Somebody

Track Listings

 
1. Somebody
2. Baron O' Brackley
3. On Castle Rock
4. Lough Erne's Shore
5. Jack of Diamonds
6. Cantus
7. Air for Mary Tipton
8. O'er the Hills and Far Away
9. Shenandoah
10. Rosemary's Sister

Somebody,Connie Dover,Taylor Park,Celtic/Irish,Contemporary Folk,Int'l & World Music,Pop
Bleach the Best
Average customer rating: 5 out of 5 stars
  • I wish I could give it 10 stars!
  • Best Anime CD in awhile
  • Greatest CD ever!
  • A Must Have For Bleach Fans
Bleach the Best

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Soundtracks | Styles | Music
Anime & Video Game SoundtracksAnime & Video Game Soundtracks | Soundtracks | Styles | Music
Similar Items:
  1. Bleach V.2
  2. Bleach Original Anime Soundtrack
  3. Eureka Seven
  4. Eureka Seven: Complete Best
  5. Bleach, Volume 4: The Substitute (Episodes 13-16)

ASIN: B000J4OYVI
Release Date: 2006-12-25

Customer Reviews:

5 out of 5 stars I wish I could give it 10 stars!.......2007-04-30

I bought Bleach the Best for the CD alone. The CD is wonderful!!!! My children and I love the songs and have a great time. In the car or doing dishes at home, this CD has music that gets you pumped to watch the series! The CD songs are the openings and closings for the show and it is great to hear them in their true form. The CD set I purchased from Amazon came with the DVD for Region 2 or for Japanese DVD players, pin-ups of the captians and Renji along with a booklet with the lyrics of the songs in Japanese. As far as I am concerned, it is worth every penny!

5 out of 5 stars Best Anime CD in awhile.......2007-04-19

I love this CD! I watched the first 118 episodes of the show and grew to LOVE the theme songs. I wanted them so bad but Amazon has too high a price for this cd, so I bought it used from one of the sellers. I got the cd in perfect condition for half the listed price for a new one, and just wanted to comment on one of the previous feedbacks about the DVD issues.

First off, this listing is for the CD ONLY, at least for the used copies. There is another listing with the CD/DVD combo here on Amazon. So if you want the DVD as well, make sure to look at both listings carefully or you will pay the same price and only get half of the packege, unless you buy used.

But I do say that the price is worth it to fans of the show who are farther along then the english dubbed episodes, because many of the theme songs are from later episodes. Hope this helps anyone interested in the CD.

5 out of 5 stars Greatest CD ever!.......2007-04-05

I love this CD so much. It's all I listen to right now. I play it in the car on the way to work and then put it into my computer and listen to it alla day at work. The artwork on the cover is very cool too. Well worth the price!

5 out of 5 stars A Must Have For Bleach Fans.......2006-12-20

I managed to pick this up in Japan the day after it was released. What a great find! The CD contains MOST of the openers & closers to the Bleach Episodes that have been aired in Japan (they're well past Episode 100 there). The DVD (Region 2 DVD) has the accompanying "clean" opening and closing anime set to the music. Also included is a set of pin-ups and a book with Lyrics, Credits, and messages from Noriyuki Abe and Tite Kubo (all written in Japanese). A brief warning about Region 2 DVDs... they won't play in a regular DVD Player purchased in North America. You can play them on a computer's DVD-ROM reader, but be careful! You can only change the Region of a DVD-ROM reader 4 or 5 times before the setting becomes permanent.

Song Titles & Artist by Track:
1. Asterisk by Orange Range
2. Life Is Like A Boat by Rie fu
3. Thank You by HOME MADE KAZOKU
4. D-tecnoLife by UVERworld
5. "Comet" by Younha
6. happypeople by Skoop On Somebody
7. "Flower of one wheel" by HIGH and MIGHTY COLOR
8. LIFE by YUI
9. "My Pace" by SunSet Swish
10. TONIGHT, TONIGHT, TONIGHT by BEAT CRUSADERS
11. HANABI ("Fireworks") by IKIMONO GAKARI
12. MOVIN!! by TAKACHA
Funny Girl
Average customer rating: 4.5 out of 5 stars
  • cd heaven
  • Nothing Rains on this Parade
  • Streisand in prime vocal condition
  • Needs more songs. Missing SECOND HAND ROSE.
  • Ladies & Gentlemen - The Greatest Star
Funny Girl

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Funny Lady: Original Soundtrack Recording
  2. Hello, Dolly! (1969 Film Soundtrack)
  3. Funny Girl
  4. Funny Girl (1964 Original Broadway Cast)
  5. Yentl (1983 Film)

ASIN: B00005V3WI
Release Date: 2002-01-29

Tracks:

  1. Overture
  2. I'm The Greatest Star
  3. If A Girl Isn't Pretty
  4. Roller Skate Rag
  5. I'd Rather Be Blue Over You (Than Happy With Somebody Else)
  6. His Love Makes Me Beautiful
  7. People
  8. You Are Woman, I Am Man
  9. Don't Rain On My Parade
  10. Sadie, Sadie
  11. The Swan
  12. Funny Girl
  13. My Man
  14. Finale

Customer Reviews:

5 out of 5 stars cd heaven.......2007-01-19

cannot buy cd's cheaper at any store. this is an oldie but a great christmas gift for an oldie.

5 out of 5 stars Nothing Rains on this Parade.......2007-01-04

"Funny Girl" was one of the greatest musicals and cast recordings to come ouf of broadway and it created one of the world's greatest performers ever. Happily Barbra Streisand successfully transported herself to film and out came one of the most enjoyable soundtracks ever produced for a film. The film score is so minutely different, the show's composers Styne and Merrill had to take out a couple of songs from the show and wrote the beautiful "Funny Girl" in it's place for the film. This soundtrack tends to in my opinion be more authentic than the original cast recording because they put in non-original material such as "I'd Rather Be Blue Over You (Than Happy with Somebody Else)" written by Billy Rose who would much later marry Fanny Brice and it fits the early 1900's era for which "Funny Girl" is set and Barbra's comedic skills are timeless on this song you may not see it but you can hear it in her voice such as with "The Swan" .Another song they use at the film's climax is "My Man" not only was it a staple in the real Fanny Brice's act it is a power-house. Barbra insisted to sing the first part live on screen and record the latter part it is so effective and you do get all the advantages of this on the soundtrack. One more bonus to this recording is the overture composed for the film is gorgeous and they never played it in the film only on the soundtrack, interestingly they used the the opening theme music from the film as the closing music to the soundtrack. Definitely get this soundtrack it is one of the most delightful scores to one of Hollywood's greatest musicals adapted from the stage and that can't be said too often. "Funny Girl was also one of the last great musicals ever produced out of Hollywood and the linear notes in the CD are informative and fun for musical lovers.

5 out of 5 stars Streisand in prime vocal condition.......2006-09-16

Barbra Streisand will forever be linked to the autobiographical Fanny Brice, a role she originally made her own on Broadway in 1964 and in London the following year; immortalised onscreen four years later (earning an Academy Award as well as countless other trophies). On the original soundtrack album, Ms Streisand is in prime vocal condition, though I do prefer her performance on the OBC album just a little bit more, for she is more brash and unkempt and far more vulnerable with her spin on Fanny. In the film, she is more confident and showman-like.

The film score of FUNNY GIRL does vary greatly from it's Broadway counterpart. The roles of Mrs Brice and Eddie Ryan don't get much to sing (with the deletion of "Who Taught Her Everything?" and "Find Yourself a Man"). Fanny's solo numbers "Who Are You Now?" and "The Music That Makes Me Dance" were abandoned in favour of numbers that the real Fanny was famous for ("I'd Rather Be Blue" and "My Man"). I believe the producers committed the cardinal sin with the deletion of "The Music That Makes Me Dance", a ballad far more memorable and moving than the show's big number "People" (and I know a lot of others feel the same way). Nevertheless, the film soundtrack of FUNNY GIRL is the perfect sonic representation of Streisand's greatest hour on celluloid.

I own the earlier Sony CD pressing (which is full of analogue hiss, reverb and noise), yet from what I hear about the more recent "remaster", the quality of the overall recording is virtually the same. Highly-recommended, but don't expect miracles with sound quality.

5 out of 5 stars Needs more songs. Missing SECOND HAND ROSE........2006-08-08

The soundtrack is good to excellent, but it makes me very
unconfortable that important songs are MISSING. Can you
imagine SECOND HAND ROSE is missing, and Barbra sings it a little
different from the version she did in MY NAME IS BARBRA TV special. I also love the part where Barbra sings " Mr Anstein,
Mr. Arnstein, what a beautiful name". Those two sequences could be combined into a song. I also would have loved a little spoken
comedy in this soundtrack, such as Barbra as Baby Snooks scene,
where she meets the reporters and ends with "the name is Arnstein". Barbra is marvelous in this comedy scene. Barbra is
perfect as a stand-up comedienne, and she would be great
acting such a part in a film.
Barbra recorded the song PEOPLE countless times over the last
decades. Why was SECOND HAND ROSE left out of the soundtrack.
There is enough space on the Audio CD to include this song, as
well as additional ones. A few Bonus songs of Barbra singing
Fanny Brice songs that were considered but that were left out
of the film, would be most welcomed. Looking forward to the next
edition of this soundtrack. hoping that it will be the definite
edition. We Barbra Streisand fans deserve the best.

5 out of 5 stars Ladies & Gentlemen - The Greatest Star.......2005-09-11

This is the first Barbra Streisand album that I had purchased. The experience of seeing the movie, Funny Girl, in September 1968, forever changed me. By the age of 10, I already had an innate sense of the popular music of the day. Being the youngest of three, I had been exposed to the Beach Boys, the Beatles and every pop song since I was born. But I had yet to experience complete awe and adulation for a singer -- that was until Funny Girl and Barbra Streisand. Not only had I never heard vocals so utterly astounding, I never experienced such an array of emotion from a singer. My virgin ears finally heard perfection and it was the first time I got those famous Streisand goose bumps that so many people had talked and written about.

The brilliant score was written by the legendary Jule Styne and Bob Merrill and included such Streisand classics as "I'm The Greatest Star," "Don't Rain On My Parade" Streisand's signature song, "People."

Ten of the fourteen tracks were sung by Streisand with the exception of "If A Girl Isn't Pretty" and "Roller Skate Rag." "You Are Woman, I Am Man" is an hysterically funny duet with Omar Sharif, and two songs that weren't written by Styne and Merrill; "I'd Rather Be Blue Over You (Than Be Happy With Somebody Else)" and "My Man," a song closely identified with Fanny Brice and Barbra Streisand, demonstrate the depth and range of Streisand's emotion. She could be cooing and joking at one moment on the famous bride number; "His Love Makes Me Beautiful," breaking your heart on the Oscar-nominated title cut written specifically for the film, and send your head reeling with her gutsy and explosive vocals on "Don't Rain On My Parade." All of the songs showcase Streisand's versatility as the actress who sings.

Purists might say the Original Broadway Cast Album from 1964 was better, maybe because they were there to witness the 22 year-old ingénue unknown named Barbra Streisand. But when you take a listen to the vocals and the arrangements on this soundtrack, it's hard to argue with aforementioned songs such as "I'd Rather Be Blue," "People," Don't Rain On My Parade" and the finale of all finale's "My Man." At 25 years old, Streisand never sounded stronger or with sang with more conviction.

How many singers can you name that can belt a song like "I'm The Greatest Star" and get away with it?

Somebody Else's Troubles
Average customer rating: 5 out of 5 stars
  • Great album/Great Human Being
  • great stories from a great storyteller
  • The best of the best!!
  • Steve Greatman
  • This Album Started my Goodman Addiction!
Somebody Else's Troubles
Steve Goodman
Manufacturer: Buddha
ProductGroup: Music
Binding: Audio CD

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  1. Steve Goodman
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  3. Affordable Art
  4. No Big Surprise: Anthology
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ASIN: B00000JN8N
Release Date: 1999-07-27

Tracks:

  1. The Dutchman
  2. Six Hours Ahead Of The Sun
  3. Song For David
  4. Chicken Cordon Bleus
  5. Somebody Else's Troubles
  6. The Loving Of The Game
  7. I Ain't Heard You Play No Blues
  8. Don't Do Me Any Favors Anymore
  9. The Vegetable Song (The Barnyard Dance)
  10. Lincoln Park Pirates
  11. The Ballad Of Penny Evans
  12. I'm My Own Grandpa (Live)
  13. The Auctioneer (Live)

Customer Reviews:

5 out of 5 stars Great album/Great Human Being.......2006-01-22

I bought this album when it came out, since I recognized him as the author of "City of New Orleans". I burned it to CD years ago, and still listen. I just listened to it a minute ago, now I'm ripping the CD into iTunes for my iPod. "Ballad of Penny Evans" still makes me shudder. What a master he was. And what a cast of superstars played on this album.

"Baby, I ain't never heard you play no blues". Nowadays, B.B. King needs to wear a life-jacket.


Don't think, just buy it.

5 out of 5 stars great stories from a great storyteller.......2005-09-04

Growing up in Wisconsin amid the folksingers and protesters who over the decades have become middle-aged Prairie Home Companion afficionados, I met Steve (and his scruffy sidekick whom I later learned was John Prine) while going to college in Madison, Wisconsin and moonlighting (literally) as a lighting designer in college music venues. Steve had an energy and wit that pervaded all of his music. Like my fellow yankee from Lilburn, GA, I hand out Steve's CDs to cherished friends, doing my small part to keep the music flowing. I was pleased to see John Prine in concert recently, still doing some of the old songs in honor of his best friend. The Ballad of Penny Evans, about a war widow of the Vietnam era - rings as cutting and fresh now, in the context of the current conflict, as it did then. Enjoy this album, and buy more - Artistic Hair is one of my personal favorites - for your friends.

5 out of 5 stars The best of the best!!.......2003-05-14

I knew Steve Goodman (and Brad Ellis) and his demented sidekick, John Prine, from my days as a bartender at the Earl of Old Town in 1970.

It is difficult for me to describe the beauty, the craftsmanship, the honesty, the hilarity of Steve's music. As Brad notes in his review, Steve died way too young.

I guarantee you will not be disappointed if you buy this album. I am on my forth copy now, since I keep giving them away to my friends, some of whom don't know and believe in the genius of Steve Goodman.

I also highly recommend "No Big Surprise", the compilation album of almost all of Steve's songs and performances.

4 out of 5 stars Steve Greatman.......2003-03-18

I just wanted to add to all those ParrotHeads out there (Jimmy Buffett fans) that you'll see a very young Jimmy Buffett on the cover of this cd (I think I remember him using the name "Marvin Gardens") I've loved this album for almost 30 years now.

5 out of 5 stars This Album Started my Goodman Addiction!.......2001-11-09

This is the first Steve Goodman disc I bought. The quality of the recording on this album is excellent. You get a good idea on how Steve reacts to live audiences with the two live teasers I'm My Own Grandpa and The Auctioneer. The studio tracks are excellent as well. Steve's version of Mike Smith's The Dutchman is very touching and heart-felt. Six Hours Ahead of the Sun and Somebody Else's Troubles are more upbeat and can't help but bring a smile to your face when you pay attention to the lyrics.

The beauty of this album is that it is deceptively attractive. By that, I mean you will instantly enjoy the songs that I mentioned in the paragraph above. However, after hearing the remaining tracks a few times, you begin to realize and appreciate the other tracks as well. This is definitely true for Song for David and The Loving Of The Game.

This disc gives you just a glimpse of Steve's true talents. The album includes songs that are upbeat, sad, and fun. Steve was great at capturing all emotions. Would I buy this album, now that I've already heard it? ABSOLUTELY!
Whenever You Need Somebody
Average customer rating: 4 out of 5 stars
  • Ahhh, the 80's...
  • Editorial Review
  • a smash hit
  • extremely relaxing
  • More than just a late 1980s Manufactured "Disco King"
Whenever You Need Somebody
Rick Astley
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Dance & DJ | Styles | Music
GeneralGeneral | Dance Pop | Dance & DJ | Styles | Music
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  1. Hold Me in Your Arms
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  4. Body & Soul
  5. Hold Me in Your Arms

ASIN: B000002WAD
Release Date: 1990-10-25

Tracks:

  1. Never Gonna Give You Up
  2. Whenever You Need Somebody
  3. Together Forever
  4. It Would Take A Strong Strong Man
  5. The Love Has Gone
  6. Don't Say Goodbye
  7. Slipping Away
  8. No More Looking For Love
  9. You Move Me
  10. When I Fall In Love

Customer Reviews:

5 out of 5 stars Ahhh, the 80's..........2007-06-27

So I've been slowly rebuilding my music collection with music I used to listen to as a teen - grew up in the 80's - and I almost totally forgot about Rick Astley! What a great CD! Typical 80's dance music - almost slow techno?!?!? But his voice! Gotta love it! Most of the songs are a little dorky - but still a load of fun to listen to - wish he's put out something new - again, great voice! Love Rick Astley! Dig the CD!

4 out of 5 stars Editorial Review.......2006-11-06

"In the '80s and '90s, England's dance-music team Stock, Aitken & Waterman was often accused of being too slick for its own good, and favoring style over substance. But the producers/songwriters (also known for their work with Dead or Alive and Samantha Fox) should definitely be proud of their work on fellow Briton Rick Astley's often captivating debut album, Whenever You Need Somebody. While the high-tech production is very '80s, Astley's soul/pop/dance music approach is very much a production of the '70s -- sort of the Average White Band meets Philly soul/disco meets Tom Jones. The best dance music works both on and off the dance floor, and this certainly holds true on such slick yet gritty fare as 'Together Forever,' 'Never Gonna Give You Up,' and 'Don't Say Goodbye.' There are a few weak moments -- the lackluster 'No More Looking for Love' being a glaring example -- but overall, this CD proved Astley to be a welcome addition to the British R&B scene. ~ Alex Henderson, All Music Guide" [refers to 1987 Album Release Date, RCA Label]

5 out of 5 stars a smash hit.......2006-04-13

Absolutely brilliant, from the SAW factory, Rick astley shines out in this record. With a voice that does not match his face, Rick Astley is my fav. Delivering such smash hits like "Never gonna give u up", "Whenever u need somebody"&"Together forever"
this album is a must keep for every Astley fan(like me).
I have the album on tape, and I listen to it as much as I can, my favourite ones being the tremendously funky" Whenever u need somebody" , "No more looking for love" & " Nevergonna give u up"
Astley songs do make way for the dance floors, and his ballads do touch hearts!!
THE MUSIC AND THE VOICE R FABULOUS
and I dont listen to Astley at nights coz then I cannot sleep-
the songs keep playing in my head all night

5 out of 5 stars extremely relaxing.......2005-07-21

i dont have a long review to write cus the others have put it beautifuly already,i agree with others that ricks deep voice never got the credit it fully deserved..this album is really relaxing to listen to at home or whenever...i love the song "it would take a strong man"he really uses his voice in that one..whenever you need somebody is a fave of mine also as well as never going to give you up!!i would recommend anyone to have this one added to your library if you dont already have it

3 out of 5 stars More than just a late 1980s Manufactured "Disco King".......2005-06-21

There are a lot of reasons why I consider the way Rick Astley burst on the music scene in 1988 with his debut album "Whenever You Need Somebody". The 1980s music landscape had undergone a major change. The early 1980s pop music sound started out as a Synth-Pop sound, but by the late 1980s transformed to a more "natural" guitar-laden sound. It was during this time that even Heavy Metal music was becoming mainstream. As the 1980s started, the Disco craze had already subsided and the backlash on Disco had begun. In reality, Disco really morphed into Dance Club music and there always was a niche for Dance Club music in the 1980s. However, by 1988 even Dance Music was beginning to take a secondary role on the pop-music scene to the more "natural guitar-laden" sound. But along comes a British Baritone named Rick Astley - who would take the music world by storm with a string of chart topping hits. The thing is - his chart toppers were defying a lot of what was happening on the music scene. For the most part, it was a Synth-Pop sound - and on the charts it was the closest thing that had been seen to classic 1970s Disco. Overall, Astley would give the British Invasion one last push in the U.S. Being that Astley's sound and style was a bit like a fish out of water back in 1988, it's no surprise that his burst on the music scene would be short-lived. While Astley's sound can be considered to be manufactured and to a large extent this is true - there are some clear signs on "Whenever You Need Somebody" that Astley is able to reach beyond the manufactured walls that were created for him.

For the most part, there is a clear dividing line on the songs on this album. Four of the songs are songs that Rick Astley wrote or co-wrote. There are five songs written by the combination of Stock, Aitken and Waterman. There also is a cover of Edward Hayman and Victor Young's "When I Fall in Love". It was the songs written by Stock, Aitken, and Waterman that made up the Rick Astley sound that took the music world by storm. In other words - much of this was the sound that seemed to give Disco one last push. For the most part, this is embedded in the hits "Never Gonna Give You Up", "Together Forever", and "It's Gonna Take a Strong, Strong Man". This was also found in the songs "Whenever You Need Somebody" and "Don't Say Goodbye". While these are all catchy songs, the only thing I found of substance to these songs was Astley's terrific baritones. For the most part - the music in these songs was what I consider "manufactured". The music in these songs was heavily synthesizer-laden - and it consisted of a drum machine. If you extracted Astley's voice off of these songs - you wouldn't hear much more than what I would term "filler music". While "Never Gonna Give You Up" and "Together Forever" were the two #1 hits in the U.S. - I felt that "It's Gonna Take a Strong, Strong Man" and "Don't Say Goodbye" were the two songs that took much better advantage of Astley's vocals.

What clearly surprised me on this album was "the other side of the fence" - the songs that were written by Astley. While these songs were not as catchy as the Stock, Aitken & Waterman numbers, the Astley songs were better songs from a musical perspective. These songs don't abandon the synthesizer-laden sound at all - but I think they are clearly better in both the music and the lyrics. The first of the Astley penned songs is "The Love Has Gone". This song has a clear Rhythm and Blues sound to it. I can't say Astley was able to pull off the R&B vocals perfectly - but he does have his moments in the song. He does a very good job at penning an R&B sound - so he deserves credit for that. Astley does a far superior job with the both the R&B sound and vocals on "Slipping Away". This is a song that was penned by Astley alone. While again Astley relies on a Synthesizer-laden sound, he does bring in some horns and this supplements the song beautifully. There is a terrific trumpet solo midway through the song. There are also some nice background vocals on this song. On "You Move Me", Astley again reaches for the Rhythm and Blues sound. This song almost has a Luther Vandross feel to it. Once again, I can't say that Astley pulls the R&B vocals off perfectly, but somehow he finds a way to make it work. This also seems to be the best song from a lyrical standpoint on the collection. There are some nice background vocals that provide the perfect compliment to Astley. On "No More Looking for Love", this is probably the one Astley penned song that sounds like the Stock, Aitken, and Waterman sound. This was probably the weakest of the Astley penned tracks, but again Astley uses his baritones to make this song work.

It's the last song that really made me realize that Astley is well-rounded musician. On Hayman and Young's "When I Fall in Love", we see a new side to the Astley baritones - crooning! Astley sounds completely different, but to me it was no surprise Astley was able to pull this off. His vocals are what dominated many of the songs on this album - and this is a necessary ingredient as a crooner.

After this album, Astley would begin to take his career in different directions and look at things a bit more artistically. Whether you like what he did after this album or not, this album shows the signs that Astley could do this. It might not be the strongest album, but still is worth checking out.
Gotta Serve Somebody: The Gospel Songs of Bob Dylan
Average customer rating: 4.5 out of 5 stars
  • Pressing On
  • Wry new soul food for sure, variously rendered
  • Breath of Fresh Air (despite an alleged stale history)
  • Gotta Get This!
  • Dylan songs well-served by gospel greats
Gotta Serve Somebody: The Gospel Songs of Bob Dylan
Various Artists
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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  1. Gotta Serve Somebody - The Gospel Songs of Bob Dylan
  2. Saved
  3. Shot of Love
  4. Slow Train Coming
  5. Dylan Country

ASIN: B00008NGAJ
Release Date: 2003-04-01

Tracks:

  1. Gotta Serve Somebody - Shirley Caesar
  2. When You Gonna Wake Up? - Lee Williams & The Spiritual Qc's
  3. I Believe In You - I Believe In You
  4. Are You Ready? - Fairfield Four
  5. Solid Rock - Sounds Of Blackness
  6. Saving Grace - Aaron Neville
  7. What Can I Do For You? - Helen Baylor
  8. Pressing On - Chicago Mass Choir
  9. Saved - Mighty Clouds Of Joy
  10. When He Returns - Rance Allen
  11. Gonna Change My Way Of Thinking - Bob Dylan

Customer Reviews:

5 out of 5 stars Pressing On.......2004-07-21

If you buy this cd and ONLY listen to the Chicago Mass Choir absolutely tear into "Pressing On", you will have gotten more than your money's worth. Absolutely stunning version. I had previously bought another "Gospel Tribute To Bob Dylan" cd, and was not moved at all. I cannot say the same about this one. Highly recommended.

5 out of 5 stars Wry new soul food for sure, variously rendered.......2004-02-13

from Dylan's house in Malibu where he can "see all the way to Ha/Wa/ee" and into the soul of man and god in the fallen forlorn new world order of reification, war machines, false prophets, corruption in principalities and powers that seem so unending but are falling apart even as I write and BD keeps writing/singing on(say, Rome toppled by the Pauline principles as registered in Gospel Music serving a different higher-lyric order than that of the big studio markets). This recording is (for me at least) an essential part of the Dylan canon, too, taking it into Baptist churches and the smoke-white hills and coal mines of west virginia.

5 out of 5 stars Breath of Fresh Air (despite an alleged stale history).......2004-01-14

As reviewers have rightfully observed, Gotta Serve Somebody: The Gospel Songs of Bob Dylan is not merely another Dylan "tribute." Its 55 minutes and 11 songs are on a different plane entirely. And the curious fact of the Minnesota native himself participating should not go unnoticed.

It took some kind of courage to pay homage to this particular period of Bob Dylan's career, a period that still can evoke a scoff or dismissive chuckle from even the most diehard fan. Because this project had humble beginnings and likely had its fair share of painful moments, it must have given executive producer Jeff Gaskill tremendous joy when it was birthed...and an outside world could finally see it and feel it and think it and breathe it.

Although Shirley Caesar kicks off the CD with a pre-song rap which includes these words--"I wanna share Bob Dylan's song with you"--it may well be the case that she's done to "Gotta Serve Somebody" what Jimi Hendrix did to "All Along the Watchtower." Like Hendrix, she wasted no time in making it her own (she recorded the song in 1980); Dylan even said, way back in 1985, that he liked her version better than his. Caesar, in this take, makes heartfelt and emotional declarations that seem anything but weak, alludes to the Hebrew scriptures at the beginning of the song (Joshua) and at the end (Chronicles) while her backup singers--with their occasional "Serve my Jesus!"--serve as an antidote to phony baloney revisionist history, i.e., Dylan really wasn't/isn't singing about Jesus, or if he was/is, that somehow he cannot claim his Jewish heritage.

When Dylan recently sang "I Believe in You" in concert, one observer noted how it still retains the original passion and power of its '79-'80 airings. Dottie People's version on this CD makes a valiant run at the original, with a strong, convincing voice. The Fairfield Four's stab at "Are You Ready?" easily works since the medicine of Dylan's words--words like "heaven or hell," "destruction," "judgment," "swift sword," and "Armageddon"--go down smoother through the conduit of a legendary gospel group (instead of, say, a "spokesman" for the 1960s). Dylan friend Aaron Neville gives "Saving Grace," a song Dylan has recently sung, wonderful treatment. Its line, "Wherever I am welcome is where I will be" may apply not only to Dylan's destiny in eternity, but also to the earthy locations of his gigs in recent years (before U.S. presidents, rabbis, and the Pope, in gambling casinos and at outdoor fairs in the mud...wherever he is welcome).

Regina McCrary's handling of "Pressing On," with the able support of the Chicago Mass Choir, must have sent shivers up the spines of those who heard her open Dylan's concerts back in 1979-1980 (what may have seemed like a chore at the time--an obstacle to Dylan taking the stage--turned out to be a privilege). As has been said, Dylan's performance with Mavis Staples on the final track, "Gonna Change My Way of Thinking," must be experienced. One reviewer has noted its blues orientation (very true), but also said the song is "only vaguely religious." Although we know how Dylan would react to a label like "religious," this is still wonderfully ironic. In this final track, I distinctly hear Dylan growling out lines--that he penned in 2002--that relate to, why, daily prayer ("Every day you got to pray for guidance / Every day you got to give yourself a chance"); a personal relationship with God ("Oh, Lord, you know I have no friend without you"); and the Second Coming ("Jesus is coming / He's coming back to gather His jewels"). You get the feeling that Dylan wasn't just whistling Dixie during those infamous stage raps in 1979-1980. We also get the corny humor at the beginning of this rewritten song too, so it's alright, we can also smile.

"When he was doing the previous album, Slow Train Coming, in Muscle Shoals, he'd had this vision of Jesus, of the hand coming down and these hands reaching up. And he said at the same time he had this vision, he saw the whole album too--all the songs, everything, the whole thing was there. And he said, 'What you've drawn here was exactly what I saw'." These were the words that the late John Bauldie heard from Tony Wright, the artist who Dylan hired to paint the original cover to the Saved album. Now, over two decades later, this personal vision of Dylan's has been interpreted--through Gotta Serve Somebody: The Gospel Songs of Bob Dylan--with passion and respect by a formidable group of artists. The results are pleasing to the ear and soul.

Do yourself a favor in this New Year of 2004...spend ten or fifteen dollars and get this collection of songs. It has recently been recognized by the Grammy folks in two categories: nominated for "Best Traditional Soul Gospel Album" and "Best Pop Collaboration with Vocals" (the Dylan/Staples duet). So there you have it, "traditional," "soul," "gospel," and "pop," a few labels one could arguably apply to Dylan without even uttering the ubiquitous "folk" or "rock"; or the "blues" that were instilled into the revamped version of "Gonna Change My Way of Thinking" on this CD. Incidentally, this same song is a surefire home remedy for the blues, insomnia, and/or reading SnoozeWeek (inside chatter for those who've heard it).

Scott Marshall

author of "Bob Dylan's Unshakeable Monotheism" located at http://www.jewsweek.com (2003-2004)

author of Restless Pilgrim: The Spiritual Journey of Bob Dylan (2002, with Marcia Ford)

5 out of 5 stars Gotta Get This!.......2003-12-10

Essential-Powerful-Fresh-Soulful-Raw - - - Not a trite tribute but an excellent gospel CD (Even for those who think they don't like gospel).

4 out of 5 stars Dylan songs well-served by gospel greats.......2003-11-07

Bob Dylan's voice and songs are so uniquely his own that it's a rare artist who can cover the man without inviting unflattering comparisons. But on "Gotta Serve Somebody," that's not a problem. The bright lights of gospel music assembled to interpret the songs Dylan wrote for 1979's "Slow Train Coming" and 1980's "Saved" make themselves right at home. This is THEIR turf more than Dylan's, and the performances only prove what many of us knew all along: that Dylan's controversial "born-again" period was among his most fertile. The best songs from Dylan's collaboration with the Lord not only stand comfortably beside the best work in his canon, but also hold their own in the entire gospel genre.

The topper, for me, is "Pressing On," and the Chicago Mass Choir give it the epic performance it deserves, one at least equal to Dylan's own version on "Saved." The Sound of Blackness do right by the same album's "Solid Rock," and Aaron Neville lends his admirable pipes to a lovely rendition of "Saving Grace." One of Dylan's overly preachy and arrogant Christian tracts, "When You Gonna Wake Up" from "Slow Train Coming," gets a dramatic overhaul from Lee Williams and the Spiritual QCs that is one of the album's highlights.

Of course, Dylan also wrote some clinkers during this period. The title track of "Saved" never gave off sparks and it doesn't do it here despite a valiant effort from the Mighty Clouds of Joy. The provocative lyrics and an energetic performance made "Gonna Change My Way of Thinking" a highlight of "Slow Train Coming," but the monotonous song didn't merit a revival and Dylan's noisy duet with Mavis Staples on the new version is saved only by the brief conversation between the two during the intro. It has a delightfully loony quality that one wishes had found its way into Dylan's film "Masked and Anonymous."

The main quibble I have with this disc is what was not included. Where's "Every Grain of Sand," the one unquestioned masterpiece from this period? Its absence doesn't detract from the excellence of what is here, but if any song has earned a place in this lineup, it's that one.
Somebody's Miracle
Average customer rating: 3.5 out of 5 stars
  • Huh.
  • Think before you whinge
  • It's The Same Liz
  • Not my style
  • Cheer down, Liz
Somebody's Miracle
Liz Phair
Manufacturer: Capitol
ProductGroup: Music
Binding: Audio CD

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  1. Extraordinary Machine
  2. Liz Phair
  3. Wildflower
  4. Exile in Guyville
  5. whitechocolatespaceegg

ASIN: B000AV2G2O
Release Date: 2005-10-04

Tracks:

  1. Leap Of Innocence
  2. Wind And The Mountain
  3. Stars And Planets
  4. Somebody's Miracle
  5. Got My Own Thing
  6. Count On My Love
  7. Lazy Dreamer
  8. Everything To Me
  9. Closer To You
  10. Table For One
  11. Why I Lie
  12. Lost Tonight
  13. Everything (Between Us)
  14. Giving It All To You

Amazon.com

Is Liz Phair apologizing? It would be easy to get that impression from the title track of Somebody's Miracle. Suddenly the singer who was once known for her jaded lyrics and liberal use of the "f" word, is throwing around different kinds of "f" words altogether. "Faith?" "Fairytale?" Once, a generation of young women turned to Phair to express their collective rage at emotionally unavailable men. Now it's all about frogs with princes inside, and her regret over fleeing relationships with a few good men. My, how times have changed.

Some tracks on this album, including "Got My Own Thing," "Why I Lie," and "Can't Get Out of What I'm into," go back to Phair's more cynical roots. (In fact, "Can't Get Out," dates back to the singer's early demos.) But it seems clear that her overall trend towards pop (exhibited on her self-titled CD from 2003) is continuing. And who can blame her? Exile in Guyville was a breakthrough, but it left her in a real bind. A decade plus later, a still-bitter Liz would probably seem tiresome and immature. A happier, hopeful Liz could be accused of going soft. Phair doesn't need her angry-girl persona to prove she has talent, but she may still need it to stand out from the crowd. After all, do we really need another pop song like "Stars and Planets" telling us "we all shine, shine, shine?" The question Somebody's Miracle raises is: can Liz Phair drop some of her attitude without losing all of her edge? --Leah Weathersby

Customer Reviews:

4 out of 5 stars Huh. .......2007-06-12

Well, let's start with this: I am A HUGE Liz Phair fan (or, at least, I thought so.) I loved "Exile" and "WCSE" very much, and I intend to get Whip-smart. No matter how many times I listen to these cds, something jumps out, and sucks me in.

In "Exile," the lyrics are phenomenal, and the production is rough; a true masterpiece. It showed a ton of emotion. In "WCSE," Liz expanded her subject matter, and, while her music became a tad more accessible, the lyrics were great and the songs stay in my head. I never regret listening to either of these albums. I skipped over her self-title, because I hate pop, or at least most of it. I feel that pop isn't thought provoking, beautiful, or full of real emotion. I listen to music that does something for me, that MEANS something (no offense if you like pop.)

This album is a toss-up for me. There are plenty of dull pop songs. But then there are some songs that are quickly becoming my favorites. Her sound is good, and I don't mind if it's a bit polished. I really like her voice, despite it not being particularly outstanding. But, I have two issues. First, some of the songs are too similar in melody, and don't stand out. The other is THE LYRICS!! What on Earth happened here? Now, don't get me wrong. It's not the swears or the risque material. I miss the clever rhymes, the candid phrases, the words that stuck in your head and wouldn't go away for weeks. Who told her to rhyme the two most bland and obvious words? These songs could be a lot better if she had given it mor thought.

These are on a scale of 1-10, ten being the best
Leap of Innocence-8. It is pop, but some of the lines are really good, and hint of the old song-writing goodness. It sticks in your mind.

Wind and the Mountain-5 It's okay. It seems a little religious for my tastes. I just can't get into it.

Stars and Planets-2 I'm sorry. This is pure "everyone is wonderful" pop. Overproduced, and just like everything else, but the two comes from the actual melody not being horrible.

Somebody's Miracle-6.5-7 I like the chorus, and I find myself humming it a lot. not the best verses, but you take what you can get.

Got my Own Thing-7 There are some clever lyrics, and I like the beat, but it loses some of its appeal after only a few listens.

Count on my Love-3 Once again-pure pop. The uplifting message is just a little too picture perfect. I like the one pat where she sings the chorus, and all that accompanies it is a twinkling melody of a single guitar.

Lazy Dreamer-3 Pop. One or two good lines, but begging for radio play, and just like anything else already clogging the airwaves.

Everything to Me-7.5 I like this song a lot. The lyrics are frank, like in "WCSE." I also like the melody. Catchy.

Closer to You-6.5 I like the slow, more relaxed quality, like Uncle Alvarez. The lyrics are starting to get back up to where they were on her first three albums. It is a little too sweet for me.

Table for One-10 This is classic Phair, with the low-fi vibe and the great verses. Sad, depressing, stripped-down. It reminds me of "Glory" from "Exile." A great song, and my favorite on the album.

Why I Lie-9 Back with the biting lyrics, a song that energises you. I love it.

Lost Tonight-1 Dreadful.

Everything (between Us)-7.5 I like it. The melody is good, and the singing is faster. I like the chorus, and the lyrics are solid, and are reminiscent of "WCSE"

Giving it all to You- 5-6.5 Pretty good. The pace is good, but the lyrics leave something to be desired. A tad poppy.It seems a tad bland.

Can't Get Out of What I'm Into-8 I NEED to get this off iTunes-I can't believe she took it off the cd. It's really good, probably because it's from pre-Exile.

Overall, the really good songs make this worth getting. If you are like me, and hate pop, just skip over the pop, and it leaves a good twenty minutes of pretty darn good Liz Phair.She has matured, but we can still love her. Perhaps her next release will be another great. I respect that artists can change, so more power to her.

4 out of 5 stars Think before you whinge.......2007-05-21

This is a really good record. Listen to it as many times and with as much heart as you listened to Exile in Guyville, then whinge freely, o you hipsters of lamentation. It's lousy with great, if less strident, hooks and smart,spot-on lyrical moments. It does sound really different; lo fi Liz is gone forever, but we're all making rent and we like it. And to whoever wrote the Amazon blurb (brace yourself, this is boring but important), twitting her for reminding us that "we all shine, shine, shine." She, or the lyric, is acknowledging that some of us kick out our own light but mostly we just reflect it. Lovely, modest, accurate, becoming-a-grownup language. We need more of this voice, folks. We might just need Liz to spank us until we admit we have a problem.

5 out of 5 stars It's The Same Liz.......2007-03-18

I get bemused when critics write that Liz Phair has sold out or gone soft. The poor woman apparently isn't allowed to grow up or mature. Some writers and fans want her to eternally remain their caricature of the twentysomething alt-rock sex object. Well, if you are willing to meet "Somebody's Miracle" halfway you will find its the same old Liz of her earlier great albums, with more experience and wisdom. There's the same witty, self-deprecating lyrics in songs like "Lazy Dreamer" and "Why I Lie." There's the same hard-rocking, off-kilter melodies and rhythms, albeit with a touch more production. And there's Liz's endearingly rough vocals, which always crawl inside my head and stay there. Even if this record was as misguided as its detractors say it is (which it isn't by a long shot), a Liz Phair record is a rare event and always an occasion for celebration. And when she sings, "I'm praying for it", I, for one, believe her.

1 out of 5 stars Not my style.......2007-01-08

I just couldn't listen to the whole CD. Kind of a disappointment from her last cd "Liz Phair." That CD was great...this one not so much.... I purchased this cd as a gift to someone (without hearing it), and they, too, were disappointed.

3 out of 5 stars Cheer down, Liz.......2007-01-07

Liz Phair is at her best when she's angry, depressed, and horny. Unfortunately, most of SOMEBODY'S MIRACLE finds her as perky and chaste as a church youth group leader. There's exactly one excellent track on the album: "Table For One", a tale of desperate alcoholism that stands head and shoulders above all the other midtempo pop numbers that surround it. Of course, midtempo pop has its charms, and several of the songs are above average. The "best of the rest" is probably "Why I Lie", a catchy ditty with a cheerfully unlikeable narrator. Other highlights are "Wind And The Mountain", an ultimately uplifting anthem with good imagery and good lines, "Leap Of Innocence", which trades in gentle nostalgia while holding faint hope for the future, and "Everything (Between Us)", a velvety portrait of intimacy between longtime partners. The lead single, "Everything To Me", starts promisingly, but nosedives into an utterly hackneyed chorus. ("Would you take the time to catch me if I fall?") Most of the rest is just drearily ordinary verse-chorus-verse pop, and maybe it's not fair (uh, no pun intended) to take Liz to task for such bland songwriting, but she proved on EXILE IN GUYVILLE that she could be both tuneful and breathtakingly original; it's hard to see her current output as anything but a giant leap backwards.

Not only were the song structures on EXILE and other early albums fresh, the subject matter was daring and the lyrical attack unique. That's another place where SOMEBODY'S MIRACLE falls down badly -- the songs on this album are thick and sticky with cliches, and their themes (with the exception of "Table For One") as unthreatening as could be. In fact, I believe this is the first Phair album where there's nary a swear word to be heard. Not that cursing automatically makes for a great album, of course, but the difference is emblematic of how devoted Phair seems to playing it safe nowadays. It's almost as if her songwriting is aging backwards -- while her first few albums were perfect soundtrack material for the lives of twenty- and thirty-somethings, her last album seemed more aimed at 17-year-olds, and most of MIRACLE wouldn't be out of place on a tweener's stereo. Maybe an album of children's songs is next.

Ah, I'm being cruel. But what's true is this: I've been a Phair fan since the beginning, and SOMEBODY'S MIRACLE is probably the last album of hers I'll buy unless I hear that she's decided to be an artist again rather than just a craftswoman.
Dreamgirls in Concert (2001 Concert Cast)
Average customer rating: 4 out of 5 stars
  • Dreamgirls 2001
  • Not the real "DREAM" experience
  • Absolutely brilliant!
  • Amazing!!!!!!
  • One Night Only
Dreamgirls in Concert (2001 Concert Cast)
Henry Krieger , Audra McDonald , Brian Stokes Mitchell , Emily Skinner , and Darius de Haas
Manufacturer: Nonesuch
ProductGroup: Music
Binding: Audio CD

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  1. Dreamgirls (1982 Original Broadway Cast)
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ASIN: B00005Y4P4
Release Date: 2002-02-26

Tracks:

  1. I'm Looking for Something, Baby
  2. Goin' Downtown
  3. Takin' the Long Way Home
  4. Move (You're Steppin on My Heart)
  5. Scene: Fifty bucks says the Dreamettes don't win
  6. Fake Your Way to the Top
  7. Scene: It ain't working, Marty
  8. Cadillac Car
  9. Cadillac Car (On the Road)
  10. Cadillac Car (Recording Studio)
  11. Scene: I don't believe they can do that
  12. Steppin' to the Bad Side
  13. Scene: I'm working on a long shot
  14. Party, Party
  15. I Want You, Baby
  16. Scene: I'm a woman now
  17. Family
  18. Scene: What are you doing to that girl?
  19. Dreamgirls
  20. Press Conference
  21. Heavy
  22. Walkin' Down the Strip/Scene: Las Vegas
  23. It's All Over
  24. And I Am Telling You I'm Not Going

Tracks:

  1. Opening Act II: Dreams Medley
  2. Scene: Effie White is the best singer you're gonna find
  3. I Am Changing
  4. Vogue Sequence
  5. When I First Saw You
  6. Ain't No Party
  7. I Meant You No Harm
  8. The Rap
  9. I Miss You, Old Friend
  10. One Night Only
  11. One Night Only (Disco Version)
  12. I'm Somebody
  13. Hard to Say Good-bye
  14. Dreamgirls (Reprise)

Amazon.com

A Chorus Line may be better known, but Dreamgirls was a towering achievement for director Michael Bennett. Loosely based on the Supremes' story, the 1982 musical told a typical show-biz tale of fame, backbiting, and survival. As is often the case for one-night only events, the cast in this concert version (recorded in New York on September 24, 2001) is led by an eye-popping assortment of Broadway powerhouses: Lillias White (The Life), Audra McDonald (Ragtime, Marie Christine), and Heather Headley (Ragtime). McDonald reveals a previously undisclosed comic streak, while Headley confirms her status as a rising star. Reprising the role of Effie Melody White (created by Jennifer Holliday), White belts the classic "And I Am Telling You I'm Not Going." But the beauty of Dreamgirls is that it's so packed with catchy, Motown-influenced R&B numbers that each lead can sink her teeth into some prime material and get a turn in the spotlight. This double-CD set really makes you wish you'd been there when the show was recorded: you can hear the crowd going berserk at times, and the temptation is strong to do the same thing in the comfort of your living room. --Elisabeth Vincentelli

Customer Reviews:

1 out of 5 stars Dreamgirls 2001.......2007-06-27

This was the worst reproduction of Dreamgirls that I ever heard. I was so disappointed the CD went into the garbage. This is one CD that I would not sell to the public because I expect so much and get so little.

4 out of 5 stars Not the real "DREAM" experience.......2007-04-04


Forget about the film sountrack. Get this CD set. And it's far better than the original cast recording which goes lacking. More songs and more everything that makes a live performance just what it is. Live (compared to film where anything can be done to enhance a performance!) -- the energy, the excitement and the performances make this a rare treat for anyone wanting to share in the real DREAM experience.

Isn't a full Broadway revival long over due. But wait: I've heard rumors that a rvial may be "in the works. I certainly hope so. Maybe this time it will receive the Tony award it deserved in the first place.

5 out of 5 stars Absolutely brilliant!.......2007-01-28

There is atleast 5 new songs on this album that were not in the movie! These girls kill it I mean they are just amazing singers, and this all live! This is needed for any Dreamgirls fanatic like me! You are gonna love it! Enjoy! love live laugh :)

5 out of 5 stars Amazing!!!!!!.......2006-12-04

As a theatre lover, this recording is amazing. I actually prefer this recording to the OBC. Sheryl Lee Ralph is okay, but can't touch Audra's Deena. The first time I heard Ms. White's "And I Am Telling You..", goosbumps all over my body. The only weak cast member in my opinon is Heather Headly. Vocally, she just isn't there. Too much Aida, not enough Dreamgirls. But all in all, a great live recording of a great show.

5 out of 5 stars One Night Only .......2006-07-19

I was lucky enough to attend this One Night Only concert performance of Dreamgirls and it was a night I will never forget!! The cast was brilliant and the cd is as good if not better than the Broadway cast recording because it is the entire show not just the songs. Bravo to everyone involved !!!
Sacred
Average customer rating: 4.5 out of 5 stars
  • Beyond words ...
  • Magnificent voices, songs and arrangements
  • Not their best album
  • Excellent !!
  • sacred
Sacred
Irish Anonymous , Joe / Sprague, Billy / Carroll, Bruce Beck , Nicholas Brodszky , Gregorian Chant , Henri F. Hemy , Chuck / Shamblin, Allen Jones , Charlie Landsborough , John Newton , Stuart Townsend , Traditional , Irish Traditional , Shaker Traditional , Stevie Wonder , Arnie Roth , Orchestr Ceská Filharmonie , Anthony Kearns , Finbar Wright , and Irish Tenors
Manufacturer: Razor & Tie
ProductGroup: Music
Binding: Audio CD

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ASIN: B000A2GP2K
Release Date: 2005-09-13

Tracks:

  1. Deus Meus
  2. Be Thou My Vision
  3. Morning Has Broken
  4. My Love
  5. If I Can Help Somebody
  6. My Forever Friend
  7. Shelter Me
  8. Amazing Grace
  9. To Do Your Will
  10. Hail Glorious St. Patrick
  11. How Deep The Father's Love
  12. Lord Of The Dance
  13. There's No Cross
  14. I'll Walk With God
  15. Salve Regina

From the Label

Sacred marks John McDermott's first recording with the Irish Tenors since rejoining fellow original member Anthony Kearns and Finbar Wright (who actually replaced McDermott in 2000). The Irish Tenors live up to their reputation as "gifted interpreters" with this collection, covering a wide range of spiritual material. Sacred was produced by the Irish Tenors' long-time musical director, Arnie Roth, who has also worked with Charlotte Church, Diana Ross, and Art Garfunkel. The album was produced in Prague at the Rudlofinum and ICN Studios.

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Customer Reviews:

5 out of 5 stars Beyond words ..........2007-03-22

Having only recently discovered The Irish Tenors, nothing here was a repeat to me. And, even if it was, I can't imagine being disappointed.

If you are open to the idea that music can be a vehicle for a moment of sublime and sacred ecstacy, that may help convey what I find difficult to put into words.

While I live continuously and constantly in Our Father's presence, a music album such as this can certainly heighten the moment with Him.

5 out of 5 stars Magnificent voices, songs and arrangements.......2006-06-17

This is an extraordinary collection. The songs are irresistible, the voices incredibly powerful and filled with appropriate emotion, and the orchestra is very simply great. You'll want to buy this album for others. Simply beautiful. A pure joy.

3 out of 5 stars Not their best album.......2006-02-27

For the most part this is an enjoyable collections of sacred music. However the inclussion of "Lord of the Dance" and other modern tunes are dreary no matter who sings them.

5 out of 5 stars Excellent !!.......2005-10-26

I recently went to a concert to hear The Irish Tenors. They did several songs from this CD and it was great. If you like John McDermott as much I do then you must have this CD. This is a triple good CD with 3 top tenors.

3 out of 5 stars sacred.......2005-10-23


I enjoyed most of the music. My main complaint is the repeated songs from John McDermott's Faithfullness CD. For us fans of John the repeats seem a bit too much. I think there are six reteats.
Somebody New
Average customer rating: 5 out of 5 stars
  • not all country music sucks
  • Why is "this" CD out of print????
  • Rhett is one of the best
  • Rhett is as talented as he is gorgeous!
  • couldn't be better. How does he do it??????
Somebody New
Rhett Akins
Manufacturer: Mca Nashville
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Contemporary Country | Country | Styles | Music
GeneralGeneral | Country | Styles | Music
ContemporaryContemporary | Bluegrass | Country | Styles | Music
CDs $7 - $10CDs $7 - $10 | Country General | Country | Today's Deals in Music | Formats | Music
All Bargain TitlesAll Bargain Titles | Country General | Country | Today's Deals in Music | Formats | Music
4-for-3 Country4-for-3 Country | 4-for-3 Music | Stores | Music
4-for-3 Pop4-for-3 Pop | 4-for-3 Music | Stores | Music
4-for-3 All Music4-for-3 All Music | 4-for-3 Music | Stores | Music
Similar Items:
  1. Thousand Memories
  2. What Livin's All About
  3. Friday Night in Dixie
  4. Goodnight Sweetheart
  5. If I Never Stop Loving You

ASIN: B000002P0A
Release Date: 1996-06-04

Tracks:

  1. No Match (For That Old Flame)
  2. Love You Back
  3. Somebody Knew
  4. K-I-S-S-I-N-G
  5. Don't Get Me Started
  6. Where Angels Live
  7. Too Much Texas
  8. Every Cowboy's Dream
  9. Carolina Line
  10. I Was Wrong

Customer Reviews:

5 out of 5 stars not all country music sucks.......2006-03-26

I hate country music, but Rhett rocks. It's nice to see a country artist that can write/co-write his own songs (not just one or two).Very talented and puts on a great live show.

5 out of 5 stars Why is "this" CD out of print????.......2004-04-14

This is a great CD, I bought it when it was first released. I loved "A Thousand Memories" also. That's why I bought this CD as well. It also has his #1 hit "Don't Get Me Started." I had his first 2 CD's but they were stolen from me. I'm sad to find out that it is no longer available. MCA NASHVILE IF YOU ARE READING THIS, PLEASE REISSUE THIS CD OR ISSUE A MILLENNIEM COLLECTION OF THIS ARTIST.

5 out of 5 stars Rhett is one of the best.......2003-11-27

Rhett's music is very heartfelt. He has some wonderful songs on this album!

5 out of 5 stars Rhett is as talented as he is gorgeous!.......1999-08-30

How can you not love to look at him?! Anyway, Rhett is a wonderful singer and performer and this CD is great, along with his others. You will not be disappointed! This has some very catchy tunes and beautiful ballads. Buy it!

5 out of 5 stars couldn't be better. How does he do it??????.......1999-04-02

Rhett keeps getting better as he goe
Somebody To Love
Average customer rating: 5 out of 5 stars
  • One hell of a debut
  • Refreshing
  • Amazing!!!
  • Its D-Brock
  • Bringin Hip hop soul back
Somebody To Love
Darien Brockington
Manufacturer: Abb Records
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | R&B | Styles | Music
GeneralGeneral | Soul | R&B | Styles | Music
GeneralGeneral | Rap & Hip-Hop | Styles | Music
Pop RapPop Rap | Rap & Hip-Hop | Styles | Music
Pop RockPop Rock | Pop | Styles | Music
Similar Items:
  1. Here
  2. The Healing
  3. Starr Status
  4. Choklate
  5. DJ Drama & Little Brother Separate But Equal (Mixtape) Gangsta Grillz CD

ASIN: B000H5U47C
Release Date: 2006-10-17

Tracks:

  1. Somebody To Love (Intro)
  2. Think It Over
  3. More And More
  4. Don't Say Goodbye
  5. I Got What You Want
  6. Lover And Friend (Interlude)
  7. Come On Over
  8. Medley: I Miss You/'Seduction' Interlude
  9. Crazy
  10. I Need You
  11. He Will Break Your Heart
  12. Can We Fall In Love Again
  13. Thank You
  14. All We Ever Need

Customer Reviews:

5 out of 5 stars One hell of a debut.......2007-03-15

With his debut CD, Darien Brockington shows us that R&B is far from being dead. Darrien posses a voice that is remiscent of a young D'Angelo with a smoother voice. I first heard Darien on Little Brother's The Minstrel Show CD on the track Cheatin and when I found out he released a CD I rushed out to buy it. Darrien doesn't give the listener cookie cutter R&B which is apparent on the songs Think It Over, Can We Fall In Love Again and I Miss You. The future of R&B is right here.

4 out of 5 stars Refreshing.......2007-03-08

This is a very good CD. it's very refreshing i think the production compliments the vocals and lyrical strengths of the artist. It's a very satisfying purchase...

5 out of 5 stars Amazing!!!.......2007-02-10

My ears had an orgasm as soon as I heard the first verse of Come On Over! He was recommended to me by a friend. Why is he not in wider release?

5 out of 5 stars Its D-Brock.......2006-11-16

I love this album for the realness. Its music for the soul, and its so original. Then he has some songs with the Hall of Justus members, Chaudon & Little Brother. The production is done by 9th Wonder, E. Jones, Khrsis and some other beat makers. This album is perfect for you and your girl to sit and listen too.

5 out of 5 stars Bringin Hip hop soul back.......2006-11-10

Darien Brockington AKA D. Brock is the most soulful singer i have ever heard in my life. I was trully tired of all of this so called R&B that was being played on the radio and D Brock has shown me the light. He puts me in mind of D'angelo's voice but his words are much more meaningful. IF u love hip hop soul the u will love D Brock. Cop his other albums too, but they are hard to find but worth the wait. ONE LOVE

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