The Voice That Is! [Import]

Editorial Reviews
Album Description
Japanese exclusive 24 bit remastered reissue of the late jazz vocalist's 1964 album for Impulse!. Packaged in a limited edition miniature LP sleeve.

The Voice That Is!, Music, Johnny Hartman, Ballads, Bossa Nova, Jazz, Pop, Standards, Traditional Pop, Vocal Jazz
Grease - Deluxe Edition
Average customer rating: 4.5 out of 5 stars
  • You 're The One That I Want
  • Prepare to be transported to Summer Nights
  • Great Soundtrack & Fun Extras from an Enduring Musical.
  • If You Love Grease, You'll Love This - Only 1 Major Flaw
  • Grease CD Reveiw
Grease - Deluxe Edition
Olivia Newton-John , John Travolta , and Stockard Channing
Manufacturer: Polydor / Umgd
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Grease (Rockin' Rydell Edition)
  2. Grease: A New 50's Rock 'N Roll Musical - The Original Broadway Cast Album
  3. Grease - The New Broadway Cast Recording (1994 Revival)
  4. Grease II (1982 Film)
  5. Saturday Night Fever: The Original Movie Sound Track

ASIN: B0000C16OQ
Release Date: 2003-09-23

Tracks:

  1. Grease - Fankie Valli
  2. Summer Nights - Olivia Newton-John
  3. Hopelessly Devoted To You - Olivia Newton-John
  4. You're The One That I Want - Olivia Newton-John
  5. Sandy - John Travolta
  6. Beauty School Drop-Out - Frankie Avalon
  7. Look At Me, I'm Sandra Dee - Stockard Channing
  8. Greased Lightnin' - John Travolta
  9. It's Raining On Prom Night - Cindy Bullens
  10. Alone At The Drive-In Movie (Instrumental) - Jim Jacobs
  11. Blue Moon - Sha-Na-Na
  12. Rock N' Roll Is Here To Stay - Sha-Na-Na
  13. Those Magic Changes - Sha-Na-Na
  14. Hound Dog - Sha-Na-Na
  15. Born To Hand-Jive - Sha-Na-Na
  16. Tears On My Pillow - Sha-Na-Na
  17. Mooning - Cindy Bullens
  18. Freddy, My Love - Cindy Bullens
  19. Rock N' Roll Party Queen - Louis St. Louis
  20. There Are Worse Things I Could - Stockard Channing
  21. Look At Me, I'm Sandra Dee (Reprise) - Olivia Newton-John
  22. We Go Together - Olivia Newton-John
  23. Love Is A Many Splendored Thing (Instrumental) - Sammy Fain
  24. Grease (Reprise) - Frankie Valli

Tracks:

  1. Grease (Instrumental Version) - Gary Brown
  2. Summer Nights (Sing-A-Long Version) - Jim Jacobs
  3. Hopelessly Devoted To You (Sing-A-Long Version) - John Farrar
  4. You're The One That I Want (Sing-A-Long Version) - John Farrar
  5. Sandy (Sing-A-Long Version) - Louis St. Louis
  6. Greased Lightnin' (Single Version) - John Travolta
  7. Rydell Fight Song (Instrumental) - Jim Jacobs
  8. Greased Up And Ready To Go (Instrumental) - Jim Jacobs
  9. Grease Megamix: You're The One That I Want/Greased Lightnin'/Summer Nights - Olivia Newton-John
  10. Grease Dream Mix: Grease/Sandy/Hopelessly Devoted To You - Olivia Newton-John
  11. Summer Nights (Martian Remix) - Olivia Newton-John
  12. You're The One That I Want (Martian Remix) - Olivia Newton-John

Amazon.com

There's no better example of American pop culture's hall-of-mirrors ethos than producer Alan Carr's relentlessly buoyant 1978 film adaptation of the stage musical Grease. Inspired by that decade's rampant 50's nostalgia, it now paradoxically evokes the campy 70's excesses that spawned it. That sense of recycled decades in collision is underscored repeatedly on this deluxe, double-disc Grease-fest, especially on the set's second disc of bonus materials that spans vintage singles of the title track (its instrumental B-side) and "Greased Lightnin'," some sing-along karaoke tracks, and a handful of alternately slick/techo-savvy remixes (originally produced for the film's 20th anniversary) that are testament to its enduring, era-defying appeal. The original soundtrack itself has been treated to a stellar digital remastering that fills disc one, and remains a joyous monument to camp, sheer ambition, and exuberant nostalgic illusions. Includes a slip-cased, double-fold-out case and new booklet with complete song lyrics. --Jerry McCulley

Customer Reviews:

5 out of 5 stars You 're The One That I Want.......2007-04-03


The complete Grease experience. This cd is a two disc-set with disc one being the complete soundtrack, while disc two is all bonus material including the popular Grease Megamix. Fans of the movie would want to make this cd an essential part of their music collection.

5 out of 5 stars Prepare to be transported to Summer Nights.......2006-03-26

Well here we are with a great piece of history.

This album has not only captured the spirit of the movie but the essence of a 1970's version of the 1950's. I have seen this play live and yes some things are different. Yet I grew up on the movie. I even find myself singing some of the songs now and then. Of course you will never see me singing "Look At Me, I'm Sandra Dee." However I do keep this in my car as great driving music. This album is not you can pick apart and say things like missing songs, in the wrong order etc. It sounds and feels just right. There will be many versions yet this one is the Grease - Deluxe Edition [ORIGINAL RECORDING REMASTERED] [SOUNDTRACK] gives you more information about each of the tracks allowing you to feel that you have inside information and to feel that you know more of what went into the making of each song.

5 out of 5 stars Great Soundtrack & Fun Extras from an Enduring Musical........2004-07-06

I'm enjoying listening to this great soundtrack that I loved as a child after a long hiatus. I had it on 8-track 25 years ago. So it's fitting that I should get the 25th Anniversary Edition on CD. The 24 songs from the movie are just as everyone remembers them, so I'll talk about the Bonus Disc, which contains 10 alternative versions of the songs plus 2 previously unreleased instrumentals from the film.

Track 1 on the Bonus Disc is an instrumental version of the film's theme, "Grease", written and produced by Barry Gibb. Frankie Valli's voice has been replaced by a saxophone. The chorus is vocal, but the voices are not those in the original song. You could use this as a sing-along version, as it would be easy to sing over the sax. Tracks 2-5 are officially sing-along versions. "Summer Nights" includes the chorus vocals from the film and sounds good. "You're the One That I Want" has new chorus vocals of questionable merit. "Sandy" is a new arrangement. It's not as good as the film version, but you can sing along. Track 6 is the single version of "Greased Lightning" that you may have heard on the radio back in the day. It's differs from the original in that the bad words have been replaced for radio airplay. Tracks 7-8 are previously unreleased instrumentals from the film. "Greased Up and Ready to Go" is lively. Tracks 9-10 are mixes that I occasionally hear on the radio. The "Grease Megamix" and the "Grease Dream Mix" are fun, if awkward. Tracks 11-12 are Martian Remixes of "Summer Nights" and "You're the One That I Want". They retain the original vocals, but set them to a Latin rhythm. They make pretty good dance tracks.

This 2-disc set isn't in a jewel case. The case is paperboard with 4 panels that fold out. This is inside of a clear vinyl slip case on which the tracks are written. This isn't convenient packaging. On the bright side, the case won't crack in the mail. Tucked inside one of the panels is a booklet that contains lyrics and credits.

The "Grease: 25th Anniversary Deluxe Edition" is a terrifically fun soundtrack to one of the all-time great movie musicals. And for all those preteen girls who go wild over the movie with each new generation, the bonus material is perfect for parties and horsing around.

3 out of 5 stars If You Love Grease, You'll Love This - Only 1 Major Flaw.......2004-05-15

Disc 1 is like the original album, which I also own. 1 major flaw is that "Love Is A Many Splendored Thing" cuts off at the very end of it! I was upset by this, hence the 3 stars instead of 4. Disc 2 is a lot of fun w/some remixes and sing-a-longs, all in all, I'm pretty happy with it being that I'm a HUGE Grease fan. If you like Grease, you'll love this, it's fun. Too bad when they "remastered" it, they didn't catch there 1 mistake. Oh well, at least I have it on another album.

5 out of 5 stars Grease CD Reveiw.......2004-04-26

This Grease CD is the best! I listen to it every week. I just love Your The One That I Want.:) Amazon.com has everything!Olivia Newton-John and the boy singer have the best voices. Now thatnks to Amazon.com I can listen to it! The Grease CD is the best!:)
American Dreamer: Songs of Stephen Foster; Thomas Hampson; Jay Unger; Molly Mason
Average customer rating: 4.5 out of 5 stars
  • It's Dreamy
  • My Favorite Composer of all time
  • An American classic from Hampson that brings smiles and tears
  • OMG!!! More than 10000000000000000000000000000000000000000000000000000000 stars, one of the best album in the world!!!
  • It's simply lovely
American Dreamer: Songs of Stephen Foster; Thomas Hampson; Jay Unger; Molly Mason
Thomas Hampson , Jay Ungar , Molly Mason , Garrison Keillor , David Alpher , Mark Rust , Michael Parloff , Peter Ecklund , John Kirk , Arnold Kinsella , and Stephen Foster
Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD

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  1. Song of Home
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  3. Harvest Home
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ASIN: B000002SK7
Release Date: 1992-10-20

Tracks:

  1. Opening Solo Violin
  2. Jeanie With The Light Brown Hair
  3. Hard Times Come Again No More
  4. The Voice Of Bygone Days
  5. Foster Favorites Medley (Ring, Ring The Banjo (1851) Oh! Susanna (1848) Camptown Races (1850)
  6. Open Thy Lattice, Love (1844)
  7. Beautiful Dreamer (1864)
  8. That's What's The Matter
  9. Old Home Medley (Old Folks at Home (1851) My Old Kentucky Home, Good Night (1853)
  10. Molly! Do You Love Me? (1850)
  11. Sweetly She Sleeps, My Alice Fair (1851)
  12. Comrades, Fill No Glass For Me (1855)
  13. Dancing On The River (Nelly Bly (1850) The Glendy Burk (1860) Angelina Baker (1850)
  14. My Wife Is A Most Knowing Woman (1863)
  15. Gentle Annie (1856)
  16. Linger In Blissful Repose (1858)
  17. Ah! May The Red Rose Live Alway (1850)

Customer Reviews:

5 out of 5 stars It's Dreamy.......2007-01-10

This is a very wonderful recording of Stephen Foster by a master singer.
Foster's songs are of a more innocent and naive time in the American psyche, a time that it would not hurt us to remember, given the wretched brutality of American culture today (something you'll appreciate after listening to this recording).

The songs are beautifully sung by Mr. Hamspon, and the musical accompaniment with piano, mandolin, tuba, banjo, etc. seems a perfect setting for this period music. I enjoyed the musical interludes of Foster songs (not sung by Mr. Hampson), such as "Oh, Suzanna", "My Old Kentucky Home", and "Camptown Races." They are foot-stompin' and finger-snappin' good in a non-syncopated way.

Mr. Hampson's voice is so beautiful, and he has done such a wonderful job with these song's you'll just have to hear it, and when you do, tell me that you're not dreaming.

I remember reading a quote by John Phillip Sousa that decried the use of syncopation in American popular music. I never understood it until listening to this recording. The richness and intensity of American popular music (as experienced in the work of Stephen Foster) has been lost.
Everything has to be so cool today, thanks to syncopation, and "cool" really means no emotion.

If emotion is what you want, emotion is what you'll get with Stephen Foster's songs. It was a time when the death of loved ones (especially those who died in their youth) was experienced more often (see "I Dream of Jeannie with the Light Brown Hair" and "Gentle Annie"). And we were not protected from the vicissitudes of fate by myriad government programs, modern medicine and universal prosperity (see "Hard Times").
Husbands and wives had their differences then, as today, (see the amusing song "My Wife is a Most Knowin' Woman") The passion of the Civil War (Foster was a Unionist),is reflected in a wonderful, fun song, "That's What's the Matter."

If you love good music, and you have heart which can be stirred, and you love your country, this is for you.

I love this recording. It has opened up the door to my "beautiful dreams," dreams of bygone days, lost love, and whatever else we pine for.

I wanted to buy several copies for my friends, but somehow I felt that the impact of this recording was so personal, that it could not be shared with others. Not that they couldn't enjoy it, but that I could not begin to share the intense emotion and reverie stirred in my heart by these beautiful songs.

5 out of 5 stars My Favorite Composer of all time.......2006-08-20

Growing up playing his stuff on piano, I love the instrumentality of this CD..the violins give off that wail that he speaks of..I am not sure what it is about Stephen Foster but these verses..grab me like no other..there is so much sensitivity to it..

I dream of Jeannie with the light brown hair
Born like a vapor on the summer air
I see her tripping where the bright streams play
Happy as the daisies that dance on her way
Many were the wild notes her merry voice would pour

but the violins in this CD make this CD the best out there..
FYI should you be into astrology Stephen Foster is definition of Cancer...Sun and Moon conjunct in Cancer with mars in Scorpio..i love his lyrics..almost to the point of obsession..

5 out of 5 stars An American classic from Hampson that brings smiles and tears.......2006-07-17

Stephen Foster was the greatest American composer of sentimental parlor ballads--he so perfectly imitated folk songs that his music wound up turning into them. In an age of home music-making and later of families sitting around the radio, Foster's songs were a staple, often performed by crossover artists from opera like Lawrence Tibbett. Those were plump, ripe styles of singing, highly flavored by church hymns.

In this 1992 collection of 17 Foster favorites, plus a few rareties, Hampson drops the platform manner and goes straight for heartfelt sincerity. His tone is plain yet sweet, his expression intimate. He is accompanied by instruments redolent of the Victorian drawing room (guitar, fiddle, upright piano), and the mood they create brings tears and smiles of remembrance. This music is embedded in America's genes, and it's wonderful to realize that every note is still alive and throbbing with feeling.

5 out of 5 stars OMG!!! More than 10000000000000000000000000000000000000000000000000000000 stars, one of the best album in the world!!!.......2005-11-25

Simply one word, WOW!!!
Thomas Hampson's voice is simply fantasic. His voice is very different from regular operatic baritone voice, very sweet, and rich. I really cant believe an operatic baritone can sing folk song like THIS good, in my opinion he sounds even better than his opera works in this album. His voice and the background music matches perfectly, the outcome would move u to tears, and u can feel the origin of MUSIC. This album really shows what the word MUSIC means, and the songs simply just ALL beautiful. I like his "beautiful dreamer", "my life is well knowing woman", and "jeanie with the light brown hair" the most. When I listen the songs I would just imagine that I am in the world of past USA, and I can feel the life of the ppl in the past USA~ just like watching an old classic movie, it would touch ur heart and fall in love with this album.

5 out of 5 stars It's simply lovely.......2004-12-14

I didn't know Stephen Foster (I thought): wrong: Oh Susanna, etc, I knew, but had no idea who the composer was.

This CD is a revelation. The melodies are so beautiful, as are the poems, and Thomas Hampson just brings them to life as wonderfully as ever. I especially love "Beautiful Dreamer" - it gives me butterflies - and "My wife is a most knowing woman" - the way he makes the voices and the indignation is just brilliant. If one needed reminding what a brilliant singer Mr Hampson is - this disk does it.
With a Song In My Heart (from the 1952 film)/  Pal Joey  (with 1952 cast members)
Average customer rating: 4.5 out of 5 stars
  • with a song in my heart/pal joey sound tracks
  • With A Song In My Heart CD
  • A Jane Froman double feature.
  • "Pal Joey's" Pal
  • another great twofer from DRG
With a Song In My Heart (from the 1952 film)/ Pal Joey (with 1952 cast members)

Manufacturer: Drg
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Jane Froman: With A Song In My Heart / Yours Alone - Original Recordings 1930-1952
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ASIN: B0000AGWH6
Release Date: 2003-08-26

Tracks:

  1. Opening
  2. It's A Good Day
  3. Tea For Two
  4. Blue Moon
  5. That Old Feeling
  6. Embraceable You
  7. Get Happy
  8. I'll Walk Alone
  9. They're Either Too Young Or Too Old
  10. I'm Thru With Love
  11. An American Medley
  12. WIth A Song In My Heart
  13. Overture
  14. You Mustn't Kick It Around
  15. I Could Write A Book
  16. Chicago
  17. That Terrific Rainbow
  18. What Is A Man?
  19. Happy Hunting Horn
  20. Bewitched
  21. Pal Joey
  22. The Flower Garden Of My Heart
  23. Zip
  24. Plan You Now, Dig You Later
  25. In Our Little Den
  26. Do It The Hard Way
  27. Take Him
  28. Bewitched (Reprise)
  29. Finale

Album Description

First time collection on CD! This Jane Froman package features the 1952 Broadway Revival of "Pal Joey" (where Jane provided the lead vocals for Vivienne Segal) along with the original soundtrack to "With Song in My Heart" - the 1952 film starring Susan Hayward in the life story of Jane Forman (Jane provided vocals for the film). The classic Rodgers & Hart "Pal Joey" album also features a standout performance from a young Elaine Stritch singing her showstopper "Zip." Digitally Remastered.

Customer Reviews:

5 out of 5 stars with a song in my heart/pal joey sound tracks.......2007-03-31

I actually was so pleased to see a CD available because I have been longing for the movie "with a song in my heart" to become available on VHS and then on DVD, and it never has, so now at least I can enjoy the songs from the movie. The cast track from Pal Joey was just an added bonus.

5 out of 5 stars With A Song In My Heart CD.......2007-03-19

I saw the film, "With A Song In My Heart" when I was twelve or thirteen years old and have wanted the sound track for many years. As an impressionable teenager in the 1950s, I have collected over time many of the films from that time on VHS or DVD, to satisfy my memories of the period. I regret that this particular film is not available on VHS or DVD, but, this CD is the next best choice. It is really enjoyable to hear the richness and depth of the voice of Jane Froman, who was one of the best singers of the time. I can still recall many scenes from the film and this CD revives the memories so well.

4 out of 5 stars A Jane Froman double feature........2006-09-16

This DRG CD pairs two recordings starring Jane Froman.

WITH A SONG IN MY HEART

Susan Hayward played Jane Froman in the film but Froman herself dubbed the vocals. This album of songs was originally issued as a 10" Lp. None of the tracks are taken from the film: They are all studio re-recordings. Later, Capitol re-released it as a 12" LP with two extra songs added. It is that expanded [program included here. Froman is in great voice, though the orchestrations are overly lush and string heavy. Still, the songs include such standards as "It's a Good Day", "Get Happy", and "Embraceable You" making for an enjoyable mini-concert.

PAL JOEY

Capitol's cast album of the 1952 revival has long been a collector's item. The original Lp was deleted in 1960 and did not resurface until Broadway Angel released it on CD (briefly) in 1993. As the stars of the revival Harold Lang and Vivienne Segal had already made a studio cast album for Columbia - an album that helped inspire the revival - they were unable to re-record their songs for Capitol, and the label turned to Jane Froman and Dick beavers to fill in. The revised orchestrations sound dated now, but here is a chance to hear Elaine Stritch singing "Zip" and to enjoy the lusty voice of Helen Gallagher early in her career.

In the end it's the WITH A SONG IN MY HEART selections (making their debut on CD here) that make this CD worthwhile. For PAL JOEY the studio recording (available from SONY) is preferable, however if one is so inclined you can assemble your own cast album of the '52 revival by combining tracks from both releases.

4 out of 5 stars "Pal Joey's" Pal.......2006-07-30

While the legubrious and over-orchestrated songs from the film "With a Song in My Heart" are typical of their era (and Jane Froman's stilted renditions are what once stood for emoting) the "Pal Joey" cast recording is an absolute delight. The orchestrations are bouncy and jazzy in a way that has long been forgotten, and the performances (except for the aforementioned Ms. Froman, whose Vulgnarian renditions are at times quite disconcerting, and who hits the sonic notes like lazer beems but misses the emotional ones by a country mile) are exceptional. Helen Gallagher deserved her Tony from the evidence of this recording, with Elaine Stritch not far behind her. But the overall impact surpasses any recording of "Joey" including the historic one that lead to this revival. There's energy, intensity and a whole lot of fantastic song writing (leave it to to Rogers and Hart) to satisfy any musical theater fan. A must have for anyone who loves "Old Broadway."

4 out of 5 stars another great twofer from DRG.......2004-01-21

Jane Froman was one of the top vocalists of her era. Froman's greatness is celebrated in this new 2-on-1 album, which comprises the film soundtrack of WITH A SONG IN MY HEART as well as the 1952 Broadway revival cast album of PAL JOEY.

WITH A SONG IN MY HEART was the life story of Jane Froman, with the lovely Susan Hayward in the lead role. Froman herself supplied the singing for the film. Numbers include "It's a Good Day", the bittersweet and humorous "They're Either Too Young or Too Old", "Blue Moon", "Get Happy", "Tea for Two" and "I'm Thru with Love".

The 1952 Broadway revival of PAL JOEY was the result of the huge success of a studio album released by Columbia the year before (which featured Vivienne Segal reprising her original role of Vera and Harold Lang as Joey). Segal and Lang headlined the new revival with Helen Gallagher (SWEET CHARITY, HAZEL FLAGG) as Gladys Bumps and Elaine Stritch (ON YOUR TOES, GOLDILOCKS) as reporter Melba Snyder.

Having already recorded their roles for the Columbia album, Segal and Lang saw little need in re-recording them for the revival album on the Capitol label. Instead, the roles of Vera and Joey were covered by Jane Froman and Dick Beavers.

The cast album suffers on many levels. First, the absence of Segal and Lang is quite distracting, and secondly the new Overture can't even compare with the scintillanting original.

The Columbia studio album is the version to buy in addition to this, though both albums have their strong and weak points. As per usual, Elaine Stritch brings her impressive and formidable comic timing to the fore in the show-stopping "Zip", and Helen Gallagher's silvery voice is perfect for "That Terrific Rainbow".

A fine addition to your collection. [DRG 19054]
Instruments of the Orchestra
Average customer rating: 4.5 out of 5 stars
  • Instruments of the Orchestra - Great Reference Material!
  • Beginner or Expert
  • Very Informative and Enjoyable
  • Frank's view
  • Excellent Intro for Those Not Familiar with the Orchestra
Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
All That Jazz (1979 Film)
Average customer rating: 4.5 out of 5 stars
  • Life and Death On The Great White Way
  • Fantastic!
  • Well executed, entertaining, musical
  • Eclectic Mix
  • "Bye, bye love"....
All That Jazz (1979 Film)
Ralph Burns
Manufacturer: Polygram Int'l
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Jazz | Styles | Music
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Similar Items:
  1. Cabaret
  2. A Chorus Line
  3. Fosse
  4. Fame
  5. Chicago (Widescreen Edition)

ASIN: B000008115
Release Date: 2000-04-25

Tracks:

  1. Main Title (Instrumental) - Ralph Burns
  2. On Broadway - George Benson
  3. Michelle (Instrumental) - Ralph Burns
  4. Take Off With Us - Sandahl Bergman & Chorus
  5. Vivaldi Concert In G (Instrumental) - Ralph Burns
  6. Ponte Vecchio (Instrumental) - Ralph Burns
  7. Everything Old Is New Again - Peter Allen
  8. South Mt Sinai Parade (Instrumental) - Ralph Burns
  9. After You've Gone - Leland Palmer
  10. There'll Be Some Changes Made - Ann Reinking
  11. Who's Sorry Now - Chorus
  12. Some Of These Days - Erzsebet Foldi
  13. Going Home Now (Instrumental) - Ralph Burns
  14. Bye Bye Love - Ben Vereen & Roy Scheider

Album Description

1995 reissue of the soundtrack to director Bob Fosse's acclaimed 1979 musical co-starring Roy Scheider and Jessica Lange. Ralph Burns arranged & conducted all 14 tracks, whichinclude performances by George Benson, Sandahl Bergman and Ben Vereen with Scheider. A Spectrum/ Karussell release.

Album Details

Accompanying Music to the Critically Acclaimed, Oscar Winning (For Best Art Direction, Best Score and Best Costume Design) 1979 Musical which features Musical Performances by Roy Scheider and Ben Vereen and also Stars Jessica Lange and Johnathan Lithgow. Includes the George Benson Standard "On Broadway", plus a Piece of Vivaldi's "Concert in G" and More.

Customer Reviews:

5 out of 5 stars Life and Death On The Great White Way.......2007-06-24

Bob Fosse's 1979 ALL THAT JAZZ is perhaps most famous for the extreme reaction it provokes: you either love it or you hate it. There is no middle ground.

Joe Gideon (Roy Scheider) is a celebrated stage and film director famous for creating dance numbers with a super sexy style--and truly chaotic professional and personal life. Even as he edits a film he has recently directed, he begins rehearsals for a new Broadway show. Even as he duels with his acidic show-biz ex-wife over the needs of their daughter, he cheats on his girl friend with any lovely chorus girl who wants to fall across his bed. He goes from crisis to crisis in a round of late nights fueled by nicotine, caffine, alcohol, and drugs--and he loves every ego-gratifying moment of it. What he does not love is the heart attack he has in the middle of it all.

What divides viewers is not so much the plot as the overall style of the film. Like Joe Gideon, Bob Fosse (1927-1987) was most famous for his musicals, which were often akin to beautiful but distinctly dark hallucinations of super-stylized motion showing lots of skin. With ALL THAT JAZZ, Fosse takes his unique, highly surrealistic musical style and combines it with the similarly surrealistic approach of such master directors as Fellini. The result is a film that shifts between past, present, and future with glittering musical numbers that leap from the mind of Gideon himself to make wry comment on his egocentric madness--and in which beautiful show girls become the personification of death.

As Joe Gideon, Roy Scheider (perhaps best known for his tough-cop role in THE FRENCH CONNECTION) truly gives the performance of his career; he is amazing in the role of the driven, egocentric director/choreographer who will stop at nothing to pursue his desires, professional or otherwise. The film also gives us two performers who rarely appear on screen: Leland Palmer as Gideon's ex-wife Audrey Paris (a role based on Gwen Verdon) and Ann Rhineking as Gideon's long-suffering dancer-girlfried Kate Jagger (a role, ironically, based on herself.) Both prove extremely memorable--as does Ben Vereen, a performer I do not usually like, appearing here in as the emcee of Gideon's final and most memorable hallucination.

The cinematography by Giuseppe Rotunno is sharp, clean, disquieting, and manages to convey the New York of the late 1970s in remarkable detail; the editing by Alan Heim (who also worked on such memorable films as NETWORK and STAR 80) is also memorable. Indeed, be it lighting, costumes, casting, or overall art design it is virtually impossible to fault the film at any level. Even so--ALL THAT JAZZ remains as likely to divide viewers today as it did in 1979. Movie musicals have changed a great deal over the past decade or so, but ALL THAT JAZZ remains a unique offering. You either get it or you don't; you either like it or you hate it.

There are at least two DVDs on the market. One is a no-frills edition with a good transfer; the other offers several bells and whistles that fans of the film will enjoy. Recommended in either version.

GFT, Amazon Reviewer

5 out of 5 stars Fantastic!.......2007-06-18

A Fosse lovers must see. I was up for the main group of dancers for this movie oh so many years ago. I remember what I wore to the audition. We all showed up at the St. James theatre in NYC even though there was no audition notice in the trades and no announcement. I remember Fosse coming on the stage and laughing saying "how the hell did you all know about this...?" Well, word of mouth among the gypsies, that's how! He had already chosen his dancers but he liked to see what was around just in case. I was always called back and got to the last call back. Too bad right! Well the rest is history...get this dvd, it is a piece of history and a kind of dance, director, choreographer and discipline that no longer exists. SO sad!

4 out of 5 stars Well executed, entertaining, musical.......2007-03-25

The film is appearantly a loose auto-biographical account of the film's director Bob Fosse (Cabaret, Chicago, Star 80). A scrutinizing look at obsession leading to self destruction and finally the transference of pain to others. The film has too many technical high points to mention. Choreography goes without mention and has been mimicked by modern artists, sometimes blatantly. The screenplay is complex enough to be interesting but remains in the realm of 'easily digestible.'

5 out of 5 stars Eclectic Mix.......2007-02-24

Since I adore the movie, I can't help but love the soundtrack to All That Jazz. I'm not sure this CD would move every listener as it does me, but I see every scene as I listen and can't help but dance along now and then. Like the movie, this soundtrack is bittersweet and very raw in some places, cheeky and sentimental in others. For a Fosse junkie like me, it's a must have.

5 out of 5 stars "Bye, bye love"...........2007-02-09

Loved the DVD and this CD is just as entertaining. George Benson oozes showmanship so much so that it comes across just listening. "On Broadway and Bye bye love" are the stand out's.
Dowland - The Collected Works / The Consort of Musicke, Rooley
Average customer rating: 5 out of 5 stars
  • A musical treasure-box
  • a beautiful journey into melancholy
Dowland - The Collected Works / The Consort of Musicke, Rooley
John Dowland , Anthony Rooley , Emma Kirkby , Christopher Wilson , The Consort of Musicke , Colin Tilney , Anthony Bailes , Jakob Lindberg , Nigel North , Glenda Simpson , Peter Holman , and John Donne
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Dowland: Complete Lute Works, Vol.1-5
  2. William Byrd: Consort Songs
  3. Bach: The Landowska Recordings
  4. Britten Conducts Britten
  5. Janácek: Operas

ASIN: B000004CYV
Release Date: 2007-03-13

Tracks:

  1. First Booke Of Songes: I. Unquiet Thoughts
  2. First Booke Of Songes: II. Who Ever Thinks Or Hopes Of Love
  3. First Booke Of Songes: III. My Thoughts Are Wing'd With Hopes
  4. First Booke Of Songes: IV. If My Complaints Could Passions Move
  5. First Booke Of Songes: V. Can She Excuse My Wrongs
  6. First Booke Of Songes: VI. Now, O Now, I Needs Must Part
  7. First Booke Of Songes: VII. Dear, If You Change
  8. First Booke Of Songes: VIII. Burst Fourth My Tears
  9. First Booke Of Songes: IX. Go Crystal Tears
  10. First Booke Of Songes: X. Think'st Thou Then By Thy Feigning
  11. First Booke Of Songes: XI. Come Away, Come Sweet Love
  12. First Booke Of Songes: XII. Rest Awhile, You Cruel Cares
  13. First Booke Of Songes: XIII. Sleep, Wayward Thoughts
  14. First Booke Of Songes: XIV. All Ye, Whom Love Or Fortune Hath Betray'd
  15. First Booke Of Songes: XV. Wilt Thou Unkind Thus Reave Me
  16. First Booke Of Songes: XVI. Would My Conceit
  17. First Booke Of Songes: XVII. Come Again: Sweet Love Doth Now Invite
  18. First Booke Of Songes: XVIII. His Golden Locks
  19. First Booke Of Songes: XIX. Awake, Sweet Love
  20. First Booke Of Songes: XX. Come, Heavy Sleep
  21. First Booke Of Songes: XXI. Away With These Self-Loving Lads

Tracks:

  1. Second Booke Of Songs: I. I Saw My Lady Weep
  2. Second Booke Of Songs: II. Flow My Tears
  3. Second Booke Of Songs: III. Sorrow, Stay
  4. Second Booke Of Songs: IV. Die Not Before Thy Day
  5. Second Booke Of Songs: V. Mourn, Mourn, Day Is With Darkness Fled
  6. Second Booke Of Songs: VI. Time's Eldest Son
  7. Second Booke Of Songs: VII. Then Sit Thee Down
  8. Second Booke Of Songs: VIII. When Others Sing Venite
  9. Second Booke Of Songs: IX. Praise Blindness Eyes
  10. Second Booke Of Songs: X. O Sweet Woods
  11. Second Booke Of Songs: XI. If Floods Of Tears
  12. Second Booke Of Songs: XII. Fine Knacks For Ladies
  13. Second Booke Of Songs: XIII. Now Cease My Wand'ring Eyes
  14. Second Booke Of Songs: XIV. Come Ye Heavy States Of Night
  15. Second Booke Of Songs: XV. White As Lilies Was Her Face
  16. Second Booke Of Songs: XVI. Woeful Heart
  17. Second Booke Of Songs: XVII. A Shepherd In A Shade
  18. Second Booke Of Songs: XVIII. Faction That Ever Dwells
  19. Second Booke Of Songs: XIX. Shall I Sue
  20. Second Booke Of Songs: XX. Toss Not My Soul
  21. Second Booke Of Songs: XXI. Clear Or Cloudy
  22. Second Booke Of Songs: XXII. Humour Say What Mak'st Thou Here

Tracks:

  1. Third Booke Of Songs 1603: I. Farewell, Too Fair
  2. Third Booke Of Songs 1603: II. Time Stands Still
  3. Third Booke Of Songs 1603: III. Behold A Wonder Here
  4. Third Booke Of Songs 1603: IV. Daphne Was Not So Chaste
  5. Third Booke Of Songs 1603: V. Me, Me, And None But Me
  6. Third Booke Of Songs 1603: VI. When Phoebus First Did Daphne Love
  7. Third Booke Of Songs 1603: VII. Say, Love, If Ever Thou Didst Find
  8. Third Booke Of Songs 1603: VIII. Flow Not So Fast, Ye Fountains
  9. Third Booke Of Songs 1603: IX. What If I Never Speed?
  10. Third Booke Of Songs 1603: X. Love Stood Amazed
  11. Third Booke Of Songs 1603: XI. Lend Your Ears To My Sorrow
  12. Third Booke Of Songs 1603: XII. By A Fountain Where I Lay
  13. Third Booke Of Songs 1603: XIII. O What Hath Overwrought
  14. Third Booke Of Songs 1603: XIV. Farewell, Unkind
  15. Third Booke Of Songs 1603: XV. Weep You No More, Sad Fountains
  16. Third Booke Of Songs 1603: XVI. Fie On This Feigning!
  17. Third Booke Of Songs 1603: XVII. I Must Complain
  18. Third Booke Of Songs 1603: XVIII. It Was A Time When Silly Bees
  19. Third Booke Of Songs 1603: XIX. The Lowest Trees Have Tops
  20. Third Booke Of Songs 1603: XX. What Poor Astronomers Are They
  21. Third Booke Of Songs 1603: XXI. Come When I Call

Tracks:

  1. A Pilgrimes Solace: I. Disdain Me Still
  2. A Pilgrimes Solace: II. Sweet Stay Awhile
  3. A Pilgrimes Solace: III. To Ask For All Thy Love
  4. A Pilgrimes Solace: IV. Love, Those Beams That Breed
  5. A Pilgrimes Solace: V. Shall I Strive Wih Words To Move?
  6. A Pilgrimes Solace: VI. Were Every Thought An Eye
  7. A Pilgrimes Solace: VII. Stay, Time, Awhile Thy Flying
  8. A Pilgrimes Solace: VIII. Tell Me, True Love
  9. A Pilgrimes Solace: IX. Go Nightly Cares
  10. A Pilgrimes Solace: X. From Silent Night
  11. A Pilgrimes Solace: XI. Lasso vita mia
  12. A Pilgrimes Solace: XII. In This Trembling Shadow Cast
  13. A Pilgrimes Solace: XIII. If That A Sinner's Sights
  14. A Pilgrimes Solace: XIV. Thou Mighty God
  15. A Pilgrimes Solace: XV. When David's Life
  16. A Pilgrimes Solace: XVI. When The Poor Cripple

Tracks:

  1. A Pilgrimes Solace: XVII. Where Sin Sore Wounding
  2. A Pilgrimes Solace: XVIII. My Heart And Tongue Were Twins
  3. A Pilgrimes Solace: XIX. Up Merry Mates
  4. A Pilgrimes Solace: XX. Welcome Black Night
  5. A Pilgrimes Solace: XXI. Cease, Cease These False Sports
  6. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Lachrimae Pavane
  7. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can Shee
  8. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana
  9. Keyboard Transcriptions Of Dowland's Music By Other Musicians: The Frogge
  10. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Frog's Galliard
  11. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavana And Galiarda
  12. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana Lachrymae
  13. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can She Excuse
  14. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavion Solus cum sola
  15. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Dowland's Almayne
  16. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Piper's Paven And Galliard
  17. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavan Lachrymae

Tracks:

  1. Mr. Henry Noell Lamentations: I. The Lamentation Of A Sinner
  2. Mr. Henry Noell Lamentations: II. Domine ne in furore
  3. Mr. Henry Noell Lamentations: III. Miserere mei Deus
  4. Mr. Henry Noell Lamentations: IV. The Humble Suit Of A Sinner
  5. Mr. Henry Noell Lamentations: V. The Humble Complaint Of A Sinner
  6. Mr. Henry Noell Lamentations: VI. De profundis
  7. Mr. Henry Noell Lamentations: VII. Domine exaudi
  8. Lachrimae: Lachrimae Antiquae
  9. Lachrimae: Lachrimae Antiquae Novae
  10. Lachrimae: Lachrimae Gementes
  11. Lachrimae: Lachrimae Tristes
  12. Lachrimae: Lachrimae Coactae
  13. Lachrimae: Lachrimae Amantis
  14. Lachrimae: Lachrimae Verae
  15. Lachrimae: Mr. John Langton's Pavan
  16. Lachrimae: Mr. Nicholas Gryffith His Galiard
  17. Lachrimae: Sir John Souch His Galiard
  18. Lachrimae: Semper Dowland Semper Dolens
  19. Lachrimae: Mr. Giles Hobies Galiard
  20. Lachrimae: The King Of Denmark's Galiard
  21. Lachrimae: Sir Henry Umpton's Funerall
  22. Lachrimae: Mr. Henry Noell His Galiard
  23. Lachrimae: The Earl Of Essex Galiard
  24. Lachrimae: Mr. Bucton His Galiard
  25. Lachrimae: Mr. George Whitehead His Almand
  26. Lachrimae: Captain Digorie Piper His Galiard
  27. Lachrimae: Mr. Thomas Collier His Galiard
  28. Lachrimae: Mrs. Nichols Almand

Tracks:

  1. Sacred Songs: Sorrow, Come!
  2. Sacred Songs: I Shame At Mine Unworthiness
  3. Sacred Songs: An Heart That's Broken And Contrite
  4. Psalms: Psalm 100: All People That On Earth Do Dwell
  5. Psalms: Psalm 38: Put Me Not To Rebuke O Lord
  6. Psalms: Psalm 130: Lord To Thee I Make My Moan
  7. Psalms: Psalm 104: My Soul Praise The Lord
  8. Psalms: Psalm 100: All People That On Earth Do Dwell
  9. Psalms: Psalm 134: Behold And Have Regard
  10. A Prayer For The Queen's Most Excellent Majesty
  11. Instrumental Music: Solus cum sola pavan
  12. Instrumental Music: Lachrimae
  13. Instrumental Music: Galliard
  14. Instrumental Music: Pipers Pavan
  15. Instrumental Music: Lachrimae
  16. Instrumental Music: Lady Rich Galliard
  17. Instrumental Music: Earl Of Essex Galliard
  18. Instrumental Music: If My Complaints
  19. Instrumental Music: Lachrimae Doolande
  20. Instrumental Music: Lord Willoughbie's Welcome Home
  21. Instrumental Music: My Lord Chamberlaine His Galliard
  22. Instrumental Music: Comagain
  23. Instrumental Music: Pavan Lachrymae
  24. Instrumental Music: Sorrow Stay

Tracks:

  1. Lute Music: Preludium
  2. Lute Music: Lachrimae
  3. Lute Music: Can She Excuse
  4. Lute Music: Dr. Case's Pavan
  5. Lute Music: Melancholy Galliard
  6. Lute Music: Sir John Smith, His Almain
  7. Lute Music: Fantasia
  8. Lute Music: A Dream
  9. Lute Music: Almain
  10. Lute Music: The Queen's Galliard
  11. Lute Music: Coranto
  12. Lute Music: Resolution
  13. Lute Music: Mrs. Vaux Galliard
  14. Lute Music: Almain
  15. Lute Music: Mr. Dowland's MIdnight
  16. Lute Music: Fantasia
  17. Lute Music: Loth To Depart
  18. Lute Music: The Most Sacred Queen Elizabeth, Her Galliard
  19. Lute Music: The Earl Of Essex, His Galliard
  20. Lute Music: Pavan
  21. Lute Music: John Dowland's Galliard
  22. Lute Music: Aloe
  23. Lute Music: The Lady Clifton's Spirit
  24. Lute Music: What If A Day
  25. Lute Music: Mr. Giles Hobie's Galliard
  26. Lute Music: Come Away (Song arrangement)
  27. Lute Music: Galliard
  28. Lute Music: Fancy (Fantasia)

Tracks:

  1. Lute Music: Lachrimae (Basic Version)
  2. Lute Music: Galliard To Lachrimae
  3. Lute Music: [Jig]
  4. Lute Music: Galliard On 'Wasingham'
  5. Lute Music: Complaint (Ballad Setting)
  6. Lute Music: Mignarda (Galliard)
  7. Lute Music: Semper Dowland Semper Dolens (Pavan)
  8. Lute Music: The Frog Galliard
  9. Lute Music: A Fancy (Fantasia)
  10. Lute Music: Fancy (Fantasia)
  11. Lute Music: Piper's Pavan
  12. Lute Music: Captain Digorie Piper's Galliard
  13. Lute Music: Lady Laiton's Almain
  14. Lute Music: Dowland's Galliard
  15. Lute Music: Dowland's First Galliard
  16. Lute Music: Tarleton's Jig
  17. Lute Music: Walsingham (ballad Setting)
  18. Lute Music: Lord Willoughbie's Welcome Home (Ballad Setting)
  19. Lute Music: Sir Henry Guilforde, His Almain
  20. Lute Music: Pavan (Related To 'Lachrimae')
  21. Lute Music: Mr. Langton's Galliard
  22. Lute Music: Mrs. Clifton's Almain
  23. Lute Music: Galliard
  24. Lute Music: Lady Hunsdon's Puffe (Almain)
  25. Lute Music: Galliard
  26. Lute Music: Go From My Window (Ballad Setting)
  27. Lute Music: Fancy (Fantasia)

Tracks:

  1. Lute Music: Pavana Johan Douland
  2. Lute Music: Mrs. Brigide Fleetwood's Pavan (Solus sine sola)
  3. Lute Music: La mia Barbara
  4. Lute Music: Sir Henry Umpton's Funeral (Pavan)
  5. Lute Music: Lachrimae
  6. Lute Music: Farewell Fancy (Chromatic Fantasia)
  7. Lute Music: Farewell (On The 'In Nomine' Theme)
  8. Lute Music: The King of Denmark's Galliard
  9. Lute Music: Mrs. Vaux's Jig
  10. Lute Music: Mrs. Nichol's Almain
  11. Lute Music: Galliard
  12. Lute Music: Lord Strang's March
  13. Lute Music: Mrs. Winter's Jump
  14. Lute Music: Can She Excuse (Galliard)
  15. Lute Music: The Shoemaker's Wife, A Toy
  16. Lute Music: Mrs. Norrish's Delight
  17. Lute Music: Galliard
  18. Lute Music: Mrs. White's Thing (Almain)
  19. Lute Music: Mrs. White's Nothing
  20. Lute Music: The Frog Galliard
  21. Lute Music: Solus cum sola
  22. Lute Music: The Lord Viscount Lisle, His Galliard
  23. Lute Music: Orlando Sleepeth (Ballad Setting)
  24. Lute Music: Robin (Ballad Setting)
  25. Lute Music: Galliard (On A Galliard By Daniel Bacheler)
  26. Lute Music: Forlorn Hope Fancy (Chromatic Fantasia)

Tracks:

  1. Lute Music: The Lady Russell's Pavan
  2. Lute Music: Fancy (Fantasia)
  3. Lute Music: Sir John Langton's Pavan
  4. Lute Music: Earl Of Derby, His Galliard
  5. Lute Music: A Coy Toy
  6. Lute Music: Fortune My Foe
  7. Lute Music: [Almain]
  8. Lute Music: Mr. Knight's Galliard
  9. Lute Music: Sir John Souch His Galliard
  10. Lute Music: Tarletone's Riserrectione
  11. Lute Music: The Lady Rich, Her Galliard
  12. Consort Music: Lachrimae Pavan
  13. Consort Music: Can She Excuse Galliard
  14. Consort Music: Captain Piper's Pavan And Galliard
  15. Consort Music: The Frog Galliard
  16. Consort Music: Round Battell Galliard
  17. Consort Music: Fortune My Foe
  18. Consort Music: Dowland's First Galliard
  19. Consort Music: Katherine Darcie's Galliard
  20. Consort Music: Tarleton's Jigge
  21. Consort Music: Almain a 2
  22. Consort Music: Mistress Nichols Almain a 2
  23. Fullsack And Hildebrandt: Auserlesener Paduanen und Galliarden: Susanna Fair (Galliard)
  24. Haussmann: Rest von polnischen und andern Tanzen: Mistress Nichols Alman a 5
  25. Opusculum: Mr. John Langton Pavan And Galliard
  26. Opusculum: La mia Barbara Pavan and Galliard
  27. Opusculum: Lachrimae Antiquae Novae Pavan and Galliard

Tracks:

  1. Consort Music: Mistress NIchols Almain
  2. Consort Music: Volta a 4 ('Ioh. Douland')
  3. Consort Music: Were Every Thought an Eye
  4. Consort Music: Lady If You So Spite Me
  5. Consort Music: Pavan a 4
  6. A Musicall Banquet: I. My Heavy Sprite (Anthony Holborne)
  7. A Musicall Banquet: II. Change Thy Mind Since She Doth Change (Richard Martin)
  8. A Musicall Banquet: III. O Eyes, Leave Off Your Weeping (Robert Hales)
  9. A Musicall Banquet: IV. Go, My Flock, Go Get You Hence (Anon.)
  10. A Musicall Banquet: V. O Dear Life, When Shall It Be? (Anon.)
  11. A Musicall Banquet: VI. To Plead My Faith (Daniel Bacheler)
  12. A Musicall Banquet: VII. In A Grove Most Rich Of Shade (Guillaume Tessier)
  13. A Musicall Banquet: VIII. Far From Triumphing Court
  14. A Musicall Banquet: IX. Lady, If You So Spite Me
  15. A Musicall Banquet: X. In Darkness Let Me Dwell
  16. A Musicall Banquet: XI. Si le parler et le silence (Pierre Guedron)
  17. A Musicall Banquet: XII. Ce penser qui sans fin tirannise ma vie (Pierre Guedron)
  18. A Musicall Banquet: XIII. Vous que le Bonheur rappelle (Pierre Guedron)
  19. A Musicall Banquet: XIV. Passava Amor su arco desarmado (Anon. Spanish)
  20. A Musicall Banquet: XV. Sta notte mi sognava (Anon. Italian)
  21. A Musicall Banquet: XVI. Vuestros ojos tienen d'Amor (Anon. Spanish)
  22. A Musicall Banquet: XVII. Se di farmi morire (Domenico Maria Megli)
  23. A Musicall Banquet: XVIII. Dovro dunque morire? (Giulio Caccini)
  24. A Musicall Banquet: XIX. Amarilli mia bella (Giulio Caccini)
  25. A Musicall Banquet: XX. O bella piu (Anon, Italian)

Customer Reviews:

5 out of 5 stars A musical treasure-box.......2006-09-10

Both the music and this actual product are masterpieces. John Dowland's collected works here - covering 12 compact discs - exhibit the depth and power of this composer, a composer who many now regard as suffering from clinical depression. I doubt that the issue of the diagnosis of Dowland's depression can ever be settled, however, it is certainly obvious from his music, so completely on display here, that he was a man with very dark depths and corners in his mind. Dowland's various manifestations and "takes" on his own tune, "Flow my tears"/"Lachrimae" are here. This tune has haunted me ever since I first heard it when I was a child. It seems to sum up Dowland's feelings - at least Dowland seems to have thought so.

The First, Second, Third and Fourth Bookes of Songes, A Musicall Banquet, the keyboard transcriptions, all the lute music, consort music are here and virtually everything else written or supposedly written by John Dowland. Anthony Rooley and The Consort of Musicke perform this music with style and feeling throughout. This 12 CD set is something of a monument to the ensemble - I only wish they'd finished their collection of Monteverdi madrigals, which was equally good (La Venexiana are currently doing a magnificent job of recording all Monteverdi's books of madrigals for the GLOSSA label).

This is an expensive set, however, you will probably never need to buy another John Dowland CD again after buying and listening to this collection.

I bought this CD set on a mild Summer evening of 1998 and listened to it while sitting in my sun room - which a glorious orange sunset in progress, and a glass of wine. It brought back so many memories.

5 out of 5 stars a beautiful journey into melancholy.......2001-06-15

I'm amazed at how many people tend to associate John Dowland's music with a tragic sense of drama. While no doubt this is art highly based on sadness, the "tragic" sense of it is more a legacy from the Romantic period. During the Renaissance, however, sadness was undestood as a very aesthetic way of approaching life. That is also the reason why Shakespeare's tragedies appear more sophisticated than his comedies.

Dowland, a contemporary of Shakespeare, discovered that meditating on a sad theme is, at the same time, a way of discovering a special beauty that we tend to avoid (maybe because of the "tragic" heritage of the Romantics). So, in the end, meditating on sadness is an uplifting experience! This box set is a journey into melancholy that includes songs, chamber music, pieces for lute, some rare sacred music and -as a highlight- Dowland's beautiful collection of seven pieces for viola which he called "Lachrimae" (Tears).
The Best of the Vienna Boys' Choir (Box Set)
Average customer rating: 5 out of 5 stars
  • This is awesome!
  • Awesome CD!!
  • I absolutely LOVE this!
  • Vienna Boys do it again
  • Wow
The Best of the Vienna Boys' Choir (Box Set)

Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Christmas With the Vienna Boys Choir
  2. Christmas with the Vienna Boys Choir
  3. Angelic Voices: The Best of the Vienna Boys' Choir
  4. The Christmas Album: Vienna Boys Choir
  5. Luminosa

ASIN: B00000IGUW
Release Date: 2000-12-06

Tracks:

  1. Mass in C major K. 317 'Coronatoin' Mass: I. Kyrie
  2. Mass in C major K. 317 'Coronatoin' Mass: II. Gloria
  3. Mass in C major K. 317 'Coronatoin' Mass: Ave verum corpus KV 618 - K. 618
  4. Requiem KV 626 (Auszuge) - K. 626: Dies irae
  5. Requiem KV 626 (Auszuge) - K. 626: Lacrimosa
  6. Requiem KV 626 (Auszuge) - K. 626: Agnus Dei
  7. Requiem KV 626 (Auszuge) - K. 626: Lux aeterna
  8. Ave Maria
  9. The Creation: Terzett: 'In holder Anmut stehn'
  10. The Creation: Terzett mit Chor: 'Der Herr ist gross in seiner Macht'
  11. Locus iste
  12. Ave Maria
  13. Abendsegen
  14. Pueri concinite
  15. Messiah: No. 03 Chorus: ' And the glory of the Lord shall be revealed'
  16. Messiah: No. 06 Chorus: 'And he shall purify'
  17. Messiah: No. 42 Chorus: 'Hallelujah'
  18. Messiah: No. 51 Chorus: 'Worthy is the Lamb that was slain' - 'Amen'

Tracks:

  1. The Blue Danube
  2. Annen - Polka Op. 117
  3. Walzer - Tales from the Vienna Woods, Waltz
  4. Tritsch - Tratsch Polka
  5. Village Swallows from Austria
  6. Pizzicat - Polka
  7. Morning papers, waltz
  8. Radetzky - Marsch
  9. Thousand and one night, waltz
  10. Heidenroslein
  11. The Magic Flute: Trio
  12. Innsbruck, I must leave thee
  13. Aba Heidschi Bumbeidschi
  14. Edelweiss
  15. Do - Re - Mi

Customer Reviews:

5 out of 5 stars This is awesome!.......2002-12-13

I love this bos set, especially the second one Edelweiss is simply great, it's filled with passion and truly shows the beauty of music.But if you had already bought Ave Maria and Edelweiss please don't buy this one, they are the same, this CD is just perfect!

5 out of 5 stars Awesome CD!!.......2002-06-07

Wow...That was my first word when I listend to this CD.

I like classical numbers more than like traditional songs of
other countries, so the 1st one was wonderful
(Of course as well as the second one.)

When you want to relax, you may choose the 1st one, but
if you want to be excited, choose 2nd one!!

You will feel as if you were out of this world.

5 out of 5 stars I absolutely LOVE this!.......2002-02-20

When I received this album, I found that it was much, much more than I had expected. The angelic, pure, innocent yet DEFINED voices of these boys add the spark to your day. (at least to mine!)

The first CD is absolutely beautiful choral music which is really relaxing. I DO prefer boys' singing to adults, because it just sounds so much better.
When I bought the CD, I wasn't expecting much out of the second CD because I bought it for the first CD's sake, but the second CD turned out to be my real favorite.
Not that I don't adore the first one, but the second one is SO IRRESISTABLY CUTE!! whenever I listen to it, I keep on smiling and going "awww. isn't this cute!"
It is REALLY sweet and fun to listen to. I just LOVE this CDs and want to give 10 stars out of 5, but obviously there are limitations, so..

Well, if you like choral music, you won't regret getting this one.

5 out of 5 stars Vienna Boys do it again.......2001-08-18

Their performance is just superb. If you like classical music. I find this elevating my spirits.

4 out of 5 stars Wow.......2000-09-06

What can really be said about this two CD set except "Wow." The tone quality and emotion contained in the music is incredible, and I don't think there's another boys' choir out there who can match it. The rendition of Schubert's "Ave Maria" alone is worth buying the CD. Amazing. Between the two CD's there is a great variety of music as well, ranging from the soft, sad "Locus Iste," to Johann Strauss' polkas. There is a piece for every mood. These CDs are more than worth the money and rank among the favorites in my collection.
Russian Medieval Chant
Average customer rating: 5 out of 5 stars
  • This is what Choir and Organ magazine had to say
  • The best Russian choral CD of the season
  • Astonishing Recording!
Russian Medieval Chant

Manufacturer: Chandos
ProductGroup: Music
Binding: Audio CD

Sacred & ReligiousSacred & Religious | Early Music | Historical Periods | Classical | Styles | Music | Requiems
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ChantsChants | Vocal Non-Opera | Opera & Vocal | Styles | Music
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  1. Russian Divine Liturgy
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  5. Ancient Echoes

ASIN: B00005QF3J
Release Date: 2001-11-20

Customer Reviews:

5 out of 5 stars This is what Choir and Organ magazine had to say.......2002-12-08

A perfect portal into the sound world of medieval Russia, this selection of liturgical material, drawn from a tradition harking back to the 11th century, includes unadorned monophonic chant as well as ceremonial pieces in polyphonic styles developed in the 16th and 17th centuries, the sonorities of the former occasionally creating enjoyably spooky, ringing overtones in the generous acoustic. The men of Deisus sing with an almost visceral depth of commitment and, as might be expected, the low basses are profoundly in a class of their own.

5 out of 5 stars The best Russian choral CD of the season.......2002-02-09

This disk is a must for every lover of male Russian choirs! Don't get confused by the name of the choir (I assume it is based on Greek deisis `prayer') or the commercial design of the booklet: this is simply the very best of Russian choral chant that has been published this season. The fourteen singers of the choir perform ancient chants, that have partly been deciphered here for the first time, and so are absolutely unique. Because of the high quality of singing and the choice of repertoire, Deisus can be compared with leading choirs such as the famous Patriarchate Choir of Mr.Grindenko. The chants performed on this splendid disk, all in honour of the Virgin Mary, are either homophonic or polyphonic, in a pleasant alternation. They share the quality of monastic austerity that makes them absolutely captivating: the listener is transposed to another world, a world of quiet and piece. Warmly recommended!

5 out of 5 stars Astonishing Recording!.......2002-02-05

Anyone who hasn't heard Russian chants performed by deep voices has a real delight ahead and a profound musical experience. This recording captivates from beginning to end. The voices of the Deisus Choir, singing heretofore unpublished chants, took this listener onto a soundscape he didn't know existed. The choir emerges like the breath of God and rolls on in a vibrant acoustic that's perfectly suited to the voices, which resonate as much in the solar plexus as in the ear. I've collected a good number of recordings of chants (including the best-selling disc of the Spanish monks that came out some years ago), but the present recording by the Deisus Choir is now at the top of my list.
Chanticleer: A Portrait
Average customer rating: 4.5 out of 5 stars
  • My idea of heaven
  • Wonderful, but not quite the best of I had hoped
  • A treasury
  • Chanticleer: A Portrait
Chanticleer: A Portrait
Caroll Coates , Harold / Mercer, Johnny Arlen , Spiritual Traditional , Vince Guaraldi , Joseph Jennings , Ettore Stratta , Eric Alatorre , Tim Krol , Corey McKnight , Kevin Baum , David Munderloh , and Dawn Upshaw
Manufacturer: Teldec
ProductGroup: Music
Binding: Audio CD

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ASIN: B00008J2VP
Release Date: 2003-03-18

Tracks:

  1. Quem Terra Pontus Sidera
  2. Ave Maria (Gregorian Chant)
  3. Alma Redemptoris Mater
  4. The Angel Cried Out
  5. Angelicas Milicias
  6. Wherewithal Shall A Young Man...
  7. Love Is A Beautiful Dream
  8. This Heart That Flutters Near My Heart
  9. Wild Grass
  10. Labbra Vermiglie E Belle
  11. Jeanie With The Light Brown Hair
  12. Dulaman
  13. Shenandoah
  14. Spanish Carol
  15. Love Is Letting Go
  16. Blues In The Night
  17. Wade In The Wate
  18. We Shall Walk Through The Valley In Peace
  19. Christmas Time Is Here

Amazon.com

With this disc, Chanticleer, the internationally renowned, all-male 12-voice chamber choir, celebrates its 25th anniversary. Presenting songs from earlier albums plus one not previously recorded, the selection displays the group's remarkable stylistic and linguistic versatility, as well as all the qualities that have made it famous: the impeccable precision and intonation; the pristine tonal purity; the deep, inner expressiveness; the infinitely variable range of colors, textures, dynamics and moods; and the incredible vocal control that allows voices to stand out as well as to blend into a seamless, sonorous whole. Not for nothing has the group been called "an orchestra of voices" with its ability to sound like a big band in chordal passages and to imitate bass pizzicati as well as patter-songs and gospel shouts. The sopranos take off into stratospheric heights with florid coloratura; it is hard to believe that these are male voices. The program ranges from Gregorian chant and liturgical music of the 16th and 17th century, through traditional and jazz-influenced folk songs and spirituals (some in deplorably bad arrangements), to works by contemporary composers. Chanticleer's mostly vibrato-less vocal style still reflects its roots in its original Renaissance repertoire, but the way the singers use their voices in the popular, jazzy songs makes one aware of the evolving kinship between the two traditions. Though primarily an a capella ensemble, Chanticleer is occasionally joined by various instrumental groups, from period instrument orchestras to a jazz trio, and Dawn Upshaw adds her radiant, smiling, unmistakably "real" soprano to a delightful, high-spirited performance of a Spanish Carol. This disc is a fine, varied sampling of Chanticleer's discography and should inspire listeners to search out all the complete albums. --Edith Eisler

Customer Reviews:

4 out of 5 stars My idea of heaven.......2007-02-17

If you liked Norman Luboff's Song's of the Sea's "Shenandoah", the price of this CD is worth it alone. That's why I ordered the CD. I heard Chanticleer's version and immediately ordered it. The rest is just the icing on the cake.

Then there is the one Kiri Tekanawa (sp?) offering, which is the only female voice on the recording.

4 out of 5 stars Wonderful, but not quite the best of I had hoped.......2006-07-18

Some great material truly shines on this album, but I wsih that the group had been a little less populist in their choice of repertoire. There is a little too many arrangements and folk-like material, with the exception of the wonderful "Dulaman", and I would like to have heard some more varied repertoire. That said this is an excellent starting point for this amazing group.

5 out of 5 stars A treasury.......2005-11-06

As you can tell from the samples, the music here is amazing and covers a wide territory. It is less obvious that much of this is available on other CDs. I am confident, for example, that "We Shall Walk Through the Valley In Peace" is the same track that you will find on their phenomenal and highly recommended gospel collection, _Where the Sun Shall Never Go Down_, and I see a number of familiar-looking titles from other CDs. My advice is: if you're looking for a broad sample of the group's repertoire, then you can't go wrong here -- but if you've already got several Chanticleer albums, then you'll want to check your existing collection for potential duplications before buying this 'treasury.'

5 out of 5 stars Chanticleer: A Portrait.......2005-10-26

This is a marvelous singing group of all males with a little addition of Dawn Upshaw on a couple of pieces. They are thourally amazing at what they can sing with Male Voices usually unaccompanied. Obviously they have good strong Contra-Tenors that can manage the high notes without any problems. I would recommend this album to anyone who enjoys vocal music, unaccompanied and like Male Voices
Live in Belfast
Average customer rating: 4.5 out of 5 stars
  • Great Music and Outstanding Voices
  • Time for a new one
  • Wonderful music, wonderful voices
  • Professional on professionals
  • Tenners for Tenors
Live in Belfast
Irish Traditional , James L. Molloy , Philip Martin , Lynette Johnson , Thomas Moore , Frank Lambert , Raymond Loughborough , Percy French , Richard Farrelly , William Wallace , Tempest Sanderson , and Francis McPeake
Manufacturer: Music Matters
ProductGroup: Music
Binding: Audio CD

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  1. The Irish Tenors / McNamara, McDermott, Kearns, Tynan
  2. Ellis Island
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  4. Heritage
  5. Home for Christmas

ASIN: B00004RDSK
Release Date: 2007-01-08

Tracks:

  1. Dublin Medley: Dublin in the Rare Old Times; Molly Malone
  2. Carrickfergus
  3. Bantry Bay
  4. Scorn Not His Simplicity
  5. The Fields of Athenry
  6. Star of the County Down
  7. The Last Rose of Summer
  8. Red is the Rose
  9. Lift the Wings
  10. She is Far from the Land
  11. Ireland, Mother Ireland
  12. Green Isle of Erin
  13. Percy French Medley: Phil the Fluther's Ball/Come Back Paddy Reilly/The Lay of the West Clare Railway (Are Ye Right There Michael?)
  14. Mary from Dungloe
  15. Isle of Inisfree
  16. There is a Flower that Bloometh
  17. As I Sit Here
  18. The Kerry Dance
  19. Will Ye Go Lassie Go?

Product Description

1. Dublin Medley
2. Carrickfergus
3. Bantry Bay
4. Scorn Not His Simplicity
5. Fields Of Athenry
6. Star Of The County Down
7. The Last Rose Of Summer
8. Red Is The Rose
9. Lift The Wings
10. Ireland Mother Ireland
11. She Is Far From The Land
12. Green Isle Of Erin
13. Percy French Medley:
-Phil The Fluther s Ball
-Come Back Paddy Reilly
-The Lay Of The West Clare Railway
14. Mary From Dungloe
15. Isle Of Inisfree
16. There Is A Flower
17. As I Sit Here
18. The Kerry Dance
19. Go Lassie Go


Format: CD

Amazon.com

Just a year after their smash breakthrough debut album--itself still riding high in the charts--the Irish Tenors have added another delightfully varied collection to their discography. Live in Belfast again showcases the group's obvious concert charisma from a performance given in February 2000. It's a generous smorgasbord of medleys, traditional numbers, and songs from popular sources (including "Scorn Not His Simplicity," which Sinead O'Connor has interpreted)--mixing nostalgic sentimentality with selections of bittersweet melancholy. Binding the whole together is the unmistakable stylish charm of the Irish Tenors, whether singing in solos or in ensembles. But the biggest surprise for fans already hooked on the Tenors is the introduction of Finbar Wright as replacement for original member John McDermott. Wright's bright, romantic voice easily wins over a potentially skeptical crowd--especially in the dreamy "Isle of Innisfree"--and blends nicely with his colleagues. (McDermott, who had to bow out of the performance due to the death of his mother, makes a surprise appearance to solo in a memorable and touching "The Last Rose of Summer"--given as a tribute to his parents--and to rejoin the Tenors for "Red Is the Rose.") The arrangements by Tenors producer Frank McNamara are played with zest by the Orchestra Warsaw Sinfonia. --Tom May

Customer Reviews:

5 out of 5 stars Great Music and Outstanding Voices.......2007-03-28

My wife and I saw these tenors live and on stage and we were truly impressed. Their voices blend beautifully and they present a well rounded variety of songs. We so enjoyed the first CD that we bought this current one.

5 out of 5 stars Time for a new one.......2001-10-19

I bought this CD, (plus the video) in July 2000 and listened to it so much I think it must be just about worn out.!!!The video I have seen so often I bet I have seen every idiosyncrasy of each of them. The Tenors are almost my total pastime. About 12 hours a day, listening and viewing. I "met" them July 22/00 and have been to four concerts, and I'm still impressed by the joyous sounds of their voices.
It's been a lomg time since I wrote my last review of this CD, but I hope I have helped to encourage others to enjoy the thrill of the most magnificent voices of their lives.
The Tenor's #1 Fan,,,, Joan Way

5 out of 5 stars Wonderful music, wonderful voices.......2001-05-31

I do not claim to be a musical expert. It has always been my contention that music which makes the listener feel good, which raises the spirits and makes the heart glad, is worthy of being heard. Such is this CD. I don't listen to it to search for flaws, flubs, failings and screw-ups. I listen to it because it makes me happy. I am of Irish ancestry, and this wonderful music stirs a core deep within my soul. I got to hear some traditional Irish folk music I'd never heard before. I would hope that all those who listen to this CD would choose to enumerate its merits based on the fact that this music is meant to lighten the soul. It never was meant to be held up to intense scrutiny, because it is folk music. These are the songs the people sang. They weren't meant to be grand, classical opera, and should not be regarded or critiqued as such. They are beautiful and moving, just as they stand, and I am grateful that God gave these four men such voices to sing these old tunes and to preserve them for the generations to come. God knows we need positive, beautiful music now more than ever.

4 out of 5 stars Professional on professionals.......2001-05-05

I am taking from the best in the world. I have met Pavarotti's teachers (Joan Doanerman and Joan Sutherland) and also take from them. I am very well-known in musical analyzing and teaching. I have read all reviews, and personally, many of you need to learn much more about proper vocal technique to be a critic. The voice must flow, with support (breath), low larynx, etc. All four tenors possess the proper singing qualities. However, stage presence, song interpretation, and musicianship also take into affect. Finbar Wright needs to continue his musicianship. He possesses much more romanticism than he shows. Also, anyone can say words like "texturing, spellbinding and dominance," and sound like a knowledgeable critic. However, these words are thrown into sports review as well. Face it folks, know what you are saying. John McDermott has a beautiful voice, but it is a much different classical style than many people know. John is a Celtic Tenor, which means that his under- and overtones will sound much different than the other three. The symphony is NOT too dominant, David Schierholz. If you have worked with the Met recording studios, than you can talk with me, because I have sat in on them. These are live performances, not takes in a studio. Folks, I am a born and bred Irishman. These men are great, but there needs to be more of there individual literature available. I would love to find Anthony Kearns classical recordings. Then, when you have studied and understand the nature of the voice and theatre, then you can write your reviews.

5 out of 5 stars Tenners for Tenors.......2001-02-16

This cd and video was my introduction to the wonderful "Irish Tenors". Seperately each is spellbinding. Together they are nothing short of magical. Finbar Wright is a dashingly romantic figure while Ronan Tynan is most compelling. Anthony Kearns will be a major star someday in the opera world. His voice is clear and strong. Wright's voice soars in songs such as "Carrickfergus" and "Isle of Innisfree". He seems a bit nervous which is understandable given he had only 10 days to prepare for this concert. He was asked literally days before the performance to step in for John McDermott. Thank goodness he did! The one downer for me was the appearance of John McDermott as his voice is not my cup of tea.

Music:

  1. Time to Say Goodbye
  2. Very Best of Bing Crosby Christmas [Original recording remastered]
  3. Wee [Import] [Limited Edition] [Original recording remastered]
  4. Wicked (2003 Original Broadway Cast) [Cast Recording]
  5. Woman In White (2004 London Cast) [Cast Recording]
  6. 1st Ladies of Gospel
  7. 20 Grandes Exitos
  8. 70: Seventieth Birthday Celebration
  9. A City Called Heaven
  10. After Midnight: The Complete Session

Music

Music