Rua Marari [Import]

1. Valsa Do Acu

2. Pressao Alta

3. Miragem

4. Luz De Cristal

5. Escalada

6. Abel Prazer...

7. Como Vinho

8. Marari

9. Valsa Do Acu

Editorial Reviews

Product Description
Original Soundtrack for the Documentary Everest Uma Conquista Brasileira. Beautiful Instrumental Album with Special Guests: Adriano Giffoni, Joao Cortez, Mauro Senise, Nilton Rodrigues, Raul Mascarenhas

Tracks:

'Turandot': Nessum Dorma!
O Sole Mio
La Danza
'Rigoletto': La donna e mobile
'Martha': M'appari tutt'amore
'La Boheme': Che gelida manina
Maira, Mari!
'L'elissir d'amore': Una furtiva lagrima
'Tosca': Recondita armonia
'Fedora': Amor ti vieta
Core 'ngrato
Funiculi-funicula
'Tosca': E lucevan le stelle
'Aida': Celeste Aida
'Pagliacci': Vesti la giubba
'La fanciulla del West': Ch' ella mi creda
Torna A Surriento

Amazon.com

From Calaf's "Nessun dorma" from Turandot, in which the singer exclaims his love for the ice princess and the victory he will have over her, through Lionel's realization that he will have a new life and be happy with Lady Harriet in Martha ("M'appari"), and on to Rodolfo's falling in love with Mimi in La Bohème when he touches her hand ("Che gelida manina"): here we have some of opera's most beautiful love songs, sung by Pavarotti when he was in his golden-voiced prime. His "Una furtiva lagrima" is touching and gentle, while his rendition of the Neapolitan song "Core 'ngrato"--a diatribe against his lover's rejection of him--is heartbreaking. Radames's hymn to Aida ("Celeste Aida") in which he sees Aida as "the splendor of [his] life," is glorious, and all of the other selections are equally fine. For lovers and others, this is a handsome collection. --Robert Levine

Customer Reviews:

Mostly as good as usual, some of the selections are excellent.......2006-02-22

Everybody knows Pavarotti has a good voice, whatever he sings it sounds great. In this CD I think he sounds better than the more recent recordings from him, e.g. the three tenor concerts. In my opinion I like "Una Furtiva Lagrima" the most, when his voice comes out he devoted such a sincerity throughout the song, I can just imagine that I am inside an opera house watching an excellent performance. "Nessun Dorma", which is one of his most "famous in singing well" aria, also excellent, his high notes are so beautiful and always beautiful (well...he is a king of high C man~ for real I rarely heard ppl can sing high notes better than him), but personally I like Franco Corelli singing "Nessun Dorma" more, and "Vesti la guibba" too (but of coz pavarotti also sound really good in this aria). As I read from some books, they said Pavarotti is the biggest lyric tenor nowadays, I think it is pretty true though. But one thing I found Pavarotti not "perfect" is, when he sings, mostly I just feel that "wow he sings this note beautifully", or "he sings everything perfectly", but not always have a feeling of "wow he melts my heart", or "wow he makes such a great atmosphere throughout the song", maybe because of his song selections. In general case I like Domingo and Mario Lanza better, when I heard Domingo sings I almost always feel his passion, musical sense, and communication to the audience; but in Pavarotti I dont always feel that, in this CD some of the song has this tiny problem too (like in "E lucevan le stelle", I really think he just "sounds well", I like Jose Carreras singing this song much better), but well this is just my personal opinion. However, his voice is a "legendary beautiful voice", that's 120% true. Again personally I highly recommend his "una furtiva lagrima", listen it and you won't regret it.

One of Pavarotti's best CDs.......2003-11-21

This is one of the best Pavarotti CDs I have listened to. It contains a great selection of 17 arias and Italian lyric songs. However, if you can afford it, "Pavarotti Greatest Hits: The Ultimate Collection" will offer more in a 2-CD set (a total of 41 arias and Italian lyric songs).

Luciano's greatest compilation CD.......2000-04-28

For over three decades Maestro Luciano Pavarotti has brought joy to human ears all around the world. Sure, the critics may scoff at the big arena concerts and at the later years' natural darkening of his voice. But we the fans just know that listening to him lifts our spirits and opens our hearts to the glory of human voice.

And that's exactly what this collection is all about. To compile it, the Decca producers used material from three albums: "Arias" (his earliest), "Favorite Neapolitan Songs" and "Passione," as well as some complete opera recordings such as "La Boheme" and "Rigoletto." The song "La Danza," Rossini's engaging tarantella is from a rare album "Pavarotti in Concert in Bologna" with Richard Bonynge. Most of these selections, therefore, are from 60s and 70s, in other words, Pavarotti's prime years. As he was establishing himself as one of the all-time greatest tenors on stage, he gave an all-out effort on recordings. And it shows. Listen to the vocal line in "Che gelida manina"; the breath control on "la speranza" is truly unbelievable. There is his signature aria "Nessun Dorma" and, of course, a song often mistaken for Italian National Anthem - Di Capua's "O Sole Mio!"

In addition to magnificent vocal pyrotechnics, Pavarotti's considerable acting-with-voice skills are represented on such demanding arias as "Celeste Aida" and "Vesti la Giubba". And it's a real treat to hear his Duca singing sparkling "La donna e mobile."

This is an excellent introduction to opera as well as a delightful morsel for seasoned fans. I found that it also makes a great gift idea; after all, no one can resist Pavarotti after the final "Vincero!"

Giuseppe Di Stefano Sings Neapolitan Songs
Average customer rating:

Guiseppe di Strfano sings Neapolitan Songs

Di Stefano e magnifico!

Distefano has spoken!

Come back to Sorrento with Giuseppe Di Stefano.

Without peer

Giuseppe Di Stefano Sings Neapolitan Songs

Manufacturer: Testament UK
ProductGroup: Music
Binding: Audio CD

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Giuseppe Di Stefano Sings Neopolitan & Other Songs

The Very Best of Giuseppe di Stefano

The Very Best of Beniamino Gigli

Italy

Carlo Bergonzi - Italian Songs ~ Bellini · Verdi · Danza · Tosti · Donizetti · Rossini · Mascagni · Puccini

ASIN: B000003XK0
Release Date: 1997-04-10

Tracks:

'O Sole Mio
Marechiare
Dicitencello Vuje
Tu, Ca Nun Chiagne!
L'te Vurria Vasa!
Core Ngrato
Torna A Surriento
Silenzio Cantatore
Chiove
'O Paese D' 'O Sole
Santa Lucia Luntana
Maria, Mari'!
E Pallume
Fenesta Che Lucive
Na Sera E Maggio
Voce E Note!
Autunno
Santa Lucia
Senza Nisciuno
Piscatore
O Maranariello

Amazon.com

Here's a yummy CD platter, filled to the brim with prime examples of the irrepressible Giuseppe Di Stefano, singing what he was born to sing. The tenor is in close to pristine voice throughout these 1953-7 sessions, with none of the frayed edges and crooning that seeped into his work in the 1960s. More to the point, Di Stefano approaches familiar favorites like "O Solo Mio" and "Santa Lucia" with a kind of seriousness of purpose and elegant restraint that will be revelations to listeners weaned on showboating by the Three Tenors. You may, however, wish to investigate Testament's companion stereo volume, which has better sound and a wider variety of material. But Di Stefano fans will gladly dig in. --Jed Distler

Customer Reviews:

Guiseppe di Strfano sings Neapolitan Songs.......2007-01-09

Neapolitan songs sung by Guiseppe Di Stefano was one of my favourite vynil long play records. I no longer have the facility to play vynil records so I was delighted to be able to acquire this CD version from Amazon. I believe that the original recordings were made in 1953 - certainly my vynil was from that era. The digital remastering is very successful and we aficionados have cause to be grateful. A huge part of the enjoyment is the characteristic Italian accompaniment,flowing,soaring, romantic and full bodied,but never over-intrusive, by the orchestra conducted by Dino Olivieri. I mark the CD 4 and not 5 purely because of the advances, since 1953, in recording techniques.

Di Stefano e magnifico!.......2006-12-25

Giuseppe Di Stefano's magnificent tenor voice was never put to better use than singing these Neapolitan songs. They were written for his type of voice and he was born to sing them. His voice is liquid gold; it combines sustained lyricism with tremendous emotional urgency and power. Sweetness and plaitiveness are all there when they are needed to express the text. Diction is perfect. The orchestral arrangements recorded here are very operatic and Di Stefano's voice fills every corner of them. These songs are treasures and through Di Stefano they are brought to the the heights of musical expression.

Distefano has spoken!.......2006-11-28

I get furious when people like the gentleman from Australia waste their alloted space delving in minutiae when it comes to reviewing this album of Neapolitan Songs sung by the greatest exponent of this genre (according to people like Pavarotti, Delmonaco and Corelli). No doubt these gems call for a beautiful - yes, beautiful - voice that can also sustain diminuendo, stress - where needed, passion, pathos, etc. it's no secret that every singer since Caruso - tenor, baritone or classification-less has attempted this repertoire; but none has ALL these qualities..this is Pippo's domain and he has spoken! Buy this and thank the Lord it's available now!

Come back to Sorrento with Giuseppe Di Stefano........2003-07-07

These little Neapolitan songs, many dating from the C19th, travel well across international boundaries, language barriers, and time divisions. Giuseppe di Stefano recorded dozens of them during his prime, and Testament has gathered together 21 of them, recorded in the 1950s, on this CD. The producer and conductor was Dino Olivieri who, twenty years earlier, had added to the repertoire himself and conducted countless records of Neapolitan songs sung by Tito Schipa and Beniamino Gigli.

Di Stefano sings here with more musicianship than the latter and a more robust voice than the former. Dino Olivieri, who likes swirling strings and problematic counterpoints, contrives occasionally with Di Stefano to enact musically something in total contradiction to the words. My favorite songs here - I' tu vurria vasà - depicts the singer lying beside his beloved at dawn and hesitating even to kiss her lest it wake her. What we hear is a performance that is so loud as to suggest something that might lift the roof off the Festspielhaus at Bayreuth. Perhaps the blame lies with the balance engineers. The sound engineering is of the "zoom lens" type, evening out all the dynamic changes in Di Stefano's singing so that everything is heard at a steady forte volume throughout.

If this is one of your favorite singers, you'll want to have this CD, but if you love listening to these perennial favorite songs, which always start in a minor key and then switch to the tonic major key half way through each verse, then try versions by other singers.

Without peer.......2003-03-26

di Stefano is the standard for singing Neapolitan Songs. There is exuberance, warmth, pathos - everything. He puts it all into these gems. I am extremely glad Testament made these discs available. You can't go wrong with these, they are utterly fabulous!!

Average customer rating:

A mixed bag of romantic offerings
The best tenor ever
The greatest singer of all time!

Be My Love

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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ASIN: B000003F3C
Release Date: 1991-01-18

Tracks:

Be My Love (The Toast Of New Orleans)
Serenade (The Student Prince)
Temptation (Going Hollywood)
Wanting You (The New Moon)
I'll Be Seeing You (The Royal Palm Revue)
With A Song In My Heart (Spring Is Here)
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Come Back To Sorrento
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Look For The Silver Lining (Sally)
Memories
The Song Is You (Music In The Air)
Ave Maria
You'll Never Walk Alone (Carousel)

Customer Reviews:

A mixed bag of romantic offerings.......2001-12-17

BMG's Lanza collections are usually a mixed bag, and this album of love songs is no exception. Interspersed with some magnificent performances are an assortment of the good, the bad, and the mediocre. Part of the problem, I suspect, is that BMG simply doesn't appreciate what treasures it has buried in its recording vaults. It's enough to bring back Lanza from the grave, swearing in High C (as Time Magazine once tut-tutted) at the injustice of it all.

Lanza, in fairness to BMG, was an inconsistent performer. In the earlier part of his brief career, he had a tendency to sing sharp, and at times his approach to various arias and songs lacked sensitivity. That's not to say he couldn't get it right. At his best he was extraordinary, combining one of the most powerful voices on record with just the right degree of melting mezza voce and a dazzling array of vocal colours. His sense of phrasing was, as Enrico Caruso Jr noted, "instinctively right", and his ability to get into the heart of a song was unquestionable. Even at his roughest, his singing was usually compelling, and one could never label any of his performances "boring".

The bad recordings generally fall into three periods of his life: the Coca-Cola Radio shows of 1951-52, the disastrous Lanza on Broadway album of 1956, and the illness-affected stereo remakes of his Christmas Carols and Student Prince albums, both recorded in 1959, the year of his death. The present CD includes material from the first two periods.

The "Coke" shows, as I've opined in a number of other reviews, produced some amazing performances of both arias and love songs. Unfortunately, however, lack of rehearsal time coupled with poor arrangements often led to the kind of wild, unrestrained singing that Lanza's detractors love to attack (while at the same time overlooking his great performances). On this CD, a number of Coke recordings were released for the first time: Danny Boy; My Wild Irish Rose; Neapolitan Love Song; and Torna a Surriento. The first two are lovely, notwithstanding a poor ending on Danny Boy and some uncertain moments in the tenor's lower register in this song. Victor Herbert's Neapolitan Song contains some piercingly sharp singing, a rough ending and some agreeable mezza voce. Torna a Surriento is too fast, too unpolished and not a patch on the piano accompaniment-only version that Lanza recorded three years later for the movie Serenade.

Among the other Coke selections is the sublime Memories, and the alternately touching and thrilling I'll Be Seeing You, with a B Flat climax that will knock your socks off. Wanting You is rough and exciting in equal measure - ditto the powerhouse Ah Sweet Mystery of Life with its ridiculously fast tempo.

Two songs from the ill-fated Lanza on Broadway album have been inexplicably included, though it must be said that at least these represent the better moments from this dreadful session. You'll Never Walk Alone contains more sharp singing, uneven rhythm and a certain bleariness, while the Borodin-adapted And This Is My Beloved is alternately belted and seductive. Incidentally, Lanza recorded a superior version of You'll Never Walk Alone for his Coke Shows; this is featured on the CD of the same name.

The real highlights for me are the immortal Serenade from The Student Prince; a thrilling Only a Rose (recorded three months after the Lanza on Broadway session and featuring a completely different voice); the aforementioned My Wild Irish Rose & I'll Be Seeing You and a mature rendition of Schubert's Ave Maria. Fans will also enjoy Arrivederci, Roma, and the ubiquitous Be My Love.

All in all an enjoyable hour, but if only more thought had been put into some of the selections...

The best tenor ever.......2001-03-01

Mario Lanza is indeed my favourite of all tenors either living or not. I must have almost everything he ever recorded. This album has a whopping 24 tracks including 5 previously unreleased recordings, which make this a must for any true fan of Lanza. This album has some of his most romantic songs, mostly from stage and film. You won't find any opera here, which is fine, there's plenty of his other albums that have that. These are songs that are guaranteed to stir your heart and soul while Mario's voice will melt them. This is a must-have and at this price there's no reason not to have it.

The greatest singer of all time!.......2000-06-29

This is one of the greatest compilations of Tenor Mario Lanza, The Voice of the Century, ever made. Mario Lanza had such a broad, well focused voice and he is represented to good measure here on songs like "Wanting You", "Neapolitan Love Song", and "Without a Song". On these selections one hears how the Lanza voice had a largeness, depth, and warmth from the bottom all the way to the very top. One will never hear songs like "O Danny Boy", "My Wild Irish Rose", "You'll Never Walk Alone", "Torna Surriento", "O Solo Mio", and "Ah! Sweet Mystery of Life" sung any better or with more feeling. My favorite on this CD, "And this is my Beloved" from Kismet displays the full Lanza Range. This, in my opinion, is one of the greatest single recordings ever made. Here Mario sings the most melting pianissimo and builds to an exciting, full bodied, heart stopping fortissimo High B flat. What passion! The particular recording of "Only a Rose" on this album has been regrettably absent from the catalogs for quite some time. It is a shame too, because Lanza makes this Vagabond King selection sound free and effortless like only Mario Lanza could. Lanza takes the listener through a guided tour, so speak, of truly the greatest singing the world has ever heard. After hearing the final selection, "You'll Never Walk Alone", there won't be a dry eye in the house. This, along with the "Don't Forget Me" Lanza CD, is one of the greatest single CD collections ever put together of Mario, or anyone else for that matter. Lanza was the greatest singer of all time and this is a must have album. The sooner you own this one, the better.

Average customer rating:

Brilliant!!
Italian Music

A Trip Through Tuscany

Manufacturer: Gallery (Esi)
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000C3ICT
Release Date: 2003-09-09

Tracks:

Arrivederci Roma
Torna a Surriento
Santa Lucia
Brindisi-Libiamo Ne' Lieti Calici
Cara Mia
O Sole Mio
Mattinata
Tarantella
O Mio Babbino Caro
FuniculFunicul
Donna E Mobile
Oh Marie
Ciribiribin

Customer Reviews:

Brilliant!!.......2006-09-02

Torna A Surriento...is so beautiful it almost rips your heart out! Wonderful album.

Italian Music.......2004-01-08

What Glop!!! And to think this guy just won a Grammy Award.

Average customer rating:

Mistaken Composer
Una Furtiva Lagrima
Juan Over
Florez Continues to Impress
A CD worth having

Una Furtiva Lagrima

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Rossini - Il Barbiere Di Siviglia / Juan Diego Florez, Maria Bayo, Pietro Spagnoli, Ruggero Raimondi, Bruno Pratico, Gianluigi Gelmetti, Madrid Opera

ASIN: B00008CLJK
Release Date: 2003-04-08

Tracks:

Allegro Io Son
Una Furtiva Lagrima
L'Elisir D'Amore
Povero Ernesto
Com E Gentil
Tutto E Sciolto
Ah Non Sogno
A Teo O Cara
La Fille Du Regiment

Amazon.com

Here again young Peruvian tenor Juan Diego Florez proves himself a pleasure to listen to. The music on this CD is not as florid as on his previous recital, but the manner in which he approaches this selection of scenes by Donizetti and Bellini is just as artful. The tone is beautiful and even from bottom to amazingly easy top; he gets "in" each character; his smooth, elegant delivery ("Una furtive lagrima" is simply and meltingly sung, as is Ernesto's aria from Don Pasquale) is as wondrous as his acrobatics--rarely have Tonio's nine high Cs from the Fille du Regiment aria sounded so natural, so part of the character's enthusiasm, and rarely has Arturo's abrupt rise to high C sharp in "A te o cara" sounded so effortless. Florez's basic sound is sweet, but he can exclaim excitingly, as he does in the scene from I Capuleti e i Montecchi. And wait until you hear the ditty from Donizetti's Rita! Rarely has singing sounded like so much fun. Conductor Riccardo Frizza leads the orchestra (and chorus) with knowing early 19th-century style. Don't miss this. --Robert Levine

Album Details

2003 Release from Peruvian Opera Singer who Won the "Premio Abbiati Della Critica" and "Rossini D'oro" Prizes for Best Singer. He Carried Out his First Music Studies at the Conservatorio Nacional De Lima and Later at the Curtis Institute of Music of Philadelphia. He was Invited by the Famous Peruvian Tenor Ernesto Palacio (With Whom He Has Been Preparing his Repertoire Since Then) to Take Part to Some Opera Productions in Italy and They Sang Together in the First Modern Performances of Zingarelli's Oratorio "le Tre Ore Di Agonia Di Cristo" and in Martin Y Soler's Opera "il Tutore Burlato". He Sang at the Sully-sur-loire Festival and at the International Festival of Gerace (Italy). Since Then He Has Been Appearing in all the Most Important Opera Houses in Europe: London, Meyerbeer, Rome, Verona, Pesaro, Milan, Nice, Florence, Barcelona, Seville, Las Palmas, Genua, Pesaro, Trieste, Hamburg, Munich, Turin, Toulouse and Vienna.

Customer Reviews:

Mistaken Composer.......2005-09-24

While it was a nice recording your listing is incorrect. The correct composer of "Una furtiva lagrima" is Donizetti, not Bellini. Please review your data.

Una Furtiva Lagrima.......2005-04-12

After hearing the first track ("Allegro io son") on our local station (www.allclassical.org), I immediately bought this album. I was a little nervous that there would only be one good track, but (after listening _many_ times) consider most of the tracks to be "keepers". The title track is very moving, but my personal favorite is "Com'e gentil", for the wonderful match of voice and instrument.

Some of the tracks are a little heavy on the recitative, but the album notes include the translation, which makes it more interesting to listen to.

Juan Over .......2004-09-15

When it comes to reviewing classical music, I feel a little bit like a hillbilly at the opera. I really like it, but I'm not all that sure what's going on. And like that hillbilly at the opera (there aren't any hillbillies out there, reading this are there -- Mammy? Pappy)? I love classical music, but I can't honestly say I know much about it.

What I DO know is that to my untrained ear, Mr. Florez' voice is incredibly beautiful, a pleasure to revel in. Listening to his "Una furtiva lagrima" seems to transport me to another time and place. His voice is warm and tender and seems to soar effortlessly as he hits one high note after another and is worthy of appreciation by fans of any music style.

If you want an album filled with exquisite singing, this would certainly be a fine place to start.

Florez Continues to Impress.......2004-03-24

Too often singers arrive on the musical scene, make one recording, catch the glamour star, only to recede into the background once the initial flourish is made. Not so with Peruvian bel canto tenor Juan Diego Florez. The resounding success of his first album of ROSSINI ARIAS made us hold our breath; could this wonderful new true bel canto tenor hold his own on the stage and on further recordings? Well, yes, he can and has. Not only does he possess a clear, focused, high tenor voice seemingly capable of overcoming any hurdles of power or agility, Juan Diego Florez is a stunning stage presence of handsome bearing. AND he can act with both his body and his head and his voice. UNA FURTIVA LAGRIMA shows Florez in firm control of a broader spectrum of emotional material. True, this selection remains in the bel canto repertoire, but then that is also to his credit, as he is not trying to "sing it all". He has the intelligence to know where his vocal lines are most secure and does not give in to the tendency of foraging into repertoire that could damage his young voice. On this recording there is less distraction from his rather rapid vibrato and more emphasis on the total music line. This CD documents not only a fine tenor currently before the public: it also is a good indicator that he will be around for a long time. Excellent recording, well worth its place in your library.

A CD worth having.......2003-06-17

Keeping more in "tune" with his voice, Juan Diego has recorded an excellent album of great arias. His previous debut album was quite a feast for lovers of high Rossini. This new album gives a feast for just about everyone. It covers a nice range of arias from the beautiful title song to the show-stopping "Mes Amis". Definitely worth buying and enjoying.

On the Way to Bethlehem (Music of the Medieval Pilgrim)

Average customer rating:

MUSIC OF THE MEDIEVAL PILGRIM
Exotic, exciting and fun!
Exotic jams
I WANT MORE!
Too cool to be considered classical and definitely not Xmas.

On the Way to Bethlehem (Music of the Medieval Pilgrim)

Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Release Date: 1996-03-26

Tracks:

Dinaresade
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Nevestinko oro
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Mari stanko
Sei willekommen Herre Christ
Bog se rodi va Betleme
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Koleda na Bozic
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D
Quinte Estampie real
Urbs Beata Ierusalem
Mevl

Customer Reviews:

MUSIC OF THE MEDIEVAL PILGRIM.......2007-06-11

I love this cd--all the tracks are great, especially "On the way to Bethlehem"!

Exotic, exciting and fun!.......2002-11-29

If Ensemble Unicorn is great, Unicorn combined with the Middle-Eastern-inspired Ensemble Oni Wytars is even better! Actually, the two groups seem to share many of the same members, along with Ensemble Accentus (which focuses on Spanish and Sephardic music), but with different directors for each: Michael Posch for Unicorn, Marcos Ambrosini for Oni Wytars, and Thomas Wimmer for Accentus. This CD brings the musicians together to offer a stimulating combination of western and eastern-influenced music that might have been heard or played by medieval Pilgrims making the journey eastward. The European tunes focus on the Christmas season, while the Balkan and Near Eastern selections are traditional, handed down orally through the centuries and interpreted here with a zeal that should be as appealing to belly dancers as to early music enthusiasts (and I know many people who fall into both categories!). Instruments used include chalumeau, cheremia, cornemuse bechonnet, darbukka, davul, def, gayda, gittern, kaval, nyckelharpa, sackpipa, tamburello, tombak, vihuela d'arco, and a number of others that you actually might have heard of before--bagpipe, rebec, recorder, rebec, shawm, ud and the like. Ellen Santaniello also contributes vocals. I was surprised and delighted when I played this CD for the first time, and I continue to be each time I hear it again. If you like this recording, be sure to check out the other collaboration between Ensemble Unicorn and Ensemble Oni Wytars, "Music of the Troubadours", also from Naxos.

Exotic jams.......2001-02-27

Yes, fortunately, this record does not contain anything you'd recognise as depressing Xmas kitsch.

Instead, the record wishes to envisage a journey of mediæval pilgrims, beginning in Western Europe, and moving through the Balkans towards the Holy Land. As such, the disk contains a mixture of Western European, Balkan, and Islamic melodies.

The strength of Ensemble Unicorn and Oni Wytars is their ability to use early music as the basis for extended jam sessions. This recording is framed by two such jams, each more than twelve minutes in length, the opening -Dinaresade- and the closing -Mevlana-. Based on Middle Eastern themes, these are excellent performances, rich in atmosphere. Fans of contemporary groups who make use of similar material, from Loreena McKennitt to Dead can Dance, may find this record interesting, and well worth the Naxos price.

FWIW, Ensemble Unicorn and Oni Wytars also collaborate on the -Black Madonna- recording, another Naxos release I can highly recommend.

I WANT MORE!.......1999-06-08

Great melodies, better instrumentation....INCREDIBLE MUSIC!!! I find western-europe music by ensemble Unicorn great, but the oriental part by Oni Wytars is simply amazing, both the balkanic and oriental songs. My only regret is that I loved the ensemble too much to bear the fact that no other record by them is anywhere to be found...

Too cool to be considered classical and definitely not Xmas........1999-01-12

Despite the title this album has nothing to do with Christmas music. The sounds range from Celtic to Middle Eastern. While they date from the days of the Crusades, they sound great to my ears in the nineties. The last track makes you want to belly dance!

Average customer rating:

Rosa Ponselle Prima Voce
Avatar or envoy of gods
The most ravishing soprano voice. Ever.
The richest, most beautiful voice in history!
Callas was correct...

Ponselle Prima Voce

Manufacturer: Nimbus Records
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

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Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

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Ponselle, Rosa | Divas | Opera & Vocal | Styles | Music

Ponselle, Vol. 2
Ponselle, Vol. 3
Galli-Curci: Prima Voce
Luisa Tetrazzini, Vol.2
Prima Voce: Tetrazzini

ASIN: B0000037J6
Release Date: 1992-12-02

Tracks:

La Gioconda: Suicidio
Otello: The Willow Song
Otello: Ave Maria
Aida: Qui Radames Vera!...O Patria Mia
Aida: Pur Ti Riveggo - Rosa Ponselle/Giovanni Martinelli
Ernani: Surta E La Notte...Ernani, Involami
La Vestale: Tu Che Invoco
La Vestale: O Nume Tutelar
La Forza Del Destino: Alzatevi...La Vergine Degli Angeli - Rosa Ponselle/Ezio Pinza
Norma: Sediziose Voci...Casta Diva
Norma: Mira, O Norma
Carme
Maria, Mari!
On Wings Of Dream
The Nightingale And The Rose
A Perfect Day

Customer Reviews:

Rosa Ponselle Prima Voce.......2006-03-18

These are old recordings, but great from the standpoint that it is the only way we can hear an almost faithful representation of her great voice.

It is a very fine selection of opera arias.

Albert C. Ruocchio

Avatar or envoy of gods.......2006-02-14

Nasal ringing sound, like one of Caruso, Bechi but better. Frequent intrusions into men's repertoire ('Song of Indian merchant', 'In questa tomba oscura', 'Tre giorni son che Nina', 'Der Tod und das Madchen', etc).
Best singer, best voice.
Early retirement because of higher nasal impedance.

The most ravishing soprano voice. Ever........2005-08-23

Many would argue that this was the most beautiful soprano voice ever - or at least ever recorded. And it's a strong argument. Such richness, such depth, such warmth, such glorious freedom, such security - who else, before or since, can match them. Destinn? A bit blousy. Boninsegna? The voice changes through the passagio. Rethberg? Close, but no cigar. Tebaldi? A bit shrill by comparison. Callas? Dramatic, yes, but beautiful, I don't think so. Gheorgiu? Good by today's standards, but no contest.

No, this thick double-cream stream of tone is something to relish, to sit back and just enjoy. Try her 'Casta Diva' or 'Un bel di' to see how it feels when you approach every high note with joyous anticipation and not with the prospect of a wince (cf. Callas). The Nile aria from Aida is as near perfection as we have any right to expect this side of Opera Heaven - a wondrous piano high C. And on these discs you will also find one of my all-time favourite records - La Vergine degli Angeli from La Forza del Destino where you get, not only Ponselle's wondrous soprano at the top, but also her bass equivalent, Ezio Pinza, below. Two wonderful voices for the price of one.

The Nimbus sound, achieved by recording what actually emerges from the record into a room rather than directly off the shellac, is not to everyone's taste. But it is to mine. It allows the singer's voice to develop and bloom and sound, to my ears, very natural.

The richest, most beautiful voice in history!.......2004-02-10

More beautiful than Caballe and Sutherland combined! A voice like a gleaming red ruby, the greatest lirico spinto of the century. Her Verdi-recordings have found their equals only in Callas' insightful performances but she did not quite possess the creamy, gleaming luxury timbre that Ponselle had. Being reported as one of the biggest voice in history (On occasions she drowned out Titta Ruffo!!!!) she will dazzle you like only Callas could afterwards. She debuted as Leonora in Forza in her teens (I think she was 18) with Caruso as Don Alvaro and made operatic history. Her Gioconda was as legendary as her Giulia (Vestale), repertoire only to be sung by Callas to the same perfection. Her brilliant Aida puts most others to shame, as do both of her Leonoras. Two complete opera-recordings with her exist: La Traviata and Carmen. Get them both and be charmed by the most gorgeous voice in history!

Callas was correct..........2002-11-19

When I read that Maria Callas credited Rosa Ponselle as her vocal idol and only inspiration, the first thought I had was that if a soprano as great as Callas said this, is because it should be true. When I bought this CD I proved the affirmation was correct: you only have to hear Rosa Ponselle's voice and verify that she is one the best sopranos of the century, and why her voice was the inspiration of many Callas's roles, including Norma, La Gioconda and La vestale. The sound quality of this CD is incredible if we consider that the recordings dates from the 1920's

Average customer rating:

A Vucchella is the best
A Thoroughly Enjoyable, Tastefully Produced Delight
Breathtaking

O Sole Mio: Favorite Neapolitan Songs

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

General | Opera & Vocal | Styles | Music

General | Classical | Styles | Music

The Decca Records Store | Specialty Stores | Music
Similar Items:

Luciano Pavarotti - Passione - Neapolitan Songs
Mamma
Amore: Romantic Italian Love Songs
Luciano Pavarotti - Nessun dorma (Arias & Duets)
The Best of Luciano Pavarotti: 20th Century Masters/The Millennium Collection

ASIN: B0000041OO
Release Date: 1990-10-25

Tracks:

'O sole mio!
'A vucchella
'O surdato 'nnammurato
'O marenariello
Fenesta vascia - Anonymous
Marechiare
Torna a Surriento
Pecch
'O paese d' 'o sole
Piscatore 'e Pusilecco
Tu, ca nun chiagne
Maria, Mar
Funiculunicul

Customer Reviews:

A Vucchella is the best.......2003-09-07

The rendition of "A Vucchella" (trach 2) on this CD is as good as it gets. Yes, every aria on this CD will blow you away, but track 2 will melt your heart.

A Thoroughly Enjoyable, Tastefully Produced Delight.......2001-03-16

Even people who care nothing for opera will be won over by the graceful performances of popular Neapolitan songs on this disk. Many of the tunes, from the title O Sole Mio to Funiculi Funicula, are part of even non-Italian-descent American culture, and they are all sung with an easy grace and charm and gusto. It is easy to forget (!!) that Pavarotti is an international opera star when listening to this disk; he sounds so natural it's almost as if a good friend (who happens to have a magnificent voice) were entertaining you after a few glasses of chianti. By comparison, Mario Lanza's renditions of these songs sound artificial and mannered. The orchestrations are excellent, too. Pointed, lively, and well balanced with the soloist. This is an album recorded in Pavarotti's prime, in the 1970's, before he became one of "The Three Tenors."

Breathtaking.......2001-01-09

Absolutely incredible. Pavarotti is breathtaking!! As he performs these Italian classic favorites he draws the listener in.. allowing them to feel the emotion that he feels with each note.

Average customer rating:

Comedian Harmonists

Definitive Collection

Manufacturer: Arena Records UK
ProductGroup: Music
Binding: Audio CD

Waltzes | Ballets & Dances | Classical | Styles | Music

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Movie Soundtracks | Soundtracks | Styles | Music

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Traditional Vocal Pop | Broadway & Vocalists | Styles | Music

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Similar Items:

The Comedian Harmonists
The Harmonists
Auf Wiederseh'n
Comedian Harmonists
Finest Selection of: Comedian Harmonists

ASIN: B0000648OR
Release Date: 2001-11-02

Tracks:

Wenn Ich Vergnn
Uch Wollt' Ich W Ein Huhn
Veronika, Der Lenz Ist Da
Bin Kein Hauptmann, Bin Kein Gros Tier
Ein Freund, Ein Guter Freund
Creol Love Call
Bist Nicht Die Erste
Baccarole
Der Sch Blauen Donau
Quant il Pleut
Ein Bisschen Leichtsinn Kann Nicht Schaden
Ich Hab' Fh 'Nen Blumentopf Bestellt
Jetzt Trinken Wir Noch Eins
Ist Die Liebe Der Matrosen
Liebling, Mein Herz L Dich Gr
Irgendwo Auf Der Welt
Ali Baba
Maria Marie
Auf Dem Heuboden
Liebesleid
Tout le Jour
Wir Sind Von Kopf Bis FuAuf Liebe Eingestellt
So Ein KuKommt Von Allein
Musketier Marsch
Mein Kleiner, Graktus

Tracks:

Hoppla, Jetzt Komm'ich
Kannst du Pfeifen, Johanna
Tea for Two
In Der Bar Zum Krokodil
Eine Kleine Frsweise
Eins, Zwei, Drei, Vier Glh Bin Ich Nur Mit Dir
Die Liebe Kommt, Die Liebe Geht
Heute Nacht Oder Nie
Hallo, Was Machst du Heut' Daisy
Ich Khre Hand Madame
Auf Wiedersehen Mein Frein, Auf Wiedersehen Mein Herr
Kleiner Mann, Was Nun
Hein Spielt Abends So Schuf Dem Schifferklavier
Mein Lieber Schatz Bist du Aus Spanien
Onkel Bumba Aus Kalumba
Perpetuum Mobile
Leb' Wohl Gute Reise [Farewell, Have a Good Journey]
Wenn Die Sonja Russisch Tanzt
Morgen MuIch Fort Von Hier
Wenn Der Wind Weht er das Meer
Puppenhochzeit
Was Dein Roter Mund Im Fr Sagt
Es Fein Anderer Weg Zur Seligkeit
SchLisa, Ssa
Wochenend und Sonnenschein
Auf Wiedersch'n My Dear

Customer Reviews:

Comedian Harmonists.......2003-05-23

A wonderful Selection of great Harmonies and Novelty Tunes by this Relatively Unknown Group in America , This terrific German Group is a must for anyone that enjoys Good Harmony and just Plain Vocal Fun with Sounds and Lyrics. Highly Recommended and Enjoyable.

Average customer rating:

For the last time!
Standing Ovation !!!
A mistake that we need to remember
I Wish I Was There
Not the best tenors album.

Paris 1998

Manufacturer: Atlantic / Wea
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

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General Christmas | Holiday | Miscellaneous | Styles | Music

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Similar Items:

The 3 Tenors in Concert 1994
Carreras · Domingo · Pavarotti ~ the three tenors in concert / Mehta
The Three Tenors Christmas
The Best of the Three Tenors
20th Century Masters: The Best of the Three Tenors (Millenium Collection)

ASIN: B000009N02
Release Date: 1998-08-18

Tracks:

Maristella: Io Conosco Un Giardino
Fedora: Amor Ti Vieta
Granada
T'estimo
Memoires De Danton
Caruso
Medley Of Romance: Sous Le Ciel De Paris
Medley Of Romance: Solamente Una Vez
Medley Of Romance: Maria, Mari
Medley Of Romance: Torero Quiero
Medley Of Romance: Parlami D'amore Mariu
Medley Of Romance: Tu, Ca' Nun Chiagne
Medley Of Romance: Manha De Carnaval
Medley Of Romance: Ti Voglio Tanto Bene
Voce E Notte
La Del Soto Del Parral: Quiero Desterrar De Tu Pecho El Temor
Turandot: Nessun Dorma
Because
O Sole Mio
Medley Of The World: O Surdato 'Nnamurato
Medley Of The World: Ay, Ay, Ay
Medley Of The World: Lolita
Medley Of The World: Standchen
Medley Of The World: Dicitencello Vuie
Medley Of The World: Core 'Ngrato
Medley Of The World: You'll Never Walk Alone

Amazon.com

If you think you've heard it all, you're wrong. The three big guys are indeed back, in the shadow of the Eiffel Tower, with a rabidly enthusiastic crowd to welcome them. They sing many favorites-- "Granada," "Because," "Nessun dorma"--and there are a pair of medleys: one devoted to love songs, and one called "Medley of the World," which ends with a rendition of "You'll Never Walk Alone" that might just bring tears to your eyes. If the truth be known, the three tenors have put on 8 years since we first heard them together, and a fair amount of bloom is off their rose-like voices--with Domingo's ardency sounding a bit hard-edged, Carreras's tone even more spread than before, and some of Pavarotti's gold tarnished and his breath shorter. Suffice it to say that older CDs by these three formerly-really-great tenors are worth their weight in gold, compared to the bronze you'll find here. But the classy James Levine at the helm keeps the "event" going with passion, and it's hard not to get caught up in the excitement. --Robert Levine

Customer Reviews:

For the last time!.......2006-12-23

The last of the great tenor concerts that is worth watching!

Standing Ovation !!!.......2001-09-24

Once again, the Tenors electrified the world. It was estimated that over 1.6 billion viewers saw this extraordinary display of musical genius.
The Pavarotti rendition of "Nessun Dorma" was breathtaking as he "hit" his famous high C with VINCERO!!!
With the exception of "Nessun Dorma & Caruso", I felt that it
was Domingo who carried the show. His voice style changes so dramatically to fit the mood and melody of each song.
Carreras, I felt, was lacking the "oomph" in his solos on this tour. However, no one can top Carreras when a line needs to be delivered that has "deep-gut" emotional feelings, almost mad sounding, i.e. the song "Because" -- listen when he sings "his love makes mangle of devile...", you'll understand what I mean.
Combine the Three together and you have pure brilliance. Listen to the song "You'll Never Walk Alone" is almost patriotic like.
"O' Sole Mio" and the show stopper "La Donna Mobile" left the people standing and cheering.
The Paris setting was spectacular. James Levine was his normal go lucky conductor self as he makes the viewing audience and the orchestra feel at ease with his upbeat facial expressions.
An awesome addition to your collection. I highly recommend it to anyone who wants to see why the world has labled them "The Three Tenors." BRAVO

A mistake that we need to remember.......2001-09-10

I was blessed to have a chance to be in Paris at that time, and really one of the reasons I went to the City of Romance was because I was so eager to go to the Three Tenors Concert. I managed to get a very good seat at the front in order to really experience and enjoy the concert that I had been dreaming to go all my life, because I am so madly in love with classical and opera music. Also I am a great fan for all of these three tenors, particularly Placido Domingo.

Having watched the Three Tenors Concert in Los Angeles, which was so great and inspiring, I was hoping this one can turn out to be greater and more successful. However it really failed my expectation and turned me into disappointment. Several mistakes were made which surely caused this concert to be a failure.

First, the choice of the conductor. James Levine was really the wrong choice for the position which is actually the heart of such an important event. His style of conduct and taste of music was proven unsuitable. It did not make you feel excited, but at sometimes made you feel uneasy and uncomfortable.

Second, something seemed to be limiting Domingo's ability and talent to be fully expressed. In fact he appeared to be much older and less energetic. The usual powerfulness and beauty of his voice really disappeared somewhere that can be hardly known.
As for Pavarotti we can only give him an average mark for his performance.

Third, lack of common sense. Even three years old child knows Granada has to be and is best to be sung by Domingo, just like Nessun Dorma has to be by Pavarotti, but I just can't understand why the organiser or the music directors did not realize this? Were they too commercially motivated or too careless???

Jose was the best and played an instrumental role to keep this concert going, my admiration towards him grow more after this event. Anyway huamns do make mitakes including the famous and popular ones. Although this concert was not their greatest my support for them will still remain.

I Wish I Was There.......2000-12-11

I found this is one of my favorite of all "The Three Tenors" recordings. I would have loved to have been present one the night of this concert. I want to say all of the tenors do a superb job. I cannot understand why people put down Carreras because he proves here how much he appreciates his gift. Domingo is almost flawless. I have been a fan of Pavarotti since I 1980 (when I was just 12). Here is my personal favorite, Caruso.

Not the best tenors album........2000-05-03

First of all, the change of the conductor. We were used to the thundering conducting of Mehta. Then, Pavarotti is not the same man that he was in '94 and in '90. His range fell a lot. Then, he dared to sing a song that is traditionally sang by Domingo (Granada) It lacks opera arias. Not a good purchase. Buy the first or the second albums.

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