Bells Are Ringing (1956 Original Broadway Cast) [Cast Recording] [Extra tracks] [Original recording remastered]
Editorial Reviews
Amazon.com
In 1956, Judy Holliday was at the peak of her fame--she had just won an Oscar for Born Yesterday, and her old buddies Comden and Green were about to write a Broadway show for her. Bells Are Ringing may not be among composer Jule Styne's top-drawer scores, but the show benefits from Comden and Green's reliably zany book and lyrics (it's simply impossible not to crack up at songs like "Mu-Cha-Cha"), and Holliday is magnificent as phone operator Ella Peterson. The bonus tracks include Styne doing "Boogie Woogie Shoogie, Baby of Mine," which was cut from the show because the vocally challenged leading man, Sydney Chaplin, couldn't handle it. But even he can't ruin the show's biggest hit (the wonderful "Just in Time"), which brilliantly manages to be equally emotional and funny--the exact combination that made Holliday such a compelling star, come to think of it. --Elisabeth Vincentelli
Bells Are Ringing (1956 Original Broadway Cast), Music, Jule Styne, Betty Comden, Adolph Green, Cast Recordings, Musicals, Original Cast Recordings, Pop, Show Tunes, Showtunes / B'way, Soundtrack
Average customer rating:
- Great to Hear All those great Voices from the Past
- A Good One!
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ASIN: B0000029PM
Release Date: 1996-10-29 |
Tracks:
- Oklahoma!: Oh, What A Beautiful Mornin' - John Raitt/Franz Allers
- On The Town: New York, New York - Michael Kermoyan/Adolph Green/John Reardon/Cris Alexander & Chorus/Leonard Bernstein
- Annie Get Your Gun: I Got The Sun In The Morning - Doris Day/Franz Allers
- Fiddler On The Roof: If I Were A Rich Man - Topol/Gareth Davies
- West Side Story: Tonight - Larry Kert/Carol Lawrence/Max Goberman
- The Sound Of Music: The Sound Of Music - Mary Martin/Frederick Dvonch
- My Fair Lady: On The Street Where You Live - Jerry Lanning/Theodore Saidenberg
- Annie: Tomorrow - Andrea McArdle/Peter Howard
- The Music Man: Seventy-Six Trombones - The Boston Pops Orchestra/John Williams
- Anything Goes: You're The Top - Eileen Rodgers/Hal Linden/Julian Stein
- Bye Bye Birdie: Put On A Happy Face - Dick Van Dyke/Elliot Lawrence
- Mame: Open A New Window - Angela Lansbury & Cast/Don Pippin
- Strike Up The Band: Strike Up The Band - The Chestnut Brass Co.
- Sweet Charity: Hey, Big Spender - Helen Gallagher/Thelma Oliver/Fan-Dango Girls/Fred Werner
- Bells Are Ringing: Just In Time - Judy Holliday/Sydney Chaplin/Milton Rosenstock
- Gypst: Together, Wherever We Go - Ethel Merman/Jack Klugman/Sandra Church/Milton Rosenstock
- Cabaret: Cabaret - Jill Haworth/Harold Hastings
- Phantom Of The Opera: The Music Of The Night - The Boston Pops Orchestra/John Williams
- Show Boat: Ol' Man River - William Warfield/Franz Allers
- A Chorus Line: What I Did For Love - Priscilla Lopez & Cast/Don Pippin
- A Little Night Music: Send In The Clowns - Glynis Johns/Harold Hastings
Customer Reviews:
Great to Hear All those great Voices from the Past.......2007-07-05
I just wanted to confirm what the first reviewer had to say about this CD. To hear Ethyl Merman, Mary Martin, Andrea McCardle etc. singing their trademark songs brought a lot of memories from the mid-centry musical theater back again. The last song by Glynis Johns is especially poignant.
You certainly can't beat the price!
A Good One!.......2006-11-10
This is a very good CD, mostly because it's the original artists. I've had some that were re-recorded by no name artists that were ghastly. This one is a really good one--including the sound quality. If I had one wish, I would wish it were longer!
Average customer rating:
- Fabulous for any Broadway-lover
- Top Shelf
- TERRIFIC CD'S
- Great Collection of Broadways greatest Songs
- Great Compilation!
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Broadway - The American Musical (PBS Series)
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ASIN: B00064ADMK
Release Date: 2004-10-19 |
Tracks:
- Give My Regards To Broadway- Joel Grey
- Swanee- Al Jolson
- When The Moon Shines On The Moonshine- Bert Williams
- A Pretty Girl Is Like A Melody- John Steel
- My Man- Fanny Brice
- Fascinating Rhythm- Fred Astaire, Adele Astaire
- If You Knew Susie (Like I Know Susie)- 78rpm Version Eddie Cantor
- Someone To Watch Over Me- Gertrude Lawrence
- Bill- 78 rpm Version Helen Morgan
- Ol' Man River- Paul Robeson
- Ain't Misbehavin'- Louis Armstrong & His Orchestra
- Ten Cents A Dance- Ruth Etting
- Body And Soul- Libby Holman
- Brother, Can You Spare A Dime- Bing Crosby
- Night And Day- Fred Astaire
- Heat Wave- Ethel Waters
- Smoke Gets in Your Eyes- Tamara
- You're The Top- Ethel Merman
- Summertime- Anne Brown
- September Song- Walter Huston
- My Heart Belongs To Daddy- Mary Martin
- It Never Entered My Mind- Shirley Ross
- Bewitched, Bothered, Bewildered- Vivienne Segal
- Oh, How I Hate To Get Up In The Morning- Irving Berlin
- Oh, What a Beautiful Mornin'- Alfred Drake
Tracks:
- New York, New York- Cris Alexander,Adolph Green,John Reardon
- If I Loved You- John Raitt,Jan Clayton
- Come Rain Or Come Shine- Ruby Hill,Harold Nicholas
- There's No Business Like Show Business- Ensemble
- How Are Things In Glocca Morra? From "Finian's Rainbow"- Ella Logan
- Once In Love With Amy- Ray Bolger
- Wunderbar- Alfred Drake,Patricia Morison
- Some Enchanted Evening- Ezio Pinza
- Lost In The Stars- Todd Duncan
- Diamonds Are A Girl's Best Friend- Carol Channing
- Luck Be A Lady- Robert Alda,Guys
- Getting To Know You- Gertrude Lawrence
- Who Cares?- Jack Carson,Betty Oakes
- Stranger In Paradise- from " Kismet" Doretta Morrow,Richard Kiley
- Ballad Of Mack The Knife- Gerald Price
- Hey There- from "The Pajama Game" John Raitt
- Whatever Lola Wants- Gwen Verdon
- I Could Have Danced All Night- Julie Andrews
- Standing On The Corner- from "The Most Happy Fella, 1956" Shorty Long,John Henson,Alan Gilbert
- The Party's Over- Judy Holliday
- Glitter And Be Gay- Barbara Cook
- Tonight- Larry Kert, Carol Lawrence
Tracks:
- Seventy-Six Trombones- Robert Preston
- I Enjoy Being A Girl- from "Flower Drum Song, 1958" Pat Suzuki
- Everything's Coming Up Roses- Ethel Merman
- My Favorite Things- from "The Sound Of Music" Mary Martin
- Put On A Happy Face- from "Bye Bye Birdie" Dick Van Dyke
- Try To Remember- Jerry Orbach
- Camelot- from "Camelot" Richard Burton
- Love Makes The World Go 'Round- Anna Maria Alberghetti
- I Believe In You- Robert Morse And Co.
- The Sweetest Sounds- Diahann Carroll,Richard Kiley
- Comedy Tonight- Zero Mostel
- What Kind Of Fool Am I?- Anthony Newley
- As Long As He Needs Me- Georgia Brown
- Hello, Dolly!- Carol Channing,Cast
- People- Barbra Streisand
- Anyone Can Whistle- from "Anyone Can Whistle" Lee Remick
- If I Were A Rich Man- Zero Mostel
- Night Song- Sammy Davis, Jr.
- The Impossible Dream- Richard Kiley
- If My Friends Could See Me Now- Gwen Verdon
- Open a New Window- from Mame Voice
Tracks:
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- Let The Sunshine In- James Rado,Lynn Kellogg,Melba Moore,Cast
- I'll Never Fall In Love Again- Jill O'Hara,Jerry Orbach
- The Ladies Who Lunch- from "Company" Elaine Stritch
- Tea For Two- Roger Rathburn,Susan Watson
- I'm Still Here- Yvonne De Carlo
- I Don't Know How To Love Him- Yvonne Elliman
- We Go Together- Adrienne Barbeau,Barry Bostwick,Walter Bobbie,Cast
- Corner Of The Sky- John Rubinstein
- Send In The Clowns- Glynis Johns
- Ease On Down The Road- Stephanie Mills,Tiger Haynes,Ted Ross,Hinton
- One- from "A Chorus Line" Cast
- All That Jazz- Chita Rivera,Ensemble
- Tomorrow- Andrea Mcardle
- Don't Cry For Me Argentina- Patti Lupone
- Come Follow The Band
- Lullaby Of Broadway- Jerry Orbach
- And I'm Telling You I'm Not Going- Jennifer Holliday
- The Bells Of St. Sebastian- Raul Julia
Tracks:
- Memory- Betty Buckley
- I Am What I Am- George Hearn
- Move On- Bernadette Peters,Mandy Patinkin
- Do You Hear The People Sing?- Michael Maguire,Cast
- The Music Of The Night- Michael Crawford
- You're Nothing Without Me- James Naughton,Gregg Edelman
- The American Dream- Jonathan Pryce,Cast
- Doctor Jazz- Gregory Hines,Company
- With One Look- Glenn Close
- On Broadway- Adrian Bailey,Frederick B. Owens,Ken Ard,Victor Trent Cook
- Le Jazz Hot- Julie Andrews,Ensemble
- Seasons Of Love-
- Hakuna Matata- Max Casella,Tom Alan Robbins,Scott Irby-Ranniar,Jason Raize
- I Wanna Be A Producer- Matthew Broderick,Ensemble
- Dancing Queen- Louise Plowright,Jenny Galloway
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- Movin' Out- Michael Cavanaugh,Band
- I Go To Rio- Hugh Jackman,Company
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Customer Reviews:
Fabulous for any Broadway-lover.......2007-01-30
Packs into 5 CD's a sampling of Broadway tunes from the 20's thru (almost) today, mostly from original cast recordings. Includes not just well-known hits, but also some lesser-known gems. Sound quality is first rate, booklet is informative too. Have given this as a gift to several friends with rave reviews.
Top Shelf.......2007-01-04
This is THE definitive collection of Broadway hits. I have other collections, and none of them measure up. A great deal of care was obviously taken in compiling and presenting this box set. It covers a lot of ground, starting with some long-forgotten but still very enjoyable hits from the days of yore, and finishing with present-day favorites. To the best of my knowledge, the recordings are by those who made them famous. You won't be disappointed.
TERRIFIC CD'S.......2006-03-23
THESE BROADWAY MUSICALS CD'S ARE A BROADWAY LOVERS DREAM. WITH EACH SONG, MEMORIES COME FLOODING BACK. BOTH THE FAMILIAR AND THE FORGOTTEN SONGS ARE A TRUE LISTENING PLEASURE. IF YOU LIKE BROADWAY, YOU'LL LOVE THIS SET.
Great Collection of Broadways greatest Songs .......2005-06-14
This Collection was perfectly made it has almost all the most famous Broadway songs on this 5 cd set. The Music is great and has Broadways greatest treasures like "Memory""People""With One Look""Give my regards Too Broadway" just to name a few of this numerous cd set with over 100 songs. This is a great buy if you like musicals or The music of Broadway
Great Compilation!.......2005-01-17
If you are a fan of the Broadway Musicals, this is a collection that you should purchase. Since I got the 5 disc set I've enjoyed listening to it. The majority of the songs are done by the original singers. The collection is priceless considering that you will have over 100 songs from popular musicals since the beginning of Broadway
Average customer rating:
- Judy Holiday shines in this light, attractive score
- Wonderful record of a great star performance.
- Please Stop Those Bells From Ringing.
- It rings my bells!
- First Stereo Cast Album?
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Bells Are Ringing (1956 Original Broadway Cast)
Jule Styne , Betty Comden , and Adolph Green
Manufacturer: Sony
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ASIN: B00005ARE0
Release Date: 2001-03-20 |
Tracks:
- Act I: Overture
- Act I: Bells Are Ringing
- Act I: It's A Perfect Relationship
- Act I: On My Own
- Act I: It's A Simple Little System
- Act I: Is It A Crime?
- Act I: Hello, Hello There!
- Act I: I Met A Girl
- Act I: Long Before I Knew You
- Act II: Mu-Cha-Cha
- Act II: Just In Time
- Act II: Drop That Name
- Act II: The Party's Over
- Act II: Salzburg
- Act II: The Midas Touch
- Act II: I'm Going Back
- It's a Perfect Relationship (Jules Styne plays and sings; previously unreleased)
- Just in Time (Jules Styne plays and sings; previously unreleased)
- Boogie Woogie Shoogie, Baby of Mine (Jules Styne plays and sings; previously unreleased)
Amazon.com
In 1956, Judy Holliday was at the peak of her fame--she had just won an Oscar for Born Yesterday, and her old buddies Comden and Green were about to write a Broadway show for her. Bells Are Ringing may not be among composer Jule Styne's top-drawer scores, but the show benefits from Comden and Green's reliably zany book and lyrics (it's simply impossible not to crack up at songs like "Mu-Cha-Cha"), and Holliday is magnificent as phone operator Ella Peterson. The bonus tracks include Styne doing "Boogie Woogie Shoogie, Baby of Mine," which was cut from the show because the vocally challenged leading man, Sydney Chaplin, couldn't handle it. But even he can't ruin the show's biggest hit (the wonderful "Just in Time"), which brilliantly manages to be equally emotional and funny--the exact combination that made Holliday such a compelling star, come to think of it. --Elisabeth Vincentelli
Customer Reviews:
Judy Holiday shines in this light, attractive score.......2005-04-07
To answer a question from another reviewer, yes BELLS ARE RINGING was the first original cast album that Columbia records taped in both stereo and mono. The mono release came first but in 1958 Columbia issued a stereo edition. (Note to collectors: The mono LP used different takes on some numbers. For example there was no crowd cheerng in Just in Time.) Columbia re-released the abum with a different more glamorous photo of Judy Holiday in 1960 to tie in with the release of the film. The album stayed in print right though the end of the Lp era in the late 1980s.
Thomas Shepard has done his usual masterful job restoring the old tapes and even adding some previously deleted dance music. The only slight drawback is in the final song, I'm going Back, a short section of the stereo tape was damaged. You will note that from 2:28 to 2:59 the sound switches to mono.
A nice touch is using the old Columbia records label on the Cd!
The show itself proved unreviavable a few years ago when the wonderful Faith Prince to a crack at it. She is perhaps the the performer closest in style to Judy Holiday, (though she s NOT a star of the same calbre of Holiday!) but the book is too dated now. It was a pretty simplistic book even in 1956! And while the score has its share of gems, it also has a few non-so-steller moments (Hello Hello There, Salzburg, The Midas Touch) and a leading man (Sydney Chaplin) whose unsteady singing voice ruins his songs.
The movie soundtrack (with Holiday again this time teamed with Dean Martin, recently reissued by DRG) drops five of the songs and adds two new ones and gives us lusher orchestrations.
Despite the best efforts of Faith Prince (and the fact this it is the most complete recording of the score) the 2001 Broadway revival cast is a curiously dull recording that just never sparkles the way this origianl 1956 cast album does.
Wonderful record of a great star performance........2002-05-29
Bells Are Ringing is a classic, old-fashioned Broadway show from the days when musicals were still called "musical comedies" - and rightly so. Written primarily as a vehicle for the brilliant Judy Holliday and intended as nothing more ambitious than an evening's entertainment with a lot of laughs and a few memorable songs. The show's creative pedigree is impeccable - book and lyrics by the dependably witty Comden and Green and music by the great Jule Styne. The collaboration produced standards such as "The Party's Over" and "Just In Time" in a score than can only be described as bright and breezy. As was the custom with Columbia Records in those days, the cast album was recorded on the Sunday after the show's opening, so the performances are as fresh as ever. And the modern re-mastering has served the originals well.
Of course, Bells Are Ringing is first and foremost Judy Holliday's show and admirers of her tragically brief career will welcome this souvenir of her only Broadway musical. From the quiet heartbreak of "The Party's Over" to the belted-out showstopping "I'm Going Back" she is perfect with every word and note. Most of the rest of the cast is also good, although co-star Sydney Chaplin was hopefully a better actor than singer. And there is an unfortunate tendency to bring in the chorus when they are really not needed. But nothing gets in the way of Judy Holliday demonstrating the real meaning of star quality.
As a kind of bonus, the CD includes a few of the show's songs being sung and played by Jule Styne. These tracks are interesting but unlikely to be listened to more than once or twice. Judy, on the other hand, should be enjoyed over and over again.
Please Stop Those Bells From Ringing........2002-01-14
Bells Are Ringing had everything going for it. A good lead actress, repmise, plot, screenplay, and well-written lyrics. But the way that these were used where some of the worst ways you'd ever imagine. The 2001 revival recording of this is 100 times better, and Faith prince does so much better then Judy Holliday. This CD has some things that still work, like the screenplay and lyrics, but as a recording, this is just plain dull.
It rings my bells!.......2001-10-30
Not as smooth as the soundtrack in recording or casting, yet with a much more spontaneous feel. Not that there are any flaws in the casting, and it is not overproduced in the way I find the soundtrack to be. This is the one to have if you want this musical.
First Stereo Cast Album?.......2001-10-13
I read many years ago that this was the first ever stereo cast album from Columbia. The timing (late 1956) would be about right. Maybe someone who's savvy on recording history can confirm or deny this. If you want to see the film verson (also starring Judy Holiday) it's aired on TCM once in a while. It was the last musical produced by the legendary Arthur Freed.
Average customer rating:
- This needs a more articulate review...
- happy music
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ASIN: B00004YU0K
Release Date: 2000-11-06 |
Tracks:
- Theme
- Stamping Ground
- Symphonique No. 3 (Ode to Venus)
- Symphonique No. 6 (Good for Goodie)
- Minisym No. 1
- Lament, No. 1
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- Voices of Spring
- What's the Most Exciting Thing
- All Is Loneliness
- My Tiny Butterfly
- Why Spend a Dark Night With Me
- Coffee Beans
- Down Is Up
- Be a Hobo
- Remember
- I Love You
- Nero's Expedition
- No, The Wheel Was Never Invented
- With My Wealth
- This Student of Life
- Some Trust All
- Wine, Women and Song
- Sadness
- Maybe
- Each Today Is Yesterday's Tomorrow
- Imagine
- You the Vandal
- Trees Against the Sky
- Behold
- Sparrow
- Pastoral
Customer Reviews:
This needs a more articulate review..........2005-12-10
To tell the truth, the only reason I even listened to this disc in the store is because I spotted the cover, and wondered what the hell a guy who looked like that could sound like. I had a gushing smile on my face as I realized there was real talent and expression behind Moondog's odd facade. The first album on this disc (there are two herein) is made up of more "orchestral" material like none you've ever heard before (one of these tracks "stamping Grounds" is in "The Big Lebowski". The second album is made up of a series of short "rounds"; cyclical songs with naturally repetitive compositions (think row row row your boat, or three blind mice). Due to the familiar nature of such song forms, and the unique compositions employed by Moondog, the second album is quite buoyant and joyful. This is an all around great and very familiar listening experience, and quite a timeless set of albums. Get it while you still can!
happy music.......2002-12-28
Moodog is a realy composer of all time. Is create a new conception of street music and universal sound
Paris, 27/12/02 France
Average customer rating:
- a lovely recording
- It's a charmer; for the second time on CD
- "Made In Hollywood, USA"
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Bells Are Ringing (1960 Film Soundtrack)
Adolph Green , Jule Styne , and Betty Comden
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Similar Items:
- Bells Are Ringing
- Bells Are Ringing (1956 Original Broadway Cast)
- Trouble Is a Man
- Damn Yankees: An Original Soundtrack Recording (1958 Film)
- Bells Are Ringing (Ws Sub Amar)
ASIN: B0000658MU
Release Date: 2002-05-21 |
Tracks:
- Overture
- It's A Perfect Relationship
- Do It Yourself
- It's A Simple Little System
- Better Than A Dream
- I Met A Girl
- Just In Time
- Drop That Name
- The Party's Over
- The Midas Touch
- I'm Going Back
- Finale
Customer Reviews:
a lovely recording.......2003-06-04
This is the film soundtrack to BELLS ARE RINGING, which again features the incantory Judy Holliday as Ella Peterson, the lovestruck telephone operator. If you only want to buy one of the three currently-available recordings of BELLS ARE RINGING, this is the one to get.
This recording has long been the favorite of many admirers of this score, primarily because of Andre Previn's gorgeous new arrangements, and secondly because of the better performance of Judy Holliday, who is more polished here than on the original Broadway cast-album. Added to the mix is crooner Dean Martin, who turns the rather passive character of Jeff Moss into a more fully-realised character in the piece.
There are also seasoned Broadway veterans Eddie Foy Jr. and Hal Linden who both make the most out of their brief moments on disc. The highlights on this reissue by the good folks at DRG include "It's a Perfect Relationship", "I Met a Girl" and "It's a Simple Little System". Listeners will delight on Holliday and Martin's snappy wordplay in "Just in Time", and will be swept up into musical-comedy heaven with "The Party's Over". The brand-new Overture is a delight, too.
I own all three recordings (original Broadway w/ Holliday and the revival w/ Faith Prince) but this is the recording I play most often.
Highly-recommended.
It's a charmer; for the second time on CD.......2002-06-02
The CD is a charmer, but contrary to the advertising, the 1960 "Bells Are Ringing" soundtrack has been on CD before, back in 1989. The CD version sounded great then, and it sounds great now. Lushly orchestrated film versions of Broadway shows usually sound swell on CD, and often make up for their film's flaws. Normally, the star's voices are fresh and rested (not ragged from eight stage appearances a week)and the performances are top-notch ("Paint Your Wagon" is still the big exception). "Bells Are Ringing," is a good film, but again, like virtually all stage-to-screen musicals, that little something always gets lost. On the plus side, several lesser songs were dropped, and the two replacements, "Better Than A Dream" (a counterpoint song just made for stereo) and "Do It Yourself" make the soundtrack far more pleasant than the Broadway album. In fact, "Better Than a Dream" was quickly added to the revised stage show after 1960. Why "Do It Yourself" wasn't added is a mystery -- it's far superior to its original stage counterpart "Independent" and serves the same purpose as the "You've Got to Do It" soliliquy that has never been recorded. Judy Holliday is wonderful, of course, and Dean Martin is quietly charming.
"Made In Hollywood, USA".......2002-05-22
Film director George Sidney's (died May 5, 2002) 1960 movie musical version of Bell's Are Ringing provided a fine LP recording of Jule Styne, Comden and Green's gently sentimental and always humorous score. The effective musical direction was provided by Andr'e Previn resulting in a recording that many find preferable to the stage version. Judy Holiday and a correctly restrained, warm voiced Dean Martin provide the musical with the sparkling spirit needed. DGR has provided a perfect sounding stereo CD with an informative booklet. P.S. Two other LP movie soundtracks that are considered by some to be more enjoyable listening experiences than their stage versions are: Half A Sixpence and Finian's Rainbow. It would be wonderful to have them available on CD.
Average customer rating:
- 1956 recording still wins over 2001
- a fine revival
- Good only if you saw the show.
- Have "Faith" in These Bells
- SORRY, WRONG NUMBER!
|
Bells Are Ringing (2001 Revival Broadway Cast)
Faith Prince , Betty Comden , Adolph Green , Jule Styne , Tina Landau , Marc Kudisch , and David Garrison
Manufacturer: Varese Sarabande
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Similar Items:
- Bells Are Ringing (1956 Original Broadway Cast)
- Grey Gardens - A New Musical (2006 Original Broadway Cast)
- Spring Awakening (2006 Original Broadway Cast)
- Bells Are Ringing
- Dirty Rotten Scoundrels (2005 Original Broadway Cast)
ASIN: B00005LNGT
Release Date: 2001-06-26 |
Tracks:
- Overture
- Bells Are ringing
- It's A Perfect Relationship
- Independent
- It's A Simple Little System
- Better Than A Dream
- Hello, Hello There
- I Met A Girl
- Is It A Crime?
- Long Before I Knew You
- Mu-Cha-Cha
- Just In Time
- Drop That Name
- The Party's Over
- Salzberg
- The Midas Touch
- Long Before I Knew You (reprise)
- I'm Going Back
- Just In Time (reprise)/Finale
- The Music And Lyrics Of Dr. Kitchell
Amazon.com
Although she's not averse to doing new material (she appeared in William Finn's Falsettoland, for instance, and let's not forget that brilliant bomb called Nick and Nora), Faith Prince is a living embodiment of Broadway's golden age. From her star-making turn as Miss Adelaide in the 1992 revival of Guys and Dolls to superb performances in the recent revivals of Little Me and The King and I, Prince always is perfectly attuned to classic material. In this short-lived revival of the 1956 musical Bells Are Ringing (directed by Tina Landau, whose previous musical-directing experience was on Floyd Collins), the singer reprises a role created by Judy Holliday and once again proves her versatility. The duet with Marc Kadisch on "Just in Time" is particularly delicious, doing full justice to that beloved song. --Elisabeth Vincentelli
Customer Reviews:
1956 recording still wins over 2001.......2006-08-11
I have always loved the 1956 Original Broadway Cast recording. The orchestrations and singers' musical talent and vocal inflections are brilliant. I was thrilled to see that there was a 2001 revival of this play, and looked forward to hearing the score captured with 2001 recording technology. Unfortunately, where the 1956 cast and orchestra shine, the 2001 version is completely without a soul. The 2001 orchestra sounds as though it must have been one of those "orchestra machines" they are using now in some productions-- there is no warmth or artistic interpretation to the music-- just notes being mechanically played off a page (or computer code I guess).
I also didn't understand, as I did in the Broadway Cast recording, why the female lead would have any attraction for the male lead. In the 2001 recording, answering-service girl Ella Peterson works for Jeff Moss's answering service. The short amount of dialog during the song (changed from the 1950's wording) sounds like he is having her cover for him while he juggles his various girlfriends. He sounds patronizing in his delivery. Then she sings a song about how she's fallen in love with this guy? Then later when pursuing her, he just sounds needy and annoyingly shrill instead of the genuine and confident interpretation by Sydney Chaplin in the 1956 recording.
If you want the soundtrack to this wonderful play, I recommend the Original 1956 Cast Recording with Judy Holliday and Sydney Chaplin (more genuine then the movie's Dean Martin in my opinion) playing the two leads. After hearing the 2001 version, the 1956 CD sounds surprisingly rich and stereophonic.
a fine revival.......2003-01-04
BELLS ARE RINGING was brought back to Broadway in 2001, in an ill-fated revival that only lasted a couple of months due to lukewarm notices.
Tony-winner Faith Prince (GUYS AND DOLLS) gives her all in the lead role of hopeless romantic Ella Peterson. The role is virtually owned by the late Judy Holliday, who starred in the original Broadway run and later the under-rated movie version. Prince gives us a fresh new look at Ella, with glowing readings of "It's a Perfect Relationship", "Just in Time" and the still-delicious "The Party's Over".
Marc Kudisch, in the decidedly-wooden role of Jeff Moss, sings wonderfully in his songs including the frenetic "I Met a Girl" and "Long Before I Knew You".
This cast also includes Beth Fowler as Sue and Martin Moran as Sandor, who share the comical duet "Salzburg".
Most of the criticism in this revival was aimed at Tina Landau's direction, and the age of the book which seemed too old-fashioned for 'modern' theatregoers. Still, a great musical and a great recording for fans.
Highly-recommended
Good only if you saw the show........2002-07-18
I loved the revival of the musical. It's classic! It's so funny and charming and unpretentious. But unfortuneately this album displays the musical as dull and lifeless. Faith Prince comes off as overplayed and "kitschy" and Mark Kudisch comes off as bored. When I saw the show neither seemed that way at all. The song "I'm Going Back" brought the house down on Broadway, but I often skip that track when I listen to the cd, I'm sorry to say. Luckily, the big hit from the show "The Party's Over" is still as beautiful as the first time it was written-- and Thank God. It's a good play... a good cast... and has good music! It just comes off as very poor and dull...
Have "Faith" in These Bells.......2002-06-29
Let's face it..."Bells Are Ringing" is hardly a substantive Broadway classic. It's theme is dated, as are its notions of the male/female relationship, and many of its references remain staunchly in the 1950s conventionailty of its genesis. But you know what? These shortcomings are equally some of this shows definite charms. "Bells..." is a quintessential example of the Broadway musical's prime years of the 50s and 60s. It's light, entertaining, funny, hummable, and just plain fun. There's none of the "sterm-and-drang" that would come post-Viet Nam. This new recording, quite frankly, is a vast improvement over the original for one simple reason: the two leads can actually sing. Judy Holliday was a marvel of an actress, and this show was tailored to her abilities, but her raspy voice actually detracted from the cleverness of these songs. And Sidney Chaplin, poor soul, was a hapless singer even at the best of times. This time out, Faith Prince reinvents the role as her own and displays both the musical and comedic flair that make her such a unique presence on the legit stage. If only she received more roles of this stature. Can somebody please tailor a new vehicle worthy of her talents? Mark Kudisch brings a pleasing baritone and an effortless energy to his role, and the two play off one another beautifully on this recording. Although some of these songs have dated somewhat, it's still a thrill to hear them delivered as if they were just composed. Of course, "Just in Time" and "The Party's Over" have justifiable reputations, but there are more goodies behind the hits. "It's a Perfect Relationship", "Hello, Hello There", "Drop a Name" and I'm Going Back" are all lively and delicious musical cotton candy, funny and fun to hear with these performers. What makes this CD so good is that it's one of the best produced original cast recordings in years. The singers sound like they're right next to you, adding to the intimacy and personable nature of their characters. There's none of the bobast and canyon-like distance so typical of the post-Lloyd Webber age. Here, you feel like you're listening to a couple of old chums and you're just aching for them to find each other. Of course, you know they will, but their musical journey is still a hoot. This "Bells Are Ringing" is a simple, direct, joyously ebullient lark from start to finish. It's a great addition to any Broadway collection, and a reminder of why those simple musical-comedy shows were such a treat in their heydey. Enjoy.
SORRY, WRONG NUMBER!.......2002-01-25
Ringing? More like clunking. Way back in '56, Comden and Green sat down and wrote a musical for their chum Judy Holliday. With Jule Stein's help, this trio concocted the classic Bells Are Ringing---a musical marvel about a telephone answering service in New York City. The original recording---recently reissued with bonus tracks by Sony Legacy---is also a classic, and belongs in every show music library. This recording of the recently deceased Broadway revival does not. The music and lyrics are still wonderful and moving and funny, but star Faith Prince is cloying and charmless. Sorry, wrong number.
Average customer rating:
- A National Treasure
- Stritch is superb
- Entertaining but grating on the ears
- Great Broadway Review
- Elaine Stritch at Liberty
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Elaine Stritch - At Liberty (2002 Original Broadway Production)
Elaine Stritch , Irving Berlin , John/ Stritch, Elaine Lohr , Porter P. Grainger , Albert Hague , Stephen Sondheim , Carl Sigman , Richard Rodgers , Sir Noel Coward , George Gershwin , Jule Styne , John Campo , and Billy Miller
Manufacturer: Drg
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Binding: Audio CD
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Similar Items:
- Elaine Stritch at Liberty
- Bea Arthur on Broadway - Just Between Friends
- Stritch
- Company - A Musical Comedy (1970 Original Broadway Cast)
- Company (2006 Broadway Revival Cast)
ASIN: B000060P33
Release Date: 2002-04-02 |
Tracks:
- There's No Business Like Show Business (Berlin)
- Caca
- I Want a Long Time Daddy (Grainger)
- A Piece of Mahler
- This Is All Very New to Me (Hague/Horwitt)
- Going to New York
- Marlon Brando
- Broadway Baby (Sondheim)
- My First Broadway Show
- Civilization (Hilliard/Sigman)
- Ethel Merman
- Can You Use Any Money Today? (Berlin)
- Pal Joey
- Zip (Hart/Rodgers)
- Ben Gazzara
- Nokl Coward
- Why Do the Wrong People Travel (Coward)
- Richard Burton
- But Not for Me/If Love Were All (Gershwin/Gershwin)
- I'm Still Here (Sondheim)
- Booze
- Little Things You Do Together (Sondheim)
- The Ladies Who Lunch (Sondheim)
- John Bay
- There Was Never a Baby Like My Baby (Comden/Green/Styne)
- I've Been to a Marvelous Party (Coward)
- God So Quickly
- The Party's Over (Comden/Green/Styne)
- Absent Almost Always
- Something Good (Rodgers)
Tracks:
- I'm Still Here (Sondheim)
- Booze
- Little Things You Do Together (Sondheim)
- The Ladies Who Lunch (Sondheim)
- John Bay
- There Was Never a Baby Like My Baby (Comden/Green/Styne)
- I've Been to a Marvelous Party (Coward)
- God So Quickly
- The Party's Over (Comden/Green/Styne)
- Absent Almost Always
- Something Good (Rodgers)
Amazon.com
Elaine Stritch is a legend and she knows it. And so she came up with a whole one-woman show about the best topic she could think of: her life in the theater. And what a trip it's been. From Ethel Merman to Noel Coward, Stritch has worked with some of the greatest names to grace the American stage, and she has anecdotes about all of them (most are included on this recording). In this show, she hits all the marks with the acuity of a seasoned pro who's seen it all and whose love for the theater remains undiluted. Stritch is not a traditionally pretty singer (those gravelly pipes!), but she absolutely knows how to give life to a song, extracting the last drop of meaning, dropping pauses for effect with deadly accuracy. Sondheim's "Ladies Who Lunch" and "Broadway Baby" will be hers forever, and a case could be made for the hilarious "Zip" (from Pal Joey) and the obscure, spectacularly politically incorrect "Civilization" (from the revue Angel in the Wings) as well. Fittingly, this two-CD set includes "I'm Still Here," which may well be Stritch's motto. If you're looking for a concise yet bewitching history of the musical, this is it. --Elisabeth Vincentelli
Customer Reviews:
A National Treasure.......2007-07-05
This double CD is stuffed full of great songs and amazing stories. My favorite stories are of Elaine's date with Marlon Brando, what she thought some lyric are/meant, and her time in Compant. The total honesty that she brings it all together is touching and inspiring.
Very few people have the length or variety of a career that Elaine Stritch has had. I am sure that she has enough stories to do ten more shows.
If you love Broadway then you must buy this CD.
Stritch is superb.......2007-06-27
The only disappointment is that I missed the show live. This is a terrific honest performance by an actor who has a deep well of experience from which to draw. From her early childhood memories, through acting school, her loves, her struggles and more, Ms Stritch weaves a fascinating and completely enthralling story. Ultimately, she lives the songs, rather than just performs and this is what really marks her out.
I am so glad, she's still here!
Entertaining but grating on the ears.......2007-05-11
I've never been able to understand what is so great about Elaine Stritch's singing. It's simple: she can't sing. I've tried and tried to like her, and I do, as an actress, but NOT as a singer. Listening to these CDs, all I hear is a grouchy old lady voice with no vibrato, no range, and no ability to hold notes. If she were to try out for American Idol she would get cringes! I love her humor and honesty, and that's why I bought this, but the voice...ugh.
Great Broadway Review.......2007-04-11
I thoroughly enjoy this collection of stories from her experiences from a teenage girl in Michigan through her career, very funny, some sad and great entertainment.
Elaine Stritch at Liberty.......2007-01-19
Completely entertaining---a bit maudilin in places, but a must have for any Elaine Stritch fan.
Certainly worth the money!
Average customer rating:
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Dallas Christmas Gala (Hybr)
Manufacturer: Delos Records
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Binding: Audio CD
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ASIN: B00005MHQQ
Release Date: 2001-11-27 |
Average customer rating:
- 35 unmistakable tracks
- Wonderful
- The Different Drummer We Once Were
- For those who love the music
- Moondog
|
Moondog
Manufacturer: Sony
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ASIN: B0000026QJ
Release Date: 1989-07-20 |
Tracks:
- Madrigals: Rounds And Canons: No. 12-Nero's Expedition
- Madrigals: Rounds And Canons: No. 13-No, The Wheel Was Never Invented
- Madrigals: Rounds And Canons: No. 14-With My Wealth
- Madrigals: Rounds And Canons: No. 15-This Student Of Life
- Madrigals: Rounds And Canons: No. 16-Some Trust All
- Madrigals: Rounds And Canons: No. 17-Wine, Woman And Song
- Madrigals: Rounds And Canons: No. 18-Sadness
- Madrigals: Rounds And Canons: No. 19-Maybe
- Madrigals: Rounds And Canons: No. 20-Each Today Is Yesterday's Tomorrow
- Madrigals: Rounds And Canons: No. 21-Imagine
- Madrigals: Rounds And Canons: No. 22-You The Vandal
- Madrigals: Rounds And Canons: No. 23-Trees Against The Sky
- Madrigals: Rounds And Canons: No. 24-Behold
- Madrigals: Rounds And Canons: No. 25-Sparrow
- Madrigals: Rounds And Canons: No. 26-Pastoral
Customer Reviews:
35 unmistakable tracks.......2005-02-24
You don't need to buy the double-disc "Moondog 1 & 2" to hear the two albums - all that music can also be heard on this (75 minute) single disc.
Even though the only cover art of this edition is the original front cover of the 1969 "Moondog" (no original back-cover thereof nor any art from the 1971 "Moondog II",) all 35 tracks are nicely crammed in here.
What's listed under "Listen to samples" on the amazon page are only the last 20 tracks of this CD and all titles are linked to the wrong tracks.
"Moondog I" (tracks 1-9) opens with "Theme" and "Stomping Ground" - two somewhat coherent pieces which a few years ago were made quite famous through the soundtrack of Coen Brothers' wonderful movie "The Big Lebowski." The album features a 50+ piece orchestra, which, among other greats, includes jazz veterans Don Butterfield (tuba) and Ron Carter (double bass.) In the list of personnel, Moondog is not credited for playing percussion, but the bass, which I assume is a misprint.
The beautiful Charlie Parker homage "Lament I: Bird's Lament" is here performed in its original form, but can also be found on the 1994 Moondog recording "Sax Pax For a Sax" on only saxes and percussion.
The orchestral performances on "Moondog I" aren't flawless, but should not be judged harshly because of the very personal, highly individual, and wonderfully eccentric form of compositions that they are. Budget, which is a very common issue when it comes to orchestral recordings, is another element that probably has not allowed much rehersing or many (if any) re-takes.
Before ordering this disc I knew that I'd love "Moondog I" since I'd heard most of it previously, but I was skeptical towards "Moondog II" because of some reviews I'd read of it. I was however curious, and listening to it when it had arrived was a very nice surprise.
Aside from performances by Louis "Moondog" Hardin (percussion, piano, vocals) and his daughter June (vocals,) "Moondog II" features 6 other musicians who, at different points throughout the album, play virginals, recorders, harpsichords, ancient organs, guitars, schom, viola de gamba, and troubadour harp. These instruments alone make a very individual sound, but the compositions (many of which are in 5/4 and 5/8) and the poetry make this the most wonderful group of rounds (short vocal canons) you've ever heard.
In my 600+ CD collection, this is among my favorites.
Wonderful.......2004-01-26
Beautiful, quirky, fascinating. A combination of classical, jazz, and improv, this collection made me close my eyes and just feel the music. Interspersed with several of Hardin's two-line poems as punctuation, the musical pieces are truly a wonder.
The Different Drummer We Once Were.......2004-01-05
I bought this album because of a memory, but the music stands up remarkably well to a more objective listening.
It was my first trip to New York City, and my father approached the wildly-dressed, tall and intiimidating figure standing on the corner of 56th St. and 7th Ave. They conversed in Norwegian long enough for me to draw nearer and realize the stranger represented no threat. In fact, I left with a book of hs canons, which remains in my collection of piano literature to this day.
I met Moondog once again--serendipitously, on Milwaukee's Wisconsin Avenue one day in the seventies. I have no idea how he got there or how he left, but this time I wanted to protect him from the insensitive pedestrians swirling around us and threatening our shared moment.
Moondog's music is as singular as he is, and offers a glimpse into his creative spirit. It begins with an idea and a form, not with an emotion or sentiment. Each piece is simple and brief, but not simplistic or fragmentary. He avoids any form of dissonance, even seventh chords and "blue" notes (flatted thirds). Music, like life, he seems to be saying, can be a straightforward, delighting adventure, providing one cherishes the quest itself above its so-called object and maintains a focused attention on the wonders of the present moment.
My only slight disappointment with this recording is that the madrigals, sung by Moondog and his daughter, are subjected to some studio effects that make them sound more artificial and commercial than they deserve to be.
For those who love the music.......2003-11-29
It is simple, it is clear, it is wonderful! I don`t know what style is this. Some people call it `jazz`, but second disc is strongly attached to european madrigal canons. I think, if we listen really good music, we never asked about styles. I heard familiar tunes from Tchaikovsky to Resident`s Duck Stab. You must have this if you`re music lover. If you`re musician (who plays music, dont `have a job`) you must have it too. Listen once or twise, if you don`t like it, simply put it on the shelf. Properly time will come.
P.S. My favorite `I love you` and `Nero`s Expedition`
Moondog.......2002-05-16
I was in the St. Thomas Boys Choir in the early 70's. We would walk to church for rehearsal, and pass Moondog, standing on the corner, usually by the ABC building. A couple of us would talk to him in our free time...he knew our names by our voices. We would listen to his poetry, and he seemed intigued by our choir, although he never heard us, I think. I got his album around this time, and have had it ever since. Fascinating pieces, very intricate, but also with "a hook"...that you find yourself humming along with. I heard he moved to Germany, where he wrote a nine hour canon. Overall, an amazing life story, and an incredible talent.
Average customer rating:
- Bleah!
- Sumi sings Broadway
- Much Better than I Expected
- Beautiful!
- Unexpected voice
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Sumi Jo - Only Love
Stephen Sondheim , Leonard Bernstein , Maury Yeston , Choi Kyung Sik , Jule Styne , Alban Gerhardt , Michael William Balfe , Claude-Michel Schoenberg , Ettore Stratta , and Sumi Jo
Manufacturer: Erato
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Sumi Jo - Prayers / James Conlon
- Sumi Jo - Virtuoso Arias ~ Verdi, Rossini, Donizetti, Meyerbeer
- Sumi Jo - Bel Canto / Arevalo · ECO · Carella
- Sumi Jo - La Promessa / Vincenzo Scalera
- French Coloratura Arias
ASIN: B00004GP1Z
Release Date: 2000-04-11 |
Tracks:
- In His Eyes
- Someone Like You
- Beautiful World
- Unusual Way
- Losing My Mind
- Once Upon a Dream
- Only Love
- Send In The Clowns
- Just In Time
- Dream With Me
- I Dreamt I Dwelt In Marble Halls
- I Still Believe
Customer Reviews:
Bleah!.......2007-07-02
I like Sumi Jo. The music is drek. Sondheim! Before I knew how Clowns fit into the plot I thought it was mildly enigmatic and heartbreaking (sniff). Now that I do know, I think it's a maudlin, bad attempt to conform to the plot of the show. Mind is just stupid, and the tune is pallid. ("Or were you just being kind..."?????) So much for Sondheim. He'll be forgotten soon enough. He's hardly a household word now. The rest of the songs have that peculiar, unpleasant modern sound that so many new Bway songs have. Kind of weird. It's "in". Monkey see, monkey do. I'm glad I bought it used and only wasted $5 + shipping on it. If you like this kind of tuneless, affected music, go for it. She's wonderful. She doesn't sound like an opera singer at all. Though she is a wonderful one. The arrangement of the Styne is slow and soothing, not that jouncy bouncy upbeat thing, the way it was written. I don't like either version, but if I were forced to be subjected to one, I'd take the slow one. I'm very disappointed. I should have expected as much from 2 Sondheims and that Styne. I wish she'd sung a better selection of songs.
Sumi sings Broadway.......2006-12-26
Coloratura soprano Sumi Jo's album "Only Love" again demonstrates why she is undoubtedly one of the greatest voices of recent times. On this album, Sumi Jo concentrates her talents on songs from the musical theatre world. Many opera singers do have trouble adapting and manipulating their precision-trained voices into another style, but Sumi Jo sings in a fresh, appealing way that makes these songs come alive, almost like they were written yesterday.
The crown jewels of the album are "Unusual Way" (from Maury Yeston's NINE), and the title track, "Only Love" (one of the more distinguishable ballads from Frank Wildhorn's otherwise-dreadful SCARLET PIMPERNEL score). Sumi effortlessly transforms herself into a Broadway diva on this album; instantly she's at home with the material. I heartily recommend this surprising about-face from opera singer Sumi Jo.
[Erato/Warner Music 8573802412]
Much Better than I Expected.......2006-08-03
Let me start off by saying that I adore opera and I adore musical theater. That said, I can think of very few opera singers who I like singing showtunes. Actually Dawn Upshaw is the one who readily comes to mind... Somehow the greatest opera singers, people like Renee Fleming and Kiri Te Kinawa have trouble "toning it down" enough to successfully sing a musical repetoire. Sumi Jo is an exception. Her voice is light enough to sing these pieces with a nice tone and a sense of ease. We know her extraordinary operatic ability from her previous work, but she wisely doesn't feel the need to prove it to us on these songs.
Given my high opinions of Sumi Jo, you might be wondering why I didn't give this album 5 stars. That's because I think she could have chosen better songs. I commend her for going with contemporary composers as opposed to the usual repetoir of Rodgers and Hammerstein, Lerner and Lowe, Jules Styne, with a bit of Bernstein and Sondheim thrown in for flavor. However comtemporary musical theater has exciting new voices from the likes of Jason Robert Brown, Adam Guettel, and Michael LaCuisa. Or, she could have gone with some Boubil and Schoenberg with some of Andrew Llyod Webber's better tunes thrown in. Instead, she went for a lot of Wildhorn. Thankfully she chose to embrace The Scarlet Pimpernel and Jekyll and Hyde- two of Wildhorn's best shows as opposed to total schlock. But songs like "In His Eyes" (a duet with herself) and "Only Love" aren't intersting. Her only nod to Boubil is "I Still Believe" from Miss Saigon (another duet). Duets usuallywork with two contrasting voices and viewpoints (especially duets like these- sung by two characters in love with the same man). Singing with yourself doesn't really create any tension o0r real interest. Sumi Jo is best on tracks like "Send In the Clowns" (A Little Might Music), "Losing My Mind" ("Follies") and other songs intended as solos.
I definately reccoment this disc to an opera fan interested in another side of Sumi Jo, or a musical theater fan in search of a good voice (or both). My only reservation is a few of the song choices.
Beautiful!.......2004-01-19
Proof that musicals can be sung without the "Belt-technique". Pure, beautiful and amazing! This is what I call crossover!
Unexpected voice.......2003-06-09
Anyone who knows Sumi Jo will be surprised at this album because she is not like an opera singer in this album. It is common that opera singers¡¯ cross-over albums sounds ridiculous because they do not give themselves up being the opera singer; they usually stick to their operatic way to sing. However, when one who has never heard Sumi Jo¡¯s other recordings listens to this cross-over album, he will not know that Sumi is an opera singer. It means that her interpretations are almost perfect. She knows how to sing cross-over songs and that the way to sing them is different from that of opera arias; but unfortunately some opera singers do not seem to know it. Maybe cross-over music is something that most opera singers want to try, but I have not seen one succeeded contentedly. Sumi¡¯s voice and her interpretations are almost perfect. All tracks are great, but particularly I recommend ¡°Unusual Way¡± and ¡°I still believe.¡± I remember Sumi Jo saying in an interview after finishing recording this album, that she finally made it. I agree with her that she eventually did a great job. I really pay a compliment on her impressive work. Very strongly recommend!
Music:
- Best of Sarah Brightman: 1990-2000 [Import]
- Bounce (2003 Original Cast) [Cast Recording]
- Bright Eyed Joy: The Songs of Ricky Ian Gordon
- Bye Bye Birdie (Karaoke) [Cast Recording] [Karaoke]
- Can-Can (1953 Original Broadway Cast) [Cast Recording]
- Carnival (1961 Original Broadway Cast) [Cast Recording]
- Cyrano (1973 Original Broadway Cast) [Cast Recording] [Soundtrack]
- Damn Yankees: 1994 Original Broadway Cast Recording [Cast Recording]
- Disney's Greatest Hits 1 & 2 [Import]
- Elton John And Tim Rice's Aida (1999 Concept Album) [Cast Recording]
Music
Music