Porcelana [Import]

1. O Beijo

2. Porcelana

3. Nossa Cama E Uma Loucura

4. Bora

5. Amor Em Silencio

6. Da-Lhe Que da-Lhe

7. Kama Sutra

8. Quem É Você

9. Beco Sem Saida

10. Miss Negritude

11. Paixao Nua E Crua

12. De Sexta a Domingo

13. Olha

14. Em Qualquer Farol

15. Faca O Que Eu Digo

16. Voce Que Sabe

Tracks:

The Phantom Of The Opera: The Phantom Of The Opera
Song & Dance: Unexpected Song
Aspects Of Love: Chanson D'enfance
The Phantom Of The Opera: All I Ask Of You
Evita: Don't Cry For Me Argentina
Evita: Another Suitcase In Another Hall
Aspects Of Love: Love Changes Everything
Friends For Life
Cats: Memory
Cats: Gus: The Theatre Cat
Aspects Of Love: Anything But Lonely
Cats: Macavity: The Mystery Cat
Tell Me On A Sunday/Song & Dance: Tell Me On A Sunday
The Phantom Of The Opera: Wishing You Were Somehow Here Again
Requiem: Pie Jesu
The Phantom Of The Opera: The Music Of The Night

Amazon.com essential recording

Sarah Brightman's career was launched by her success in Andrew Lloyd Webber's Phantom of the Opera, so it's no surprise to hear the soprano paying homage to the composer on this disc. Really a Brightman best-of, the album includes the Phantom theme (a duet with Michael Crawford), the light-opera fare of "Chanson D'enfance" from Aspects of Love, "Don't Cry for Me, Argentina" from Evita, and numerous other Lloyd Webber classics. Throughout, Brightman's diminutive voice lends a fragility to these musical theater tunes that you'll either love or despise. On Evita's "Another Suitcase, Another Hall" and Cats' "Memory," she literally chirps through the vocal lines. No matter. The growing legion of Brightman fans wouldn't have it any other way. --Jason Verlinde

Album Details

Another Compilation of Stage Favourites - Some Tracks Are Hard to Find Elsewhere.

Customer Reviews:

The Andrew Lloyd Weber Collection.......2007-05-12

Sarah Brightman sings in good form classic songs and does a great job!!

Andrew Lloyd Webber .......2007-02-12

Excellent Broadway music--a true master. Sing along or just listen. First heard her on PBS.

The Andrew Lloyd Webber Collection.......2007-01-05

Sarah Brightman has always been a favorite of mine, and this CD is outstanding. The duet with Jose Carreras (Friends for Life) is especially good--worth buying the CD for that song alone.

The Best You'll See from Sarah.......2006-09-09

This CD is - wow! I have so much to say about it and so little time! This album features three pieces from "The Phantom of the Opera" - Wishing You Were Somehow Here Again, The Music of the Night, and The Phantom of the Opera theme. They're all beautiful. The second piece on the album is "Unexpected Song". It has beautiful octaves and orchastrations. Chanson d'Efance is an amazing French piece with vibrato - and then some. I forgot to mention that there is another piece from The Phantom of the Opera - All I Ask of You - except that the song is not sung by the original cast from the musical. The next few pieces are fairly decent, until you get to Memory from Cats. WOW - is it spectacular! Then we get to two other pieces from Cats - Gus: The Theater Cat and Macavity: The Mystery Cat. Gus is a song that just tells about a cat and his history. A man speaks the lines that Gus would say in the actual musical - and it makes the song interesting. Macavity is AWESOME! I know that I said that I didn't prefer this song for Brightman on her album "Surrender". I finally listened to it more carefully, and found that it's really interesting to listen to! My favorite song on the whole entire album - however - has to be "Tell Me on a Sunday". Beautiful lyrics, orchestrations, and overall spectacular voice talent ties the whole song together. Pie Jesu is a fairly nice piece from both Brightman and Paul Miles-Kingston - the 16 year old boy soprano. His voice is pure and straight with minimal vibrato. However, Brightman's voice shows a little bit TOO much vibrato! Overally, it's a good piece from Andrew Lloyd Webber's Requium. THIS CD IS AMAZING! If you love Sarah from the Phantom of the Opera, then this collection of Lloyd Webber's work is just for you.

I also recommend Charlotte Church - (in her earlier career) - including Voice of an Angel and her self-titled album. I also recommend Love Changes Everything - The Andrew Lloyd Webber Collection Vol.2 - just another grouping of Webber's classics. I also recommend Andrea Boucelli - he's awesome!

The Angel of Music.......2006-03-13

This is the third copy of this I've purchased. I wear them out listening to them. Awesome, Awesome music. Sarah's range and depth is so powerful!

Barcelona Nights: The Best of Ottmar Liebert, Vol. 1

Average customer rating:

Great High Octave Guitar Jazz
If you are looking for new sounds come and get it!
Very nice music, Ottmar is very talented!
Don't bother.
Cross-pollination angers Nationalists

Barcelona Nights: The Best of Ottmar Liebert, Vol. 1
Ottmar Liebert
Manufacturer: Higher Octave
ProductGroup: Music
Binding: Audio CD

General | International | Styles | Music

Flamenco | Latin Music | Styles | Music

General | Jazz | Styles | Music

General | New Age | Styles | Music

Meditation | New Age | Styles | Music

Adult Alternative | Pop | Styles | Music

General | Jazz | Indie Music | Stores | Music

General | New Age | Indie Music | Stores | Music
Similar Items:

Best of Ottmar Liebert
Surrender 2 Love: The Best of Ottmar Liebert, Vol. 2
Nouveau Flamenco: 1990-2000 Special Tenth Anniversary Edition
Nouveau Flamenco
The Hours Between Night & Day

ASIN: B000059T5L
Release Date: 2001-02-27

Tracks:

Barcelona Nights
Santa Fe
Isla Del Sol
Bullfighter's Dream
In The Hands Of Love
Heart Still/Beating
Driving 2 Madrid (B4 The Storm)
August Moon
Dancing Under The Moon
Festival (Of 7 Lights)
La Rosa Negra
2 The Night
Borrasca
Bajo La Luna Mix

Amazon.com

This compilation project's official title is already long enough, but for true accuracy it should read, The Best of Ottmar Liebert's First Two Recordings, Volume 1. Barcelona Nights strings together the more upbeat and animated selections from his two earliest recordings, Nouveau Flamenco (his famed debut) and Borrasca (plus one track, "Festival," from Poets and Angels). The package serves as the first installment in a two-disc series; the subsequent Surrender to Love will patch together romantically inclined selections of those early 1990s recordings. It's the same music, but with different sequencing and different packaging. As such, it offers graceful and pleasant listening, though the similarity in tempos gives the disc a slightly homogenous feel. Many like-minded guitarists have traveled the path that Liebert originally blazed, and Barcelona Nights offers an appealing reminder of the qualities that elicited such a huge initial reception: nimble, articulate fingerwork; charming, uncomplicated melodies; and just enough flamenco authenticity to convince maturing pop listeners that they had discovered something exotic. Highlights include the beckoning cheer of the well-known title track, and the earnest, uplifting energy of another early hit, "Heart Still/Beating." --Terry Wood

Customer Reviews:

Great High Octave Guitar Jazz.......2006-08-24

I have been a fan of Ottmar for a long time. This album is very good. Every tune is great to listen to. A great sound for all guitar music lovers.

If you are looking for new sounds come and get it!.......2006-06-12

Among the most creative and imaginative musicians in the last generations, Liebert must be included in the most representative lists. His creativeness and above all his powerful vision in what it concerns to the necessary oxygen the Flamenco needed, was intuited by him and so dedicated all his energies in search of its renovation, achieving a remarkable success.

To my mind the most interesting tracks of this valuable album are: Heart still beating, Barcelona nights, Santa Fe, Isla del sol, Bullfighter's dream and La Rosa Negra, but there is not any minor track.

If you really are searching for new inspiration motives and creative sounds, this album is a must for you.

Very nice music, Ottmar is very talented!.......2004-02-09

I don't understand why people so closed mind, this is new millenium, think out of the box, there is no right or wrong about music, there's only about good or bad, who really care about so called "real" Flamenco, as long as easy listening, and creative, I think Liebert is very talented. I like "Barcelona Nights" very much, I play it in my car, at home, never tired of listening. Keep up your good work, Liebert, play more new song!

Don't bother........2004-02-01

Disappointing all the way. You can call Mr. Leibert a sort of `Yanni' of the guitar. Need I say more?

Cross-pollination angers Nationalists.......2003-09-30

Oh please, all these people who are so worried about this genre blending with their sacred "Flamenco." Some of the best Flamenco-inspired music is stuff like this and the work of Steve Stevens, artists who think outside the box. Music is flexible and evolving; what you call it or label it doesn't matter. Nobody seems to mind that Ricky Martin or Enrique Igelsias represent "Spanish" or "Latin" pop music. To me, Alberto Iglesias would be the real deal!

In my estimation, Flamenco has always been an art form influenced by many different forces and subject to change and evolution. Why is there such a nationalistic pride among many of its fans that ends up precluding such visionaries as Liebert, who have devoted their lives to making wonderful music, from taking part? Is it because he is not 100% Spanish?

The same exclusionary mentality that wants to limit Flamenco works well in Bible music in the South. The irony is that a Latin talent is often more welcome in other genres than a Gringo's is to Flamenco. The entire genre of Flamenco suffers much more from exclusionary thinking than it does from cross-pollination. How sad that such a beautiful art form is tainted by control freaks. Those of you who bash the likes of Liebert bash one who is intensely accomplished and pays such homage and utmost respect (not to mention commercial attention and longevity) to the art form. Very sad, indeed. You should be bashing Ricky and Enrique first!

Those of you who are so close-minded (You're probably ignoring me because of my Gringo status, anyway) should check out a really cool blue grass band I know. You'll be made to feel much more welcome than Liebert has in the wild world of Flamenco "purists."

This album is a wonderful collection of soulful, technically masterful sounds from a true visionary who pays the highest tribute to Spanish guitar by infusing it with fresh blood and vouchsafing its wonders to the masses. And it's better quality Flamenco than lots of other stuff on the market! Oh, sweet blasphemy! This is no dilettante - this man lives and breathes his music.

Tracks:

Oversleeping
Collection Of Stamps
We're From Barcelona
Treehouse
Jenny
Ola Kala
Chicken Pox
Rec & Play
This Boy (feat. Loney, Dear)
Barcelona Loves You
The Saddest Lullaby (feat. Mathias Alrikson)
The Painter
Glasses

Amazon.com

"We started this journey in the summer of 2005. None of us knew we would become a band," says the liner note in I'm from Barcelona's debut album, Let Me Introduce My Friends. For all their newness, Barcelona loves simplicity, singing about stamp collections, oversleeping, and treehouses--with lean guitars and drums bolstered by glockenspiel, ukulele, and well over 20 voices. Irresistibly sunny and numerically massive, Barcelona intricately weaves single-syllable choruses behind Emanuel Lundgren's chesty lead vocal, dizzying the ears. So many voices come to the fore that songs like "Treehouse" are unabashed tapestries of pop delight, exuberant and magnetic and chiming. The Swedish ensemble doesn't play the French horns and harps that mark Polyphonic Spree, but they do indulge every rock opera (as in Hair) inclination that can fit under their purview. Everyday's mid-summer here. --Andrew Bartlett

Album Description

U.S. EXCLUSIVE BONUS TRACKS! LET ME INTRODUCE MY FRIENDS is a collection of bubblegum classics filled with extravagant call-and-response backing vocals, shimmering pop spirit and youthful optimism.

Customer Reviews:

I am from Barcelona!.......2007-03-20

Fawlty Towers fans are going to recognize the name of I'm From Barcelona -- that's what the waiter Manuel always says to explain odd stuff: "I am from Barcelona!"

But their debut album "Let Me Introduce My Friends" is nothing like Spanish music. Instead, this lovable, enormous Swedish band sounds sort of like a cross between Architecture in Helsinki and the Polyphonic Spree -- sunny, twinkly, shimmery pop music.

It opens with Emanuel Lundgren drawling, "Daaaaaaamn!/Oversleeping again/Daaaaaaaaamn!/I can't believe I did it once again." He then describes what he'll have to do to "make it on time." It's a mundane topic for a pop song, but it's framed with a sparkling pop tune full of catchy guitar, twinkly xylophone and the occasional bell chime.

The songs that follow are in the same mold -- the lyrics are about confusion, chicken pox, broken hearts, stamp collecting, and finding a spot for the perfect treehouse. And the songs wrapped in them are just as charming: folky pop, driving guitars, twee little sugarpuffs, shimmery bell-augmented pop, and the sprawling orchestral sound of "Olakola."

"Let Me Introduce My Friends" is basically pop for people who like bands with a slightly sugary sound, but a pleasant melody as well. "Let Me Introduce My Friends" is basically all sunshine, spring grass and childlike fun -- very charming.

You can't really single out any band members, since there are almost thirty of them, but the instrumentation is nicely polished and solidly played. The songs are wrapped in unstoppable swirling riffs, banjo, solid percussion, sweeps of wobbly and/or sputtering synth, rattling bells and what sounds like a xylophone.

Lundgren has a nice smooth voice, although at times he sounds a bit like he's singing a nursery rhyme. The lyrics are a bit short and simplistic, but they do admittedly sum up the childlike enthusiasm of the music ("You know I can't believe I'm telling everyone that I know/That every stamp in my collection is a place we could go!").

"Let Me Introduce My Friends" has rather simple songwriting, but deliciously twee pop and some solid, catchy tunes. Nice, unpretentious fun.

Average customer rating:

Andrew LLoyd Webber - Gold Hits
The Gold By Andrew
The best of Webber
THE BEST OF LLOYD WEBBER MADE FOR THE AMERICAN AUDIENCES
Super good CD

Gold: The Definitive Hits Collection
Andrew Lloyd Webber
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music

General | Musicals | Broadway & Vocalists | Styles | Music

General | Broadway & Vocalists | Styles | Music

The Decca Records Store | Specialty Stores | Music
Similar Items:

The Very Best Of Andrew Lloyd Webber: The Broadway Collection
The Andrew Lloyd Webber Collection
Andrew Lloyd Webber: Now & Forever
Greatest Songs from the Musicals
Best of Andrew Lloyd Webber: Original Soundtracks

ASIN: B0000657XY
Release Date: 2002-05-07

Tracks:

Superstar - Murray Head w/ the Trinidad Singers (Jesus Christ Superstar)
As If We Never Said Goodbye - Barbra Streisand (Sunset Boulevard)
The Phantom Of The Opera - Sarah Brightman & Michael Crawford (The Phantom Of The Opera)
You Must Love Me - Madonna (Evita)
Any Dream Will Do-Donny Osmond (Joseph & The Amazing Technicolor Dreamcoat)
Memory - Betty Buckley (Cats)
Pie Jesus - Charlotte Church (Requiem)
The Music Of The Night - Michael Crawford (The Phantom Of The Opera)
I Don't Know How To Love Him - Yvonne Elliman (Jesus Christ Superstar)
Don't Cry For Me Argentina -Patti Lupone (Evita)
Love Changes Everything - Michael Ball (Aspects Of Love)
All I Ask Of You - Sarah Brightman (The Phantom Of The Opera)
The Perfect Year - Glenn Close & Alan Campbell (Sunset Boulevard)
The Vaults Of Heaven - Tom Jones & Sounds Of Blackness (Whistle Down The Wind)
No Matter What - Boyzone (Whistle Down The Wind)
Oh What A Circus - Mandy Patinkin (Evita)
Whistle Down The Wind - Sarah Brightman (Whistle Down The Wind)
Amigos Para Siempre (Friends For Life) - Sarah Brightman & Jose Carrerras (1992 Olympics Theme)

Amazon.com

The critical debate over Andrew Lloyd Webber's musical legacy will no doubt rage for decades. Is he the shrewd populist composer who almost single-handedly revived the moribund stage musical--or a crass, Barnum-esque showman (who almost single-handedly revived the moribund stage musical)? This 18-track anthology chronicles the high points of Sir Andrew's enduring songcraft and the irrefutable impact it's made across a remarkably disparate swath of tastes and genres, from Broadway to Top 40 radio and even the classical repertoire.

If some have accused Lloyd Webber's songs--like "The Music of the Night" (from Phantom of the Opera) and the title tune from Whistle Down the Wind, included here--of having all the melodic and lyrical sophistication of a children's lullaby, that's likely the very element that's made them so appealing to a mass audience. If nothing else, it's a compelling argument for that old notion about it being "the singer, not the song." Indeed, there are few contemporary composers whose music could entice divas from Streisand ("As If We'd Never Said Goodbye" from Sunset Blvd.) to Madonna (Evita's "You Must Love Me") and Charlotte Church ("Pie Jesu" from Requiem) to cover it, let alone forge the very careers of artists like Sarah Brightman and Michael Crawford. And if there's any substance to that other criticism of Lloyd Webber lifting the melodic ideas of composers from Verdi to John Williams (we swear that's the theme to Jurassic Park bubbling up in Tom Jones's camped-up take on Whistle's "The Vaults of Heaven"), at least, like virtually every major composer, he's stolen--er, borrowed--from the best. --Jerry McCulley

Customer Reviews:

Andrew LLoyd Webber - Gold Hits.......2007-07-13

I sent this CD to my parents and they love it! It is nice to preview the songs on-line instead of with greasy headphones in a music store! The shipping is always speedy and makes sending gifts across the country so much easier.

The Gold By Andrew.......2007-04-23

This cd is a must have for any Webber fan. It has many great songs from his most sucsessful musicals. But something I don't like about this cd is that some of the singer how sings some of the songs arn't the onse that sings the originals. Like "The Phantom Of The Opera" and "Love Changes Everything". Witch is so sad. Couse the original songs are so much better.
But besides that this cd is very good. With manye nice and difficult songs (I've sung some of the myself in siningclass).
So if you like Andrew's music this most sertanly is a most have.

The best of Webber.......2005-09-12

Although I like Andrew Llloyd Webber and his music very much, this collection earns only 4 stars and it's not because of the quality of the music but the level of performers. If a best of collection is made it should contain the best version ever done and this time it's not true. I could write the same review for the European edition (labeled import here) because the blend of the two would be a perfect best of.

Some examples: this version contains Memory sung by Betty Buckley while the Elaine Page version is light years better. Then it contains Patti Lupone's version of Don't Cry For Me Argentina. Even though Madonna wasn't the best Evita, she definitely sung Argentina in a way no-one could before or will ever. Whistle Down The Wind is represented with 3 songs - the place of the Tom Jones song is not here (the same could be said of Tina Arena's song o the European edition). Instead of the TJ song they could have included Take That Look Off Your Face by Marti Webb - one of the best songs by Webber. Pie Jesu from the Requiem is much better sung by Sarah Brightman. These are the faults.

What about the rest? Pure joy and material worth of 6 stars. Superstar, Phantom Of The Opera, Music Of The Night, I Don't Know How To Love Him, All I Ask Of You, No Matter What, Oh What A Circus - wonderful songs and wonderful performers. My all-time favorite from Webber will always be Music Of The Night and the version included here is the mesmerizing adaptation of Michael Crawford.

I don't advise anyone not to buy this album - it's good material, however it's far from being perfect.

THE BEST OF LLOYD WEBBER MADE FOR THE AMERICAN AUDIENCES.......2005-01-31

There are numerous compilations out on the market full of Andrew Lloyd Webber's music. As most people know, Lloyd Webber is the most successful musical composer of all time and many of his songs became standards not only in the theatre history, but also as tops on the charts. Even though he's British, his influence on the shape of the modern musical theatre expanded over the West End boundaries long ago and has thus made an enormous impact on Broadway. Two of his shows ("Cats" and "The phantom of the opera") hold the record as two the longest running shows in the history of Broadway. He has also been the only composer to have three of his shows running at Broadway concurrently. This compilation captures some of the best songs he has ever written, he personally supervised it and it is the best thing to have if you can't afford his five-CD compilation called "Now and forever", which was selected and supervised by him as well. You should bear in mind, however, that there are two compilations called Gold out there: The one made for the European and the British market, and this one, made for the American buyers. Some of the songs on both of them are the same, the others are performed by different artists and some can be found only in one of the two. This one here was issued later and it is digitally remastered. Therefore you should check your favourites and buy accordingly, or, if you can, buy them both, since both of them contain interesting songs and performers.

So here are my thoughts about the tracks in this one:

1. "Superstar" and "I don't know how to love him" are both from the concept album of "Jesus Christ Superstar". They sound wonderful as ever, although the orchestrations may seem a bit dated by now.

2. "Sunset Boulevard" is marked here with two songs. Barbra Streisand's powerful voice shines all the way through in "As if we never said goodbye"; it's a shame she never played Norma Desmond on Broadway, since Patti LuPone wasn't allowed to take her Norma to New York, and Glenn Close butchered the role. Her limited vocal abilities were hardly suited for the material, as it is shown by the second Sunset song, "The perfect year", performed by Close and Alan Campbell. They both lack a decent singing voice, so this is the one song I skip regularly. The song itself sounds much better in its single version with pops orchestration, as can be heard on the European version of this compilation, where it is performed by Dina Carroll. This version here can hardly be considered a gold one.

3. "The Phantom of the Opera" is represented by three songs. Michael Crawford and Sarah Brightman performance in the song of the same title is amazing. They were both born to play their roles in this show and their voices fit together perfectly. Sarah can hit the high notes in the end like no other Christine. Cliff Richard and Sarah sing the lovely ballad "All I ask of you" with passion, and Cliff has a wonderful warmth in his voice. Finally, Michael Crawford gives his unique and mesmerising interpretation in "The music of the night".

4. The 1996 movie version of "Evita" is Madonna's best role to date and it brought an Academy Award for Lloyd Webber and Tim Rice, who wrote "You must love me" especially for the big screen. This is another wonderful ballad with the haunting cello and piano solo. It just proves that Lloyd Webber and Tim Rice were the best collaborators. They really should do another musical together.

5. "The Joseph and his amazing Technicolor dreamcoat" was Webber's first musical and the signature song "Any dream will do" is performed here by Donny Osmond, who also appeared in the video version. I find his rendition even better than London's Jason Donovan, since Donny isn't strictly bound by the notes and so sings it more casually. A wonderful pop piece.

6."Memory" from "Cats" is probably the most famous of all Webber's songs, recorded by numerous artists. This version is sung by Betty Buckley, who was Broadway's Grizabella. Although Betty's performance can't be considered bad, I prefer Elaine Paige, who sung the song first, in the London production. Elaine has a note of sorrow in her at times husky voice, which I found very intriguing. Her performance can be considered definite, as heard on "Cats" DVD or in her latest two-disc compilation, "Centre stage: The very best of Elaine Paige", issued in May 2004. Still, those who prefer Ms. Buckley or who saw her on stage in this role won't be disappointed.

7. "Pie Jesu" is the best known song from Webber's "Requiem", written in 1985 to commemorate the death of his father. I'm not too keen on the version included here, performed by Charlotte Church, because her voice isn't as pretty as Sarah Brightman's on the original recording and the tempo is somewhat faster here.

8. "Don't cry for me Argentina" is among my all-time Lloyd Webber's favourites. I like all the ladies who performed "Evita" on the stage and on the screen (Julie Covington, Elaine Paige, Patti LuPone and Madonna), but on this disc is the version I am most satisfied with, since it is sung by Patti LuPone. Ms. LuPone has a very powerful voice with an amazing range and she deserved her Tony Award for this role. She was able to sound both vulnerable and decisive while singing this, whereas the other leading ladies emphasized one or the other in their interpretation. Mandy Patinkin's "Oh what a circus" is not the best, the orchestration is a little bit weak and his voice sounds thin to me. David Essex on the London cast recording is more suitable.

9. "Aspects of love" boast here with its top song, "Love changes everything", performed wonderfully by Michael Ball. It was his #1 hit and is probably one of the most beautiful love anthems ever written.

10. Three songs come from "Whistle down the wind". The studio release of the same title is one of the reasons I bought this compilation, although I already have the European one. It is performed by Sarah Brightman with Lloyd Webber playing the piano and a symphonic orchestra who nicely takes the lead of the main melody. Sarah voice is angelic; she sings it like a little bird. Very charming. Boyzone's "No matter what" was a huge pop hit in the charts. Again, we have a song with the suitable orchestrations and vocals. And lastly, Tom Jones' deep voice in combination with the back vocals of "The Sounds of Blackness" gives a rocking rendition of the church hymn "The vaults of heaven". It can't be found on the European version and Tom's voice shows it hasn't aged. Way to go.

11. For the 1992 Barcelona Olympics, Webber wrote, together with his long-time lyricist Don Black, this last song, "Amigos para siempre or Friends for life". It's a nice duet between Sarah Brightman and Jose Carreras, their voices sore when bound together. The melody itself is neat, especially when the orchestra takes the lead.

Besides the fact that some of the performers here were not the best for my taste, there is also the fact that some of Lloyd Webber's shows are omitted in this version, most notably, "Tell me on a Sunday". Also, unlike its European counterpart, this compilation isn't aligned chronologically, so we have 1970 Superstar being the first song, 1993 Sunset Blvd comes the second, followed by The Phantom from 1986 and so on. None the less, this CD is excellent as an introduction to Lloyd Webber's music and one can continue with his cast recordings from there. It's also very handy as a single disc compilation for the American fans.

Super good CD.......2004-12-31

The songs on this CD are great. If you also play piano, the book of the same title goes perfectly with the CD. You can following along with the music and learn the songs on the piano.

Average customer rating:

THE Mercury Showcase
Astounding
Made in heaven
brilliant
Barcelona

Barcelona
Freddie Mercury , and Montserrat Caballe
Manufacturer: Hollywood Records
ProductGroup: Music
Binding: Audio CD

General | Opera & Vocal | Styles | Music

General | Pop | Styles | Music

Pop Rock | Pop | Styles | Music

General | Rock | Styles | Music

Progressive Rock | Progressive | Rock | Styles | Music

General | Hard Rock & Metal | Styles | Music

Hard Rock | Hard Rock & Metal | Styles | Music

General | Classical | Styles | Music

Album-Oriented Rock (AOR) | Classic Rock | Styles | Music
Similar Items:

The Great Pretender
Innuendo
Freddie Mercury
Made in Heaven
Solo Collection

ASIN: B000000OC6
Release Date: 1992-07-14

Tracks:

Barcelona
La Japonaise
The Fallen Priest
Ensueno
The Golden Boy
Guide Me Home
How Can I Go On
Overture Piccante

Customer Reviews:

THE Mercury Showcase.......2007-01-12

After nearly 19 years, the Barcelona album remains a hidden gem in the Queen/Freddie Mercury legend. While present-day music critics finally give Mercury and Queen the justice they so deserve, Mercury himself continues to be recalled mostly as the fantastic showman he was, with the musician taking a back seat. Barcelona gives us Mercury the musician. No lycra bodysuits, no half-mic stand, no day-ohhhhs. Just the voice, the words, the orchestration. And it stands up tall, big, dramatic, moving. And drastically different from the works of Queen.

Caballe of course is spectacular, though definitely not annoying or screechy as (in my experience) some opera can be. She functions as the perfect partner in crime for Mercury as they both held each other in awe and reverance, even after they became acquainted.

Every song is complex, layered and utterly brimming with emotion. Though Mercury went on to record two more albums with Queen (with Innuendo being one of the best of the entire Queen catalog), Barcelona stands in my mind as his crowning musical achievement.

Astounding.......2006-10-21

I am a lifelong Queen and Freddie Mercury fan, but am still astounded at the beauty of this album. It is but one more facet of the genius musician of our time. The voice of Montserrat Caballe is just incredible, and Freddie sounds great too. It really makes one wonder what other great musical accomplishments Mr. Mercury could have blessed the world with. I think that every Queen fan should hear this. "Guide Me Home" and "How Can I Go On" are very touching and beautiful, and complement each other perfectly. How can something this wonderful be relatively overlooked? This is the best cd I have ever heard. I have always held Freddie in the highest esteem,but this will go down in history.

Made in heaven.......2005-08-26

Ms. Caballé, is a great Catalan opera singer, she's famous worldwide because of her amazing voice. This is a stunning album that you can't miss. A opera singer singing rock and pop is very unusual, so she breakes the rules on this CD singing at her best featuring Freddie Mercury's voice. A wonderful album!.

brilliant.......2005-07-12

brilliant music, i'm just gonna say, this album is truly underated, shows just how brilliant MR. mercury truly was, the question for me is, will 'barcelona' ever get the credit it deserves? the song has, but will the rest of the album? probably not, it will always be a hidden gem.

Barcelona.......2005-07-10

This c.d. shows what a great contrast in styles of music that Freddie Mercury enjoyed. On this c.d. he didn't make the mistake of trying to sing opera, he was just himself & it works.

Average customer rating:

Unsure
A tenor for the masses
A wonderful voice
Opera for the Masses
There will be copycats but Russell Watson is an Original!

Russell Watson · The Voice
Russell Watson , Stephen Warbeck , Giuseppe Verdi , Lucio Dalla , Zucchero , Cesar Franck , Ernesto de Curtis , Umberto Giordano , Nigel Hess , Russell Gordon Alistair / Mahoney Gary / Watson , Paul Simon , William / Ure, James Allen Christopher / Cann Warren / Currie , Luigi Denza , Freddie Mercury , Giacomo Puccini , Ennio Morricone , John Themis , Richard Harvey , and Caroline Dale
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music

The Decca Records Store | Specialty Stores | Music
Similar Items:

Encore
Amore Musica
Sometimes I Dream
Reprise
The Voice: The Ultimate Collection

ASIN: B00005B7JD
Release Date: 2001-04-17

Tracks:

Nella Fantasia
Amor Ti Vieta
Pelagia's Song (Captain Corelli's Mandolin)
Caruso
Miserere
Panis Angelicus
Non Ti Scordar Di Me
La Donna E Mobile
Saylon Dola
Someone Like You
Bridge Over Troubled Waters
Vienna
Funiculi
Barcelona (With Shaun Ryder)
Nessun Dorma!

Amazon.com

Russell Watson's story is a classic rags-to-riches fairy tale: The former welder, after years of singing in pubs and clubs, traveled from Salford, his hometown, to London. He turned up unannounced at the Decca offices and was promptly signed up by one of the most important classical labels in the world. Vocal coaching followed, as did a number of successful live appearances supporting Cliff Richard. Now, we have this recital CD, which explores a wide range of musical styles. Watson's Italian is a little ponderous in tracks such as "Amor Ti Vieta," but this is more than offset by his captivating and utterly natural-sounding tenor voice. The inevitable popular arias are here, namely "La Donna è Mobile" and "Nessun Dorma," sung with a refreshing and youthful vitality. Pop tracks, including Ultravox's classic 1980s hit "Vienna" and a witty cover version of "Barcelona" sung with former Happy Mondays frontman Shaun Ryder, sit comfortably on the disc. Watson performs them with integrity, not simply paying lip service to the music of his generation. Watson has the potential to do for classical music what Jamie Oliver has done for cookery, and there are few people who won't find this debut CD appealing. --Rebecca Agnew

Album Details

Full Length LP from the British Tenor that Shot Straight to the Top of the UK Classical Charts. Features Many Beautiful Renditions of Classical and E-z Listening Standards, plus a Version of 'nessun Dorma', which Watson Often Sings Before High-profile English Soccer Matches.

Customer Reviews:

Unsure.......2006-01-07

I'm glad that musical artists besides opera singers are encouraging the art of opera. I also like some of his more upbeat selections as well. In my opinion though, I couldn't listen to his CD for very long. A couple of his arias sounded a bit splatty at times, and back in the throat at others. I don't claim to know everything about opera, I'm only in highschool, but his sound seemed quite pushed in places.
When all is said and done,however, I hope more people will come to know and love opera through his music.

A tenor for the masses.......2005-11-07

I hesitate to add my two cents where others have commented in such number. Still, there are a couple of observations I'd like to pass along, hoping they provide further insight into the phenomenon of Russell Watson and his singing.

First of all, I bought this CD never having heard of Mr. Watson--I just liked the looks of it and thought I'd give it a try. So my perception was based solely on what the CD offered. And I liked it! Both the first time and the next several times. (If I want to get analytical, I can find flaws here and there, but somehow I always enjoy hearing it. Period.)

Why do I like it? For a starter, the performances are musical, interesting, exciting, and aesthetically appealing--and that's my first test of quality. (What good is the greatest, most refined, rendition if you find your attention wandering?) Next, I think Watson's musical instincts (and those of whoever else assisted in creating this CD) are pretty much dead-on. There isn't one track I don't like, though some are clearly my favorites.

OK, the operatic bits don't sound like Pavarotti or Domingo, whom I also love very much. So what? Who says there has to be only one way to do an aria? This music is good enough to support a variety of interpretations. (Now if I could only afford one CD, I'd have to be more demanding.)

This is music for regular people, not necessarily for the elite, and I'm enough of a musical democrat to welcome it. If Watson didn't emerge from a high-class musical background, but still found his way to this music, I say more power to him! He must have an inborn feeling for it, and enough of a voice to perform it convincingly.

We've known a few other tenors from humble musical settings who've risen to popular acclaim (e.g., Mario Lanza). They happen to hear some fine tenor singing and find they can imitate it, and not too badly. With a little encouragement they keep at it, take a few lessons, and soon they're on their way. Where they go from there depends on talent, luck, and choices. I don't know where Watson's career will go in the long run, but I like this initial CD (and the two or three following it).

One concern I felt in listening to "The Voice" was for the voice itself. It seemed to me that Watson might have been forcing it too much, in heroically belting out those high notes. From what I now read, that concern was well founded, for Mr. Watson has had to undergo throat surgery. I hope his recuperated voice will retain the excitement and charm we have grown accustomed to and will serve him (and us) for many years.

A wonderful voice.......2005-05-28

I'd just like to say that while most of the opera purist lot criticize his "untrained voice", they are completely neglecting to say that the beauty of his voice is completely NATURAl. He is a man with a naturally beautiful voice, not one worked on for dozens of years in a conservatorium. Personally, that in itself is commendable. Yes, his pronunciation is not exactly perfect, but I think that this adds to his charm - how his gift (and yes, it is a gift) to him from welding to living out his dream.

Opera purists are a dying race. Making opera accessible to other people is not a crime. I have been brought up in a house filled with music, quite a lot of opera. And I do not think that making opera more accessible is a bad thing. Bringing a more youthful image to opera is a very positive thing. We are seeing a whole generation of artists with wonderful voices, ridding opera of its middle aged image.

Bravo, Russell! You're doing a great job.

PS: Opera purist, I can assure you Russell does not spend a sleepless night on account of your whining. So I suggest you learn to deal with the new youth of opera.

Opera for the Masses.......2005-04-25

Talented Watson brings a youthful, casual elegance to opera which will appeal to opera lovers and novices alike.

Some critics are hard on him for pandering to the pop aspects of modern operatics, but I wouldn't call him a sell out at all, as he certainly has the vocal skills to back up his commercial appeal.

There will be copycats but Russell Watson is an Original!.......2005-03-04

One listen to the voice and it will offer you a true appreciation for this hybrid singer. I call him a hybrid singer because he is one of the new generation singers that have the range to sing beatiful, classical pieces as well as pop songs. Russell has the looks of a boy band star but he chose, instead, to follow his heart and bring beautiful, european music to the world's attention. While I have heard comparisons to Josh Groban let me just set the record straight. Russell Watson is the original while Josh Groban, who needs a good barber, is the copy. Russell's first album, the voice, was released in April 2001. Josh Groban's cd was released in May 2002. Both singers have worked with some of the same producers but there is no true comparison when you hear the range and beauty of Russell's voice. He truly could have been an opera singer and has performed in a few operas in europe. I wont bother to get technical about this cd. It truly is one of my favorites in an extensive mixed cd catalog that I own. What I will say is to listen to a few sample tracks and understand what so many of us in the U.S. and abroad already know: Russell Watson is King!

Sondheim - A Celebration at Carnegie Hall (1992 Concert Cast)

Average customer rating:

Great CD
Simply the Best
Inconsistent, but mostly excellent
"Celebration" is not strong enough a word
A maginificent evening, a magnificent album

Sondheim - A Celebration at Carnegie Hall (1992 Concert Cast)
Stephen Sondheim , Betty Buckley , Paul Gemignani , Patti LuPone , Liza Minnelli , and Bernadette Peters
Manufacturer: RCA Victor Broadway
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Musical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music

General | Musicals | Broadway & Vocalists | Styles | Music

Traditional Vocal Pop | Broadway & Vocalists | Styles | Music

General | Broadway & Vocalists | Styles | Music

General | Soundtracks | Styles | Music

1990s | By Decade | Soundtracks | Styles | Music

1990s | By Decade | Pop | Styles | Music

General | Vocal Pop | Pop | Styles | Music

Traditional Pop | Oldies | Pop | Styles | Music

Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music

Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music

Musicals | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music
Similar Items:

Side By Side By Sondheim (1976 Original London Cast)
Sondheim Evening: A Musical Tribute (1973 Concert Cast)
Send in the Clowns: The Ballads of Stephen Sondheim
Sondheim - A Celebration at Carnegie Hall
Sondheim, Etc.: Bernadette Peters Live at Carnegie Hall

ASIN: B000003FDW
Release Date: 1993-02-23

Tracks:

Symphonic Sondheim: Sweeney Todd--orchestra, Jerry Hadley ("Johanna"), Eugene Perry,Herbert Perry ("Pretty Women")
Evening Introduction--Bill Irwin
Loveland/Getting Married Today--Ensemble, Jeanne Lehman, Mark Jacoby, Madeline Kahn
Waiting for the Girls Upstairs--George Lee Andrews, Michael Jeter, James Naughton/Love, I Hear--Michael Jeter/Live Alone and Like It--James Naughton
Someone Is Waiting--Richard Muenz/Symphonic Sondheim: Barcelona--orchestra
Being Alive--Patti LuPone
Good Thing Going--The Tonics
Losing My Mind/You Could Drive a Person Crazy--Dorothy Loudon
Our Time--Boys Choir of Harlem/Children Will Listen--Betty Buckley
Anyone Can Whistle--Billy Stritch
Water Under the Bridge--Liza Minnellli, Billy Stritch
Back in Business--Liza Minnellli, Billy Stritch, Ensemble

Tracks:

Symphonic Sondheim: Comedy Tonight--Bill Irwin, orchestra
Sooner or Later--Karen Ziemba
Pretty Lady--Mark Jacoby, Eugene Perry, Herbert Perry
Green Finch and Linnet Bird--Harolyn Blackwell
The Ballad of Booth--Patrick Cassidy, Victor Garber
Broadway Baby--Daisy Eagan
I Never Do Anything Twice--BETTY
With So Little to Be Sure Of--Jerry Hadley, Carolann Page
Not a Day Goes By--Bernadette Peters
Remember?--Ron Baker, Peter Blanchet, Carol Meyer, Bronwyn Thomas, Blythe Walker (Quintet)/A Weekend in the Country--Kevin Anderson, George Lee Andrews, Mark Jacoby, Beverly Lambert, Maureen Moore, Susan Terry, Quintet
Send in the Clowns--Glenn Close
Old Friends--Liza Minnelli
Sunday--Bernadette Peters, Broadway Chorus

Customer Reviews:

Great CD.......2006-08-06

This is a wonderful double CD of fabulous musical numbers performed by theatre greats and directed by a legandary musical director.

Simply the Best.......2005-06-29

First, to the person who criticizes the recording b/c of "Broadway Baby." Daisy Egan (who sings in in this recording) sounds like she's 10 becuase she IS young. She had just appeared on Braodway in Secret Garden and won a Tony for it. It's a joke...Broadway BABY...hello, it's a joke.

In a compilation of songs like this you're always going to have tracks that you prefer over others, but the majority of the renditions in this CD are great. This is simply one of the best collections of Sondheim out there. You get interpretations that span from "classical" (Green Finch), to bordering on insane (Anything Twice). This is to demonstrate how versatile this composer really is.

In my opinion, some of the best renditions are "Not a Day Goes By," "Anyone Can Whistle", "Girls Upstairs Medley," "Losing My Mind/Drive a Person Crazy," and "Weekend inthe Country." Makes me wish I had been there to witness it first hand.

If you love Sondheim and enjoy hearing Broadway performers, get this CD. A great recording.

Inconsistent, but mostly excellent.......2004-03-21

I am sure no knowledgeable person would deny how absolutely perfect all these songs are. However, the performances on this album are extremely inconsistent. It will go from an excellent rendition (Waiting for the Girls medley, Sunday, With So Little To Be Sure Of, Sooner or Later, Green Finch, Send in the Clowns, Pretty Lady) to the weird (I never Do Anything Twice), to the bad (Broadway Baby, Our Time). I still have absolutely no idea how they managed to butcher one of the best songs ever written--Good Thing Going--and turn it into smooth jazz elevator music. Why would they give Broadway Baby to someone who sounds like she's 10? That said, Liza Minelli, Glenn Close, Karen Ziemba, Dorothy Laudon and the "Waiting for the Girls" performers are all very good. And ending with Bernadette Peters and "Sunday" ends the set on a absolutley fabulous note.

"Celebration" is not strong enough a word.......2003-04-30

This review is by Crosley.

I have been a major Sondheim fan for quite some time, and I finally obtained a copy of this album. I was blown away by the excellent cast and phenomenal selection of music. It is obvious how much work went into this production, considering that this is the live recording of a one time show, and it's flawless. The songs cover all of his shows with the exception of "Passion," which was released 3 years after this show. Also, the shows for which he wrote only lyrics are ommited, like West Side Story, Gypsy, etc. Thus, you can find material from A Funny Thing Happened on the Way to the Forum, Anyone can Whistle, Company, Follies, A Little Night Music, Pacific Overtures, Sweeney Todd: The Demon Barber of Fleet Street, Merrily we Roll Along, Sunday in the Park with George, Into the Woods, and Assassins.

There are two striking things about this CD (besides the music and performers themselves). First of all, some of the songs are completely stylistically reworked. The most obvious are "Good Thing Going" and "I Never do Anything Twice." Both are traditionally very ballady with a piano accompaniment, but here they have been redone as jazzy tunes. The result is excellent. Such reworkings demonstrate that Sondheim writes music for virtually any style, and in these cases, across several styles. It's a great example of his variety. The other interesting thing is how many songs have overlapping melodies of songs from different shows. Case in point, "Our Time" and "No one is Alone" are sung seperately by the Harlem Boys Choir and Betty Buckley (the original Grizabella in Webber's atrocious "CATS," although Buckley was excellent) respectively, and then combined. Putting these two songs together offer different meanings to each, and the music is only enhanced. Another example, the trio of "Waiting for the Girls Upstairs," "Love, I Hear," and "Live Alone and Like It" are sung in that order, and then the latter two are combined. Again, the meanings of the songs change, this time in an almost narrative style, and offering different takes on love in the same montage. Lastly (at least for this review, there are more), Dorothy Laudon's (the original Ms. Hannigan in Annie) combination of "Losing my Mind" and "You Could Drive a Person Crazy" is brilliant. Those who are familiar with these songs will wonder how exactly they fit, but trust me, they do. She swtiches back and forth between melodies to create a number that starts poignant and beautiful, and soon moves to become uproariously funny. Both the song reworkings and overlapping melodies of unrelated songs are all for the better.

I recommend this recording to anyone wanting to get better acquainted with some of Sondheim's best work, or those already familiar who want to hear a tour de force of phenomenal music. It has been said that Sondheim is a masterful lyricist (which he is), but lacks real talent for music. This CD is the final proof that such critics are wrong. His music may take a few listenings to get into, contrary to Webber or Wildhorn, but unlike those two, he doesn't cater to the audience. He challenges them to think outside of traditional musical theater in a glorious repertoise of shows that reach for a smarter, more sophisticated form.

A maginificent evening, a magnificent album.......2001-12-16

There's something to be said for the first concert you ever see at Carnegie Hall. I was fortunate enough to have this be my first. This entire evening was devoted to his genius and the performers did not disappoint.

This wonderful double CD shows off the best and brightest of the musical theatre composer and it is, as one person put it, "an embarassment of riches." With songs from his finest works done in amazing arrangements (listen to that harmony in "We Had a Good Thing Going"!) combined with fabulous performers this is a Sondheim lovers delight.

Tracks:

Bea & David Ferrero - VShery's Ronda
B&D - Amanecer en Menorca
Chic & Choc - Pura Sangre
Electronic Orchestra of Madrid - I'm Burning 4 U
Lentejitas - Te Alejabas de Mi
United Feature Syndicate - Aire de Baleares (Groovin' 7.Jerez Mix)
Klub Rider - Buleria del Alba
Solar Sides - Estrella de Mar
Sweet Bee - Parvathanma
Gaudi feat. Ojos de Brujo - Babylon Flamenco
Peppe Tuccillo - Eve's Garden

Tracks:

Animaya - Todo es Arte
Fresh Now - Fronteras en el Mar
Lentejitas - Mimoso
Le Griser -Volando Alto
Adani and Wolf - Wings of Santa Lucia
David Ferrero - Mi Castigo
Cordovan - Sangre de Amantes
Prompt - Piano Cantado
Aloeverah- Tan Cañi
Marc Antoine - Cantar Al Amor
Kimahri - A la Alhambra

Album Description

The greatest dance music producers are influenced by the rhythms of many cultures. Frequent Flyer focuses on those locales around the world that have had a profound influence on dance music. Frequent Flyer: Barcelona is the latest CD in the series and the second of four new "Destinations." For this edition, we touch down in the capital of Catalonia, the heart and soul of Spain's cultural renaissance and a city that leads the way in architecture, food, fashion and of course music. Taking inspiration from the many varied forms of Flamenco the music on Frequent Flyer: Barcelona is a subtle mix of laid-back electronic beats and shimmering acoustic guitars. The music mix is perfect for languid afternoons spent sipping sangria with friends, so sit back and relax...

Customer Reviews:

Not Spanish Music.......2007-06-27

I'm a fan of music from around the world. Sometimes I want to listen to Irish, sometimes Indian/Bollywood, sometimes Spanish. This is not Spanish. Granted, most of the singing is Spanish, but there is no doubt that most of the songs sound like they're from... Bollywood?

Yup, most of the songs are extremely Indian in flavor. I did not get this CD set with the hopes of hearing Spanish sung to Indian beats and with Indian inflections/vocal modulation. But that's what this is. A friend of mine who is a native Spanish speaker even attested some of the vocals, while Spanish, were actually tinged with an Indian accent. Couldn't this collection have had music actually from Spain?

If you have hopes for something guitar flavored or merely Spanish in the most stereotypical of senses, steer far from this. The Argentinian and Red Eye Frequent Flyer collections are not bad, however, and true to their titles.

Pretty damn good!.......2007-05-13

I have been a fan of the Frequent Flyer series, having purchased Kingston, Rio De Janeiro and Buenos Aires before. This one once again highlights an exotic city and selects tunes made in, or inspired by the loungy, electronica scene in Barcelona. The first disc is lighter in mood and sound while the second one is deeper and more intense. If you would like to hear a new twist on Flamenco, then pick this up!

Average customer rating:

Fiel a un estilo
The Way Gershwin Meant it to be Played

Rhapsody in Blue

Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD

Preludes | Forms & Genres | Classical | Styles | Music

General | Classical | Styles | Music

Latin Pop | Latin Music | Styles | Music

Bebop General | Bebop | Jazz | Styles | Music

Hard Bop | Bebop | Jazz | Styles | Music

General | Jazz | Styles | Music

Latin Jazz | Jazz | Styles | Music
Similar Items:

Spain Again
Solo
Live at the Blue Note
Michel Camilo
Rendezvous

ASIN: B000E4FHYQ
Release Date: 2006-02-28

Tracks:

Rhapsody In Blue
Allegro
Adagio-Andante Con Moto
Allegro Agitato
Prelude No.2

Amazon.com

Yet another recording of "Rhapsody in Blue"? In approaching Dominican jazz pianist Michel Camilo's version, recorded with the 95-piece Barcelona Symphony Orchestra, you might expect his freewheeling, Latin-percussive style to bring a new heat and sparkle to the work. While Camilo, no stranger to classical music, provides an enjoyable ride through George Gershwin's popular favorite, injecting some subtle swing touches, his treatment is otherwise pretty standard. He is more impressive (as is the orchestra, conducted by Ernest Martinez Izquierdo) riding the rhythmic waves and sudden shifts of Gershwin's Concerto in F, composed the year after "Rhapsody." And performing solo, he handles Gershwin's Prelude No. 2 ("Blue Lullaby") with aplomb. But nothing here can escape the shadows of jazz's greatest venture into Gershwin, Miles Davis' late-'50s rendering of Porgy and Bess with the great arranger Gil Evans. --Lloyd Sachs

Customer Reviews:

Fiel a un estilo.......2007-01-10

Muchos pensarán que es exagerado contar con una versión adicional del clásico de Gershwin. Finalmente, Camilo no resistió la tentación y nos obsequia con esta ejecución fiel a su estilo que ha desarrollado con los años. El gran pianista de República Dominicana hace una gran interpretación, la cual podría emplearse con fines didácticos. Aunque las comparaciones pueden resultar odiosas, sugiero escuchen la versión de Marcus Roberts para que escuchen la complementariedad en la asimilación de la música de Gershwin.
Jazzmaniaqro desde México.

The Way Gershwin Meant it to be Played.......2006-04-02

My first thought was, "Who needs another version of Rhapsody in Blue?" A couple of listens to this CD provide the answer, giving all the explanation needed to justify Camilo's dive into Gershwin's symphonic repertoire. Though I've thought of the Dominican native as primarily a fiery Latin-derived player in the past, here we get an aural glimpse at the classical chops he developed studying for thirteen years at the National Conservatory on his native island. On this disc, his piano fronts the Barcelona Symphony Orchestra, not only on Rhapsody, but also on Gershwin's Concerto in F. He closes the set with a solo reading of Gershwin's beautifully melancholic Prelude No. 2. What propels this recording above the many other available takes on these pieces is Camilo's jazz sensibilities. We're used to hearing them played by a non-improvising classical pianist, but here we get the real thing-Gershwin's jazz-inspired work played by a real jazzman. It's a perfect musical marriage.

---Originally published in Port Folio Weekly - March 28, 2006
copyright © 2006 Port Folio Weekly. Used by Permission.

Ellstein: Great Songs of the Yiddish Stage 1 [Milken Archive of American Jewish Music]

Average customer rating:

Great collection, nice orchestrations
A Great New Addition to the Milken Archive!

Ellstein: Great Songs of the Yiddish Stage 1 [Milken Archive of American Jewish Music]

Manufacturer: Milken Archive
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | International | Styles | Music

General | Opera & Vocal | Styles | Music

Musical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music

4-for-3 Classical | 4-for-3 Music | Stores | Music

4-for-3 International | 4-for-3 Music | Stores | Music

4-for-3 Soundtracks | 4-for-3 Music | Stores | Music

4-for-3 All Music | 4-for-3 Music | Stores | Music
Similar Items:

Bay Mir Bistu Sheyn: Yiddish Stage Songs, Vol. 2
Joseph Rumshinsky: Great Songs of the Yiddish Stage, Vol. 3
Klezmer Concertos & Encores [Milken Archive of American Jewish Music]
Introducing World of American Jewish Music [Milken Archive of American Jewish Music]
Lazar Weiner: The Art of Yiddish Song

ASIN: B0000C508K
Release Date: 2003-09-23

Tracks:

Der Nayer Sher - Simon Spiro
Oygn - Elizabeth Shammash
Ikh Vil Es Hern Nokh Amol - Simon Spiro
Ikh Zing - Robert Bloch
Abi Gezunt - Amy Goldstein
Zog Es Mir Nokh Amol - Bruce Adler
Di Grine Kuzine - Joanne Borts
Vos Geven Iz Geven Un Nito - Simon Spiro
Oy Mame, Bin Ikh Farlibt - Elizabeth Shammash
Zog, Zog, Zog Es Mir - Nell Snaidas
Der Dishvasher - Robert Abelson
Du Shaynst Vi Di Zun - Nell Snaidas
Vos Iz Gevorn Fun Mayn Shtetele? - Benzion Miller
Mazl - Elizabeth Shammash
Ikh Bin A 'Boarder' Bay Mayn Vayb (Doctor) - Bruce Adler
Der Alter Tzigayner - Simon Spiro

Album Description

The American Yiddish musical theater, a vibrant expression of the immigrant experience, became famous during its heyday in the 1920s-1940s. Combining the musical flavors of Viennese operetta, Tin Pan Alley, and eastern European nostalgia, these songs and duets are quintessential American popular music—with a Yiddish voice. Volume 1 spotlights the hit songs of Abe Ellstein, one of the genre's premier songwriters. New, historically accurate orchestrations re-create the unforgettable glory days of Yiddish radio and film, the uproarious vaudeville houses, and the thrill of a night at the theater on old New York's fabled "Second Avenue."

Customer Reviews:

Great collection, nice orchestrations.......2005-01-19

Great collection of yiddish musical theatre favorites. Unfortunately the singers were told to sing the songs in a supposedly "authentic" galician accent which in certain instances is completely incomprehensible to any yiddish speaker.The singers are quite good and the orchestrations are lush and well done.

A Great New Addition to the Milken Archive!.......2004-03-10

This CD is perfect for fans of Yiddish folk music and newcomers to the genre alike. It is a great introduction to some of the treasures of the Yiddish stage. Especially worth noting are the four tracks sung by Elizabeth Shammash, whose rich Mezzo-Soprano voice brings a great sensitivity and tone to her pieces.

International Music:

International Music

International Music