Little Women The Musical (2005 Original Broadway Cast) [Cast Recording]
Editorial Reviews
Amazon.com
Louisa May Alcott's novel Little Women concerns four sisters in post-Civil War Massachusetts, but at times it feels as if its musical adaptation should have been called "Little Woman," so focused on a single sibling it is. Both Allan Knee's book and Sutton Foster's natural charisma and energy help constantly train the spotlight onto tomboy Jo. Yet it's not that much of a problem because Foster is strong enough to carry the show. She gets excellent support from the rest of the cast and especially cabaret artist Maureen McGovern, who as Marmee gets two beautiful ballads ("Here Alone" and "Days of Plenty") that are tailor-made for her imperial, burnished tone, and could well acquire a life outside the show. Composer Jason Howland worked as either musical director or musical supervisor on three period-set Frank Wildhorn musicals (Jekyll & Hyde, The Scarlet Pimpernel and The Civil War), which gives him a distinct experience in dealing with the historical setting here. Although the score oftentimes veers to the bland side, Howland also shows encouraging signs of spryness ("Five Forever") and melodic confidence that at one point slyly honors Sondheim ("Astonishing"). Old-fashioned in the best possible way, Little Women makes a good complement to Wicked for those trying to entice a younger audience to the delights of the musical theater. --Elisabeth Vincentelli
Little Women The Musical (2005 Original Broadway Cast), Music, Jason Howland, Andrew Wilder, Little Women Pit Orchestra, Amy McAlexander, Danny Gurwin, Janet Carroll, Jenny Powers, Jim Weitzer, John Hickok, Maureen McGovern, Meg McGinnis, Robert Stattel, Sutton Foster, Mindi Dickstein, Cast Recordings, Music Theater, Musical Theater, Musicals, Pop, Show Tunes, Showtunes / B'way
Average customer rating:
- Love It!!!
- Beautiful and better than expected
- Good Idea Gone Bad
- What a BORE!
- Foster Showcase
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Little Women The Musical (2005 Original Broadway Cast)
Danny Gurwin , Janet Carroll , Jenny Powers , Jim Weitzer , John Hickok , Maureen McGovern , Meg McGinnis , Robert Stattel , Sutton Foster , and Mindi Dickstein
Manufacturer: Ghostlight Records
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ASIN: B000929ABY
Release Date: 2005-05-03 |
Tracks:
- Overture
- An Operatic Tragedy
- Better
- Our Finest Dreams
- Here Alone
- Could You?
- I'd Be Delighted
- Take A Chance On Me
- Off To Massachusetts
- Five Forever
- More Than I Am
- Astonishing
- The Weekly Volcano Press
- How I Am
- Some Things Are Meant TO Be
- The Most Amazing Thing
- Days Of Plenty
- The Fire Within Me
- Small Umbrella In The Rain
- Sometimes When You Dream (Reprise)
Amazon.com
Louisa May Alcott's novel Little Women concerns four sisters in post-Civil War Massachusetts, but at times it feels as if its musical adaptation should have been called "Little Woman," so focused on a single sibling it is. Both Allan Knee's book and Sutton Foster's natural charisma and energy help constantly train the spotlight onto tomboy Jo. Yet it's not that much of a problem because Foster is strong enough to carry the show. She gets excellent support from the rest of the cast and especially cabaret artist Maureen McGovern, who as Marmee gets two beautiful ballads ("Here Alone" and "Days of Plenty") that are tailor-made for her imperial, burnished tone, and could well acquire a life outside the show. Composer Jason Howland worked as either musical director or musical supervisor on three period-set Frank Wildhorn musicals (Jekyll & Hyde, The Scarlet Pimpernel and The Civil War), which gives him a distinct experience in dealing with the historical setting here. Although the score oftentimes veers to the bland side, Howland also shows encouraging signs of spryness ("Five Forever") and melodic confidence that at one point slyly honors Sondheim ("Astonishing"). Old-fashioned in the best possible way, Little Women makes a good complement to Wicked for those trying to entice a younger audience to the delights of the musical theater. --Elisabeth Vincentelli
Customer Reviews:
Love It!!!.......2007-06-27
My school is going to be doing this musical next spring so I bought this CD in order to prepare for it. I fell in love with the music. Much like the book, it is personal, tender, and real. Some songs are just so heartwrenching I want to cry (but maybe I am a little bit of a drama queen). Simply gripping, I would highly recommend this CD to anyone who loves musical theater.
Beautiful and better than expected.......2007-05-15
I had heard so many mixed things about this show, and so I missed the chance to see it on Broadway. Well, now I am sure wishing I had seen it, because the story that unfolds on this CD is so beautiful and so reminiscent of the book I adored when I was a "little woman." I cannot imagine anyone not enjoying the joyous romp and sense of adventure that imbues this musical journey. Nearly every song captivated me, though I must admit it took a few passes before I finally embraced the entire score. Now I giggle with delight at the "Operatic Tragedy," "Our Finest Dreams" and "The Weekly Volcano Press." I also love "I'd Be Delighted," as Meg and Jo prep for the ball, and I adore Laurie's "Take a Chance on Me." Such passion! And the composers completely capture Jo's yearning to be something more in "Astonishing." Fantastic!
The ballads are simply gorgeous! I cannot get through Maureen McGovern's song, "Days of Plenty" without sheeding tears. And "The Fire Within Me" is likewise a heartfelt testamanet of love for one's family. So beautiful!
Open your heart, ears, and imagination to Little Women and enjoy the journey.
Good Idea Gone Bad.......2007-03-16
I loved the book Little Women, and I love musicals, but this CD did not blend the two well at all! I could barely get through the CD, there may be one or two songs I would listen to again, but not very often. It was difficult to see how these songs could do justice to the mood of the book. I feel that they hurt the story. I don't recommend buying this album.
What a BORE!.......2006-07-22
Saw the show in Washington and nearly fell asleep. Should never have been made. The score is dismall with a couple of all too brief moments of musicality, wisely given to Maureen McGovern. However, it's not enough to save this misguided mess. Skip the CD, pick up Jane Eyre, a musical version of a classic that works beautifully and deserved more success than it acheived.
Foster Showcase.......2006-05-06
Little Women is all about Sutton Foster. She does a great job, but as shown by the earily closing of the show it, one actress can't fix a flop. The songs in Little Women which tell a story or forward the plot of the show like "Weekly Volcano Press," "Astonishing," and "An Operatic Tradegy" are good and very entertaining, however a lot of the other songs in the show are stagnant. Basically any number without Foster or McGovern in it is not worth listening to. The show comes across as having good intentions. Though it has some good songs (I know people who have used some as audition pieces well), it does not seem to jump out at the audience at all.
Average customer rating:
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Send in the Clowns: The Ballads of Stephen Sondheim
Manufacturer: RCA Victor
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Sondheim, Stephen
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ASIN: B00006LSQJ
Release Date: 2002-10-22 |
Tracks:
- Send In The Clowns (From 'A Little Night Music') - Cleo Laine
- Losing My Mind (From 'Follies') - Barbara Cook
- I Remember (From 'Evening Primrose') - David Korman
- Liasons (From 'A Little Night Music') - Hermione Gingold
- With So Little To Be Sure Of (From 'Anyone Can Whistle') - Jerry Hadley
- Not A Day Goes By (From 'Merrily We Roll Along') - Bernadette Peters
- Pretty Women (From 'Sweeney Todd') - Michael Rupert
- In Buddy's Eyes (From 'Follies') - Barbara Cook
- No One Is Alone (From 'Into The Woods') - Cleo Laine
- Johanna (From 'Sweeney Todd') - Victor Garber
- So Many People (From 'Saturday Night') - Suzanne Henry
- Sorry-Grateful (From 'Company') - Stephen Collins
- Too Many Mornings (From 'Follies) - Barbara Cook
- Finishing The Hat (From 'Sunday In The Park With George') - Mandy Patinkin
- Not While I'm Around (From 'Sweeney Todd') - Angela Lansbury
- Like It Was (From 'Merrily We Roll Along') - Julie Andrews
- Unworthy Of Your Love (From 'Assassins') - Annie Golden
- Anyone Can Whistle (From 'Anyone Can Whistle') - Cleo Laine
Customer Reviews:
Wonderful songs.......2003-02-07
If you're a Sondheim ballad fan, this a must-have. While there are a few renditions that aren't great (Not a Day Goes By is way overdone), the selections from Follies sung by Barbara Cook are outstanding. The Cleo Laine version of "Send in the Clowns" is lovely and Stephen Collins does an amazing good job on "Sorry-Grateful" from Company. Still, it's the Follies songs that truly shine!
Average customer rating:
- Learning About Love While Yearning
- Great !
- Number one
- she believes the hype
- Lovely voice, lovely songs
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The Broadway Album
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ASIN: B00000264K
Release Date: 1990-10-25 |
Tracks:
- Putting It Together
- If I Loved You
- Something's Coming
- Not While I'm Around
- Being Alive
- I Have Dreamed/We Kiss In A Shadow/Something Won..
- Adelaide's Lament
- Send In The Clowns
- Pretty Women/The Ladies Who Lunch
- Can't Help Lovin' That Man
- I Loves You Porgy/Porgy, I's Your Woman Now...
- Somewhere
Amazon.com
As its title indicates, this 1985 recording marked Barbra Streisand's return to her Broadway roots (significantly, she had dropped her pop-period Guilty perm and returned to straight hair). The CD contains a broad selection of show tunes, from Guys and Dolls's "Adelaide's Lament" to Sweeney Todd's "Not While I'm Around." But let's face it: this may also be one of Babs's most dated albums, due to typically '80s synthesizer-heavy arrangements that simply don't work with the material. Company's "Being Alive" is scarred by a preening alto sax, while West Side Story's "Something's Coming" features what sounds suspiciously like syndrums. But--and it's a pretty big "but"--Streisand sounds more buttery than ever ("Send in the Clowns" may be one of her finest '80s moments), so much so that she often manages to overcome the cheesy production. Now that's a singer. --Elisabeth Vincentelli
Customer Reviews:
Learning About Love While Yearning.......2007-06-09
C. Kenneth Burkholder, who via an understanding was at the time of the original release of this was Barbra's prospectve father-in-law and whose death has occurred, said of this "If I Loved You", "That's nice." The tragicomic rendition of part of Adelaide fascinatingly points out some dangers of stripping for pay.
Just past the beginning of creating "What Times Are," a musical by (a) pacifist(s) as well as an adaptation of my play "What Time Is It, Neil Armstrong?," which is a sequel to my novel "How Did That Sun Get Out," I am inspired by the yearning apparent in "The Broadway Album"--a yearning not for perfection but for worthwhile ways for people all over the earth and in space to spend time.
Great !.......2007-02-27
I bought the CD to replace my worn-out cassette tape, and I was pleased to find it has one more track -- Adelaide's Lament -- which I enjoyed. Nice to have another comic song to balance out the love songs. She brings out the beauty of these lovely tunes.
Number one .......2007-02-05
Barbra is the number one female ballad singer of all time. No one has her range of feeling, the sheer lyric power of her voice, her sometimes exaggerated but often poignant power to dramatically express feeling. She can create the chill down the spine with a small trill or with a wild unexpected crescendo. 'Broadway' is her first home, and acting a song as she sings it comes natural to her.
This is one of her finest albums.
she believes the hype.......2006-10-12
This is from the big-shot who thinks she can control a political party and tell fans what to think about issues despite being a high-school dropout. She's a good singer, but not the best. She basically needs to shut the eff up and sing. Hey, those are her words, right?
Lovely voice, lovely songs.......2006-08-02
This album contains the choicest of Broadway hits given an outstanding interpretation by the Streisand. Barbra's flawless voice moves up and down with ease as the melodies unfold. Perfect!
Average customer rating:
- Sondheim recital
- Also a very dissapointed fan
- Adequate performance; poor entertainment
- a very disappointed fan
- What a train wreck!
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Sings Sondheim
Mandy Patinkin
Manufacturer: Nonesuch
ProductGroup: Music
Binding: Audio CD
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ASIN: B00006JP2C
Release Date: 2002-10-29 |
Tracks:
- Opening
- Lesson #8
- Another Hundred People
- When?
- Someone Is Waiting
- Johanna
- Green Finch and Linnet Bird
- Pretty Women
- Finishing the Hat
- If You Can Find Me, I'm Here
- Live, Laugh, Love
- Live Alone and Like It
- Everybody Says Don't
- Rich and Happy, Part 1
- Our Time
- Broadway Baby
- Rich and Happy, Part 2
- Uptown, Downtown
- Liaisons
- Send in the Clowns
- Live, Laugh, Love (reprise)
- You Could Drive a Person Crazy
Tracks:
- Free
- Company
- Waiting For The Girls Upstairs
- Pleasant Little Kingdom/Too Many Mornings
- Not While I'm Around
- All Things Bright and Beautiful
- It Takes Two
- In Someone's Eyes
- Beautiful
- Losing My Mind
- Take the Moment
- Sunday
Amazon.com
Recorded live at the Prince Music Theater in Philadelphia, this double CD is one heck of an extensive tribute to Stephen Sondheim. Backed only by Paul Ford on piano, Mandy Patinkin gets through nearly three dozen songs penned by the Broadway master. Some are obvious (excerpts from Sunday in the Park with George, in which the singer created the title role), others less so ("If You Can Find Me I'm Here" from Evening Primrose). Patinkin is often mocked for his shivering falsetto, but here, it's actually when his voice explores a lower register that it falters. What's more interesting is when he tackles songs usually sung by women, such as Follies' "Broadway Baby" and Company's "Another Hundred People" and "You Could Drive a Person Crazy"--the latter hammed up so much that you can hear the chewing of the scenery. A distinctively mannered interpreter, Patinkin remains an acquired taste, but fans of his will be in heaven with this set. --Elisabeth Vincentelli
Customer Reviews:
Sondheim recital.......2007-01-22
Probably the best way to approach these disks is to treat them like a recital in a concert hall. Rather as you would listen to a Schubert or Schumann song cycle. Taken together this way, we come to hear Sondheim as one of our finest composers, serious, comic, manic, depressive, always dead on target no matter what the subject matter. And Patinkin is perfect for these songs; he understands the meaning and value of every note and every word, just as a fine concert singer would do, and he makes his listeners understand, too. One of the most intriguing concept albums in recent memory, and a joy all the way through. Bob Finley, Palm Springs, CA.
Also a very dissapointed fan.......2003-08-22
I too LOVE Mandy and Stephen Sondheim and own just about everything both has ever made! I also have been to 6 of Mandy's live performances. This was truly a big dissapointment to me. Every concert I have seen Mandy in has been filled with emotion and his personality just grabs hold of you for an evening of wonderful escape-ism. This to me was very un-entertaining and I actually became irritated after awhile of listening to it. It seemed to drone on with out the wonderful feelings and emotions and soaring voice that Mandy typically puts into his music. I gave this as a gift too (since my friend and I had missed Mandy at his Sondheim review in DC last year) and felt badly that I had. There are so many other great recordings of Mandy...Kidults, Saturday in the Park with George, The Secret Garden, Mandy sings Rogers & Hammerstien and Sondheim. This one has just sat on my shelf after I played it through twice hoping to warm up to it...while my other recordings are very worn out with years of playing!
Adequate performance; poor entertainment.......2003-05-04
I received this disc the same day a "Philip Quast Live at the Donmar". The Quast disc has its own flaws (and I dont wish to compare the two performers) but it has been strung together in a more thoughtful manner, with witty imagination and using a more dangerous in the choice of songs, which is really where this disc fails. The songs here are generally enjoyable though rather standard, and the lack of cohesion (running the songs together doesnt count) means I just dip into the discs listening to a few favourites, rather than enjoying the whole show.
a very disappointed fan.......2003-02-05
I have every recording Patinkin appears on, even if he's only on one track; I adore his voice, his flair, his emotion, his ability to deliver a song.
But (much of) this recording is disappointing, mainly because Mr. Patinkin's voice in the lower range sounds muddled and forced, as though he's lost ability to control it (however, the more falsetto sounds are as clear and sharp as ever).
And I don't care for the format of this performance. Live recordings should have live audience reactions: one (often unrelated) song after another without applause had me wondering when--if ever--was the audience was going to be allowed to react.
Also, while I've never had the privilege of attending a Patinkin concert, I imagined that--above all-- he would be passionate. Perhaps he was. But what (mostly) comes across on the CD is a somber--almost technical--performance.
I hope he's healthy, that mixed quality of singing on this recording was just a fluke, and that his next CD will be a Five-star as all his previous ones have been
What a train wreck!.......2003-01-15
Hate to join the chorus of neigh-sayers, but jeeeez! I have to agree that with the exception of a few cuts (such as "Hyphenated Harriet") Mandy is a vocal bull in a china shop -- what he doesn't shatter he ... on. What should have been a tribute (I love Sondheim, but do we need ANOTHER anthology recording of oft sung songs?)is more like a wake. Mandy seems intent on becoming the male Ethel Merman -- if you can't hold the note, belt it out with a misplaced vabrato and maybe no one will notice. I REALLY wanted to like this recording, but is truly horrible. If the pipes are gone, Mandy, I hope you get back to acting.
Average customer rating:
- "The Definitive Recording"
- Sondheim's Greatest
- Not comparable to the broadway recording
- A wonderful CD release
- a beautiful recording
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A Little Night Music (1975 Original London Cast)
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD
Sondheim, Stephen
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ASIN: B000002W7H
Release Date: 1990-10-25 |
Tracks:
- Overture: Night Waltz
- Now/Later/Soon
- The Glamorous Life
- Remember?
- You Must Meet My Wife
- Liaisons
- In Praise Of Women
- Every Day A Little Death
- A Weekend In The Country
- The Sun Won't Set
- It Would Have Been Wonderful
- Perpetual Anticipation
- Send In The Clowns
- The Miller's Son
- Finale: (Reprise Of Send In The Clowns And Night Waltz)
Customer Reviews:
"The Definitive Recording".......2004-04-02
Having finally listened to the Original Broadway Cast Recording of this masterpiece, my verdict's in and clear: the London Cast Recording is the definitive version.
The voices of the London Cast are, to a man (and woman) far superior -- this is most obvious when listening to the Quartet who open the show, and act as the chorus. The American artists, while excellent, simply can't compare to the power, range and tone of the Brits.
The arrangements are gorgeous, the choral work astounding, and the version of "The Miller's Son" found here will floor you. Not only the best recording of this particular show, but possibly the best recording of any Sondheim show available on CD -- Sweeney Todd is the only other contender, for my money.
The Orginal Cast Recording is great for a historical value. The British Cast is what you listen to when you want to hear the best show you'll never have the privilege of seeing. It's ruined me. But I'm not complaining.
Sondheim's Greatest.......2003-07-10
I'm of the mind that A LITTLE NIGHT MUSIC (and SWEENEY TODD) are Sondheim's two greatest works. Why? Because they drip with intelligence and exist entirely within the world of the music. NIGHT MUSIC is propelled by the steady pulse of 3/4, creating the impression that none of the characters would ever come to the realization that they are merely parts being acted and presented on stage--it happens in its own little universe. It's so yummy...
Having said that, I conclude that the perfect cast album could only be completed with the physical presences of Desiree Armfelt and Fredrik Egerman and the rest of the gang. It seems that, when approaching these personalities, actors and actresses treat the music as the music and not as a phase of the dialogue--they don't attack the parts with the brand of boldness and self-importance that each of these characters possesses. The London cast album suffers from such problems. None of the performers have the arrogant voices needed (unfortunately, only a couple have achieved voices somewhat-worthy of the score). Henrik cannot hit the high notes (he goes into falsetto); Charlotte is too shaky to be sufficiently biting; Fredrik seems too feminine; the Count--goofy instead of condescending--seems molded from Sesame Street. The quintet features voices too uneducated and careful. Still, Anne is cutely bubbly (even in voice), Petra is a fine belter, and Hermione Gingold as Mme. Armfelt really makes the listener savor every consonant in her speech. It is an excellent archive of Sondheim's greatest. I would recommend this over the New York cast simply because Jean Simmons creates the closest Desiree I could ever imagine.
Not comparable to the broadway recording.......2002-09-03
The performances are adequate, in some cases skillful, but from the opening note of the show (which the chorus member, in a misguided attempt at humor, aborts in order to insert a racous throat-clearing), this recording lacks the taste and dignity of its Broadway counterpart. I do not recommend this recording.
A wonderful CD release.......2002-02-15
I, ofcourse like so many other reviewers of the same cd, own both the London and original Broadway cast albums, and frankly the London recording does laps around the original. First- I will admit Jean Simmons is not the ideal Desiree, but what she lacks in beauty and glamour makes up for Glyniss Jhon's creaking melodies. There is no song on this recording that is worse then the original, and very few actors ( ofcourse, who could top the original Fredrick, definately including this one). Anne is supurb. Her voice is extremely beautiful, and makes up for the corny fluffieness of the original Anne, and her expression in such songs as " A Weekend In The Country" is simply hillariously funny. This Charlotte is also devistatingly wonderful, with her delicious voice, although you can't realy balance the two Charlottes out (the other from the original), as they play the charector with much difference. This Petra is also stunning, especially in "The Miller's Son," which is recomended in all of these reviews. And what a great operetta Quintet, along with Hermoine gingold's wonderful aged performance. All the male parts are also met to the very top, especially Henrick.
A few of my favorite songs on this album is the wonderfully light and fast paced, elegant little romp of "A Weekend In The Country," and "The Glamorous Life" (which has always been my favorite song from the production, with a much better Fredricka then the origianl).
In conclusion, this recording should certainly be bought by "A Little Night Music" fans, and especially Stephen Sondheim,in the words of another reviewer,who's lyrics are the real star,
a beautiful recording.......2001-12-19
After proving to producers that she could handle performing the role of Desiree on the National Tour, Jean Simmons was asked to come to London to debut with the show at the Adelphi Theatre. Running for a little over 400 performances the show also featured Hermione Gingold reprising her role of Madame Armfeldt.
Ms Simmons is quite affecting as the flighty and insecure Desiree who feels she is ready to pursue romance after years of broken promises and false hopes.
Gingold, now qute comfortable and honed in her role; performs the comical and contemplative "Liasons" wonderfully.
Stephen Sondheim's most complex and multi-faceted score is given a grand treatment here. Almost certainly this is Sondheim's most interesting and most beguiling score which runs the entire gamut of emotions.
A must for all true musical theater fans.
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|
100 World's Best Loved Melodies
Manufacturer: Madacy Records
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- The Most Relaxing Classical Album in the World...Ever!
ASIN: B0009VNBR4
Release Date: 2005-07-05 |
Tracks:
- Blue Danube
- Waltz of Flowers
- Waltz No. 1
- Waltz of the Snowflakes
- Naila Waltz
- Spanish Dance
- I Dream of Jeannie With the Light Brown Hair
- Sugar Plum Fairy
- Dance of the Comedians
- Camptown Races
- Carnival of the Animals Finale
- Dance of the Clown [From "A Midsummer Night's" Dream]
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- Faust Ballet
- Tritsch Tratsch Polka
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- Toreador Song [From "Carmen"]
- Overture from "Carmen"
- Samson & Delilah
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- Scheherazade
- Water Music - The Hornpipe
- Nocturne
- Eine Kleine Nachtmusik
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- Liebestraum
- Adagio from "The New World Symphony"
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Tracks:
- When You Wish Upon a Star
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- Catch a Falling Star
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- Misty
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- Embraceable You
- It Might as Well Be Spring
- On the Street Where You Live
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Tracks:
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- Skater's Waltz
- Roses from the South
- Romance
- Symphony No. 5
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- Moonlight Sonata
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Customer Reviews:
Peculiar Amazon indexing.......2007-06-08
A search for Deep Purple's "Smoke on [in] the water," brought up this title. I rate it only #1 because I could not locate the "Smoke on the Water" listing. Amazon seems to be having an indexing problem.
Average customer rating:
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For You, For Me
Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD
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ASIN: B000B66PNO
Release Date: 2005-10-04 |
Tracks:
- THE BOATMAN'S DANCE (MINSTREL SONG)
- THE DODGER (CAMPAIGN SONG)
- LONG TIME AGO (BALLAD)
- SIMPLE GIFTS (SHAKER SONG)
- I BOUGHT ME A CAT (CHILDREN'S SONG)
- THE LITTLE HORSES (LULLABY)
- ZION'S WALLS (REVITALIST SONG)
- THE GOLDEN WILLOW TREE (ANGLO-AMERICAN BALLAD)
- AT THE RIVER (HYMN TUNE)
- CHING-A-RING-CHAW (MINSTREL SONG)
- SHENANDOAH
- A SIMPLE SONG
- SEENA
- 'BESS, YOU IS MY WOMAN NOW'
- 'FOR YOU, FOR ME, FOR EVERMORE'
- A WOMAN IS A SOMETIME THING FROM PORGY AND BESS
- HOME BLUES
- BIDIN' MY TIME
- ALL THROUGH THE DAY FROM CENTENNIAL SUMMER
- THE WAY YOU LOOK TONIGHT FROM SWING TIME
- ALL THE THINGS YOU ARE
- EVERYBODY SAYS DON'T
- IN PRAISE OF WOMAN
- ALWAYS
Average customer rating:
- JILL EICHENBERRY ASTOUNDS IN THIS VERY MUSICAL BROADWAY DISASTER . . . .
- Melodies for a change - Thank God!
|
Onward Victoria (1981 Original Cast Members)
Book Charlotte Anker & Irene Rosenberg
Manufacturer: Original Cast Record
ProductGroup: Music
Binding: Audio CD
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ASIN: B000004CPM
Release Date: 2003-06-17 |
Tracks:
- Overture
- In New York the Only Sin Is Being Timid - Beth Austin,
- Magnetic Healing - Beth Austin, , Lenny Wolpe
- Taste of Forever
- I Depend on You - Beth Austin,
- Onward Victoria - Beth Austin,
- Changes
- Woman Like Beth - Michael Zaslow
- Unescorted Women - Beth Austin, , Lenny Wolpe
- Love and Joy - Michael Zaslow
- Everyday I Do a Little Something for the Lord
- You Cannot Drown the Dream - Laura Waterbury
- Respectable - Beth Austin
- Another Life
- Read It in the Weekly
- Valentine for Beecher
- Beecher's Defense
- Finale - Beth Austin, , Michael Zaslow
Customer Reviews:
JILL EICHENBERRY ASTOUNDS IN THIS VERY MUSICAL BROADWAY DISASTER . . . . .......2006-12-26
". . . appealing and gutsy . . . " (William Raidy, Newark Star-Ledger) ". . . An engaging musical . . . a musical with a message and a welcome surprise . . . " (Jeffrey Lyons, CBS Radio) ". . . the show casts a pall over the audience." (Frank Rich, New York Times) ". . . a lifeless score and humorless book . . . " (John Kendrick, [...]) "Considered by some to be one of the ten worst Broadway plays. " (Victoria Woodhull website)
After three weeks of previews, ONWARD VICTORIA opened (and closed) at the Martin Beck Theatre on December 14, 1980. Eight months later, members of the original cast gathered at RCA Studios in New York to record the show. I, for one, am extremely grateful that they did and am indebted to Original Cast Records for its remastered 1994 CD release. Usually in agreement with John Kendrick, I do not find the score "lifeless." Rather, I find it refreshing and inventive; an "old-fashioned" Broadway score in the very best sense of the term.
Economic reality has extracted a heavy toll from the Broadway musical, primarily in the number of singers and dancers employed and the size and quality of the orchestra. String sections have been replaced by synthesizers; a crack dance corps and a separate big-voiced chorus have given way to 16 or fewer singer/dancers who do neither as well as they did in the good old days; the overture has all but disappeared; excellence has been replaced by ordinary. Not the case with ONWARD VICTORIA.
Just give a listen to the excellent vocal writing and choral work in the opening number "In New York The Only Sin Is Being Timid" (listed as "The Age of Brass" on opening night), Victoria's campaign song "Onward Victoria" (or, "Victoria's Banner"), "You Cannot Drown the Dream," and the hymn-parody "A Valentine for Beecher;" and the stand-up-and-cheer second act finale. Incidentally, are those Bach-trumpets I hear in "Valentine?" Maybe the book was humorless, but catch the references to incest as per Sophocles in "Something for the Lord," artfully sung by Jim Jansen, and this line - and others - from "Beecher's Defense": "Plymouth Church should be proud to have a preacher so endowed." Not all the lyrics are as inspired as these ("Love and Joy" is a case in point), but even Oscar Hammerstein, II, penned a few clinkers. How about this gem from SOUND OF MUSIC: "You need someone older and wiser telling you what to do-ooh. I am 17 going on 18. I'll take care of you."
The cast is uniformly excellent, but Jill Eikenberry is a revelation! Known primarily as "Ann Kelsey" on TVs "LA Law" (153 episodes, 1986-1994), she reveals herself as a fine singer-actress in the role of Victoria Woodhull, a feminist who, decades before women won the right to vote, was the Equal Rights Party candidate for President, running against incumbent Ulysses S. Grant. In addition to her campaign-style numbers, Ms. Eikenberry gives us two lovely, character-building ballads, "I've Had a Taste of Forever" & "Another Life." Beth Austin, as Woodhull's sister Tennie Clafin, joins Victoria in "Magnetic Healing" & "I Depend on You" and gets her chance to shine in the big, brassy, show-stopping "Respectable." Lenny Wolpe (Feldzieg in THE DROWSY CHAPERONE), as restaurateur Charlie Delmonico, has a great time with "Unescorted Women;" Jim Jansen (Post Office prosecutor Anthony Comstock) gleefully reveals "Every Day I Do a Little Something for the Lord;" Michael Zaslow (Henry Ward Beecher, charismatic preacher of Brooklyn's Plymouth Church) explains away his wife's infidelity with "A Woman Like Beth" and joins Victoria in "Love and Joy," the only number that, in my opinion, doesn't succeed.
A "lifeless score?" I think not. Rather, a delightful score that transcends its appallingly bad book. (See also WHOOP-UP, ANYONE CAN WHISTLE, et. al.) Without a complete rewrite of the book, it's doubtful that ONWARD VICTORIA will ever again find its way onto the stage, so let's be grateful that this fine recording, with members of the original Broadway cast, is here for us to enjoy.
Highly recommended.
Melodies for a change - Thank God!.......2002-12-13
I thoroughly enjoyed ONWARD VICTORIA'S lush score. I am unable, even after 2 weeks, to get Mr. Herrmann's melodies out of my head. It is unfortunate that the theatrical environment of today only encourages the big, garish, pop scores of the talent-less British wave of writers. I hope Mr. Herrmann keeps on doing what he is doing - Thank you Keith Herrmann!
Average customer rating:
- Now
- Heavenly
- Arthur Fiedler and the Boston Pops at its best
- Nice, Nice, Nice!
|
One Hundred Fiedler Favorites
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Pops Roundup
- Fiedler Greatest Hits
- Arthur Fiedler & The Boston Pops Play the Beatles
- Pops Stoppers
- Sixties Classics: The Encore Collection
ASIN: B000003FRA
Release Date: 1994-10-11 |
Tracks:
- Light Cavalry Overture
- Little Fugue In G Minor
- Hora Staccato
- The Love For Three Oranges: March from The Love For Three Oranges
- Tambourin chinois
- Hungarian Rhapsody No. 2
- Peer Gynt Suite No. 1: Morning from Peer Gynt Suite No. 1
- Die Walkure: Ride of the Valkyries
- In the Steppes of Central Asia
- Oberon: Overture
- Rodeo: Hoedown from Rodeo
- Goyescas: Intermezzo from Goyescas
- William Tell: William Tell : Overture
Tracks:
- Poet And Peasant Overture
- The Merry Wives Of Windsor: Overture
- Lohengrin: Prelude To Act III
- Hungarian Dance No. 6
- Peer Gynt Suite No. 2: Solvejg's Song
- Der Freischutz: Overture
- Prince Igor: Polovtsian Dances
- Sleigh Ride
- Mlada: Procession Of The Nobles
- Parade Of The Wooden Soldiers
- Roumanian Rhapsody No. 1
- Gayne: Sabre Dance
Tracks:
- Reverie
- Jewels Of The Madonna: Dance Of The Cammoristi
- Suite No. 3: Air On The G-String
- Cradle Song
- Xerxes: Largo
- Serenade
- Sadko: Song Of India
- Gayne Suite No. 1: Lullaby
- Serenade
- Spring Song
- Serenade
- Cavalleria Rusticana: Intermezzo
- Quintet No. 11: Minuet
- Liebestraum
- None But The Lonely Heart
- Madama Butterfly: Humming Chorus
- Hansel And Gretel: Dream Pantomime
Tracks:
- Tales From The Vienna Woods
- The Skaters' Waltz
- Pizzicato Polka
- Wine, Women And Song
- Thunder And Lightning Polka
- Roses From The South
- The Count Of Luxemburg: Waltzes
- Music Of The Spheres
- Acceleration Waltz
- On The Beautiful Blue Danube
Tracks:
- Aida: Grand March
- Babes In Toyland: March Of TheToys
- Semper Fidelis
- Suite No. 1: Marche Miniature
- Yankee Doodle
- Up The Street
- The Damnation of Faust: Rakoczy March
- March Of The Siamese Children
- Caucasian Sketches: Procession Of The Sardar
- Sambre et Meuse
- The Ruins Of Athens: Turkish March
- Colonel Bogey
- Dixie
- American Salute
- Strike Up The Band
- Athalie: War March Of The Priests
- Karelia: Alla marcia
- Funeral March Of A Marionette
- Pomp And Circumstance March No. 1
- Valdres March
- National Emblem March
- The Stars And Stripes Forever
Tracks:
- Cuban Overture
- Rhapsody In Blue
- El Salon Mexico
- Interplay: Gavotte
- Interplay: Blues
- Slaughter On Tenth Avenue
- The Typewriter
- George M. Cohan Medley: George M. Cohan Medley: Give My Regards To Broadway, Mary's A Grand Old Name, Little Nelly Kelly, You're A Grand Old Flag, You Remind Me Of My Mother, Harrigan, Yankee Doodle Dandy
Tracks:
- In The Mood
- Eleanor Rigby
- Stardust
- The Three-Penny Opera: Mack The Knife
- Love Is Blue
- Smoke Gets In Your Eyes
- Love Me Tender
- The Syncopated Clock
- Laura
- A Man And A Woman
- Moonlight Serenade
- The First Time Ever I Saw Your Face
- The Brave Bulls: La Virgen De La Macarena
- Moon River
- Days Of Wine And Roses
- Mame
- I Left My Heart In San Francisco
- You Are The Sunshine Of My Life
- Jalousie
Amazon.com
Perhaps I should start by admitting a bias: Many years ago, lying on Boston's grassy Esplanade by the Charles River on warm summer nights, I learned what a symphony orchestra should sound like, with Arthur Fiedler conducting the Boston Pops Orchestra. Those concerts were free; these seven compact discs are not--not quite. But for any lover of light classical music, they are certainly one of the best buys available. The orchestra (essentially the Boston Symphony) is one of the world's greatest; the music, from Smoke Gets in Your Eyes to the Goyescas Intermezzo and Ride of the Valkyries is instantly enjoyable and permanently valuable; the conductor is at the same time genial and exacting, convinced that any music you play, no matter how frivolous, deserves the best you can give it. --Joe McLellan
Customer Reviews:
Now.......2006-11-03
Now, if you are a music-lover, and you like The Boston Pops & Arthur Fiedler. You should get it as soon as posible.
I cannot find any reasonable objection to this product.
Heavenly.......2003-02-02
Highly Pleasing. If you're a Fiedler fan this is a must have one. It encompasses his entire wealth of perception, understanding, knowledge, vision and talent. Buy it now.
Arthur Fiedler and the Boston Pops at its best.......2000-06-23
Anyone in Love with the Boston Pops during its great Fiedler years should have this set in their CD collection. Hours and hours of all our favorite Pops tunes. Enjoy!
Nice, Nice, Nice!.......1999-11-18
Definitly one of my favorite classical CD's....has a bit of everything, and it's all extremely well played and recognizable. I never go on car trips without it with me. If you buy only one classic CD (set), THIS IS IT!
Average customer rating:
|
Di Eybike Mame: The Eternal Mother
Manufacturer: Wergo Germany
ProductGroup: Music
Binding: Audio CD
General Modern
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ASIN: B0000ADYCZ
Release Date: 2003-10-14 |
Tracks:
- Lekht Bentshn (Blessing the Candles)
- Gevald, Gevald Police (Help, Help, Police)
- Oylom Habu (The World to Come) [Di Yidishe Neshome (The Jewish Soul)]
- Aria [A Mentsh Zol Men Zayn (Be a DeCent Person)]
- Brivele Der Mamen (A Letter to Mother)
- Gebet Far Der Khupe (Prayer Before the Wedding Ceremony) [Di ...]
- Bas Yerusholayim (The Daughter of Jerusalem)
- Rozhinkes Mit Mandlen [Shulamith]
- Kind un a Heym (A Homeless Child) - Annabelle Hoffman
- Dos Fartribene Taybele (The Exiled Dove) [Ben Ami]
- Ale Vayber Megn Shtimen (All Women Can Vote) - Hochman Orchestra
- Bisl Yoysher (A Bit of Justice) - I.J. Hochman,
- Vu Iz Mayn Yukel? (Where Is My Yukel?) [Di Amerikaner Rebetsin ...]
- Brivel Tsu Mayn Man (A Letter to My Husband) - Nellie Casman
- Tsipke - Molly Picon
- Yankele Karmantshik (Yankele "Little Pickpocket")
- Kiddush (Adeser Khaznte) [Odessa]
- Shabes, Yontef un Roshkhoydesh (Sabbath, Holiday and the New Moon) ... - Nathaniel Shilkret
- Vu Iz Mayn Kind? (Where Is My Child?) [Ir Groyser Sod (Her Great ...)
- Dem Rebns Moyfsim (The Rebbe's Miracles)
- Annie, Ikh Shtarb Avek Nukh Dir (Annie, I'm Dying for You)
- Di Primadonna [The Radio Girl] - Lucy Levin, Alexander Olshanetsky
- Di Eybike Mame
Music:
- Love
- Love Is the Thing [Import] [Original recording remastered]
- Magic - The Very Best of Olivia Newton-John
- Mamma Mia! The Musical Based on the Songs of ABBA (Original 1999 London Cast) [Cast Recording]
- Mary Poppins [Enhanced] [Soundtrack] [Special Edition]
- Monty Python's Spamalot (2005 Original Broadway Cast) [Cast Recording]
- Movin' Out (Based on the Songs and Music of Billy Joel) (2002 Original Broadway Cast) [Live] [Soundtrack]
- Nat King Cole - 40 Greatest Hits [Import]
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Music
Music