Good Night, And Good Luck [Soundtrack]

Editorial Reviews
Amazon.com
Dianne Reeves's cool contralto, fronted by a quicksilver combo featuring saxophonist Matt Catingub and pianist Peter Martin, provides the flowing jazz soundtrack to George Clooney's 1950s, film detailing the epic struggle between the legendary TV newsman Edward R. Murrow and the Communist-baiting Senator Joseph McCarthy. Reeves' delivery is flawless and swinging on these mostly mid-tempo/ballad takes on several timeless classics (including Nat King Cole's "Straighten Up and Fly Right," Duke Ellington's "Solitude," and the bouncy Dinah Washington hit "TV is the Thing This Year"). Two other selections, "Pick Yourself Up" and "Too Close for Comfort," dance with a Latin lilt; the lone instrumental, "When I Fall in Love," is as romantic as they come. Mr. Murrow, who profiled both Ellington and Louis Armstrong on his pioneering See it Now show, loved jazz, so it's fitting that the music's grounding in freedom of expression and improvisation counterweighs the horrors of McCarthy's liberty-killing abuses. --Eugene Holley, Jr.

Album Description
"Good Night, And Good Luck" follows the legendary Edward R. Murrow (David Straithairn) during the broadcaster's on-air confrontations with Senator Joseph McCarthy. Murrow, the then host of the CBS series, "See It Now," exposed the infamous politician's deceit, bullying, and manipulation in one of history's most courageous moments of journalism, an act that helped bring an end to the tyranny of the blacklist and the House Un-American Activities Committee anti-Communist hearings. "Good Night, And Good Luck" is directed by George Clooney, who co-wrote the script with the film's producer Grant Heslov. Clooney also stars as CBS News producer Fred Friendly.
"Good Night, And Good Luck" is shot entirely in black and white, with much of the mood and atmosphere created by the smoky jazz soundtrack and the gorgeous vocal talents of three-time GRAMMY(r) Award-winner Dianne Reeves. Clooney handpicked each of the songs featured in the movie, which Reeves, one of the preeminent jazz vocalists in the world today, also performs on screen.
The soundtrack for "Good Night, And Good Luck" much of which was recorded live on film, features an original song, "Who's Minding the Store," along with such classics as "Too Close for Comfort," "Straighten Up and Fly Right," "One for My Baby," and "How High the Moon."

Tracks:

Straighten Up And Fly Right
Ive Got My Eyes On You
Gotta Be This Or That
Too Close For Comfort
How High The Moon
Whos Minding The Store?
Youre Driving Me Crazy
Pretend
Solitude
TV Is The Thing This Year
Pick Yourself Up
When I Fall In Love (Instrumental)
Into Each Life, Some Rain Must Fall
Therell Be Another Spring
One For My Baby

Amazon.com

Dianne Reeves's cool contralto, fronted by a quicksilver combo featuring saxophonist Matt Catingub and pianist Peter Martin, provides the flowing jazz soundtrack to George Clooney's 1950s, film detailing the epic struggle between the legendary TV newsman Edward R. Murrow and the Communist-baiting Senator Joseph McCarthy. Reeves' delivery is flawless and swinging on these mostly mid-tempo/ballad takes on several timeless classics (including Nat King Cole's "Straighten Up and Fly Right," Duke Ellington's "Solitude," and the bouncy Dinah Washington hit "TV is the Thing This Year"). Two other selections, "Pick Yourself Up" and "Too Close for Comfort," dance with a Latin lilt; the lone instrumental, "When I Fall in Love," is as romantic as they come. Mr. Murrow, who profiled both Ellington and Louis Armstrong on his pioneering See it Now show, loved jazz, so it's fitting that the music's grounding in freedom of expression and improvisation counterweighs the horrors of McCarthy's liberty-killing abuses. --Eugene Holley, Jr.

Album Description

"Good Night, And Good Luck" follows the legendary Edward R. Murrow (David Straithairn) during the broadcaster's on-air confrontations with Senator Joseph McCarthy. Murrow, the then host of the CBS series, "See It Now," exposed the infamous politician's deceit, bullying, and manipulation in one of history's most courageous moments of journalism, an act that helped bring an end to the tyranny of the blacklist and the House Un-American Activities Committee anti-Communist hearings. "Good Night, And Good Luck" is directed by George Clooney, who co-wrote the script with the film's producer Grant Heslov. Clooney also stars as CBS News producer Fred Friendly.
"Good Night, And Good Luck" is shot entirely in black and white, with much of the mood and atmosphere created by the smoky jazz soundtrack and the gorgeous vocal talents of three-time GRAMMY(r) Award-winner Dianne Reeves. Clooney handpicked each of the songs featured in the movie, which Reeves, one of the preeminent jazz vocalists in the world today, also performs on screen.
The soundtrack for "Good Night, And Good Luck" much of which was recorded live on film, features an original song, "Who's Minding the Store," along with such classics as "Too Close for Comfort," "Straighten Up and Fly Right," "One for My Baby," and "How High the Moon."

Customer Reviews:

Very good recording from a frustrating singer.......2007-06-13

I heard good things about Dianne Reeves, but saw her in concert and was very unimpressed. She obviously had a great voice but her performance didn't deliver. This record shows what she can do. Perhaps she's one of those artists who needs someone else providing the direction so she can shine?

great album - the best voice .......2007-05-15

extremely good album, showing how good Dianne is even when acompanied by just a few instruments. she has the best instrument of all anyway.

Jazz singer.......2007-05-13

Wish I had discovered Dianne Reeves years ago. Never get tired of her smooth sound and the great choice of songs on this album.

Very intimate feel for smoky standards........2007-03-10

Multiple Grammy Award-winning singer delivers a 70mm soundtrack set.
George Clooney's critically lauded "Good Night, And Good Luck" masterfully recreates the 1950s aesthetic of America's McCarthy era and Diana Reeves' sublime soundtrack is a large part of its authentic feel.

Backed by a superb band, jazz diva Reeves prowls through a selection of standards and other songs from the decade where communism terrified the United States.
"Straighten Up And Fly Right", "Solitude" and a wee hours rendition of "One For My Baby" are real gems.
As always, Ms. Reeves' phrasing is a delight and she is downright sassy when covering Dinah Washington's 1951 hit "TV Is The Thing This Year".
"Pick Yourself Up" - memorable for Nat King Cole's version - is also transformed into a thriving mambo.

Although Reeves is the undoubted star here, special mention must go to the tenor saxophone of Matt Catingub who, on the instrumental version of "When I Fall In Love", sounds like rump steak.

One of the best.......2007-02-22

I am a Brazilian,former musician, jazz fanatic, and I realy recomend this CD. Dianne Reeves is an excelent singer but, the selection of songs in some of her formers albuns isn't so good. Geoge Clooney and Grant Heslov done a fantastic job in the production. Choosing excelent songs,excelent arranges with few instruments (piano, bass, drums and sax), some of them just with voice and bass. Simple and Rich !! (sorry about foreign English)

The Producers (2001 Original Broadway Cast)

Average customer rating:

Just what I wanted
I Want to be a producer
Spring Time for "The Producers"
Mel Brooks = Brilliant
it won 11 (if im correct) TONY awards for a reason!

The Producers (2001 Original Broadway Cast)
Mel Brooks , Matthew Broderick , Nathan Lane , Roger Bart , Gary Beach , Cady Huffman , Jesse Levy , and Grace Paradise, Jennifer Smith Tony Kadleck
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B00005AY6I
Release Date: 2001-04-17

Tracks:

Overture
Opening Night
The King of Broadway
We Can Do It
Unhappy
I Wanna Be a Producer
In Old Bavaria
Der Guten Tag Hop-Clop
Keep It Gay
When You Got It, Flaunt It
Along Came Bialy
That Face
Have You Ever Heard the German Band?
It's Bad Luck to Say Good Luck on Op'ning Night
Springtime for hitler
Where Did We Go Right?
Betrayed
'Til Him
Prisoners Of Love (Leo & Max)
Goodbye!

Amazon.com's Best of 2001

The Producers was the vehicle that first proclaimed Mel Brooks's decidedly singular comic vision as a film director in 1968. At the time, the world may not have been entirely ready for the depth charges of hilarity he unleashed; but more than three decades later, it seemed almost foreordained that the film's retooling as a full-fledged musical--directed and choreographed by Susan Stroman--would become the smash hit of the 2000-2001 Broadway season (even before opening at the St. James Theatre in April). Brooks is, of course, no stranger to the Broadway musical genre or to songwriting, but skeptics might find themselves taken by surprise at just how outrageously well all the threads come together for the new show.

The film's absurd core vignette--the infamous "Springtime for Hitler"--if anything gains a few notches in hilarity when framed by a character-rich musical that comes off as both parody and valentine in its mimicry of Broadway's "golden age." Brooks (with the help of idiomatically expert arrangements by Glen Kelly) has cooked up a variety of numbers constituting a virtual primer of old-fashioned American musical comedy styles (there's even a toying with Cabaret-style decadence), but they're always coated with an extra layer of zaniness. In fact, the whole show becomes a Chinese box of parodies within parodies. But what really gets the whole mix working is a surefire cast headed by Nathan Lane playing Max Bialystock and Matthew Broderick doing a delightfully nebbish turn with delusions of misplaced glory as his sidekick, Leo Bloom.

From his first big number (musically winking at Fiddler on the Roof), Lane hungrily lays claim to the role, undaunted by his formidable predecessor, Zero Mostel. Even on disc, you can visualize his over-the-top mugging as a dethroned "king of Broadway" who was "the first producer ever to do summer stock in the winter." Comedy, as they say, is all about timing, and that's exactly what Lane gets right. His interactions with Bloom, Franz Liebkind (Brad Oscar), and Roger de Bris (Gary Beach) are priceless, even when only in sound. As for the tunes, Brooks crafts a number of truly memorable ones--don't be surprised to find yourself horrified as you hum along with "Der Guten Tag Hop-Clop" and, of course, "Springtime for Hitler." --Thomas May

Customer Reviews:

Just what I wanted.......2006-11-06

I saw the making of the CD on TV. The cast does a great job. I have the CD in my car stereo and listen to it often.

I Want to be a producer.......2006-03-06

This recording is great! I saw the play in november and loved the music. I bought the CD a little later and i am still listing to it. The cast are all great singers and did a great job. The songs are witty and catchy and never get old. You should listin to this.(Warning:See the movie or the play before you listin to this, you might hate it if you've have not.)

Spring Time for "The Producers".......2005-12-13

While I'll abmit that Nazi regemes and Hitler are probably some of the least funny thing in the world...i have to admit that the words to Springtime for Hitler are hilarious, just like the rest of the songs on this cast recording.

While "The Producers" Is not as musically complex or mature as other "Best Musical" scores of recent years (Spamalot, Avenue Q, Hairspray,) It is funnier than all of those put together. Nathan lane And Matthew Broderick Are perfectly cast in their roles and Caddy Hoffman is great, and when Ulla belt, she Belts!
the rest of the cast is amazing.

As for the song I can't think of one that I don't like, They are all great!

I would hope that the fact that the show makes light of Hitler doesn't turn you off, because you would be missing somthing great.

Mel Brooks = Brilliant.......2005-12-12

My theatre group went to New York two years ago, adn we did a marathon 4 shows in 3 days. Each show got progressively better, finally culminating in seeing Nathan Lane and Matthew Broderick's final performance of "The Producers." I have been a fan of Brooks' since I saw "Robin Hood: Men in Tights" 5 years ago. Naturally, I was beyond excited to see the show he made of his most brilliant film.

I was not disappointed. It was funny, racy, and downright fabulous. I bought the soundtrack at intermission and have been listening to it ever since. I highly recommend it to anyone who loves musicals. Lane and Broderick play off each other perfectly, Cady Huffman has one of the best belting voices I've heard in ages, and the songs are actually FUNNY.

Aside from raving about one of my favorite shows, I would like to address the comments made about the show downplaying Hitler and being racist towards Germans. In no way does this show downplay Hitler's terrible deeds. Bialystock and Bloom make several comments about how disgusted they are about the play- the fact that it is so insulting to our sensibilities is the reason why it was chosen in the first place. I am Jewish and have studied the Holocaust and WWII for years. I was not offended in the least, nor did I feel the Brooks was promoting or trivializing Hitler's war crimes. Brooks himself is Jewish for god's sake.

Second, I see nothing in the show that is racist towards Germans. Yes there is a Nazi in it who is German. How is that racist? The Nazis went all over the world after WWII- it is possible that several ended up in New York City. And no one will argue that some Nazi's were German. You might as well say that the show is discriminatory towards Swedes, or gay directors, or producers, or the countless number of things made fun of in the show.

it won 11 (if im correct) TONY awards for a reason!.......2005-12-08

This is by far the funniest thing I have ever seen. I got the chance to see it on broadway with Lane (unfortunatly not Broderick) and most of the original cast. For some reason, certain people seem to think this play is racist. First off, the whole thing is pure 100% SATIRE. I'm 15 and I can realize that. Also, are you aware that Mel Brooks is jewish? Yeah, so lighten up. I realize what Hitler did, and it will never be forgotten. But my God, get a sense of humor. In case you never saw the play, the Bavarian guy breaks his leg (making "It's bad luck to say good luck on opening night funny) and is replaced by the gay director for the song "Springtime for Hitler". ITS HILARIOUS! BROOKS MADE HITLER A GAY GUY! And why do you think he did that? Geeze... just lighten up!

So about the CD...awesome. I love these songs, and I am very much looking forward to seeing the movie version of the musical coming out in late December! GO SEE IT!

The Best of Broadway - The American Musical (PBS Series)

Average customer rating:

Some interesting choices, indeed
Great CD
Great selections, but bad transfers
Yes this is Some of the Best of Broadway!
The music of Broadway comes alive

The Best of Broadway - The American Musical (PBS Series)

Manufacturer: Decca Broadway
ProductGroup: Music
Binding: Audio CD

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Ultimate Broadway

ASIN: B0002W4T9E
Release Date: 2004-10-05

Tracks:

There's No Business Like Show Business
Swanee
Ol' Man River
You're The Top
Oklahoma
Luck Be A Lady
I Could Have Danced All Night
America
My Favorite Things
People
If I Were A Rich Man
The Impossible Dream
Cabaret
Let The Sunshine In
Send In The Clowns
One
Tomorrow
Memory
The Music Of The Night
Good Morning Baltimore
Defying Gravity

Amazon.com

A companion to the fabulous PBS series, the 21-song, 77-minute The Best of "Broadway: The American Musical" provides about as good a single-disc compilation as anyone could hope for. (There's also a five-CD version.) What sets it apart from so many other "best of Broadway" collections is its breadth--because it had access to a variety of record-label vaults it doesn't have to try to disguise gaps by using revivals or solo recordings. Here you get all the authentic stuff, including: Paul Robeson singing "Ol' Man River" from the first modern American musical, Show Boat; Ethel Merman singing "You're the Top"; the title song from Oklahoma!; Julie Andrews singing "I Could Have Danced All Night" from My Fair Lady; West Side Story's "America"; Betty Buckley singing "Memory" from Cats; Hairspray's "Good Morning Baltimore"; and "Defying Gravity" from Wicked, the newest show discussed in the PBS series. And it's hard to argue with the songwriters represented: Irving Berlin, Jerome Kern, Cole Porter, Rodgers and Hammerstein, Frank Loesser, Lerner and Loewe, Leonard Bernstein, Bock and Harnick, Kander and Ebb, Stephen Sondheim, and Andrew Lloyd Webber, among others. Obviously, no single-disc compilation could ever please everyone (did we really need two ALW songs?), but as a sampler intended for people who watched the series and want to hear more of the Great White Way, The Best of "Broadway: The American Musical" can't be topped. --David Horiuchi

Customer Reviews:

Some interesting choices, indeed.......2006-03-02

This is a pretty good compilation, but I have to wonder at some of the choices that went into it.
"Good Morning Baltimore" is almost the least impressive song from Hairspray. "You Can't Stop the Beat" was a much more anthemic song from that show.
I agree that it's too bad Les Mis didn't make it in. I would have traded that for anything Sondheim, although that's a personal preference :) .
Still, the opportunity to hear the original performers and orchestras perform these works, all in one place, is a great deal.

Great CD.......2005-11-01

This one plays in the car, on the ipod and in the house. When the kids were little they would ask if we could take them to "The Street". That is what they called Broadway (little did they know at that time how famous that street is). They still love it and we can not get enough of it. This CD covers the best and makes you want to go and see a live performance. You can not beat that.

Great selections, but bad transfers.......2005-07-27

This is a great taste of broadway. If you enjoyed the B'Way series at all, then you will probably enjoy this CD. My problem with it is that some of the songs sound like they were not remastered at all- the transfer to CD is terrible. The orchestrations in "You're the top" by Ethel Merman are muffled, and the song sounds like it was taken straight from an old record and slapped onto the CD without fixing it up. It doesn't sound very clear, which is a bit upsetting and annoying. Maybe this is just because that particular recording is older than some of the songs chosen to be on this CD. The more modern songs sound crisp and new and beautiful. "Swanee" is also very low quality as if it were just taken off of a record and put on the CD without any restoration. I just feel that these songs deserved better treatment and that we as customers deserve better treatment. Decca could have restored these songs and made them sound really good, but they decided just to slap them on the CD without touching them up.

I am surprised that nothing was chosen to be on this recording from Les Miserables since it had been on Broadway for 16 years and its tour is running until 2006. There were selections from Cats, Phantom of the Opera and Wicked, so I am not sure why nothing was chosen from Les Miserables.

Other than these few nit pickings, I think that this is a great introduction to musicals. It gives a little taste across the spectrum. Try getting the cast recordings of the songs that you really like on this collection. It's worth buying if you're a huge broadway fan.

Yes this is Some of the Best of Broadway!.......2005-04-08

This CD from Decca Broadway is a wonderful selection of some of

the "Greatest Hits" of the Broadway stage. Decca and Sony have

done an excellent job of remastering the various recordings, some

of which still show some of their age, but come across quite

well. Are there a lot of songs that I would have put on this

disc? Yes, but the ones on here are good choices. I may have to

get a copy of the Five disc set and the DVD's just to see if any

more of my favorites made it on the list. What this disc seems to

try to do is show the evolution of the Broadway song from it's

early days to the present. It succeeds quite well I think.

If you enjoy Broadway theater this CD is a must!

The music of Broadway comes alive.......2004-10-07

I loved listening to this CD. The music from Broadway's best loved musicals are on this album. I recogized most of these songs, even though I've only seen a few of them on the local stage. I have so many favorites on this CD. It is hard to pick one. I'm a big fan of Barbara Streisand. I loved her performance of People from Funny Girl. Memory is the hit song from the musical Cats. Betty Buckley's performance of this song is so emotional and sincere.

I loved the song Annie. It is a wonderfully optimistic song performed by the original Annie Andrea McArdle. Another highlight for me is the song One performed by the cast of a Chorus Line. Luck Be A Lady Tonight is another of my favorite broadway songs on this CD from Guys and Dolls. The music of the night is a beautiful song by Michael Crawford from Phantom of the Opera. Richard Kiley has such a strong and powerful voice. He sounds so inspirational singing The Impossible Dream from Man from La Mancha. My dream is to see some musicals on Broadway someday and listen to these songs performed live.

I'm surprised that there isn't any music from Miss Saigon or Jesus Christ Superstar included here. I think they are classic musicals with great songs Maybe they will appear on a future compilation from PBS.

Broadway - The American Musical (PBS Series)

Average customer rating:

Fabulous for any Broadway-lover
Top Shelf
TERRIFIC CD'S
Great Collection of Broadways greatest Songs
Great Compilation!

Broadway - The American Musical (PBS Series)

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B00064ADMK
Release Date: 2004-10-19

Tracks:

Give My Regards To Broadway- Joel Grey
Swanee- Al Jolson
When The Moon Shines On The Moonshine- Bert Williams
A Pretty Girl Is Like A Melody- John Steel
My Man- Fanny Brice
Fascinating Rhythm- Fred Astaire, Adele Astaire
If You Knew Susie (Like I Know Susie)- 78rpm Version Eddie Cantor
Someone To Watch Over Me- Gertrude Lawrence
Bill- 78 rpm Version Helen Morgan
Ol' Man River- Paul Robeson
Ain't Misbehavin'- Louis Armstrong & His Orchestra
Ten Cents A Dance- Ruth Etting
Body And Soul- Libby Holman
Brother, Can You Spare A Dime- Bing Crosby
Night And Day- Fred Astaire
Heat Wave- Ethel Waters
Smoke Gets in Your Eyes- Tamara
You're The Top- Ethel Merman
Summertime- Anne Brown
September Song- Walter Huston
My Heart Belongs To Daddy- Mary Martin
It Never Entered My Mind- Shirley Ross
Bewitched, Bothered, Bewildered- Vivienne Segal
Oh, How I Hate To Get Up In The Morning- Irving Berlin
Oh, What a Beautiful Mornin'- Alfred Drake

Tracks:

New York, New York- Cris Alexander,Adolph Green,John Reardon
If I Loved You- John Raitt,Jan Clayton
Come Rain Or Come Shine- Ruby Hill,Harold Nicholas
There's No Business Like Show Business- Ensemble
How Are Things In Glocca Morra? From "Finian's Rainbow"- Ella Logan
Once In Love With Amy- Ray Bolger
Wunderbar- Alfred Drake,Patricia Morison
Some Enchanted Evening- Ezio Pinza
Lost In The Stars- Todd Duncan
Diamonds Are A Girl's Best Friend- Carol Channing
Luck Be A Lady- Robert Alda,Guys
Getting To Know You- Gertrude Lawrence
Who Cares?- Jack Carson,Betty Oakes
Stranger In Paradise- from " Kismet" Doretta Morrow,Richard Kiley
Ballad Of Mack The Knife- Gerald Price
Hey There- from "The Pajama Game" John Raitt
Whatever Lola Wants- Gwen Verdon
I Could Have Danced All Night- Julie Andrews
Standing On The Corner- from "The Most Happy Fella, 1956" Shorty Long,John Henson,Alan Gilbert
The Party's Over- Judy Holliday
Glitter And Be Gay- Barbara Cook
Tonight- Larry Kert, Carol Lawrence

Tracks:

Seventy-Six Trombones- Robert Preston
I Enjoy Being A Girl- from "Flower Drum Song, 1958" Pat Suzuki
Everything's Coming Up Roses- Ethel Merman
My Favorite Things- from "The Sound Of Music" Mary Martin
Put On A Happy Face- from "Bye Bye Birdie" Dick Van Dyke
Try To Remember- Jerry Orbach
Camelot- from "Camelot" Richard Burton
Love Makes The World Go 'Round- Anna Maria Alberghetti
I Believe In You- Robert Morse And Co.
The Sweetest Sounds- Diahann Carroll,Richard Kiley
Comedy Tonight- Zero Mostel
What Kind Of Fool Am I?- Anthony Newley
As Long As He Needs Me- Georgia Brown
Hello, Dolly!- Carol Channing,Cast
People- Barbra Streisand
Anyone Can Whistle- from "Anyone Can Whistle" Lee Remick
If I Were A Rich Man- Zero Mostel
Night Song- Sammy Davis, Jr.
The Impossible Dream- Richard Kiley
If My Friends Could See Me Now- Gwen Verdon
Open a New Window- from Mame Voice

Tracks:

Willkommen- from "Cabaret" Joel Grey
Let The Sunshine In- James Rado,Lynn Kellogg,Melba Moore,Cast
I'll Never Fall In Love Again- Jill O'Hara,Jerry Orbach
The Ladies Who Lunch- from "Company" Elaine Stritch
Tea For Two- Roger Rathburn,Susan Watson
I'm Still Here- Yvonne De Carlo
I Don't Know How To Love Him- Yvonne Elliman
We Go Together- Adrienne Barbeau,Barry Bostwick,Walter Bobbie,Cast
Corner Of The Sky- John Rubinstein
Send In The Clowns- Glynis Johns
Ease On Down The Road- Stephanie Mills,Tiger Haynes,Ted Ross,Hinton
One- from "A Chorus Line" Cast
All That Jazz- Chita Rivera,Ensemble
Tomorrow- Andrea Mcardle
Don't Cry For Me Argentina- Patti Lupone
Come Follow The Band
Lullaby Of Broadway- Jerry Orbach
And I'm Telling You I'm Not Going- Jennifer Holliday
The Bells Of St. Sebastian- Raul Julia

Tracks:

Memory- Betty Buckley
I Am What I Am- George Hearn
Move On- Bernadette Peters,Mandy Patinkin
Do You Hear The People Sing?- Michael Maguire,Cast
The Music Of The Night- Michael Crawford
You're Nothing Without Me- James Naughton,Gregg Edelman
The American Dream- Jonathan Pryce,Cast
Doctor Jazz- Gregory Hines,Company
With One Look- Glenn Close
On Broadway- Adrian Bailey,Frederick B. Owens,Ken Ard,Victor Trent Cook
Le Jazz Hot- Julie Andrews,Ensemble
Seasons Of Love-
Hakuna Matata- Max Casella,Tom Alan Robbins,Scott Irby-Ranniar,Jason Raize
I Wanna Be A Producer- Matthew Broderick,Ensemble
Dancing Queen- Louise Plowright,Jenny Galloway
Good Morning Baltimore- Marissa Jaret Winokur
Movin' Out- Michael Cavanaugh,Band
I Go To Rio- Hugh Jackman,Company
Defying Gravity- Kristin Chenoweth,Idina Menzel

Customer Reviews:

Fabulous for any Broadway-lover.......2007-01-30

Packs into 5 CD's a sampling of Broadway tunes from the 20's thru (almost) today, mostly from original cast recordings. Includes not just well-known hits, but also some lesser-known gems. Sound quality is first rate, booklet is informative too. Have given this as a gift to several friends with rave reviews.

Top Shelf.......2007-01-04

This is THE definitive collection of Broadway hits. I have other collections, and none of them measure up. A great deal of care was obviously taken in compiling and presenting this box set. It covers a lot of ground, starting with some long-forgotten but still very enjoyable hits from the days of yore, and finishing with present-day favorites. To the best of my knowledge, the recordings are by those who made them famous. You won't be disappointed.

TERRIFIC CD'S.......2006-03-23

THESE BROADWAY MUSICALS CD'S ARE A BROADWAY LOVERS DREAM. WITH EACH SONG, MEMORIES COME FLOODING BACK. BOTH THE FAMILIAR AND THE FORGOTTEN SONGS ARE A TRUE LISTENING PLEASURE. IF YOU LIKE BROADWAY, YOU'LL LOVE THIS SET.

Great Collection of Broadways greatest Songs .......2005-06-14

This Collection was perfectly made it has almost all the most famous Broadway songs on this 5 cd set. The Music is great and has Broadways greatest treasures like "Memory""People""With One Look""Give my regards Too Broadway" just to name a few of this numerous cd set with over 100 songs. This is a great buy if you like musicals or The music of Broadway

Great Compilation!.......2005-01-17

If you are a fan of the Broadway Musicals, this is a collection that you should purchase. Since I got the 5 disc set I've enjoyed listening to it. The majority of the songs are done by the original singers. The collection is priceless considering that you will have over 100 songs from popular musicals since the beginning of Broadway

Show Boat (1988 Studio Cast): Von Stade; Hubbard; Hadley; McGlinn

Average customer rating:

An American Treasure
DON'T DESPAIR. IT'S BEEN REISSUED!!!!!
An American tragedy....
Gorgeous!
Defective disc.

Show Boat (1988 Studio Cast): Von Stade; Hubbard; Hadley; McGlinn
Frederica von Stade , Jerome Kern , Jerry Hadley , Bruce Hubbard , Teresa Stratas , David Garrison , Leslie Fyson , John McGlinn , and London Sinfonietta
Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD

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Carousel (1987 Studio Cast)
Pal Joey: 1995 Original New York Cast Recording
Kiss Me, Kate (1948 Original Broadway Cast)
Lady, Be Good! (1992 Studio Cast Recording)
Oh, Kay! (1994 Studio Recording)

ASIN: B000002SJL
Release Date: 1990-10-25

Tracks:

Overture
Show Boat: Act One, Scene One - Cotton Blossom: Niggers all work on d Mississippi... (Stevedores, Gals, Queenie, Steve, Pete, 1st Mincing Miss, 2nd Mincing Miss, Beaux, Girls & Boys)
Show Boat: Act One, Scene One - Cotton Blossom: 'Andy!!!...' (Parthy, Windy, 1st Mincing Miss, 2nd Mincing Miss)
Show Boat: Act One, Scene One - Cap'n Andy's Ballyhoo: 'Here comes the Show Boat parade!...' (Boy, Girls, Boys, Andy, Parthy)
Show Boat: Act One, Scene One - Cap'n Andy's Ballyhoo: 'Hey Julie...' (Pete, Julie, Steve, Parthy, Andy, Ellie)
Show Boat: Act One, Scene One - Cap'n Andy's Ballyhoo: 'It's a man...' (Ellie, Ravenal, Vallon)
Show Boat: Act One, Scene One - Where's the Mate for Me?: Who cares if my boat goes upstream... (Ravenal, Magnolia)
Show Boat: Act One, Scene One - Make Believe: Only make believe I love you... (Ravenal, Magnolia, Vallon)
Show Boat: Act One, Scene One - Ol' Man River: 'Oh, Joe!...' (Magnolia, Joe, Men)
Show Boat: Act One, Scene Two - Can't Help Lovin' Dat Man: 'What cher doin' all by yourself, Miss Nola?...' (Queenie, Magnolia, Julie, Joe, Servants)
Show Boat: Act One, Scene Three - Life on the Wicked Stage: Why do stage struck maidens clamor... (Ellie, Girls)
Show Boat: Act One, Scene Three - Till Good Luck Comes My Way: The man who ventures with chance... (Ravenal, Men)
Show Boat: Act One, Scene Four - Mis'ry's Comin' Aroun': Mis'ry's comin' aroun'... (Queenie, Women, Joe Magnolia, Julie, Men, Solo Bass)
Show Boat: Act One, Scene Four - Mis'ry's Comin' Aroun': 'Take her up, Rubberface!...' (Andy, Julie, Steve, Magnolia, Parthy, Ellie, Windy)
Show Boat: Act One, Scene Four - Mis'ry's Comin' Aroun': 'Hello, Windy...' (Vallon, Andy, Magnolia, Steve, Julie, Windy, Ellie, Parthy)
Show Boat: Act One, Scene Four - Mis'ry's Comin' Aroun': 'You needn't all look at us...' (Steve, Colored Chorus, Andy, Parthy, Magnolia, Ellie, Frank)
Show Boat: Act One, Scene Four - Mis'ry's Comin' Aroun': 'Looks like a swell...' (Andy, Parthy, Frank, Ravenal, Julie, Magnolia, Steve, Joe)

Tracks:

Show Boat: Act One, Scene Five - I Would Like to Play a Lover's Part: Her face is fair to look upon... (Boys, Girls, Ellie, Frank)
Show Boat: Act One, Scene Five - I Might Fall Back on You: Little girl, you are safe with me... (Frank, Ellie, Girls)
Show Boat: Act One, Scene Five - Queenie's Ballyhoo: 'Is de theatre fillin' up, Cap'n Andy?...' (Queenie, Andy, Colored Chorus)
Show Boat: Act One, Scene Six - Villain Dance
Show Boat: Act One, Scene Seven - You Are Love: 'That you, Nola?...' (Ravenal, Windy, Magnolia, Parthy)
Show Boat: Act One, Scene Eight - Finale Act One: Oh tell me, did you ever!... (Firls, Boys, Chorus, Andy, Women, Men, Negro Women, Magnolia, Parthy, Vallon, Pete)
Show Boat: Act Two, Scene One - At the Fair: When we tell them about it all... (All, 1st Barker, Boys, Girls, Chorus, 2nd Barker, Men, 3rd Barker)
Show Boat: Act Two, Scene One - Why Do I Love You?: I'm walking on the air, dear... (Magnolia, Ravenal, Chorus, Andy)
Show Boat: Act Two, Scene One - In Dahomey: Dyunga doe!... (Dahomey Villagers, White Chorus)
Show Boat: Act Two, Scene Three - Convent Scene: Alma Redmptoris Mater... (Nuns, Mother Superior, Ravenal, Kim)
Show Boat: Act Two, Scene Four: 'All right, Jake...' (Jim, Jake, Julie)
Show Boat: Act Two, Scene Four - Bill: I used to dream... (Julie)
Show Boat: Magnolia's Audition - Can't Help Lovin' Dat Man (Reprise): Fish gotta swim, birds gotta fly... (Magnolia)
Show Boat: Magnolia's Audition - Can't Help Lovin' Dat Man (Reprise): 'Whaddaya say, boss?...' (Frank, Jim, Magnolia, Jake)
Show Boat: Act Two, Scene Six - Trocadero Opening Chorus: Let's make the new year... (Chorus)
Show Boat: Act Two, Scene Six - Apache Dance
Show Boat: Act Two, Scene Six - Goodbye, My Lady Love: So you're going away... (Frank, Ellie)
Show Boat: Act Two, Scene Six - After the Ball: 'Ladies and Gentlemen...' (Jim, Drunk, Andy, Magnolia, A Man, All)
Show Boat: Act Two, Scene Seven - Ol' Man River (Reprise): Ol' Man River... (Joe)
Show Boat: Act Two, Scene Seven - Hey, Feller!: When you yen for a gent... (Queenie, Chorus)
Show Boat: Act Two, Scene Eight - You Are Love (Reprise): 'That you, Nola?...' (Ravenal)

Tracks:

Show Boat: Act Two, Scene Nine: Cottom Blossom (Reprise): Cotton Blossom... (Chorus)
Show Boat: Act Two, Scene Nine - It's Getting Hotter in the North: Now up in the northern land... (Kim, Chorus)
Show Boat: Act Two, Scene Nine - It's Getting Hotter in the North: 'Say, Cap'n Andy...' (Frank, Ellie, Andy)
Show Boat: Act Two, Scene Nine - Finale Ultimo: 'Hello, Gay...' (Andy, Hope, Ravenal, Girl, Man, Magnolia, Old Lady, Chorus)
Show Boat: Appendix - Pantry Scene (Act One, Scene Two; deleted - 1927): 'What cher doin' all by yourself, Miss Nola?...' (Queenie, Magnolia, Julie, Joe, Servants)
Show Boat: Appendix - Waterfront Saloon Scene (Act One, Scene Three; deleted - 1927): 'Number four, black!...' (Voice (off), Ravenal, Loungers, Gambler)
Show Boat: Appendix - Yes, Ma'am (Act One, Scene Three; unused - 1927): Bet your hat... (Girls, Ellie)
Show Boat: Appendix - Kim's Imitations (Why Do I Love You?): (Act Two, Scene Nine; Ziegfeld Production - 1927): Why do I love you?... (Kim, Chorus)
Show Boat: Appendix - Dance Away the Night (Act Two, Scene Nine; London - 1928): Music in the air... (Kim, Girls, Boys)
Show Boat: Appendix - A Pack of Cards (Act One, Scene Six?; unused - 1927): One night as I sat by my fireside so weary... (Magnolia)
Show Boat: Appendix - The Creole Love Song (Act One, Scene Seven; unused - 1927): 'That you, Nola?...' (Ravenal, Windy, Magnolia)
Show Boat: Appendix - Out There in an Orchard (Act Two, Scene Four; unused - 1927): There was a sun sinking slowly in the west... (Julie)
Show Boat: Appendix - Gallivantin' Aroun' (Universal Film - 1936): Liza Matilda HIll... (Magnolia, Chorus)
Show Boat: Appendix - I Have the Room Above Her (Universal Film - 1936): 'Seems to me I've seen that stocking someplace...' (Ravenal, Magnolia)
Show Boat: Appendix - Ah Still Suits Me (Universal Film - 1936): 'Joe! Dere you go again!...' (Queenie, Joe)
Show Boat: Appendix - Nobody Else But Me (Act Two, Scene Nine; 1946 Revival): I was a shy, demure type... (Kim, Chorus)

Amazon.com

John McGlinn's sprawling, monumental three-CD set is about all the Show Boat any listener could ever ask for. In an obvious labor of love, McGlinn reconstructs the show as it ran on opening night, November 15, 1927, including every song, the original orchestrations, and all underscored dialogue. The most significant restoration is the dark choral number "Mis'ry's Comin' Aroun'," as Show Boat's serious subject matter helped establish its place as the most important turning point in the history of American musical theater. McGlinn also adds an appendix that includes songs cut before opening night and every song subsequently written for the show's many productions, most notably the love duet "I Have the Room Above Her," written for the 1936 film. (The recording is also available in a one-disc reduction called the "Broadway Show Album.")

Rest assured this 221-minute blockbuster is not just dry scholarship; it's also terrific listening, with McGlinn conducting a dynamic London Sinfonietta and a strong cast including Frederica von Stade as Magnolia, Jerry Hadley as Ravenal, Teresa Stratas as the tragic Julie, Bruce Hubbard as the worldly wise Joe, Karla Burns as Queenie, and David Garrison and Paige O'Hara as the comic couple Frank and Ellie. And of course the songs by Jerome Kern and Oscar Hammerstein II are among the most glorious ever written: "Ol' Man River," "Can't Help Lovin' Dat Man," "Make Believe," "Why Do I Love You," "Bill," "You Are Love," and "Life upon the Wicked Stage." Also included are exhaustive production notes, a history of the show, a detailed synopsis, and a libretto. John McGlinn's Show Boat is a staggering achievement and a recording for the ages. --David Horiuchi

Customer Reviews:

An American Treasure.......2007-03-03

When PBS showed the 1989 Paper Mill Playhouse production of Showboat, my five year old daughter fell in love with musical theater. To this day we never miss a production of Showboat, West Side Story, Music Man, Oklahoma or the rest of the great American musicals. These 3 discs are the closest you can ever hear to the original in 1927 and the recordings are leaps and bounds above any movie version or revival cast. Listening to Bill or Make Believe you almost want to cry at what Kern and Hammerstein were able to create.

I defy anyone to come up with another Broadway production that has three songs in a row better than Make Believe, Ol' Man River and Can't Help Lovin' Dat Man (West Side Story's Maria, America and Tonight are the best three in a row of a movie musical) and it's a shame that no movie version of Showboat can compare to this version. The first act is full of songs that are as good as any ever sung on a stage and I can't think of another production with a first act that compete against the big 3 plus Cotton Blossom, Where's The Mate For Me, Life On The Wicked Stage, Till Good Luck Comes My Way, Misry's Comin' Aroun', You are Love, Act One finale and Why Do I Love You?. You just don't want to have the music stop.

If you don't like opera you won't like this version. Sung the way Kern and Hammerstein wrote them, you can't help but feel the operatic nature of these songs. Tough noogies because Showboat is above all an opera disguised as a Broadway play and no sweetening should be allowed.

The four leads are all superb, Frederica von Stade as Nola especially. The booklet contains the complete libretto and allows a different way to appreciate the music.

If you buy just one version of Showboat you need this one. If you have other versions of Showboat you need this one. As a matter of fact, anyone with ears to hear needs this version. A true American treasure.

DON'T DESPAIR. IT'S BEEN REISSUED!!!!!.......2006-11-16

One of the great recordings of musical theatre ever. Although it's no longer available on EMI Angel, it was reissued in October, 2006, as an EMI Classic's "Great Recordings of the Century." It's been "Digitially Remastered at Abbey Road Studios from the Original Masters" and "noise-shaped via the Prism SNS system for optimum sound quality." If ART remastering does for this recording what it has done for other EMI Classics in my library, then it should sound superb. However, I understand the booklet is not as detailed as the one in the original 3-disc release.

Thank you, EMI.

I would hope other labels would follow suit and remaster and reissue other examples of classic American musical theater. It would be a pity if our children, grandchildren, and future generations were unable to savor "110 in the Shade" or "Little Mary Sunshine" or . . . . . . . . . (fill in the blanks.)

An American tragedy...........2006-02-06

This is the first of the great American musical plays, and probably remained unchallenged until the mid-1950s when West Side Story appeared. The term "musical comedy" does not apply. The few laugh lines are subsumed by the terrible sense of loss and disaster that work throughout the story. At its core is homelessness, the destruction wrought by racism, bad choices, human weakness, and reconciliation. The cast?--this was one of the few crossover recordings I've ever heard that actually worked. The trio of Jerry Hadley, Frederica von Stade, and Teresa Stratas is a marvel; Stratas in particular seems to have had a patented Dark Cloud that shadowed her. It's perfect for Julie Dozier Laverne. And the late Bruce Hubbard brings a magnificent dignity and voice to Joe--his singing of "Ol' Man River" amy not efface Paul Robeson, but can stand beside it.

Gorgeous!.......2005-08-26

Simply gorgeous! The most unforgetable music and the best voices! An album for all time!
M. J. Conrades

Defective disc........2005-08-15

I received this item on July 27, 2005. I played it on my portable CD player and found out that Disc 2 of the set was defective. It kept on skipping on my CD player. So, I returned it for a refund.

Average customer rating:

Broadway: America's Music 1935-2005

Manufacturer: Decca Broadway
ProductGroup: Music
Binding: Audio CD

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The Warmth of the Sun
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White Nights

ASIN: B000B8I93Q
Release Date: 2005-10-18

Tracks:

Oh What a Beautiful Mornin'
Summertime
I Could Write a Book
It Never Entered My Mind
I Can Cook Too
Make It Another Old Fashioned, Please
If I Loved You
My Heart Belongs to Daddy
Thou Swell
I Left My Heart at the Stage Door Canteen
There's No Business Like Show Business
South American Way

Tracks:

Shall We Dance
Ohio
Luck Be a Lady
Mack the Knife
There's a Small Hotel
Once in Love with Amy
Yodel Blues
Lazy Afternoon
There Must Be Somethin' Better Than Love
You're Just in Love
Now Is the Time

Tracks:

Impossible Dream
Love Makes the World Go 'Round
Try to Remember
Put on a Happy Face
I Say Hello
Happiness
She Loves Me
What Kind of Fool Am I?
Shy
Consider Yourself
Poor Little Person

Tracks:

Magic to Do
They're Playing My Song
I Don't Know How to Love Him
I Won't Send Roses
Good Morning Starshine
Don't Cry for Me, Argentina
Hard Candy Christmas
Diamonds Are a Girl's Best Friend
Won't You Charleston with Me?
Applause

Tracks:

Phantom of the Opera
Memory
On My Own
Muddy Water
How Could I Ever Know
American Dream
I Know Him So Well
Dr. Jazz
Me and My Girl
Suddenly Seymour

Tracks:

Mamma Mia!
Popular
Seasons of Love
Oh, the Thinks You Can Think
Whatever Lola Wants
Crazy
How Deep Is Your Love
Stars
People Like Us
I Go to Rio

Average customer rating:

Simply Musicals

Manufacturer: Simply
ProductGroup: Music
Binding: Audio CD

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Simply Jazz
Greatest Songs from the Musicals

ASIN: B0002S303Y
Release Date: 2004-09-07

Tracks:

Comedy Tonight [From a Funny Thing Happened on the Way to the Foru] - National Symphony Orchestra, Martin Yates
Circle of Life [From The Lion King] - National Symphony Orchestra, David Shannon, Martin Yates
Elaborate Lives [From Aida] - Vanessa A. Jones, Sean McDermott, National Symphony Orchestra Ensemble, Patrick Vaccariello
All That Jazz [From Chicago] - Jan Horvath, Julian Kelly, National Symphony Orchestra
If I Were a Rich Man [From Fiddler on the Roof] - John Owen Edwards, Jerry Lanning, National Symphony Orchestra
On the Street Where You Live [From My Fair Lady] - John Owen Edwards, Gary Mauer, National Symphony Orchestra
Luck Be a Lady [From Guys and Dolls] - Gregg Edelman, John Owen Edwards, National Symphony Orchestra
Younger Than Springtime [From South Pacific] - Graham Bickley, John Owen Edwards, National Symphony Orchestra
What I Did for Love [from a Chorus Line] - National Symphony Orchestra, Catherine Porter, Martin Yates
Anything You Can Do [From Annie Get Your Gun] - Mark Adam, John Owen Edwards, National Symphony Orchestra, Caroline O'Connor
Impossible Dream [From Man of La Mancha] - John Owen Edwards, , National Symphony Orchestra
Try to Remember [From the Fantasticks] - Graham Bickley, National Symphony Orchestra, Martin Yates
Oklahoma! [From Oklahoma!] - John Owen Edwards, National Symphony Orchestra

Tracks:

Chitty Chitty Bang Bang [From Chitty Chitty Bang Bang] - Simon Bowman, , National Symphony Orchestra, Sally Ann Triplett, , Martin Yates
What Kind of Fool [From Saturday Night Fever] - Julian Kelly, National Symphony Orchestra Ensemble, Caroline O'Connor
Memory [From Cats] - John Owen Edwards, National Symphony Orchestra,
Anthem [From Chess] - Andrew Halliday, National Symphony Orchestra, Martin Yates
Phantom of the Opera [From The Phantom of the Opera] - Graham Bickley, Claire Moore, National Symphony Orchestra, Martin Yates
What Kind of Fool Am I? [From Stop the World I Want to Get Off] - Holloway/Gold/Yates, National Symphony Orchestra, Martin Yates
Dancing Queen [From Mamma Mia] - Julian Kelly, National Symphony Orchestra Ensemble, Caroline O'Connor
Sun and Moon [From Miss Saigon] - Graham Bickley, Katrina Murphy, National Symphony Orchestra, Martin Yates
Anything Goes [From Anything Goes] - John Owen Edwards, Louise Gold, National Symphony Orchestra
As Long as He Needs Me [From Oliver!] - John Owen Edwards, National Symphony Orchestra, Sally Ann Triplett
People's Song [From Les Miserables] - National Symphony Orchestra, Martin Yates
Time Warp [From the Rocky Horror Show] - National Symphony Orchestra Ensemble, Martin Yates
We Are the Champions [From We Will Rock You] - Dean Collinson, , Jim Graeme, Paulette Ivory, Sally Ann Triplett, Martin Yates

Tracks:

Tonight (Quintet) [From West Side Story] - John Owen Edwards, Paul Manuel, National Symphony Orchestra, Caroline O'Connor, Tinuke Olafimihan
Good Mornin' [From Singin' in the Rain] - Craig Barna, Michael Gruber, National Symphony Orchestra, Randy Rogel,
Summer Nights [From Grease] - John Barrowman, Shona Lindsay, National Symphony Orchestra Ensemble, Martin Yates
Supercalifragilisticexpialidocious [From Mary Poppins] - Jim Graeme, , National Symphony Orchestra, Martin Yates
Make Believe [From Show Boat] - John Owen Edwards, Teri Hansen, Doug LaBrecque, National Symphony Orchestra
You'll Never Walk Alone [From Carousel] - Muriel Dickinson, John Owen Edwards, National Symphony Orchestra
Woman in Love [From Guys and Dolls] - Gregg Edelman, John Owen Edwards, Emily Loesser, National Symphony Orchestra
Deadwood Stage [From Calamity Jane] - John Owen Edwards, Debbie Gravitte, National Symphony Orchestra
Maybe This Time [From Cabaret] - National Symphony Orchestra, Sally Ann Triplett, Martin Yates
New York New York [from New York New York] - Craig Barna, Sean McDermott, National Symphony Orchestra
If Ever I Would Leave You [From Camelot] - Gerry Anderson, Robert Meadmore
Nowadays [From Chicago] - Julian Kelly, National Symphony Orchestra, Caroline O'Connor
76 Trombones [From The Music Man] - National Symphony Orchestra, Martin Yates

Tracks:

Macavity [From Cats] - National Symphony Orchestra, Jacqui Scott, Martin Yates
With One Look [From Sunset Boulevard] - Kim Criswell, National Symphony Orchestra, Martin Yates
Whistle Down the Wind [From Whistle Down the Wind] - Jim Graeme, National Symphony Orchestra Ensemble, Martin Yates
All I Ask of You [From The Phantom of the Opera] - Andrew Halliday, Katrina Murphy, National Symphony Orchestra, Martin Yates
Only You [From Starlight Express] - John Owen Edwards, National Symphony Orchestra Ensemble, Grania Renihan
Another Suitcase in Another Hall [From Evita] - John Owen Edwards, National Symphony Orchestra, Grania Renihan
King Herod's Song [From Jesus Christ Superstar] - Christopher Biggins, National Symphony Orchestra, Martin Yates
Music of the Night [From The Phantom of the Opera] - John Owen Edwards, Jim Graeme, National Symphony Orchestra
Buenos Aires [From Evita] - Julian Kelly, National Symphony Orchestra, Caroline O'Connor
As If We Never Said Goodbye [From Sunset Boulevard] - National Symphony Orchestra, Jacqui Scott, Martin Yates
Unexpected Song [From Song and Dance] - Clare Burt, National Symphony Orchestra, Martin Yates
Close Every Door [From Joseph & the Amazing Technicolor Dreamcoat] - John Barrowman, John Owen Edwards, National Symphony Orchestra
Our Kind of Love [From the Beautiful Game] - National Symphony Orchestra, Sally Ann Triplett, Martin Yates

Average customer rating:

German Univeristy and Folk Songs
German Univeristy and Folk Songs
Wonderful singing, wonderful songs

German University Songs, Vol. 5

Manufacturer: Vanguard Classics
ProductGroup: Music
Binding: Audio CD

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German University Songs, Vol. 4
Erich Kunz Sings German University Songs
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German Beer Drinking & Merrymaking Songs: Featuring Music From The Octoberfest In Munich

ASIN: B00004Y6PV
Release Date: 2000-11-28

Tracks:

When I Was A Young Bachelor
The Linen Weaver
I Dreamed Last Night
At The Inn With The Green Garland
A Tailor Went Strolling
Three Lillies
Good Luck, The Foreman Is Here
The Pinzgauers Went On A Pilgrimage
The Jolly Blacksmith's Boys
Down In The Lowland
The Moon Is Stealthily Rising
Prince Eugene
Now I Mow The Grass Near Neckar
There Were Two Royal Children
There Is A Reaper
Now The Time Has Come

Customer Reviews:

German Univeristy and Folk Songs.......2003-04-22

Excellent rendition of German university and folk songs by
Erich Kunz,one of the outstanding performers of the Vienna Opera. Unlike newer recordings of these songs (which practically all tend to be done in a kitchish "oompah-oompah" style), these versions are are done in the manner in which the songs were meant to be performed. Kunz is backed up by a singers from the Vienna Opera and performs under the direction of Anton Paulik ... so the music is solid, the direction is crisp and the arrangement of the music adds to the depth and distinctness of each song.

Most traditional German music today is split into either classical or the beer garden variety. This series demonstrates what the music was like before that split occured. The songs here range from 15th Century to the middle of the 20th and come from the various regions of both Germany and Austria. Notes on German music throughout this period and the composers and songs are well written and provide an good insight into what went into the making of these pieces. The CD's also come with complete lyrics to all the songs in both German and English.

German Univeristy and Folk Songs.......2003-04-21

Wonderful singing, wonderful songs.......2003-01-08

So you can *pretend* you understand Tscherman.

The lyrics, in English and in German, are included. Erich Kunz manages to make each song its own little world, and what wonderful songs. I love all 5 records in this set - I'm sorry the first 2 are hard to find (one of those is my other fave of this series).

The solo pieces alternate with pieces with a choir, and as on the other 4 records, you can tell all involved felt a tremendous affection for these songs - singers, orchestra, conductor, everyone. The set is a wonderful way to learn the folksongs that are part of the heritage of the German language. "Ich hab' die Nacht getraumet" is a wonderful night-shadowed Victorian mood piece, like a (if you can picture this) sweet Edward Gorey drawing. "The Pinschgauers go on a pilgrimage" (by choir) is a humorous skit - you picture these stalwart, happy pilgrims, so full of faith and so inept, going on a pilgrimate to see their beloved saint and assoted things screw up as they go along. And who can ignore the story of the tailor who goes to Hell and drives everyone there so crazy they send him away (choir and Kunz together)? "There is a reaper whose name is death" (choir) is an oddly comforting but also sad song, and like others in the various collections taken from the wonderful classic, Des Knaben Wunderhorn (a collection of German folksongs collected by a poet in the 19th c.). The solemn, rousing "Prinz Eugen" (choir) is worth the whole album -then turn around and listen to Dietrich Fischer Dieskau singing Lowe's Lieder with the same title, telling the story of the making of this song! "The Two King's Children" is based on Greek mythology; Kunz becomes a medieval troubadour when he sings that. He is a cheerful Schwob when he sings the delightful "Drunten in Unterland" (in a bit of a Swabian accent, probably not a challenge in Austria, where so many Danube Swabians settled in the 1840s). The bold last song, in a knight's voice, the linen-weaver's song - I could go on and on, it's a gallery of stories and characters.

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