Corridors

Track Listings

1. Corridors

2. Treasures of Heaven

3. I Know You're There

4. Not Just Any Other Day

5. Eyes of My Heart

6. Every Time You See Me Cry

7. Fall

8. I'll Love You Forever

9. Talk to Me

10. Where Does Our Love Go

11. Reprise

Tracks:

Don't Take Me For A Loser
Always Gonna Love You
Wishing Well
Gonna Break My Heart Again
Falling In Love With You
End Of The World
Rockin' Every Night
Cold Hearted
I Can't Wait Until Tomorrow
Falling In Love With You (Remix)
Falling In Love With You (Remix Instrumental)
Love Can Make A Fool Of You

Album Description

UK remastered reissue of the Irish guitarist's 1982 album, that's unavailable domestically, includes three bonus tracks, 'Falling In Love With You' (Remix & Remix Instrumental) & 'Love Can Make A Fool Of You'. Virgin. 2003.

Album Details

Digitally Remastered Reissue of the Irish Axe Master's Densely Metallic 1982 Virgin Release features the Handy Work of a Few Veteran Session Players (Ian Paice on Drums and Neil Murray on Bass) and a Special Guest Vocal Appearance by Jack Bruce on the Track "End of the World". Includes Three Bonus Tracks: Remix and Instrumental Versions of "Falling in Love with You" and "Love Can Make a Fool of You".

Customer Reviews:

Corridors of LOVE..........2006-09-17

For me, a Corridors review boils down to a couple things. Overall, the metal here is maybe a little above average, not great, 80's metal. And for the most part, what you've really got is just a slew of metally love songs. I guess GM was going through one of those periods, but this CD devotes way too much to it. Even with the bonus tracks, all three are love songs, even the new title. To me, this adds insult to injury by no less than doubling the number of love songs--when there were already too many to begin with. And we're not talking something really good, like "Love Drive" (Scorpions), or even "Hold On To Love" (GM-Victims Of The Future). In the end, the tracks don't do much for either their topic or genre. It's about a 2 1/2 star CD, I'd say. Get GM's Victims Of The Future for some of the very best 80's metal you will ever hear.

Moore Rocks!.......2006-03-29

Gary Moore rocks out on this album which originally came out in 1982. I love this remastered version with the 3 bonus tracks. All together you get 3 versions of the song "Falling In Love With You" which is a great rock ballad;I especially love the instrumental version where the singing is replaced by excellent guitar solos. Gary's guitar playing is top notch throughout the album. The guitar work at the beginning of "The End of the World" is blistering. This song also features Jack Bruce from Cream on lead vocals.Another familiar name apearing on the album is Ian Paice of Deep Purple who plays the drums. This is cd is one of Moore's better ones,right up there with his other 1980's hard rocking cds.

GUITAR ACE ROARS.......2006-03-23

man oh man, can this boy play some guitar! I have been a Moore fan since his Colosseum days and he remains one of my alltime favorite guitar players. Fantastic technique and great feel, Gary plays like he means it. I don't think Gary got the recognition he deserved here in the states but he can wail with the best of 'em.
Like a lot of other great albums, I have this on vinyl and still listen to it regularly. The fact that Gary can go from a band like Colosseum to Thin Lizzy to this to the blues shows just how versatile a player he is. He is highly proficient in all those styles. I have had the good fortune of seeing Gary perform twice and he was on top of his game. Did I mention that I don't even play guitar? Yet Gary still blows me away. You can do a lot worse than this CD, trust me. Gary is the man!!

www.electriceyes.us

Gary Moore's First Solo Masterpiece.......2005-10-13

CORRIDORS OF POWER is Gary Moore's first full-fledged rock masterpece as a solo artist. This album contains none of the fusion mess that marred BACK ON THE STREETS, and shows that he learned a lot from playing with Thin Lizzy. Moore's belief that Indonesia's drug-smuggling conviction of a young Australian tourist was trumped-up and unjust makes this one, VICTIMS OF THE FUTURE, RUN FOR COVER, and the best-of OUT IN THE FIELDS essential purchases for both your ears AND your conscience.

I had the album, I remember it being great!.......2005-08-01

It's been a while since I heard the tracks off this, but I had it as a kid -- and I remember the guitar work being amazing!

This guy is one of the best.

Here's my short list of underrated rock n roll guitar acts:

1) Outlaws (Jones - Thomasson)
2) Thin Lizzy (Gorham - Robertson)
3) Ronnie LeTekro (sp?) - TNT
4) Akira Takasaki - Loudness
5) Gary Moore

Average customer rating:

"He who sings prays twice."
Setting The Standard
You gotta listen & purchase this CD
Song after Song - Endless Corridor
John Elefante's "Corridors" is superb!

Corridors
John Elefante
Manufacturer: Pamplin Music
ProductGroup: Music
Binding: Audio CD

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Defying Gravity
Windows of Heaven
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Reconstructions Reconstructed
King Biscuit Flower Hour

ASIN: B000005B8I
Release Date: 1997-05-20

Tracks:

Corridors
Treasures Of Heaven
I Know You're There
Not Just Any Other Day
Eyes Of My Heart
Every Time You See Me Cry
Fall
I'll Love You Forever
Talk to Me
Where Does Your Love Go
Reprise

Customer Reviews:

"He who sings prays twice.".......2004-03-16

The words of St. Augustine are well applied to this album. If you liked Kansas, you will like this album. If you are looking for contemporary music to teach your children or friends how to like worship music, you will like this album.

This album is a fine example of what worship music should be, and almost never manages to be. It is good music all on its own, with powerful lyrics and a strong and inclusive message.

And by the way, I'm actually not a Christian. I hunted this album down because I really liked the song 'Corridors' and couldn't get it out of my head. I didn't even know the name of the song, only the lyrics from the chorus. They were extremely memorable. I'm glad I have this album.

Setting The Standard.......2003-06-30

John Elefante truly sets a new standard in Spirit-filled music. His lyrics minister straight to the heart while his peerless vocals are better than his Kansas days. This CD, along with Windows of Heaven, and Defying Gravity, are a level Above in terms of music, lyrics, and production. God is certainly working through John's gift.

You gotta listen & purchase this CD.......2001-08-22

I have heard John's music longer than most people and have always been moved by his voice. John and I went to school together in Long Beach, Ca.(from the time his family moved to Long Beach) and I would get spoiled in hearing him either at his house or at school. Corridors is simply the most outstanding work I've heard from an artist in a long time. Every song is extremely uplifting and I NEVER have to worry about "is this ok for my children to hear? John, Keep belting out the word! Bottom line, BUY THIS CD RIGHT AWAY!

Song after Song - Endless Corridor.......2000-09-15

Another great John Elefante album. His vocal passion, quality, interpretation ... it's all here. Then there's the great production, lyrics, compositions ... all here too!

John Elefante stands above his peers in the CCM genre. The amazing thing is how in the world the mainstream markets can pass up this talented artist. Oh well, thankfully I don't think John is too concerned about this rejection. He is very confident in his talents and his calling ... both very evident in his music.

The best way I can describe Corridors is that I simply find it impossible to listen to it without listening to the whole CD. Although, not a concept album, it has a seamless continuity ... a great CD to take on a long trip.

From the very start, the theme of the album is set with these words from the title track: "Take me down the Corridor that leads me to the Cross ... I want to be where You are" ... John also wants us to come along and his music is a vehicle to get there ...

- Scriptor

John Elefante's "Corridors" is superb!.......2000-08-16

A few weeks ago, at the advice of one of my sisters, I purchased John Elefante's "Defying Gravity" and totally fell in love with it. I found out that John Elefante had 2 other prior solo CDs so I quickly purchased "Corridors". I immediately fell in love with "Corridors" as well. John Elefante and his brother, Dino, are extraordinarily gifted songwriters. Their lyrics are heart-felt, worshipful and inspirational. Their incredible melodies are (for lack of a better word) totally addictive. I put their songwriting ability on the same level as Lennon and McCartney (and as an avid Beatles fan, I never thought I would ever put anyone else's music on that level). The songs on "Corridors" are powerful, beautiful, and anointed, full of insight, passion and energy. And I can not say enough about John Elefante's incredible voice! He is, without a doubt, one of the best singers I have ever heard. I have read many reviews speaking about the fact that he was with Kansas. At the time I purchased "Defying Gravity", I did not know who he was, so I did not have any pre-conceived expectations when I bought his CD. I can honestly say that I was captured by his music right from the start because it stands on its own as being the BEST, not just in Christian music, but in the music arena at large. It's a real shame that he is not more widely recognized, acknowledged and appreciated for the magnificent God-given talent and wisdom he possesses. I pray that he realizes that there are those of us who know genius when we hear it and that he will continue to follow God's direction which has served him (and his listeners) so beautifully. I have recommended "Corridors" and "Defying Gravity" to everyone I know and I will continue to do so because God has blessed him with an exceptional gift that deserves to be heard. The world needs his message and his music.

Average customer rating:

An Experiment - Not Quite an Accomplishment
The well will never dry
A splendid new direction for David S. Ware
Diggable

Corridors & Parallels
David S. Ware Quartet
Manufacturer: Aum Fidelity
ProductGroup: Music
Binding: Audio CD

Avant Garde & Free Jazz | Jazz | Styles | Music

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ASIN: B00005Q6KH
Release Date: 2001-09-18

Tracks:

Untitled
Straight Track
Jazz Fi-Sci
Superimposed
Sound-a-bye
Untitled
Corridors & Parallels
Somewhere
Spaces Embraces
Mother May You Rest In Bliss
Untitled

Amazon.com

Tenor saxophonist David S. Ware's quartet has become a key institution of the "ecstatic" movement--latter-day free jazz--delivering nonstop intensity with the leader's vast, harrowing wail, the complex detailing of pianist Matthew Shipp and bassist William Parker beneath, and the roll and tumble of a series of drummers. Corridors and Parallels maintains much of the band's heat, but breaks new ground with Shipp's shift to synthesizer. Whether it's the distancing effect of electronics or the suddenly broadened sound palette, the group is essentially reborn, pressing into fresh territory and touching on genres unheard in their previous work.

Some of the tracks seem frankly experimental, testing the possibilities of the electro-acoustic relationship. "Straight Track" has Shipp developing a Sun Ra-like mix of the cosmic and the kitsch before Ware roots the music in his familiar, soulful expressionism. "Jazz Fi-Sci" further exploits that contrast with call and response between the acoustic trio of Ware, Parker, and drummer Guillermo E. Brown against Shipp's passages of burbling, skittering electronics. The music is far more compelling when the elements are integrated. "Superimposed" uses marimba-like programming to layer dense polyrhythms of electronics and percussion, creating an African-sourced field for Ware's sustained power. The title track is the most arresting, a brilliant amalgam of funk beats and Middle Eastern sonorities, with the bowed drone of Parker's bass bridging the shennai-like call of Ware's tenor and Shipp's own electronic figures. Occasionally, the results are more interesting than musically successful, but this is an important CD for both the quartet and the style that they center. --Stuart Broomer

Customer Reviews:

An Experiment - Not Quite an Accomplishment.......2004-03-23

Much has been made of the "new" direction that this album represents for the Ware quartet. Most of this hype centers around the presence of electronics on the disc. Certainly this disc represents a radical departure from Ware's more mainstream but still impressive albums for Sony. Where on the Sony albums, Ware seemed to be channeling late Coltrane through Charles Lloyd, this disc marks the return of Ware the ecstatic Ayler disciple. So to me, rather than marking a new direction in Ware's work, this disc is a return to form, albeit with a few gimmicks and some twists.

The album does mark some interesting departures for the group. Stylistically, the work on the album is less compositionally based and ranges freely between avant-garde energy jazz blowouts, an Africanized romp, some very impressive Middle Eastern inspired blowing and even a ballad. Though there are "tunes" like Corridors and Parallels, which obviously has a predetermined theme, much of the album sounds like a studio experiment, with grooves and general shape as the determining factor rather than the earlier free jazz "heads" that were the stock in trade of the group in the 90s. The results are mixed. Straight Track noodles around for a while until Ware enters, then things ignite. Jazz Fi-Sci is centered an old-fashioned "trading fours" session between Ware on tenor and Shipp on synthesizer. As interesting as this concept might be in theory, the effect is rather weak, partly because Shipp's chosen program is not particularly interesting as a solo voice. Superimposed, the African jam is one of the outstanding tracks. It features a percussion jam centered on a synthesized marimba sound, over which Ware blows a scorching solo. Sound-a-bye is an interesting sonic texture ballad, but it goes on too long and too little happens. Corridors and Parallels is the other really outstanding track, featuring a beautiful bowed melody from William Parkers inimitable bass over which Ware blows with the intensity of a Sufi musician. Somewhere is another wonderful Parker feature. The bass player coaxes some amazing sounds out of his instrument over an otherworldly soundscape. Spaces Embrace has a bluesy quality that is intriguing, and Ware's tone is at it's raspy best. And Mother May You Rest In Peace is a gospelized ballad and dedicated to the memory of the tenorist's mother.

To me though, the album's central gimmick mars it. I have struggled long and hard to come to terms with Matthew Shipp as a pianist. For years I didn't get the hype. Now I am learning to appreciate his strong points, an interesting sense of construction, a unique blending of the tone clusters of Cecil Taylor with a piano style that owes almost as much to hard boppers like Horace Silver and Bobby Timmons as it does to any 60s pianist. But the synthesizer just isn't his instrument. The "ingenious programming" that many reviewers have commented on is actually not that ingenious. Any user of a Roland keyboard product will recognize the programs as straight "out-of-the-box" Roland user programs. This in itself is not such a big deal, though it shows no special ingenuity on Shipp's part. But his approach to the instrument is fairly unimaginative. On Jazz Fi-Sci Shipp noodles around like Sun Ra at his kitschiest, and it's not particularly attractive. On Superimposed, he uses a pad sound, which is meant as a background wash, as his solo instrument voice and it is singularly ineffective. On some of the other tracks, his use of the instrument is a little more in keeping with the nature of it, but even in such tracks like Corridors and Parallels, the use of synthesizer relegates Shipp to a subordinate role in the quartet, effectively negating him as an equal creative member of the group. Perhaps the best thing that could have been done with this disc would have been to hire an expert, as Shipp has done on his two "jazztronica" albums for Thirsty Ear, and let Shipp do what he does best, play the piano. Then the disc would have less of a gimmicky sound, and we would get the well-oiled machine that we've come to expect from the Ware Quartet.

In closing, this is not a bad album at all. It is even a welcome return to form from Ware himself after his "mellow" Sony phase. But it doesn't represent the group at it's best, or even a "new direction" for them. Rather it represents a stylistic experiment of the kind that musicians often attempt to get themselves out of a creative rut. It has much in common with similar experiments like Miles' late flirting with hip-hop, Ornette's Skies of America recording, or Charlie Parker with Strings...it represents not so much a bold new direction, as an attempt to inject life into a style that may fit the musicians too well. Perhaps with some work, this could truly develop into a new direction for the Ware quartet. But as it stands, this is a good album...not a great one. Worth checking out, surely; but not destined to go down as a classic album for this group, which is capable of much greater things.

The well will never dry.......2003-09-04

David S Ware is one of the most important post-Coltrane tenor saxophone players, and is easily my favorite. His playing is nothing short of thrilling, and his saxophone tone is so beautiful and personal that I fell in love with his music after the first 5 seconds of "Surrendered" (convenient title).

That said, Ware was not one to reinvent the wheel when it came to instrumentation. The vast majority of his albums feature a classic quartet lineup. This is not meant as an attack on Ware; rather, it makes this release just a little more interesting.

Released alongside a solo album, "Live in the Netherlands" (which you can't seem to get in the US), Corridors and Parallels features a fresh new approach to the quartet. Rather than simply recycle the tenor sax/piano/bass/drums of his earlier albums, Ware reaches out into the newer style of jazztronica (although god, I hate that term). His longtime pianist, Matthew Shipp doubles on synths, and the band also at times utilizes programmed beats (at least to my ears).

The result, while occasionally uneven, is nevertheless mind-blowing. Ware's playing is as one would expect it - intense dramatic playing coupled with a surprisingly warm tone. Sometimes the synths can be a little too much - I don't care for the opening track, for instance, as it delves a little too much into kitsch. However, the majority of the album finds a beautiful combination of his more standard playing with the newer styles.

That said, the finest track on the album, "Mother May You Rest in Bliss" is synth free. It features David S Ware playing over a Parker's arco bass and Brown's cymbal work, and it is one of the finest moments in music I've heard in quite a while.

Ultimately, I even find myself returning to some of the track I don't care for as much. Ware is stretching even farther with this album than before, and this album is a brilliant, if slightly flawed, testament to that. This is an album that deserves far more recognition that it appears to have received.

A splendid new direction for David S. Ware.......2003-03-26

Just because Matthew Shipp plays a synth doesn't make this free-jazz muzak. This is not a "quiet" album. Really, can you imagine David S. Ware, perhaps THE free-jazz sax ambassador of our era, notwithstanding Fred Anderson, Ken Vandermark, Jon Butcher, and Ivo Perelman, teamed up with William Parker and Guillermo Brown producing anything but take-no-prisoners, in-your-face sonic assaults? I'd want my money back, if that's not what I got here. And I do get it. In spades.

Take "Straight Track," for instance--or, really, just about any cut ("Jazz Fi-Sci," a free-robotic number, "Superimposed," with its free-jungle vibe, "Corridors and Parallels," a free-hip-hop groove); it would be difficult to imagine a more committed, burning free-jazz sensibility than this.

Maybe it's the faux "ballad" numbers--"Sound-a-Bye," "Somewhere," "Space Embraces"--not ballads, really, but more like Matthew Shipp's ambient jazz, and the neo-gospel number, "Mother May You Rest in Bliss," that have led some to regard this as something other than full-bore David S. Ware.

I for one absolutely affirm this new direction for Ware. May his tribe increase.

Diggable.......2003-02-13

A great, quiet album by the David S. Ware Quartet. They seem to have been able to find a more concentrated vision for this project than for others, and the result is a slow and sublime piece of music which manages both to be meditative and highly experimental. Even the synthesizers sound good (which is kind of hard for me, an avowed synthesizer hater, to admit)! To me, this echoes some of the Chicago Underground Duo's works. Excellent album.

Seeger: Two Movements for Chamber Orchestra/Musgrave: Chamber Concerto No. 2/Mekeel: Planh/Corridors of Dreams

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Seeger: Two Movements for Chamber Orchestra/Musgrave: Chamber Concerto No. 2/Mekeel: Planh/Corridors of Dreams

Manufacturer: Delos Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000006U4
Release Date: 1992-12-14

Tracks:

Two Movements For Chamber Orchestra
Chamber Concerto No.2
Planh
Corridors Of Dream

Average customer rating:

Corridors of Power
Gary Moore
Manufacturer: Relativity
ProductGroup: Music
Binding: Audio CD

Blues Rock | Rock | Styles | Music

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ASIN: B000008ILL
Release Date: 1992-02-21

Tracks:

Don't Take Me for a Loser
Always Gonna Love You
Wishing Well
Gonna Break My Heart Again
Falling in Love With You
End of the World
Rockin' Every Night
Cold Hearted
I Can't Wait Until Tomorrow

Average customer rating:

Simply The Best Of The Best!
Corridors of Power/Run for Cover, 23 Feb 02
2 albums, and 5 bonus tracks
Corridors of Power/Run for Cover

Corridors of Power//Run for Cover
Gary Moore
Manufacturer: Axe Killer
ProductGroup: Music
Binding: Audio CD

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General | Rock Guitarists | Rock | Styles | Music

General | Hard Rock & Metal | Styles | Music

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ASIN: B000050ISC
Release Date: 2000-10-23

Tracks:

Don't Take Me For A Loser
Always Gonna Love You
Wishing Well
Gonna Break My Heart Again
Falling In Love With You
End Of The World
Rockin' Every Night
Cold Hearted
I Can't Wait Until Tomorrow
Devil In Her Heart
Blinder
Empty Rooms (Long Version)
Run For Cover
Reach For The Sky
Military Man
Empty Rooms
Out Of My System
Out In The Fields
Nothing To Lose
Once In A Lifetime
All Messed Up
Listen To Your Heartbeat
Still In Love With You
Parisienne Walkways (Live)

Album Description

Exclusive French coupling of his legendary albums presentedin the infamous Axe Killer double leather digi-packs. 'Corridors Of Power' features three rare bonus tracks, 'Devil In Your Heart', 'Blinder' & 'Empty Rooms (Long Version)'. 'Run For Cover' adds two bonus tracks, 'Still In Love With You' &'Parisienne Walkways (Live)'. Both cd's have been remasteredand feature a 28 page booklet with a biography, lyrics and exclusive photos. 2000 release.

Album Details

Two Remastered Cult Recordings Re-edited in a Luxurious Black and Silver CD-BOOK. Includes a 28-page Booklet with Biography, Lyrics and Exclusive Photos. Features 19 Titles Including: 'empty Rooms', 'don't Take Me for a Loser', 'cold Hearted', 'nothing to Lose' and 'out in the Fields' (Featuring Phil Lynott). Also Includes Five Exclusive Bonus Tracks: 'still in Love with You', 'parisienne Walkways', 'empty Rooms', 'devil in her Heart' and 'blinder' (Instrumental Version).

Customer Reviews:

Simply The Best Of The Best!.......2004-11-08

The previouse 3 reviewers should be shot( or at least scolded ) for not giving this 5 stars!
This 2CD set is from the now defunct Axe Killer Records out of France.They released only 6 or so of these "Back To Black Collection Series" CD sets.The 2 CDs come housed in the coolest black leather bound books with silver flake art work and tons of rare photos and liner notes.Not to mention the unbelievable sound quality that these cds retain,SONIC!All haven been given the remastered treatment.
All are out of print and highly collectible.The other sets are from BOC,Scorpions,Whitesnake,Queensryche,Saxon,and Suicidal Tendancies.Each contains two albums complete with bonus tracks.
Now as for this Gary Moore collection it contains two of his best rock n' roll style albums,Corridors of Power & Run For Cover.
Featuring some great players like Ian Paice & Phil Lynot these albums are crisp blues hard edge rock that can even approach heavy metal at times.
Corridors of Power has the rocker Don't Take Me For A Loser and the heart felt ballad Always Gonna Love You.And one of my Favorite Gary Moore tracks Wishing Well.They've also tacked on 3 bonus cuts,Devil In Her Heart,Blinder and the excellent long Version of Empty Rooms.
Run For Cover has a little more polished edge production wise but is no less a rocker than Corridors.Out In The Fields is a great heavy song about the consequences of war and how the worlds not being able to get along will cause all to be subject to violence at some point."No flag no uniform ever stopped a bullet from a gun".
Also Empty Rooms appears in it's original form.One of the best ballads ever recorded.
There are two bonus cuts on Run For Cover,Still In Love With You and an unbelievable live version of Parisienne Walkways with the late great Phil lynot of Thin Lizzy fame on vocals.CLASSIC!
You can't go wrong here if you're a Gary Moore fan.And I urge you to pick up the other albums in this collection if you can find them.You won't be sorry.

Corridors of Power/Run for Cover, 23 Feb 02.......2002-02-24

Wow what a find. Up till now I had really only heard Gary playing the blues. But these two albums really rock. A great buy if you do not already have either one. This guy is truly amazing no matter what he plays.

2 albums, and 5 bonus tracks.......2001-03-14

Made in FRA in 2000, Serial# 3063312, Playing Time 115:20

This 2-disc set is part of "The Back To Black Collection", a series of re-issues exclusive to France with nice packaging, which includes a brief bio and all the lyrics.

Disc 1 is GM's 3rd album, 1982's "Corridors Of Power", plus 3 bonus tracks extracted from various singles: track 10 is from "Hold On To Love", track 11 is from "Shapes Of Things(Remix)" , and track 12 is from "Empty Rooms", (contrarily to what's in the liner notes). Unfortunately for those of us who have the limited edition version of the vinyl, which included a 7" recorded in concert, these tracks remain as of yet unreleased on CD.

Disc 2 is from one of GM's 1983 albums, "Run For Cover", with 2 extra tracks, once again from singles: track 11 from "Out In The Fields", and track 12 from "Empty Rooms", a different single than 1982's since it was re-recorded for "RFC".

This pair of albums present music that is fairly similar, blending rockers with slower tracks, and preceeded his shift into a bluesier direction.

Strong material, versatile performances from Mr. Moore; worth grabbing if you're missing 1 or both albums.

Corridors of Power/Run for Cover.......2001-02-05

Two, almost long lost, Gary Moore classics, remastered with long lost rare bonus tracks. Blinder is among the rarest, until now, only found on vinyl,it alone is worth the price of admission. Gary smokes throughout, a must have collection for any die hard fan, or for those who are just getting acquainted with his earlier, pre-blues, works.

David del Tredici - Secret Music - A Songbook - Miz Inez Sez; 3 Baritone Songs; Brother

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David del Tredici - Secret Music - A Songbook - Miz Inez Sez; 3 Baritone Songs; Brother
Chris Pedro Trakas , David Del Tredici , John Kelly , and Hila Plitmann
Manufacturer: Composers Recordings
ProductGroup: Music
Binding: Audio CD

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David Del Tredici: Two Song Cycles for Voice & Piano

ASIN: B00005JY5Y
Release Date: 2001-05-01

Tracks:

Alive And Taking Names
The Happy Child
Good News! Nilda Is Back
The Beckoning
Chateauneuf du Pape, The Pope's Valet Speaks
Quietness
Drinking Song
Matthew Shepard
I I I I I
Thse Lousy Corridors (Closets Again)
The Solid Ground/The Best By Far
Brother

Album Description

This CD presents the first recorded fruits of a new era in the musical output of David Del Tredici. The art-song form is relatively new to the composer, but even more significant is the selection of poetry. By a variety of authors, mostly contemporary and American, it explicitly addresses modern life and sexuality, particularly the experience of gay men. The frankness of language and the diversity of sources are major departures for Del Tredici, who previously focused exclusively (and for years at a time) on two authors, first James Joyce and later, and most famously, Lewis Carroll. Yet most important of all is the music itself, and Del Tredici responds to this new palette of texts with fresh energy and newborn spirit. Though emotional content was never absent from Del Tredici's earlier works, in these intimate songs the composer offers himself more openly and candidly than ever before.

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Corridors of Power

ProductGroup: Music
Binding: Audio CD

General | Rock | Styles | Music

Pop Rock | Pop | Styles | Music

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ASIN: B00006ITXS
Release Date: 2002-11-11

Tracks:

Dont Take Me For A Loser
Always Gonna Love You
Wishing Well
Gonna Break My Heart Again
Falling In Love With You
End Of The World
Rockin Every Night
Cold Hearted
I Cant Wait Until Tomorrow
Falling In Love With You (Remix) (Bonus Track)
Falling In Love With You (Remix Instrumental) (Bonus Track)
Love Can Make A Fool Of You (Bonus Track)

Album Description

Japanese remastered reissue of the Irish guitarist's 1982 album includes three bonus tracks, 'Falling In Love With You' (Remix, Remix Instrumental) & 'Love Can Make A Fool Of You'. Virgin. 2002.

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Corridors Of Stone
Alun Parry
ProductGroup: Music
Binding: Audio CD
ASIN: B000SSQYYU

Product Description

1 You Are My Addiction 2 Corridors of Stone 3 Because You're Beautiful 4 Woody's Song 5 Life of Crime 6 Make a Man 7 Today's Just Yesterday 8 Thursday Night Drinking Song 9 I Want Rosa to Stay 10 The Ship Song

Average customer rating:

Corridors
Laurence Jalbert
Manufacturer: Audiogram
ProductGroup: Music
Binding: Audio CD

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ASIN: B000065IN8
Release Date: 2007-01-08

Music:

Music

Music

1. Corridors
2. Treasures of Heaven
3. I Know You're There
4. Not Just Any Other Day
5. Eyes of My Heart
6. Every Time You See Me Cry
7. Fall
8. I'll Love You Forever
9. Talk to Me
10. Where Does Our Love Go
11. Reprise