In Love Again - The Music of Richard Rodgers

Editorial Reviews
Amazon.com
Recorded in conjunction with the 2002 Richard Rodgers centennial celebration, In Love Again is another winning album for Stacey Kent. The songs Rodgers wrote with Lorenz Hart always suit themselves naturally to jazz, so Kent covers nine of them here, including the great standards "Bewitched, Bothered & Bewildered" and "It Never Entered My Mind." There are also three of Rodgers's songs with Oscar Hammerstein II: the easy-swinging opener "Shall We Dance?," "Bali Ha'i," and "It Might as Well Be Spring," the jazziest Rodgers & Hammerstein song (no matter what John Coltrane says). Kent's crack band returns, with guitarist Colin Oxley's sensitive lines recalling Joe Pass's work with Ella Fitzgerald, and Jim Tomlinson supporting his wife on tenor sax and flute. --David Horiuchi

YORKSHIRE POST - February 14, 2002
SUPERB ALBUM FROM A SINGER WHO IS TRULY TOUCHED BY GREATNESS. ***** (5 stars)

Album Details
Ms. Kent Marked the 100th Anniversary of Richard Rodger's Birth with this Stellar Reading of Some of his Greatest Tunes, her Fifth Recorded Opus. While She Has Recorded in the 1990's and Beyond, her Stylings Would Perfectly Fit in Alongside Other Jazz Greats of Norman Granz's Verve Label of the 1950's. Her Performances Are True, Honest and Direct, as Are all her Albums. She Makes it Seem So Effortless with her Boundless Natural Vocal Talent.

In Love Again - The Music of Richard Rodgers

Tracks:

Shall We Dance?
Bewitched, Bothered And Bewildered
My Heart Stood Still
It Never Entered My Mind
I Wish I Were In Love Again
Thou Swell
It Might As Well Be Spring
Nobody's Heart (Belongs To Me)
I'm Gonna Wash That Man Right Outta My Hair
This Can't Be Love
Easy To Remember
Manhattan
Bali Ha'i

Amazon.com

Recorded in conjunction with the 2002 Richard Rodgers centennial celebration, In Love Again is another winning album for Stacey Kent. The songs Rodgers wrote with Lorenz Hart always suit themselves naturally to jazz, so Kent covers nine of them here, including the great standards "Bewitched, Bothered & Bewildered" and "It Never Entered My Mind." There are also three of Rodgers's songs with Oscar Hammerstein II: the easy-swinging opener "Shall We Dance?," "Bali Ha'i," and "It Might as Well Be Spring," the jazziest Rodgers & Hammerstein song (no matter what John Coltrane says). Kent's crack band returns, with guitarist Colin Oxley's sensitive lines recalling Joe Pass's work with Ella Fitzgerald, and Jim Tomlinson supporting his wife on tenor sax and flute. --David Horiuchi

Album Details

Ms. Kent Marked the 100th Anniversary of Richard Rodger's Birth with this Stellar Reading of Some of his Greatest Tunes, her Fifth Recorded Opus. While She Has Recorded in the 1990's and Beyond, her Stylings Would Perfectly Fit in Alongside Other Jazz Greats of Norman Granz's Verve Label of the 1950's. Her Performances Are True, Honest and Direct, as Are all her Albums. She Makes it Seem So Effortless with her Boundless Natural Vocal Talent.

Customer Reviews:

Sweet taste in performance, tart taste in material.......2007-01-03

After only recently discovering Stacey Kent, I have become a huge fan of her clear voice and smooth but playful performance. This disk is done well but has a bit too much sleepy material. One of the better tracks is the unusual and now corny " I'm Gonna Wash That Man Right Outa My Hair". "This Can't be Love" is great and probably the best of the disk as I prefer more up tempo music.

But to be honest Stacey could be singing TV comercials and it would make an enjoyable disk.

Mining The Romance of Richard Rogers.......2006-11-28

Stacey Kent is a young, native New Yorker who now lives, and generally performs, in England: that's what might happen to an American singer who falls in love with an English saxophonist. She's jazz-oriented, mining the great American standards: in this album, principally Richard Rodgers. In others, also the Gershwins, Cole Porter. Her touch is light, conversational,transparent; her attack fluid, swinging. And she's cute, too.

She and her husband, tenor sax man Jim Tomlinson wind and curl around each other's voices, bringing to mind the great romantic collaborations of Billie Holiday and Lester Young;of Astrid Gilberto and Stan Getz. Or, in more contemporary terms, John Pizzarelli and Jessica Molaskey. I've been so lucky as to see Kent (and Tomlinson)in person, and it was one wonderful show. Fine, mellow, and romantic, too.

Good Show!.......2006-08-14

Ms. Kent has an nice voice: in-tune, throaty (reminding me of Joanie Summers, the Coke girl, remember?), the little girl lack of projection/resonance (think Astrud Gilberto), limited range and dynamics, and a thankful lack of theatrics. She is no Dinah Washington or Anita O'Day, but who is?

To my mind, however, we should all get down on our hands and knees and thank Ms. Kent for simply singing the songs, keeping them alive. The age of the great songwriters--Rogers and Hart, the Gershwins, Kern, Berlin, Mercer, Arlen, Porter, Loesser, and Lerner and Lowe, etc.--is over and has been replaced by the noise and obscenities of modern rock and rap. Adult sophistication and intelligence has given way to the juvenile rantings of singers who can't sing and musicians who can hardly play their instruments. Will these songs be played 50 years hence, like the songs of the masters? Who's kidding who?

That said, this is a very enjoyable album. Rodgers and Hart were perfect for each other: the music and lyrics were such that they seemed inseparable, and indeed, Rodgers' always interesting melodies seemed tailormade for Larry Hart's cynical, anti-romantic lyrics. They were the best of the best, and Ms. Kent does a really nice job of proving that. Listen to the title tune, my personal favorite, wherein after belitting and deprecating love, the singer has to admit that even so, she wishes she were in love again ("when love congeals, it soon reveals, the faint aroma of performing seals..."). This is music that deserves to be around forever, and I personally thank Ms. Kent for keeping it alive and singing it so well.

The female Sinatra.......2005-10-10

Another reviewer asked for six stars for rating Stacey Kent's "The Music of Richard Rodgers".Five stars are not enough,not even six.Stacey and the CD are a perfect ten.I've been a die-hard Sinatra/Ella fan for as long as I can remember,but"Ella move over!",Stacey is moving in.
Stacey Kent interprets the lyrics with every bit as much skill as Old Blue Eyes and with as much feeling as Billie Holiday.I never use the word cute-so please excuse me,just this once,when I say that Stacey Kent's voice is sexy and really cute.I,ve never cared for the song "Bali Hai",but Ms.Kent's rendition not only made me like it-she made me play it over and over.I won't rest until I have collected every tune Stacey has recorded and, if and when,she gets together with Nelson Riddle-LOOK OUT!

My Luck!.......2005-07-25

...by chance I heard this fabulous gal and I had to hear more. Stacey can sing with a voice you've never heard before handling both music and lyrics to perfection. I might add that her muscial group and arrangements were right on the money. Make no mistake this talented group were 5 stars.

Average customer rating:

For Fans of Broadway (Sondheim, Hamlisch & Bernstein e.g.):
The songs that didn't get away
Songs that showcase Sarah's theatrical gifts
Good, for Sarah Brightman
Pleasant, but not up to standard

The Songs That Got Away

Manufacturer: Decca Broadway
ProductGroup: Music
Binding: Audio CD

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Dive
Surrender
The Trees They Grow So High
Fly
As I Came of Age

ASIN: B000005S0R
Release Date: 1999-11-16

Tracks:

Meadowlark
I Am Going To Like It Here
I Remember
Mr. Monotony
Dreamers
Silent Heart
Lud's Wedding
Three-Cornered Tune
If I Ever Fall In Love Again - Sarah Brightman Sarah Brightman
What Makes Me Love Him?
Chi Il Bel Sogno Di Doretta
Away From You
If Love Were All
Half A Moment - Sarah Brightman Sarah Brightman

Amazon.com

For those Sarah Brightman fans who didn't spring for The Songs That Got Away when it was a pricey import, this domestic release will be a must-buy. Originally recorded in 1989 shortly after she achieved international fame in The Phantom of the Opera, the album spotlights obscure American and British musical theater songs that either were removed from shows or were "lost" when the shows themselves slipped out of the repertoire. (Of course, some of the songs aren't nearly as obscure as they were in 1989--the opening track, Stephen Schwartz's soaring "Meadowlark," has since been claimed by Liz Callaway, Patti LuPone, and Betty Buckley, while Stephen Sondheim's "I Remember"--well suited to Brightman's glasslike tones--is now recognized as one of his most gorgeous and haunting compositions.) Brightman performs well on this diverse collection of entertaining and often lovely songs, including an early draft of Frank Loesser's "Fugue for Tinhorns," here sung as a triple-tracked, lilting waltz, and the Puccini aria "Chi il bel sogno di doretta," which foreshadows her later, more ambitious crossover projects. There's also a tune from Jeeves by then-husband Andrew Lloyd Webber, who produced this album not long before he and Brightman divorced in 1990. --David Horiuchi

Customer Reviews:

For Fans of Broadway (Sondheim, Hamlisch & Bernstein e.g.):.......2007-02-24

This is an interesting and surprising production that showcases the vocal prowess of Sara Brightman. It is not however, representative of the new and highly overproduced vocal productions that constitute her newer recordings. Although this production really allows the listener to hear a very melodic and unencumbered vocal performance, as it is pleasing in it's simplicity, yet meant for the more discriminating listener. Fans of Irving Berlin, Andrew Lloyd Weber, and Richard Rodgers will feel right at home here. For those seeking another major sonic production as in Eden, La Luna, Dive, or The Harem Tour this is not it! My criticism is not of her vocal prowess or production values but the apparently endless array of previously released material offered as a new and different recording. But I suppose that this is rather due to the greedy objectives of of A&M Records just trying to go to the bank, often and laden heavy with dollars. Nothing that any label wouldn't try to do. My advice with Sara Brightman is "caveat emptor" (buyer beware) check the disc carefully for redundancy of tracks within her discography. If you're a fan of this genre of music, you will probably respond quite well to this recording.

The songs that didn't get away.......2004-02-12

This is one of my favorite albums by Sarah. She surprised me with her ability to go from light opera to jazz. Here we don't find the over-produced albums such as Harem, just a superbly trained voice. No little girl breathy tunes here, just solid performances. This is the Sarah Brightman that I like to remember and enjoy. If you see this album and you're a Sarah Brightman fan, pick it up and treasure it. I'd like to see her do more of thisgenre, where she showcases her voice. Who ever thinks that Sarah has a small voice will be convinced otherwise by this album.

Songs that showcase Sarah's theatrical gifts.......2003-12-11

Before experimental albums like Dive and Fly, as well as the ones where her classically-trained voice enchanted millions, Sarah Brightman did a collection of musical and theatrical songs originally released in 1989, but reissued when she made it big with Time To Say Goodbye. Her vocal style leans towards the theatrical Broadway side, but more mellowed. But on songs like the strings-laden mid-tempo "Meadowlark" from Stephen Schwartz's The Baker's Wife, the way she would later do splendidly interpret Lloyd Webber's songs is in the making. Here are other highlights, including those that were reissued on Sarah's Encore album (2002).

Stephen Sondheim's "I Remember" is a sad ballad told from the POV of a window mannequin remembering the sights it has experienced throughout the seasons, but the memories are now hazy and at the end, it sings, "At times I think/I would gladly die/for a day of sky."

Some songs like "Lud's Wedding" from Bernstein's failed bicentennial musical, only seem to work due to Sarah's voice. Ditto for the simple "Three-Cornered Tune." Consisting of three verses, each repeated twice. However, Irving Berlin's "Mr. Monotony", a tune understandably cut from Easter Parade, is not a particularly inspiring song.

Marvin Hamlisch's "Dreamers" is one of my favourites here, as I have affinity to it, and I'm sure Sarah is one at heart as well. "Only dreamers have wings with which to fly far away", as in their own fantasies, but unfortunately, "sometimes dreamers are forced to leave their dreams far away", i.e. the harshness of reality. However, it paints them in a positive light and states that everyone needs to have some sort of dream "to take time to find treasures and mountains we can climb."

"Silent Heart" really showcases Sarah's voices, on how some things the heart is best left silent, as in things that really thrill it. "If I Ever Fall In Love Again" is taken from The Crooked Mile and is a nice love song Sarah really wraps herself in.

"Chi Il Bel Sogno Di Doretta" from Puccini's La Rondine is a great showcase of the operatic voice that would come into full bloom on Time To Say Goodbye. This song would be reissued on Encore.

"Away From You" by Richard Rodgers, and taken from a musical biog of Henry VIII (!!!). "The clocks are frozen and time's a traveler who's lost his way" is one of the sentiments Sarah conveys effectively. Also reissued on Encore.

"If love were all, I should be lonely" sings Sarah from Noel Coward's Bittersweet, "If Love Were All" was the one song that stood out for me when I first heard this CD. The ability of a talent to amuse is seen as a solid standing for mental security. A definite standout here.

From Lloyd Webber's Jeeves, the lush strings of "Half A Moment" features the vocal stylings familiar enough to those who have Sarah's Andrew Lloyd Webber Collection. It focuses on how important the capture of a moment to bright up a future rainy day is. Also reissued on Encore.

Initially, I dismissed this as the songs that should've stayed away. Although they lack the magical punch of Time To Say Goodbye or La Luna, it's still a worthwhile collection, because Sarah's clear birdlike theatrical/musicals voice makes it all worthwhile.

Good, for Sarah Brightman.......2003-08-25

Some people just love Sarah's voice, but I don't see what's so special about it. She sings in two sorts of ways, the first one is lovely, simple, forgetable, and the other sounds like Stitch with a high voice. This CD does her justice, though. A lot of the tunes are catchy and nice (how she sings them could be better) but the one I really like is "Three cornered tune." Now that's a good song! She does not have a particularly bad voice, but nothing interesting - that's for sure. And when she tries to act in her music she sounds even worse! But that's alright. After all, everyone has a different style. A highlight of this CD includes "Mr. Monotony," which, unfortunatly, did not come with lyrics in the CD case. Too bad, because its a great song. At the end of this record, though, she writes about these songs and - wow! It is amazing how many shows that song was taken out of! At one point it said it had Judy Garland singing it, and when I try to imagine her doing it I know that must have been awesome. I really want to hear Judy Garland singing this song sometime. Maybe I'll find it here on Amazon... But anyway, back to Sarah Brightman. The only other thing I can think of to say at the moment is that from what I've heard of her records, this is as good as it gets. And also, the track titled "Dreamers" is nice. I like the tune and she doesn't sing it too bad, either. It would be a good song to be played at a graduation. Only after a while the sound of it gets a little creepy and annoying. And its sticky, too. "Silent heart" is a classic, though she shouldn't sing it twice. For you see, she sings it, and then you think, "Ah, that's a sweet song. Wonderful words, soft tune," and the music gets at a great stoping point and then comes back for an encore (as one of Sarah's other records is titled). And then we have to listen to it all over again - and its not as good the second time. So overall is it good? Yes, it is. Though perhaps not good enough.

Pleasant, but not up to standard.......2003-06-22

I love Sarah Brightman's singing and her musical style as presented on Eden and La Luna. This CD is completely different in style from those two. I find it enjoyable, but it is not my favorite. Her singing is nothing special on this CD, it doesn't display her vocal range or talent in the way that her other CDs do, especially her CD "Surrender", her vocals are absolutely stunning on that CD.

Average customer rating:

Classy,Romantic, And Stirring.
Lovely - Just Lovely!
Encore!
Captivating
Sarah Brightman's Best

Encore
Sarah Brightman , Andrew Lloyd Webber , Richard Rodgers , Burton Lane , Peter Greenwell , Stephen Sondheim , George Gershwin , Giacomo Puccini , Harry Rabinowitz , and Michael Reed
Manufacturer: Decca Broadway
ProductGroup: Music
Binding: Audio CD

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Sarah Brightman Classics
Surrender
Eden (US Release - 16 tracks)
Dive
Fly

ASIN: B00005KBBX
Release Date: 2002-04-23

Tracks:

Whistle Down The Wind (Whistle Down The Wind)
Away From You (Rex)
Guardami (With One Look - Italian Version) (Sunset Boulevard)
Think Of Me (The Phantom Of The Opera)
One More Walk Around The Garden (Carmelina)
Surrender (Sunset Boulevard)
If I Ever Fall In Love Again (The Crooked Mile)
Half A Moment (Jeeves)
Piano (Memory - Italian Version) (Cats)
What More Do I Need (Saturday Night)
There Is More To Love (Apects Of Love)
The Last Man In My Life (Song And Dance)
In The Mandarin's Orchid Garden (East Is West)
Nothing Like You've Ever Known (Tell Me On A Sunday & Song And Dance)
Chil Il Bel Sogno Di Doretta (La Rondine)

Amazon.com

In a career that's veered from '70s pop chanteuse to Broadway star and neo-operatic diva, Sarah Brightman has brought a critics-be-damned sense of dramatic scale to nearly every project she's tackled. As the title suggests, the tracks here are largely culled from her Songs That Got Away and Surrender song anthologies, although they do include four previously unreleased outtakes from those collections. Her 1998 recording of the title song from ex-husband Andrew Lloyd Webber's Whistle Down the Wind succeeds by emphasizing its melodic grace with a deft, airy touch, while the remainder rescue worthy songs from obscure or failed musicals. From Lerner and Lane's 1959 Carmelina comes the lovely "One More Walk Around the Garden." Stephen Sondheim's youthful 1954 debut, Saturday Night, yields a sprightly take on "What More Do I Need," while an operatic reading of "In the Mandarin's Orchid Garden," from the Gershwins' unproduced 1929 East Is West, is also included. If the selection leans a little too heavily on the Lloyd Webber connection elsewhere (including Italian versions of "Guardami (With One Look)" from Sunset Boulevard and "Piano (Memory)" from Cats delivered in her patently restraint-free soprano), they're only reminders that shrewdness has hardly been the least of Brightman's talents. --Jerry McCulley

Customer Reviews:

Classy,Romantic, And Stirring........2007-03-09

Encore is the perfect CD for those who love diversity. Classy, Romantic and Stirring. My two favorites are Piano and One More Walk Around The Garden.
Piano (Memory)is even more soul stirring in Italian than the english version.If the english version was perfection she improved upon it. One More Walk Around The Garden is sad and soul stirring bringing a tear to the eye on every play.Sarah sings her way through every song with the voice that earned her the title Angel of Music.Everyone a Gem. A must have for every true fan.

Lovely - Just Lovely!.......2007-01-04

Overall I was very pleased with the content and quality of this CD. Once again, Sarah sings beautifully. I rated this 4 stars instead of 5 simply because, like another reviewer, I, too, felt that it contained too much old material. I used to enjoy 'Memory' but it's been overdone to the point that I cringe when I hear it now. It's sung in Italian here and called 'Piano' but it's still 'Memory'.

I especially liked 'One More Walk Around the Garden' (Carmelina), 'There is More to Love' (Aspects of Love), 'The Last Man in My Life' (Song and Dance) and 'Chi Il Bel Sogno Di Doretta' (La Rondine). 'If I Ever Fall In Love Again' (The Crooked Mile) is especially well done as well.

I do enjoy playing the CD but I find that I pick the songs that I play rather than allowing it to play all the way through.

Encore!.......2005-05-29

The title of the CD is perfect. Sarah has a beautiful and flawless voice and her singing just pulls you in. If you like Sarah Brightman, this is a wonderful CD to add to your collection. I have only started to collect her CDs from concerts she has done and I love every single one of them! BUY THIS!! You won't regret it!!!

Captivating.......2004-12-25

Sarah Brightman sings beautifully. That's not even up for debate. Her choice of material is generally interesting as well. She runs through a wide variety of genre and regularly comes up with excellent pieces from each of them.

`Encore' is a compilation of material recorded between the late 1980's and 2001. It features strong renditions of `Away from You' by Rodgers and Harnick and `In the Mandarin's Garden' by George and Ira Gershwin. The orchestration on `If I ever Fall in Love Again' is a bit overblown but she sings the piece with sincerity, and very well. Her cover of Lane and Lerner's `One More Walk Around the Garden' is a thing of beauty. The same can be said for her handling of Sondheim's `What More Do I Need'. The weakest moment in the set comes during Puccini's `Chi Il Bel Di Doretta'. She sings it well but her voice doesn't quite have the pure power needed for the piece and there are moments where the strain shows.

Sarah Brightman really shines when she sings music written by Andrew Lloyd Webber. Her voice takes on an extra richness. He wrote the music for nine of the fifteen cuts on this release and can be identified as the composer of each one just by the tone her voice takes on when she begins singing any one of them. It's softer, richer, more expressive- it's as if there's an extra facet in her voice and spirit just for his compositions. He produced this collection but I don't believe that was a factor. The same thing struck me when she performed the material from the Phantom of the Opera that appeared on her La Luna concert DVD. `Think of Me' as performed by her was the song that attracted me to her voice even when I was less than sure of the scope of her talent. The recording here is the recording from `Phantom' and it's still stunning. `Piano' is hauntingly beautiful. `The Last Man in My Life' is given a ravishing performance. `Half a Moment' is devastating. The list goes on. There's not a weak cut from among his material. Webber's songs stay with the listener. Their melodic are lush and rich and have enough scope and variety to remain interesting over a long period of time. His orchestration is sumptuous, elaborately textured and a little sweet in the way that touches the listener as a caress. When she sings them they become all they can be. This isn't his music or hers. It's their music.

This is an excellent collection because of the way it showcases this. The material here has been (unkindly) labelled as `ear worms'. To an extent the term is accurate. Show tunes do lean toward catchy and easily accessible melodic lines. Their lyrics are often shallow. What's presented on this collection has more than its share of all of these faults. It's impossible to be cynical about it though. These songs, particularly the numbers penned by Lloyd-Webber, are strong on their own. When they're performed this well, and with this amount of affection, they're captivating. The quality of the sound on the release compliments the material beautifully. It's rich, lush and always crystal clear. Sarah Brightman herself is always a pleasure to listen to. Her voice it has a sparkling quality that's radiantly beautiful. The material on this collection shows that beauty to its fullest.

Listen to her singing these songs and let them wash over you. It's the perfect antidote for cynicism.

Sarah Brightman's Best.......2004-02-17

When I bought this Cd, I knew that I already had much of the music already, but there were a few new songs. I just had to get it for that reason. And I had to get it so that I had more than one recording of Sarah's finest songs. I absolutely love her and feel she was and is the ultimate Christine in "Phantom." I know I would be in a minority. I think she is past that part of her life and could not play the part again, but how I wish I had seen her. I could only imagine. If you have never heard Sarah sing before, this is a perfect CD to introduce her voice. The fact that she can sing so many different styles always amazes me. I suppose I appreciate that since I am a singer myself. I recommend this Cd to anyone.

Average customer rating:

The best from The Best Singer and Tenor of all time.
Gorgeous
Another great CD by the greatest singer of all time!!!

Mario Lanza: My Romance

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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This Is Gold (Box)

ASIN: B000056BUT
Release Date: 2001-01-09

Tracks:

All The Things You Are
Kiss
Song Is You
Where Or When
Love Is The Sweetest Thing
I'll See You Again
Night & Day
Your Eyes Have Told Me So
They Didn't Believe Me
If I Loved You
Only A Rose
You & The Night & The Music
Sylvia
On The Street Where You Live
Fools Rush In
Beautiful Love
I've Got You Under M
Long Ago & Far Away
You Are Love
I'll Be Seeing You
My Romance

Customer Reviews:

The best from The Best Singer and Tenor of all time........2007-04-24

This is a beautiful collection of songs. Once again it exhibits the depth and breath of Mario Lanza's vocal abilities. It is wonderful to hear him sing such lovely melodies. It is also splendid to read Derek Mannering's explanation of how Lanza interpreted each song with his heart and soul. For anyone who is a fan of Mario's, this collection is worth the price.

Gorgeous.......2001-11-25

Most of these songs are from the popular radio show he did in the 50's, when his voice was at it's best. I own numerous Lanza cds, and I can never get enough of his glorious voice and these beautiful songs. A lot of them can be found on other albums, it's true, but the first song is a previously unreleased gem, which was a big selling point with me. How could I pass this up? Also a lot of the songs are different versions from others I have, so this album was definately a must have, for me. I think that anyone who is a true Lanza fan, will love this cd.

Another great CD by the greatest singer of all time!!!.......2001-07-17

Derek Mannering has done it again in releasing yet another first class CD collection by the "Voice of the Century", Mario Lanza. Most of the items on this album have been previously released either on vinyl, CD, or both, but this collection is worth having nonetheless. The one item here never before released is the beautifully sung "All the Things You Are" and did Lanza ever serve this one up in first class fashion. The singing here is extremely fresh and vibrant. A recording that I don't believe has been on CD before is the "You Are Love", from Showboat, presented here (different from the performance on the definitive "Don't Forget Me" C). Lanza shows us here a truly passionate and ardent Gaylord Revenal. No other singer sang this song as well. "On the Street Where You Live" is given a very virile and beautiful rendition by Lanza. I don't know where or when I have ever heard the song "Where or When" sung this well. The rest of the selections on this offering are terrific as well, but can be found on other collections. This collection is worth owning, if for no other reason than for the four selections previously mentioned. The sound quality is excellent, giving the Mario Lanza voice the benefit of its full presence. Lanza definitely had a true flair for the popular song and Broadway ballad, as well as the ringing operatic aria, no doubt about it. If you're looking for a collection of classic standard and Broadway tunes performed with the mastery and excellence that only Mario Lanza could deliver, this CD is the one for you. Highly recommended!!!

Average customer rating:

great singers, great songs

Encores from Encores!

Manufacturer: Drg
ProductGroup: Music
Binding: Audio CD

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Brian Stokes Mitchell
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Great Musicals

ASIN: B00008XERI
Release Date: 2003-05-06

Tracks:

Overture [From Do Re Mi]
Make Someone Happy [From Do Re Mi] - Heather Headley, Brian Stokes Mitchell
All My Life [From Do Re Mi] - Nathan Lane
Tommy, Tommy [From Tenderloin] - Sarah Uriarte Berry, Patrick Wilson
Good Clean Fun [From Tenderloin] - David Ogden Stiers
My Gentle Young Johnny - Debbie Gravitte
Hostess With the Mostes' on the Ball [From Call Me Madam] - Tyne Daly
It's a Lovely Day [From Call Me Madam] - Lewis Cleale, Melissa Errico
Where or When [From Babes in Arms] - David Campbell, Erin Dilly
Johnny One Note [From Babes in Arms] - Melissa Rain Anderson
I Wish I Were in Love Again [From Babes in Arms] - Christopher Fitzgerald, Jessica Stone, Jessica Stone
Bewitched, Bothered and Bewildered [From Pal Joey] - Patti LuPone
Zip [From Pal Joey] - Bebe Neuwirth
I'm Talkin' to My Pal [From Pal Joey] - Peter Gallagher
I Am Loved [From Out of This World] - Marin Mazzie
Nobody's Chasing Me [From Out of This World] - Andrea Martin
From This Moment On [From Out of This World] - Gregg Edelman, Marin Mazzie
Falling in Love With Love [From the Boys from Syracuse] - Rebecca Luker
He and She [From the Boys from Syracuse] - Mario Cantone, Debbie Gravitte
Sing for Your Supper [From the Boys from Syracuse] - Sarah Uriarte Berry, Debbie Gravitte, Rebecca Luker

Customer Reviews:

great singers, great songs.......2006-05-03

Some of broadway's best singers are on this album, including Brian Stokes Mitchell, Debbie Gravitte, Marin Mazzie, and Rebecca Luker. (The cd is worth buying for Rebecca Luker's song alone!) The songs are beautifully orchestrated and sung. Most are light hearted and fun, leaving me with a good feeling when listening.
If you're a fan of broadway showtunes, I believe you'll enjoy this album.

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Rodgers & Hart, Vol. 1

Manufacturer: Pearl
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Ultimate Cole Porter, Vol. 1
The Ultimate Cole Porter, Vol. 3
Ultimate Cole Porter, Vol. 2
With a Song in My Heart: The Songs of Rodgers & Hart
Ultimate Irving Berlin, Vol. 1

ASIN: B0000542HE
Release Date: 2001-02-27

Tracks:

Dearest Enemy: Here In My Arms - Sidney Burchall
Dearest Enemy: Bye Bye - Sidney Burchall
The Girl Friend: The Girl Friend - George Olsen & His Music
Lido Lady: Here In My Arms - Phyllis Dare/Jack Hulbert
Lido Lady: A Tiny Flat Near Soho Square - Cicely Courtneidge/Harold French
Lido Lady: Atlantic Blues - Phyllis Dare
Lido Lady: Try Again Tomorrow - Cicely Courtneidge/Jack Hulbert
Peggy Ann: A Tree In The Park - Dorothy Dickson
Peggy Ann: Where's That Rainbow - Dorothy Dickson
Lady Luck: Sing - Laddie Cliff
Lady Luck: If I Were You - Phyllis Monkman/Leslie Henson
One Dam' Thing After Another: My Heart Stood Still - Jessie Matthews
She's My Baby: A Baby's Best Friend - Beatrice Lillie
Heads Up!: My Man Is On The Make - Helen Kane
Simple Simon: Ten Cents A Dance - Ruth Etting
Cochran's 1930 Revue: With A Song In My Heart - Leslie Hutchinson
Cochran's 1930 Revue: The Little Things You Do - Leslie Hutchinson
Ever Green: Dancing On The Ceiling - Jessie Matthews
Love Me Tonight: The Poor Apache - Maurice Chevalier
Love Me Tonight: Love Me Tonight - Jeanette MacDonald
Love Me Tonight: Mimi - Maurice Chevalier
Love Me Tonight: Isn't It Romantic? - Jeanette MacDonald
Hallelujah, I'm A Bum!: Hallelujah, I'm A Bum! - Al Jolson
Hallelujah, I'm A Bum!: You Are Too Beautiful - Al Jolson
Let's Have Fun: Please Make Me Be Good - Helen Morgan

The Andrew Lloyd Webber Collection / Encore

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Lovely
Encore!
Another way to make money on the back of Sarah

The Andrew Lloyd Webber Collection / Encore

Manufacturer: Decca Broadway
ProductGroup: Music
Binding: Audio CD

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Time to Say Goodbye
Eden (US Release - 16 tracks)
Sarah Brightman Classics
The Songs That Got Away
Dive

ASIN: B00006LLOO
Release Date: 2002-10-15

Tracks:

Phantom of the Opera
Unexpected Song
Chanson d'Efrance
All I Ask of You
Don't Cry for Me Argentina
Another Suitcase in Another Hall
Love Changes Everything
Amigos Para Siempre (Friends for Life)
Memory
Gus: The Theatre Cat
Anything But Lonely
Macavity: The Mystery Cat
Tell Me on a Sunday
Wishing You Were Somehow Here Again
Pie Jesu
Music of the Night

Tracks:

Whitsle Down the Wind {From Whistle Down the Wind}
Away from You {From Rex}
Guardami (With One Look) {From Sunset Boulevard} [Italian Version]
Think of Me {From the Phantom of the Opera}
One More Walk the Around the Garden {From Carmelina}
Surrender {From Sunset Boulevard}
If I Ever Fall in Love Again {From the Crooked Mile}
Half a Moment {From Jeeves}
Piano (Memory) {From Cats} [Italian Version]
What More Do I Need {From Saturday Night}
There Is More to Love {From Aspects of Love}
Last Man in My Life {From Song and Dance}
In the Mandarin's Orchid Garden {From East Is West}
Nothing Like You've Ever Known {From Tell Me on a Sunday and Song and D
Chi il Bel Sogno Di Doretta {From la Rondine}

Amazon.com

In a career that's veered from '70s pop chanteuse to Broadway star and neo-operatic diva, Sarah Brightman has brought a critics-be-damned sense of dramatic scale to nearly every project she's tackled. This two-CD package of 31 hits brings together selections from Brightman's original Andrew Lloyd Webber Collection, including many definitive versions of Lloyd Webber classics. Also included are songs from her album Encore, which itself was largely culled from her Songs That Got Away and Surrender song anthologies, although they do include four previously unreleased outtakes from those collections.

Her 1998 recording of the title song from ex-husband Andrew Lloyd Webber's Whistle Down the Wind succeeds by emphasizing its melodic grace with a deft, airy touch, while the remainder rescue worthy songs from obscure or failed musicals. From Lerner and Lane's 1959 Carmelina comes the lovely "One More Walk Around the Garden." Stephen Sondheim's youthful 1954 debut, Saturday Night, yields a sprightly take on "What More Do I Need," and an operatic reading of "In the Mandarin's Orchid Garden," from the Gershwins' unproduced 1929 East Is West, is also included. If the selection leans a little too heavily on the Lloyd Webber connection elsewhere (including Italian versions of "Guardami (With One Look)" from Sunset Boulevard and "Piano (Memory)" from Cats, delivered in her patently restraint-free soprano), they're only reminders that shrewdness has hardly been the least of Brightman's talents. --Jerry McCulley

Customer Reviews:

Lovely.......2007-01-09

Both of these discs afford great pleasure. The Lloyd Webber compilation presents many of his biggest hits in fine performances by his ex-wife. The Encore disc gives fascinating glimpses of worthy but little known pieces from musicals. Arrangements are wonderful, and Sarah Brightman is in excellent voice throughout. At times she has a tendency to wax a bit operatic, but she certainly does have the chops to bring it off successfully, so I'm not complaining. Obviously, Ms. Brightman was trained in the classical tradition, and she knows how to use her voice to best advantage in service to the material. In short, she has musical integrity.

Encore!.......2004-09-29

Before she was a sparkling pop/classical diva, Sarah Brightman was a Broadway star and the onetime wife of the legendary Andrew Lloyd Webber. This two-disc set that includes her "Encore," a collection of songs from mostly-obscure musicals, and "The Andrew Lloyd Webber Collection," several of Webber's songs (mostly picked from "Songs That Got Away" and "Surrender").

"Andrew Lloyd Webber Collection" starts off with the gothic "Phantom of the Opera," but quickly moves on to lighter fare in the airy "Unexpected Song," a soaring duet with Cliff Richards in "All I Ask Of You," the sparkling "Love Changes Everything," and some tepid forays into the shrill "Don't Cry for Me, Argentina" and "Memory."

"Encore" is far more ethereal and steady. The piano-led "Whistle Down The Wind" starts it off on a strong note, before the aching "Away From You," operatic "Think of Me," affectionate "If I Ever Fall in Love Again," and the symphonic "Nothing Like You've Ever Known." A particular highlight is the sparkling "What More Do I Need," a little tune that celebrates how love brightens up even the most dingy little apartment, in the most miserable weather. "With your love/what more do I need?"

Sarah Brightman was obviously on solid footing with these two CDs. It might leave a bad taste in some fans' mouths that "Collection" is mostly compiled from a pair of other Brightman albums, but if listeners don't have "Surrender" and "Songs That Got Away," this two-disc set would be an excellent way to acquaint themselves with it.

"Encore" is steady and well-suited for Brightman's voice, as well as having a sort of Victorian-garden air. "Andrew Lloyd Webber Collection" has the most flaws of the two -- some of the songs like "Memory" aren't suited to Brightman's voice, and she comes across as shrill and uneasy. But in songs written for her talents and "Encore," her voice alternately soars and murmurs in an airy soprano.

Sarah Brightman reached her artistic pinnacle so far in the velvety "Eden," but her stuff here is still quite beautiful. "The Andrew Lloyd Webber Collection/Encore" two-pack is a satisfying look at some of Brightman's Broadway-based songs.

Another way to make money on the back of Sarah.......2002-11-28

Yes, it's true. Sarah has nothing to do with these cds, but her voice. It's another record that Andrew Lloyd Webber's Really "not that" Useful Group release to make money. Those two cds are very good though. If you have one of them, i suggest to get the other separatly.

Average customer rating:

The Andre Kostelanetz Touch

The Kostelanetz Touch

Manufacturer: Asv Living Era
ProductGroup: Music
Binding: Audio CD

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The Ultimate Collection
16 Most Requested Songs
Ultimate Collection

ASIN: B00006357L
Release Date: 2002-04-23

Tracks:

With a Song in My Heart
Tiger Rag
Swamp Fire
Fascinating Rhythm
'S Wonderful
Bugle Call Rag
Music of Jerome Kern (Medley): Smoke Gets in Your ...
Estrellita
Dancing in the Dark
Turkey in the Straw
Po
Liebestraum
Manhattan Serenade
Blues in the Night
My Sombrero
Night and Day
Flamingo
Coubacaban
When Day Is Done
I'll See You Again

Customer Reviews:

The Andre Kostelanetz Touch.......2002-05-31

If you were born before 1950, you will like this CD. I bought it because I have long admired Andre Kostelanetz. He was accomplished in leading both popular and classical orchestras. The recordings on this CD are monaural and were recorded in the late 30's to mid 40's. I don't think Tiger Rag, Bugle Call Rag and Turkey in the Straw complement the other selections. The remainder, however, are lush and romantic.

The Love Goddesses/Hollywood's Greatest Themes

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One More Great Percy Faith Twofer by Collectables
"Miklos Rozsa epic film scores ~ Percy Faith"
Uneven outing for Faith
Love Goddesses/Hollywoods Great Themes

The Love Goddesses/Hollywood's Greatest Themes

Manufacturer: Collectables
ProductGroup: Music
Binding: Audio CD

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Kismet/Music From Hollywood

ASIN: B0000636A6
Release Date: 2002-03-19

Tracks:

Love Goddess [Theme from The Love Goddesses]
Cheesecake
Marilyn
Surrender
Vamp
Keystone Kapers
Virginian [From "The Virginian"]
Our Love
Monaco Theme [From "A Look at Monaco"]
Chico Bolero
Celia's Waltz
Oba! (Bossa Nova)
Cid (Love Theme) [From "El Cid"]
Moon River [From Breakfast at Tiffany's]
Theme From King of Kings
Splendor in the Grass (Love Theme) [From "Splendor in the Grass"]
Maria [From West Side Story]
It Might As Well Be Spring [From State Fair][#]
Over and Over Again [From Jumbo]
Ben Hur (Love Theme) [From Ben Hur]
Too Late Blues [From "Too Late Blues"]
I Enjoy Being a Girl [From "Flower Drum Song"]
Theme From the Four Horsemen of the Apocalypse " [From "The Four ...]
Theme from Light in the Piazza

Customer Reviews:

One More Great Percy Faith Twofer by Collectables.......2006-02-12

Two big qualities distinguish the late Percy Faith.

First of all he was an original arranger with all those strings combined as if in a brass section in a unique sound. Second of all, he was a staff arranger for Columbia Records what gave him the opportunity to work on memorable albums by Johnny Mathis and other singers.

This twofer shows two different approaches: the first 12 takes came from his splendid album 'The Love Godessess' full of Mr. Faith's own compositions for films and TV series like 'The Virginian'. They're such inspired songs like the title song and 'Celia's Waltz'.

The second 12 takes came from another album with a miscellaneous movie soundtrack repertoire. They're such great songs by great composers but Mr. Faith's arrangements do not add any special flavor to the originals.

A special note on Collectables Records regarding its extraordinary series of twofers which have finally issued virtually all Percy Faith material.

"Miklos Rozsa epic film scores ~ Percy Faith".......2003-07-04

Every week I would go to the downtown library and check out the latest albums (LP's) ~ my eyes would always look for the Percy Faith releases. One of my favorites was "The Love Goddesses", featuring compositions by Maestro Faith, something about his string arrangements drew me to this album. At that time I had a reel-to-reel recorder/player and cassette recorder, would tape every album by Mr. Faith I could get my hands on. Later I would go to Webster Records the local record store in Old Webster, Mo. and purchase his latest releases.

Entire album is a stand out, but here are some of the highlights ~ "MARILYN", beautiful haunting melody as strings and counter strings open, blending a harp that keeps reoccurring in your head ~ "THE VAMP", solo clarinet with plunking violins, enters the solo violin and full strings answer, simply beautiful ~ "OUR LOVE", is typical Percy Faith with an arrangement to die for ~ "CELIA'S WALTZ", a solo saxophone comes forward with counterpoints from Faith's famous string section, the melody gets under your skin and becomes intoxicating ~ "OBA! (BOSSA NOVA)", what is a Percy Faith album without Latin flavor, and this is what he does best.

Second half of the album is "Hollywood's Great Themes", opening with "EL CID(LOVE THEME), "THEME FROM KING OF KINGS" and "BEN HUR(LOVE THEME)" the legendary Miklos Rozsa could do no wrong when it came to epic films, Faith's brilliant arrangement puts the listener right up there on the big screen ~ "MARIA", the wonderful song from "West Side Story" that will go one forever ~ "THEME FROM LIGHT IN THE PIAZZA", a heart-wrenching film with a light floating melody that lingers on, just take a listen to Faith's strings in top form ~ what a classic arrangement from the git-go!

Total Time: 72:52 on 24 Tracks ~ Collectables 7478 ~ (3/19/2002)

Uneven outing for Faith.......2002-05-20

This twofer, with over 70 minutes of music, provides a showcase for Faith-penned tunes and some lesser known hits from Hollywood. The Love Goddess finds the Faith arrangements full of his trademark strings, but several hits are distinctive in that Faith employs the brassiness of a big band sound, especially on Cheesecake. Keystone Kapers, with whistles and bells, is forgetful, but other selections are an easy listen. Hollywood's Great Themes contains selections that certainly would not make anyone's list of great themes from Hollywood. Would you pick the love theme from Ben Hur, or the theme from Light in the Piazza, or how about Over and Over Again from Jumbo? The only real Hollywood classic here is Moon River, though Faith does add a smattering of Richard Rodgers, with Hart and Hammerstein.

Love Goddesses/Hollywoods Great Themes.......2002-03-23

The Love Goddesses from 1964 is a fairely good album by Faith and oneI'm glad to add to my collection.This album is more jazzeier than a lot of Faith's other albums.Some songs are very lush such as Marilyn Our Love,The Monoco Theme,The Love Goddess,Chico Bolero,and Celia's Waltz.The other songs on this album are upbeat with incarnations of jazz especially Cheesecake.Oba is a bossa nova and is pretty good.All songs from the Love Goddesses album was written by Percy Faith himself.Hollywood's Great Themes from 1962 is movie themes and some are very good.This album features light strings with the exception of the last two Theme From The Four Horseman Of The Apocalypse and Theme From Light In The Plazza These two have heavy strings.My favorite is Splendor In The Grass.This album was only available on cassette several years ago beforecollectibles,taragon,good music and ranwood came along with Faith reissiues.Back then only 4 albums were out by Faith and 2 cassettes this one and Deep Purple which were hard to find than.Liner Notes are included for the Love Goddesses but are not included for Hollywoods Great Themes.Another great 2 on 1 album with 2 great albums by Faith.

Average customer rating:

Broadway: Love & Laughter

Manufacturer: Eroica Classical
ProductGroup: Music
Binding: Audio CD

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General | Pop | Indie Music | Stores | Music
ASIN: B00005S0L9
Release Date: 2001-10-01

Tracks:

If I Were a Bell
Heres That Rainy Day
I Cant Say No
Bewitched
I Feel Pretty
I Hate Men
He Loves Me
Song on the Sand
The Physician
Before I Gaze at You Again
Show Me!
My Ship
To Keep My Love Alive
Bill
You Could Drive a Person Crazy
How Long Has This Been Going On?
A Wonderful Guy
But Not for Me
I Can Cook, Too
Little Girl Blue
Adelaides Lament
Losing My Mind
They All Laughed

Album Description

“Broadway: Love & Laughter” is terrific. Singer/actress Eileen Mager performs twenty-three of the greatest songs from Broadway musicals in a way you won't soon forget. There are some real oldies, as well as more current songs, and everything from tear-jerkers to laugh riots. They have great lyrics (and you'll understand all the words) and great tunes. She'll have you laughing and crying and having a ball. Ellen Brown's accompaniments offer just the right touch -- for example, “Little Girl Blue” has a great blues sound to it. This is a CD not to be missed, and perfect gift for friends and family.

Broadway musicals have always been about love in its infinite forms. This has resulted in a huge crop of wonderful love songs — joyous, sad, flirtatious, angry, passionate, mischievous, touching. They range from the deeply serious to the out and-out hilarious, as, come to think of it, does love itself.

So in this recording, West Side Story's Maria proclaims her joy in “I Feel Pretty” and South Pacific's Nellie Forbush displays similar feelings in “A Wonderful Guy.”

We also have Guys & Dolls's Adelaide singing “Adelaide's Lament” about the cold she's developed because of the frustration of a 14-year engagement to Nathan Detroit that seems destined never to result in a wedding.

Pal Joey's Vera, a sophisticated “older” woman, who knows Joey isn't worth it, sings about finding herself nonetheless “Bewitched, Bothered, and Bewildered.”

Of course, Kate of Kiss Me, Kate, in no uncertain terms, announces “I Hate Men,” while Oklahoma's irrepressible Ado Annie sings “I Cain't Say No.”

On the Town's lady taxi driver, Hildy, tries to convince us of her total desirability with the madcap seduction of “I Can Cook, Too,” while Sally of Follies sings of her total immersion in her love in one of Broadway's most touching love songs, “Losing My Mind.”

Music:

Music

Music