Ragtime - The Musical (1998 Original Broadway Cast) [Cast Recording]
Editorial Reviews
Amazon.com essential recording
The epic sweep of Ragtime is captured in its opening prologue, a nine-minute kaleidoscope of fictional characters mingling with historical figures from the early 20th century as originally captured in E.L. Doctorow's sprawling novel. As the story continues, we meet pianist Coalhouse Walker Jr. (Brian Stokes Mitchell) and his child's mother, Sarah (Audra McDonald), who has been taken in by a respectable family (including Marin Mazzie as Mother). Parallel story lines of the Latvian immigrant Tateh (Peter Friedman), the entertainer Evelyn Nesbit (Lynnette Perry), and even Harry Houdini (Jim Corti) and Emma Goldman (Judy Kaye) eventually mingle and merge. Stephen Flaherty and Lynn Ahrens (Once on This Island) mix marches, cakewalks, and of course ragtime to create a rich, compelling score, including Sarah's song to her baby, "Your Daddy's Son," her soaring duet with Coalhouse, "Wheels of a Dream," Mother's self-revealing "Back to Before," and numerous set pieces, all performed by a perfect cast. Ragtime was nominated for 12 Tony Awards in 1998, with wins for McDonald, original score, book, and orchestration. The CD also includes an eight-minute symphonic suite conducted by Paul Gemignani and a booklet with photos, full lyrics, and a history of how the score was written. Tragic, touching, and ultimately triumphant, Ragtime is an American classic. --David Horiuchi
Entertainment Weekly
The most compelling American musical-theater song-writing team ... composer Stephen Flaherty and lyricist Lynn Ahrens often attain epic grandeur by using foreshadowing and recurring motifs to interweave the lives of the 10 principals.
Ragtime - The Musical (1998 Original Broadway Cast) [Cast Recording]
Ragtime - The Musical (1998 Original Broadway Cast), Music, Stephen Flaherty, Lynn Ahrens, Audra McDonald, Brian Stokes Mitchell, Marin Mazzie, Cast Recordings, Klezmer, Original Cast Recordings, Pop, Ragtime, Show Tunes, Showtunes / B'way, Soundtracks, Swing
Average customer rating:
- Excellent recording of an excellent show
- Ragtime
- A Beautiful and Inspirational Cast Recording!
- In the Age of Sondheim, this piece stands beside his work and doesn't pale at all.
- Ragtime, Ragtime , Ragtime, Ragtime, Ragtime, Ragtime, Ragtime!!!!!
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Ragtime - The Musical (1998 Original Broadway Cast)
Stephen Flaherty , Lynn Ahrens , Audra McDonald , Brian Stokes Mitchell , and Marin Mazzie
Manufacturer: RCA Victor Broadway
ProductGroup: Music
Binding: Audio CD
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ASIN: B0000064XS
Release Date: 1998-04-28 |
Tracks:
- Prologue: Ragtime
- Goodbye, My Love
- Journey On
- The Crime of the Century
- What Kind of Woman
- A Shtetl Iz Amereke
- Success
- His Name Is Coalhouse Walker
- Getting' Ready Rag
- Henry Ford
- Nothing Like the City
- Your Daddy's Son
- The Courtship
- New Music
- Wheels of a Dream
- The Night That Goldman Spoke at Union Square
- Gliding
- The Trashing of the Car
- Justice
- President
- Till We Reach That Day
Tracks:
- Entr'acte
- Harry Houdini, Master Escapist
- Coalhouse's Soliloquy
- Coalhouse Demands
- What a Game
- Fire in the City
- Atlantic City
- Buffalo Nickel Photoplay, Inc.
- Our Children
- Harlem Nightclub
- Sarah Brown Eyes
- He Wanted to Say
- Back to Before
- Look What You've Done
- Make Them Hear You
- Epilogue: Ragtime/Wheels of a Dream (reprise)
- The Ragtime Symphonic Suite
Amazon.com essential recording
The epic sweep of Ragtime is captured in its opening prologue, a nine-minute kaleidoscope of fictional characters mingling with historical figures from the early 20th century as originally captured in E.L. Doctorow's sprawling novel. As the story continues, we meet pianist Coalhouse Walker Jr. (Brian Stokes Mitchell) and his child's mother, Sarah (Audra McDonald), who has been taken in by a respectable family (including Marin Mazzie as Mother). Parallel story lines of the Latvian immigrant Tateh (Peter Friedman), the entertainer Evelyn Nesbit (Lynnette Perry), and even Harry Houdini (Jim Corti) and Emma Goldman (Judy Kaye) eventually mingle and merge. Stephen Flaherty and Lynn Ahrens (Once on This Island) mix marches, cakewalks, and of course ragtime to create a rich, compelling score, including Sarah's song to her baby, "Your Daddy's Son," her soaring duet with Coalhouse, "Wheels of a Dream," Mother's self-revealing "Back to Before," and numerous set pieces, all performed by a perfect cast. Ragtime was nominated for 12 Tony Awards in 1998, with wins for McDonald, original score, book, and orchestration. The CD also includes an eight-minute symphonic suite conducted by Paul Gemignani and a booklet with photos, full lyrics, and a history of how the score was written. Tragic, touching, and ultimately triumphant, Ragtime is an American classic. --David Horiuchi
Customer Reviews:
Excellent recording of an excellent show.......2007-05-26
I highly recommend this item, especially if you're looking for a new favorite musical. Buy this 2 CD set, instead of the 1 CD version because 1) the 1 CD version is merely a concept album, and the final show underwent numerous changes before taking its final form, 2) In order to fit on 1 CD some of the best music of the show is cut from the other version, and 3) the 2 CD version contains enough narration and plot songs that if you've never seen the show you have a very good idea of what it's about.
Unlike many other cast albums, "Ragtime" doesn't contain any clunker songs. Every one is either catchy, innovative, heart wrenching, or outright fun.
Ragtime.......2007-05-15
Got the CD after seeing the show, and have listened again and again with increasing appreciation for the show, and the novel, which I re-read after many years.
"It's somehow haunting me . . ."
A Beautiful and Inspirational Cast Recording! .......2006-09-13
This 2-disc set is the most beautiful recording you will ever come across. The sound is perfect and it contains all of the songs from the musical, unlike the 'Highlights' CD. The singers are brilliant and they play their roles perfectly. Brian Stokes Mitchell is a wonderful and intense Coalhouse, and Peter Friedman is a beautiful voice as Tateh. Marin Mazzie and Audra McDonald co-star as Mother and Sarah, and Mark Jacoby is a inspirational and powerful Father. Lynette Perry and Jim Corti are halarious as Evelyn Nesbit and Harry Houndini. Some of the best songs on this recording are:
Prolouge: Ragtime
Journey On
Success
Gettin Ready Rag
New Music
Wheels of a Dream
Justice
Till We Reach That Day
Coalhouse's Silioquy
Coalhouse Demands
What a Game(halarious!)
Atlantic City
Our Children
He Wanted to Say
Look What You've Done
Epilouge
This recording also includes a bonus track: The Ragtime Symphonic Suite, which contains the tunes to the main songs in Ragtime. Like the other songs, this track is wonderful. If you are looking for a recording that will make you laugh, cry, and inspire you all at once, this is the perfect buy for you!
In the Age of Sondheim, this piece stands beside his work and doesn't pale at all........2006-06-18
"Ragtime" utilzes so many different elements. From a compositional stand point, the music begins as does the story. We have three different classes of people and three different styles of music. As the musical proceeds and the classes begin to mingle and then clash, the music does the same thing. This is a subtle element of brilliance; most audience memebers wouldn't catch this. This piece comes as close to opera as does "Sweeney Todd". The recording includes a Orchestra Suite at the end that is so well written that it stands beautifully on it's own and doesn't sound like a last minute Overture. Each character is well defined by musical motif. The cast is outstanding with the very best singers and actors available to Broadway and Lincoln Center. Marin Mazzie sings the remarkable "Back To Before" and Audra MacDonald "Your Daddy's Hands" making them songs that will stand as monuments to theatre the way that "People" does for Streisand, "Rose's Turn" For Merman, "Hello Dolly" for Carol Channing. The musical skill of the orchestra is remarkable, whether it's the pianist, the clarinet sounding like an Eastern European standard. Or the remarkable first violin who climbes up a scale to bring a piece together at the end for a pitch so beautifully played at the top of the instrument's range. The songs themselves are spectacular; each piece develops and we do hear character development themes; each repeated motif in a song has thickened and developed along with the character, so we never ever feel as though the score was written hastily. "Ragtime" is a musical that defies the old line, "Theatre in New York is Dead."
Ragtime, Ragtime , Ragtime, Ragtime, Ragtime, Ragtime, Ragtime!!!!!.......2006-01-27
When I was 11 I got the oppertunity to see Ragtime on Broadway, but back then I really didn't get how deep and beautiful the score was and is. Back then I just thought it was boring and I couldn't wait to leave so I could be that much closer to seeing the Lion King (Which is also an amazing musical, but anyway).
Now that I'm older I truly see how amazing the score is and that it really deserved the Tony. This recording is also inspired, from the first 8 min sweeping introduction into the show, to the it's reprise at the end almost every song is wonderful. Beautifully written and preformed.
Some of my favorites are:
Prolouge
Goodbye My Love
Journy On
The Crime of the Century
Success
His Name was Coalhouse Walker
Henry Ford
Nothing Like the City
Your Daddy's Son
New Music
The Night That Goldman Spoke at Union Square
Gliding
Justice
President
Till We Reach that Day
Coalhouse Soliloquy
Coalhouse Demands
What A Game
Atlantic City
Bufalo Nickle Photoplay INC
Sarah Brown Eyes
He Wanted to Say
Epolouge
I wish that I Could have appreciated this score/show the first time is saw it cause then I wouldn't have wasted time missing these songs. Buy this album , you will not be sorry.
Average customer rating:
- Bravo! Mo' Mo' Mo'
- This is a must have for any music lover!
- wonderful collection of music
- awesome music selection
- They Left Out The Best Song
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Three Mo' Tenors
Thomas Young , Roderick Dixon , and Victor Trent Cook
Manufacturer: RCA Victor
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ASIN: B00005LVVC
Release Date: 2001-07-24 |
Tracks:
- La Donna e Mobile
- Let the Good Times Roll
- Make Them Hear You
- Ah! Mes Amis.
- Ellington Medley
- The Jazz Cat & Minnie the Moocher
- Twisted
- Nessun Dorma
- Today I Sing the Blues
- Soul Medley
- Have You Heard / Glory
- Were You There
- America The Beautiful
- Gospel Medley
Amazon.com
Inspired by the astoundingly popular The Three Tenors series, Broadway director Marion J. Caffey conceived and directed Three Mo' Tenors, bringing greater visibility to the classically trained African American voice. Starring seasoned tenors Roderick Dixon, Thomas Young, and Victor Trent Cook, Three Mo' Tenors is a theatrically staged concert set taped for public television's Great Performances. A companion to the taped show, the disc features just over an hour of live music from it. The phenomenal showmanship of Dixon, Young, and Trent Cook takes shape in the styles of opera, Broadway, blues, jazz, soul, spirituals, and gospel. The three virtuosos hit high C's with clarity and brilliance; scat with grace and grit; belt, bend and hold a note to beat the band. They move the audience to a state of near-ecstasy performing the traditional "Were You There (When They Crucified My Lord)" and Puccini's glorious "Nessum Dorma." Other standouts include the jazz classic "Twisted," a rollicking version of "Today I Sing the Blues," and the salty "Minnie the Moocher." Boisterous, bold, and bountiful, Three Mo' Tenors is a modern classic. --Paige LaGrone
Customer Reviews:
Bravo! Mo' Mo' Mo'.......2006-05-13
The word "Mo'" in the title got my attention. I bought the CD to compare it to the already popular "Three Tenors" (Placido Domingo, Luciano Pavarotti and Jose Carreras). Wow! Was I surprised. I had expected an all opera, classical and possibly spiritual repetoire. But, the music varies from "Nessun Dorma" to "Love Train" was truly, truly delightful. I enjoyed the wonderful voices of Thomas Young, Roderick Dixon, and Victor Trent Cook and the variety of musical selections so much that I purchased several other copies for my family and friends. Then, several months later, I saw their performance on PBS. I immediately ordered the VHS offered by the TV station, paying way, way over the retail price. But, I had to have it. It was, and is, the most exciting musical performance that I have seen. Later, when I put the tape into the player at my son's house, my 5-year-old granddaughter Ciara stood next to the sofa to watch. I expected her to move away soon, but, she stood there, during the entire playback of the performance, and I do mean from beginning to end. I left the tape there so that son could see it later. The following day, and for most days during the next several weeks, Ciara asked to have the tape played, until she later was taught to handle it herself. The family has since replaced my VHS with the DVD so that now, when Ciara visits me, we can watch the show again (and again). "Three Mo' Tenors" was so surprisingly wonderful- with great voices, charismatic personalities, terrific orchestral arrangements, lively and precisely choreographed routines, and just an overall feeling of mutual admiration and respect among the three gentlemen. The beautiful cinematics, with frequently interspersed shots of the enthusiatic audience, contributes to the feeling that I am actually there at the concert. Every time I watch it, I see and hear something new. When I first heard the CD, I was not fascinated by the countertenor voice. After seeing Victor Trent Cook's heartwarming performance on the DVD, and hearing his comment about his mother's definition of a countertenor, I have been granted a new appreciation for his voice. Here it is, years later, and I'm still enamored, remembering Roderick Dixon's "Make Them Hear You" elicits tears, Thomas Young's "Twisted" makes me laugh, and the duet with Victor and Thomas (see, I'm now on first-name basis with them) is so beautiful. I could to on and on. In fact, it's time for another listen.
This is a must have for any music lover!.......2006-01-07
I would rate this CD more than five stars if I could! I picked up this CD not knowing anything about these guys, but, knowing that I liked some of the songs contained on it. I was absolutely blown away by this collection! These guys have it all. Voices, talent, showmanship, style, technique, etc. Everytime I listen to it, I feel like I'm sitting right there in the theatre. I am a huge fan of opera, jazz and gospel. This CD covers it all! Although my favorite tracks are La Donna e Mobile, Make Them Hear You, and Nessun Dorma, they are all so good! I wouldn't hesitate to buy this again. You have to hear them to believe them!
wonderful collection of music.......2005-08-23
A good album is one that can't be categorized neatly. Three Mo' Tenors tackles classic opera, Broadway tunes and other genres with ease. They have beautiful voices, and the music they choose to interpret is so universal that even my toddler girl loves listening to it! Their technical expertise combined with their stage presence and charisma makes for an enjoyable cd. Highly recommended - especially if you are looking to introduce yourself or your children to different musical genres.
awesome music selection.......2005-08-02
These are amazing musical selections and amazing vocalists; a must-have for any well-rounded music collection. This trio can really sing!
They Left Out The Best Song.......2004-11-11
One of my most favorite performance DVD's, but how, or why, on earth did they leave off the most stiring single number on the CD - "A Song For You," by Rodrick Dixon?
Put it in, and it's a "five."
Average customer rating:
- Archeophone's "Real Ragtime" Second Edition
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Real Ragtime: Disc Recordings from Its Heyday
Manufacturer: Archeophone Records
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- The Greatest Ragtime of the Century
ASIN: B000BKP5K4
Release Date: 2005-09-27 |
Tracks:
- Florida Rag (Vess L. Ossman)
- When Uncle Joe Plays a Rag on His Old Banjo (Arthur Collins)
- Booster Fox Trot (Victor Military Band)
- Berkeley March (Cullen and Collins)
- Hu-la Hu-la Cake Walk (Sousas Band)
- Dill Pickles Rag (Chris Chapman)
- Cakewalk (John J. Kimmel)
- Everybody Rag with Me (American Quartet)
- Creole Belles (Columbia Orchestra)
- By the Sycamore Tree Medley (Ossman and Hunter)
- The International Rag (Collins and Harlan)
- Silver Heels (Fred Van Eps)
- Canhanibalmo Rag (Arthur Pryors Band)
- A Coon Band Contest (Vess L. Ossman)
- Youre Talking Rag-Time (Arthur Collins)
- Sugar Plum (Samuel Siegel and Roy Butin)
- Whipped Cream (Fred Van Eps)
- Deiro Rag (Guido Deiro)
- Old Folks Rag (Van Eps Trio)
- Ragged William (Metropolitan Orchestra)
- Ragtime Temple Bells (Billy Murray)
- Russian Rag (Earl Fullers Rector Novelty Orchestra)
- Hungarian Rag (Pietro Deiro)
- Wild Cherry Rag (Eddie Morton)
- The King of Rags (Arthur Pryors Band)
- The Darkies Awakening (Vess L. Ossman)
- Cohans Rag Babe (Arthur Collins)
- Some Baby (Van Eps Banjo Orchestra)
- Ruff Johnsons Harmony Band (Gene Greene)
Product Description
From the introduction: This CD is the second edition of Archeophones very first release, which established our mission of providing detailed, scholarly, and unabashed reissues of the early recording industrys product in attractive and generous packages. With this newly remastered, freshly annotated edition, we are bringing our first and favorite release to the standards that you expect from the leader in acoustic-era reissues. To some music fans, the title of Real Ragtime sounded like a battle cry of authenticity, but the aim of the collection was and remains a simple one, grounded in the history of record buying a century ago: to show that the ragtime consumers were likely to find on records for more than 20 years was not the kind of ragtime we think of today. They were more likely to find banjos and brass bands playing ragtime than pianos, and their collections of disc recordings almost certainly had numerous examples of watered-down ragtimethe Tin Pan Alley knock-offs that really had no ragtime but called themselves rags just for the added marketability such a designation would bring. Ragtime was as much about a musical mood, a general feeling in the air, as it was about what scholars would identify as real ragtime. It was a trope that defined the early recording industry and pervaded the entire culture for a generation. These are the recordings people listened to, whether they were really ragtime or notand they were thought of, no doubt, as the genuine item.
Customer Reviews:
Archeophone's "Real Ragtime" Second Edition.......2005-10-09
This is the second edition of this CD to be released by Archeophone Records. It contains one additional tune and one substitution. The selections have been remastered, and the sound which was good the first time, has even been improved this time. Some of these recordings are over one hundred years old, and have no right to sound this good! This disc offers a good cross section of the music that was popular between 1898 and 1918. The booklet is done with a real attention to detail, and a lot of information is included along with photographs and first class graphics. This disc, along with the others from this company (I have them all), can stand tall alongside any other reissues by anyone!
Titles I especially enjoy are "Booster Fox Trot" by the Victor Military Band; "Dill Pickles Rag" by Chris Chapman; "The International Rag" by Collins and Harlan; "Cohen's Rag Babe" by Arthur Collins; and "Ragtime Temple Bells" by Billy Murray.
By the way, the substitution mentioned is a different version of "Dill Pickles Rag". The original version by Chris Chapman (1908), is included here, while the version by William H. Reitz (1922), was featured in the first edition of this CD. The additional tune is "Sugar Plum" by Samuel Siegel and Roy Butin.
For those who enjoy original recordings of the first quarter of the twentieth century, this disc is a good place to begin. Archeophone Records is the premier company reissuing this material, and I can recommend their CDs highly. They have released discs featuring Bert Williams, Billy Murray, Art Hickman, and The Benson Orchestra of Chicago; along with over twenty more titles, all of the highest quality sound that modern remastering will allow.
Average customer rating:
- Delightful
- A Master Class in Singing
- Bryn is swell, but the bombast is annoying
- Surprisingly Fine Crossover from Fleming and Terfel
- BREATHTAKING VOCAL MAGNIFICENCE~BRAVO!!!
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Renee and Bryn: Under the Stars
John Harold Kander , Andrew Lloyd Webber , Claude-Michel Schoenberg , Richard Rodgers , Gerard Presgurvic , Jason Robert Brown , Meredith Willson , Lucy Simon , Cole Porter , Stephen Flaherty , Ralph Salmins , and David Hartley
Manufacturer: Decca
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ASIN: B000088E7D
Release Date: 2003-02-11 |
Tracks:
- "Not While I'm Around" (from Sweeney Todd by Stephen Sondheim)
- "Moonfall" (from The Mystery of Edwin Drood by R. Holmes)
- "I Don't Remember You The Happy Tim" and "Sometimes a Day Goes By" (from Woman of the Year by Kander & Ebb)
- "All the Love I Have" (from The Beautiful Game by Ben Elton & Andrew Lloyd Webber)
- "I Wish I Could Forget You / Loving You" (from Passion by Stephen Sondheim)
- "Stars" (from Les Misirables by Boublil & Schvnberg)
- "All I Ask of You" (from The Phantom of the Opera by Andrew Lloyd Webber)
- "Hello, Young Lovers" (from The King and I by Rodgers & Hammerstein)
- "Pretty Women" (from Sweeney Todd by Stephen Sondheim)
- "Aimer" (from Romio et Juliette by Presgurvic)
- "All the Wasted Time" (from Parade by J. Brown)
- "Seventy-Six Trombones" (from The Music Man by Willson)
- "How Could I Ever Know" (from The Secret Garden by Simon and Norman)
- "So In Love" (from Kiss Me Kate by Cole Porter)
- "Wheels Of a Dream" (from Ragtime by Ahrens & Flaherty)
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In these days of the crossover, it is hardly surprising to find two great opera singers making a foray into numbers from Broadway musicals by such composers as Cole Porter, Stephen Sondheim, and Andrew Lloyd Webber. What's remarkable is that they seem completely at home in this music. Both say they grew up listening to it, and indeed they approach these songs with no less care and seriousness than they'd give the most demanding operatic arias, and without a trace of condescension. However, their vocal, expressive, and interpretive styles are very different, both in the solos and the duets. Terfel projects assertive manliness, tender, intimate affection, and rollicking humor without external effects, using only his incomparably sonorous voice and powerful personality. His diction is impeccably clear, and though he has sometimes let his theatrical flair spill over into Schubert songs, he is the soul of simplicity here. This is in stark contrast to Fleming's tendency to exaggerate colors and dynamics and to turn sentiment into sentimentality. Moreover, though she claims a background as a jazz singer, her "crooning" sounds artificial and unnatural. However, her top notes, culminating in a triumphant high C at the end of the final number, ring gloriously. Her voice glows and shimmers with irresistible luster, soaring from seductive whispers to thrilling climaxes. The program features a great variety of love songs, and includes an antiwar protest (from Beautiful Game), a celebration of the American dream (from Ragtime), and a rousing fun piece (from The Music Man). Unfortunately, even the best songs are marred by thoroughly corny arrangements. Listeners will find their own favorites, but the real "stars" on this record are the two singers. --Edith Eisler
Customer Reviews:
Delightful .......2006-07-24
I truly enjoy Terfel's vocal talent and found it to be well suited for this genre. Fleming's impeccable soprano voice is a bit overpowering for this style of music. (I own this CD)
A Master Class in Singing.......2006-06-20
This CD is a must-have for any person interested in the singing art. Ms. Fleming and Mr. Terfel gives new light to these Musical Theatre classics. Their fine vocalism in the musical theatre genre coupled with the depth of musicality and dramatic phrasing in each of the selections is truly a breath of fresh air. This recording is indeed a Master Class!
Bryn is swell, but the bombast is annoying.......2006-05-03
Love Bryn Terfel, the finest bass-baritone in Opera. Love Renee Fleming's luscious soprano. But the arrangements! Kettle drums and bombast and bang, bang, bang! Once Renee starts swooping, things go downhill, with little redemption.
It starts out beautifully. "Not While I'm Around" has never sounded more intimate to me than Terfel's caressing pianissimo. Fleming's "Moonglow" is stunningly good. Terfel makes a medley out of "I Don't Remember You and Sometimes a Day Goes By" that makes you want to cheer, and Fleming does a lovely Sondheim medley as well. Bryn sings "Stars" and makes me long for him in Les Mis. And then...things tend to go downhill. The bombast takes over and gets to you - it overwhelms two of the biggest voices now recording. Then Fleming begins to swoop and scoop, over-coloring and often coming off as simply self-indulgent, reminding one of a kid who makes a point of putting his face in a camera shot.
I don't mind Bryn as Prof. Harold Hill - I frankly think the Welsh accent is kinda cute - and it doesn't bother me on "Wheels of Dream," either, but Fleming seems to have lost her mind on that great song, and rather than indulging her, it would have simply been better left off the album. Ditto "All that Wasted Time" which is pretty much unlistenable. Ms. Fleming needs to stop thinking she is a jazz singer.
The four stars are because this album does contain some truly GLORIOUS moments, particularly in the duets, and in Terfel's solo's which are warm and memorable. Without him, the kettle drums and Fleming's self-indulgence would have made the whole endeavor unbearable.
Surprisingly Fine Crossover from Fleming and Terfel.......2006-04-18
Bryn Terfel and Renee Fleming are two of the most acclaimed opera singers of our day. But the musical theatre fan who puts on their Broadway CD, RENEE AND BRYN: UNDER THE STARS, expecting to hear a carelessly compiled hodgepodge of songs sung by voices ill-suited to them is in for a big surprise, beginning with the first phrases of the duo's warmly sung "Not While I'm Around" from SWEENEY TODD. True, these singers' beautiful voices have greater power and range than even the best of the Broadway stars', but this is an asset in these songs, most of which are either semi-operatic in nature or call (like THE MUSIC MAN's "Seventy-Six Trombones") for such an outsize personality as Terfel's. Fleming's sensuous and tonally gorgeous rendition of "Moonfall" from THE MYSTERY OF EDWIN DROOD can be placed among her very finest recordings, operatic and otherwise. And Terfel is ideally suited to both "Pretty Women" from SWEENEY TODD and "Stars" from LES MISERABLES; few if any Broadway Javerts could match the impact of his "This I swear by the stars!" Kander and Ebb's "I Don't Remember You" and "Sometimes a Day Goes By" make a perfect medley here, as do Sondheim's "I Wish I Could Forget You" and "Loving You" from PASSION. And though I don't care for the Andrew Lloyd Webber selections (ersatz Puccini) or the Jason Robert Brown one (which sounds too much like a pop song), Terfel and Fleming's singing of them is beyond reproach. The program ends with a bang: a rendition of "Wheels of a Dream" worthy to stand beside the now-classic one by Brian Stokes Mitchell and Audra McDonald on the original cast album of RAGTIME. Welshman Terfel's natural accent is noticeable here; but if one imagines him as, say, an Irish immigrant married to an African-American woman (as Fleming here sounds uncannily like McDonald or like Leontyne Price) his accent is appropriate and his voicing of the "bridge" section ("Oh Sarah, it's more than promises/Sarah, it must be true...") especially moving. Fleming's ecstatic final high note makes one want to applaud and cheer, both for the song and for the successful "crossover" effort.
BREATHTAKING VOCAL MAGNIFICENCE~BRAVO!!!.......2004-10-11
So captivating are these incredible singers in the glorious live concert "Under The Stars" creating an unforgettable musical masterpiece of epic proportions that is so moving and great to watch that I ran out and purchased this studio recorded Compact Disc the next day!! The brilliance of the live broadcast carried over into the recording studio capturing Renee and Bryn at the peak of their incredible powers emotionally and vocally making them the most effective crossover artists since the great Barbara Cook who like Miss Cook sing with emotion that is accurate for this type of material which is usually not the case with classical voices. Renee Fleming sings with genuine passion and stirring emotions and her timing is absolutely flawless and this lady has alot of soul and the Torrie Zito arranged "Moonfall" is a stunning masterpiece that clearly illustrates this. A dazzling medley each show both singers in glorious peak form with Bryn splendid in the enchanting "I Don't Remember You/Sometimes A Day Goes By" and Renee spellbinding and haunting in the gorgeous "I Wish I Could Forget You/Loving You" which will make anyone who loves a great voice fall in love with this amazingly gifted singer. "Stars" features a commanding performance from Bryn that raises the roof and this is so refreshing and inspired in these musically tired times!!! This superb showcase is full of wonderfully exciting performances which are capable of making people feel again and this is what is sorely needed in music today and BRAVO to Bryn Terfel and the gorgeous Renee Fleming for achieving this with complete artistic brilliance. Captivating duets fill this wonderous collection and never have classics such as "Not While I'm Around" or "All I Ask Of You" been sung more brilliantly than here. Renee is magical with "Hello, Young Lovers" while Bryn is commanding and winning with "Pretty Women". Renee's stunning "All The Wasted Time" is a vocal and emotional tour-de-force that is like a wild roller-coaster ride that you won't want to end as this is one of the most riveting songs that I have ever heard from a Broadway score and this certainly must be the definitive performance of this great song. This lady can really really sing and this is some deeply serious singing~WOW!!! Gorgeous together again in the beautiful "How Could I Ever Know" which is hair-raising and wonderfully soulful and sophisicated together in Cole Porter's "So In Love". A grand finale by these two awesome vocal wonders lives up to expectations being a complete blowout vocal festival and they definitely do not disappoint here!!! "Wheels Of A Dream" is mesmerizing and soars to magnificent heights with Bryn and Renee in peak form singing to the skies and hitting notes that I swear I have never heard before~BRAVO!!!!!!! You are both magically inspired and simply put as good as it gets!!!! Highly recommended if you love two awesome vocal wonders at their absolute peak in a magnificent beautifully orchestrated setting!!! Thank you Bryn & Renee...
Average customer rating:
- One of my best soundtracks...ever
- Rating
- Ragtime (1981 Film Soundtrack)
- A beautiful achievement
- Absolutely brilliant.
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Ragtime (1981 Film Soundtrack)
Manufacturer: Elektra / Wea
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ASIN: B000065DV8
Release Date: 2002-05-21 |
Tracks:
- Main Title
- Newsreel
- I Could Love a Million Girls
- Train Ride
- Tateh's Picture Book
- Lower East Side
- Delmonico Polka
- Coalhouse and Sarah
- Waltz for Evelyn
- One More Hour
- Sarah's Responsibility
- Change Your Way
- Clef Club No. 1
- Atlantic City
- Clef Club No. 2
- Sarah's Funeral
- Denouement / Morgan Library Takeover / Rhinelander Waldo / Coalhouse's Prayer
- Ragtime
- Ragtime Theme (Demo)
Album Description
Available for the first time on CD! From 2002 Academy Award Winner Randy Newman-the complete 1981 soundtrack restored in digital sound and featuring the bonus track 'Ragtime Theme' (Demo).
Customer Reviews:
One of my best soundtracks...ever.......2007-03-30
Newman's music is both rousing and plaintive. "One More Day" is worth the price of admission alone. Quite simply, beautiful.
Rating.......2007-03-08
Since this stuff is sold out in Europe, it was good to find it at your place. Shipment etc. was all OK and meanwhile we enjoy the music.
Thanks a lot.
Ragtime (1981 Film Soundtrack).......2007-02-20
Beautiful music. It sets a mood throughout that is rather sad no matter what the words say.
A beautiful achievement .......2006-02-25
The excelent Milos Forman timepiece on the 20's based on the Doctorow novel has a marvelous musical translation in this soundtrack close to perfection. It gets the time and mood of the movie, and reflects its main dramatic moments. I would dare to say that this soundtrack is one of the finest coming out from a movie of the 80's. Besides, it sounds great in this digitally remastered version. Do not hesitate to get it. It's a real beauty.
Absolutely brilliant........2005-12-28
I first came across this soundtrack when looking for Donald O'Connor songs - I'm a big fan of his, and I'm trying to track down all the songs he's ever recorded. It just so happens he has one of the most delightful songs on this soundtrack, "I could love a Million Girls". Apparently it's from a Disney film called Summer Magic, but I don't think Disney would approve of how dirty this song is if you think about it! Donald O'Connor was around 55 or so when he recorded this song, so his voice isn't as great as it was once, but he still does a fantastic job.
Now, onto the other songs. "Ragtime" (the song listed on the soundtrack) is hauntingly beautiful - it really captures the feeling and mood of the time, and puts you right back there. Same with most of the other "score" tracks. This is definately one of the best scores out there, and it's a pity it didn't do better. I guess it's almost ahead of it's time a little, considering this was the time period that gave us films like The Blues Brothers and other such early SNL comedies which didn't require scores like Ragtime needed. It really should've done better, but for now enjoy the soundtrack because I doubt you'll get another release of it!
Average customer rating:
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Rhapsody in Ragtime
Manufacturer: Klavier
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ASIN: B000O17166
Release Date: 2007-03-27 |
Tracks:
- Original Rags
- Entertainer
- Handful of Keys
- In a Mist
- Rhapsody in Ragtime
- Rialto Ripples Rag
- Three Shades of Blue/Indigo
- Three Shades of Blue/Alice Blue
- Three Shades of Blue/Heliotrope
- Meadow Serenade (Melody No. 72) (From Strike Up the Band)
- Nola - A Silhouette for the Piano
- Rush Hour in Hong Kong (From Three Chinese Pieces)
- 12th Street Rag
- Ain't Misbehavin' (From Hot Chocolates)
- Jitterbug Waltz
- Kinda Careless (From African Suite)
- Fourth Dimension
- Humorestless
- Two Waltzes in C ("Tonight" from Pardon My English)
- Magnetic Rag
- Charleston Rag
Customer Reviews:
A Masterpiece!.......2007-04-29
The word "masterpiece" is often over-used in reviews here on Amazon, but in this case, it's certainly appropriate. Richard Dowling may be better known as a classical pianist, renowned for his interpretations of such romantic and impressionist composers Chopin and Ravel, but his sensitive touch transfers beautifully to these ragtime, stride, and early jazz selections. There are some familiar rags here from Scott Joplin, Eubie Blake, Euday L. Bowman, Felix Arndt, Zez Confrey, and others, but also some delightful obscurities such as Abram Chasins's "Rush Hour In Hong Kong," Gershwin's "Two Waltzes In C," and Ferde Grofé's previously unrecorded "Three Shades of Blue." Admittedly, much of the music on this CD falls outside the realm of so-called "classic ragtime," and leans more towards the 1920s/1930s "novelty" and Gershwin-esque classically-influenced jazz, but this isn't necessarily a bad thing. As a long-time classic ragtime fan, I found the selections on this disc a refreshing change of pace from the usual fare. I'm particularly astounded by Dowling's performance of Bix Beiderbecke's "In A Mist." Aside from Bix's own solo piano recording of his most famous work, I consider Dowling's to be the definitive performance of the score as it was originally published (and I've heard several dozen solo piano recordings of "In A Mist"). Dowling's mastery of the impressionist style gives "In A Mist" a warmth and beauty I've never heard anywhere else. Forget Claude Bolling, forget Ralph Sutton, forget Dick Hyman, Dill Jones, Lincoln Mayorga, Ken Werner, or any other pianist you've heard play "In a Mist." They may be decent, but THIS is it! Having said that, I would have liked a little more "oomph" in Dowling's performances of Fats Waller's "Handful of Keys" or Eubie Blake's "Charleston Rag," but on the whole, this is a remarkable CD that I consider one of the highlights in my extensive ragtime collection. The recorded sound is brilliant--like sitting in the front row of a concert hall listening to a beautifully-tuned Steinway grand piano. No out-of-tune, rinky-dink upright here! Dowling treats the pieces with the respect they deserve, and his flawless technique and energetic performances make him one of the best ragtime pianists around today. Highly recommended!
Average customer rating:
- redux
- Moderate Quality
- POOR EXCUSE FOR SOME GOOD THEATER MUSIC
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Ultimate Broadway II: The Very Best of Broadway Now
Various Artists
Manufacturer: RCA Victor Broadway
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ASIN: B000092Q7E
Release Date: 2003-05-20 |
Tracks:
- Overture (from Gypsy) - London Cast Recording
- Man of La Mancha (I, Don Quixote) - Brian Stokes Mitchell, Ernie Sabella
- Run, Freedom, Run! - Hunter Foster
- Your Daddy's Son - Ted Sperling, Ragtime Orchestra
- Music Of The Night (From The Phantom Of The Opera) - Colm Wilkinson
- All That Jazz (from "Chicago") - Bebe Neuwirth
- Gimme Gimme - Michael Rafter
- La boh; Act I; O soave fanciulla - Placido Domingo, Sherrill Milnes, Montserrat Caball
- Next Best Thing To Love - Randy Graff
- Cabaret - Natasha Richardson
- Springtime For Hitler (From "The Producers") - John Morris, Mel Brooks
- Losing My Mind - Barbara Cook
- Time Warp - Raparza
- Oklahoma!; Oklahoma - Finale: Oh, What a Beautiful Mornin' (Reprise) - Musical Cast Recording
- Breeze Off the River - Patrick Wilson
- Big Spender - Jane Lanier, Valarie Pettiford, Shannon Lewis, Kim Greene, Kim Morgan, Dana Moore, Rachelle Rak, Elizbeth Parkinson, Dede LaBarre, Mary Ann Lamb, Mary McLeod
- Gee Officer Krupke - Cast
- Agony - Paul Gemignani
- Bring Him Home (from Les Miserables) - Colm Wilkinson, Colm
- Lullaby of Broadway (from "42nd Street") - John Lesko, Jerry Orbach
Customer Reviews:
redux.......2007-07-06
Four of the songs on this CD (Oklahoma, Music of the Night, Cabaret, and All That Jazz) were on the earlier Ultimate Broadway. Of all the shows that have been on Broadway over the past 70+ years, including the ones that are currently running, there is no excuse for repeats!
Moderate Quality.......2003-06-20
I believe that the show selection for this CD was excellent. However the song selection and song order were not. Why pick "Your Daddy's Son" from Ragtime when you can have the amazing and fantastic "Prologue" from the same show. Also I believe that a mistake was made by slecting "I Don Quixote" from Man of La Mancha instead of the much more listenable "Impossible Dream." Also the overture from Gypsy is not the proper song to start out a CD. Perhaps the "Overture" from The Phantom of the Opera.
This is however an excellent example of showtunes for inexperienced members of the theatrical world.
POOR EXCUSE FOR SOME GOOD THEATER MUSIC.......2003-05-20
The best of Broadway? Sure, if you consider the best of Broadway only those songs taken only from RCA Victor cast recordings. Expect the expected: Tracks from "Ragtime," "Chicago," "42nd Street" and "Man of La Mancha," sung by the likes of Audra
McDonald, Bebe Neuwirth, Jerry Orbach and Brian Stokes Mitchell. Including a live recording of Barbara Cook warbling "Losing My Mind" from her "Mostly Sondheim" CD isn't exactly kosher. But then again, neither is this gimmick-riddled release. Curtain up?
Half-way, maybe. Light the lights? Dim them, please.
Average customer rating:
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Best of the Boston Pops: 20th Century Masters the Millennium Collection
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ASIN: B0002KQOAI
Release Date: 2004-08-03 |
Tracks:
- Main Title (Star Wars) - John Williams
- Princess Leia's (Star Wars) - John Williams
- Love Story Theme
- Gentle On My Mind
- By The Time I Get To Phoenix
- Wichita Lineman
- Those Were The Days
- Alexander's Ragtime Band
- Maple Leaf Rag
- Seventy-Six Trombones (The Music Man) - John Williams
- Hoe-Down (Rodeo) - John Williams
- Waltz Of The Flowers (Nutcracker Suite)
- Jesu Joy Of Men's Desiring (Cantata BWV 147)
- Artist's Life
- The Stars And Stripes Forever
Average customer rating:
- Music and the Great War
- How a Century Has Change Our Perception of War
- Excellent Recording!
- Good music, bad title
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The Great War: Classical And Popular Selections From The Time Of World War I (National Public Radio Milestones Of The Millennium)
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Similar Items:
- Great War
- Over There - Songs From America's Wars
- Words and Music of World War II
- The Roaring Twenties
- Songs That Got Us Through WWII
ASIN: B00000HXKX
Release Date: 1999-01-12 |
Tracks:
- Military March No. 1 In D Major, Op. 39: Pomp Ad Circumstance
- Waltz Fom Der Rosenkavalier Suite
- 'Von der Schonheit' From Das Lied von der Erde
- 'De l'aube a midi sur la mer' From La Mer
- Symphony No. 1 in D Major, Op. 25 'Classical Symphony': III. Gavotta. Non troppo allegro
- L'histoire du soldat Suite - IV. The Royal March
- L'histoire du soldat Suite - V. The Little Concert
- Le tombeau de Couperin - V. Menuet
- Le tombeau de Couperin - VI. Toccata
- Sinfonia From Pulcinella Suite
- Walzer From Funf Klavierstucke, Op. 23
- Interlude From Wozzeck, Act III
- Prologue From Music Ffor The Theatre
- 'Shine On Harvest Moon'
- 'Alexander's Ragtime Band' - Irving Berlin
- 'Over There'
- 'How You Gonna Keep'em Down On The Farm (After They've Seen Paree)?'
- 'The Man I Love' From Stride Up The Band
- 'West End Blues'
Amazon.com
The first two-thirds of this disc is a fascinating cram course in concert music around the time of World War I. The programmer has put together some fascinating juxtapositions--for example, Strauss's Rosenkavalier leads almost seamlessly into Mahler's Das Lied von der Erde, and Schoenberg sounds out of context with everybody (including Berg). The selections are all short, and performance quality runs from great to mediocre, but this is still a thought-provoking educational experience, even though Bartók and Ives are conspicuously missing. The popular selections are less interesting, often campy, and although vintage recordings are used, they aren't always the right vintage. And someone missed a point by separating Copland's jazzy "Music for the Theatre" from Louis Armstrong, who could have followed immediately. --Leslie Gerber
Customer Reviews:
Music and the Great War.......2007-05-14
This is a fascinating compendium of popular and classical music from the World War One period. It evokes all the turmoil, anguish, and also humor, of the age, and is a vital CD to own if you have an interest in the Great War and the music it inspired or was inspired by.
How a Century Has Change Our Perception of War.......2005-10-29
War. Tough subject these days - tough subject since the beginning of time. Yet Americans tend to mend wounds and gradually allow the atrocities of yesteryear to fade into coated cases that signal more memories of 'how things used to be' rather than learning from the tragedies with which war has scarred the planet. National Public Radio issued this excellent memoir at the turn of the millennium and one wonders if it now has the same response that greeted it in 1999.
Linda Kobler reconstituted this mix of classical and popular music with a keen sense of history. The CD is twice divided (in both the classical and the popular music) into 'Before the War' 1901 - 1917, 'During the War' 1917 - 1922, and 'After the War' 1922 - 1928. In the first era are the works of Elgar ('Pomp and Circumstance'), Strauss (a waltz from 'Der Rosenkavalier'), Mahler (excerpt from 'Das Lied von der Erde'), and Debussy ('La Mer') joining the songs 'Shine On Harvest Moon' and 'Alexander's Ragtime Band'. The War period is represented by Prokofiev's 'Symphony No. 1', Stravinsky's 'L'histoire du soldat', and Ravel's 'Le tombeau de Couperin' in tandem with 'Over There'. After the war include Stravinsky ('Pulcinella Suite'), Schoenberg (Waltz from 'Five Piano Pieces'), Berg (excerpt from 'Wozzeck') and Copland ('Music from the Theatre') with popular songs 'How you gonna keep 'em down on the farm', 'The Man I Love', and 'West End Blues'.
The excerpts selected for this survey are exceptionally good: orchestras include NY Phil, LA Phil, Philadelphia Orchestra, London Symphony, and the Columbia Symphony under such batons a Ormandy, Bernstein, Salonen, Tilson Thomas, Schippers and Stravinsky; soloists include Glen Gould, Robert Casadesus, Lili Chookaskian, Louis Armstrong, et al. The sonics are very fine and the performances are each from significant full recordings remaining in the catalogue.
The booklet accompanying this concert of memories is written by Linda Kobler who uses each selection as a pivotal point in the atmosphere of the globe that accompanied the Great War: it is very well written and informative. This is one of those recorded collections that goes far beyond an accumulation of bits and pieces and instead gives food for thought about how our political and social actions intertwine with the arts in a prophetic way. Highly Recommended. Grady Harp, October 05
Excellent Recording!.......1999-03-13
(It was called The "Great" War, because nobody knew about WWII at the time and it was the biggest war anyone had ever seen.)
I think this CD may be a bit choppy to "easy" listeners, but for anyone who has a sincere interest in delving into the musical senses of earlier generations it's VERY good! I recommend the entire NPR Milestones of the Millennium series to such aficionados.
Good music, bad title.......1999-02-11
Since when is war great? Life in the trenches waiting for the germans to attack you worrying about whether mustard gas is gonna loft your way isn't exactly like sipping chablis.
Average customer rating:
- Mixed feelings
- Your love for this superb collection will be here to stay...
- He's done it again
- Absolutely 'S WONDERFUL!
- A beautiful 2 disc CD-another hit for Michael
|
The Michael Feinstein Anthology
Manufacturer: Elektra / Wea
ProductGroup: Music
Binding: Audio CD
All Works by Gershwin
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Similar Items:
- Romance on Film/Romance on Broadway
- Hopeless Romantics
- Isn't It Romantic
- Nice Work If You Can Get It: Songs by the Gershwins
- Michael & George (Feinstein Sings Gershwin)
ASIN: B000065DVH
Release Date: 2002-05-21 |
Tracks:
- Nice Work If You Can Get It
- Isn't It Romantic
- Swinging On A Star
- Ask Me Again
- Rhode Island Is Famous For You
- 'S Wonderful
- Wonder Why
- Too Marvelous For Words
- Where Do You Start
- Theme From The Bad And The Beautiful
- Easy To Love
- Alexander's Ragtime Band
- Who Are You Now?
- You're An Education
- You Are There
- Sophisticated Swing
- Love Can Change The Stars
- Come Out, Come Out Wherever You Are
- Half Of April (Most Of May)
- Marianne
- They Can't Take That Away From Me
- I Love A Piano
Tracks:
- That's Entertainment
- My Favorite Year
- Ten Feet Off The Ground (With Rosemary Clooney)
- I Never Felt Better
- Someone To Watch Over Me
- Kiss Her Now
- The Ugly Bug Ball
- For You, For Me, Forever More
- The Mole People
- And So To Bed
- You're All The World To Me
- Old Friend
- Isn't It A Pity (with Rosemary Clooney)
- Pattisserie
- Open Your Eyes
- For Love Alone
- I Won't Send Roses/Time Heals Everything
- Get Out And Get Under The Moon (with Page Cavanaugh)
- My Romance
- Love Is Here To Stay
- Violin (with Liza Minnelli)
Amazon.com
The line between evangelist and entertainer has always been somewhat indistinct. But as showcased on this 43-track, double-disc collection culled from his '87-'96 recordings for Elektra/Nonesuch/Atlantic, Michael Feinstein's dedication to spreading the gospel of the American song often blurs it beyond recognition. While the singer's pedigree for the task is impeccable (a long-term stint as Ira Gershwin's assistant and early career sponsorship by Liza Minnelli), his interpretations often succeed by playing off a tense axis of fervent emotionalism and a joyous sense of irreverence.
If his readings of romantic standards can sometimes tend toward the precious, they're often balanced here by sheer dramatic power and telling insights ("Isn't It Romantic" fairly bristles with ironic chauvinism) and a few loopy curves ("The Mole People," the Sherman Brothers' "The Ugly Bug Ball," and the previously unreleased "Rhode Island Is Famous for You"). Feinstein's dedicated song archaeology is also showcased on several gems: "Violin," a duet with Liza Minnelli; "My Favorite Year," a rejected ballad for the film of that name; the sublime "lost" Gershwin classic "Ask Me Again."
Sprinkled with live performances (the forum where Feinstein's talents seem most energized) and studio outtakes and featuring a lengthy print interview with the singer, the set chronicles both the pioneering efforts of one of pop music's most successful revivalists and, crucially, the cream of his beloved American songwriters, from stalwarts Gershwin, Berlin, and Porter to later legends like Herman, Styne, Lane, Martin, and Mercer. --Jerry McCulley
Album Description
The definitive collection of performances by the Grammy nominated singer features 43 tracks from 14 albums released by Elektra, Elektra Nonesuch, and Atlantic labels from 1987-1996. Plus 8 previously unreleased live tracks only available here 'Rhode Island is Famous For You', 'S Wonderful', 'Alexander's Ragtime Band', 'I Love A Piano', 'Patisserie', 'Get Out And Get Under The Moon' (with Page Cavanaugh), 'Love Is Here To Stay' & 'Violin' (with Liza Minnelli). 2 Digipacks housed in a slipcase with a booklet. Rhino Records. 2002.
Customer Reviews:
Mixed feelings.......2005-10-05
This album has some GREAT songs on it; sophisticated swing being one of my favorites. However many of the other songs are too operatic and lame. I give three stars but this album is definatly worth it just for some of the better songs.
Your love for this superb collection will be here to stay..........2002-07-18
The magnificently talented Michael Feinstein has made one wonderful album after another for nearly two decades. Now that Elektra and Rhino have put together this anthology, I am blown away by the versatility and diversity in Feinstein's recorded output. Such amazing rare gems, combined with the most beloved favorites in the history of American Popular Song. Assembled with wit, intelligence, and obvious affection on the part of the record company, this set is a keeper. You'll love it!
He's done it again.......2002-07-15
Is there anything this man can't sing? This collection is so varied as to be the definitive collection of songs for any occassion.
This is perfect background music for a dinner party for a whole group but especially for two. Light, romantic and just gorgeous. You just can't go wrong when Michael Feinstein is your musical choice.
Way to go Michael, you've done it again!
Absolutely 'S WONDERFUL!.......2002-06-10
There are very few contemporary performers who can hold their own with the truly great interpreters of American popular song. Michael Feinstein is truly the ONLY performer of the "younger" generation who really understands what these songs are all about. His incredible knowledge of this music, and his enthusiasm and passion for it have fueled his career. Rhino Records has done a truly outstanding job of putting together an anthology that exemplifies why Mr. Feinstein has become so beloved by audiences around the world. The packaging is excellent, and filled with interesting photos and background information about many of the selections.
This collection not only contains all the favorites one would expect, but a neat group of surprises too. I especially love the duets with people like Liza Minnelli and Rosemary Clooney, and the various collaborative efforts with songwriters like Jule Styne and Burton Lane accompanying Michael at the piano.
This collection is a classic to be treasured. Bravo Michael!
Bravo Rhino!
A beautiful 2 disc CD-another hit for Michael.......2002-06-09
I have every CD Michael has ever made and this is by far one of the best ones because of Michael's range in singing and his wonderful singing voice. I love his duets with Rosemary Clooney and Liza Minelli. He is a wonderful performer on this double CD and am looking foward to the next CD.
Music:
- Riverdance: Music From The Show [Special Edition] [Soundtrack]
- Seussical: The Musical [Cast Recording]
- Somewhere over the Rainbow: The Golden Age of Hollywood Musicals
- Sondheim Sings, Vol. 1: 1962-1972 [Cast Recording]
- Sondheim Sings, Vol. 2: 1946-1960 [Cast Recording]
- Songs For A New World (1996 Original New York Cast) [Cast Recording]
- South Pacific (Original 1949 Broadway Cast) [Cast Recording]
- South Park: Bigger, Longer & Uncut - Music From And Inspired By The Motion Picture [Explicit Lyrics] [Soundtrack]
- Sweeney Todd, the Demon Barber of Fleet Street (Highlights from the 1979 Original Broadway Cast) [Cast Recording]
- Sweet Charity (2005 Broadway Revival Cast) [Cast Recording] [Extra tracks]
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