Etoiles de Al Chanson [Import]

Track Listings

 
1. Chez Moi
2. Cette Melodie
3. Berceuse Tendre
4. Je Veux Ce Soir
5. Quand Un Petit Oiseau
6. J'ai Quatre Chanson
7. Attends Moi Mon Amour
8. Chanson De Mon Coeur
9. Tendrement Tristement
10. Ma Vieille Jument
11. Ah C'qu' On S'aimait
12. Toujours Dans Mon Coeur
13. Tu Pourrais Etre Au Bout
14. Tout Me Rappelle Sa Chans
15. Vieux Moulin
16. Je Vous Ai Tout Donne
17. Ma Derniere Chanson
18. En Fredonnant La Meme Cha
19. Mon Chemin N'est Pas Le V
20. Les Yeux Fermes
See all 22 tracks on this disc

Etoiles de Al Chanson,Andre Claveau,Disky Records,France,Int'l & World Music,Pop,World Music
Berlioz: Les Nuits d'été;  et al / Crespin, Ansermet
Average customer rating: 5 out of 5 stars
  • Long lost friend
  • Crespin rules still!
  • CRESPIN
  • Berlioz
  • Truly, some of the finest singing one will ever hear!
Berlioz: Les Nuits d'été; et al / Crespin, Ansermet

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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  1. The Very Best of Régine Crespin
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ASIN: B00000JXZ4
Release Date: 1999-08-10

Tracks:

  1. Les Nuits D'ete: Villanelle
  2. Les Nuits D'ete: Le Spectre De La Rose
  3. Les Nuits D'ete: Absence
  4. Les Nuits D'ete: Sur les lagunes
  5. Les Nuits D'ete: Au Cimetiere
  6. Les Nuits D'ete: L'Ile Inconnue
  7. Sheherazade: Asie
  8. Sheherazade: La Flute enchantee
  9. Sheherazade: L'Indiffirent
  10. Trois Chansons De Bilitis: La Flute De Pan
  11. Trois Chansons De Bilitis: La Chevelure
  12. Trois Chansons De Bilitis: Le Tombeau Des Naiades
  13. From Banalites FP: Chanson D'Orkenise
  14. From Banalites FP: Hotel
  15. From La Courte Paille FP: Le Carafon
  16. From La Courte Paille FP: La Reine De Coeur
  17. From Chansons Villageoises FP: Les Gars qQui Vont A La Fete
  18. Deux Poemes de Louis Aragon: 'C'
  19. Fetes Galantes

Amazon.com

Here is a great French artist singing the songs of her native country in her native language, with the natural inflection and empathy of one to the manner born. Her voice is beautiful, pure throughout a huge range, focused, intense, infinitely nuanced; she can make it float ethereally or glow with a shimmering radiance, brighten and darken it and carry on two-way conversations. Identifying complete with each song, she communicates its mood, atmosphere, character, expression. She captures the pensive dreaminess, plaintive yearning, outpouring of grief and lamentation, as well as the gaiety and lighthearted teasing of Berlioz' many-faceted Les Nuits d'Été. In Ravel's Shéhérazade, her voice becomes part of the exotic, languidly oriental atmosphere created by the lush, sensuous, glittering orchestration, surging up with the sweeping buildups to thrilling climactic high Gs and B-flats, matching the tremulous flute solo in the second song. The orchestra plays wonderfully, exploiting Ravel's infinitely imaginative, vivid coloration to the utmost. Crespin evokes the secretive intimacy, dream-drugged passion and ice-bound rigidity of Debussy's Songs of Bilitis. In the Poulenc songs, the contrast between the almost tear-choked mournfulness and the frolicking humor is riveting. John Wustman's splendid partnering adds greatly to the enchantment of this delightful recording. --Edith Eisler

Customer Reviews:

5 out of 5 stars Long lost friend.......2007-01-27

I bought the vinyl LP of this way back in the 1960s, and since then it has been loved almost to death -- scratches, pops, jumps...

What a delight to find it rejuvenated on CD. Regine Crespin's is surely the definitive performance.

5 out of 5 stars Crespin rules still!.......2007-01-11

Régine Crespin's recording of Berlioz's Les Nuits d'été is quite simply still - after forty-plus years - the finest I've ever heard, and that includes some fifteen different recordings. Add her immaculately clear enunciation of the verbal text to the gorgeous vocal qualities of those long-held vowels, and her fantastically acute articulation and phrasing of Berlioz's musical re-imagining of Gautier poems, coupled with deeply sensitive accompaniment by Ernest Ansermet and his Suisse Romande orchestra, and we really have no need for other recordings (not that I don't welcome them, as long as they don't make Mme Crespin's go out of print). This, as Gramophone magazine recognized upon original release, is one of the really great triumphs of musical recordings, an immediate and lasting classic. You owe it to yourself to get to know this recording. The Ravel Shérézade, while a lesser composition, is of comparable performance and recording quality.

5 out of 5 stars CRESPIN.......2006-11-20

I am fortunate, indeed, to have seen and heard Regine Crespin perform two of her most famous roles at the Metropolitan Opera. One was the title role in "Carmen" and, although perhaps too mature for the role, her acting was as strong as her singing...and her singing was magnificent. This was a Carmen to be reckoned with. The other role was even more impressive: The Mother Superior in Poulenc's "Dialogues of the Carmelites." First I saw her perform it in English and then at another performance in French. Her death scene was one of the most harrowing I've ever experienced on any stage. This recording will introduce everyone to the beauty, subtlety, charm and fine interpretations of Madame Crespin. And the Berlioz' "Les Nuits D'ete" is arguably the best available.

5 out of 5 stars Berlioz.......2004-04-30

Regine Crespin is so clear, so subtle, you are drawn into the music and listen from within.

I recommend everything she has ever done.... many a titles but most especially "La Spectre de la Rose", which is the absolute killer.

5 out of 5 stars Truly, some of the finest singing one will ever hear!.......2004-03-04

Many might argue with my view of Berlioz' "Les Nuit d'Ete." I've never warmed to the piece in the past and even Crespin's voice cannot change my mind on the matter. I can only revel in her stunningly perfect singing which is truly a pleasure. Immediately following, however, is Ravel's "Scheherazade" and it is for this striking cycle that this CD is invaluable. Crespin presents each of these three songs with effortless legato, lovely piannissimi, dramatic dynamics and endless colors. I now listen to this performance wherever I can: at home, in my car and with anyone who will take the time to enjoy it with me. At the same time, I would not want to give up my recording by another great soprano Victoria de los Angeles. The latter, while not as vocally perfect, provides an even greater degree of verbal expressiveness and variety. Even so, Crespin's performance provides different and equal rewards. Fortunately, I can have both discs in my collection. I warmly recommend them to yours.
Music for the Spanish Kings
Average customer rating: 5 out of 5 stars
  • Great Addition to My Collection
Music for the Spanish Kings

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

Baroque Dance SuitesBaroque Dance Suites | Ballets & Dances | Classical | Styles | Music | Allemandes | Courantes | Gigue | Sarabande
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ASIN: B000059LOK
Release Date: 2001-06-05

Tracks:

  1. Zappay
  2. Viva, Viva Rey Ferrando
  3. De Tous Biens Plaine
  4. Donde Estas Que Non Te Veo
  5. Figlie Guilielmin
  6. Amor, Che T'o Fat Hio
  7. Puis Fortuna
  8. Qu'es Mi Vida Preguntays
  9. Collinetto
  10. Dindirindin
  11. O Dio Se Vede Chiaro
  12. Il Re Di Spagna
  13. Dezilde Al Caballero
  14. Diferencias Sobre El Canto Del Caballero
  15. Cingari Siamo Venit'a Giocare
  16. Fantasia I - Fantasia II 'Salve Regina'
  17. Ay Luna Que Reluzes
  18. Gallarda Napolitana
  19. Vecchie Letrose

Tracks:

  1. Himno XIX Pange Lingua IV
  2. Pour Un Plaisir
  3. Diferencias Sobre 'La Dama Le Demanda'
  4. Tiento II. Cuarto Tono
  5. Pavana Con Su Glosa
  6. Fabordones Del Sexto Tono
  7. Tiento VIII
  8. Quien Llamo Al Partir, Partir?
  9. Tres Sobre La Alta
  10. Un Gay Bergier
  11. Diferencias Sobre 'Las Vacas'
  12. Tiento IX. Quinto Tono
  13. Para Quien Crie Cabellos
  14. Tiento XIII. Fuga A Cuatro
  15. Tiento VII. Cuarto Tono
  16. Diferencias Sobre La Pavana Italiana
  17. Je Fille Quant Dieu Me Donne De Quoy
  18. Tiento III. Primer Tono

Customer Reviews:

5 out of 5 stars Great Addition to My Collection.......2006-10-29

Jordie Savall and Hesprion XX do it again. I've yet to hear a CD of his that I didn't love. Most of my collection of 15th-17th Century music is English, French, German, and Italian, and I am happy to see the Spanish masters taking their place alongside them.
The Very Best of Victoria de los Angeles
Average customer rating: 5 out of 5 stars
  • Very nice introduction to the work of a great soprano
  • The very best performance by Victoria de los Angeles
  • In Memoriam: A Tribute To The Late Victoria
  • the genius of de los angeles
  • A n angelic voice
The Very Best of Victoria de los Angeles
Victoria De Los Angeles
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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ASIN: B000083GOE
Release Date: 2003-04-22

Tracks:

  1. O Mio Babbino Caro
  2. Un Bel Di Vedremo
  3. Si. Mi Chiamano Mimi - Jussi Bjorling
  4. Senza Mamma
  5. Voi Lo Sapete, O Mamma
  6. Qual Fiamma Avea Nel Guardo!... Hui! Stridono Lassu
  7. Ebben? Ne Andro Lontana
  8. Nacqui All'Affano...Non Piu Mesta
  9. Una Voce Poco Fa
  10. E Strano!... Ah, Fors' E Lui...Sempre Libera
  11. Porgi, Amor
  12. Dich, Teure Halle
  13. Einsam In Truben Tagen
  14. Je Ne Suis Que Faiblesse...Adieu, Notre Petite Table
  15. Les Grands Seigneurs...Ah! Je Ris
  16. Quand Je Vous Aimerai?...L'Amour Est Un Oiseau Rebelle

Tracks:

  1. Auf Flugein Des Gesanges
  2. Ich Liebe Dich
  3. Wiegenlied
  4. Les Filles De Cadiz
  5. Cuba Dentro De Un Piano
  6. Chevre
  7. Punto De Habanera
  8. Cancion De Cuna Para Dormir A Un Negrito
  9. Canto Negro
  10. De Espana Vengo
  11. Cancion Del Amor Dolido
  12. Cancion Del Fuego Fatuo
  13. La Pastoura Als Camps
  14. Bailero
  15. Chut, Chut
  16. Uno Jionto Postouro
  17. Oh! Had I Jubal's Lyre
  18. An Die Musik
  19. Dein Blaues Auge
  20. Vergebliches Standchen - Gerald Moore
  21. L'Invitation Au Voyage
  22. La Flute Enchantee
  23. Chanson Espagnole
  24. Chanson Francaise
  25. Chanson Italienne
  26. Clavelitos!
  27. Malaguena - Gerald Moore
  28. Granadina - Gerald Moore
  29. Adios, Granada
  30. Zapateado (La Tarantula E Un Bicho Mu Malo) - Alicia De Larrocha

Customer Reviews:

5 out of 5 stars Very nice introduction to the work of a great soprano.......2007-07-13

This 2 CD set is a terrific introduction to the body of work of Victoria de los Angeles. As the "liner notes" point out: "She was an artist who brought individuality and a sense of joy to everything she performed. . . ." And this is not hyperbole. She was a top soprano in the middle part of the twentieth century.

Some cuts exemplify her art:

"Un bel di" is a ravishing version of this well known aria. She demonstrates a rich voice with fine musicality. This is a ravishing version of this aria. The singer displays good vocal control. There are nice transitions across the registers.

"Si, mi chiamano Mimi" is another well known work for sopranos. Again, nicely done. She appears (to me anyhow) to catch the spirit of Mimi very nicely indeed.

From "La Traviata," she essays "E strano. . .Sempre Libera." This is an affecting version. She does not have the coloratura armamentarium that some have brought to bear on this aria, but she does a fine job nonetheless. She seems to capture the desperate spirit of Violetta in "Sempre Libera."

Rossini's "Una voce poco fa" is a nice tour de force for sopranos. De los Angeles does a nice job here. This is a work from the Bel canto repertoire, but she does well. She shows vocal agility and captures the spirit of the work. This is an affecting, charming version. There is some occasional vocal harshness, but not a serious issue.

From "Carmen," "L'amour est un oiseau rebelle." Richly and nicely sung.

Her range on this CD is worth noting: from Puccini and Verdi to Wagner to Rossini to Gounod.

And then another of her specialties--songs. She does a nice turn with the Spanish song "Malaguena." Then, in a nice twist, she accompanies herself on guitar in "Adios Granada." I'm not normally so excited about songs, but in this case I found her work enchanting.

So, if you want to get a sense of the artistry of Victoria de los Angeles, this is an excellent starting point. Highly recommended!

5 out of 5 stars The very best performance by Victoria de los Angeles.......2006-09-13

Is the recording on Allegro records of her performance of Madame Butterfly in New Orleans in 1954, not the Rome recording. She is simply radiant, perfect, a voice truly that is a victory for the angels. Unbelievably marvelous.

5 out of 5 stars In Memoriam: A Tribute To The Late Victoria.......2005-02-01

Victoria De Los Angeles died Saturday of heart failure at the age of 83 in Barcelona, Spain. The world of opera mourns her loss. She was a gifted soprano and a wonderful human being. On stage, she was able to directly speak to her audience and communicate with them in a very special and rare way that is not always seen today. She never hid herself behind a facade nor distanced herself from fans and audiences. She was born to sing opera. It was in her blood. This album showcases De Los Angeles in her most memorable and successful roles. Victoria De Los Angeles was one of the first singers from Spain to win worldwide acclaim. Others would follow- Placido Domingo and Montserrat Caballe. De Los Angeles is showcased in this album which may also serve as a tribute to the now late soprano.

Her voice was essentially full lyric with some spinto. Hearing her renditions of "O Mio Babbini Caro"- a signature soprano role, as well as "Ebben Ne Andro Lontana" from La Wally and her performances as Mimi, one is clearly treated to the truest form of a pure lyric soprano. Her voice is spunned gold, with sweet, warm, feminine textures. Her reperotire remained in the Italian and French. Of course, being Spanish, she was a leading singer in Spanish Lieder and romantic ballads. Her Art Songs in Spanish are full of elegance and grace. A champion of obscure composers, she sang and recorded recitals that featured the works of lesser known composers, though strictly Lieder and Folk/Art Song.

Victoria De Los Angeles is fortunately a well-documented artist. Some film footage exist of her performances. I seem to recall that there exists a taped performance of her Violetta in Verdi's La Traviata. She excelled in the lyric roles of Mimi in Puccini's La Boheme, Marguerite in Gounod's Faust. Her Madame Butterfly is a pure lyric rendition, with less of the dramatic intensity other singers have given the role- i.e. Leontine Price, Maria Callas, Renata Tebaldi, etc. But her Butterfly is actually the way the role ought to be sung. It's a voice of grace, naivete and above all romance that must colorize Butterfly. The dramatic intensity only makes her sound older and madly passionate. She is only a fifteen year old girl who has been deceived and betrayed. She must remain youthful sounding. De Los Angeles does justice to the truest form of Butterfly. She was thrilling in French and Italian operas and her Spanish songs were briliant and beautiful.

Victoria will always be remembered. She was a unique and talented artist of the lyric repertoire. Her pure, lovely voice was like an angel's. There will never be another Victoria De Los Angeles. With her death, the end of an era also passes. In particular, I will always remember one reported incident. She was about to make her first recital in America but she had no accompanist- pianist/guitarist etc. When asked how she would handle this, she remarked: "Well I brought my guitar with me". And she proceeded to accompany herself with the guitar.

5 out of 5 stars the genius of de los angeles.......2004-02-14

the incomparable de los angeles combines exquisite sound and nuance to the world of superb singing. her mastery of a variety of styles is astounding and yet it always sounds natural.her magic will live forever.

5 out of 5 stars A n angelic voice.......2004-02-06

De los Angeles' ability to sing with elegance and style has rarely been equalled and never been surpassed. She's the greatest Charlotte in "Werther", the most tender Santuzza in "Cavalleria Rusticana" and the most sumptuos Nedda in "I Pagliacci". Her Lieder-Recordings are legendary, my favourites are the Spanish ones of course. What a piano-culture and what a velvet sound! Get this set, it's cheap and it has GREAT singing!
The Complete Caruso
Average customer rating: Not rated
    The Complete Caruso

    Manufacturer: RCA
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B0001TSWQO
    Release Date: 2004-11-09
    Philips and Decca Recordings, 1961-1979 (Limited Edition)
    Average customer rating: 5 out of 5 stars
    • Essential Performances from a Great & Beloved Singer
    Philips and Decca Recordings, 1961-1979 (Limited Edition)
    Janet Baker , John Shirley-Quirk , Graham Sheen , Johann Sebastian Bach , Ludwig van Beethoven , Hector Berlioz , Giovanni Bononcini , Benjamin Britten , Giulio Caccini , and Antonio Caldara
    Manufacturer: Philips
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B0000B0A0Q
    Release Date: 2003-11-25

    Customer Reviews:

    5 out of 5 stars Essential Performances from a Great & Beloved Singer.......2004-01-09

    For those of us who grew up on Janet Baker's recordings (and were lucky enough to hear her "live" as well), the sound of her voice and her singular artstic personality - British restraint coupled with fierce emotional and spiritual commitment - are indelibly imprinted in our minds and hearts. The closest current equivalent is Lorraine Hunt Lieberson, another superb artist who has charted her own course, and not surprisingly there is some overlap of repertoire, in the music of J.S. Bach, of course, but also Berlioz's Didon and Beatrice, Handel's Ariodante and Britten's Phaedra (composed for Baker).
    This wonderful compilation is complementary to EMI's 2-CD "The Very Best of Janet Baker" -- no overlap of repertoire whatsoever. Unlike that set, which focused on concert repertoire (with orchestra or piano) there's a generous sampling here of Baker's operatic roles including Handel, Mozart, Purcell, Rameau, Gluck, and Britten. Also welcome is "Phaedra," one of Britten's strongest late works. And it's good to have the Berlioz: "Cleopatre" and "Herminie" complete, the big aria from "Beatrice et Benedict." (Why EMI included nothing from her recording of the last 2 scenes of "Les Troyens" is unfathomable.) The wide time-span allows us to hear Baker's voice in all its youthful, "sappy" warmth, as well as in its artistic maturity (though truth to tell she was pretty much a complete artist from the start). There are a few signs of wear in later items, nothing serious, in fact rather less than I remembered. I could have done with fewer of the "Arie Amorose" in favor of more cuts from her Gluck LP, which I believe has never been issued complete on CD, but that's just personal preference. The focus here is entirely on orchestrally accompanied works (or, in the case of the marvelous early disc of Ravel, Chausson & Delage songs, with chamber ensemble) so for Baker the supreme interpreter of English, German and French song you'll need to go elsewhere (the EMI has a fair sampling, especially of her Schubert). But everything here is indispensible.
    Flemish Feast: Renaissance Wind Music
    Average customer rating: 5 out of 5 stars
    • Piffaro offers a wild romp through Flemish popular music!
    • Shawms, Crumhorns, Sackbuts, Bagpipes, Lutes, & More!
    • Piffaro Delivers Again
    Flemish Feast: Renaissance Wind Music
    Piffaro , and The Renaissance Band
    Manufacturer: Archiv Produktion
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B000046S42
    Release Date: 2000-03-14

    Tracks:

    1. T'andernaken - Laet Ons Mit Hartzen - Hoboekentanz - Laet Ons Mit Hartzen - Ihesus Is Een Kyndekyn Cleyn - Laet Ons Mit HYartzen
    2. Ave Regina Caelorum
    3. Porquoy Non: Pourquoy Non
    4. Passe Et Medio & Reprise
    5. Gaillarde - Gaillarde - Gaillarde
    6. La Morisque
    7. J'ay Pris Amours
    8. J'ay pris amours
    9. Crions Noel
    10. T'andernaken
    11. Laet U Ghenoughen, Liever Johan
    12. Entre Du Fol
    13. Mon Desir
    14. Je Loe Amours
    15. T'andernaken
    16. Untitled Duo
    17. De Tous Biens Playne
    18. Pavane & Gaillarde
    19. Wij Sheyt Edel Vrouwe
    20. Allemaigne
    21. 4 Bransles
    22. Bergerette
    23. O Crux Benedicta
    24. Ave Mundi Spes Maria
    25. T'andernaken Al Op Den Rijn
    26. Les Larmes
    27. Fortis Cum Quevis Actio
    28. Die Winter Is Verganghen

    Customer Reviews:

    5 out of 5 stars Piffaro offers a wild romp through Flemish popular music!.......2002-11-25

    "Instrumental music sounded in every corner of Flanders during the Renaissance," writes American scholar Keith Polk in the program notes. "... in any Flemish celebration or ritual, instruments and instrumental music were an indispensable element." If the period musicians were anything like the enthusiastic members of Piffaro, one can see why. The selections on this CD are a bit livelier than those on the group's earlier releases, evoking images of warm and boisterous feasts amongst revelers both high and low. Accompanied by hurdy gurdy, lutes, guitar and percussion, Piffaro's families of matched reed and brass instruments produce a distinctive and strident sound, mellowed by the continuity of breath pressure that is needed to play them, and tempered by the considerable skill of the performers. All in all, a feast for the ears! Other good, rousing feasting music can be found on the CD "A La Via: Street Music from the 13th to the 16th Centuries" by Ensemble Anonymous and Strada, and the Toronto Consort's "The Little Barley-Corne: Winter Revels from the Renaissance".

    5 out of 5 stars Shawms, Crumhorns, Sackbuts, Bagpipes, Lutes, & More!.......2002-07-15

    You do NOT, repeat, do NOT need to be an expert on renaissance music to thoroughly enjoy this disk. The musicians show off the beauty of this music and have selected a very nice program.

    I remember when I first heard wind music from this period performed and the reedy sound of the shawms and crumhorns and bagpipes and wonderful sound of the sackbuts. It became clear to me why old pipe organs sound like they do - this was the sound in the ears of the culture. Of course, this band performs this band shows off this music exceptionally well with their wonderful playing.

    Also, there is an exceptionally nice booklet that accompanies this disk with photographs of the instrument families used in this disk as well as great notes about the group and the music recorded here.

    The group has several other disks that you can obtain to extend your enjoyment of this music.

    5 out of 5 stars Piffaro Delivers Again.......2000-03-25

    Like their other CDs, Piffaro's "Flemish Feast" is well-programmed, whimsical, and exquisitely performed. I personally find the first part of this CD a little heavy on the bagpipe, although others enjoy this a great deal. The lute and harp selections with and without recorder stand out as being particularly well-done. Having performed a concert of Flemish music in the not-so-distant past, I can address one possible comment: "Why are there FOUR tracks called 'T'andernaken'?" These are actually only three of a possible hundred or two. T'andernaken was a very popular ground or cantus firmus to use in Flanders at this time, and everyone had a go at it, including King Henry VIII. The recorder selections are organ-like, as usual, and the shawm/sackbut/dulcian (or "loud band") numbers are festive. Another wonderful selection from a great group.
    Nimbus Prima Voce: Tibbett
    Average customer rating: 5 out of 5 stars
    • Tibbett - Prima Voce
    • "the quintessential American artist"
    • Lawrence Tibbett, a singing actor
    Nimbus Prima Voce: Tibbett

    Manufacturer: Nimbus Records
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B0000037JP
    Release Date: 1992-12-02

    Tracks:

    1. Pagliacci: Si Puo?
    2. Carmen: Chanson Du Toreador
    3. Tosca: Te Deum
    4. Un Ballo In Maschera: Eri Tu
    5. Il Barbiere Di Siviglia: Largo Al Factotum
    6. Faust: O Sainte Medaille...Avant De Quitter Ces Lieux
    7. Tannhauser: Wie Todesahnung Dammrung...O Du, Mein Dolder Abendstern
    8. Die Walkure: Wotan's Farewell
    9. Rigoletto: Cortigiani, Vil Razza Dannata
    10. Otello: Brindisi
    11. Otello: Vanne!...Credo In Un Dio Crudel
    12. Otello: E Qual Certezza Sognate...Era La Notte
    13. Simon Boccanegra: Plebe! Patrizi! Popolo

    Customer Reviews:

    5 out of 5 stars Tibbett - Prima Voce.......2006-03-18

    This is a great selection of his work and the recordings are great for their age.

    The selections are very good and makes it enjoyable to be able to hear the voice of this famous man and be able to get a very good feel for his voice and style.

    5 out of 5 stars "the quintessential American artist".......2005-01-09

    Lawrence Tibbett (1896-1960) was a magnificent bass-baritone, with a wide range both vocally and in repertoire, as he did Broadway as well as the opera he was most famous for, and had a charismatic stage presence that was so strong one can sense it through these recordings that were made during the height of his career, from 1926 through 1939.
    Up until the last four decades, it was rare for an opera singer to achieve fame without a European background and resume, but Tibbett, born in Bakersfield, California, was one of the first and few to star at the Metropolitan without crossing the Atlantic, proof of his outstanding talent from the start.

    Tibbett is brilliant in the arias chosen for this CD, which are sung in French, Italian, and German; favorites for me are the "Chanson du Toreador" (I have seen archival film footage of him singing this aria, which is fabulous and so memorable), the glorious melody of "Eri tu", in which we hear the darker tones of his rich voice, and the heavenly beauty of "Wie Todesahnung Dammrung" contrasted with power and emotion of "Wotan's Farewell".
    The final track from "Simon Boccanegra", "Plebe ! Patrizi ! Popolo" includes the voices of some other big names from that great era at the Metropolitan Opera: Rose Bampton, Giovanni Martinelli, and Leonard Warren.

    The sound has a few crackles, but overall has been very well re-mastered, and the age of the recordings becomes irrelevant once one becomes captured by the intensity and passion of Tibbett's singing. To quote the liner notes, these are "renditions seldom equaled, never surpassed".
    The insert booklet contains notes, recording info, synopses of the arias, and photographs, and total playing time is 77'14.

    5 out of 5 stars Lawrence Tibbett, a singing actor.......2003-05-15

    Lawrence Tibbett was my favorite singer when I was a little girl....and this album brought back memories of the many operas he did at the Met....You have to get used to the sound, but once past that, it is a great album......I just listened to the Bocelli Tosca, and recall Tibbett was a great Scarpia...the Te Deum is on this recording. So much of the music recorded by the great singers of yesteryear is being lost....and I felt this was a great find..All the numbers on this CD are great and one especially beautiful one is the Hymn to the Evening Star from Tannhauser...simply beautiful
    José Carreras: The Golden Years
    Average customer rating: 5 out of 5 stars
    • A Collector's Item
    • STUPENDOUS!!!!
    • a great partial overview of an extraordinary career
    • What a beauty!
    • He answered my SOS - with his soul
    José Carreras: The Golden Years

    Manufacturer: Philips
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B00000J9GN
    Release Date: 1999-06-15

    Tracks:

    1. La Boheme: Che gelida manina
    2. TOSCA: Recondita armonia
    3. TOSCA: E lucevan le stelle
    4. Manon Lescaut: Donna non vidi mai
    5. Turandot: Nessun dorma
    6. L'Elisir d'Amore: Una furtiva lagrima
    7. Un Ballo in Maschera: Forse la soglia attinse
    8. Rigoletto: Parmi veder le lagrime
    9. Ernani: Come rugiada al cespite
    10. II Trovatore: Di quella pira
    11. La Battaglia di Legnano: La pia materna mano
    12. Pagliacci: Vesti la giubba
    13. Carmen: La fleur que tu m'avais jetee
    14. Werther: Je ne sais si je veille
    15. Das Land des Lachelns: Dein ist mein ganzes Herz
    16. II Tedesco: Plaisir d'amour
    17. Serse: Ombra mai fu
    18. Rinaldo: Lascia ch'io pianga
    19. Caro mio ben

    Tracks:

    1. Misa Criolla: Kyrie
    2. A vucchella
    3. La Serenata
    4. Marechiare
    5. Malia
    6. L'ultima canzone
    7. Ideale
    8. Non t'amo piu
    9. Good-bye
    10. Mattinata
    11. O sole mio
    12. Core 'ngrato
    13. Funiculi, funicula
    14. Torna a Surriento
    15. Granada
    16. La Danza
    17. You Belong To My Heart
    18. Because
    19. West Side Story: Tonight
    20. Be My Love
    21. Because You're Mine
    22. Cats: Memory

    Customer Reviews:

    5 out of 5 stars A Collector's Item.......2007-03-09

    This is a different voice than you hear on recordings of "The Three Tenors." Of course, it's his earlier years, but the light, lyrical quality of his voice is amazing. Thank goodness for recordings, and digital remastering. I love this CD.

    5 out of 5 stars STUPENDOUS!!!!.......2005-06-20

    I have a Carreras-recording of Tosca from 1980 and up till now I thought it was the ultimate recording of "Recondita armonia" and "E lucevan le stelle". I honestly thought that no one could sing these arias better. And in a way I'm right. The only one that did it was himself - a few years earlier.....(The two arias in this "golden years cd" are taken from a -76 recording of Tosca). And after listening to these songs I can't imagine that anyone dare say that he is/was the weakest of the three tenors. In my opinion he possesses something that the others don't. (I won't tell you what it is - listen and find out yourself). Even if his voice has changed over the years (and I mean changed, not declined..) something remains unchangeable and that is his ability to evoke emotions. No one can deliver a line like him. And that's something that's going to stay with him forever, because what makes his singing so special comes from within. It's not dependent on the quality of the voice. But in the songs on this cd his voice is pure gold.

    Even though I like the whole album, some of the songs on the first cd (which consists of operatic arias) stand out to me - like "Una furtiva lagrima", "donna non vidi mai", "vesti la giubba" and "nessun dorma" (Sorry Pavarotti - José is way ahead of you interpreting this song. It's not enough to sing it on full blast....) Here's also the loveliest rendition of "Forse la soglio attinse". In 1975 the audience at La Scala in Milan went absolutely crazy after he had sung this aria. I have a recording from that night and it sounds as if they are standing on their seats, cheering and applauding. And it's almost like I want to do the same myself after listening to his singing on this album. And in the song "dein ist mein ganzes hertz" he makes me believe that his whole heart really is mine......In my opinion Carreras has the best rendition of this song ever. No one else comes even close to this one. And I mustn't forget his "che gelida manina" from La Bohême. I have the -79 recording it's taken from and it's the ultimate Bohême ever.

    The second cd has a "lighter" repertoire with songs from composers like Tosti, Cardillo, Lara and others. My personal favourites here are "Core n'grato", "Ideale" and "Granada". In my opinion no one sings these songs like Carreras. Or rather - no one sings like Carreras. Period!

    His singing will no doubt give you goosebumps all over and make your hair stand on end. If not, I bet you're either a Pavarotti or Domingo-fan....

    5 out of 5 stars a great partial overview of an extraordinary career.......2005-04-09

    Now a household name by being one of the Three Tenors alongside Pavarotti and Domingo, Carreras' finest recordings were actually done in the 1970s, when his voice had a brilliance and luster that few singers have equaled. Born in Spain in '46, Carreras was a child prodigy, and by his late 20s was a shining star in all the major opera houses. Tragically, in '87, he learned he had leukemia, a disease he battled and won, going on to greater fame than ever before.
    Though his voice is powerful and full of beauty, those with keen ears will detect his voice losing a tiny bit of its magnificence starting in the early 80s, and one wonders if the stress and exhaustion of stardom contributed to this as well as to the illness, or whether it was because the seeds of leukemia were taking root.

    CD One is the operatic disc, and the two most sublime cuts are both from '76, Puccini's "E lucevan le stelle" (Tosca), and Verdi's "Forse la scoglia attinse" (Un Ballo in Maschera). Another track I adore is the heavenly Lehar "Dein ist mein ganzes Herz" (Das Land des Lachelns), from 1978, and few have performed this popular piece with more loveliness.
    CD Two is in a lighter vein, and starts with a stupendous rendition of Ariel Ramirez' "Kirie" (Misa Criolla), sung softly and with extraordinary tenderness and artistry.
    There are lots of heavenly melodic Italian songs, like "O Sole Mio", and a few in English like the song made famous by Lanza (who according to the liner notes, inspired Carreras to be a singer when he saw "The Great Caruso" at the age of six) "Be My Love " (Brodszky/Cahn).
    The foldout insert has complete track list info and liner notes, and mention must be made of the incredible, sensitive sepia portrait of this handsome singer on the cover. Total playing time for CD One is 75'32, and for CD Two 75'47.
    A must for Carreras fans, and anyone who appreciates the finest in operatic voices.

    5 out of 5 stars What a beauty!.......2005-01-13

    This great double CD set shows us the true Carreras. All the great songs and arias are on this(although I would've liked to hear pourquoi me reveiller) and in pure Carreras style.
    Some of the opera recordings are live, and that adds a lot to them. Both sides of the CDs have fantastic repetoire.
    Definately a worthy buy!

    5 out of 5 stars He answered my SOS - with his soul.......2004-02-07

    I came upon the genius of Mr. Carrera quite accidentally. I was in Warsovie (Warsaw), Poland. My purse was stolen, so I lay miserable and penniless and alone in the home of my Ex, with a copy of the Vampire Chronicles and Dostoevsky's Notes from the Underground (only books in English). The maddening drone of the hydro-dam nearby moved me to turn on the radio to my favorite college station. I was no opera buff, so when they announced that they would cover some Enrique Caruso songs, I was panicked to find a station that I could relate to.

    Jose Carrera covered the full gambit of Caruso's classics. They must've played him for 2 hours straight. I was mesmerized. I could have touched him and put his hand to my face, his voice was so close. He sang with such emotion and outcry that I wanted to take him into my arms and console him. "Damn" is all that I could verbalize, when the program ended.

    I'm not into Jose Carrera singing pop tunes, but he completely blows me away when he's in his own element. I was never feeling the three tenors, and although I remember Pavarotti and our school taking us to the Met in the 80's, Jose Carrera, is an animal of an entirely different species. He's one of a few artists that I can only listen to on my Bose, all alone, to fully appreciate the gravity of talent.
    Les tres riches heures du Moyen Age: A Medieval Journey
    Average customer rating: 5 out of 5 stars
    • Excellent, but What Are the Words?
    • outstanding collection
    • Awesome
    • 7.5 hours of superb music at a most reasonable price.
    Les tres riches heures du Moyen Age: A Medieval Journey

    Manufacturer: Harmonia Mundi Fr.
    ProductGroup: Music
    Binding: Audio CD

    All Works by MachautAll Works by Machaut | Machaut, Guillaume de | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
    BalladsBallads | Forms & Genres | Classical | Styles | Music
    GeneralGeneral | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
    GeneralGeneral | Early Music | Historical Periods | Classical | Styles | Music
    Sacred & ReligiousSacred & Religious | Early Music | Historical Periods | Classical | Styles | Music | Requiems
    Vocal & SongVocal & Song | Early Music | Historical Periods | Classical | Styles | Music | Requiems
    Sacred & ReligiousSacred & Religious | Renaissance (c.1450-1600) | Historical Periods | Classical | Styles | Music
    GeneralGeneral | Classical | Styles | Music
    CompilationsCompilations | Classical | Styles | Music
    GeneralGeneral | Opera & Vocal | Styles | Music
    ChantsChants | Vocal Non-Opera | Opera & Vocal | Styles | Music
    MadrigalsMadrigals | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music
    GeneralGeneral | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music
    MassesMasses | Vocal Non-Opera | Opera & Vocal | Styles | Music
    MotetsMotets | Vocal Non-Opera | Opera & Vocal | Styles | Music
    NoelsNoels | Vocal Non-Opera | Opera & Vocal | Styles | Music
    PartsongsPartsongs | Vocal Non-Opera | Opera & Vocal | Styles | Music
    Renaissance (c.1450-1600)Renaissance (c.1450-1600) | Historical Periods | Opera & Vocal | Styles | Music
    ClassicalClassical | Imports | Stores | Music
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    1. Perotin / The Hilliard Ensemble

    ASIN: B00000074R
    Release Date: 1995-11-21

    Tracks:

    1. 1. By Way Of A Preamble: Byzantine Chant: Alleluia - Tropaire de la venue de l'epoux (Lundi Saint) - MEDIEVAL JOURNEY
    2. 1. By Way Of A Preamble: Byzantine Chant: Exapostilarion de l'Office de Mardi Saint: Version arabe - MEDIEVAL JOURNEY
    3. 1. By Way Of A Preamble: Byzantine Chant: Exapostilarion de l'Office de Mardi Saint: Version grecque - MEDIEVAL JOURNEY
    4. 1. By Way Of A Preamble: Byzantine Chant: Exapostilarion de l'Office de Mardi Saint - Version arabe - MEDIEVAL JOURNEY
    5. 1. By Way Of A Preamble: Chants sacres Melchites (IV siecle): Hymne a la Vierge (Liturgie grecque de saint Jean Chrysostome) - MEDIEVAL JOURNEY
    6. 1. By Way Of A Preamble: Chants sacres Melchites (IV siecle): Office de la Nativite de la Mere de Dieu (Grand Canon de saint Jean Damascene) - MEDIEVAL JOURNEY
    7. 2. Monody Before Gregorian Chant: Chants de l'Eglise de Milanaise: Psaume: 'Tecum principium in die virtutis tue'' - MEDIEVAL JOURNEY
    8. 2. Monody Before Gregorian Chant: Chants de l'Eglise de Milanaise: Responsorium: 'Congratulamini mihi omnes qui diligitis Dominum'' - MEDIEVAL JOURNEY
    9. 2. Monody Before Gregorian Chant: Le Chant Beneventain: Communio: 'Qui manducaverit' - MEDIEVAL JOURNEY
    10. 2. Monody Before Gregorian Chant: Les Chants de l'Eglise de Rome (VII-VIII siecles): Introit 'Resurrexi' - MEDIEVAL JOURNEY
    11. 2. Monody Before Gregorian Chant: Les Chants de l'Eglise de Rome (VII-VIII siecles): Office de l'Adoration de la Croix; Improperes: 'Agios o Theos, Sanctus Deus' - MEDIEVAL JOURNEY
    12. 2. Monody Before Gregorian Chant: Le Chant Mozarabe: Cathedrale de Tolded: Sacrificium 'Vox clamantis' - MEDIEVAL JOURNEY

    Tracks:

    1. 1. Gallican Chant: Versus de l'eveque Theodulfe d'Orleans: 'Gloria laus' - Deller Consort
    2. 1. Gallican Chant: Semaine Sainte: repons du 7 mode: 'Tenebrae factae sunt' - Deller Consort
    3. 2. An Immense Corpus: Missa da Requiem Gregorienne: Introit: 'Requiem aeternam' - Deller Consort
    4. 2. An Immense Corpus: Missa da Requiem Gregorienne: Kyrie eleison - Deller Consort
    5. 2. An Immense Corpus: Missa da Requiem Gregorienne: Graduel 'Requiem aeternam' - Deller Consort
    6. 2. An Immense Corpus: Missa da Requiem Gregorienne: Trait: 'Absolve, Domine' - Deller Consort
    7. 2. An Immense Corpus: Missa da Requiem Gregorienne: Sequence: 'Dies irae' - Deller Consort
    8. 2. An Immense Corpus: Missa da Requiem Gregorienne: Offertoire: 'Domine Jesu Christe' - Deller Consort
    9. 2. An Immense Corpus: Missa da Requiem Gregorienne: Sanctus - Deller Consort
    10. 2. An Immense Corpus: Missa da Requiem Gregorienne: Agnus Dei - Deller Consort
    11. 2. An Immense Corpus: Missa da Requiem Gregorienne: Communion: 'Lux aeterna' - Deller Consort
    12. 2. An Immense Corpus: Missa da Requiem Gregorienne: Repons: 'Libera me' - Deller Consort
    13. 2. An Immense Corpus: Missa da Requiem Gregorienne: Antienne: 'In paradisum' - Deller Consort
    14. 2. An Immense Corpus: Planctus Hugonis Abbatis: 'Hug dulce nomen' pour la mort d'Hugues, fils de Charlemagne, en 844 - Deller Consort
    15. 3. The Aquitaine Tradition, Or The Problem Of Notation: Antiphona ad processionem: 'O beata infantia' - Schola Hungarica
    16. 3. The Aquitaine Tradition, Or The Problem Of Notation: Introitus cum tropis: 'Quam queritis in praesepe - Puer natus est' - Schola Hungarica
    17. 3. The Aquitaine Tradition, Or The Problem Of Notation: Alleluja 'Dies sanctificatus' - Schola Hungarica
    18. 3. The Aquitaine Tradition, Or The Problem Of Notation: Communio cum tropis: 'Desinat esse dolor - Viderunt Omnes' - Schola Hungarica
    19. 3. The Aquitaine Tradition, Or The Problem Of Notation: Alleluia cum tropis in octava - Schola Hungarica
    20. 3. The Aquitaine Tradition, Or The Problem Of Notation: Cantio ad laudem cantoris: 'Annus novus in gaudio' - Schola Hungarica
    21. 4. The Cistercian Exception: Repons de Matines pour la fete de Saint Bernard: Virtute multa - Ensemble Organum
    22. 4. The Cistercian Exception: Repons de Matines pour la fete de Saint Bernard: In timore Dei - Ensemble Organum
    23. 4. The Cistercian Exception: Repons de Matines pour la fete de Saint Bernard: 'Testamentum eternum' - Ensemble Organum
    24. 4. The Cistercian Exception: Repons de Matines pour la fete de Saint Bernard: 'Dedit Dominus confessionem sancto suo' - Ensemble Organum

    Tracks:

    1. The Art Of The Troubadours: A l'entrada del temps clar - MEDIEVAL JOURNEY
    2. The Art Of The Troubadours: Vida - MEDIEVAL JOURNEY
    3. The Art Of The Troubadours: Quand vei la laudeta mover - MEDIEVAL JOURNEY
    4. The Art Of The Troubadours: Vida - MEDIEVAL JOURNEY
    5. The Art Of The Troubadours: Sitot me soi - MEDIEVAL JOURNEY
    6. Cantigas de Santa Maria: Cantiga 77 (Flute a bec et percussion) - MEDIEVAL JOURNEY
    7. Cantigas de Santa Maria: Prologue: 'Porque Trobar' - MEDIEVAL JOURNEY
    8. Cantigas de Santa Maria: Cantiga 37 (Flute de berger et zarb) - MEDIEVAL JOURNEY
    9. Cantigas de Santa Maria: Cantiga 7: 'Santa Maria leva' - MEDIEVAL JOURNEY
    10. Cantigas de Santa Maria: Cantiga 100: 'Santa Maria, strela do dia' - MEDIEVAL JOURNEY
    11. Carmina Burana (XIII siecle): 'Bacche, bene venies' (CB 200) - MEDIEVAL JOURNEY
    12. Carmina Burana (XIII siecle): 'In taberna quando sumus' (CB 196) - MEDIEVAL JOURNEY
    13. Carmina Burana (XIII siecle): 'Axe Phebus aureo' (CB 71) - MEDIEVAL JOURNEY
    14. Carmina Burana (XIII siecle): 'Deduc Syon, uberrimas' (CB 34) - MEDIEVAL JOURNEY
    15. Carmina Burana (XIII siecle): 'Flete flenda' (CB 5) - MEDIEVAL JOURNEY
    16. Les Minnesanger: 'Sinc an, guldin huon!' - MEDIEVAL JOURNEY
    17. Les Minnesanger: Ich lobe ein wip (Instr.) - MEDIEVAL JOURNEY
    18. Les Minnesanger: 'Owe dirre not' - MEDIEVAL JOURNEY
    19. Les Minnesanger: Wol auff, gesell (Instr.) - MEDIEVAL JOURNEY

    Tracks:

    1. 1. 12th Century Polyphony In Aquitaine: 'Domine labia mea aperies' - 'Deus in adjutorium meum' (Choeur) - Ensemble Organum
    2. 1. 12th Century Polyphony In Aquitaine: Versus: 'O primus homo coruit' (a 2 voix) - Ensemble Organum
    3. 1. 12th Century Polyphony In Aquitaine: Versus: 'Veri solis radium' (a 2 voix) - Ensemble Organum
    4. 2. The Notre-Dame School: Messe du Jour de noel (XIII siecle) - Excerpts: Introit trope: 'Puer natus est' - Ensemble Organum
    5. 2. The Notre-Dame School: Messe du Jour de noel (XIII siecle) - Excerpts: Kyrie - Ensemble Organum
    6. 2. The Notre-Dame School: Messe du Jour de noel (XIII siecle) - Excerpts: Graduel: 'Viderunt omnes' - Ensemble Organum
    7. 2. The Notre-Dame School: Messe du Jour de noel (XIII siecle) - Excerpts: Sanctus (organum) - Ensemble Organum
    8. 2. The Notre-Dame School: Messe du Jour de noel (XIII siecle) - Excerpts: Agnus Dei - Ensemble Organum
    9. 2. The Notre-Dame School: Messe du Jour de noel (XIII siecle) - Excerpts: Ite missa est - Deo Gratias - Ensemble Organum
    10. 3. The Gradual Of Eleanor Of Brittany - A Particular Practice Of Polyphony: Kyrie 'Orbis factor' - Ensemble Organum
    11. 3. The Gradual Of Eleanor Of Brittany - A Particular Practice Of Polyphony: Credo in unum Deum - Ensemble Organum
    12. 3. The Gradual Of Eleanor Of Brittany - A Particular Practice Of Polyphony: Sequence: 'Res est admirabilis' - Ensemble Organum
    13. 4. The Motets From The Montpellier Codex, Jewels Of The Ars Antiqua: Plus bele que flor - Quant revient - L'autrier joer - Flos Filius - Anonymous 4
    14. 4. The Motets From The Montpellier Codex, Jewels Of The Ars Antiqua: Puisque bele dame m'eime - Flos Filius - Anonymous 4
    15. 4. The Motets From The Montpellier Codex, Jewels Of The Ars Antiqua: Celui en qui - La bele estoile - La bele, en qui - Iohanne - Anonymous 4
    16. 4. The Motets From The Montpellier Codex, Jewels Of The Ars Antiqua: Amor potest - Ad amorem sequitur - Anonymous 4
    17. 4. The Motets From The Montpellier Codex, Jewels Of The Ars Antiqua: S'on me regarde - Prennes i garde - He, mi enfant - Anonymous 4
    18. 4. The Motets From The Montpellier Codex, Jewels Of The Ars Antiqua: Qui d'amour se plaint - Lux Magna - Anonymous 4
    19. 4. The Motets From The Montpellier Codex, Jewels Of The Ars Antiqua: On doit fin(e) Amor - La biaute - In Seculum - Anonymous 4
    20. 5. An English Ladymass In Salisbury Cathedral (13th Century): Kyrie: 'Kyria christifera' - Anonymous 4
    21. 5. An English Ladymass In Salisbury Cathedral (13th Century): Gloria - Anonymous 4
    22. 5. An English Ladymass In Salisbury Cathedral (13th Century): Sanctus - Benedictus - Anonymous 4
    23. 5. An English Ladymass In Salisbury Cathedral (13th Century): Agnus Dei: 'Virtute numinis' - Anonymous 4

    Tracks:

    1. 1. Le Roman de Fauvel (1310-1316): In mari miserie - Clemencic Consort
    2. 1. Le Roman de Fauvel (1310-1316): Vers 149 a 168 - Clemencic Consort
    3. 1. Le Roman de Fauvel (1310-1316): Ad solitum vomitum - Clemencic Consort
    4. 1. Le Roman de Fauvel (1310-1316): Porchier miex estre. Vers 250 a 280 - Clemencic Consort
    5. 1. Le Roman de Fauvel (1310-1316): J'ai fait nouveletement - Clemencic Consort
    6. 1. Le Roman de Fauvel (1310-1316): Quoniam secta latronum - Clemencic Consort
    7. 1. Le Roman de Fauvel (1310-1316): Vers 5905-5926 - Mario, virgo viginum - Clemencic Consort
    8. 1. Le Roman de Fauvel (1310-1316): Vers 6023-6050 - Clemencic Consort
    9. 1. Le Roman de Fauvel (1310-1316): Quare fremuerunt - Clemencic Consort
    10. 2. La Messe de Tournai (c.1330-40) - Excerpts: Kyrie - Ensemble Organum
    11. 2. La Messe de Tournai (c.1330-40) - Excerpts: Gloria in excelsis Deo - Ensemble Organum
    12. 2. La Messe de Tournai (c.1330-40) - Excerpts: Sanctus - Ensemble Organum
    13. 2. La Messe de Tournai (c.1330-40) - Excerpts: Agnus Dei - Ensemble Organum
    14. 3. The Chansons Of The French And Italian Ars Nova: 'De toutes flours' - Ensemble Organum
    15. 3. The Chansons Of The French And Italian Ars Nova: 'Honte, paour, doubtance' - Ensemble Organum
    16. 3. The Chansons Of The French And Italian Ars Nova: 'Honte, paour, doubtance', version instrumentale - Ensemble Organum
    17. 3. The Chansons Of The French And Italian Ars Nova: 'Che pena e quest'al cor' - Ensemble Organum
    18. 3. The Chansons Of The French And Italian Ars Nova: 'Imperiale sendendo fra pi stelle' - Ensemble Organum
    19. 3. The Chansons Of The French And Italian Ars Nova: Rondeau-canon 'Tout par compas' - Ensemble Organum
    20. 3. The Chansons Of The French And Italian Ars Nova: Rondeau 'Belle, bonne, sage' - Ensemble Organum
    21. 3. The Chansons Of The French And Italian Ars Nova: Rondeau 'Fumeux fume par fumee' - Ensemble Organum
    22. 3. The Chansons Of The French And Italian Ars Nova: Ballade 'On voit tout' - Ensemble Organum
    23. Sacred Music In 14th Century England: 'Campanis cum cymbalis - Honoremus Dominam' - The Hilliard Ensemble
    24. Sacred Music In 14th Century England: 'Mater ora filium' - The Hilliard Ensemble
    25. Sacred Music In 14th Century England: 'Edi be thu' - The Hilliard Ensemble
    26. Sacred Music In 14th Century England: 'Gabriel From Heven-King' - The Hilliard Ensemble
    27. Sacred Music In 14th Century England: 'Gaude virgo Mater Christi' - The Hilliard Ensemble

    Tracks:

    1. Johannes Ciconia (c. 1335-1414): 'Ligiadra donna' pour vielles - The Newberry Consort
    2. 1. 15th Century English Music: Les Carols: Alleluya: 'A Nywe werke' - Anonymous 4
    3. 1. 15th Century English Music: Les Carols: 'Ecce quod natura' - Anonymous 4
    4. 1. 15th Century English Music: Les Carols: Nowel: 'Owt Of Your Slepe Aryse' - Anonymous 4
    5. 1. 15th Century English Music: Les Carols: 'Anna Mater Matris Christi' - The Hilliard Ensemble
    6. 1. 15th Century English Music: Les Carols: 'Tota pulcra es, amica mea' - The Hilliard Ensemble
    7. 1. 15th Century English Music: 15th Century Marial Polyphony: Conduit 'O Maria stella maris' - Anonymous 4
    8. 1. 15th Century English Music: 15th Century Marial Polyphony: Sequence 'Salve virgo singularis' - Anonymous 4
    9. 1. 15th Century English Music: 15th Century Marial Polyphony: Motet 'Veni mater gracie - Dou Way, Robin' - Anonymous 4
    10. 2. The Emergence Of Specifically Instrumental Music: Musicue instrumentale a la Cour d'Espagne: 'Propinan de Melyor' - The Newberry Consort
    11. 2. The Emergence Of Specifically Instrumental Music: Musicue instrumentale a la Cour d'Espagne: --sans titre - The Newberry Consort
    12. 2. The Emergence Of Specifically Instrumental Music: Musicue instrumentale a la Cour d'Espagne: 'La Spagna' - The Newberry Consort
    13. 2. The Emergence Of Specifically Instrumental Music: Musicue instrumentale a la Cour d'Espagne: 'La Spagna' - The Newberry Consort
    14. 3. Johannes Ockeghem (c. 1420-1497) - Requiem - Excerpts: Introit. 'Requiem eternam dona eis Domine' - Ensemble Organum
    15. 3. Johannes Ockeghem (c. 1420-1497) - Requiem - Excerpts: Kyrie - Ensemble Organum
    16. 3. Johannes Ockeghem (c. 1420-1497) - Requiem - Excerpts: Tractus: 'Sicut servus desideral ad fontes aquarum' - Ensemble Organum
    17. 3. Johannes Ockeghem (c. 1420-1497) - Requiem - Excerpts: Sanctus - Ensemble Organum
    18. Lute Music: Ricercar 'L'autre jour' - Paul O'Dette
    19. Lute Music: 'Nous bergiers' - Paul O'Dette
    20. Lute Music: Ricercar No. 33 - Paul O'Dette
    21. Lute Music: 'Il est bel et bon' - Paul O'Dette

    Customer Reviews:

    4 out of 5 stars Excellent, but What Are the Words?.......2006-07-04

    This is a wonderful collection of music spanning many centuries, some of which you are unlikely to encounter anywhere else. The performances are beautiful, too. The one drawback is that the liner notes contain very few song text translations, a big problem for a large CD set with music that is primarily vocal.

    5 out of 5 stars outstanding collection.......2002-09-27

    I have quite a number of CDs with Medieval Age polyphony, byzantine chant and renaissance music, but this collection goes beyond what could usually be expected from such boxsets. I'd highly recommend it to all.

    5 out of 5 stars Awesome.......2001-09-20

    This is the best collection of medieval music I have ever heard. The performances are top-notch, and all of the songs are well done. I highly reccomend this collection not only for fans of medieval music, but for any music lover.

    5 out of 5 stars 7.5 hours of superb music at a most reasonable price........1999-12-24

    There isn't a clunker in this set. All the performers are top drawer and the recordings are good. The notes are a little brief and a bit scholarly, but can be ignored easily.

    You will get an idea of the different kinds of medieval music as well as the top groups and soloists working currently in the field.

    When I got this set, my mother and I listened to all 7+ hours straight through. We then started buying CDs from the different performers we had to hear more from.

    At twice the price, this would still be an excellent addition to any classical or medieval music collection, as well as the best introduction to medieval music around.
    The Best of Rossini
    Average customer rating: 5 out of 5 stars
    • The Best of Rossini
    • this is a magnificent recording for the price
    The Best of Rossini

    Manufacturer: EMI Classics
    ProductGroup: Music
    Binding: Audio CD

    OverturesOvertures | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
    GeneralGeneral | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
    General ModernGeneral Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
    Chamber MusicChamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music
    Vocal & SongVocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music
    GeneralGeneral | Keyboard | Instruments | Classical | Styles | Music
    GeneralGeneral | Classical | Styles | Music
    All Works by RossiniAll Works by Rossini | Rossini, Gioacchino | ( R ) | Featured Composers, A-Z | Classical | Styles | Music
    Rossini, GioacchinoRossini, Gioacchino | Q to T | Featured Composers, A-Z | Opera & Vocal | Styles | Music
    GeneralGeneral | Opera & Vocal | Styles | Music
    Romantic (c.1820-1910)Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music
    ItalianItalian | Languages | Opera & Vocal | Styles | Music
    OratoriosOratorios | Opera & Vocal | Styles | Music
    MassesMasses | Vocal Non-Opera | Opera & Vocal | Styles | Music
    OratoriosOratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music
    GeneralGeneral | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music
    Caballe, MontserratCaballe, Montserrat | Divas | Opera & Vocal | Styles | Music
    Callas, MariaCallas, Maria | Divas | Opera & Vocal | Styles | Music
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    3. Mascagni: Cavalleria Rusticana & Leoncavallo: Pagliacci (complete operas) with Maria Callas, Giuseppe di Stefano, Tito Gobbi, Tullio Serafin, Chorus & Orchestra of La Scala, Milan
    4. The Ultimate Puccini Collection
    5. The Most Famous Opera Arias

    ASIN: B000002SC0
    Release Date: 1992-04-14

    Tracks:

    1. The Barber Of Seville: Overture
    2. The Barber Of Seville: Largo al factotum (Figaro, Act I)
    3. The Barber Of Seville: Una voce poco fa (Rosina, Act 1)
    4. The Barber Of Seville: La calunnia (Basilio, Act I)
    5. La Cenerentola: Overture
    6. La Cenerentola: Nacqui all'affanno...non piu mesta (Angelina, Act II)
    7. The Thieving Magpie: Overture
    8. The Thieving Magpie: Di piacer mi balza il cor (Ninetta, Act I)
    9. Semiramide: Overture
    10. Semiramide: Bel raggio lusinghier (Semiramide, Act I)

    Tracks:

    1. William Tell: Overture
    2. William Tell: Ils s'eloignent enfin...Sombre foret (Mathilde, Act II)
    3. William Tell: Pas de six (Act I)
    4. William Tell: Ne m'abandonne pas, espoir de la vengeance.. Asile hereditaire (Arnold, Act IV)
    5. The Silken Ladder: Overture
    6. Petite Messe solennelle: Domine Deus
    7. Stabat Mater: Inflammatus et accensus
    8. Peches de vieillesse: La Passeggiata
    9. Peches de vieillesse: Un petit Train de plaisir
    10. Peches de vieillesse: La Chanson du bebe
    11. Peches de vieillesse: Toast pour le nouvel an
    12. Peches de vieillesse: Duetto buffo di due gatti
    13. Peches de vieillesse: La Danza

    Customer Reviews:

    5 out of 5 stars The Best of Rossini.......2000-04-03

    This album contains the overtures and the highlights of his main operas. "Sins of old age" is the favorite part, especially "the Cat's Duet".

    5 out of 5 stars this is a magnificent recording for the price.......1999-09-11

    this is a great recordin

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    7. Innocent Bossa in the Mirror [Import]
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