Evita [Soundtrack]

Editorial Reviews
Amazon.com
Evita was finally filmed in 1996, 20 years after its initial incarnation as a studio-bound rock opera. In between, of course, it was one of the most successful and long-running musicals on either side of the Atlantic. Given such a long history, the film might easily have been a stale anticlimax, fatally holed by our overfamiliarity with songs such as the ubiquitous "Don't Cry for Me, Argentina." On the contrary, it was an impressive and immensely satisfying production. The numbers, augmented by a new song for Eva ("You Must Love Me"), sound fresh and the singing is excellent. Coming from Jonathan Pryce (Peron) and Jimmy Nail (Magaldi), this is hardly a surprise. The real revelation is Antonio Banderas as Che, a kind of one-man Greek chorus commenting on Eva's rise and the price she must pay. His warm tenor dispels memories of previous, rougher interpretations from such singers as David Essex and Colm Wilkinson. Ultimately, though, the star is Madonna. She is totally immersed in the role of Eva from start to finish, her singing ranging from girlish delicacy to a hard-edged stridence as the dictator's wife achieves her goals. Rarely has a film so successfully given a stage show such a new lease on life. --Piers Ford --This text refers to the Audio CD edition.

Evita, Music, Original Soundtrack, Film Music, Pop, Show Tunes, Soundtrack, Soundtracks & Film Scores
The Andrew Lloyd Webber Collection
Average customer rating: 4 out of 5 stars
  • The Andrew Lloyd Weber Collection
  • Andrew Lloyd Webber
  • The Andrew Lloyd Webber Collection
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The Andrew Lloyd Webber Collection

Manufacturer: Decca Broadway
ProductGroup: Music
Binding: Audio CD

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  1. Love Changes Everything: The Andrew Lloyd Webber Collection, Vol. 2
  2. Sarah Brightman Classics
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ASIN: B00000I0XW
Release Date: 1999-06-01

Tracks:

  1. The Phantom Of The Opera: The Phantom Of The Opera
  2. Song & Dance: Unexpected Song
  3. Aspects Of Love: Chanson D'enfance
  4. The Phantom Of The Opera: All I Ask Of You
  5. Evita: Don't Cry For Me Argentina
  6. Evita: Another Suitcase In Another Hall
  7. Aspects Of Love: Love Changes Everything
  8. Friends For Life
  9. Cats: Memory
  10. Cats: Gus: The Theatre Cat
  11. Aspects Of Love: Anything But Lonely
  12. Cats: Macavity: The Mystery Cat
  13. Tell Me On A Sunday/Song & Dance: Tell Me On A Sunday
  14. The Phantom Of The Opera: Wishing You Were Somehow Here Again
  15. Requiem: Pie Jesu
  16. The Phantom Of The Opera: The Music Of The Night

Amazon.com essential recording

Sarah Brightman's career was launched by her success in Andrew Lloyd Webber's Phantom of the Opera, so it's no surprise to hear the soprano paying homage to the composer on this disc. Really a Brightman best-of, the album includes the Phantom theme (a duet with Michael Crawford), the light-opera fare of "Chanson D'enfance" from Aspects of Love, "Don't Cry for Me, Argentina" from Evita, and numerous other Lloyd Webber classics. Throughout, Brightman's diminutive voice lends a fragility to these musical theater tunes that you'll either love or despise. On Evita's "Another Suitcase, Another Hall" and Cats' "Memory," she literally chirps through the vocal lines. No matter. The growing legion of Brightman fans wouldn't have it any other way. --Jason Verlinde

Album Details

Another Compilation of Stage Favourites - Some Tracks Are Hard to Find Elsewhere.

Customer Reviews:

5 out of 5 stars The Andrew Lloyd Weber Collection.......2007-05-12

Sarah Brightman sings in good form classic songs and does a great job!!

5 out of 5 stars Andrew Lloyd Webber .......2007-02-12

Excellent Broadway music--a true master. Sing along or just listen. First heard her on PBS.

5 out of 5 stars The Andrew Lloyd Webber Collection.......2007-01-05

Sarah Brightman has always been a favorite of mine, and this CD is outstanding. The duet with Jose Carreras (Friends for Life) is especially good--worth buying the CD for that song alone.

5 out of 5 stars The Best You'll See from Sarah.......2006-09-09

This CD is - wow! I have so much to say about it and so little time! This album features three pieces from "The Phantom of the Opera" - Wishing You Were Somehow Here Again, The Music of the Night, and The Phantom of the Opera theme. They're all beautiful. The second piece on the album is "Unexpected Song". It has beautiful octaves and orchastrations. Chanson d'Efance is an amazing French piece with vibrato - and then some. I forgot to mention that there is another piece from The Phantom of the Opera - All I Ask of You - except that the song is not sung by the original cast from the musical. The next few pieces are fairly decent, until you get to Memory from Cats. WOW - is it spectacular! Then we get to two other pieces from Cats - Gus: The Theater Cat and Macavity: The Mystery Cat. Gus is a song that just tells about a cat and his history. A man speaks the lines that Gus would say in the actual musical - and it makes the song interesting. Macavity is AWESOME! I know that I said that I didn't prefer this song for Brightman on her album "Surrender". I finally listened to it more carefully, and found that it's really interesting to listen to! My favorite song on the whole entire album - however - has to be "Tell Me on a Sunday". Beautiful lyrics, orchestrations, and overall spectacular voice talent ties the whole song together. Pie Jesu is a fairly nice piece from both Brightman and Paul Miles-Kingston - the 16 year old boy soprano. His voice is pure and straight with minimal vibrato. However, Brightman's voice shows a little bit TOO much vibrato! Overally, it's a good piece from Andrew Lloyd Webber's Requium. THIS CD IS AMAZING! If you love Sarah from the Phantom of the Opera, then this collection of Lloyd Webber's work is just for you.

I also recommend Charlotte Church - (in her earlier career) - including Voice of an Angel and her self-titled album. I also recommend Love Changes Everything - The Andrew Lloyd Webber Collection Vol.2 - just another grouping of Webber's classics. I also recommend Andrea Boucelli - he's awesome!

5 out of 5 stars The Angel of Music.......2006-03-13

This is the third copy of this I've purchased. I wear them out listening to them. Awesome, Awesome music. Sarah's range and depth is so powerful!
Evita (1978 Original Broadway Cast)
Average customer rating: 4 out of 5 stars
  • SUPERCALAFRAGILISTICEXSPIALODOSIS
  • Lapone Vs Madonna
  • The movie is good but...
  • BUY this one, NOT the Madonna version
  • MANDY PATINKEN IS BRILLIANT!!!!!!!!!!
Evita (1978 Original Broadway Cast)
Andrew Lloyd Webber , Tim Rice , Patti LuPone , and Mandy Patinkin
Manufacturer: Decca U.S.
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Binding: Audio CD

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ASIN: B000002ORP
Release Date: 1990-10-25

Tracks:

  1. A Cinema in Buenos Aires, 26 July 1952
  2. Requiem for Evita/Oh What a Circus
  3. On This Night of a Thousand Stars/Eva & Magaldi/Eva Beware of the City
  4. Buenos Aires
  5. Goodnight & Thank You
  6. The Art of the Possible
  7. Charity Concert/I'd be Surprisignly Good for You
  8. Another Suitcase In Another Hall
  9. Peron's Latest Flame
  10. A New Argentina

Tracks:

  1. On The Balcony Of The Casa Rosada/Don't Cry for me Argentina
  2. High Flying, Adored
  3. Rainbow High
  4. Rainbow Tour
  5. The Actress Hasn't Learned The Lines (You'd Like to Hear)
  6. And the Money Kept Rolling In (And Out)
  7. Santa Evita
  8. Waltz for Eva and Che
  9. She Is A Diamond
  10. Dice are Rolling
  11. Eva's Final Broadcast
  12. Montage
  13. Lament

Amazon.com essential recording

Evita was Andrew Lloyd Webber's last show with Tim Rice before he went on to projects with less interesting collaborators, so it's no surprise that it remains his most consistently involving and rewarding work. Loosely based on the life of Eva Peron, the charismatic wife of post-World War II Argentine president Juan Peron, Rice's compelling story of one woman's rise from poverty to power is complemented by Lloyd Webber's colorful music as propelled by vigorous Latin rhythms. The showstopper, of course, is "Don't Cry for Me, Argentina," but the score is full of gems, including "On This Night of a Thousand Stars," "Oh, What a Circus," and "Another Suitcase in Another Hall." Headlining the 1978 Broadway cast, Patti LuPone is fabulous in the title role, showcasing her big voice and brash egotism in the role she was born to play. Mandy Patinkin is Che, the Greek-chorus character commenting on and criticizing the Perons, and his tenor is sweet on the ballads and powerful on the driving numbers. LuPone and Patinkin made their names with Evita (and took home well-deserved Tonys), but it's the third principal, Bob Gunton, who elevates this cast to the stratosphere. As Peron--a role often filled by a nonsinger--Gunton inflects his strong voice with both menace and sensitivity. Forget the movie; this is the definitive version of this score, and an essential cast recording. --David Horiuchi

Customer Reviews:

5 out of 5 stars SUPERCALAFRAGILISTICEXSPIALODOSIS.......2007-06-05

I think that this phrase from Marry Poppins is the best to describe the amazing recording. LuPone is the Best Evita, hand down. She does this role with a flair, but not so much flair that it loses it's meaning. Mandy Papkin (The Secret Garden (1991 Original Broadway Cast)) Is a Phenominal Che and really does what Antonio left off. He adds a sarcastic and mean flair with his songs so as to insite that his character is not really that nice and slightly does not like Evita. Infact at one point he is actually asked by Evita to leave toi just get out of her life.
The Orchestrations are phenominal. evan though I do prefer the Movie Orchestrations over this one, what the Orch. lack the singing carries on. There is only one song that I think is really missing from this grouping and that is "The Lady's Got Potential". That song was wisely added to the movie.
Another pro for this version is the fact that the original show is intact. In the movie, due to Argentinan sencorship, some of the sarcasim and the mockery of Evita's life was cut. Unfortunately this made Evita look almost like a saint. The Part were it is really prevelent was in the song "Santa Evita" Where Che blandantly tells Evita some of her faults. The Montage is also woth the $30 bucks it is outstanding. Buy this alvum evan if you have to sell your house to get it it is definately worth it. every Single Cent. :)

4 out of 5 stars Lapone Vs Madonna.......2007-01-26

Too bad Lapone criticized Madonna's voice. I bought this cd since Lapone was supposed to have been the "ultimate Evita". Yes, Lapone has more of a broadway bounce, but I was surprised how much I enjoyed Madonna's version. Same for Bandaris. The man who sings in the original broadway version is certainly more operatic, but Bandaris I think is more manly, which is part of the character.
Anyway, I have both cd's and the contrast is great and they're both excellent cd's.

5 out of 5 stars The movie is good but..........2007-01-20

While the movie version of "Evita" is indeed wonderful, one cannot forget the marvelous must have of the INCREDIBLE Original Broadway Cast Recording. For one thing, the singing is beyond outstanding. Mandy Patinkin has always been a favorite of mine, as has Patty LuPone.

This was probably one of the very first smash hit musicals that Andrew Lloyd Webber composed.

I saw the movie and must admit that this version (even though it is only a recording) hands down is by far the superior of the two. It's the gorgeous singing that got me hooked to this beautiful score.

If you are a fan of musicals, I highly recommend this to you. I even recommend it if you are only a fan of Mandy Patinkin--you won't regret it!

5 out of 5 stars BUY this one, NOT the Madonna version.......2006-10-18

This is a great Broadway soundtrack. Mandy Patinkin has an amazing voice, and the singing is amazing. Don't bother with the pathetic movie version.

5 out of 5 stars MANDY PATINKEN IS BRILLIANT!!!!!!!!!!.......2006-10-01

OMG! Who knew he could sing?? High Flying adored is one of the best (most beautiful) songs on the album! I can't imagine how people can say Antonio Bandaras is better, just because he has a Spanish accent (i haven't seen the movie, though). I also LOVE LuPone in Rainbow High! Especially this part:

"I'm their savior! That's what they call me. So Lauren Bacall me. Anything goes. To make me fantastic, I have to be rainbow high in magical colors...
I also the dressers in that song.

"Eyes! Hair! Mouth! Figure! Dress! Voice! Style!
Movement! Hands! Magic! Rings! Glamour! Face!
Diamonds! Excitement! Image!

(Lyrics:http://www.geocities.com/hollywood/5967/lyrics.html)
Evita: The Complete Motion Picture Music Soundtrack
Average customer rating: 4.5 out of 5 stars
  • A Bright & Shining Gem
  • Music
  • Better than the show
  • The Best of "Evita"
  • Evita for a modern generation
Evita: The Complete Motion Picture Music Soundtrack
Andrew Lloyd Webber , and Tim Rice
Manufacturer: Warner Bros / Wea
ProductGroup: Music
Binding: Audio CD

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ASIN: B000002NAK
Release Date: 1996-11-12

Tracks:

  1. A Cinema In Buenos Aires, 26 July 1952 - Orchestra/John Mauceri
  2. Requiem For Evita - Orchestra/John Mauceri
  3. Oh What A Circus - Antonio Banderas, Madonna
  4. On This Night Of A Thousand Stars - Jimmy Nail
  5. Eva And Magaldi / Eva Beware Of The City - Madonna, Jimmy Nail, Antonio Banderas, Julian...
  6. Buenos Aires - Madonna
  7. Another Suitcase In Another Hall - Madonna
  8. Goodnight And Thank You - Madonna, Antonio Banderas
  9. The Lady's Got Potential - Antonio Banderas
  10. Charity Concert / The Art Of The Possible - Jimmy Nail, Jonathan Pryce, Antonio Banderas...
  11. I'd Be Suprisingly Good For You - Madonna, Jonathan Pryce
  12. Hello And Goodbye - Madonna, Andrea Corr, Jonathan Pryce
  13. Peron's Latest Flame - Antonio Banderas, Madonna
  14. A New Argentina - Jonathan Pryce, Antonio Banderas

Tracks:

  1. On The Balcony Of The Casa Rosada 1 - Jonathan Pryce
  2. Don't Cry For Me Argentina - Madonna
  3. On The Balcony Of The Casa Rosada 2 - Madonna
  4. High Flying, Adored - Antonio Banderas, Madonna
  5. Rainbow High - Madonna
  6. Rainbow Tour - Antonio Banderas, Gary Booker, Peter Polycar...
  7. The Actress Hasn't Learned The Lines (You'd Like To Hear) - Madonna, Antonio Banderas
  8. And The Money Kept Rolling In (And Out) - Antonio Banderas
  9. Partido Feminista - Madonna
  10. She Is A Diamond - Jonathan Pryce
  11. Santa Evita - Orchestra/John Mauceri
  12. Waltz For Eva And Che - Madonna, Antonio Banderas
  13. Your Little Body's Slowly Breaking Down - Madonna, Jonathan Pryce
  14. You Must Love Me - Madonna
  15. Eva's Final Broadcast - Madonna
  16. Latin Chant - Orchestra/John Mauceri
  17. Lament - Madonna, Antonio Banderas

Amazon.com

Evita was finally filmed in 1996, 20 years after its initial incarnation as a studio-bound rock opera. In between, of course, it was one of the most successful and long-running musicals on either side of the Atlantic. Given such a long history, the film might easily have been a stale anticlimax, fatally holed by our overfamiliarity with songs such as the ubiquitous "Don't Cry for Me, Argentina." On the contrary, it was an impressive and immensely satisfying production. The numbers, augmented by a new song for Eva ("You Must Love Me"), sound fresh and the singing is excellent. Coming from Jonathan Pryce (Peron) and Jimmy Nail (Magaldi), this is hardly a surprise. The real revelation is Antonio Banderas as Che, a kind of one-man Greek chorus commenting on Eva's rise and the price she must pay. His warm tenor dispels memories of previous, rougher interpretations from such singers as David Essex and Colm Wilkinson. Ultimately, though, the star is Madonna. She is totally immersed in the role of Eva from start to finish, her singing ranging from girlish delicacy to a hard-edged stridence as the dictator's wife achieves her goals. Rarely has a film so successfully given a stage show such a new lease on life. --Piers Ford

Customer Reviews:

5 out of 5 stars A Bright & Shining Gem.......2007-07-12

I have always been fascinated by Eva Peron, undoubtedly one of the most fascinating women of the 20th century. Madonna absolutely shines in the title role, and she has never been in finer voice (evidence that the professional vocal lessons she took in order to prepare for the role paid off in a big way). The songs are a dizzyingly diverse array of pop, opera, rock, Latin-flavored and classical, and there is not a dud among them. Among the finest: "Another Suitcase in Another Hall", Eva's self-pitying ode to the pitfalls of having relationships with the wrong type of men (repeatedly); "Good Night & Thank You", a tongue-in-cheek quasi-duet with Che (Antonio Banderas); "High-Flying Adored", a gorgeous but cynical ballad sung by Che about Eva's dubious rise to "power"; "Rainbow High", Eva's narcissistic analysis of how important she is to the Argentine populace; "Buenos Aires", a high-energy, Latin-jazz drenched greeting for the city a teenage Eva has so longed to escape to; "Waltz for Eva & Che", a lilting yet confrontational duet as Che "calls" Eva on what he perceives as phoniness and Eva defiantly and defensively responds in kind. Not only does Madonna turn out a sterling performance, but Antonio Banderas does a spectacular job vocally as Che, the Greek-chorus narrator of the entire story. I realize that "Evita" purists will strongly disagree, but I prefer this version over the Patti Luopne/Broadway original (actually, Elaine Paige originated the role on the London stage, and I found her interpretation of Eva to be bland and insipid). The Broadway version is much brasher and less melodious then the film, which is bright, polished and beautifully melodic. I listen to "Evita" at least once a week, and I never tire of it. Madonna truly made the role of Eva Peron her own, and she should be proud.

3 out of 5 stars Music.......2007-05-28

The CD isn't bad except that a lot of the songs are over played. Madonna does a great job of singing as always. I was surprised that Antonio Bandaras could sing so beautifully.

5 out of 5 stars Better than the show.......2007-03-12

A great movie (of a great show.) Madonna and Anthony Bandares are better than the original cast. Exciting production.

5 out of 5 stars The Best of "Evita".......2006-11-29


"Evita" is one of those musicals that are hard to appeal to general public. The seriousness of the subject, the music itself (hardly any spoken words) and the running time of over two hours can be a little too much. There is no doubt "Evita" is a great movie - the acting, direction and scenery are all outstanding. However, the question is whether it can be easily digested.
The question of "digestion" is also very present when talking about the two different soundtracks of "Evita" available. The first one, titled "EVITA: The Complete Motion Picture Soundtrack" is essentialy the movie itself- a double-disk edition with all possible songs and notes from the movie. The second one, called "EVITA: Music From The Motion Picture", the one you are looking at right now, is a single-disk compilation of the most popular songs. It is more easier to listen to and doesn't include some songs that worked in the movie context itself, but are irrelevant in the comfort of your living room ("Charity Concert/The Art of Impossible" may give some background on Peron himself, but is basically the introduction to the fantastic song "I'd Be Surprisingly Good For You"; "Santa Evita" is a pretty, chorus composition, but only works within the movie). So, if you are a fan of the movie, but are in the mood to listen to its highlights, instead of the whole soundtrack, this is the CD for you. The songs are in a chronological order, so it preserves the plot and the emotional capacity, while it focuses on the best songs of the musical.
The main treasures of "Evita" are Madonna as the title character and Antonio Banderas as Che Guevara. Banderas shines in the songs like "Oh What a Circus" or "And The Money Kept Rolling In", while the Material Queen breathes life into "Don't Cry For Me Argentina" and the Oscar-winner "You Must Love Me". And when they sing together, Madonna and Banderas are absolutely enchanting ("High Flying, Adored", "Waltz for Eva and Che"), because of the genuine chemistry they bring to the story. They make sure that you will enjoy every single song, from the catchy "Buenos Aires", to the touching "Lament", where the powerful orchestra performance will surely send chills down your spine.

5 out of 5 stars Evita for a modern generation.......2006-10-31

Firstly, this recording of Evita was very well made. Most everything from the movie is here, except some orchestral sections (like the end credits). The orchestral arrangments are quite good throughout, with more modern arrangments that make the score sound more relevant to modern audiences.

Vocally, Madonna is alright, but the best part of her performance is her acting, not her voice, and is best experienced watching the movie. If you're looking for a definitive and powerful vocal Evita, look elsewhere. Now, I'm not really a fan of Madonna, but she performed very nicely on this recording. While I've not seen previous Evita productions (I'm only 25), I've heard some recordings, and while Patti LuPone's voice IS better, I personally prefer Madonna's interpretation, even though her vocals are a little weak.

Other performances are very good too, including Jonathan Pryce's Peron and Antonio Banderas' surprisingly good Che. His accent adds a certain authenticity to the role I enjoyed.

I discovered Evita through the movie, so I didn't have previous performances etched in my head to comare this to, so I was quite impressed with this recording. In the end, this recording did precisely what it intended to, brought an amazing work of theater into the modern age to be enjoyed by a new generation.
Gold: The Definitive Hits Collection
Average customer rating: 4.5 out of 5 stars
  • Andrew LLoyd Webber - Gold Hits
  • The Gold By Andrew
  • The best of Webber
  • THE BEST OF LLOYD WEBBER MADE FOR THE AMERICAN AUDIENCES
  • Super good CD
Gold: The Definitive Hits Collection
Andrew Lloyd Webber
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000657XY
Release Date: 2002-05-07

Tracks:

  1. Superstar - Murray Head w/ the Trinidad Singers (Jesus Christ Superstar)
  2. As If We Never Said Goodbye - Barbra Streisand (Sunset Boulevard)
  3. The Phantom Of The Opera - Sarah Brightman & Michael Crawford (The Phantom Of The Opera)
  4. You Must Love Me - Madonna (Evita)
  5. Any Dream Will Do-Donny Osmond (Joseph & The Amazing Technicolor Dreamcoat)
  6. Memory - Betty Buckley (Cats)
  7. Pie Jesus - Charlotte Church (Requiem)
  8. The Music Of The Night - Michael Crawford (The Phantom Of The Opera)
  9. I Don't Know How To Love Him - Yvonne Elliman (Jesus Christ Superstar)
  10. Don't Cry For Me Argentina -Patti Lupone (Evita)
  11. Love Changes Everything - Michael Ball (Aspects Of Love)
  12. All I Ask Of You - Sarah Brightman (The Phantom Of The Opera)
  13. The Perfect Year - Glenn Close & Alan Campbell (Sunset Boulevard)
  14. The Vaults Of Heaven - Tom Jones & Sounds Of Blackness (Whistle Down The Wind)
  15. No Matter What - Boyzone (Whistle Down The Wind)
  16. Oh What A Circus - Mandy Patinkin (Evita)
  17. Whistle Down The Wind - Sarah Brightman (Whistle Down The Wind)
  18. Amigos Para Siempre (Friends For Life) - Sarah Brightman & Jose Carrerras (1992 Olympics Theme)

Amazon.com

The critical debate over Andrew Lloyd Webber's musical legacy will no doubt rage for decades. Is he the shrewd populist composer who almost single-handedly revived the moribund stage musical--or a crass, Barnum-esque showman (who almost single-handedly revived the moribund stage musical)? This 18-track anthology chronicles the high points of Sir Andrew's enduring songcraft and the irrefutable impact it's made across a remarkably disparate swath of tastes and genres, from Broadway to Top 40 radio and even the classical repertoire.

If some have accused Lloyd Webber's songs--like "The Music of the Night" (from Phantom of the Opera) and the title tune from Whistle Down the Wind, included here--of having all the melodic and lyrical sophistication of a children's lullaby, that's likely the very element that's made them so appealing to a mass audience. If nothing else, it's a compelling argument for that old notion about it being "the singer, not the song." Indeed, there are few contemporary composers whose music could entice divas from Streisand ("As If We'd Never Said Goodbye" from Sunset Blvd.) to Madonna (Evita's "You Must Love Me") and Charlotte Church ("Pie Jesu" from Requiem) to cover it, let alone forge the very careers of artists like Sarah Brightman and Michael Crawford. And if there's any substance to that other criticism of Lloyd Webber lifting the melodic ideas of composers from Verdi to John Williams (we swear that's the theme to Jurassic Park bubbling up in Tom Jones's camped-up take on Whistle's "The Vaults of Heaven"), at least, like virtually every major composer, he's stolen--er, borrowed--from the best. --Jerry McCulley

Customer Reviews:

5 out of 5 stars Andrew LLoyd Webber - Gold Hits.......2007-07-13

I sent this CD to my parents and they love it! It is nice to preview the songs on-line instead of with greasy headphones in a music store! The shipping is always speedy and makes sending gifts across the country so much easier.

5 out of 5 stars The Gold By Andrew.......2007-04-23

This cd is a must have for any Webber fan. It has many great songs from his most sucsessful musicals. But something I don't like about this cd is that some of the singer how sings some of the songs arn't the onse that sings the originals. Like "The Phantom Of The Opera" and "Love Changes Everything". Witch is so sad. Couse the original songs are so much better.
But besides that this cd is very good. With manye nice and difficult songs (I've sung some of the myself in siningclass).
So if you like Andrew's music this most sertanly is a most have.

4 out of 5 stars The best of Webber.......2005-09-12

Although I like Andrew Llloyd Webber and his music very much, this collection earns only 4 stars and it's not because of the quality of the music but the level of performers. If a best of collection is made it should contain the best version ever done and this time it's not true. I could write the same review for the European edition (labeled import here) because the blend of the two would be a perfect best of.

Some examples: this version contains Memory sung by Betty Buckley while the Elaine Page version is light years better. Then it contains Patti Lupone's version of Don't Cry For Me Argentina. Even though Madonna wasn't the best Evita, she definitely sung Argentina in a way no-one could before or will ever. Whistle Down The Wind is represented with 3 songs - the place of the Tom Jones song is not here (the same could be said of Tina Arena's song o the European edition). Instead of the TJ song they could have included Take That Look Off Your Face by Marti Webb - one of the best songs by Webber. Pie Jesu from the Requiem is much better sung by Sarah Brightman. These are the faults.

What about the rest? Pure joy and material worth of 6 stars. Superstar, Phantom Of The Opera, Music Of The Night, I Don't Know How To Love Him, All I Ask Of You, No Matter What, Oh What A Circus - wonderful songs and wonderful performers. My all-time favorite from Webber will always be Music Of The Night and the version included here is the mesmerizing adaptation of Michael Crawford.

I don't advise anyone not to buy this album - it's good material, however it's far from being perfect.

4 out of 5 stars THE BEST OF LLOYD WEBBER MADE FOR THE AMERICAN AUDIENCES.......2005-01-31

There are numerous compilations out on the market full of Andrew Lloyd Webber's music. As most people know, Lloyd Webber is the most successful musical composer of all time and many of his songs became standards not only in the theatre history, but also as tops on the charts. Even though he's British, his influence on the shape of the modern musical theatre expanded over the West End boundaries long ago and has thus made an enormous impact on Broadway. Two of his shows ("Cats" and "The phantom of the opera") hold the record as two the longest running shows in the history of Broadway. He has also been the only composer to have three of his shows running at Broadway concurrently. This compilation captures some of the best songs he has ever written, he personally supervised it and it is the best thing to have if you can't afford his five-CD compilation called "Now and forever", which was selected and supervised by him as well. You should bear in mind, however, that there are two compilations called Gold out there: The one made for the European and the British market, and this one, made for the American buyers. Some of the songs on both of them are the same, the others are performed by different artists and some can be found only in one of the two. This one here was issued later and it is digitally remastered. Therefore you should check your favourites and buy accordingly, or, if you can, buy them both, since both of them contain interesting songs and performers.

So here are my thoughts about the tracks in this one:

1. "Superstar" and "I don't know how to love him" are both from the concept album of "Jesus Christ Superstar". They sound wonderful as ever, although the orchestrations may seem a bit dated by now.

2. "Sunset Boulevard" is marked here with two songs. Barbra Streisand's powerful voice shines all the way through in "As if we never said goodbye"; it's a shame she never played Norma Desmond on Broadway, since Patti LuPone wasn't allowed to take her Norma to New York, and Glenn Close butchered the role. Her limited vocal abilities were hardly suited for the material, as it is shown by the second Sunset song, "The perfect year", performed by Close and Alan Campbell. They both lack a decent singing voice, so this is the one song I skip regularly. The song itself sounds much better in its single version with pops orchestration, as can be heard on the European version of this compilation, where it is performed by Dina Carroll. This version here can hardly be considered a gold one.

3. "The Phantom of the Opera" is represented by three songs. Michael Crawford and Sarah Brightman performance in the song of the same title is amazing. They were both born to play their roles in this show and their voices fit together perfectly. Sarah can hit the high notes in the end like no other Christine. Cliff Richard and Sarah sing the lovely ballad "All I ask of you" with passion, and Cliff has a wonderful warmth in his voice. Finally, Michael Crawford gives his unique and mesmerising interpretation in "The music of the night".

4. The 1996 movie version of "Evita" is Madonna's best role to date and it brought an Academy Award for Lloyd Webber and Tim Rice, who wrote "You must love me" especially for the big screen. This is another wonderful ballad with the haunting cello and piano solo. It just proves that Lloyd Webber and Tim Rice were the best collaborators. They really should do another musical together.

5. "The Joseph and his amazing Technicolor dreamcoat" was Webber's first musical and the signature song "Any dream will do" is performed here by Donny Osmond, who also appeared in the video version. I find his rendition even better than London's Jason Donovan, since Donny isn't strictly bound by the notes and so sings it more casually. A wonderful pop piece.

6."Memory" from "Cats" is probably the most famous of all Webber's songs, recorded by numerous artists. This version is sung by Betty Buckley, who was Broadway's Grizabella. Although Betty's performance can't be considered bad, I prefer Elaine Paige, who sung the song first, in the London production. Elaine has a note of sorrow in her at times husky voice, which I found very intriguing. Her performance can be considered definite, as heard on "Cats" DVD or in her latest two-disc compilation, "Centre stage: The very best of Elaine Paige", issued in May 2004. Still, those who prefer Ms. Buckley or who saw her on stage in this role won't be disappointed.

7. "Pie Jesu" is the best known song from Webber's "Requiem", written in 1985 to commemorate the death of his father. I'm not too keen on the version included here, performed by Charlotte Church, because her voice isn't as pretty as Sarah Brightman's on the original recording and the tempo is somewhat faster here.

8. "Don't cry for me Argentina" is among my all-time Lloyd Webber's favourites. I like all the ladies who performed "Evita" on the stage and on the screen (Julie Covington, Elaine Paige, Patti LuPone and Madonna), but on this disc is the version I am most satisfied with, since it is sung by Patti LuPone. Ms. LuPone has a very powerful voice with an amazing range and she deserved her Tony Award for this role. She was able to sound both vulnerable and decisive while singing this, whereas the other leading ladies emphasized one or the other in their interpretation. Mandy Patinkin's "Oh what a circus" is not the best, the orchestration is a little bit weak and his voice sounds thin to me. David Essex on the London cast recording is more suitable.

9. "Aspects of love" boast here with its top song, "Love changes everything", performed wonderfully by Michael Ball. It was his #1 hit and is probably one of the most beautiful love anthems ever written.

10. Three songs come from "Whistle down the wind". The studio release of the same title is one of the reasons I bought this compilation, although I already have the European one. It is performed by Sarah Brightman with Lloyd Webber playing the piano and a symphonic orchestra who nicely takes the lead of the main melody. Sarah voice is angelic; she sings it like a little bird. Very charming. Boyzone's "No matter what" was a huge pop hit in the charts. Again, we have a song with the suitable orchestrations and vocals. And lastly, Tom Jones' deep voice in combination with the back vocals of "The Sounds of Blackness" gives a rocking rendition of the church hymn "The vaults of heaven". It can't be found on the European version and Tom's voice shows it hasn't aged. Way to go.

11. For the 1992 Barcelona Olympics, Webber wrote, together with his long-time lyricist Don Black, this last song, "Amigos para siempre or Friends for life". It's a nice duet between Sarah Brightman and Jose Carreras, their voices sore when bound together. The melody itself is neat, especially when the orchestra takes the lead.

Besides the fact that some of the performers here were not the best for my taste, there is also the fact that some of Lloyd Webber's shows are omitted in this version, most notably, "Tell me on a Sunday". Also, unlike its European counterpart, this compilation isn't aligned chronologically, so we have 1970 Superstar being the first song, 1993 Sunset Blvd comes the second, followed by The Phantom from 1986 and so on. None the less, this CD is excellent as an introduction to Lloyd Webber's music and one can continue with his cast recordings from there. It's also very handy as a single disc compilation for the American fans.

5 out of 5 stars Super good CD.......2004-12-31

The songs on this CD are great. If you also play piano, the book of the same title goes perfectly with the CD. You can following along with the music and learn the songs on the piano.
The Premiere Collection: The Best Of Andrew Lloyd Webber (Original Cast Compilation)
Average customer rating: 5 out of 5 stars
  • Musical Pleasure
  • The Premiere Collection
  • beautiful
  • Fair Album with 1 starlight and 0 aspects
  • Superb collection
The Premiere Collection: The Best Of Andrew Lloyd Webber (Original Cast Compilation)

Manufacturer: Mca
ProductGroup: Music
Binding: Audio CD

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ASIN: B000002O5W
Release Date: 1990-10-25

Tracks:

  1. Phantom Of The Opera
  2. Take That Look Off Your Face
  3. All I Ask Of You
  4. Don't Cry For Me Argentina
  5. Magical Mr. Mistoffeles
  6. Variations 1-4
  7. Superstar
  8. Memory
  9. Starlight Express
  10. Tell Me On A Sunday
  11. The Music Of The Night
  12. Another Suitcase In Another Hall
  13. I Don't Know How To Love Him
  14. Pie Jesu

Amazon.com essential recording

There are many, many Andrew Lloyd Webber albums out there, including cut-and-paste compilations and songbooks from individual artists, most notably Sarah Brightman, Michael Crawford, and even Jose Carreras. The Premiere Collection is probably as authentic as you can get in a hits album, however. In addition to the most popular selections from the original casts of Evita, Cats, and Jesus Christ Superstar, the 57-minute album includes two selections from Tell Me on a Sunday (also recorded by Bernadette Peters as Song and Dance), the title tune from Starlight Express, the "Pie Jesu" from the Requiem, and a snippet from the Paganini Variations, thereby allowing you to hear the good stuff without having to spring for the complete albums. Note that the three selections from Phantom of the Opera are the 1986 pop singles instead of the cast recordings, meaning Steve Harley rather than Crawford sings with Brightman on the title tune and Cliff Richard subs for Steve Barton on "All I Ask of You." (Crawford does sing "The Music of the Night," of course.) This 1989 compilation was too early for Aspects of Love or Sunset Boulevard, and Joseph and the Amazing Technicolor Dreamcoat is ignored, but these omissions are rectified in the follow-up album The Premiere Collection Encore, and the American-slanted version, The Very Best of Andrew Lloyd Webber: The Broadway Collection. --David Horiuchi

Customer Reviews:

4 out of 5 stars Musical Pleasure.......2007-07-03

I enjoy all of this music, listening frequently. Some not original cast members, so less than 5 star. Product exactly as advertised.

5 out of 5 stars The Premiere Collection.......2007-01-17

My sister had this and it got destroyed. She wanted an other, This was the only place I have found it!! Very hard to find! I have been to every music store in my area. She loved it!! And was so happy to have it again. Anyone who loves Andrew Lloyd Webber will love this. As it has many songs from some of his most famous plays with the original cast. Great item.

5 out of 5 stars beautiful.......2006-12-21

This CD is a great compilation of some of Andrew Lloyd Webber's hits. If you are just looking for a "quick fix" for your Broadway craving, this is a great value.

5 out of 5 stars Fair Album with 1 starlight and 0 aspects.......2004-07-09

I think this album is F-A-I-R because it has one starlight express song and zero aspects of love songs. This is why i liked the album The reason i said that this is a fair album is that I like Starlight Express better. Song i like are "The Phantom of the Opera", "Take That Look off Your Face", All I Ask of You", "Don't Cry For Me Argentina", "Mr. Mistofflees," "Superstar," "Memory", "Starlight Express", "Tell Me On A Sunday", "Music of the Night", "Another Suitcase in Another Hall", and "I Don't Know How To Love Him". I dislike the following songs:" Track 6" and the last one because the last one was hard to understand and track 6 is instrumental.

5 out of 5 stars Superb collection.......2003-08-11

... It is a collection of the best of ALW's creative efforts, and a collection of great performances. Anyone who loves "Broadway" should have this disk in their collection.
Broadway - The American Musical (PBS Series)
Average customer rating: 5 out of 5 stars
  • Fabulous for any Broadway-lover
  • Top Shelf
  • TERRIFIC CD'S
  • Great Collection of Broadways greatest Songs
  • Great Compilation!
Broadway - The American Musical (PBS Series)

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B00064ADMK
Release Date: 2004-10-19

Tracks:

  1. Give My Regards To Broadway- Joel Grey
  2. Swanee- Al Jolson
  3. When The Moon Shines On The Moonshine- Bert Williams
  4. A Pretty Girl Is Like A Melody- John Steel
  5. My Man- Fanny Brice
  6. Fascinating Rhythm- Fred Astaire, Adele Astaire
  7. If You Knew Susie (Like I Know Susie)- 78rpm Version Eddie Cantor
  8. Someone To Watch Over Me- Gertrude Lawrence
  9. Bill- 78 rpm Version Helen Morgan
  10. Ol' Man River- Paul Robeson
  11. Ain't Misbehavin'- Louis Armstrong & His Orchestra
  12. Ten Cents A Dance- Ruth Etting
  13. Body And Soul- Libby Holman
  14. Brother, Can You Spare A Dime- Bing Crosby
  15. Night And Day- Fred Astaire
  16. Heat Wave- Ethel Waters
  17. Smoke Gets in Your Eyes- Tamara
  18. You're The Top- Ethel Merman
  19. Summertime- Anne Brown
  20. September Song- Walter Huston
  21. My Heart Belongs To Daddy- Mary Martin
  22. It Never Entered My Mind- Shirley Ross
  23. Bewitched, Bothered, Bewildered- Vivienne Segal
  24. Oh, How I Hate To Get Up In The Morning- Irving Berlin
  25. Oh, What a Beautiful Mornin'- Alfred Drake

Tracks:

  1. New York, New York- Cris Alexander,Adolph Green,John Reardon
  2. If I Loved You- John Raitt,Jan Clayton
  3. Come Rain Or Come Shine- Ruby Hill,Harold Nicholas
  4. There's No Business Like Show Business- Ensemble
  5. How Are Things In Glocca Morra? From "Finian's Rainbow"- Ella Logan
  6. Once In Love With Amy- Ray Bolger
  7. Wunderbar- Alfred Drake,Patricia Morison
  8. Some Enchanted Evening- Ezio Pinza
  9. Lost In The Stars- Todd Duncan
  10. Diamonds Are A Girl's Best Friend- Carol Channing
  11. Luck Be A Lady- Robert Alda,Guys
  12. Getting To Know You- Gertrude Lawrence
  13. Who Cares?- Jack Carson,Betty Oakes
  14. Stranger In Paradise- from " Kismet" Doretta Morrow,Richard Kiley
  15. Ballad Of Mack The Knife- Gerald Price
  16. Hey There- from "The Pajama Game" John Raitt
  17. Whatever Lola Wants- Gwen Verdon
  18. I Could Have Danced All Night- Julie Andrews
  19. Standing On The Corner- from "The Most Happy Fella, 1956" Shorty Long,John Henson,Alan Gilbert
  20. The Party's Over- Judy Holliday
  21. Glitter And Be Gay- Barbara Cook
  22. Tonight- Larry Kert, Carol Lawrence

Tracks:

  1. Seventy-Six Trombones- Robert Preston
  2. I Enjoy Being A Girl- from "Flower Drum Song, 1958" Pat Suzuki
  3. Everything's Coming Up Roses- Ethel Merman
  4. My Favorite Things- from "The Sound Of Music" Mary Martin
  5. Put On A Happy Face- from "Bye Bye Birdie" Dick Van Dyke
  6. Try To Remember- Jerry Orbach
  7. Camelot- from "Camelot" Richard Burton
  8. Love Makes The World Go 'Round- Anna Maria Alberghetti
  9. I Believe In You- Robert Morse And Co.
  10. The Sweetest Sounds- Diahann Carroll,Richard Kiley
  11. Comedy Tonight- Zero Mostel
  12. What Kind Of Fool Am I?- Anthony Newley
  13. As Long As He Needs Me- Georgia Brown
  14. Hello, Dolly!- Carol Channing,Cast
  15. People- Barbra Streisand
  16. Anyone Can Whistle- from "Anyone Can Whistle" Lee Remick
  17. If I Were A Rich Man- Zero Mostel
  18. Night Song- Sammy Davis, Jr.
  19. The Impossible Dream- Richard Kiley
  20. If My Friends Could See Me Now- Gwen Verdon
  21. Open a New Window- from Mame Voice

Tracks:

  1. Willkommen- from "Cabaret" Joel Grey
  2. Let The Sunshine In- James Rado,Lynn Kellogg,Melba Moore,Cast
  3. I'll Never Fall In Love Again- Jill O'Hara,Jerry Orbach
  4. The Ladies Who Lunch- from "Company" Elaine Stritch
  5. Tea For Two- Roger Rathburn,Susan Watson
  6. I'm Still Here- Yvonne De Carlo
  7. I Don't Know How To Love Him- Yvonne Elliman
  8. We Go Together- Adrienne Barbeau,Barry Bostwick,Walter Bobbie,Cast
  9. Corner Of The Sky- John Rubinstein
  10. Send In The Clowns- Glynis Johns
  11. Ease On Down The Road- Stephanie Mills,Tiger Haynes,Ted Ross,Hinton
  12. One- from "A Chorus Line" Cast
  13. All That Jazz- Chita Rivera,Ensemble
  14. Tomorrow- Andrea Mcardle
  15. Don't Cry For Me Argentina- Patti Lupone
  16. Come Follow The Band
  17. Lullaby Of Broadway- Jerry Orbach
  18. And I'm Telling You I'm Not Going- Jennifer Holliday
  19. The Bells Of St. Sebastian- Raul Julia

Tracks:

  1. Memory- Betty Buckley
  2. I Am What I Am- George Hearn
  3. Move On- Bernadette Peters,Mandy Patinkin
  4. Do You Hear The People Sing?- Michael Maguire,Cast
  5. The Music Of The Night- Michael Crawford
  6. You're Nothing Without Me- James Naughton,Gregg Edelman
  7. The American Dream- Jonathan Pryce,Cast
  8. Doctor Jazz- Gregory Hines,Company
  9. With One Look- Glenn Close
  10. On Broadway- Adrian Bailey,Frederick B. Owens,Ken Ard,Victor Trent Cook
  11. Le Jazz Hot- Julie Andrews,Ensemble
  12. Seasons Of Love-
  13. Hakuna Matata- Max Casella,Tom Alan Robbins,Scott Irby-Ranniar,Jason Raize
  14. I Wanna Be A Producer- Matthew Broderick,Ensemble
  15. Dancing Queen- Louise Plowright,Jenny Galloway
  16. Good Morning Baltimore- Marissa Jaret Winokur
  17. Movin' Out- Michael Cavanaugh,Band
  18. I Go To Rio- Hugh Jackman,Company
  19. Defying Gravity- Kristin Chenoweth,Idina Menzel

Customer Reviews:

5 out of 5 stars Fabulous for any Broadway-lover.......2007-01-30

Packs into 5 CD's a sampling of Broadway tunes from the 20's thru (almost) today, mostly from original cast recordings. Includes not just well-known hits, but also some lesser-known gems. Sound quality is first rate, booklet is informative too. Have given this as a gift to several friends with rave reviews.

5 out of 5 stars Top Shelf.......2007-01-04

This is THE definitive collection of Broadway hits. I have other collections, and none of them measure up. A great deal of care was obviously taken in compiling and presenting this box set. It covers a lot of ground, starting with some long-forgotten but still very enjoyable hits from the days of yore, and finishing with present-day favorites. To the best of my knowledge, the recordings are by those who made them famous. You won't be disappointed.

5 out of 5 stars TERRIFIC CD'S.......2006-03-23

THESE BROADWAY MUSICALS CD'S ARE A BROADWAY LOVERS DREAM. WITH EACH SONG, MEMORIES COME FLOODING BACK. BOTH THE FAMILIAR AND THE FORGOTTEN SONGS ARE A TRUE LISTENING PLEASURE. IF YOU LIKE BROADWAY, YOU'LL LOVE THIS SET.

5 out of 5 stars Great Collection of Broadways greatest Songs .......2005-06-14

This Collection was perfectly made it has almost all the most famous Broadway songs on this 5 cd set. The Music is great and has Broadways greatest treasures like "Memory""People""With One Look""Give my regards Too Broadway" just to name a few of this numerous cd set with over 100 songs. This is a great buy if you like musicals or The music of Broadway

5 out of 5 stars Great Compilation!.......2005-01-17

If you are a fan of the Broadway Musicals, this is a collection that you should purchase. Since I got the 5 disc set I've enjoyed listening to it. The majority of the songs are done by the original singers. The collection is priceless considering that you will have over 100 songs from popular musicals since the beginning of Broadway
Zamfir: The Lonely Shepherd
Average customer rating: 4.5 out of 5 stars
  • Happy Trails
  • The most soothing sounds
  • moving and lyrical
  • Wonderful Music !!
  • Just one listen changed my life
Zamfir: The Lonely Shepherd

Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

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ASIN: B000001F9H
Release Date: 1990-10-25

Tracks:

  1. The Lonely Shepherd
  2. The Rose
  3. Floral Dance
  4. Theme From Summer Of '42
  5. Bilitis
  6. Adagio 8
  7. Black Rose
  8. Ete D'Amour
  9. She
  10. Laryssa
  11. Theme From Limelight
  12. Run To Me
  13. Elsha
  14. Don't Cry For Me Argentina

Customer Reviews:

5 out of 5 stars Happy Trails.......2007-01-11

Item arrived in perfect condition and very quickly. Will trade again in the future. Thank you.

5 out of 5 stars The most soothing sounds.......2006-02-20

I grew up listening to Zamfir's pan flute soothing music, then for the past 15 years, I've been away from it until I heard The Lonely Shepherd while watching Kill Bill. I was pleasantly surprised to find the CD at Amazon and bought it at once. Many of the other songs on this CD are good as well, but nothing beats The Lonely Shepherd.

5 out of 5 stars moving and lyrical.......2005-10-08

I dont care for any of the other songs on the CD, but the "Lonely Shepherd" theme is very beautiful and sad. Zamfir was obviously deeply in love with the panpipes. Listen to his "Picnic at Hanging Rock" soundtrack and you'll know what I mean. I highly recommend this CD.

5 out of 5 stars Wonderful Music !!.......2005-09-26

THis CD by Zamfir is out of this world. There is nothing better than "The Lonely Shepherd"... I haven't heard a better one than this. Just the type of soft instrumental one would like...very soothing.

5 out of 5 stars Just one listen changed my life.......2005-01-19

I was once a punk rocker. I listened to the Sex Pistols, Ramones, Black Flag, and The Dead Kennedys. I have a string of gigs under my belt with various punk bands, a long list of one night stands with rocker chicks, and did enough drugs to make Keith Richards OD. All that changed the night I listened to Zamfir.

Alone in my apartment I played this CD while cleaning a puke staine off my carpet. I don't know whose it was, but I'd like to thank him because it led me to my new life. I have since thrown away my guitars, amps, and entire music collection. It is all garbage by comparison to this and in the trash is where it all belongs.

How can anyone listen to 'Summer of 42' and not fall to their knees by the sheer beauty of it? The Lonely Shepard title track brings tears to my eyes everytime I listen to it. It brings me to a magical place where no one gets arrested for shoplifting and everyone has peace in their hearts.

I cannot find a panflute at the music store, so I'm trying to make one out of PVC pipe and old bongs. I think I found the G, A, and D major chords, but can't quite find F. A silly straw with a slit in it can make a pretty decent B minor, but it stretches out after a couple of days.

All my friends have abandoned me and I haven't been with a woman in three months, but it is all worth it. I now happily skip through life with merriment in my heart. No more drugs for me, Zamfir is my natural high.
Evita: Music From The Motion Picture
Average customer rating: 4.5 out of 5 stars
  • A Bright & Shining Gem
  • Music
  • Better than the show
  • The Best of "Evita"
  • Evita for a modern generation
Evita: Music From The Motion Picture
Andrew Lloyd Webber , Tim Rice , and Madonna
Manufacturer: Warner Bros / Wea
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Evita
  2. Evita (1978 Original Broadway Cast)
  3. Something to Remember
  4. I'm Breathless
  5. Like a Prayer

ASIN: B000002NHA
Release Date: 1997-07-29

Tracks:

  1. Requiem For Evita - Cast
  2. Oh What A Circus
  3. On This Night Of A Thousand Stars - Jimmy Nail
  4. Eva And Magaldi/Eva Beware Of The City
  5. Buenos Aires
  6. Another Suitcase In Another Hall
  7. Goodnight And Thank You
  8. I'd Be Suprisingly Good For You
  9. Peron's Latest Flame
  10. A New Argentina
  11. Don't Cry For Me Argentina
  12. High Flying, Adored
  13. Rainbow High
  14. And The Money Kept Rolling In (And Out) - Antonio Banderas
  15. She Is A Diamond - Jonathan Pryce
  16. Waltz For Eva And Che
  17. You Must Love Me
  18. Eva's Final Broadcast
  19. Lament

Amazon.com

The songbook is familiar to a generation of theater-goers. Antonio Banderas is at least as good a singer as John Travolta was in Grease. And there are three star turns from the Material Girl--the celebrated "You Must Love Me," as well as "Don't Cry for Me, Argentina," and "Another Suitcase in Another Hall." --Jeff Bateman

Customer Reviews:

5 out of 5 stars A Bright & Shining Gem.......2007-07-12

I have always been fascinated by Eva Peron, undoubtedly one of the most fascinating women of the 20th century. Madonna absolutely shines in the title role, and she has never been in finer voice (evidence that the professional vocal lessons she took in order to prepare for the role paid off in a big way). The songs are a dizzyingly diverse array of pop, opera, rock, Latin-flavored and classical, and there is not a dud among them. Among the finest: "Another Suitcase in Another Hall", Eva's self-pitying ode to the pitfalls of having relationships with the wrong type of men (repeatedly); "Good Night & Thank You", a tongue-in-cheek quasi-duet with Che (Antonio Banderas); "High-Flying Adored", a gorgeous but cynical ballad sung by Che about Eva's dubious rise to "power"; "Rainbow High", Eva's narcissistic analysis of how important she is to the Argentine populace; "Buenos Aires", a high-energy, Latin-jazz drenched greeting for the city a teenage Eva has so longed to escape to; "Waltz for Eva & Che", a lilting yet confrontational duet as Che "calls" Eva on what he perceives as phoniness and Eva defiantly and defensively responds in kind. Not only does Madonna turn out a sterling performance, but Antonio Banderas does a spectacular job vocally as Che, the Greek-chorus narrator of the entire story. I realize that "Evita" purists will strongly disagree, but I prefer this version over the Patti Luopne/Broadway original (actually, Elaine Paige originated the role on the London stage, and I found her interpretation of Eva to be bland and insipid). The Broadway version is much brasher and less melodious then the film, which is bright, polished and beautifully melodic. I listen to "Evita" at least once a week, and I never tire of it. Madonna truly made the role of Eva Peron her own, and she should be proud.

3 out of 5 stars Music.......2007-05-28

The CD isn't bad except that a lot of the songs are over played. Madonna does a great job of singing as always. I was surprised that Antonio Bandaras could sing so beautifully.

5 out of 5 stars Better than the show.......2007-03-12

A great movie (of a great show.) Madonna and Anthony Bandares are better than the original cast. Exciting production.

5 out of 5 stars The Best of "Evita".......2006-11-29


"Evita" is one of those musicals that are hard to appeal to general public. The seriousness of the subject, the music itself (hardly any spoken words) and the running time of over two hours can be a little too much. There is no doubt "Evita" is a great movie - the acting, direction and scenery are all outstanding. However, the question is whether it can be easily digested.
The question of "digestion" is also very present when talking about the two different soundtracks of "Evita" available. The first one, titled "EVITA: The Complete Motion Picture Soundtrack" is essentialy the movie itself- a double-disk edition with all possible songs and notes from the movie. The second one, called "EVITA: Music From The Motion Picture", the one you are looking at right now, is a single-disk compilation of the most popular songs. It is more easier to listen to and doesn't include some songs that worked in the movie context itself, but are irrelevant in the comfort of your living room ("Charity Concert/The Art of Impossible" may give some background on Peron himself, but is basically the introduction to the fantastic song "I'd Be Surprisingly Good For You"; "Santa Evita" is a pretty, chorus composition, but only works within the movie). So, if you are a fan of the movie, but are in the mood to listen to its highlights, instead of the whole soundtrack, this is the CD for you. The songs are in a chronological order, so it preserves the plot and the emotional capacity, while it focuses on the best songs of the musical.
The main treasures of "Evita" are Madonna as the title character and Antonio Banderas as Che Guevara. Banderas shines in the songs like "Oh What a Circus" or "And The Money Kept Rolling In", while the Material Queen breathes life into "Don't Cry For Me Argentina" and the Oscar-winner "You Must Love Me". And when they sing together, Madonna and Banderas are absolutely enchanting ("High Flying, Adored", "Waltz for Eva and Che"), because of the genuine chemistry they bring to the story. They make sure that you will enjoy every single song, from the catchy "Buenos Aires", to the touching "Lament", where the powerful orchestra performance will surely send chills down your spine.

5 out of 5 stars Evita for a modern generation.......2006-10-31

Firstly, this recording of Evita was very well made. Most everything from the movie is here, except some orchestral sections (like the end credits). The orchestral arrangments are quite good throughout, with more modern arrangments that make the score sound more relevant to modern audiences.

Vocally, Madonna is alright, but the best part of her performance is her acting, not her voice, and is best experienced watching the movie. If you're looking for a definitive and powerful vocal Evita, look elsewhere. Now, I'm not really a fan of Madonna, but she performed very nicely on this recording. While I've not seen previous Evita productions (I'm only 25), I've heard some recordings, and while Patti LuPone's voice IS better, I personally prefer Madonna's interpretation, even though her vocals are a little weak.

Other performances are very good too, including Jonathan Pryce's Peron and Antonio Banderas' surprisingly good Che. His accent adds a certain authenticity to the role I enjoyed.

I discovered Evita through the movie, so I didn't have previous performances etched in my head to comare this to, so I was quite impressed with this recording. In the end, this recording did precisely what it intended to, brought an amazing work of theater into the modern age to be enjoyed by a new generation.
Evita (2006 London Cast)
Average customer rating: 3.5 out of 5 stars
  • Good but not Great
  • Patti LuPone owns!!!
  • Rainbow High, but it's still Patti's show
  • A New Argentina! (or at least a new Argentinean playing Evita!)
  • EXCELLENT RECORDING OF THE COLOURFUL NEW PRODUCTION, BUT...
Evita (2006 London Cast)

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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ASIN: B000EYK0ZM
Release Date: 2006-10-24

Tracks:

  1. Requiem For Evita
  2. Oh What A Circus
  3. On This Night Of A Thousand Stars
  4. Eva Beware Of The City
  5. Buenos Aires
  6. Goodnight And Thank You
  7. The Art Of The Possible
  8. I'd Be Surprisingly Good For You
  9. Another Suitcase In Another Hall
  10. A New Argentina
  11. Don't Cry For Me Argentina
  12. High Flying, Adored
  13. Rainbow High
  14. Rainbow Tour
  15. And The Money Kept Rolling In (And Out)
  16. Waltz For Eva And Che
  17. You Must Love Me
  18. She Is A Diamond
  19. Montage
  20. Lament

Album Description

One of the world's greatest musicals, returns to London's West End after 21 years. Directed by the award-winning Michael Grandage and featuring lyrics by Tim Rice and music by Andrew Lloyd Webber, the brand new production of the smash-hit stage show had its Press Night with rave reviews at the Adelphi Theatre on June 21st., 2006. The amazing cast includes the exciting Argentinean discovery Elena Roger as Eva, Philip Quast as Peron and Matt Rawle as Che. Polydor. 2006.

Album Details

2006 Digitally Remastered Edition of the Original Andrew Lloyd Webber/Tim Rice Classic Stage Presentation that Told the Story of Evita Peron and Served as the First Major Pinnacle in the Career of Elaine Paige.

Customer Reviews:

3 out of 5 stars Good but not Great .......2007-03-03

This album is good, but it is not great.
I love the voices and new interpretation of the songs, but
I cannot say I love Eva Peron of this particular album. In my personal
opinion, Madonna sings better for certain songs like 'New Argentina'

It is a great album, but I would rather go for Madonna and Patti LuPone.

3 out of 5 stars Patti LuPone owns!!!.......2007-01-01

I gave this show three stars for one reason: nothing can outshine Patti LuPone flawless performance as Eva Perón! Don't get me wrong Elena Rogers delivers a heartfelt Eva but lacks the suprerior belt power of Ms. LuPone.

Phillip Quast however is a brillant Juan Perón, basically anything with Mr. Quast in it is worth getting!!!

Matt Rawle brings a very new and young Ché to the plate.... maybe not quite vocally powerful as Mandy Patinkin. He's okay but needs some getting used to.

The new orchestrations and musical changes are different but I like the original much better....

If you're already an Evita Fan and really enjoy the original recording then I would reccamend this, but if you haven't yet heard Evita then I'd say start with the Orginal Recording with Patti LuPone and Mandy Patinkin first.

4 out of 5 stars Rainbow High, but it's still Patti's show.......2006-11-02

I've always believed "Evita" was ALW's most intelligent and most important work-- a fully realized (if not arguably biased) exploration of the life of Eva Peron. I know the "Phantom" phans out there will disagree, but I don't think anything else ALW did was as significant or musically brilliant. Add Tim Rice's lyrics, and what you have is a bona fide diamond in the musical theater pantheon. Only Mama Rose is a more coveted female role-- maybe.

First there was Julie Covington in the experimental stage, then Elaine Paige in the original London cast, who seemed to play it with a nudge and wink. Somewhat more recently, Marti Webb-- another ALW alumnus-- did a largely forgettable studio album of songs from the show. As for the movie, I think Madonna did a very respectable job and was largely overlooked. The CD largely holds up as a document of the film, with Madonna's singing effective, and Antononio Banderas a complete surprise as a competent, if not always attached, Che. Such is the problem with soundtracks, the lack of interaction among cast members that is vital to stage.

But this has always been Patti's show, and always will be.

Patti Lupone was uniquely qualified to play Evita when it opened on Broadway in 1978. She had the attitude, the talent, the brass, and those pipes. She will always be the quintissential Evita. Mandy Patinkin was an admirable Che, well before he descended into the manic Broadway hyper-belter that Sondheim undountedly had a hand in creating. The Lupone Evita, on 2 CDs, with most of the inceidental music and an incredible record of star-making performance, will forever be the most important recording of this show.

Now, nearly 30 years later, Evita is being revived on the London stage, at the Adelphi Theatre, and garnering rave revues. I've been waiting months for this CD, and I'm not disappointed. Elena Roger is a stunner of an Evita, vocally directed to shift from a street-wise Spanish accent in the early songs ("Buenos Aires") to a still Spanish but lyrically elegant Evita as she rises to global sainthood. Lupone's brass isn't obvious. This Evita isn't as flawed or damaged as Madonna's interpretation, but definitely handles the demands of the score. The "Don't Cry For Me Argentina" number is exquisite, and she achieves some drama in the "Rainbow High" number that even alluded Lupone. Listen to this woman belt "I'm their savior!" at the key moment in the song-- this probably stops the show every night. The addition of "You Must Love Me," the in-out song that, after Madonna, now seems will be a permanent part of the show, is performed with delicacy and anguish-- I'm not sure Lupone could've pulled off the quiet desperation as perfectly as Elena Roger does.

This Che takes some getting used to. Matt Rawle sings the demanding role with energy and, at points, quite beautifully. He never emulates Patinkin, which is appropriate. He also has a strong Cockney accent at points (particularly in the early numbers) that come off at first as startling. He too refines it by the time "High Flying, Adored" comes around, and he's excellent in the "Waltz for Eva and Che." Elena Roger's Spanish accent works wonders here; Matt Rawle gets a bit distracting, even with his astonishing energy and vigor. At points, he sounds like he should over at the Prince Edward Theatre in "Mary Poppins." Happily, Phillip Quast comes across as a more youthful, vocally strong and beautifully sung Peron-- he may be the best Peron yet. Gary Milner is a respectable Magaldi, the joke of the 1978 version having worn thin by now.

Orchestrations are excellent. Some very interesting dissonance at important points, quieter and more like a chamber group at others. My major regret with this recording is that it's on one CD, so much of the incedental music we've been listening to for years on the Lupone 2-CD version is missing. This hurts, not only because the score is so good, but because this cast is excellent. Still, coming in at an hour and 10 minutes, I'm not complaining (much). A complete recording would have earned it 5 stars.

This is one of the few revivals that honestly stands up to the original-- something you can say for very few shows. It won't replace Lupone and Patinkin (as Faith Prince and Nathan Lane did with the 1992 revival of "Guys and Dolls," for example), but this is an excellent recording, and an absolute must for any fan of this show-- which, I believe, includes anyone who calls themselves a fan of musicals. Great stuff- it'll leave you Rainbow High.

4 out of 5 stars A New Argentina! (or at least a new Argentinean playing Evita!).......2006-09-12

It dawned on me awhile ago that no matter what your opinion of Andrew Lloyd Webber, if he had only written three musicals: "Jesus Christ Superstar," "Evita", and "The Phantom of the Opera," he would still qualify as one of the greatest musical composers of the last forty years. The fact that he has been so prolific and adventurous in his material only elevates him in my mind. I can't help but appreciate his love of musicals, even when he doesn't quite hit the mark. Really-- besides Sondheim (obviously)-- who has been trying out new, even experimental, ideas to such a degree for so long?

Think about it for a second: while most composers take easy approaches (especially these days, when the norm is to adapt recent and well known films), Lloyd Webber has written shows about cats (based entirely on a book of poems, no less!), fading Hollywood movie stars, the Troubles in Ireland, racing trains, and even one about a girl in the bible belt who thinks the convict hiding in her barn is Jesus. Whatever you think of his musical style (Too bombastic! Too many recycled melodies!) or the shortcomings of his lyricists, he takes more chances than most composers and there are memorable tunes in virtually every show he has written. And though the three I mentioned as his best are all pretty early works, I don't think he's lost his touch: "The Woman in White," his latest, was way underrated. I mean, come on, it is SO much better than most scores we get from most ANY musical composer (and David Zippel's lyrics, unlike some of Lloyd Webber's other collaborators, are right there on the same melodramatic wavelength as the material and music).

Anyway, if I sound defensive it's because Lloyd Webber's "Evita" was the musical that hooked me on cast recordings, and it's one I really don't get tired of hearing (especially with so many recordings available to keep it fresh). The music is excellent, Tim Rice's lyrics are superb, and the whole show is innovative in its deliberately nontraditional storytelling. In short, it's one of my all time favorite modern musicals.

So now we have another version to add to the lot: the London 2006 revival recording. First things first: unfortunately, it's a "highlights" version and not the usual 2-discs you expect from "Evita" recordings. So, a disappointment there. Still, most of the important stuff is here, save "Peron's Latest Flame," which was always one of my favorite numbers in the show. To cut that song is almost inexplicable (I hope it's still in the show!). I do, however, like the inclusion of "You Must Love Me," the Oscar-winning number written for the movie version. It's nice to hear it in this theatrical context.

The orchestrations throughout are also really good. Revamped by Lloyd Webber himself, they do add an extra Argentinean flavor, just as the liner notes say the intent was (at least it's what I imagine Argintenean flavor to sound like-- not an expert here on South American song stylings). There are lots of changes from previous recordings-- some quite large, others more subtle. Perhaps the most noticeable changes are a reworking of "The Art of the Possible" that is pretty cool sounding, and an updated version of the "montage" near the end.

Also adding a bit more of that Argentinean flavor is Elena Roger in the title role (she ought to-- she's from Argentina!). She's great in the role, coming across as sort of girlish, yet with a powerful harshness; she lends an authenticity to the proceedings with her conviction and Latin accent (the accent is an asset, not a problem-- she sings the lyrics with amazing clarity). I don't feel up to comparing the various Evitas, as they all have their own good qualities, but probably the best I can say about Roger is she is far from a carbon copy of any previous actress (impressive, given the amount of women who have recorded the role). Matt Rawle as Che and Philip Quast as Peron are both perfectly good, if not quite as distinctive.

So this is a really good recording overall and will get plenty of repeat playing from me. "Evita" will always be "five stars," but for rating purposes, I have to dock one star here for not quite giving us the whole score. I really don't know what they were thinking. It's even packaged to look like a usual 2 disc set! So a minor disappointment in what is otherwise a really worthwhile album.

4 out of 5 stars EXCELLENT RECORDING OF THE COLOURFUL NEW PRODUCTION, BUT..........2006-08-22

... this is only a highlights recording. But before we get to this fact, one has to say a few words about the musical itself.

Over the years Andrew Lloyd Webber has made many musicals, some more successful and appealing to the public than the others. Most people will, however, agree that "Evita" remains one of his most satisfying works to this date. Numerous reasons confirm this statement. Just like in its predecessor "Jesus Christ Superstar", "Evita" is almost entirely sung-through; the lyrics are witty and appropriate; the subject matter is again a personality larger-than-life who rises from obscurity and dies at the peak of its fame, thus becoming a legend; the score is captivating and appealing to the listener, at home or in the theatre. The subject matter is quite well know, but let us repeat the essentials for the ones who are unacquainted with it: We follow the life story of Eva Duarte Peron, wife of post-World war two president of Argentina, Juan Peron. However, the musical is very loosely based on the actual life of the real Evita. The story follows Evita from the day of her death in July 1952, and then we have flashbacks until that moment, covering her coming to Buenos Aires, alleged love affairs, meeting Peron, being the first lady and dying of cancer at 33.

This CD is the cast recording of the newly directed 2006 London production that opened in June in London's Adelphi Theatre. This is the first production that did not use Hal Prince's renowned direction, but instead it has Michael Grandage, one of the best contemporary British theatrical directors. The cast who delivers the glorious score is for the most part, well picked. Elena Roger, a tiny, blue-eyed young Argentinean , brings a welcoming freshness to the role, sung in the past by some of the best female voices in the theatre, such as Patti LuPone and Elaine Paige. Elena seems to understand that the role of Eva Peron needs to be acted as well as sung. She brings a new touch to the songs we've heard performed so many times before and although Patti LuPone's Evita will by all accounts remain unmatched, Elena Roger found both her voice and character, despite the fact that at some points she sounds as if she is struggling to hit the highest of notes. Her rendition of `Buenos Aires' is one of the highlights of this recording, but one must note that the famous `Don't cry for me Argentina' needed a bit more of the vocal range in Elena's take of the refrain reprise.

Matt Rawle's Che gets a mixed review. He can be quite good at times (like in `The money kept rolling in') and yet he has the tendency of singing too much in a high voice, similarly like Mandy Patinkin on the 1979 Broadway Cast Recording. I always felt Che needs to have a deeper voice, as sung by Antonio Banderas, Colm Wilkinson or David Essex. Philip Quast makes a fine Peron, but his presence on this album, due to its highlights nature, is barely noticeable. Lorna Want's Mistress is a gem in her rendition of 'Another suitcase in another hall'.

The new orchestrations sound fresh and have more of a Latin American and tango flavor than the previous ones. `Buenos Aires' has a new lush melody in between the verses and the discreet accordion sound in `I'd be surprisingly good for you' is a nice touch. However, there are some quite unnecessary cuts made in the music. So in the latter song the charming orchestral play of the melody between the refrains is completely cut, which takes a lot from the song's appeal. The same has been done with `You must love me', which is beautifully performed by Roger, but the lack of the orchestral solo is something which is very noticeable and not called for.

The lyrics of Tim Rice, one of the main assets of this show, haven't lost any of their wittiness and one has to mention the fact that the entire second verse of `Lament', which can be only heard on the 1976 Concept Album with Julie Covington, is now fully used for the first time on stage. This is very important, since not only does it gives an important insight into what authors conceived as Eva's motivation (the need to be loved), but also it makes the whole story line more complete. This is certainly the most touching number on the CD: Roger gives a truly moving performance and there is a discreet choral accompaniment here, which gives a moving note to it all.

Finally, to the issue from the beginning of this review. This is, sadly, only a highlights CD of this production, and what's worse, it has less material than the highlights album of the movie soundtrack with Madonna. It remains unclear why the author's didn't go for a full 2 disc edition, even more so, when the last one was done in 1979, with Broadway Cast Recording. No matter what the reasons were, there was 10 more minutes left to fill on this CD and it is just about enough to round off the story. Some of the things missing in the musical numbers on the CD are: `Eva and Magladi', the introduction to `A new Argentina' or the last Eva's lines from `The rainbow tour'. There is also a question of the reason for including `The art of the possible' (which is more of a number to be seen on stage than to listen) and omitting of `Peron's latest flame' altogether. These are the main reasons this CD is not as good as it could have been. Let us hope that this issue will be resolved if this production makes it to Broadway in the near future. The CD itself comes in a nice sleeve case, lyrics, director's notes and a couple of production pictures.

For those of you who are getting acquainted with the story of Eva Peron for the first time I must point out: Bear in mind that this musical is only loosely based on the life of the real Evita. As much as Tim Rice's lyrics are craftily made, they lack a lot of historical accuracy. As a historian I became very interested in Eva Peron's life story so I did some research after seeing the movie. It turned out that the authors based their entire work on a single book called EVITA: THE WOMAN WITH A WHIP by Mary Main. The author belonged to the rich Anglo-Argentinean part of the society that was naturally opposed to Perons. Today's historians concur that this book is based on rumors, lies and myths, written with the single purpose of slandering Eva Peron as much as possible. It contains no footnotes and no bibliography. The authors used it mainly because it was one of the few books available on the subject in the English language during the 70-is. So one should be very careful in making any conclusions based on the musical or the movie alone.

All things considered, this is a nice addition to your existing Evita cast recording collection or a good souvenir from the show. But for the people who want to enjoy Evita completely, I would recommend to go for the more complete recordings: 1976 Concept Album with Julie Covington, 1979 Broadway Cast with a Tony-winning Patti LuPone or 1996 movie soundtrack with Madonna.
Beautiful Hollywood
Average customer rating: 5 out of 5 stars
  • Kunzel does it yet again!
  • Movie Music
  • More than Beautiful!!
  • This is the one you should own
  • You'll never get tired of this!
Beautiful Hollywood
Erich Kunzel , and Cincinnati Pops Orchestra
Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD

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ASIN: B000003D24
Release Date: 1997-09-23

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Customer Reviews:

5 out of 5 stars Kunzel does it yet again!.......2004-11-23

Kunzel & The Cincinnati Pops do a great job everytime, and this is no exception. I'm telling you, if you ever thought that purely intrumental/orchestral was unattractive, this will change your mind. Never a disappointment!

5 out of 5 stars Movie Music.......2002-12-12

If you love that music from all those movies you've seen, then this is the CD you want! It is fantastic!! I want more!! I hope Erich Kunzel will come out with some music from older movies and maybe some TV programs. Listening to his music is better than watching the movie.

5 out of 5 stars More than Beautiful!!.......2002-12-11

This is the absolute best CD they ever put together! And that is saying a lot as we are very picky about what music we like. This is the kind of music that makes you 'feel' deeply. It encourages you to dream big and love living! Forget the grooves, drums and bangs and listen to something incredibly beatiful! You won't be sorry for the money invested in this one bit of sanity in such a hectic world.

5 out of 5 stars This is the one you should own.......2002-10-27

If you are looking for just one solid collection of memorable movie themes, this is it. Other CDs mix marches and fanfares with quieter tracks, which makes for a jarring listening experience at times. This CD, however, has a consistent feel all the way through. Melodic, calming, and, best of all, interesting. These movie tracks weren't selected simply for their sound, but also because they are GOOD. You get the best of the best: James Horner, Alan Silvestri, Jerry Goldsmith, John Williams, Ennio Morricone, and Randy Edelman.

5 out of 5 stars You'll never get tired of this!.......2001-05-30

This CD is absolutely one of the best of Eric Kunzel! I have a passion for movie scores/soundtracks and i must say he did a really good job on this. Listen to this and close your eyes and you'll find yourself immersed in the movies from which the music was taken from. I had my friends listen to this and they all got copy or will get a copy. If you're into this kind of music, believe me you'll keep on playing it, again and again.

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