| 1. Somebody |
| 2. Baron O' Brackley |
| 3. On Castle Rock |
| 4. Lough Erne's Shore |
| 5. Jack of Diamonds |
| 6. Cantus |
| 7. Air for Mary Tipton |
| 8. O'er the Hills and Far Away |
| 9. Shenandoah |
| 10. Rosemary's Sister |
Somebody,Connie Dover,Taylor Park,Celtic/Irish,Contemporary Folk,Int'l & World Music,Pop
Average customer rating:
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Bleach the Best
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000J4OYVI Release Date: 2006-12-25 |
Customer Reviews:
I wish I could give it 10 stars!.......2007-04-30
Best Anime CD in awhile.......2007-04-19
First off, this listing is for the CD ONLY, at least for the used copies. There is another listing with the CD/DVD combo here on Amazon. So if you want the DVD as well, make sure to look at both listings carefully or you will pay the same price and only get half of the packege, unless you buy used.
But I do say that the price is worth it to fans of the show who are farther along then the english dubbed episodes, because many of the theme songs are from later episodes. Hope this helps anyone interested in the CD.
Greatest CD ever!.......2007-04-05
A Must Have For Bleach Fans.......2006-12-20
Song Titles & Artist by Track:
1. Asterisk by Orange Range
2. Life Is Like A Boat by Rie fu
3. Thank You by HOME MADE KAZOKU
4. D-tecnoLife by UVERworld
5. "Comet" by Younha
6. happypeople by Skoop On Somebody
7. "Flower of one wheel" by HIGH and MIGHTY COLOR
8. LIFE by YUI
9. "My Pace" by SunSet Swish
10. TONIGHT, TONIGHT, TONIGHT by BEAT CRUSADERS
11. HANABI ("Fireworks") by IKIMONO GAKARI
12. MOVIN!! by TAKACHA
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Funny Girl
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005V3WI Release Date: 2002-01-29 |
Tracks:
- Overture
- I'm The Greatest Star
- If A Girl Isn't Pretty
- Roller Skate Rag
- I'd Rather Be Blue Over You (Than Happy With Somebody Else)
- His Love Makes Me Beautiful
- People
- You Are Woman, I Am Man
- Don't Rain On My Parade
- Sadie, Sadie
- The Swan
- Funny Girl
- My Man
- Finale
Customer Reviews:
cd heaven.......2007-01-19
Nothing Rains on this Parade.......2007-01-04
Streisand in prime vocal condition.......2006-09-16
The film score of FUNNY GIRL does vary greatly from it's Broadway counterpart. The roles of Mrs Brice and Eddie Ryan don't get much to sing (with the deletion of "Who Taught Her Everything?" and "Find Yourself a Man"). Fanny's solo numbers "Who Are You Now?" and "The Music That Makes Me Dance" were abandoned in favour of numbers that the real Fanny was famous for ("I'd Rather Be Blue" and "My Man"). I believe the producers committed the cardinal sin with the deletion of "The Music That Makes Me Dance", a ballad far more memorable and moving than the show's big number "People" (and I know a lot of others feel the same way). Nevertheless, the film soundtrack of FUNNY GIRL is the perfect sonic representation of Streisand's greatest hour on celluloid.
I own the earlier Sony CD pressing (which is full of analogue hiss, reverb and noise), yet from what I hear about the more recent "remaster", the quality of the overall recording is virtually the same. Highly-recommended, but don't expect miracles with sound quality.
Needs more songs. Missing SECOND HAND ROSE........2006-08-08
unconfortable that important songs are MISSING. Can you
imagine SECOND HAND ROSE is missing, and Barbra sings it a little
different from the version she did in MY NAME IS BARBRA TV special. I also love the part where Barbra sings " Mr Anstein,
Mr. Arnstein, what a beautiful name". Those two sequences could be combined into a song. I also would have loved a little spoken
comedy in this soundtrack, such as Barbra as Baby Snooks scene,
where she meets the reporters and ends with "the name is Arnstein". Barbra is marvelous in this comedy scene. Barbra is
perfect as a stand-up comedienne, and she would be great
acting such a part in a film.
Barbra recorded the song PEOPLE countless times over the last
decades. Why was SECOND HAND ROSE left out of the soundtrack.
There is enough space on the Audio CD to include this song, as
well as additional ones. A few Bonus songs of Barbra singing
Fanny Brice songs that were considered but that were left out
of the film, would be most welcomed. Looking forward to the next
edition of this soundtrack. hoping that it will be the definite
edition. We Barbra Streisand fans deserve the best.
Ladies & Gentlemen - The Greatest Star.......2005-09-11
The brilliant score was written by the legendary Jule Styne and Bob Merrill and included such Streisand classics as "I'm The Greatest Star," "Don't Rain On My Parade" Streisand's signature song, "People."
Ten of the fourteen tracks were sung by Streisand with the exception of "If A Girl Isn't Pretty" and "Roller Skate Rag." "You Are Woman, I Am Man" is an hysterically funny duet with Omar Sharif, and two songs that weren't written by Styne and Merrill; "I'd Rather Be Blue Over You (Than Be Happy With Somebody Else)" and "My Man," a song closely identified with Fanny Brice and Barbra Streisand, demonstrate the depth and range of Streisand's emotion. She could be cooing and joking at one moment on the famous bride number; "His Love Makes Me Beautiful," breaking your heart on the Oscar-nominated title cut written specifically for the film, and send your head reeling with her gutsy and explosive vocals on "Don't Rain On My Parade." All of the songs showcase Streisand's versatility as the actress who sings.
Purists might say the Original Broadway Cast Album from 1964 was better, maybe because they were there to witness the 22 year-old ingénue unknown named Barbra Streisand. But when you take a listen to the vocals and the arrangements on this soundtrack, it's hard to argue with aforementioned songs such as "I'd Rather Be Blue," "People," Don't Rain On My Parade" and the finale of all finale's "My Man." At 25 years old, Streisand never sounded stronger or with sang with more conviction.
How many singers can you name that can belt a song like "I'm The Greatest Star" and get away with it?
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Somebody Else's Troubles
Steve Goodman Manufacturer: Buddha ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000JN8N Release Date: 1999-07-27 |
Tracks:
- The Dutchman
- Six Hours Ahead Of The Sun
- Song For David
- Chicken Cordon Bleus
- Somebody Else's Troubles
- The Loving Of The Game
- I Ain't Heard You Play No Blues
- Don't Do Me Any Favors Anymore
- The Vegetable Song (The Barnyard Dance)
- Lincoln Park Pirates
- The Ballad Of Penny Evans
- I'm My Own Grandpa (Live)
- The Auctioneer (Live)
Customer Reviews:
Great album/Great Human Being.......2006-01-22
"Baby, I ain't never heard you play no blues". Nowadays, B.B. King needs to wear a life-jacket.
Don't think, just buy it.
great stories from a great storyteller.......2005-09-04
The best of the best!!.......2003-05-14
It is difficult for me to describe the beauty, the craftsmanship, the honesty, the hilarity of Steve's music. As Brad notes in his review, Steve died way too young.
I guarantee you will not be disappointed if you buy this album. I am on my forth copy now, since I keep giving them away to my friends, some of whom don't know and believe in the genius of Steve Goodman.
I also highly recommend "No Big Surprise", the compilation album of almost all of Steve's songs and performances.
Steve Greatman.......2003-03-18
This Album Started my Goodman Addiction!.......2001-11-09
The beauty of this album is that it is deceptively attractive. By that, I mean you will instantly enjoy the songs that I mentioned in the paragraph above. However, after hearing the remaining tracks a few times, you begin to realize and appreciate the other tracks as well. This is definitely true for Song for David and The Loving Of The Game.
This disc gives you just a glimpse of Steve's true talents. The album includes songs that are upbeat, sad, and fun. Steve was great at capturing all emotions. Would I buy this album, now that I've already heard it? ABSOLUTELY!
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Whenever You Need Somebody
Rick Astley Manufacturer: RCA ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002WAD Release Date: 1990-10-25 |
Tracks:
- Never Gonna Give You Up
- Whenever You Need Somebody
- Together Forever
- It Would Take A Strong Strong Man
- The Love Has Gone
- Don't Say Goodbye
- Slipping Away
- No More Looking For Love
- You Move Me
- When I Fall In Love
Customer Reviews:
Ahhh, the 80's..........2007-06-27
Editorial Review.......2006-11-06
a smash hit.......2006-04-13
this album is a must keep for every Astley fan(like me).
I have the album on tape, and I listen to it as much as I can, my favourite ones being the tremendously funky" Whenever u need somebody" , "No more looking for love" & " Nevergonna give u up"
Astley songs do make way for the dance floors, and his ballads do touch hearts!!
THE MUSIC AND THE VOICE R FABULOUS
and I dont listen to Astley at nights coz then I cannot sleep-
the songs keep playing in my head all night
extremely relaxing.......2005-07-21
More than just a late 1980s Manufactured "Disco King".......2005-06-21
For the most part, there is a clear dividing line on the songs on this album. Four of the songs are songs that Rick Astley wrote or co-wrote. There are five songs written by the combination of Stock, Aitken and Waterman. There also is a cover of Edward Hayman and Victor Young's "When I Fall in Love". It was the songs written by Stock, Aitken, and Waterman that made up the Rick Astley sound that took the music world by storm. In other words - much of this was the sound that seemed to give Disco one last push. For the most part, this is embedded in the hits "Never Gonna Give You Up", "Together Forever", and "It's Gonna Take a Strong, Strong Man". This was also found in the songs "Whenever You Need Somebody" and "Don't Say Goodbye". While these are all catchy songs, the only thing I found of substance to these songs was Astley's terrific baritones. For the most part - the music in these songs was what I consider "manufactured". The music in these songs was heavily synthesizer-laden - and it consisted of a drum machine. If you extracted Astley's voice off of these songs - you wouldn't hear much more than what I would term "filler music". While "Never Gonna Give You Up" and "Together Forever" were the two #1 hits in the U.S. - I felt that "It's Gonna Take a Strong, Strong Man" and "Don't Say Goodbye" were the two songs that took much better advantage of Astley's vocals.
What clearly surprised me on this album was "the other side of the fence" - the songs that were written by Astley. While these songs were not as catchy as the Stock, Aitken & Waterman numbers, the Astley songs were better songs from a musical perspective. These songs don't abandon the synthesizer-laden sound at all - but I think they are clearly better in both the music and the lyrics. The first of the Astley penned songs is "The Love Has Gone". This song has a clear Rhythm and Blues sound to it. I can't say Astley was able to pull off the R&B vocals perfectly - but he does have his moments in the song. He does a very good job at penning an R&B sound - so he deserves credit for that. Astley does a far superior job with the both the R&B sound and vocals on "Slipping Away". This is a song that was penned by Astley alone. While again Astley relies on a Synthesizer-laden sound, he does bring in some horns and this supplements the song beautifully. There is a terrific trumpet solo midway through the song. There are also some nice background vocals on this song. On "You Move Me", Astley again reaches for the Rhythm and Blues sound. This song almost has a Luther Vandross feel to it. Once again, I can't say that Astley pulls the R&B vocals off perfectly, but somehow he finds a way to make it work. This also seems to be the best song from a lyrical standpoint on the collection. There are some nice background vocals that provide the perfect compliment to Astley. On "No More Looking for Love", this is probably the one Astley penned song that sounds like the Stock, Aitken, and Waterman sound. This was probably the weakest of the Astley penned tracks, but again Astley uses his baritones to make this song work.
It's the last song that really made me realize that Astley is well-rounded musician. On Hayman and Young's "When I Fall in Love", we see a new side to the Astley baritones - crooning! Astley sounds completely different, but to me it was no surprise Astley was able to pull this off. His vocals are what dominated many of the songs on this album - and this is a necessary ingredient as a crooner.
After this album, Astley would begin to take his career in different directions and look at things a bit more artistically. Whether you like what he did after this album or not, this album shows the signs that Astley could do this. It might not be the strongest album, but still is worth checking out.
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Gotta Serve Somebody: The Gospel Songs of Bob Dylan
Various Artists Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00008NGAJ Release Date: 2003-04-01 |
Tracks:
- Gotta Serve Somebody - Shirley Caesar
- When You Gonna Wake Up? - Lee Williams & The Spiritual Qc's
- I Believe In You - I Believe In You
- Are You Ready? - Fairfield Four
- Solid Rock - Sounds Of Blackness
- Saving Grace - Aaron Neville
- What Can I Do For You? - Helen Baylor
- Pressing On - Chicago Mass Choir
- Saved - Mighty Clouds Of Joy
- When He Returns - Rance Allen
- Gonna Change My Way Of Thinking - Bob Dylan
Customer Reviews:
Pressing On.......2004-07-21
Wry new soul food for sure, variously rendered.......2004-02-13
Breath of Fresh Air (despite an alleged stale history).......2004-01-14
It took some kind of courage to pay homage to this particular period of Bob Dylan's career, a period that still can evoke a scoff or dismissive chuckle from even the most diehard fan. Because this project had humble beginnings and likely had its fair share of painful moments, it must have given executive producer Jeff Gaskill tremendous joy when it was birthed...and an outside world could finally see it and feel it and think it and breathe it.
Although Shirley Caesar kicks off the CD with a pre-song rap which includes these words--"I wanna share Bob Dylan's song with you"--it may well be the case that she's done to "Gotta Serve Somebody" what Jimi Hendrix did to "All Along the Watchtower." Like Hendrix, she wasted no time in making it her own (she recorded the song in 1980); Dylan even said, way back in 1985, that he liked her version better than his. Caesar, in this take, makes heartfelt and emotional declarations that seem anything but weak, alludes to the Hebrew scriptures at the beginning of the song (Joshua) and at the end (Chronicles) while her backup singers--with their occasional "Serve my Jesus!"--serve as an antidote to phony baloney revisionist history, i.e., Dylan really wasn't/isn't singing about Jesus, or if he was/is, that somehow he cannot claim his Jewish heritage.
When Dylan recently sang "I Believe in You" in concert, one observer noted how it still retains the original passion and power of its '79-'80 airings. Dottie People's version on this CD makes a valiant run at the original, with a strong, convincing voice. The Fairfield Four's stab at "Are You Ready?" easily works since the medicine of Dylan's words--words like "heaven or hell," "destruction," "judgment," "swift sword," and "Armageddon"--go down smoother through the conduit of a legendary gospel group (instead of, say, a "spokesman" for the 1960s). Dylan friend Aaron Neville gives "Saving Grace," a song Dylan has recently sung, wonderful treatment. Its line, "Wherever I am welcome is where I will be" may apply not only to Dylan's destiny in eternity, but also to the earthy locations of his gigs in recent years (before U.S. presidents, rabbis, and the Pope, in gambling casinos and at outdoor fairs in the mud...wherever he is welcome).
Regina McCrary's handling of "Pressing On," with the able support of the Chicago Mass Choir, must have sent shivers up the spines of those who heard her open Dylan's concerts back in 1979-1980 (what may have seemed like a chore at the time--an obstacle to Dylan taking the stage--turned out to be a privilege). As has been said, Dylan's performance with Mavis Staples on the final track, "Gonna Change My Way of Thinking," must be experienced. One reviewer has noted its blues orientation (very true), but also said the song is "only vaguely religious." Although we know how Dylan would react to a label like "religious," this is still wonderfully ironic. In this final track, I distinctly hear Dylan growling out lines--that he penned in 2002--that relate to, why, daily prayer ("Every day you got to pray for guidance / Every day you got to give yourself a chance"); a personal relationship with God ("Oh, Lord, you know I have no friend without you"); and the Second Coming ("Jesus is coming / He's coming back to gather His jewels"). You get the feeling that Dylan wasn't just whistling Dixie during those infamous stage raps in 1979-1980. We also get the corny humor at the beginning of this rewritten song too, so it's alright, we can also smile.
"When he was doing the previous album, Slow Train Coming, in Muscle Shoals, he'd had this vision of Jesus, of the hand coming down and these hands reaching up. And he said at the same time he had this vision, he saw the whole album too--all the songs, everything, the whole thing was there. And he said, 'What you've drawn here was exactly what I saw'." These were the words that the late John Bauldie heard from Tony Wright, the artist who Dylan hired to paint the original cover to the Saved album. Now, over two decades later, this personal vision of Dylan's has been interpreted--through Gotta Serve Somebody: The Gospel Songs of Bob Dylan--with passion and respect by a formidable group of artists. The results are pleasing to the ear and soul.
Do yourself a favor in this New Year of 2004...spend ten or fifteen dollars and get this collection of songs. It has recently been recognized by the Grammy folks in two categories: nominated for "Best Traditional Soul Gospel Album" and "Best Pop Collaboration with Vocals" (the Dylan/Staples duet). So there you have it, "traditional," "soul," "gospel," and "pop," a few labels one could arguably apply to Dylan without even uttering the ubiquitous "folk" or "rock"; or the "blues" that were instilled into the revamped version of "Gonna Change My Way of Thinking" on this CD. Incidentally, this same song is a surefire home remedy for the blues, insomnia, and/or reading SnoozeWeek (inside chatter for those who've heard it).
Scott Marshall
author of "Bob Dylan's Unshakeable Monotheism" located at http://www.jewsweek.com (2003-2004)
author of Restless Pilgrim: The Spiritual Journey of Bob Dylan (2002, with Marcia Ford)
Gotta Get This!.......2003-12-10
Dylan songs well-served by gospel greats.......2003-11-07
The topper, for me, is "Pressing On," and the Chicago Mass Choir give it the epic performance it deserves, one at least equal to Dylan's own version on "Saved." The Sound of Blackness do right by the same album's "Solid Rock," and Aaron Neville lends his admirable pipes to a lovely rendition of "Saving Grace." One of Dylan's overly preachy and arrogant Christian tracts, "When You Gonna Wake Up" from "Slow Train Coming," gets a dramatic overhaul from Lee Williams and the Spiritual QCs that is one of the album's highlights.
Of course, Dylan also wrote some clinkers during this period. The title track of "Saved" never gave off sparks and it doesn't do it here despite a valiant effort from the Mighty Clouds of Joy. The provocative lyrics and an energetic performance made "Gonna Change My Way of Thinking" a highlight of "Slow Train Coming," but the monotonous song didn't merit a revival and Dylan's noisy duet with Mavis Staples on the new version is saved only by the brief conversation between the two during the intro. It has a delightfully loony quality that one wishes had found its way into Dylan's film "Masked and Anonymous."
The main quibble I have with this disc is what was not included. Where's "Every Grain of Sand," the one unquestioned masterpiece from this period? Its absence doesn't detract from the excellence of what is here, but if any song has earned a place in this lineup, it's that one.
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Somebody's Miracle
Liz Phair Manufacturer: Capitol ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000AV2G2O Release Date: 2005-10-04 |
Tracks:
- Leap Of Innocence
- Wind And The Mountain
- Stars And Planets
- Somebody's Miracle
- Got My Own Thing
- Count On My Love
- Lazy Dreamer
- Everything To Me
- Closer To You
- Table For One
- Why I Lie
- Lost Tonight
- Everything (Between Us)
- Giving It All To You
Amazon.com
Is Liz Phair apologizing? It would be easy to get that impression from the title track of Somebody's Miracle. Suddenly the singer who was once known for her jaded lyrics and liberal use of the "f" word, is throwing around different kinds of "f" words altogether. "Faith?" "Fairytale?" Once, a generation of young women turned to Phair to express their collective rage at emotionally unavailable men. Now it's all about frogs with princes inside, and her regret over fleeing relationships with a few good men. My, how times have changed.Some tracks on this album, including "Got My Own Thing," "Why I Lie," and "Can't Get Out of What I'm into," go back to Phair's more cynical roots. (In fact, "Can't Get Out," dates back to the singer's early demos.) But it seems clear that her overall trend towards pop (exhibited on her self-titled CD from 2003) is continuing. And who can blame her? Exile in Guyville was a breakthrough, but it left her in a real bind. A decade plus later, a still-bitter Liz would probably seem tiresome and immature. A happier, hopeful Liz could be accused of going soft. Phair doesn't need her angry-girl persona to prove she has talent, but she may still need it to stand out from the crowd. After all, do we really need another pop song like "Stars and Planets" telling us "we all shine, shine, shine?" The question Somebody's Miracle raises is: can Liz Phair drop some of her attitude without losing all of her edge? --Leah Weathersby
Customer Reviews:
Huh. .......2007-06-12
In "Exile," the lyrics are phenomenal, and the production is rough; a true masterpiece. It showed a ton of emotion. In "WCSE," Liz expanded her subject matter, and, while her music became a tad more accessible, the lyrics were great and the songs stay in my head. I never regret listening to either of these albums. I skipped over her self-title, because I hate pop, or at least most of it. I feel that pop isn't thought provoking, beautiful, or full of real emotion. I listen to music that does something for me, that MEANS something (no offense if you like pop.)
This album is a toss-up for me. There are plenty of dull pop songs. But then there are some songs that are quickly becoming my favorites. Her sound is good, and I don't mind if it's a bit polished. I really like her voice, despite it not being particularly outstanding. But, I have two issues. First, some of the songs are too similar in melody, and don't stand out. The other is THE LYRICS!! What on Earth happened here? Now, don't get me wrong. It's not the swears or the risque material. I miss the clever rhymes, the candid phrases, the words that stuck in your head and wouldn't go away for weeks. Who told her to rhyme the two most bland and obvious words? These songs could be a lot better if she had given it mor thought.
These are on a scale of 1-10, ten being the best
Leap of Innocence-8. It is pop, but some of the lines are really good, and hint of the old song-writing goodness. It sticks in your mind.
Wind and the Mountain-5 It's okay. It seems a little religious for my tastes. I just can't get into it.
Stars and Planets-2 I'm sorry. This is pure "everyone is wonderful" pop. Overproduced, and just like everything else, but the two comes from the actual melody not being horrible.
Somebody's Miracle-6.5-7 I like the chorus, and I find myself humming it a lot. not the best verses, but you take what you can get.
Got my Own Thing-7 There are some clever lyrics, and I like the beat, but it loses some of its appeal after only a few listens.
Count on my Love-3 Once again-pure pop. The uplifting message is just a little too picture perfect. I like the one pat where she sings the chorus, and all that accompanies it is a twinkling melody of a single guitar.
Lazy Dreamer-3 Pop. One or two good lines, but begging for radio play, and just like anything else already clogging the airwaves.
Everything to Me-7.5 I like this song a lot. The lyrics are frank, like in "WCSE." I also like the melody. Catchy.
Closer to You-6.5 I like the slow, more relaxed quality, like Uncle Alvarez. The lyrics are starting to get back up to where they were on her first three albums. It is a little too sweet for me.
Table for One-10 This is classic Phair, with the low-fi vibe and the great verses. Sad, depressing, stripped-down. It reminds me of "Glory" from "Exile." A great song, and my favorite on the album.
Why I Lie-9 Back with the biting lyrics, a song that energises you. I love it.
Lost Tonight-1 Dreadful.
Everything (between Us)-7.5 I like it. The melody is good, and the singing is faster. I like the chorus, and the lyrics are solid, and are reminiscent of "WCSE"
Giving it all to You- 5-6.5 Pretty good. The pace is good, but the lyrics leave something to be desired. A tad poppy.It seems a tad bland.
Can't Get Out of What I'm Into-8 I NEED to get this off iTunes-I can't believe she took it off the cd. It's really good, probably because it's from pre-Exile.
Overall, the really good songs make this worth getting. If you are like me, and hate pop, just skip over the pop, and it leaves a good twenty minutes of pretty darn good Liz Phair.She has matured, but we can still love her. Perhaps her next release will be another great. I respect that artists can change, so more power to her.
Think before you whinge.......2007-05-21
It's The Same Liz.......2007-03-18
Not my style.......2007-01-08
Cheer down, Liz.......2007-01-07
Not only were the song structures on EXILE and other early albums fresh, the subject matter was daring and the lyrical attack unique. That's another place where SOMEBODY'S MIRACLE falls down badly -- the songs on this album are thick and sticky with cliches, and their themes (with the exception of "Table For One") as unthreatening as could be. In fact, I believe this is the first Phair album where there's nary a swear word to be heard. Not that cursing automatically makes for a great album, of course, but the difference is emblematic of how devoted Phair seems to playing it safe nowadays. It's almost as if her songwriting is aging backwards -- while her first few albums were perfect soundtrack material for the lives of twenty- and thirty-somethings, her last album seemed more aimed at 17-year-olds, and most of MIRACLE wouldn't be out of place on a tweener's stereo. Maybe an album of children's songs is next.
Ah, I'm being cruel. But what's true is this: I've been a Phair fan since the beginning, and SOMEBODY'S MIRACLE is probably the last album of hers I'll buy unless I hear that she's decided to be an artist again rather than just a craftswoman.
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Dreamgirls in Concert (2001 Concert Cast)
Henry Krieger , Audra McDonald , Brian Stokes Mitchell , Emily Skinner , and Darius de Haas Manufacturer: Nonesuch ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005Y4P4 Release Date: 2002-02-26 |
Tracks:
- I'm Looking for Something, Baby
- Goin' Downtown
- Takin' the Long Way Home
- Move (You're Steppin on My Heart)
- Scene: Fifty bucks says the Dreamettes don't win
- Fake Your Way to the Top
- Scene: It ain't working, Marty
- Cadillac Car
- Cadillac Car (On the Road)
- Cadillac Car (Recording Studio)
- Scene: I don't believe they can do that
- Steppin' to the Bad Side
- Scene: I'm working on a long shot
- Party, Party
- I Want You, Baby
- Scene: I'm a woman now
- Family
- Scene: What are you doing to that girl?
- Dreamgirls
- Press Conference
- Heavy
- Walkin' Down the Strip/Scene: Las Vegas
- It's All Over
- And I Am Telling You I'm Not Going
Tracks:
- Opening Act II: Dreams Medley
- Scene: Effie White is the best singer you're gonna find
- I Am Changing
- Vogue Sequence
- When I First Saw You
- Ain't No Party
- I Meant You No Harm
- The Rap
- I Miss You, Old Friend
- One Night Only
- One Night Only (Disco Version)
- I'm Somebody
- Hard to Say Good-bye
- Dreamgirls (Reprise)
Amazon.com
A Chorus Line may be better known, but Dreamgirls was a towering achievement for director Michael Bennett. Loosely based on the Supremes' story, the 1982 musical told a typical show-biz tale of fame, backbiting, and survival. As is often the case for one-night only events, the cast in this concert version (recorded in New York on September 24, 2001) is led by an eye-popping assortment of Broadway powerhouses: Lillias White (The Life), Audra McDonald (Ragtime, Marie Christine), and Heather Headley (Ragtime). McDonald reveals a previously undisclosed comic streak, while Headley confirms her status as a rising star. Reprising the role of Effie Melody White (created by Jennifer Holliday), White belts the classic "And I Am Telling You I'm Not Going." But the beauty of Dreamgirls is that it's so packed with catchy, Motown-influenced R&B numbers that each lead can sink her teeth into some prime material and get a turn in the spotlight. This double-CD set really makes you wish you'd been there when the show was recorded: you can hear the crowd going berserk at times, and the temptation is strong to do the same thing in the comfort of your living room. --Elisabeth VincentelliCustomer Reviews:
Dreamgirls 2001.......2007-06-27
Not the real "DREAM" experience.......2007-04-04
Forget about the film sountrack. Get this CD set. And it's far better than the original cast recording which goes lacking. More songs and more everything that makes a live performance just what it is. Live (compared to film where anything can be done to enhance a performance!) -- the energy, the excitement and the performances make this a rare treat for anyone wanting to share in the real DREAM experience.
Isn't a full Broadway revival long over due. But wait: I've heard rumors that a rvial may be "in the works. I certainly hope so. Maybe this time it will receive the Tony award it deserved in the first place.
Absolutely brilliant!.......2007-01-28
Amazing!!!!!!.......2006-12-04
One Night Only .......2006-07-19
Average customer rating:
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Sacred
Irish Anonymous , Joe / Sprague, Billy / Carroll, Bruce Beck , Nicholas Brodszky , Gregorian Chant , Henri F. Hemy , Chuck / Shamblin, Allen Jones , Charlie Landsborough , John Newton , Stuart Townsend , Traditional , Irish Traditional , Shaker Traditional , Stevie Wonder , Arnie Roth , Orchestr Ceská Filharmonie , Anthony Kearns , Finbar Wright , and Irish Tenors Manufacturer: Razor & Tie ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000A2GP2K Release Date: 2005-09-13 |
Tracks:
- Deus Meus
- Be Thou My Vision
- Morning Has Broken
- My Love
- If I Can Help Somebody
- My Forever Friend
- Shelter Me
- Amazing Grace
- To Do Your Will
- Hail Glorious St. Patrick
- How Deep The Father's Love
- Lord Of The Dance
- There's No Cross
- I'll Walk With God
- Salve Regina
From the Label
Sacred marks John McDermott's first recording with the Irish Tenors since rejoining fellow original member Anthony Kearns and Finbar Wright (who actually replaced McDermott in 2000). The Irish Tenors live up to their reputation as "gifted interpreters" with this collection, covering a wide range of spiritual material. Sacred was produced by the Irish Tenors' long-time musical director, Arnie Roth, who has also worked with Charlotte Church, Diana Ross, and Art Garfunkel. The album was produced in Prague at the Rudlofinum and ICN Studios.
More Recommended Titles
Ronan |
Ellis Island |
The Irish Tenors |
Heritage |
Rough Guide to Irish Music |
My Life Belongs to You |
Customer Reviews:
Beyond words ..........2007-03-22
If you are open to the idea that music can be a vehicle for a moment of sublime and sacred ecstacy, that may help convey what I find difficult to put into words.
While I live continuously and constantly in Our Father's presence, a music album such as this can certainly heighten the moment with Him.
Magnificent voices, songs and arrangements.......2006-06-17
Not their best album.......2006-02-27
Excellent !!.......2005-10-26
sacred.......2005-10-23
I enjoyed most of the music. My main complaint is the repeated songs from John McDermott's Faithfullness CD. For us fans of John the repeats seem a bit too much. I think there are six reteats.
Average customer rating:
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Somebody New
Rhett Akins Manufacturer: Mca Nashville ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002P0A Release Date: 1996-06-04 |
Tracks:
- No Match (For That Old Flame)
- Love You Back
- Somebody Knew
- K-I-S-S-I-N-G
- Don't Get Me Started
- Where Angels Live
- Too Much Texas
- Every Cowboy's Dream
- Carolina Line
- I Was Wrong
Customer Reviews:
not all country music sucks.......2006-03-26
Why is "this" CD out of print????.......2004-04-14
Rhett is one of the best.......2003-11-27
Rhett is as talented as he is gorgeous!.......1999-08-30
couldn't be better. How does he do it??????.......1999-04-02
Average customer rating:
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Somebody To Love
Darien Brockington Manufacturer: Abb Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000H5U47C Release Date: 2006-10-17 |
Tracks:
- Somebody To Love (Intro)
- Think It Over
- More And More
- Don't Say Goodbye
- I Got What You Want
- Lover And Friend (Interlude)
- Come On Over
- Medley: I Miss You/'Seduction' Interlude
- Crazy
- I Need You
- He Will Break Your Heart
- Can We Fall In Love Again
- Thank You
- All We Ever Need
Customer Reviews:
One hell of a debut.......2007-03-15
Refreshing.......2007-03-08
Amazing!!!.......2007-02-10
Its D-Brock.......2006-11-16
Bringin Hip hop soul back.......2006-11-10
International Music: