"Phantom of the Opera"
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Time to Say Goodbye |
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Diva: The Video Collection |
Live from Las Vegas |
La Luna (Live in Concert) |
Customer Reviews:
AMAZING! She is so much better live!.......2006-12-02
This CD rocks! This is Sarah Brightman on her Harem World Tour, and this performance was recorded at her stop in Las Vegas. The first two tracks, "Kama Surta" and "Harem Overture" debut from her newest album, entitled HAREM. The two tracks are connected, but in the actual Harem Tour, the full piece "Harem" is sung. If you go to www.youtube.com and type in "Harem Tour" in the Search Bar, you can see live videos. I would prefer that the album has placed "Harem" instead of these other two tracks. The third track, "It's A Beautiful Day", is from Madame Butterfly, written by Puccini. This version is Brightman's twist, which some more pop and some English. It's pretty cool. The fourth track on the album, "Dust in the Wind" is from EDEN, an amazing album. Track 5 is, "Who Wants to Live Forever", and it seems as though Brightman never creates a tour without putting this piece in it. It's a beautiful tribute to Queen's rendition. Track Six is "Anytime, Anywhere", also from EDEN. I'm not really into the Foreign Language - English songs, but this works very well, especially because she ends the song with the classical foreign language. The seventh track is Brightman's rendition of Dvorak's "Song to the Moon", or "La Luna". The track is beautiful! The eighth track is Puccini's "Nessun Dorma", and Sarah masters this beautifully! There is no other soprano I know that can sing this piece one octave up and can hold the ending note for ever!!! Track 9 is "The War is Over", which is followed by "Free", both from HAREM. Track 11 is "A Whiter Shade of Pale", from LA LUNA. It's beautiful to listen to. Sarah's version is very gentle, but has a lot of energy in the chorus. The twelfth track on this album is "Twisted Every Way", followed by an instrumental version of "The Phantom of the Opera" Theme. The next track is "Wishing You Were Somehow Here Again", which is extended at the end, in which you hear some men cry out "WE LOVE YOU SARAH!", and she responds cutely with an, "I love you, too." The audience laughs! Track 14 is "Time to Say Goodbye", the duet that made Andrea Bocelli famous, and skyrocketed as the number one single sold in German history! The last live track on the album is "A Question of Honour", from "Fly", which is awesome! The last track on the album is a bonus track, which I don't really prefer. However, the whole album is simply amazing. I much prefer Sarah when she is live. She has a more magical quality! If you love Sarah Brightman, then you will love this album.
ALSO RECOMMENDED : Since there is so much Sarah Brightman to choose from, I also recommend EDEN, TIME TO SAY GOODBYE, LA LUNA, CLASSICS, and DIVA.
AMAZING! She is so much better live!.......2006-12-02
This CD rocks! This is Sarah Brightman on her Harem World Tour, and this performance was recorded at her stop in Las Vegas. The first two tracks, "Kama Surta" and "Harem Overture" debut from her newest album, entitled HAREM. The two tracks are connected, but in the actual Harem Tour, the full piece "Harem" is sung. If you go to www.youtube.com and type in "Harem Tour" in the Search Bar, you can see live videos. I would prefer that the album has placed "Harem" instead of these other two tracks. The third track, "It's A Beautiful Day", is from Madame Butterfly, written by Puccini. This version is Brightman's twist, which some more pop and some English. It's pretty cool. The fourth track on the album, "Dust in the Wind" is from EDEN, an amazing album. Track 5 is, "Who Wants to Live Forever", and it seems as though Brightman never creates a tour without putting this piece in it. It's a beautiful tribute to Queen's rendition. Track Six is "Anytime, Anywhere", also from EDEN. I'm not really into the Foreign Language - English songs, but this works very well, especially because she ends the song with the classical foreign language. The seventh track is Brightman's rendition of Dvorak's "Song to the Moon", or "La Luna". The track is beautiful! The eighth track is Puccini's "Nessun Dorma", and Sarah masters this beautifully! There is no other soprano I know that can sing this piece one octave up and can hold the ending note for ever!!! Track 9 is "The War is Over", which is followed by "Free", both from HAREM. Track 11 is "A Whiter Shade of Pale", from LA LUNA. It's beautiful to listen to. Sarah's version is very gentle, but has a lot of energy in the chorus. The twelfth track on this album is "Twisted Every Way", followed by an instrumental version of "The Phantom of the Opera" Theme. The next track is "Wishing You Were Somehow Here Again", which is extended at the end, in which you hear some men cry out "WE LOVE YOU SARAH!", and she responds cutely with an, "I love you, too." The audience laughs! Track 14 is "Time to Say Goodbye", the duet that made Andrea Bocelli famous, and skyrocketed as the number one single sold in German history! The last live track on the album is "A Question of Honour", from "Fly", which is awesome! The last track on the album is a bonus track, which I don't really prefer. However, the whole album is simply amazing. I much prefer Sarah when she is live. She has a more magical quality! If you love Sarah Brightman, then you will love this album.
ALSO RECOMMENDED : Since there is so much Sarah Brightman to choose from, I also recommend EDEN, TIME TO SAY GOODBYE, LA LUNA, CLASSICS, and DIVA.
Inspiring, Beautiful and The Sweetest Voice!.......2005-08-21
What an album, absolutly beautiful!
We, the fans of this great artist finelly have in our hands a live album, and it's amazing:
-The voice is totaly live, she sang about 24 complete songs in the show, but the album only contains 15.
-Snow In The Sahara is a lovely song.
If you have the chase of get this alubum, don't doubt and get it; It wond disapoint you!
astounding performance.......2005-06-07
an impeccable concert experience that successfully elevates the album to majestic heights. I had long been a fan of Dead Can Dance and the unparalleled work of Lisa Gerrard. When Sarah Brightman ventured into these Middle Eastern sounds on the Harem disc, I thought it was too derivative of the Dead Can Dance sounds (there is even a sample used on one of SB's songs that had previously been used within DCD).
However, experiencing this epic and intensely mystical concert compelled me to realize the individual and unique glory of Sarah Brightman. Also, this concert is so phenomenally entertaining at many levels that I couldn't help but fall absolutely in love with the special magic of Sarah Brightman. Obviously, the expansive Middle Eastern milieu can accommodate more than one angelic vocalist!
I now consider Lisa Gerrard and Sarah Brightman to be geniuses who both warrant goddess status in the pantheon of lyrical greats. To see either one of them perform live is surely one of the most powerful and memorable sensory experiences one could ever have!
Great, of course.......2005-03-18
Sarah's voice and style are terrific, as usual. However, I have to say that her version of Anggun's "Snow on the Sahara" is fairly bland, especially compared to the original Anggun version. Sarah has the chops but lacks soul on this great song. Everything els here is very nice.
Average customer rating:
- Sarah Brightman'S paradise
- Nice single
- Mind changed about TTSG single and more
- Mind changed about TTSG single
- Miss Brightman in Eden
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Time to Say Goodbye
Sarah Brightman , and Andrea Bocelli
Manufacturer: Wea International
ProductGroup: Music
Binding: Audio CD
 Brightman, Sarah
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Similar Items:
- Time to Say Goodbye
- Romanza
- Andrea Bocelli - Amore
ASIN: B000006UTW
Release Date: 1999-01-12 |
Tracks:
- Time To Say Goodbye (Con Te Partiro)
- Sleep Tight (Previously Unreleased Track)
- You Take My Breath Away
- Time To Say Goodbye (Con Te Partiro)
Album Description
1996 hit single, a collaborative tribute with Andrea Bocellito Henry Maske. It's backed with 'Sleep Tight' (Previously Unreleased), 'You Take My Breath Away' from Brightman's album 'Fly' and 'Time To Say Goodbye (Con Te Partiro)' (Sarah's Intimate Version). Color picture disc. Slimline jewel case. An EastWest Records release.
Album Details
Duet with Andrea Bocelli Was Released as a Single in 1996. 'Time to Say Goodbye' Was a Hit around the World and features Incredible Vocal Performances by Two of the Genre's Best. Also Includes the Rare Track 'Sleep Tight'.
Customer Reviews:
Sarah Brightman'S paradise.......2003-02-22
Sarah Brightman is my favourite singer. The way she lets pop and classical music flow together is unique and superb. I recommend this CD to every music lover out there.
IN PARADISUM: This is part of a requiem obviously. It sounds a little bit like Enya.
EDEN: This is a cover I think. It's well done. I heard the Originalversion in the movie "I still know what you did last summer".
SO MANY THINGS: She helped writing the lyrics in this track. It's about the feelings you have after a relationship wich went wrong.
ANYTIME ANYWHERE: I love the way this piece gets more and more passionate especially in the end it sounds like an aria.
BAILERO: A beautiful ballad for dreaming and relaxing.
DUST IN THE WIND: A Kansas-Cover. Nice melody great sound, great lyrics. A favourite.
IL MIO CUORE VA: Oh...that's "my heart will go on" by Celine Dion in italian. It sounds like an aria. You have to get used to it. But it's a lot better than the german version by Vicky Leandros.
DELIVER ME: A beautiful lovesong. Again a favourite.
UN JOUR IL VIENDRA: This is a wintersong. very nice for staying at home when it's cold outside.
NELLA FANTASIA: Again a wintersong.
TU: Very athmospheric. Her voce sounds great as always.
LASCIA QU'IO PIANGA: Aria from the opera "Rinaldo" by G. F. Händel. That's classical music at its best.
ONLY AN OCEAN AWAY: That's another crossover piece. I like it.
SCENE D'AMOUR: Without lyrics but very romantic and beautiful.
NESSUN DORMA: This is the short version. It's shorter than on the "Classics"-album. Again an aria. I heard it's originally written for tenor-voice.
Bonus CD:
It's the "Time to say goodbye"-Single.
TIME TO SAY GOODBYE: Her greatest hit the duet with Andrea Bocelli. I like his voice although normally I don't like men who sing opera.
SLEEP TIGHT: Another great crossover-piece. She sings low exept for the high note in the end.
YOU TAKE MY BREATH AWAY: This is taken from the "FLy"-album. It's very long and it sounds fareastern.
TIME TO SAY GOODBYE: (Sarah's intimate version): It's just Sarah singing on this one. I prefer it because as I said I don't like men who sing opera.
DESERT ROSE: This song is only avaiable on the TTSG-single and on this edition. It's very soft. Not the same song Sting sings.
Nice single.......2002-05-04
Like I said, the single is nice, but I also have pretty much the same thing in my 2 cd set called Time to Say Goodbye/Eden.
The songs are nice, and the single introduces a very pretty song called "Sleep tight". The lyrics in this song are haunting, and represent a Sarah from another world. Same with "You take my breath away". These two songs give TTSGB single the flavour it needs. I'm not saying that TTSGB is a bad song. It's not, but what I mean is that the single needed a boost by putting some lesser known tracks in.
The cover is unusual, and it probably would have looked nicer as a full cover shot. It's funny, this is the only time that I ever saw this single listed on amazon.com. I am glad to review it.
Back to the title song. The cd version and the solo (intimate version) are both nice. I like the ending of the solo version slightly better because of the sudden ending. There is no boom from the accoustic bass at the end though, compared to the original. For Sarah to take on both verses of the song was a nice change, for the song takes on a whole different air.
The cd is worth it, because at least there are songs which are a lot newer, yet less known, as well as one song that was never heard before...
Mind changed about TTSG single and more.......2000-12-25
Once upon a time, back in October 2000, I changed my mind about the TTSG single, particularly after getting used to it (which was just like two weeks after I got it). It's no surprise that it had to be repackaged with Eden for this special Millennium Edition, which I don't have. The only difference is, on this Millennium Edition, the song "Desert Rose" was entered as the last track. Would make a great collector's item. As a Sarah fan, I have eight of her albums and several rare singles of hers, including A Question of Honour, Just Show Me How To Love You, the TTSG single, and I'm still trying for How Can Heaven Love Me.
Anyway, I'm listening to the TTSG single right now as I type. And what an amazing surprise it is. The tracklist goes:
1. The title duet. Everyone knows the song already. Probably the best performance Sarah has ever given and probably ever will give since her more well-known Andrew Lloyd Webber interpretations. And Bocelli, my favorite singer, sings directly in your face, as if he put the words right in your mouth and made you cry.
2. Sleep Tight. Previously unreleased. Damn good rarity, even though On The Nile, which can be most likely found on Napster, is the best out of all the rare Sarah songs I've heard. It's not forgettable in my book.
3. You Take My Breath Away. I have more affection for this song just because it made its way onto this single.
4. Time To Say Goodbye (Sarah's Intimate Version). Same as the actual duet except Sarah sings the whole song by herself.
Fat chance even though I kind of like Andrea's CTP somewhat better. No wonder this single spent so long at #1 over in Germany and became so damn successful. Probably one of the best singles ever to go out on the market. It's worth it. You might be wondering "Where the hell can you get JSMHTLY, QOH, or HCHLM?" Or this single. All except this single are rare. In this case, e-mail me at honour2001@netzero.net and I'll see what I can do.
Until then, Merry Christmas and a Happy New Year!
Mind changed about TTSG single.......2000-10-19
Well, I have the album Eden and the hugely popular single TTSG as separate items. The TTSG single is more gorgeous than I ever imagined it to be. I love it!
Miss Brightman in Eden.......2000-09-24
WOW, WHAT A VOICE!! IT'S A MUST GET! What a way to start my millenium off musically! "Eden" Is one of my favorite albums of all time.I originally purchased "Eden" for myself when it arrived in the stores. Before playing it to death, I gave it to a friend. I bought another, replacing the 1st one right away. Later on, while checking for new Sarah material, I came across the double set. I decided to buy it over the net almost immediately. When I recieved the disc in the mail, I decided to give my 2nd one away. Only then did I realise that The set only slightly differed from my two other cds. So now my friend & I were even.
THE MUSIC REVIEW: Track 1 "In Paradisum" is gothic and I think it's a great intro to her cd. It kind of tells you what is to come. I think she should have called it "Prelude". "Eden" is beautiful. This track expresses her point of the album. "So many things" is short & sweet. I love the track "Anytime, Anywhere". It is totally opera. It sends shivers up & down my spine when she hits the high notes. "Bailero" is dreamy and nice to listen to at full blast. "Dust in the wind" is okay and I might have rated the cd 5 stars, but I'm seriously not too crazy about this track.This is only because, to me, the song doesn't fit the environment of the rest of the cd. "Il mio cuore va" is beautiful. Sarah has gone all the way with this hit, singing it in Italian.The high notes are flawless. Of course, the song took off when Celine Dion sang it too. "Deliver me" including the gospel choir in the background is haunting. The track that makes me cry is "Un jour Il viendra" or "one day he'll come back". She starts off with a voice of an angel, then gradually ascending into a vocalise of tear jerking emotion. "Nella Fantasia" is another one of tear jerkers, which originally was written as an instrumental by (Ennio Morricone). "Tu" is pretty sung in Spanish. It was written by (Jose Maria Cano) of the Mexicain pop group (Mecano). Lascia Ch'io Pianga" is pretty too. Sarah's voice soars, as in all her tracks. The next track, "Only an ocean away" is amazing to hear. She starts out with her popsational voice, then going into her operatic "bel canto" style, and again returning full volume to end the track. "Scene d'amour" is another one of Sarah's fine vocalises, letting her talent fill your ears.Track 15, "Nessun Dorma" (Puccini): is the best track of all. This song was originally written for a tenor voice, but Sarah got her hands on it just the same. She is the first soprano to ever claim this track in her repertoire. The track starts out with the dreamy strings section, then her voice sweeps in like an angel, ascending into an amazing high B sharp, leaving the listener breathless. The last 15 sec. of the track are where my hair stands on end. Simply amazing!
Disc 2 starts with the best seller "Time to say goodbye" with Andrea Bocelli.The song is a tribute to (Henry Maske). It is the version from the cd "Time to say goodbye" or "Timeless" (import). I have always loved this track. Next is the never released before track, "Sleep tight". It is more new age. Track 3 "You take my breath away" is taken from her EAST/WEST label import album "Fly". The music starts with her vocalising in Indian. The beginning sounds sort of like a tribal celebration. It is an enchanting song, entirely different from any of her previous music. Track 4 is the "Intimate" version of "Time to say goodbye". Sarah starts with her lovely solo, then taking the part Bocelli would originally sing. Sarah's high note at the end of the track is cut short due to it being a solo. This doesn't spoil the track, though. The 5th and last track is titled "Desert Rose". Sarah's voice is sweet, but not operatic in the song. The tune both haunting and a tear jerker too.
Inside the liner notes, there are beautiful photos of Sarah. The theme of the cd is of a paradise she has made herself. She lies on the couch almost trance-like. Red is the perfect color for the visual presentation. There is also a black & white photo of Brightman & Bocelli on the cover of the 2nd disc. The disc is a collector's item, labeled "Limited Millenium Edition". This disc is worth the money. Sarah Brightman fans will be delighted to have such a set. GO GET IT NOW!!
Average customer rating:
- I waited for this for five years
- Excellent collection but BIG PUBLISHING MISTAKE!
- ONE OF LLOYD WEBBER'S BEST COMPILATIONS, DESPITE A FEW FLAWS
- SUCH MAGICAL MUSIC OF THE NIGHT!
- A Must Have for Sir Andrew fans
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Andrew Lloyd Webber: Now & Forever
Various Artists
Manufacturer: Decca Broadway
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Gold: The Definitive Hits Collection
- The Very Best Of Andrew Lloyd Webber: The Broadway Collection
- Evita (Original London Cast)
- Andrew Lloyd Webber - The Royal Albert Hall Celebration
- Andrew Lloyd Webber - Masterpiece (Collector's Edition) (Bonus CD)
ASIN: B00005R5UJ
Release Date: 2001-11-20 |
Tracks:
- Jesus Christ Superstar: Overture - Andrew Lloyd Webber
- Jesus Christ Superstar: Everything's Alright - Yvonne Elliman/Murray Head/Ian Gilllan
- Jesus Christ Superstar: I Don't Know How To Love Him - Yvonne Elliman
- Jesus Christ Superstar: Gethsemane (I Only Want To Say) - Steve Balsamo
- Jesus Christ Superstar: Superstar - Murray Head
- Evita: Oh What A Circus/Sing You Fools - Antonio Banderas
- Evita: I'd Be Surprisingly Good For You - Elaine Paige/Joss Ackland
- Evita: Another Suitcase In Another Hall - Barbara Dickson
- Evita: Don't Cry For Me Argentina - Julie Covington
- Evita: High Flying, Adored - Mandy Patinkin/Patti LuPone
- Cats: The Jellicle Ball - Andrew Lloyd Weber
- Cats: Memory - Elaine Paige
- Cats: Gus: The Theatre Cat - Susan Jane Tanner/John Mills
- Cats: Mr Mistoffelees - Paul Nicholas
- Song And Dance: Take That Look Off Your Face - Marti Webb
- Song And Dance: Tell Me On A Sunday - Marti Webb
- Song And Dance: Unexpected Song - Sarah Brightman
- Song And Dance: Nothing Like You've Ever Known - Sarah Brightman
- Song And Dance: Introduction - Andrew Lloyd Webber
- Song And Dance: Variations 1 -4 - Andrew Lloyd Webber
Tracks:
- Starlight Express: Starlight Express - El Debarge
- Starlight Express: Crazy - Greg Ellis/Reva Rice/Caron Cardelle/Samantha Lane/Voyd
- Starlight Express: Next Time You Fall In Love - Reva Rice/Greg Ellis
- Starlight Express: I Am The Starlight - Lon Satton/Ray Shell
- Starlight Express: Light At The End Of The Tunnel - The Company
- Requiem: Hosanna - Placido Domingo
- Requiem: Pie jesu - Sarah Brightman/Paul Miles-Kingston
- The Phantom Of The Opera: The Phantom Of The Opera - Michael Crawford/Sarah Brightman
- The Phantom Of The Opera: The Music Of The Night - Michael Crawford
- The Phantom Of The Opera: All I Ask Of You - Sarah Brightman/Steve Barton
- The Phantom Of The Opera: Entr'acte - Andrew Lloyd Webber
- The Phantom Of The Opera: Masquerade - The Company
- The Phantom Of The Opera: Wishing You Were Somehow Here Again - Sarah Brightman
- Aspects Of Love: Aspects Of Aspects - Orchester Der Vereinigten Buehnen Wien
- Aspects Of Love: Love Changes Everything - Michael Ball
- Aspects Of Love: Seeing Is Believing - Michael Ball/Ann Crumb
- Aspects Of Love: The First Man You Remember - Kevin Colson/Diana Morrison
- Aspects Of Love: Anything But Lonely - Sarah Brightman
- Aspects Of Love: Chanson D'Enfance - Sarah Brightman
Tracks:
- Joseph And The Amazing Technicolor Dreamcoat: Any Dream Will Do - Jason Donovan
- Joseph And The Amazing Technicolor Dreamcoat: Joseph's Coat - Maria Friedman/Richard Attenborough/Donny Osmond
- Joseph And The Amazing Technicolor Dreamcoat: Close Every Door - Donny Osmond
- By Jeeves: Travel Hopefully - John Scherer/Martin Jarvis/Don Stephenson
- By Jeeves: When Love Arrives - Steven Pacey/Diana Morrison
- By Jeeves: Half A Moment - Sarah Brightman
- Sunset Boulevard: With One Look - Glenn Close
- Sunset Boulevard: New Ways To Dream - Glenn Close/Alan Campbell
- Sunset Boulevard: The Perfect Year - Glenn Close/Alan Campbell
- Sunset Boulevard: Sunser Boulevard - Alan Campbell
- Sunset Boulevard: As If We Never Said Goodbye - Glenn Close
- Whistle Down The Wind: Whistle Down The Wind - James Graeme/Lottie Mayor
- Whistle Down The Wind: Cold - Everly Brothers
- Whistle Down The Wind: No Matter What - Children/Adult Chorus
- Whistle Down The Wind: The Nature Of The Beast - Marcus Lovett/Lottie Mayor
- The Beautiful Game: Overture - Andrew Lloyd Webber
- The Beautiful Game: The Beautiful Game - The Company
- The Beautiful Game: Our Kind Of Love - Hannah Waddingham
- The Beautiful Game: Dont Like You - Josie Walker/David Shannon
- The Beautiful Game: Let Us Love In Peace - Josie Walker/Omagh Youth Community Choir
Tracks:
- Oh What A Circus - David Essex
- Memory - Betty Buckley
- The Phantom Of The Opera - Sarah Brightman/Steve Harley
- All I Ask Of You - Sarah Brightman/Cliff Richard
- Love Changes Everything - Michael Ball
- Any Dream Will Do - Donny Osmond
- Amigos Para Siempre (Friends For Life) - Sarah Brightman/Jose Carreras
- As If We Never Said Goodbye - Barbra Streisand
- The Perfect Year - Dina Carroll
- With One Look - Petula Clark
- You Must Love Me - Madonna
- The Heart Is Slow To Learn - Kiri Te Kanawa
- A Kiss Is A Terrible Thing To Waste - The Metal Philharmonic Orchestra
- Whistle Down The Wind - Tina Arena
- No Matter What - Boyzone
- The Vaults Of Heaven - Tom Jones
- Try Not To Be Afraid - Boy George
- Pie Jesu - Charlotte Church
Tracks:
- Make Believe Love - Wes Sands
- Down Thru' Summer - Ross Hannaman
- I'll Give All My Love To Southend - Ross Hannaman
- Believe Me I Will - Sacha Distel
- Joseph And The Amazing Technicolor Dreamcoat (1969 Radio Luxembourg Commercial) - Joseph Consortium/Pete Murray
- Try It And See - Rita Pavone
- Come Back Richard Your Country Needs You - Time Rice And The Webber Group
- Goodbye Seattle - Paul Raven
- John 19:41 - The Andrew Lloyd Webber Orchestra
- What A Line To Go Out On - Yvonne Elliman
- Disillusion Me - Gary Band
- The Ballad Of Robert And Peter - Tim Rice
- Christmas Dream - Maynard Williams
- It's Only Your Lover Returning/All Through My Crazy And Wild Days/Don't Cry For Me Argentina - Julie Covington
- It's Easy For You (1977 Jungle Room Session Version) - Elvis Presley
- Magdalena - Tony Christie
- Buenos Aires - The Roja Rockers
- Pollicle Dogs And Jellicle Cats - Andrew Lloyd Webber
- Mungojerrie And Rumpleteazer (Live At The Sydmonton Festival 1980) - Gemma Craven
- I Could Have Given You More - Petula Clark
- I've Been In Love Too Long - Marti Webb
- Benedicite - The Stephen Hill Singers
Album Description
Disc 1: Selections from Jesus Christ Superstar, Evita, Cats, and Song and Dance
Disc 2: Selections from Starlight Express, Requiem, Phantom of the Opera, and Aspects of Love
Disc 3: Selections from Joseph nad the Amaziong Technicolor Dreamcoat, By Jeeves, Sunset Boulevard, Whistle Down the Wind, and The Beautiful Game
CD 4: 1. "Oh What a Circus" --David Essex 2. "Memory" - Betty Buckleey 3. "The Phantom of the Opera" -Sarah Brightman, Steve Harley 4. "All I Ask of You" --Sarah Brightman, Cliff Richard 5. "Love Changes Everything"--Michael Ball 6. "Any Dream Will Do"--Donny Osmond 7. "Amigos Para Siempre (Friends for Life)"--Sarah Brightman, Jose Caerras 8. "As if We Never Said Goodbye"--Barbra Streisand 9. "The Perfect Year"--Dina Carroll 10. "With One Look" --Petula Clark 11. "You Must Love Me" 12. "The Heart Is Slow To Learn" --Kiri Te Kanawa 13. "Whistle Down the Wind"--Tina Arena 14. "A Kiss Is a Terrible Thing To Waste"--The Metal Philharmonic 15. "No Matter What"--Boyzone 16. "The Vaults of Heaven"--Tom Jones and Sounds of Blackness 17. "Try Not To Be Afraid"--Boy George 18. "Pie Jesu"--Charlotte Church
Disc 5: (All tracks available for the first time) 1. "Make Believe Love"--Wes Sands 2. "Down Thru' Summer"--Ross Hannaman 3. "I'll Give All My Love to Southend"--Ross Hannaman 4. "Believe Me I Will"--Sacha Distel 5. "Joseph and the Amazing Technicolor Dreamcoat: 1969 Luxembourg Radio Commercial--The Jospeh Consortium, Pete Murray 6. "Try It and See"--Rita Pavone 7. "Come Back Richard Your Country Needs You"--Tim Rice and the Webber Group 8. "Goodbye Seattle"-- Paul Raven 9. "John 19:41"--The Andrew Lloyd Webber Orchestra 10. "What a Line To Go Out On"--Yvonne Elliman 11. "Disillusion Me" --Gary Bond 12. "The Ballad of Robert and Peter"--Tim Rice 13. "Christmas Dream" --Maynard Williams 14. "It's Only Your Lover Returning/All through My Wild and Crazy Days/Don't Cry for Me Argentina--Julie Covington 15. "It's Easy for You" (1977 Jungle Room Session version)--Elvis Presley 16. "Magdalena"--Tony Christie 17. "Buenos Aires"--The Rioja Rockers 18. "Pollicle Dogs and Jellicle Cats"--Andrew Lloyd Webber original demo 19. "Mungojerrie and Rumpleteazer" (Live at Sydmonton Festival 1980)-Gemma Craven 20. "I Could Have Given You More"--Petula Clark 21. "I've Been in Love Too Long"--Marti Webb 22. "Benedicte"-- Stephen Hill Singers
Customer Reviews:
I waited for this for five years.......2006-06-30
Between Amazone, Ebay and Napster, I don't usually buy CDs anymore, and I usually wait till I can buy them cheaper "new and used". When this set came out, I was excited, mainly by Disc 5, but wasn't going to spend $70 on it. I waited till it was cheap enough, and got it for Father's day this year.
It was worth the wait.
The concept is great. The packaging is great. The recording is great. Disc five is really cool for an ALW aficionado. There are a few real gems on it; my favorites are Petula Clark's "I Could Have Given You More" and "Benedicite."
I've always thought "Gus the Theatre Cat" made a great medley on the piano with "Unexpected Song" and "I DOn't Know How to Love Him," but wished there was an alternate lyric to match the other two songs. Now that I know there *is*, and it's a good lyric, it's a dream come true.
The melody of "Benedicite" is one of my favorites from _Sunset_ (the book mis-identifies it as "SUrrender"; it's actually "The Lady's Paying" and "Eternal Youth is Worth a Little Suffering"). The lyrics are the canticle from Daniel 3, which comes up every odd Sunday in the Divine Office, so it's nice to have cool music to sing it with.
I haven't bought _By Jeeves_ or _THe Beautiful Game_ yet, to it was great to sample them.
There are other parts of the CD taht aren't found in my collection. I like CD 4 "The Hits."
But the selections on CDs 1-3 don't make sense.
First, any self-respecting ALW fan has the Original London Cast of _Phantom_, so six tracks are totally useless. Why not draw from the Canadian cast with Colm Wilkinson? Or pull out some obscure recordings never published.
Why two different tracks with Michael Ball singing "Love Changes Everything", yet they're hardly any different?
On Disc 5 is "It's Only Your Lover Returning," sung by Julie Covington. It's an early draft of the song (Lloyd Webber and Rice went through several suggested titles) and quite nice. The very thing one expects on a Boxed Set.
So why have the Julie Covington "Don't Cry for Me" on disc 1?? The only difference is a few words, but it's otherwise identical. Why not Elaine Paige or Patti Lupone or Madonna?
The _Evita_ section is otherwise the best, choosing a sample from each major recording, though I'd have chosen slightly differently (as above).
There is a great selection of "Mungojerrie and Rumpleteazer" from the Sydmonton festival, using the original music that was changed when _Cats_ went to Broadway_. It would have been nice if they'd included more recordings from Sydmonton, like the original lyric of "All I Ask of You" shown on the second DVD to the _Phantom_ movie.
With so many great actress-singers who've played Norma Desmond, why does the collection beat us over the head with Glenn Close?
Paul Miles Kingston must be set for life in royalties, for the number of albums the original recording of "Pie Jesu" has appeared on. "Amigos Para Siempre" is nice, but it reminds me of Shari Lewis's "The Song that Doesn't End," especially when it's been used on so many compilations.
In short, this is a great collection for the obscure material, if you can get it cheap. But for a boxed set, it's a poor sampling, drawn mostly from the most familiar recordings.
Excellent collection but BIG PUBLISHING MISTAKE! .......2006-01-10
Please beware they made a mistake on this. It's actually the shortened Ray Shell version of STARLIGHT EXPRESS from the original 1984 London cast - NOT the El Debarge single from 1987 like it says on the box. I don't know how they let that goof pass. Sorry to Ray Shell. Having said that, this is an outstanding compilation of Lloyd Webber's greatest hits.
ONE OF LLOYD WEBBER'S BEST COMPILATIONS, DESPITE A FEW FLAWS.......2005-03-21
Regardless of the fact that some of his latest efforts (most notably, The Woman in White) are disappointing, there can be little doubt that Andrew Lloyd Webber is one of the greatest composers ever to work in the musical theatre. Ever since his "Jesus Christ Superstar" hit the stage in the early 70-is, it was clear that the conception and perception of musicals are never going to be the same again. Many of his songs became standards not only in the theatre history, but also as tops on the charts. Even though he's British, his influence on the shape of the modern musical theatre expanded over the West End boundaries long ago and has thus made an enormous impact on Broadway. Two of his shows ("Cats" and "The phantom of the opera") hold the record as two the longest running shows in the history of Broadway. He has also been the only composer to have three of his shows running at Broadway concurrently. Some of his awards include three Grammies, a Golden Globe, an Oscar and a bunch of Tony awards. But perhaps most of all, Lloyd Webber is responsible for bringing the musicals and the theatre appealing to the wide audiences, who in different circumstances would not consider seeing a musical. The secret of his success is probably the mixture of beautiful and catchy melodies, interesting subject matter (though some, like Starlight Express, are too thin) and grandiose staging.
Over the years many compilations of his work have emerged. In the late 80-is and early 90-is it was the "Encore" series and lately the one-disc collection called "Gold". The one in question here can be considered one of the best currently on the market. First, it includes a 3-disc selections from all of his shows, minus the latest one, i.e., "The Woman in White", which, considering the triviality of the score, is no great lost. The fourth disc covers some of his most known songs sung by the famous artists. Then, there is the fifth disc with previously unreleased material, most of which are the songs ALW wrote with Tim Rice for various artists during the 70-is. The disks are all neatly packed in a hardcover book that features 67 pages of pictures and text with information about each of ALW's shows. One of the other assets here is the perfect sound quality, since all of the tracks have been digitally remastered.
Here are my basic impressions and comments regarding the material on the discs:
* Disc #1 has the selections from "Jesus Christ Superstar", "Evita", "Cats" and "Song & Dance". The Superstar material mostly comes from the Concept Recording. Although the songs sound beautiful as always, their orchestration is a bit dated now. Only Steve Balsamo's "Gethsemane" from the 1996 revival cast has a modern rock sound. "Evita" comes with the material from all of the major recordings: London, Broadway and the movie productions, as well as the Concept album. No objections here; since this is one of ALW's most satisfying works, every song is just perfect, although Patti LuPone, the Broadway and overall the best Evita, is left with only a couple of lines. With the selections from "Cats", however, I have some doubts. A plus to the choice of the "Jellicle ball" impressive orchestral sequence from the 1998 movie version and "Mister Mistoffelees" from the 1981 London cast. One of the best known ALW's songs, "Memory", also comes from that album. It's a pretty version and Elaine Paige's rendition cannot be matched, but why include this when the definite version, featuring an 80-piece orchestra and Elaine Paige with much better interpretation, can be found in the same movie version. Thusly, one has to buy Elaine Paige's latest 2-disc compilation "Centre Stage: The very best of Elaine Paige" to get that one. And "Gus the theatre cat" is more a recital than a song, so there was not much point in including that. Marti Webb brings her vocal charm to the "Song & Dance" sequence, Sarah Brightman sings "Unexpected song" with her famous soprano, but as much as I like her version, Bernadette Peters, who was in this show on Broadway is strangely left out here.
* Disc # 2 starts with "Starlight Express". This was never one of my favorite ALW's shows; the plot is even lighter than in "Cats" and the 1984 original cast recording is terribly dated. Yet, here we have one terrific duet, "I am starlight" from the original together with three songs from the later revivals and it seems that fresh orchestrations were just the thing Starlight needed. My favorite remains a touchy ballad, "Next time you fall in love". "Requiem" is the most solemn of all ALW's compositions, written in 1985 to commemorate the death of his father. Placido Domingo's tenor rides together with the chorus all the way through the strong "Hosanna", only to be joined by Sarah Brightman in the final moments of this song. She then gives an echoing deliverance of "Pie Jesu". What can be said of ALW's next show, "The Phantom of the Opera"? A phenomenon in its own right, it's easy to see from the six numbers included here why this is one of the best and most beloved musicals of all time. The cast, the music, the story - everything is perfect. Although "Aspects of love" was never a popular hit, it does have some of the most beautiful love melodies ALW has ever written. "Love changes everything" sung by Michael Ball is probably one of the best tunes ever about love. The rest of the selected material here has a dreamy love flavor and the melodies find their way into your brain in the best Lloyd Webber way.
* ALW's first musical, "Joseph and the amazing Technicolor dreamcoat" was more successful in its revival form than the original from the 70-is. The three songs included here are sung by the show stars, Jason Donovan and Donny Osmond. Maria Friedman was not a lucky choice to play the narrator, as the track from the 1998 movie version shows. "By Jeeves" was ALW's only big flop when it came to the stage in the 70-is. The 1995 revival sounds much better though, full of funny numbers in the best manner of the musical comedy. "Travel hopefully" remains one of the show's highlights on this compilation. "Sunset Boulevard" comes next. "Sunset" remains for me one of Webber's best scores; lush and beautiful. I listen to the original cast recording with Patti LuPone all the time. However, here most of the songs are performed by Glenn Close. A big mistake. If you've ever listened the American premiere recording with her, you'll know what I am talking about. She may have a strong stage presence, but her vocal abilities are too limited, and her aggressive approach to the role lacks any subtlety. Therefore, the two big numbers from this show, "With one look" and "As if we never said goodbye" are ruined by the fact she can't sing. The same goes for the American Joe Gillis, who was played by Alan Campbell. Luckily, Patti LuPone and Kevin Anderson, the original Norma and Joe from the London production, make their brief entrance here with the "Perfect year"; enough to show how better they are. The funny thing is, on the jacket and inside of it, Glenn Close and Alan Campbell are credited as performers in this song as well. If this was a mistake on ALW's part, it was a good one. The next ALW's show, "Whistle down the wind" was never a critic's dear and yet the audiences rushed in to see it in London. The score brings back ALW to his rock and roll roots of the seventies and the story is quite interesting. But the selections here are not the happiest, since the cast recording boasts with much better songs. And finally, "The Beautiful Game". Again, we have one of those ALW's shows that is worth in its individual parts rather than as a whole. "Our kind of love" and "Let us love in peace" are two catchy ballads. The latter is a nice amalgam version not available elsewhere. The two other tracks here I could live without.
* Disc # 4 has the songs from all the above shows performed by different artists. The assembled tracks have their pros and cons. For example, we have some previously unreleased stuff, like Dame Kiri Te Kanawa's operettic rendition of "The heart is slow to learn", or a stunning and epic "A kiss is a terrible thing to waste" from "Whistle down the wind", performed by The Metal Philharmonic Orchestra. Then again, what was the point in including almost identical tracks as the ones on the previous disks? So we have Michael Ball again singing "Love changes everything" with only a bit different orchestration; Sarah Brightman comes out again with the same Phantom duets, but only with the different male singers. It would be much more appropriate to include tracks from the Toronto Cast of the Phantom, with Colm Wilkinson. Other pop deliverances (Tina Arena's "Whistle down the wind", Barbra Streisand's "As if we never said goodbye", Boyzone's "No matter what" and many more) were wisely chosen. Patti LuPone is again nowhere to be found and Petula Clark's "With one look" sounds too worn-out.
* The last disc is probably the one that will be of most interest to Lloyd Webber aficionados. It consists of entirely previously unreleased material ALW for the most part wrote for various artists during his early years, with Tim Rice. Some of these tunes, not successful as a singles, were later used in his shows. Thus "Down thru' summer" became "Buenos Aires"in Evita, "Try it and see", an unsuccessful attempt for the Eurovision was used for "King Herod's song" in "Superstar" and so on. Some of these songs are nicely made pop songs: "Make believe love", ALW's first recorded composition, for which he provided the lyrics; "Goodbye Seattle", sung by Paul Raven, who later became Gary Glitter; "Come back Richard, your country needs you", from a never made musical, sung here by Tim Rice, or Latin flavored "Magdalena", with Tony Christie singing. My all time favorite here is a song called "It's easy for you", sung by none other than Elvis Presley himself. Lloyd Webber and Rice sent him a demo recording that he accepted and recorded this live version a couple of weeks before he died. It's amazing to hear how his voice remained in the perfect shape. Also, there is a track of Andrew Lloyd Webber singing "Policle dogs and Jellicle cats" while plying the piano. His voice doesn't sound bad at all.
Taken as a whole, this compilation makes a perfect birthday or Christmas present to any fan of Andrew Lloyd Webber shows, or just anybody interested in some of the best tunes from the modern era of the musical theatre; despite the flaws I mentioned above. To the former, it may just be the final addition for the Andrew Lloyd Webber collection.
SUCH MAGICAL MUSIC OF THE NIGHT!.......2003-01-19
"Evita." "Sunset Blvd." "Starlight Express." "Jesus Christ Superstar." "Joseph and the Amazing Technicolor Dreamcoat." "Requiem." "Aspects of Love." The man who is the most recognized composer in the history of the musical theatre, the man who has won more Tonys than any other composer, the man who boasts the best-selling show of all time ("The Phantom of the
Opera") and the longest-running show of all time ("Cats"), the man whose homes are filled with three Grammys, five Oliviers, a Golden Globe, and Oscar and too many other honors and hosannas to mention, the man knighted in 1992 certainly doesn't need an introduction. Now Decca Broadway pays tribute to Sir Andrew Lloyd Webber with "Now and Forever," a spectacular 5-CD set compiled and produced by Sir Andy himself. It's cheaper than a
ticket to "The Producers" ... and more much exciting. This treasure trove contains highlights from all of Webber's shows, and a bonus disc of tunes sung by Betty Buckley, Barbara
Streisand, Jose Carreras, Boy George, Charlotte Church, Madonna, Tom Jones, Petula Clark, even Elvis! A must for lovers of theatre---and good music.
A Must Have for Sir Andrew fans.......2002-05-21
This five-CD collection of Andrew Lloyd Webber's career is fantastic. It leaves virtually no stone unturned. I have no doubt that diehard Webber fans will love this, especially for the 5th disc entitled "From the Vaults." This disc alone is worth the price as it contains tunes never before heard by the typical fan. Who knew Elvis did a Lloyd Webber tune?!? I didn't! Also the tune "Benedictine" which the composer wrote for his most recent marriage is not only pretty, but it has the same medley as "The Lady's Paying" from "Sunset Blvd." which I found highly enjoyable. Another great track is the composer himself singing a cut song from "Cats" entitled "Pollicle Dogs and Jellicle Cats" which has the same tune as "Jellicle Songs for Jellicle Cats," but to hear Sir Andrew sing is a blast...he sounds a lot like Al "Year of the Cat" Stewart.
The cuts from the musicals are great but are likely owned by ALW fans as they are on the original cast albums. And I'm glad that there were tunes included from the composers most recent efforts which have yet to make it beyond London (Whistle Down the Wind, Beautiful Game).
My only complaint is the inclusion of way too many tracks by Sarah Brightman. She must've received a great divorce settlement that included having tunes on any ALW collection until the end of time!! Her interpretations of some of the tunes were limp and uninspired. I would've much rather heard casts from around the world rather than yet another song by this disdainful soprano! How about Colm Wilkinson's version of "Music of the Night" from the original Canadian cast of "Phantom"? Or Michael Crawford's version of "Unexpected Song"? What? No Betty Buckley from "Sunset Blvd."? And of course there are songs you KNOW are going to be on the collection before you even listen to it as they have been on EVERY ALW collection for the past decade or so.
A great collection but too much Sarah Brightman!
Average customer rating:
- a terrific compilation for beginners
- "Classical heartbreakers" broke my heart
- A Fantastic Compilation
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Classical Heartbreakers
Manufacturer: EMI Classics
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Binding: Audio CD
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ASIN: B0000B09Z9
Release Date: 2004-01-13 |
Tracks:
- Piano Concerto No. 1 - Andre Previn
- Intermezzo - Philharmonia Orchestra
- Rhapsody On A Theme Of Paganini - Sir Simon Rattle
- O Mio Babbino Caro - London Symphony Orchestra
- Viola Da Bamba Sonata In G Minor - Ton Koopman
- Beim Schlafengehen - London Philharmonic Orchestra
- Schindler's List Theme - Tasmin Little
- Clair De Lune - Dame Moura Lympany
- Symphony No. 5 - New Philharmonia Orchestra
- Ebben? Ne Andro Lontana - Philharmonia Orchestra
- Moonlight Sonata - Dame Moura Lympany
- Violin Concerto No. 1 In G Minor - Yehudi Menuhin
- E Lucevan Le Stelle - Georges Pretre
- Nocturne In C Sharp Minor - Maria Tipo
- Adagio For Strings - Philadelphia Orchestra
- Cello Concerto - English Chamber Orchestra
- Piano Concerto No. 2 In F - English Chamber Orchestra
- Va Pensiero - Bernard Haitink
Tracks:
- Adagio In G Minor - Sir Neville Marriner
- The Heart Asks Pleasure First / The Promise - Michael Nyman
- Time To Say Goodbye - Orchestra
- Goldberg Variations - Maria Tipo
- Barcarolle - Elisabeth Schwarzkopf
- Piano Concerto No. 2 - Sir Simon Rattle
- Nimrod - London Symphony Orchestra
- Vissi D'art - Maria Callas
- Cavatina - Manuel Barrueco & Steve Morse
- String Quintet In C - Laszlo Varga
- J'ai Perdu Mon Eurydice - John Eliot Gardiner
- Etude In E 'Tristesse' - John Ogdon
- Addio Del Passato - London Symphony Orchestra
- Double Violin Concerto - Bath Festival Orchestra
- Queen Symphony - Royal Philharmonic Orchestra
- Piano Concerto No. 1 - Garrick Ohlsson
- In Paradisum - English Chamber Orchestra
- My Heart Will Go On - Orchestra
- Rhapsody In Blue - Andre Previn
Customer Reviews:
a terrific compilation for beginners.......2006-02-07
I agree with P. Grupe-for classical music lovers, it is a let down to listen to cut tracks of well-performed classical greats, like Chopin's 1st piano concerto in this collection. Nonetheless, this is a terrific compilation for people beginning to get interested in classical music. This compilation is an eclectic mix of the familiar (Beethoven's moonlight sonata, Rachmaninov's Rhapsody on a Theme of Paganini variation no. 18, Myer's Cavatina, Barber's "Adagio for Strings, etc.), the contemporary (Michael Nyman's The Promise, Horner's My Heart Will Go On), and the truly moving (Bach's Double Violin Concerto, Bruch's Violin Concerto, Schubert's String Quintet in C)-relatively obscure pieces usually left out in less inspired and mediocre classical music compilations. It is gratifying to see that opera music has not been left out. Get this cd if only for the Maria Callas tracks, Lucia Popp's performance of Strauss' Beim Schlafengehen, and Dame Kiri Te Kanawa's Addio del passato.
"Classical heartbreakers" broke my heart.......2004-06-27
I am an avid listener of classical music, and I purchased this CD expecting to get some of the best classical music ever composed. I guess I expected a bit much though. Although the recording is filled with high quality performances of fantastic pieces, I was disappointed to find that only about half of the pieces are contained in their entirety on this 2-disc set. Songs such as Rhapsody in Blue and Beethoven's Moonlight Sonata were not recorded in full for this album, which caught me off guard and bothered me quite a bit.
Anybody who is unfamiliar with classical music will appreciate this album. Since it features some of the most moving classical pieces ever written, it is sure to entrance listeners. And by not placing entire 10-minute pieces on the CDs, it will not run on and bore those unaccustomed to the length of most classical music. However, if you are already well-versed in classical music and can listen to entire symphonies with ease, I would advise against buying this album. I now feel a desire to go out again and find the full versions of some of these pieces, since I feel I was cheated by only getting introductions or short movements on most of the album. Guess I should have paid a little more attention to what I was buying.
A Fantastic Compilation.......2004-05-01
Most of the musical pieces in this compilation are from versions as they appear in various movies. This is Classical music from classic movies such as: Somewhere in Time, Schindler's List, English Patient, The Piano, Platoon, et al. But make no mistake; the music is what's really worth mentioning here.
The title says it all. It claims to have "the most moving Classical music of all time," and they certainly have a case, as it is chock full of the kind of emotional pieces that can easily bring you to tears. This double CD compilation with 37 passionately beautiful pieces is a steal at $16.99.
If you've ever recorded your favorite songs on to tape, or burned them on to a CD, you'll see that this compilation is exactly what EMI Records has done. It is like a greatest hits, volume 1, of poignant Classical music. Almost all of the musical pieces are classic favorites, though there are a few contemporary ones also.
I found the music on this CD powerful and moving as advertised, and I think that Classical music fans should truly enjoy it. It is well worth the price it's being sold for, and I highly recommend it.
Since there is some missing information as to who the composers and artists are, here they are:
Disk 1
Tchaikovsky - Piano Concerto No. 1 in B Flat Minor Op.23: I. Allegro Non Troppo E Mol; Andre Previn; Horacio Gutierrez; The London Symphony Orchestra
Mascagni - Intermezzo (Cavalleria Rusticana) {Raging Bull}; Riccardo Muti; The Philharmonia Orchestra
Rachmaninov - Rhapsody on a theme of Paganini - Variation #18 {Somewhere in Time}; Cecile Ousset; City of Birmingham Symphony Orchestra; Sir Simon Rattle
Puccini - O Mio Babbino Caro (Gianni Schicchi) {A Room with a View};
Montserrat Caballe; The London Symphony Orchestra; Sir Charles Mackerras
Bach - Viola da Gamba Sonata in G Minor BWV1029 - II. Adagio (Opening) {Truly, Madly, Deeply}; Jordi Savall; Ton Koopman
Richard Strauss - Beim Schlafengehen (Vier Letzte Lieder) {The Hours}; Klaus Tennstedt; London Philharmonic Orchestra; Lucia Popp
Williams - Schindler's List (Theme) {Schlinder's List}; Iain Sutherland; New World Philharmonic; Tasmin Little
Debussy - Clair de Lune {Frankie and Johnnie}; Dame Moura Lympany
Mahler - Symphony No. 5 in C Sharp Minor: IV. Adagietto (Conclusion) {Death in Venice}; New Philharmonia Orchestra; Sir John Barbirolli
Catalani - Ebben? Ne Andrò Lontana (La Wally) {Diva}; Maria Callas; The Philharmonia Orchestra; Tullio Serafin
Beethoven - Piano Sonata No. 14 in C Sharp Minor "Moonlight" Op. 27/2 - I. Adagio S; Dame Moura Lympany
Bruch - Violin Concerto No. 1 in G Minor - II. Adagio (Opening) Sir Yehudi Menuhin; The Philharmonia Orchestra; Walter Susskind
Puccini - E Lucevan le Stelle (Tosca) {The Man Who Cried}; Carlo Bergonzi; Georges Pretre; Orchestre De La Societe` Des Concerts Du Conservatoire
Chopin - Nocturne in C Sharp Minor Op. Posth {The Pianist}; Maria Tipo
Barber - Adagio for Strings {Platoon} Eugene Ormandy; Philadelphia Orchestra
Elgar - Cello Concerto in E Minor Op. 85 - I. Adagio - Moderato (Opening) {Hilary and Jackie}; London Philharmonic Orchestra; Norman Del Mar; Robert Cohen
Shostakovich - Piano Concerto No. 2 in F Op.102 - II. Andante Dmitri Alexeev; English Chamber Orchestra; Jerzy Maksymiuk
Verdi - Va, Pensiero (Chorus of Hebrew Slaves) (Nabucco) {The Godfather, Pt. 3}; Bernard Haitink; Covent Garden Chorus & Orchestra of the Royal Opera House
Disk 2
Albinoni - Adagio in G Minor (Realised Giazotto) [Extract] {Gallipoli}; Academy of St. Martin in the Fields; Sir Neville Marriner
Nyman - Heart Asks Pleasure First/The Promise {The Piano}; Unknown artist
Quarantotto & Sartori - Time to Say Goodbye; David Abel
J.S. Bach - Goldberg Variations - Aria {The English Patient}; Maria Tipo
Offenbach - Barcarolle (Les Contes d'Hoffmann) {Life Is Beautiful}; Choeurs Rene Ducios; Clu; Elisabeth Schwartskopf; Jeannine Collard; Orchestre De La Societe` Des Concerts Du Conservatoire
Rachmaninov - Piano Concerto No. 2 in C Minor - II. Adagio Sostenuto (Opening) {Brief Encounter}; Cecile Ousset; City of Birmingham Symphony Orchestra; Sir Simon Rattle
Elgar - Nimrod ("Enigma" Variations) {Elizabeth}; The London Symphony Orchestra; Sir Adrian Boult
Puccini - Vissi d'Arte (Tosca); Georges Pretre; Maria Callas; Orchestre De La Societe` Des Concerts Du Conservatoire
Myers - Cavatina {The Deer Hunter}; Manuel Barrueco; Steve Morse
Schubert - String Quintet in C D956 - II. Adagio (Opening) {Carrington}; Hungarian Quartet; Laszlo Varga
Gluck - J'Ai Perdu Mon Eurydice (Orphée et Eurydice); Anne Sofie Von Otter; John Eliot Gardiner; Orchestre De L'Opera De Lyon
Chopin - Étude in E "Tristesse" Op.10/3; John Ogden
Verdi - Attendo, Attendo...Addio del Passato (La Traviata); Dame Kiri Te Kanawa; Myung-Whun Chung; The London Symphony Orchestra
Bach - Double Violin Concerto in D Minor BWV 1043 - II. Largo Ma Non Tanto {Children of a Lesser God}; Bath Festial Orchestra; Christian Ferras; Sir Yehudi Menuhin
Kashif - Queen Symphony - III. Adagio {Who Wants to Live Forever - Save Me}; Royal Philharmonic Orchestra; Tolga Kashif
Chopin - Piano Concerto No. 1 in E Minor - II. Romance (Larghetto) (Opening) {The Truman Show}; Garrick Ohlsson; Jerzy Maksymiuk; Polish National Symphony Orchestra
Faure - In Paradisum (Requiem) {The Thin Red Line}; Cambridge Choir of Kings Choir; English Chamber Orchestra; Stephen Cleobury
Horner - My Heart Will Go On {Titanic}; David Abel
Gershwin - Rhapsody in Blue (Conclusion) {Manhattan}; Andre Previn; The London Symphony Orchestra
Music:
- Very Best of Bing Crosby Christmas [Original recording remastered]
- Wee [Import] [Limited Edition] [Original recording remastered]
- Wicked (2003 Original Broadway Cast) [Cast Recording]
- Woman In White (2004 London Cast) [Cast Recording]
- 1st Ladies of Gospel
- 20 Grandes Exitos
- 70: Seventieth Birthday Celebration
- A City Called Heaven
- After Midnight: The Complete Session
- Aida (2000 Original Broadway Cast) [Cast Recording]
Music
Music
The Most Relaxing Classical Album In the World Eveer, Volume II.......2006-08-28
