Do Re Mi (1999 Broadway Revival Cast) [Cast Recording]
Editorial Reviews
Amazon.com
Despite its stellar pedigree (music by Jule Styne, lyrics by Comden and Green, book by Garson Kanin), 1960's Do Re Mi remains relatively obscure. It was said to be a lightweight romp, irremediably linked to the outsize personalities of its two original stars, Phil Silver and Nancy Walker. Now Nathan Lane and a superior cast prove that, while no masterpiece, Do Re Mi is a vastly entertaining musical. The book is an inane romp about a jukebox scam, but the score has brassy, swinging tunes ("Waiting," "All You Need Is a Quarter"), sentimental duets ("Fireworks"), a hilarious novelty number ("What's New at the Zoo"), and a couple of bona fide showstoppers ("Cry Like the Wind," "Make Someone Happy"). While Lane hams it up with his usual gusto, Brian Stokes Mitchell (Ragtime) and Heather Headley almost steal the show as the young lovebirds. The CD also includes a 20-minute 1961 interview with the creative team. --Elisabeth Vincentelli
Do Re Mi (1999 Broadway Revival Cast), Music, Jule Styne, Betty Comden, Adolph Green, Nathan Lane, Brian Stokes Mitchell, Cast Recordings, Musicals, Original Cast Recordings, Pop, Show Tunes, Showtunes / B'way
Average customer rating:
- Old Singers benefit too
- great cd
- Good training for your voice
- Practical
- If out of stock please purchase above NEW on Marketplace
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Voice Lessons To Go Volume 2: Do Re Mi Ear and Pitch Training
Ariella Vaccarino
Manufacturer: SheSingsOut
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Voice Lessons To Go Volume 1: Vocalize and Breath
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- Singing for Dummies
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- Learn To Sing Like A Star
ASIN: B000297VQK
Release Date: 2004-01-15 |
Tracks:
- Introduction
- Starting Simple #1 higher or lower
- #2 same or different
- #3 more
- #4 two notes
- #5 melody
- Introduction to solfedge
- Solfedge Exercises #1 Do Re Mi Re Do
- #2 Do Re Mi Fa So
- #3 So Fa Mi Re Do
- #4 Up 5down 5
- #5 Major scale up
- #6 Major scale down
- #7 Major scale up and down
- #8 Major scale
- #9 Back to Do up scale
- #10 Back to do down scale
- #11 Ex.9&10 together
- #12 Chromatic up
- #13 Chromatic down
- #14 Chromatic up and down
- #15 Back to do Chromatic up
- #16 Back to Do Chromatic down
- #17 Ex. 15&16 together
- #18 Do So down
- #19 Do So up and down
- #20 Do Re plus
- Chord Exercises #1 Major
- #2 Augmented
- #3 Minor
- #4 Diminished
- #5 All four together
- Hearing Your Note #1 bottom note
- #2 Top note
- #3 Middle note
- #4 Switching off
- #5 One note on La
- #6 Two notes on La
- #7 Melody sing back
- #8 Two notes together
Album Description
Voice Lessons To Go! Volume 2 Do Re Mi Ear and Pitch Training
Voice Lessons To Go! is a great way to get going on your singing voice. Whether just beginning or as an addition to the work you have done. Now there is no excuse not to practice and improve because this CD makes it so convenient and easy.
Do Re Mi Ear and Pitch Training is the second CD to Ariella Vaccarino's series of Voice Lessons To Go (Please read about Volume One- Ocalize and Breath). Do Re Mi trains the ear through vocal exercises. First, start simple with tone recognition. Next, the heart of the CD, Solfedge, (Do Re Mi...)- In that you will concentrate on forms of the major and chromatic scales graduating into chord recognition. Finally, Do Re Mi ends with, Hearing Your Note, showing you how to sing specific notes out of a group.
This CD will be amazing in aiding you in your musicianship skills while continuing to strengthen your voice!
Do Re Mi is perfect for all levels of singers. Whether you are just a beginner who is interested in developing as a musician, or an advanced singer wanting to refine your musicianship skills.
You will be guided through the exercises with vocal examples and piano accompaniment by Ariella Vaccarino an excellent experienced voice teacher and professional singer from Los Angeles. Ariella's explanations are clear and easy to follow.
Developing your singing voice no longer has to be just for people trying to make a career with their voice, or those with disposable income who can afford private lessons. The weekly price for voice lessons averages $45-150 an hour depending on your city.
Who is this CD for?
Singers, Actors, Dancers- This is an inexpensive way for the struggling artist to get and keep their voices in shape.
Teenagers - Whether you are watching American Idol with pangs of desire to be on there, sing loudly along with your favorite pop stars, are trying out for the school musical, or dreaming of singing at the MET some day.
People who struggling singing- There are those out there who feel, (it could be true or not) that they can't sing and are embarassed when they have to be heard by others. This is an excellent private way to improve your singing with out having to deal with embarassment or shyness. This CD will increase your abilities and confidence.
Adults- Always singing in your car, shower, or doing Karaoke? -but just are not willing or able to shower yourself with private lessons yet.
Customer Reviews:
Old Singers benefit too.......2007-02-09
I have both Volume 1 and 2. I have been singing all of my life but after the birth of my last child almost 10 lbs I learned some really bad habits and what I was doing before wasn't working anymore. Both have helped me to gradually improve my voice. 1 Helped me to focus on breathing. Two is helping me to associate the solfege with the piano and concentration/focus. I haven't made it through the whole CD yet. Our choir is also using this CD for exercises. It's just a great all around CD!
THanks for a great product.
great cd .......2007-01-21
i have both vol.1&2
only one thing i'm not feel good is i can hear the noise(like car pass the street).
Good training for your voice.......2007-01-06
If you can't have a personal voice coach this CD is a good way to go to help you exercize your vocals and stay in top form.
Practical.......2006-09-09
I warm up with this cd in the hotel before a show. I waited a couple months to buy CD2 after I had CD 1. I had started taking vocal coaching and using cd 1 reinforced how important breathing is. I am glad I waited before buying this cd. By the time you get to the higher level exercises of CD 2, you'll need some concept of breathing properly.
This cd starts very simple with the first few tracks asking the listener to identify if two notes are higher, lower or the same. Then it proceeds to identifying if a voice part sung after a vocal part is the same or different. These ear exercises are direct and to the point and really do help. Don't worry, you start singing soon enough.
Solfedge is explained in a concise manner so if you don't know it you will, and if you do your money hasn't been spent on more than a few minutes of review.
The singing starts with Do Mi Sol Mi Dos. I'm a baritone and the singer I would guess is a soprano. Problem? Actually, the beneift was I had to focus and identify the same note a few octaves down. This extra "lesson" on my own is an unintended plus.
Major, minor, augmented and diminished chords are practiced. Your ear will improve and you will hear the chords sung more in songs after getting this down.
I've been using it on my drive to work in the mornings. I have had the cd a few weeks and am just reaching tracks 18 and 19 with confidence. Sometimes Ariella Vaccarino sings quite fast as the exercise proceeds. Simply hit the back button and start at the slower part at the beginning of the track.
It really is great to have this in the car or home as I am getting more out of my weekly voice lessons. Add to that, I don't have to play the piano myself. I can stand in front of the mirror and focus on posture.
This brings me back to cd 1. Though my breathing needs work, a weekly lesson and the time I spent with cd 1 before trying this out helps me recognize when I have tension in my throat or am not controlling my breath.
Why is this alone not enough? There is no way the cd can tell you you are leaning too far back and squeezing your lungs, give you a sense of how to raise your soft pallate or make sure to cover every point such as men usually jump straight from chest voice to falsetto at first while women have more of a gradual mid voice.
When I give this cd 5 stars it means for 15 dollars you are getting a product with no fluff that is the perfect compliment to some type of training. Even if the training is just a few lessons to get you started. You'll get out of it what you put into it.
If out of stock please purchase above NEW on Marketplace.......2006-08-15
Hey everyone, thank you so much for your great response to my CDs. Amazon is having a lot of trouble keeping them in stock. They are not ordering enough in time etc... Just so you know the other option is buying them off of Amazon Marketplace. At the top of this is the option to buy them new or used. I sell them directly new on it, (and they are actually cheaper so you can buy both volumes). Hope this tip helps. I've loved reading your responses and reviews. I think it is great that so many of you out there are singing!
Average customer rating:
- This is awesome!
- Awesome CD!!
- I absolutely LOVE this!
- Vienna Boys do it again
- Wow
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The Best of the Vienna Boys' Choir (Box Set)
Manufacturer: Delta
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- Luminosa
ASIN: B00000IGUW
Release Date: 2000-12-06 |
Tracks:
- Mass in C major K. 317 'Coronatoin' Mass: I. Kyrie
- Mass in C major K. 317 'Coronatoin' Mass: II. Gloria
- Mass in C major K. 317 'Coronatoin' Mass: Ave verum corpus KV 618 - K. 618
- Requiem KV 626 (Auszuge) - K. 626: Dies irae
- Requiem KV 626 (Auszuge) - K. 626: Lacrimosa
- Requiem KV 626 (Auszuge) - K. 626: Agnus Dei
- Requiem KV 626 (Auszuge) - K. 626: Lux aeterna
- Ave Maria
- The Creation: Terzett: 'In holder Anmut stehn'
- The Creation: Terzett mit Chor: 'Der Herr ist gross in seiner Macht'
- Locus iste
- Ave Maria
- Abendsegen
- Pueri concinite
- Messiah: No. 03 Chorus: ' And the glory of the Lord shall be revealed'
- Messiah: No. 06 Chorus: 'And he shall purify'
- Messiah: No. 42 Chorus: 'Hallelujah'
- Messiah: No. 51 Chorus: 'Worthy is the Lamb that was slain' - 'Amen'
Tracks:
- The Blue Danube
- Annen - Polka Op. 117
- Walzer - Tales from the Vienna Woods, Waltz
- Tritsch - Tratsch Polka
- Village Swallows from Austria
- Pizzicat - Polka
- Morning papers, waltz
- Radetzky - Marsch
- Thousand and one night, waltz
- Heidenroslein
- The Magic Flute: Trio
- Innsbruck, I must leave thee
- Aba Heidschi Bumbeidschi
- Edelweiss
- Do - Re - Mi
Customer Reviews:
This is awesome!.......2002-12-13
I love this bos set, especially the second one Edelweiss is simply great, it's filled with passion and truly shows the beauty of music.But if you had already bought Ave Maria and Edelweiss please don't buy this one, they are the same, this CD is just perfect!
Awesome CD!!.......2002-06-07
Wow...That was my first word when I listend to this CD.
I like classical numbers more than like traditional songs of
other countries, so the 1st one was wonderful
(Of course as well as the second one.)
When you want to relax, you may choose the 1st one, but
if you want to be excited, choose 2nd one!!
You will feel as if you were out of this world.
I absolutely LOVE this!.......2002-02-20
When I received this album, I found that it was much, much more than I had expected. The angelic, pure, innocent yet DEFINED voices of these boys add the spark to your day. (at least to mine!)
The first CD is absolutely beautiful choral music which is really relaxing. I DO prefer boys' singing to adults, because it just sounds so much better.
When I bought the CD, I wasn't expecting much out of the second CD because I bought it for the first CD's sake, but the second CD turned out to be my real favorite.
Not that I don't adore the first one, but the second one is SO IRRESISTABLY CUTE!! whenever I listen to it, I keep on smiling and going "awww. isn't this cute!"
It is REALLY sweet and fun to listen to. I just LOVE this CDs and want to give 10 stars out of 5, but obviously there are limitations, so..
Well, if you like choral music, you won't regret getting this one.
Vienna Boys do it again.......2001-08-18
Their performance is just superb. If you like classical music. I find this elevating my spirits.
Wow.......2000-09-06
What can really be said about this two CD set except "Wow." The tone quality and emotion contained in the music is incredible, and I don't think there's another boys' choir out there who can match it. The rendition of Schubert's "Ave Maria" alone is worth buying the CD. Amazing. Between the two CD's there is a great variety of music as well, ranging from the soft, sad "Locus Iste," to Johann Strauss' polkas. There is a piece for every mood. These CDs are more than worth the money and rank among the favorites in my collection.
Average customer rating:
- Irresistible
- "Some Enchanted Evening" with Kunzel and the Cincinnati Pops
- Excellent!
- Great Arrangments
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Rodgers & Hammerstein: Songbook for Orchestra (Orchestral Suites)
Manufacturer: Telarc
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Binding: Audio CD
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- Classics of the Silver Screen
ASIN: B000003CXQ
Release Date: 1992-01-28 |
Tracks:
- Oklahoma!
- Carousel
- State Fair
- South Pacific
- The King And I
- Cinderella Waltz
- Flower Drum Song
- The Sound Of Music
Customer Reviews:
Irresistible.......2005-07-29
From beginning to end this CD is pure delight. A great recording has great music, a great performance, and great sound; this one scores on all three counts.
Rodgers and Hammerstein's musicals dominated Broadway in the 1940s and 1950s, and American musical theater has produced no more consistently eloquent and durable voice than Richard Rodgers. From his fertile genius flowed a surprising number of memorable songs, many of which have passed into and become an accepted and beloved part of modern American culture.
This well-filled CD (77:36) features symphonic arrangements (all but two by Robert Russell Bennett) of the music from Oklahoma (1943), Carousel (1945), State Fair (1945), South Pacific (1949), The King and I (1951), Flower Drum Song (1958), and The Sound of Music (1959). All the great tunes are here in suites from each musical that average 10-12 minutes in length. The arrangements are expert: rich, varied, and colorful. The performances are polished, idiomatic, and irresistible; Kunzel and this orchestra are thorough masters of this kind of material. And Telarc's sound (recorded 1991) is state-of-the-art (engineer Michael Bishop deserves to take a bow).
In short, there's nothing here to cloud your listening pleasure (the only quibble I can imagine is that some of your favorites may not last long enough), so it's hard for me to envision anyone with ears and a taste for music who wouldn't enjoy this CD. Warmly recommended. Finally, if you like this one as much as I do, you might want to know that the same team has produced a companion volume, the Lerner & Lowe Songbook for Orchestra.
"Some Enchanted Evening" with Kunzel and the Cincinnati Pops.......2003-12-26
Erich Kunzel's Rodgers and Hammerstein anthology with the Cincinatti Pops Orchestra is one of the best and most ravishing instrumental Rodgers and Hammerstein albums of all time. With sumptuous arrangements and warm, natural Telarc recording, this glorious 77-minute CD presents sweeping, melodic arrangements of over 60 Rodgers and Hammerstein selections, spanning eight scores, and Kunzel allows the Pops to play with a characterful and polished understanding of the Rodgers and Hammerstein idiom. The disc is enough to cheer you up on a dull day and make you smile, and it might even want to make you feel like a convert to Rodgers and Hammerstein musicals.
This CD has all the scores arranged chronologically. The OKLAHOMA! suite that opens this disc promises a feast for the senses, Kunzel ably evokes the territory's "bright, golden haze" in the way he conducts the various excerpts, until you feel the atmosphere of the country charm of the show, and the love-affair between Curly and Laurey. Then, in CAROUSEL, he ably evokes the pathos of this tragic R&H masterwork, especially in the truncated Waltz, but he leads a wonderfully melodic "June is Bustin' Out All Over" and a devotional "You'll Never Walk Alone." Although this suite does not include Billy's pivotal Soliloquy, it includes "If I Loved You" as an expression of his love for Julie, and within minutes you could be soaked in the ups and downs of the show's mood.
After a brief STATE FAIR suite, with sweeping renditions of "It Might As Well Be Spring" and "It's a Grand Night for Singing", we are brought into the disc's showstopping highlights. These highlights are the excerpts from SOUTH PACIFIC, THE KING AND I, and THE SOUND OF MUSIC. But yet Kunzel conducts the rest of the disc until the various suites amount to a series of showstoppers. These three suites present wonderfully-arranged versions of their many familiar classic songs, with well-played solos. The SOUTH PACIFIC suite presents the songs in chronological order, yet preserves the atmosphere of the show at the same time. Kunzel ably brings out the romance in "Some Enchanted Evening" and "Younger than Springtime," and contrasts it with the exotic and dreamlike "Bali Hai'i" and the comic "There is Nothing like a Dame" and "I'm Gonna Wash That Man Right Outa My Hair". Although the suite ends quietly with a reprise of "Dites-Moi" rather than the reprise of "Some Enchanted Evening," within minutes we are swept into the KING AND I suite. Kunzel ably brings out the Oriental pathos in this score, and he captures the warmth of Anna's rapport with the King's Siamese children in "Getting to Know You", and with the King himself in "Shall We Dance." There is also romance in the love ballads "I Have Dreamed" and "We Kiss in a Shadow." Similarly, in the selection from THE SOUND OF MUSIC, Kunzel conducts this until the orchestra soaks itself in the atmosphere of this Austrian R&H score. This SOUND OF MUSIC suite has more of a feel of the score compared to the bonus track on Sony's reissued version of the Broadway recording. You can almost feel as if you are following the progress of the Trapp family and how it lifts its spirits with the joy of music. Kunzel gives us a soaring version of the title song, and spirited versions of "Do-Re-Mi" and "My Favourite Things." He balances it with the open-air quality of "Edelweiss" and "The Lonely Goatherd." Although this suite could have included "Something Good," the love ballad written for the film, the three recollections of the songs that were cut from the movie only last for a while. And, the towering version of "Climb Every Mountain" crowns this portion of the disc, and this sumptuously-produced recording. But, I should also mention the infectuous FLOWER DRUM SONG medley, where Kunzel turns this underrated score into a work of art, until it convinces you to buy the cast recording. And, don't forget about the brief CINDERELLA WALTZ, too, when Kunzel conducts it magically, until you feel like you are in the company of Cinderella and the Prince. He is able to show how this R&H score marked a comeback for R&H after the failiures of Me and Juliet, and Pipe Dream.
Overall, this glorious Rodgers and Hammerstein recording is guarunteed to make you want to pucker your lips out for a whistle or sing along (to paraphrase another revew for Kunzel's Disney Spectacular disc) - even if this recording is music only, and as long as you know the words to the songs (and you might know a large handful of them already.) There is always a certain magic in this fine CD that makes you feel like you're sitting in the theatre watching these musicals, until it makes you feel like it is truly, to borrow two R&H song titles, "Some Enchanted Evening" and "Something Wonderful" to be in Kunzel's company for this R&H offering. It would certainly be one recording that could make you feel willing to buy the complete cast recordings of the shows. And I guaruntee that it will make you feel willing to pull out your existing copies of the cast recordings to listen to them again. I also guaruntee that it will be a cornerstone in any Rodgers and Hammerstein collection, just as it is in mine. Recommended heartily to any Rodgers and Hammerstein enthusiast and to fans of Erich Kunzel's work. And, you can play it while reading the Richard Rodgers biography, Musical Stages, until Rodgers himself would count this as his favourite disc in the afterlife.
By the way, most of the arrangements for the suites on this CD were done by the veteran R&H orchestrator Robert Russell Bennett, and it surely adds to the appeal of this recording. This itself is enough to amount to the icing on the cake, since Kunzel conducts them well on here, and since this recording still allows the suites to have the original theatrical atmosphere. And, although this recording is like the Mauceri collection of the Rodgers & Hammerstein overtures in compiling orchestral suites of Rodgers & Hammerstein, I think that I like the Kunzel recording even more because Kunzel has more magic in his conducting of these suites.
Excellent!.......2003-04-08
This is one of the best Erich Kunzel/Cincinnati Pops collections we own! A must for Rodgers and Hammerstein fans, too.
Great Arrangments.......2001-09-02
This is a first rate album with great arrangments and orchestrations. If you're a Rodgers and Hammerstein fan, you can't afford to miss this specatacular album
Average customer rating:
- Best Kid's CD we have
- toe tapping music
- Great Sing Along!!!!!
- LOVE THIS!!!!
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Jim Gill Sings Do Re Mi on his Toe Leg Knee
Jim Gill
Manufacturer: Jim Gill Music
ProductGroup: Music
Binding: Audio CD
General
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| Styles
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General
| Children's Music
| Styles
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- Fun & Games
ASIN: B000FKOZRE
Release Date: 1999-03-15 |
Tracks:
- The Tempo Marches On
- Knuckles Knees
- Spin Again
- The Wrong Song
- Toe Leg Knee
- My Ups and Downs
- San Francisco
- Driving Here, Driving There
- My Bonnie
- Yes, No, Maybe
- Color Game
- Mashed Potatoes
- Spin Again....Again
- The Nothing Wrong Song
Customer Reviews:
Best Kid's CD we have.......2006-11-15
I love this CD as much as my kids do. It is original and refreshing.
toe tapping music.......2006-11-10
Jim Gill sure knows how to get the children to participate. His songs are so enticing! Everytime I put this CD on the kids start singing and start doing the motions.
Great Sing Along!!!!!.......2006-09-10
We borrowed this CD and others from our local library to take along on a road trip. I think we only listened to the other CD's once, but this one we listened to over and over! Jim's music had the whole family singing along! We just loved it!
LOVE THIS!!!!.......2006-06-18
My daughter LOVES this cassette - the illustrator of Jim's book, Susie Signorino-Richards, gave it to her for her first birthday and I must say she LOVES it! Her favorite is "Spin Again" - her giggles are enough to make a parent grateful for Jim Gill's silly music. Thanks for sharing your talent with us so we could have fun family memories centered around music!
Average customer rating:
- brings back all sorts of things for me
- If you see him perform, you will buy all his albums!
- Have all his Cd's...!!!!
- Catchy, fun, singable tunes
- songs you can't stop singing
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Down the Do-Re-Mi
Red Grammer
Manufacturer: BMG/Children's Group
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Teaching Peace
- Hello World!
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- Can You Sound Just Like Me
- Favorite Sing Along Songs
ASIN: B00000AG5X
Release Date: 1991-03-01 |
Tracks:
- Down The Do-Re-Mi
- Down By The Sea
- ABC's Of You, The
- Heading On Down To The Barn
- Me And The Morning
- Place In The Choir
- Land Of The Silver Birch
- Rattlin' Bog
- Two Hands Four Hands
- Grandfather's Clock
- Musical Animal
- Dreamtime Rendezvous
- Brothers And Sisters
Album Description
A sparkling mix of original and traditional songs that overflow with the joy of music! Winner Parents Choice Gold Pulse Magazines "Best Childrens Recording 1991.
Customer Reviews:
brings back all sorts of things for me.......2005-02-16
i was going through an old box of photographs while looking for some to put in my graduation slideshow. then i went through my mother's desk looking for more and i find 'down the do re mi' and 'teaching peace' on a tape. it's probably been a decade since i last listened to this tape. i started crying listening to the grandfather's clock song, and even the silly songs brought back great memories. i remembered the lyrics to all the songs once they started playing again, which i suppose isn't too surprising because i probably drove my parent's crazy when i'd listen to this over and over for years. this is the music that all kids should have a chance to listen to and sing along with, not the worthless pop crap that is the only thing most of them are exposed to now.
If you see him perform, you will buy all his albums!.......2004-05-04
Although I used "Teaching Peace" in my preschool classroom, it wasn't until I saw/heard Red Grammer perform at a teacher's convention that I became a fan. Or should I say, groupie? He not only performs, he entertains. And better still - he offers a variety of ways to use his music with groups of children. His voice is wonderful (John Denver-ish, which is meant as a great compliment!)and many songs have just the right amount of silly to keep children of all ages entertained. My class loves the scat-like ending of Down the Do-Re-Mi that they can sing along to as much as they love acting out Down By the Sea. There are poetically beautiful songs (Land of the Silver Birch),camp classics (Rattlin'Bog), and motivational songs (Two hands, four hands). Wonderful.
Have all his Cd's...!!!!.......2004-03-27
Very incredible man...!!! Freefalling and Tablet Of Ahmad
are tearjerkers!!!!!
This man is definately for adults also!!!
Top notch inspirational Michael Crawford-ish tenor--
Gives me Goosebumps---
Tablet Of Ahmad - you MUST get it!!! ITS RED IN RARE FORM!!
YOU WILL NOT BE SORRY....
Catchy, fun, singable tunes.......2003-01-22
My daughter's eyes (she's 4 months) light up as the first few notes of this CD start. They are great and catchy songs that are easy to sing and follow, with fun stories. One of our favorites!
songs you can't stop singing.......2001-05-30
For years I've been hearing about Red Grammar, but only recently have I listened to his songs. My sister-in-law introduced my three-year-old son to his music, and it was an instant hit. Down the Do Re Mi is terrific fun. We love every song. My son's favorite is "The Rattlin' Bog." Mine is "Down By the Sea." Every song is catchy and fun to sing along with. Each one captures the fun of being a child. We can't stop singing these songs, or listening.
Average customer rating:
- Great compilation
- A disappointment
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DRG 25th Anniversary Show Stopping Performances
Manufacturer: Drg
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Barbara Cook at the Met with Special Guests
- Curtains (2007 Original Broadway Cast)
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ASIN: B00005Q6IN
Release Date: 2001-10-23 |
Tracks:
- A Day In Hollywood A Night In Ukraine: Just Go To The Movies - Priscilla Lopez/David Garrison/Frank Lazarus/Stephen James/Peggy Hewett/Kate Draper
- Babes In Arms: I Wish I Were In Love Again - Christopher Fitzgerald Jessica Stone
- Pal Joey: Bewitched, Bothered And Bewildered - Patti LuPone
- Gentlemen Prefer Blondes: Diamonds Are A Girl's Best Friend - KT Sullivan
- Nunsense: I Just Want To Be A Star - Christine Anderson
- Louisiana Purchase: Wild About You - Debbie Gravitte & New York Voices
- Oil City Symphony: Beaver Ball At The Bug Club - Mike Craver/Mark Hardwick/Debra Monk/Mary Murfitt
- Falsettoland: The Baseball Game - Michael Rupert/Chip Zien/Faith Prince/Janet Metz/Heather MacRae/Stephen Bogardus
- Very Good Eddie: Isn't It Great To Be Married? - Virginia Seidel/Spring Fairbank/Charles Repole/Nicholas Wyman
- The Fantasticks: A Perfect Time To Be In Love - Harvey Schmidt
- Call Me Madam: You're Just In Love - Tyne Daly/Lewis Cleale
- Taking My Turn: Fine For The Shape I'm In - Margaret Whiting/Marnie Nixon/Cissy Houston
- A Party With Betty Comden & Adolph Green: The French Lesson - Betty Comdon/Adolph Green
- The Madwoman Of Central Park: Better - Phyllis Newman
- Greenwillow: Never Will I Marry - Anthony Perkins
- Song Of Singapore: I Can't Remember - Loretta Swit & Company
- Tintypes: Elite Syncopation/I'm Goin' To Live Anyhow, 'Til I Die - Lynne Thigpen
- I Love My Wife: Someone Wonderful I Missed - Joanna Gleason/Ilene Graff
- The Good Companions: The Pleasure Of Your Company - Malcolm Rennie/Christopher Gable
- Forbidden Broadway 20th Anniversary: Liza One-Note - Christine Pedi
- Meet Me In St. Louis: The Trolley Song - Donna Kane & Ensemble
Tracks:
- 4 Guys Named Jose...And Una Mujer Named Maria!: Feel It - Philip Anthony/Henry Gainza/Allen Hidalgo/Ricardo Puente
- Fame - The Musical: There She Goes!/Fame - Natasha Rennalls & Ensemble
- Do Re Mi: What's New At The Zoo? - Heather Headley/The Animal Girls
- High Society: Once Upon A Time/True Love - Melissa Errico/Daniel McDonald
- Tenderloin: Artificial Flowers - Patrick Wilson
- State Fair: Driving At Night/Our State Fair - Company
- Kiss Me, Kate: Were Thine That Special Face - Brian Stokes Mitchell
- Black And Blue: Black And Blue - Linda Hopkins/Ruth Brown/Carrie Smith
- The Green Bird: O Foolish Heart - Company
- Out Of This World: From This Moment On - Marin Mazzie/Gregg Edelman
- The Boys From Syracuse: This Can't Be Love - Davis Gaines/Sarah Berry
- Snoopy!!!: Poor Sweet Baby - Pamela Myers
- SeesawNobody Does It Like Me - Michele Lee
- March Of The Falsettos: I Never Wanted To Love You - Michael Rupert/Stephen Bogardus/Alison Fraser/Chip Zien/James Kushner
- Lunch: Perfectly Alone - Carol Burnett
- 3hree: Foolish Dreamin'/Something Beautiful/Real Enough To Change My Mind - Jessica Molaskey/Will Gartshore/Rachel Ulanet
- Lucky In The Rain: Love Me As If There Were No Tomorrow - Barbara Cook
- Godspell: All Good Gifts - Sal Sabella & Company
- The Act: Walking Papers - Liza Minnelli & Company
Customer Reviews:
Great compilation.......2002-05-10
I don't actually own this particular compilation, however, since I own nearly every recording represented on these discs...I think I'm qualified to comment. This is a wonderful representation of the high quality of work that DRG Records does.
The previous review is way off the mark. This is definitely not a waste of time or money. This is 25 years of preserving Broadway shows, Off-Broadway shows, studio recordings (mostly from the city center concerts), etc. So what if they "aren't as good as the original", DRG is preserving many recordings and artists that other mainstream labels don't or won't. You have wonderful recordings from Brian Stokes Mitchell, Nathan Lane, Debbie Gravitte, Tyne Daly, Anthony Perkins, Joanna Gleason, Marin Mazzie, Carol Burnett, Heather Headley, Patti LuPone, Barbara Cook, etc., and many of these are from Original Cast Recordings just as they appeared on Broadway. This is an excellent sampler of the work going on at DRG. No...I'm not an employee...just an avid listener and collector of theatre recordings.
A disappointment.......2001-12-15
There's a reason you've probably never heard of most of the songs and shows on this album, not to mention most of the artists. This is a second-rate collection of second-rate numbers performed by mostly second-rate artists. In the case of the shows that were revivals, the performances on the original cast recordings were better. Don't waste your money.
Average customer rating:
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Great Musicals
Manufacturer: RCA Victor Broadway
ProductGroup: Music
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- Encores from Encores!
- Brian Stokes Mitchell
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ASIN: B00005LN5W
Release Date: 2001-08-07 |
Tracks:
- Candide: Overture - Orchestra
- Fiddler On The Roof: Prologue - Tradition - Zero Mostel And Company
- Hello, Dolly!: Dancing - Carol Channing And Company
- Cabaret: If You Could See Her - Alan Cumming
- Ain't Misbehavin': Honeysuckle Rose - Ken Page/Nell Carter
- Guys And Dolls: Sue Me - Faith Prince/Nathan Lane
- Sweeney Todd: The Worst Pies In London - Angela Lansbury
- Ragtime: New Music - Mark Jacoby/Marin Mazzie/Steven Sutcliffe/Brian Stokes Mitchell/Audra McDonald/Company
- Titanic: Lady's Maid - Original Cast
- How To Succeed In Business Without Really Trying!: Rosemary - Matthew Broderick/Megan Mullally
- Les Miserables: Bring Him Home - Colm Wilkinson
- Falsettos: Unlikely Lovers - Lewis Cleale/James Sasser/Farah Alvin/Kristin Woodbury
- Parade: All The Wasted Time - Brent Carver/Carolee Carmello
- The Sound Of Music: Do-Re-Mi - Rebecca Luker And Company
Customer Reviews:
The Title Is Accurate........2002-02-21
I'll be honest - I mainly bought this CD for one song - the new recording of William Finn's "Unlikely Lovers" from Falsettos.
In fact, there is a sticker on the front of the Great Musicals CD which states the following - "Unlikely Lovers from Falsettos is new to CD."
This isn't really correct. This particular recording of that wonderful second act song is new, but the song itself was previously recorded and released on the original cast recording of Falsettoland many years ago. I have also read a review of another (unauthorised?) CD recording made in Michigan of Falsettoland.
Anyway, this new recording is so powerful and emotional, I'm glad I bought the CD.
Readers might be interested to know that the 2001 recording of U. Lovers was made at Joe's Pub in January - the same place where Finn's Infinite Joy was recorded.
To the best of my knowledge, U.L. wasn't performed in the live show. I believe this as in an interview, Finn stated that the only song from Falsettos they were to perform in Infinite Joy was The Baseball Game (wonderfully conveyed by Stephen DeRosa on the CD). Also, in this new recording of U.L., unlike the recordings on Infinite Joy, there isn't any audience reaction. I suspect that the cast made this recording before or after audience arrived.
Loved this new version. It's accompanied by a solo piano. Lewis Cleale has a more traditional male voice (light baritone?) than Michael Rupert's higher, head, some might say "character" sound. Both are more than pleasant on the ear.
Also, on this recording, there's an a cappella section towards the end of the song; on the lyrics "...let's pretend..." Quite affecting.
As for the rest of the album, well all the tracks are gems in one way or another. Particular favourites of mine include -
"Lady's Maid" from Titanic. With it's "up down up" three note/syllable melody structure (millionaire, constable, engineer) it is immediately catchy, and is a great example of an "I'm about to start a journey, so wish me luck as I go" type of show song.
"All The Wasted Time" from Parade. Loved the almost folk influenced sound and the soaring voices; including Carolee Carmello who is heard on Infinite Joy.
"New Music" from Ragtime. It 'builds' beautifully and is a great example of the work of a contemporary song writing team - the highly talented Flaherty and Ahrens.
I suppose the thing is, that many musical theatre buffs will already have many of these songs on CD. However, you many not have THESE recordings - e.g. - the "If You Could See Her" from Cabaret is from the 1998 version, the "Do-Re-Mi" from (what else?) The S.O.M. is the 1998 recording.
If one was being picky, the following points might be made -
For a CD celebrating RCA's 100th anniversary, this collection is somewhat 'top heavy' - 9 of the 14 tracks - almost 65% were recorded in 1992 or later.
Also -
With a number of the American based performers, even when they are portraying non-Americans, their native accent is still recognisable. This is particularly noticeable on track 14 - "Do-Re-Mi" ("...Here, I'll make it easier for you...") and, to a lesser extent; track 2 - "Prologue - Tradition" from Fiddler ("...trying to scratch out a pleasant simple tune...")
But when one is dealing with material and performances of this level, such points are minor quibbles.
All in all, a very fine CD which has made a welcome addition to my collection.
Average customer rating:
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If You Ain't Got the Do-Re-Mi: Songs of Rags to Riches
Various Artists
Manufacturer: Smithsonian Folkways
ProductGroup: Music
Binding: Audio CD
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- We'll Never Turn Back
- Three Score and Ten
- Canciones de Las Brigadas Internacionales
- The Best Of Hootenanny
ASIN: B000MQC8XE
Release Date: 2007-03-13 |
Tracks:
- Wall Street Rag - Ann Charters
- Empty Pocket Blues (Barrel of Money Blues) - Pete Seeger
- Do-Re-Mi - Woody Guthrie
- Bill Morgan and His Gal - The New Lost City Ramblers
- One Meat Ball - Josh White
- Jim Fisk - June Lazare
- Gallis Pole - Lead Belly
- Brother, Can You Spare a Dime? - Joe Glazer
- Yankee Dollar - Lord Invader
- If I Had a Million Dollars - Speckled Red
- Nobody Knows You When You're Down and Out - Rolf Cahn & Eric Von Schmidt
- If I Lose, I Don't Care - The New Lost City Ramblers
- Banks of Marble - Pete Seeger
- The Old Arm Chair - Gale Huntington
- The Money Rolls In - Derek Lamb
- Business - Pete Seeger
- If You Lose Your Money - Sonny Terry & Brownie McGhee
- Union Maid - The Almanac Singers
- Greenback Dollar - Kilby Snow
- The Miller and His Sons - Horton Barker
- Penny's Farm - Pete Seeger
- Billy Grimes the Rover - The New Lost City Ramblers
- Ida Mae (The Social Security Song) - Joe Glazer
- Last Gold Dollar - Bascom Lamar Lunsford
- Black Dog Blues - The Stoneman Family
- I Don't Want Your Millions - The Almanac Singers
- Pretty Boy Floyd - Woody Guthrie
Album Description
As a subject, money has always generated great interest. If You Ain't Got the Do Re Mi celebrates the songs and singers whose words express the human side of money: hope or frustration, criticism or humor, desire or avowed disinterest. This compilation from the Smithsonian Folkways archive marks the opening of the Museum of American Finance on New York City's Wall Street, and lets the voices of Woody Guthrie, Pete Seeger, Lead Belly, and other folk music legends ring out their stories of rags and riches. 24-page booklet, 74 minutes.
Average customer rating:
- A brilliant collection from a great soprano
- If I could have only one collection......
- Yes this is great!
- The Grandest Collection of Leontyne Price Arias
- The Greatest Soprano Ever Recorded
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Leontyne Price (The Prima Donna Collection)
Manufacturer: RCA
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ASIN: B000003FAF
Release Date: 1992-08-11 |
Tracks:
- Dido and Aeneas: Act 3: Thy Hand, Belinda!
- Dido and Aeneas: Act 3: When I Am Laid In Earth
- Le nozze di Figaro: Act 3: E Susanna non vien!
- Le nozze di Figaro: Act 3: Dove sono
- La traviata: Act 3: Teneste la promessa
- La traviata: Act 3: Addio del passato
- L'africaine: Act 2: Sur mes genoux, fils du soleil
- Manon: Act 2: Allons! il le faut!
- Manon: Act 2: Adieu, notre petite table
- Otello: Act 4: Era piu calma?
- Otello: Act 4: Mia madre aveva una povera ancella (Willow Song)
- Otello: Act 4: Ave Maria
- Adriana Lecouvreur: Act 1: Ecco: respiro appena
- Adriana Lecouvreur: Act 1: Io son l'umile ancella
- Louise: Act 3: Depuis le jour
- Turandot: Act 2: In questa reggia
- Die tote Stadt: Act 1: Marietta's Lied
- Vanessa: Act 1: He Has Come, He Has Come!
- Vanessa: Act 1: Do Not Utter A Word
Tracks:
- Atalanta: Act 1: Care Selve
- Don Giovanni: Act 1: Don, Ottavio, son morta!
- Don Giovanni: Act 1: Or sai chi l'onore
- Der Freischuetz: Act 2: Wie nahte mir der Schlummer
- Der Freischuetz: Act 2: Liese, leise
- Tannhaeuser: Act 2: Dich, teure Halle
- Macbeth: Act 2: La luce langue
- Macbeth: Act 4: Vegliammo invan due notti (Sleepwalking Scene)
- Macbeth: Act 4: Una macchia e qui tuttora
- Mefistofele: Act 3: L'altra notte in fondo al mare
- Rusalka: Act 1: Song To The Moon
- L'Enfant Prodigue: Air de Lia: L'annee en vain
- Andrea Chenier: Act 3: La mamma morta
- Francesca da Ramini: Act 3: Paolo, datemi pace
- Suor Angelica: Senza mammo, o bimbo, tu sei morto!
- Amelia Goes To The Ball: While I Waste These Precious Hours
Tracks:
- Alceste: Act 1: Divinites du Styx
- Don Giovanni: Act 2: Crudele? Ah, no, mio bene
- Don Giovanni: Act 2: Non mi dir
- I lombardi: Act 2: O madre, dal cielo
- I lombardi: Act 2: Se vano e il pregare
- Martha: Act 2: The Last Rose Of Summer
- Simon Boccanegra: Act 1: Come in quest'ora bruna
- La Perichole: Act 3: Tu n'es pas beau
- Die Walkuere: Act 1: Du bist der Lenz
- Die Fledermaus: Act 2: Czardas: Klange der Heimat
- Carmen: Act 3: Ces des contrebandiers
- Carmen: Act 3: Je dis que rien ne m'epouvante
- Cavalleria Rusticana: Voi lo sapete
- Thais: Act 2: Ah! je suis seule
- Thais: Act 2: Dis-moi que je suis belle
- Gianni Schicchi: O mio babbino caro
- Les dialogues des Carmelites: Act 3: Mes filles, voila s'acheve
Tracks:
- Semele: Act 2: Where 'er You Walk
- Idomeneo: Act 3: O smania! O Furie!
- Idomeneo: Act 3: D 'Oreste, d' Ajace!
- La damnation de Faust: Part 4: D'amour l'ardente flamme
- Oberon: Act 2: Ozean, du Ungeheuer!
- Norma: Act 1: Sediziose voci, voci di guerra
- Norma: Act 1: Casta diva
- Norma: Act 1: Ah! bello a me ritorna
- Rigoletto: Act 1: Gualtier Malde
- Rigoletto: Act 1: Caro Nome
- Tristan und Isolde: Act 3: Liebestod: Mild und leise
- Pagliacci: Act 1: Ballatella: Qual fiamma avea nel guardo
- Adriana Lecouvreur: Act 4: Poveri fiori
- Gloriana: Act 1, Scene 2: Soliloquy & Prayer: On Rivalries 'tis Safe For Kings
- Gloriana: Act 1, Scene 2: Soliloquy & Prayer: O God, My King, Sole Ruler Of The World
Customer Reviews:
A brilliant collection from a great soprano.......2007-04-30
Leontyne Price was much admired and this 4CD collection shows her outstanding vocal gifts to the best advantage. Numerous reviewers have commented on the wide-ranging styles present and I can agree wholeheartedly with them. You would be hard-pressed to find a greater compilation of Ms Price, showcasing her amazing gifts as a great singer!
If I could have only one collection.............2006-11-12
....it would be this. Such fine singing in so many periods, languages, and styles. She is truley a great artist and this set helps you see just HOW GREAT she is. I won't go thru all the tracks but will say Cara Selve drives me wild. "When I am Laid in Earth..." comes across very nicely. There are some rare exerpts too like Gloriana, Menotti's Amelia goes to the Ball. Overall most tracks are inspired. The musicianship is to the highest standards. I JUST lOVE IT!
Yes this is great!.......2006-10-14
But "When I am Laid in Earth" was written by PURCELL! Handel's "Care Selve", however, is also on this set, and it is GORGEOUS!!! I love just about everything on here. A few items from the fourth CD are a bit telling of her age (D'oreste d'ajace!")- but even they are fabulous. THe price of this set is unfortunate - however, it has dropped a little! :) I originally purchased it from BMG in 1994, for next-to-nothing, then "gave" it to my best friend! Two years ago, she lost hers to Hurricane Ivan, and paid a LOT for a new set!
The Grandest Collection of Leontyne Price Arias.......2005-08-08
If you're a fan of Leontyne Price, this should be at the top of your list of her recording albums. I don't know when this was issued, but it's from the RCA Label which was her best promotional record company. It's a box set featuring dozens of arias from magnificent grand operas (some of which Leontyne Price never sang on stage in full and instead sang some bits in concert). Leontyne Price sings in fresh, beautiful and strong voice in dramatic and versatile roles, mastering each music from each composer. She masters such strikingly different masters's works as Samuel Barber (Vannessa) Webber (Der Freischutz) Wagner (Tristan and Isolde, Tannhauser) Falla (Atalanta) Mozart (Le Nozze Di Figaro). She sings the title roles of Massenet's Manon, Bizet's Carmen, Bellini's Norma, Verdi's Lady Macbeth, Amelia in Un Ballo Di Maschera, Nedda in I Pagliacci, Turandot and Suor Angelica, Flotow's Martha, and even oratorio such as Handel's Semele and Benjamin Britten's Gloriana. This is a vast repertoire, far grander in variety than I have ever known any one soprano sang. While critics will indeed compare Leontyne Price to Maria Callas (as another review critic brought up) these two sopranos could not have been any more different. It's not even a matter of their different racial backgrounds- Callas was born in Greece and became an American citizen then gave it up for French citizenship..and Price was born in Mississippi and was African-American) it's a matter of how different their approach at opera was and their vocal category. Callas was a dramatic soprano sforzando (literally "forced dramatic soprano")who would prefer to produce a choking, ugly, harsh sound merely for the dramatic effect and the integrity of the text in her lines. Leontyne Price was the definition of a soprano lyrico-spinto ("pushed" lyric-dramatic singing)which meant above all, to sound beautiful and to fill up those dramatic lines with as much vocal and tonal beauty as possible. Price had a more thrilling mezzo di voce and high soaring top register and a cleaner, smoother sound than the wobbly Callas, no offense to Callas fanatics of which there are many. It is true that Price did lose her touch in a sense in her older years (the 1970's and 80's) when her voice lacked the vibrant lyricism and attention to diction. Her 1970's Toscas and Aidas are therefore a sloppier than her 1950's and 60's Toscas and the same went for her Leonoras in both Trovatore and Forza Del Destino. Nevertheless, Price is an ageless singer. Her voice, dark, messy or bright and smooth, is still what was said of her in her debut at the Met as Leonora in Trovatore - a "bright, unfurling banner". She was goddess of the opera and paved the way for the new generation of black sopranos of today.
This collection does not showcase the more famous roles that were in fact her signature ones - Leonora from Trovatore and Forza, Aida is'nt even in here and that one even she considered her greatest role, we don't find her Madame Butterfly here. Instead we find rare pieces that she sings beautifully and dramatically, making us wish she had sung the entire operas in full on stage. She never sang a full-length Norma and that's a pity- even Grace Bumbry and Shirley Verrett did in their careers. Price seemed to enjoy singing Samuel Barber's vocal works - she opened the 1965-1966 Met season with Barber's Antony and Cleopatra (a bad production by the way but not through any fault of Miss Price but the overblown spectacle of the design of the opera itself) and here she sings his Vanessa. Benjamin Britten's Gloriana sounds lovely in her hands. Her Norma and Dona Anna in Mozart are dramatic and fiery, her Lady Macbeth darkly mysterious, her Suor Angelica peaceful with powerful inner fire and her Dialogue Des Carmelites are also sensational. Yes, many of these arias are beautiful to hear, and thank God she doesn't have any of the flaws critics keep hearing in her later recordings. Without a doubt, this is her finest album. I think you should listen via audio samples here the following to make you get this recording: the Countess aria from Nozze Di Figaro, her Manon (Adieu Petit Table) La Mamma Morta, her version of Sediziose Voce/Casta Diva from Norma, the excerpt from Carmen, "Don Ottavio son Morta...Or Sai Chi L'Onore" from Don Giovanni, Care Salve, the Dido and Aeneas excerpts, the La Traviata excerpts (Addio Del Passato) and the beautifull, mystic, haunting and well-executed Liebestod from Tristan and Isolde, which I even feel surpasses Birgit Nilsson's version. Just listen to how heart-felt that Liebestod is! I have not heard the likes of it anywhere else.
The Greatest Soprano Ever Recorded.......2005-03-20
O.K. So that is only my opinion. But Leontyne Price was one of the most dedicated singers of the 20th century. Her vast repertoire is showcased in this extensive collection of arias. While to many Maria Callas will forever be the ultimate and the greatest of them all, Leontyne Price had the same poswerful, high dramatic voice, in addition a more generous chest register and a regial presence. Moreover, she overcame so much to get to the top. In her day, African-American women in opera was new. Marian Anderson was the first to get into the mainstream opera world, with much difficulty and intervention, such as Eleanor Roosevelt's support. After Marian Anderson finally landed her first role at the Met in the 50's, a new generation of black women in opera began. The 60's and 70's would see the rise of mezzo sopranos later turned to dramatic sopranos such as Grace Bumbry, Shirley Verrett and it would follow into the 80's with Jessie Norman and Kathleen Battle. Today, black women have made opera one of their highest achievements. Leontyne Price began singing in the 50's. A televised production of Tosca was not shown in some Southern states that were racistad opposed the idea of seeing a black woman in a "white" role. Leontyne Price would master the role of Tosca as successfully as Maria Callas. I think that while she is at her best in the Puccini and Verdi operas she recorded and performed (not showcased here)- Trovatore, Aida, Forza Del Destino, Madame Butterfly, Tosca, Suor Angelica. However, there is so much that she is absolutely remarkable in. I love her as Violetta in Traviata (few black women sing the traditionally white role of Violetta), Massenet's Manon, Verdi's Lady Macbeth (which was another of Shirley Verrett's great roles)Dido from Dido and Aneas, Dona Ana and Elvira in Don Giovanni, The Countess in Figaro, Bellini's Norma (she is outstanding in that powerful druid diva role). I think if we narrow it down to a few roles that she really made her own it would be 1: Aida....2:Tosca...3Dona Ana/Dona Elvira 4 Desdemona from Otello and 5..Leonoras from Trovatore and Forza.
This collection is pretty impressive. I didn't know a soprano could be that versatile. Leontyne Price is remarkable. Her rich, lyric voice, capable of plaintive and melancholy lines as well as powerful high C's and dramatic whoops, was always clean, smooth and intense. Of course, like most sopranos, she had her bad days. Her later Toscas (in the mid or late 70's) became too melodramatic and sloppy, when she used to be more mannered and poised with the role, her Cleopatra in Samuel Barber's opera was a fiaco because the production was too bizarre and messy, etc. But for the most part, mostly in Verdi, Puccini, Mozart and as Norma, she was radiant, glorious and perfect. Her background in Church music made her incredibly suited to singing Requiems, such as Verdi's Requiem. There will never be another Leontyne Price. She was a one woman Golden Age of Opera, and sang with the best of the best- Bjussi Bjorling, Giuseppe Di Stefano, Franco Corelli, Placido Domingo.
Average customer rating:
- great singers, great songs
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Binding: Audio CD
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ASIN: B00008XERI
Release Date: 2003-05-06 |
Tracks:
- Overture [From Do Re Mi]
- Make Someone Happy [From Do Re Mi] - Heather Headley, Brian Stokes Mitchell
- All My Life [From Do Re Mi] - Nathan Lane
- Tommy, Tommy [From Tenderloin] - Sarah Uriarte Berry, Patrick Wilson
- Good Clean Fun [From Tenderloin] - David Ogden Stiers
- My Gentle Young Johnny - Debbie Gravitte
- Hostess With the Mostes' on the Ball [From Call Me Madam] - Tyne Daly
- It's a Lovely Day [From Call Me Madam] - Lewis Cleale, Melissa Errico
- Where or When [From Babes in Arms] - David Campbell, Erin Dilly
- Johnny One Note [From Babes in Arms] - Melissa Rain Anderson
- I Wish I Were in Love Again [From Babes in Arms] - Christopher Fitzgerald, Jessica Stone, Jessica Stone
- Bewitched, Bothered and Bewildered [From Pal Joey] - Patti LuPone
- Zip [From Pal Joey] - Bebe Neuwirth
- I'm Talkin' to My Pal [From Pal Joey] - Peter Gallagher
- I Am Loved [From Out of This World] - Marin Mazzie
- Nobody's Chasing Me [From Out of This World] - Andrea Martin
- From This Moment On [From Out of This World] - Gregg Edelman, Marin Mazzie
- Falling in Love With Love [From the Boys from Syracuse] - Rebecca Luker
- He and She [From the Boys from Syracuse] - Mario Cantone, Debbie Gravitte
- Sing for Your Supper [From the Boys from Syracuse] - Sarah Uriarte Berry, Debbie Gravitte, Rebecca Luker
Customer Reviews:
great singers, great songs.......2006-05-03
Some of broadway's best singers are on this album, including Brian Stokes Mitchell, Debbie Gravitte, Marin Mazzie, and Rebecca Luker. (The cd is worth buying for Rebecca Luker's song alone!) The songs are beautifully orchestrated and sung. Most are light hearted and fun, leaving me with a good feeling when listening.
If you're a fan of broadway showtunes, I believe you'll enjoy this album.
Music:
- Dudley Moore - Live From an Aircraft Hangar [Live]
- Evita (Original London Cast) [Cast Recording]
- Fade Out Fade In (1964 Original Broadway Cast) [Cast Recording]
- First Impressions (1959 Original Broadway Cast) [Cast Recording]
- First Lady Suite - A Musical (Premiere Recording) [Cast Recording] [Soundtrack]
- Footloose [Original recording remastered] [SACD] [Soundtrack]
- Greenwillow (1960 Original Broadway Cast) [Cast Recording]
- Gumboots [Cast Recording] [Soundtrack]
- Gunmetal Blues (1999 Laguna Cast) [Cast Recording]
- Hair (+ Extras) [Cast Recording] [Original recording remastered] [Soundtrack]
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