. If your previous exposure to bluegrass doesn't go beyond the Holy Trinity of Bill Monroe, Flatt & Scruggs, and the Stanley Brothers--for example, if you've never heard J.D. Crowe & the New South's stellar example of progressive bluegrass, "Old Home Place," or experienced Jimmy Martin lay down the law on his rousing "You Don't Know My Mind"--then you're in for a high-lonesome surprise. --David CantwellCustomer Reviews:
Bluegrass at it's best.......2007-05-08
Bluegrass music.......2007-03-27
Great Bluegrass.......2007-01-10
TOE TAPPING PLEASURE.......2007-01-06
This is one of my all-time favorite CDs.......2006-07-17
Slow, fast, and in between beats!
Love it!
Average customer rating:
|
Viva Italia! Festive Italian Classics
Manufacturer: RCA ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002WXS Release Date: 1996-07-02 |
Tracks:
- Mattinata - Romano Ledenzio And His Orchestra
- Mala Femmena - Frankie Fanelli
- Canto D'Amore - Romano Ledenzio And His Orchestra
- Guaglione - Carlo Savina And His Orchestra
- Lary Mary(Luna Mezza Mare) - Lou Monte
- Anema E Core - Perry Como
- Funiculi Funicula - Romano Ledenzio And His Orchestra
- Soldi, Soldi, Soldi(From 'Boccaccio '70') - Sophia Loren
- Santa Lucia - Gino Del Vescovo And His Mandolins
- Hey Gumbaree(Bibadee Bobadee Bu) - Lou Monte
- Come Back To Sorrento - Romano Ledenzio And His Orchestra
- Volare(nel Blu Dipinto Di Blu) - Domenico Modugno
- A Man Without Love(Quando M'Innamore) - Sergio Franchi
- O Sole Mio - Romano Ledenzio And His Orchestra
- Forget Domani(From 'The Yellow Rolls Royce') - Perry Como
- Mama - Lou Monte
- O Mio Bambino Caro - Romano Ledenzio And His Orchestra
- Non Dimenticar(Don't Forget) - Lou Monte
- Al Di La(From 'Rome Adventure') - Frankie Fanelli
- Arrivederci Roma(Goodbye To Rome) - Romano Ledenzio And His Orchestra
Customer Reviews:
ITALIAN LISTENER.......2007-07-16
Terrific!.......2007-05-30
So-So CD.......2007-04-06
Great dinner background music.
This CD will put you to sleep.......2007-02-26
While Perry Como and others have melodic voices (and very wisely sing in English because they don't know Italian), these are '50s versions of the songs, for the most part. While you have to appreciate them, they are really old and reflect the '50s type of instrumention and style. Would have loved to have heard all these songs done in a fresh and original way. Soldi Soldi was our favorite by far, and that is why we gave the CD two stars.
Could have gone to the library for this one.
Thanks for letting me voice our opinion. We are a big Italian family and just spent hundreds of dollars buying every CD out there for our daughter's wedding and figured we would share our opinion with others.
Mi piace davvero!.......2007-02-20
Average customer rating:
|
Ludwig van Beethoven: The 9 Symphonies - Arturo Toscanini / NBC Symphony Orchestra
Ludwig van Beethoven (Composer) , Arturo Toscanini (Conductor) , and NBC Symphony Orchestra Manufacturer: RCA ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000CNTLU Release Date: 2003-12-09 |
Customer Reviews:
Toscanini's last Beethoven cycle -- a unique, bargain glimpse of the performing rite.......2007-06-30
Imagine being able to hear works played by musicians with direct links to performers who've remembered what the composer wanted in performance of his/her works during his/her lifetime. Such opportunities arise through listening to recordings made by maestros like Arturo Toscanini (born 1867, began orchestra conducting 1886) whose musicianship -- not just in terms of scholarship and technical powers -- take us to a view of the contemporary Beethoven performing rite that seems to have dimmed with successive generations. Not that every Toscanini performance of a work is the same -- indeed there's noticeable evolution -- but his basic underlying approach remained sufficiently consistent for it to be captured in recordings, like this set, made quite late in his career (it ended in mid-1954, he died early 1957).
This Beethoven cycle is ADD mono and may not be any sonic improvement over either RCA's "74321", or "GD", series CDs of the same cycle; and it's unlikely to be sonically better than the superb LP transfers in the 100-disc set released (in the late 1970s) by RCA Japan (n.l.a.). But if you don't already own this latest RCA CD package, then, at the 'Amazon' price, it'll be an indispensible part of your Beethoven cycle experience.
The NBC Symphony is in great form (Toscanini reportedly said it didn't really become a top symphony orchestra until around its 1950 continental US tour and these discs are from that period) and the recorded sound, for the most part (say except for the Seventh's last movement) captures the dynamics and unique, chrystaline fabric of the Toscanini orchestral sound.
There's apparently some confusion over whether the set's 'Eroica' is the 1949 "studio" or 1953 "live" (broadcast) performance, but the insert-booklet's per-movement timings indicate it's the 1953 one (which is broader and differently inflected compared to the '49, and some earlier, Toscanini Eroicas; the 1949 one is included in RCA's "GD" CD series). Anyhow, this kind of issue is more for discographers than those out on a journey of important musical discovery.
Buy this set, especially at the price, the performances shouldn't fail to stimulate and inspire!
Some suggested references:-
'The Toscanini Legacy' by Spike Hughes (pub. 'Dover')
'Toscanini and the Art of Conducting' by Robert C. Marsh (pub. 'Collier Books') (in UK, titled 'Toscanini and the Art of Orchestral Performance' (pub. 'Allen & Unwin'))
'Arturo Toscanini - The NBC Years' by Mortimer H. Frank (pub. 'Amadeus Press').
i can't take it anymore.......2007-06-02
which is just utterly not true!
don't get me wrong - i love furtwangler. he is one of the conductors i revere most, and i DO think that his beethoven is rarely surpassed. but there are a million ways to perform a piece! and most likely than not, this is not a matter of the cliched "subjective vs. objective" argument that most people put forward.
to argue that beethoven would not have conducted his music a la toscanini is absurd. very presumptious, of you ask me. actually, comparing beethoven's metronome markings with furtwangler's and tostanini's recordings, toscanini actually is closer to the norm. furtwangler actually disregards a lot of beethoven's instructions regarding tempi, phrasing, development, dynamics, etc.
many people, including me, would argue that furtwangler is not disregarding beethoven's intentions at all. beethoven's intention when, for instance, composing the first movement of the eroica, was not, as toscanini has said, "allegro con brio." it was the expression of beauty, the expression of the human soul. beethoven might've heard in his head the movement much faster than is usually performed. but music that occures in the mind and in the physical is significantly different (think of printing - the blue on your computer screen doesn't really turn out to be the blue you want when you print it out!). if furtwangler's performances best achieve this end (which i do believe they do), he has serviced beethoven immensly.
but who is to judge that furtwangler expressed what beethoven intended? perhaps beethoven intended a different kind of beauty? a different kind of soul? and this is why people who love music often have more than one record of the same music.
toscanini was a supreme maestro in his own right. he might not have the ability to direct a mind towards musical epiphany like furtwangler, or to steadily provoke the mind and heart to a state of climax like klemperer, but he does have a supreme sense of orchestral control. no one makes tuttis sound like tuttis as toscanini. he also has an insuperable talent of conveying musical excitement: not even erich kleiber, who in my opinion had one of the most powerful rhythmical senses amongst all the great conductors, can imbue a performance with as much explosive propulsion.
i must admit that i was also infected with the "toscanini-hate" for a while, particularly because sergiu celibidache, absolutely one of the greatest conductors, derided him as being a "note-factory." compared with celibidache or furtwangler, toscanini is a note factory. but this is merely because he prefers a more "absolute music" approach. to him, music is not an emotional, or spiritual language. it is just music. what the audience feels from the music is because of the innate quality of the notes themselves, not because the conductor tries to express them. one might say that people who prefer the first chords of the fifth symphony to be blatantly like "fate knocking on the door" would be disappointed by toscanini. but in a sense, such expectations are naive. to some performers and listeners, fate knocking on the door does not have to take on the gothic melodrama that most modern performances aim to achieve.
surely, there are sets out there that please me more - and this is not a collection of toscanini's best performances. there is a particularly noteworthy seventh on naxos coupled with an equally compelling fifth. this collection, however, serves as a worthy exponent of the virtues of toscanin's art.
for catharsis, look to furtwangler. for a sense of musical consummation, look to klemperer. elegance and liveliness, to erich kleiber. rough-edged and fiery, hawk-eyed execution, to schuricht. weingartner, walter, carlos kleiber, bohm, scherchen, and kempe also provide heartwrenching accounts. amongst the HIP performers, only gardiner had me convinced. actually, toscanini wouldn't be on top of my list of favorite beethoven conductors. but for others, he surely is, and it is more than a proper position.
Classic circa 1950 Beethoven Symphony Cycle.......2007-05-30
After seeing a great performance of Verdi's La Traviata, I bought Toscanini's rendition of the preludes from this opera. This was in 1978. Toscanini's music were on budget lps at the time. And being in college, I was on a budget. I have several of his budget lps plus this Beethoven Symphony cycle on the RCA plum dog label from the 1950s that I bought used. I have always enjoyed the performances and have always had misgivings about the at best AM radio like fidelity of the recordings.
I recently listened to Toscanini's Brahms Symphonies at Rhapsody and the remastering has almost brought the sonics into the space age. WOW! The Beethoven symphonies too are at Rhapsody. They sound pretty good, but far from the great Analog of the late 50s to when digital kicked in circa 1980. When the music intensifies, it seems to my ear to start to distort a little and get a little shrill. Kinda like a movie theater where you can enter and egress with abandon as long as no one yells "Fire!!"
If we look at the fidelity coming from the 1930s and 40s, all complaints would be dropped and instead our astonishment would be given at just how great they sound. For historical recordings, they do sound GREAT. I enjoyed listening again to them.
Toscanini has gone from being the best thing since sliced bread to being regarded as an out of favor commissar who is now commissaring in outer Siberia. By listening to these recordings I would hope that your perspective will improve and that you would realize that Toscanini was a pretty good conductor, who brought great classical music to the masses, who had wide influence that is still felt thru his understudies, and that he was not the boogie man!
Beethoven's symphonies.......2007-05-12
Great Historical Collection.......2007-05-07
Average customer rating:
|
Beethoven: The Complete Symphonies and Piano Concertos
Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004YA0S Release Date: 2000-11-07 |
Tracks:
- I: Adagio Molto - Allegro Con Brio
- II: Andante Cantabile Con Moto
- III: Menuetto & Trio: Allegro Molto E Vivace
- IV: Adagio - Allegro Molto E Vivace
- I: Allegro Ma Non Troppo
- II: Andante Molto Mosso
- III: Allegro - In Tempo D'allegro - Tempo I
- IV: Allegro
- V: Allegretto
Tracks:
- I: Allegro Con Brio
- II: Marcia Funebre: Adagio Assai
- III: Scherzo & Trio: Allegro Vivace
- IV: Finale: Allegro Molto - Poco Andante - Presto
- Gross Fuge
Tracks:
- I: Adagio Molto - Allegro Con Brio
- II: Larghetto
- III: Scherzo & Trio: Allegro
- IV: Allegro Molto
- I: Allegro Con Brio
- II: Andante Con Moto - Piu Mosso - Tempo I
- III: Allegro -
- IV: Allegro - Presto
Tracks:
- I: Adagio - Allegro Vivace
- II: Adagio
- III: Menuetto: Allegro Vivace - Trio: Un Poco Meno Allegro
- IV: Allegro Ma Non Troppo
- I: Poco Sostenuto - Vivace
- II: Allegretto
- III: Presto - Assai Meno Presto
- IV: Allegro Con Brio
Tracks:
- I: Allegro Vivace Con Brio
- II: Allegretto Scherzando
- III: Tempo Di Menuetto
- IV: Allegro Vivace
- Overture
- Overture
- Overture
- Overture
Tracks:
- I: Allegro Non Troppo, Un Poco Maestoso - Christa Ludwig
- II: Molto Vivace - Presto - Christa Ludwig
- III: Adagio Molto E Cantabile - Andante Moderato - Christa Ludwig
- IV: Presto - Recitativo - Allegro Assai - Alla Marcia - Christa Ludwig
- Overture - Christa Ludwig
Tracks:
- I: Allegro Con Brio
- II: Largo
- III: Rondo: Allegro Scherzando
- I: Allegro Con Brio
- II: Adagio
- III: Rondo: Molto Allegro
Tracks:
- I: Allegro Con Brio
- II: Largo
- III: Rondo: Allegro
- I: Allegro Moderato
- II: Andante Con Moto
- III: Rondo: Vivace
Tracks:
- Fantasia For Piano, Chorus And Orchestra
- I: Allegro
- II: Adagio Un Poco Mosso -
- III: Rondo: Allegro
Amazon.com essential recording
Otto Klemperer's Beethoven is one of the towering achievements in the history of recordings. By today's standards, these performances are hopelessly old-fashioned: dark, heavy, and frequently very slow. But they are also the grandest, most unsentimental, most purposeful versions in the catalog. In addition, the relatively slow tempos (only in the fast movements--the slow ones are pretty swift) and forward wind balance permit more detail to be heard than in most original-instrument performances. At budget price and with the entire piano concerto cycle thrown in for good measure, this is greatness incarnate. --David HurwitzCustomer Reviews:
Great Performance.......2007-07-07
If you like it fast - go to Toscanini or Norrington. If you prefer slow, powerful and majestic, this is your set. Towards the end of his distinguished career, the great Otto Klemperer set down his final views of the performance of these symphonnies. The set is a coherent whole and will give great pleasure for ever. The challenging mix of the young Barenboim and the aged Klemperer worked surprisingly well and thus the concertos may also be recommended. There are odd additional items which add to the pleasure. Finally do not forget to purchase his memorable set of 'Fidelio' to complete your traversal of a great conductor giving great performances of a composer that he loved. Finally the price is ridiculously low and provides quality and quantity at a great price. Thus you should be able to buy the opera set from the savings made!
Great Analog Beethoven Cycle.......2007-05-07
Of all these Analog sets, I most enjoy the Leibowitz Spring 1961 cycle with the Royal Philharmonic. I have this cycle on an audiophile early 90s European import Edition Phoenix label special pressing "on extra virgin vinyl." These are by far the best analog symphonic lps I have ever heard from a recording standpoint. BY FAR! And they will rock your house.
You can almost justify Karajan's 4 recorded Beethoven cycles and one video based upon improvements in recording technology. Thru Rhapsody, I have listened to his mid 50s cycle and the orchestra sounds great, but the recording quality is sub par compared to Analog's golden age. So the rational for 4 cycles would be, (1) recent great improvements in recording technology (early 60s), (2) it has been 15 years and he has grown as an artist (late 70s), (3) we now have digital! Let's do one of the first Beethoven digital cycles (80s).
Klemperer is a no-brainer. I do not have to think twice about plopping one of his lps onto my turntable or hitting the play button at Rhapsody. When the music starts, the listening pleasure begins. Don't miss his Bruckner symphony recordings!
An essential collection.......2007-04-25
These performances were recorded with the Philharmonia Orchestra at its peak, in the sumptuous acoustics of Kingsway Hall in London and in fine and detailed sound, and mostly in the mid-1950's during one of the brief charmed periods of Klemperer's life. EMI's impresario Walter Legge had made him permanent conductor of the Philharmonia, and when Klemperer embarked on this project in his 70's, he was in relatively good mental and physical health (Klemperer could show symptoms of manic depression and survived many health crises - brain tumor, broken bones, paralysis - which would have stopped most people).
By this time Klemperer had slowed the tempi of the fast movements of the Beethoven symphonies (listen to his early 1950's recordings of the 5th and 6th on Vox to hear by how much). This tendency is more pronounced in these studio recordings than in the live performances which were recorded during that era. The slowness is mostly saved by Klemperer's use of "sprung" rhythms, which keep the slow tempi from feeling laggardly.
Klemperer's earliest recordings in this series - symphonies 3, 5 and 7 - predate stereo and were recorded in excellent monaural sound. He rerecorded all three of these symphonies in stereo, but those recordings were made after he burned himself by falling asleep while smoking in bed. All three performances feature slower tempi than the earlier ones (whether this was the conductor's preference or the result of physical incapacity is open to conjecture). In particular, the rerecorded 7th suffered from lax phrasing, inattentiveness and perverse tempi. That is NOT the version contained in this set: fortunately, EMI had simultaneously recorded the earlier version of the 7th in "experimental" stereo, and it is that earlier version which is released here (and in remarkably good stereo). The versions of the 3rd and 5th are the rerecorded stereo ones.
You will find no finer studio versions of the 2nd, 4th, 6th, 7th or 8th. All are insightful, beautifully detailed and powerful. The 2nd clearly looks forward to the 3rd and not back toward Hayden, the 4th is boisterous and vital, the 6th bucolic and sumptuous (not a quality normally associated with Klemperer), the 7th gains in drama what it loses in swiftness and lightness, and in the 8th in particular we see the conductor's empathy to Beethoven's sense of humor. Klemperer had a deep affinity for the "Eroica", and the rerecorded version here, while slower than the 1955 recording, was dubbed by "High Fidelity"'s Harris Goldsmith (no Klemperer fan, he) as "the best Eroica going slow" and is a monumental masterpiece (the second movement is shattering). The 1st, while leisurely, is a lovingly crafted.
That leaves the 5th and 9th. There is no doubt in my mind that the earlier, mono 5th is superior to the remake in this set. We lose that sense of an inevitable onslaught, especially in the outer movements. And the 9th, while similar in conception to the live versions recorded around the same time (on Testament with the Philharmonia and on Music&Arts with the Concertgebouw), suffers from diffuse sound and occasional lack of focus. I emphasize that these recordings of both symphonies are still head and shoulders above most of the competition; we're talking about different levels of greatness here.
Are there superior Klemperer recordings of these symphonies? Yes; but all are live, and despite the relatively good reprocessed sound, they don't reveal the same level of detail that these studio recordings do. Klemperer was a very different conductor in front of an audience, and there is more vitality and drama in the live versions of the 3rd (Testament, with the Danish Symphony), 6th 7th and 8th (Music&Arts with the Concertgebouw) and the 9th (see above). Music&Arts' set of the complete symphonies, recorded live in Vienna in 1960, is long out of print and had cramped sound with poor detail - a supplement to this set, not a replacement.
As to the piano concerti: they are better than one might expect. Barenboim, although steeped in the Germanic performance tradition, is more naturally aligned with the Furtwangler and Edwin Fischer than with Klemperer. However, the two of them actually work together extremely well and this is a fine, insightful set.
Any complete cycle of Beethoven, symphonies or concerti, will have drawbacks. There will be unevenness in the performances, as there are here. But there are advantages to hearing one musician's perspective on the works, especially when (as here) the performer has depth of understanding, integrity of vision, and a structural understanding of the pieces.
The digital remastering is excellent and the sound barely shows its age. This may not be your only complete set of Beethoven's symphonies, but it should be one of them. And at a price this low, it's a bargain too.
The best value in classical music on CD at the moment..........2007-01-02
Wonderful Performances.......2006-04-07
Average customer rating:
|
Chopin: Favorite Piano Works
Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000427J Release Date: 1996-02-13 |
Tracks:
- Grande Valse brillante, op. 18
- Fantaisie Imprpmptu, Op. 66
- Nocturne In E flat Major, Op. 9 No. 2
- Waltz In A Minor, Op 34 No. 2
- Mazurka In D Major, Op. 33 No. 2
- Scherzo In B Flat Minor.D Flat Major, Op. 31
- Waltz In A flat Major, Op 69 No. 2
- Nocturne In F Sharp Major, Op. 15 No. 2
- Waltz In B Minor, Op. 69 No. 2
- Ballade In G Minor, Op. 23
- Mazurka In B Flat Major, Op. 7 No. 1
- Waltz In G Flat Major, Op. 70 No. 1
- Nocturne In B Major, Op 32 No. 1
- Polonaise In A Flat Major, Op. 53
Tracks:
- Ballade No3 In A Flat Major Op.47
- Prelude In C Sharp Minor, Op. 45
- Waltz In D Flat Major, Op. 64 No. 1 'Minute'
- Waltz In C Sharp Minor, Op. 64 No.2
- Etude In C Minor, Op. 10 No. 12 'Revolutionary'
- Etude In G Flat Major, Op.10 No.5 'Black Key'
- Nocturne In F Minor, Op. 55 No.1
- Polonaise In A Major, Op. 40 No. 1 'Military'
- Barcarolle In F Sharp Major, Op. 60
- Prelude In D Flat Major, Op.28 No. 15 'Raindrop'
- Etude In A Minor, Op. 25 No. 11 'Winter Wind'
- Etude In E Major, Op. 10 No. 3 'Tristesse'
- Scherzo No.3 In C Sharp Minor, Op.39
Customer Reviews:
Why are you waiting?.......2006-12-16
(Btw, Ashkenazy vs. Davidovich re. the impromptus is a toss up. But since the impromptus aren't on this disc, you can make that critical decision another time.)
Ashkenazy's scherzo #2 (op. 31) IS the best. Period. Other interpretations that your favorite classical music station may substitute are downright lame.
The rest are basically sublime. The first and 4th ballades will send shivers up your spine by Vlad's sheer technical ability. His artistry is second to none.
Chopin: Favorite Piano Works.......2006-07-25
Chopin: Favorite Piano Works (London 2 CD).......2006-02-24
chopins Mazurkas.......2005-08-08
REST FOR THIS WEARY SOUL.......2005-03-09
If you love Chopin, as I do, buy this recording it will sooth your soul as only great music can.
International Music: