Echoes of an Era [Original recording remastered]
Editorial Reviews
Album Description
Expanded & remastered 2003 edition includes the original 1982 albums 8 tracks, plus a rare bonus track, 'All Of Me' (alternate take) & the Echoes interviews with Freddie Hubbard and Chaka Khan. Featured artists include Freddie Hubbard, Joe Henderson, Chick Corea, Stanley Clarke & Lenny White. Elektra/Rhino.
Echoes of an Era, Music, Echoes of an Era, Bop, Contemporary Jazz, Hard Bop, Jazz Collections, Jazz Music, Mainstream Jazz, Pop, Post-Bop, Standards, V/a Compilations
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
- Beginner or Expert
- Very Informative and Enjoyable
- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
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Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
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- The Life and Works of Ludwig van Beethoven
- What to Listen for in Music
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ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
- Fabulous
- Echoes of an Era is a unique jazz offering
- Some Rough Edges, But A Nice Album
- This CD is at best a novelty item.
- Chaka the jazz singer!
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Echoes of an Era
Echoes of an Era
Manufacturer: Elektra / Wea
ProductGroup: Music
Binding: Audio CD
Bebop General
| Bebop
| Jazz
| Styles
| Music
Hard Bop
| Bebop
| Jazz
| Styles
| Music
General
| Jazz
| Styles
| Music
Modern Postbebop
| Jazz
| Styles
| Music
Vocal Jazz General
| Vocal Jazz
| Jazz
| Styles
| Music
General
| Compilations
| Jazz
| Styles
| Music
General
| R&B
| Styles
| Music
Traditional Vocal Pop
| Broadway & Vocalists
| Styles
| Music
Similar Items:
- C.K.
- What Cha' Gonna Do for Me
- Naughty
- Rufus Featuring Chaka Khan
- The Woman I Am
ASIN: B000083ME2
Release Date: 2003-01-28 |
Tracks:
- Them There Eyes
- All of Me
- I Mean You
- I Loves You, Porgy - Stanley Clarke, Chick Corea, Joe Henderson, Freddie Hubbard, Chaka Khan, Lenny White
- Take the "A" Train - Stanley Clarke, Chick Corea, Joe Henderson, Freddie Hubbard, Chaka Khan, Lenny White
- I Hear Music
- High Wire -- The Aerialist
- All of Me [Alternate Take]
- Spring Can Really Hang You up the Most
Album Description
Expanded & remastered 2003 edition includes the original 1982 albums 8 tracks, plus a rare bonus track, 'All Of Me' (alternate take) & the Echoes interviews with Freddie Hubbard and Chaka Khan. Featured artists include Freddie Hubbard, Joe Henderson, Chick Corea, Stanley Clarke & Lenny White. Elektra/Rhino.
Customer Reviews:
Fabulous.......2007-02-10
I love this CD. I had this as an album years ago and have been searching for it. It's wonderful to hear Chaka doing this style of music.
Echoes of an Era is a unique jazz offering .......2006-12-25
The comments harsly critiquing Chaka's foray into Jazz are simply ill conceived. First, the jazz greats like Chick Corea, Joe Henderson, Stanley Clarke, et.al., were the best judges to decide whether or not Chaka was up to snuff. Secondly, jazz, despite great efforts to the contrary, is not an elitist artform. There is not one right way to perform a piece. There is not one level of proficiency that legitimizes talent. There is abundant room for interpretation; this is at the core of jazz expression. It would be like comparing Ella with Sarah for the purposes of eliminating one. They were both talented, but their approaches and technical prowess were quite different; they each have their place in jazz history.
A more accurate way to describe Chaka's seminal jazz effort is to say that in these early recording she expressed a natural feel for jazz, but did not exhibit the fine expression seen in one singing jazz as a lifetime endeavor. That said and notwithstanding her need for woodshedding, she demonstrates a natural talent for jazz that some current jazz singers would kill for. It's also worth mentioning that they took no more than two takes on each of the recording to try to get a fresh and retro sound.
Producers like Quincy Jones and Herbie Hancock have it right; get the artists together and let them create something new, perhaps unexpected, and replete with energy and enthusiams. For example, Christina Aguilera performance on "A Song For You". Hers is a worthy jazz vocal effort. Just like Chaka's venture into jazz a few decades ago. These efforts by non-jazz artists serve to influence and inspire young artists of every genre and attract a wider audience base to the the jazz genre in general.
Jazz is not what one thinks it ought to be. It simply is. It is alive and as such its boundries are shaped by the past, not limited by it. The problem with critics, such as those seen here, is that they forget that they themselves are limited by their personal experiences and understanding of something that is not the same as it was yesterday. In a word, they are suffering from a severe case of nostalgia These limiting attitudes about jazz are what may cause its demise. If jazz is going to continue as an evolving artform, it must be infused by views that are unique and sometimes tangential (like Parker). It must be inviting to both the listener and the performer alike.
So, is Chaka on a par with Sarah Vaughn with respect to jazz vocal/musicianship? No, but neithter was Ella. For that matter, Tony Benett is not on a par with Mel Torme's scatting ability, but both are legitimate voices in jazz. However, Chaka's "Echoes of An Era" is filled with fresh and richly unique interpretations of jazz standards. It will definitely find its place in your jazz collection.
By the way, Chaka recorded Dizzy Gillespie's "A Night In Tunisia" under the name "The Memory Still Lingers On"... and guess who played the trumpet solo?... that's right, Dizzy. You don't get a much better validation than that.
Some Rough Edges, But A Nice Album.......2005-08-24
I enjoy straight-ahead jazz, I'm not a Chaka fan, and I didn't buy this 20+ years ago when it first appeared. So I'm approaching this from a slightly different viewpoint - bear with me. With these sidemen, who were the real attraction for me, it's hard to go wrong. I enjoyed the first version of All Of Me, A Train, and Them There Eyes the most. There were a couple of points where Chaka and Stanley Clarke were the only ones making music (I Hear Music, Hire Wire), pretty nice, and I think that a longer recording period vs. the two days actually spent would have developed the interplay more fully.
There are some rough edges, but that's part of live recording good jazz many times, and it doesn't detract too much IMHO. However, the CD packaging leaves a couple of things to be desired. For example, the last track "Spring Can Really Hang You Up", was put on the CD as a 16+ minute track, actually comprising about 8:30 for the tune, a one-minute or so silent period, a short talk by Freddie Hubbard, and then a conversation between Chaka Khan and Lenny White. It looks like someone got lazy, or something.
So - overall about 3-1/2 stars for me. If you were around for the original release, I can see how one would rate it higher.
Now for a trivia question: Chaka Khan received a Grammy nomination for Best Jazz Vocal Performance, Female for this album - but who actually won? Answer: Ella Fitzgerald, who won three of the four category awards 1981-1984 (Sarah Vaughn got the other). If the musicians on this recording had been able to work together a while longer, I think the resulting product would have won the Grammy. But who knows?
This CD is at best a novelty item........2005-07-22
Chaka Khan should stick to what she does best...not jazz. The best part of this CD is the fact that the sideman are so good. You have Freddie Hubbard, Chick Corea, Stanley Clarke, Joe Henderson, and Lenny White. Face it, you cant go wrong with a combination like that. If anything, buy the record to hear these guys play together. The biggest problem with this record is that Chaka Khan is just way out of her league with the sidemen, she just doesnt quite measure up. However, one great thing about this record is that it prbly exposed some ppl to jazz that would have never considered listening to it before. That being said, this CD is still a novelty item at best. Kind of like Garth Brook's foray as rocker Chris Gaines....Sorry I take that back the Chris Gaines thing was a little harsh.
Chaka the jazz singer!.......2003-10-12
Hearing Chaka sing straight ahead jazz on this project has brought me pure joy for years!! having the lp(which i played to death!)now that it has been reissued on CD, now it gives another generation of fans who missed this when it was first released a chance to hear Ms.Khan in a rare setting!! no this project was not perfect and who's is?? i love the human mistakes, it shows that the musicians and Khan were not out to make a 'perfect'record and the Grammys thought so too by giving this a nomination in the best female jazz catagory! I truly hope in the near future Chaka can continue to sing her favorite music(JAZZ)more!!!
Average customer rating:
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Time Life Rock N Roll Era Street Corner Serenade
SKYLONERS, FLAMONGOS, ETERNALS AND MANY MORE. CLEFTONES
Manufacturer: Time Life
ProductGroup: Music
Binding: Audio CD
ASIN: B000K5Q8TM |
Product Description
TRACKS:
Ka-Ding Dong - The G-Clefs
Little Girl Of Mine - The Cleftones
Please Say You Want Me - The Schoolboys
I,m S Young - The Students
Deserie - The Charts
This I Swear - The Skyliners
Tonight I fell In Love - The Tokens
Who's that Knocking - The Genies
Little Darlin' - TheGladiolas
Just To Be With You - The Passions
Mio Amore (My Lobve, 'Till the end of Time) - the Flamingos
Rang Tang Ding Dong (I am the Japanese Sandman) - the Cellos
Hearts of Stone - The Jewels
Baby Blue - The Echoes
Our Anniversary - Shep and the Limelites
Tonight (Could be the Night) - The Velvets
Coney Island Baby - The Excellents
Rocking In The Jungle - The Eternals
Baby Oh Baby - The Shells
Darling Dear - the Counts
Till Then - The Classics
I Wish That We Were Married - Ronnie and the Hi-Lites
Average customer rating:
- Fabulour Lindsay String Quartet Recording
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Janácek: The Two String Quartets
Manufacturer: Asv Living Era
ProductGroup: Music
Binding: Audio CD
Quartets
| Chamber Music
| Classical
| Styles
| Music
General
| Chamber Music
| Classical
| Styles
| Music
General
| Dvorák, Antonín
| ( D )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Janácek, Leos
| ( J )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Lindsay String Quartet
| ( L )
| Featured Performers, A-Z
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
Similar Items:
- Mozart: String Quartets Nos. 14 - 23
- Beethoven: String Quartets
ASIN: B0000030SB
Release Date: 1993-12-16 |
Tracks:
- Str Qt No.1 'The Kreutzer Son': First Movt: Adagio-Con Moto
- Str Qt No.1 'The Kreutzer Son': Second Movt: Con Moto Vivace
- Str Qt No.1 'The Kreutzer Son': Third Movt: Con Moto-Vivac-Andante
- Str Qt No.1 'The Kreutzer Son': Fourth Movt: Con Moto
- Str Qu No.2 'Intimate Letters': First Movt: Andante-Allegro
- Str Qu No.2 'Intimate Letters': Second Movt: Adagio-Piu Mosso-Vivace-Andante-Presto
- Str Qu No.2 'Intimate Letters': Third Movt: Moderato-Adagio-Allegro
- Str Qu No.2 'Intimate Letters': Fourth Movt: Allegro-Andante-Allegro-Adagio-Tempo l
- Cypresses: No.1. Moderato ('I Know That On My Love To Thee')
- Cypresses: No.2. Allegro Ma Non Troppo ('In Many A Heart Is Death')
- Cypresses: No.3. Andante Con Moto ('In The Sweet Power Of Your Eyes')
- Cypresses: No.4. Poco Adagio ('Oh, Our Love Will Not Bloom Into That Long Wished-For Happiness')
- Cypresses: No.5. Andante ('Here I Search For Your Dear Letter')
- Cypresses: No.6. Andante Moderato ('Oh, Golden Charming Rose')
- Cypresses: No.7. Andante Con Moto ('I Lurch Around The House')
- Cypresses: No.8. Lento ('Here In The Depths Of The Forest')
- Cypresses: No.9. Moderato ('Oh, Dear Soul, Only One')
- Cypresses: No. 10. Andante Maestoso ('There Stands An Ancient Rock')
- Cypresses: No.11. Allegro Scherzando ('Nature Is Held In Light Sleep')
- Cypresses: No.12. Allegro Animato ('You Ask Why My Songs')
Customer Reviews:
Fabulour Lindsay String Quartet Recording.......2003-10-28
This recording is one of the closest to a live performance I've ever heard. Its a must for anyone with curiosity - you don't have to like Janacek, string quartets or even classical music to hear the guts in the performance and sheer conviction. A long time fan of the Lindsays', I heard them play these pieces live in London many years ago at one of the most emotive concerts I've ever been to. The recording takes you on a similar ride - the music is visceral and the playing totally convincing.
Average customer rating:
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The Lindsays play Dvorak Chamber Music
Manufacturer: Asv Living Era
ProductGroup: Music
Binding: Audio CD
Quartets
| Chamber Music
| Classical
| Styles
| Music
Quintets
| Chamber Music
| Classical
| Styles
| Music
Trios
| Chamber Music
| Classical
| Styles
| Music
General
| Chamber Music
| Classical
| Styles
| Music
General
| Dvorák, Antonín
| ( D )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Chamber Music
| Forms & Genres
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Strings
| Instruments
| Classical
| Styles
| Music
Classical
| Box Sets
| Stores
| Music
Similar Items:
- Beethoven: The Violin Sonatas
- Beethoven: String Quartets
ASIN: B00004WMX8
Release Date: 2000-10-24 |
Tracks:
- Romance: Andante con moto quasi allegretto - 2nd Movement From String Quartet No. 5 In F Minor, Op. 9
- Five BAgatelles For 2 Violins, Cello And Harmonium, Op. 47: Allegretto scherzando
- Five BAgatelles For 2 Violins, Cello And Harmonium, Op. 47: Tempo di minuetto
- Five BAgatelles For 2 Violins, Cello And Harmonium, Op. 47: Allegretto scherzando
- Five BAgatelles For 2 Violins, Cello And Harmonium, Op. 47: Canon
- Five BAgatelles For 2 Violins, Cello And Harmonium, Op. 47: Poco allegro
- String Quartet No. 10 In E Flat, Op. 51: First Movement: Allegro ma non troppo
- String Quartet No. 10 In E Flat, Op. 51: Second Movement: Dumka (Elegia). Andante con moto
- String Quartet No. 10 In E Flat, Op. 51: Third Movement: Romanxza Andante con moto
- String Quartet No. 10 In E Flat, Op. 51: Fourth Movement: Allegro assai
- Two Waltzes For String Quartet: No. 1 In A, Op. 54 No. 1 - Moderato
- Two Waltzes For String Quartet: No. 2 In D, Op. 54 No. 4 - Allegro vivace
Tracks:
- Cypresses For String Quartet, B152: No. 1 - Moderato ('I Know That On My Love To Thee')
- Cypresses For String Quartet, B152: No. 2 - Allegro ma non troppo ('In Many A Heart Is Death')
- Cypresses For String Quartet, B152: No. 3 - Andante con moto ('In The Sweet Power Of Your Eyes')
- Cypresses For String Quartet, B152: No. 4 - Poco Adagio ('Of, Our Love Will Not Bloom Into That Long Wished-for Happeness')
- Cypresses For String Quartet, B152: No. 5 - Andante ('Here I Search For Your Dear Letter')
- Cypresses For String Quartet, B152: No. 6 - Andante Moderatro ('Oh, Golden Charming Rose')
- Cypresses For String Quartet, B152: No. 7 - Andante con moto ('I lurch Around The House')
- Cypresses For String Quartet, B152: No. 8 - Lento ('Here In The Depths Of The Forest')
- Cypresses For String Quartet, B152: No. 9 - Moderato ('Oh, Dear Soul, Only One')
- Cypresses For String Quartet, B152: No. 10 - Andante Maestoso ('There Stands An Ancient Rock')
- Cypresses For String Quartet, B152: No. 11 - Allegro scherzando ('Nature Is Held In Light Sleep')
- Cypresses For String Quartet, B152: No. 12 - Allegro animato ('You Ask Why My Song')
- Quintet For Piano And Strings In A, Op. 81(B155): First Movement: Allegro, ma non tanto
- Quintet For Piano And Strings In A, Op. 81(B155): Second Movement: Dumka
- Quintet For Piano And Strings In A, Op. 81(B155): Third Movement: Scherzo (Furiant)
- Quintet For Piano And Strings In A, Op. 81(B155): Fourth Movement: Finale
Tracks:
- Terzetto For 2 Violings And Viola In C, Op. 74 (B148): Introduzione
- Terzetto For 2 Violings And Viola In C, Op. 74 (B148): Larghetto
- Terzetto For 2 Violings And Viola In C, Op. 74 (B148): Scherzo
- Terzetto For 2 Violings And Viola In C, Op. 74 (B148): Tema cn variazioni
- String Quartet No. 12 In F, Op. 96 (B179) 'The American': First Movement: Allegro ma non troppo
- String Quartet No. 12 In F, Op. 96 (B179) 'The American': Second Movement: Lento
- String Quartet No. 12 In F, Op. 96 (B179) 'The American': Third Movement: Molto vivace
- String Quartet No. 12 In F, Op. 96 (B179) 'The American': Fourth Movement: Finale. Vivace ma non troppo
- String Quintet In E Flat, Op. 97 (B180) 'The American': First Movemetn: Allegro non troppo
- String Quintet In E Flat, Op. 97 (B180) 'The American': Second Movement: Allegro vivo - un poco meno mosso
- String Quintet In E Flat, Op. 97 (B180) 'The American': Third Movement: Larghetto
- String Quintet In E Flat, Op. 97 (B180) 'The American': Finale: Allegro giusto
Tracks:
- String Quartet No. 13 In G, Op. 106 (B192): First Movement: Allegro moderato
- String Quartet No. 13 In G, Op. 106 (B192): Second Movement: Adagio ma non troppo
- String Quartet No. 13 In G, Op. 106 (B192): Third Movement: Molto Vivace
- String Quartet No. 13 In G, Op. 106 (B192): Fourth Movement: Finale. Andante sostenuto - allegro con fuoco
- String Quartet No. 14 In A Flat, Op. 105 (B193): First Movement: Adagio ma non troppo - allegro appassionato
- String Quartet No. 14 In A Flat, Op. 105 (B193): Second Movement: Molto vivace
- String Quartet No. 14 In A Flat, Op. 105 (B193): Third Movement: Lento e molto cantabile
- String Quartet No. 14 In A Flat, Op. 105 (B193): Fourth Movement: Allegro non tanto
Customer Reviews:
Surprisingly beautiful.......2000-11-08
Truly amazed that Dvorak, whose symphonies are outside of my range of appreciation (should I be ashamed of that? I don't know . . . ), wrote such lovely, evocative chamber music. I've listened to this set of 4 CDs repeatedly, with growing delight at the beauty of the music but also at the harmonious interplay between all the instruments -- but then the Lindsays are a fantastic quartet. I have heard no one better, live or recorded. They were my reason for purchasing this set, and their performance is astounding. The quartets and quintets here are marvellously melodious, with nothing strong or heavy-handed, so I found myself constantly questioning "Are you sure this is Dvorak?" While anything performed by the Lindsays is fabulous, I have to say that this collection really shows to advantage their precision and rendering skills and their wonderful coordination, so that the quartets especially are beautifully executed. A really fine CD, great for any collector who likes or loves string quartets.
Average customer rating:
|
Summon the Heroes
Manufacturer: Soundline
ProductGroup: Music
Binding: Audio CD
All Works by Barber
| Barber, Samuel
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Elgar
| Elgar, Sir Edward
| ( E )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Goodwin, Ron
| ( G )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Saint-Saëns, Camille
| ( S )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Romantic
| Symphonies
| Forms & Genres
| Classical
| Styles
| Music
Film Scores
| Theatrical, Incidental & Program Music
| Forms & Genres
| Classical
| Styles
| Music
Marches
| Theatrical, Incidental & Program Music
| Forms & Genres
| Classical
| Styles
| Music
Violin
| Strings
| Instruments
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Chamber Music
| Classical
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
Movie Soundtracks
| Soundtracks
| Styles
| Music
Star Wars
| Soundtracks
| Styles
| Music
General
| Soundtracks
| Styles
| Music
Marches
| Miscellaneous
| Styles
| Music
Classic Big Band
| Swing Jazz
| Jazz
| Styles
| Music
ASIN: B00005S6NM
Release Date: 2001-01-01 |
Tracks:
- Arromanches [March]
- Slavonic Rhapsody No. 2.
- Serenade
- Echoes of an Era (Beatles Medley)
- Carrickfergus
- Hymn to the Fallen [From "Saving Private Ryan"]
- Music for a Festival (3rd Movement)
- Arnhem
- Summon the Heroes
- Marche Militaire Francaise
- Adagio for Strings [From Platoon]
- Where Eagles Dare
- My Heart Will Go On [from "Titanic" My Heart Will Go On]
- Chanson de Matin
- Symphonic Suite: Star Wars: The Phantom Menace
- Regimental Band March
Average customer rating:
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Dancin' on the Beat
Teddy Lee Orchestra
Manufacturer: On The Beat Records
ProductGroup: Music
Binding: Audio CD
General
| Jazz
| Styles
| Music
Swing General
| Swing Jazz
| Jazz
| Styles
| Music
ASIN: B000CA9KR2
Release Date: 2004-07-06 |
Tracks:
- You're Just in Love
- My Way
- Tangerine
- What'll I Do
- Istanbul
- Somewhere in Time
- Dancin' on the Beat
- Medley - The Night Is Young
- Mack the Knife
- Tennessee Waltz
- Woodchoppers Ball
- Till There Was You
- Thouroughly Modern Millie
- I Don't Want to Walk Without You
- I Talk to the Trees
- Satin Doll
- It Seems to Me
- 720 in the Books
- Orchids in the Moonlight
- Mr. Sandman
- Medley - Love Letters in the Sand
- Nevertheless
Average customer rating:
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Echoes of an Era
Charlie Palmieri , and Johnny Pacheco
Manufacturer: Polygram Records
ProductGroup: Music
Binding: Audio CD
Cuba
| Caribbean & Cuba
| International
| Styles
| Music
General
| Latin Music
| Styles
| Music
Latin Pop
| Latin Music
| Styles
| Music
Salsa
| Latin Music
| Styles
| Music
Latin Jazz
| Jazz
| Styles
| Music
ASIN: B00008FJUO
Release Date: 1996-06-18 |
Tracks:
- Domino
- Close Your Eyes
- Chun-Ko
- Moonlight Cocktail
- Ay! Que Mate [Cha Cha Ch
- Tema de la Duboney
- Mack the Knife
- Comme Ci, Comme Ca
- Isle of Capri
- Gaucho Serenade
- Bruca Manigua
- Pacheco's Descarga
Average customer rating:
- "lyrical professor....keep it under pressure"
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Fraudulent the Album
Manufacturer: 65max
ProductGroup: Music
Binding: Audio CD
General
| Rap & Hip-Hop
| Styles
| Music
ASIN: B000CAETKK
Release Date: 2005-11-15 |
Customer Reviews:
"lyrical professor....keep it under pressure".......2006-09-16
Great name for a group. I don't know about this particular release, but Stones Throw put out an EP of some early 90s material under the same title a few years ago. I'm not sure if it made it to digital, but if any of that's on here, I highly recommend it. Overall, it was something of a mixed bag, but a great throwback to 90s style, with sweet loop-heavy production heavily influenced by NYC and some early Dan the Automator work as well. The intro was a great bassline, there was a song called Only on Thursday that was dope, but the best track was called Dead Grounds, which I still keep in heavy rotation. The cover to the EP is ill, but I'm not sure you get that here (no image from Amazon). The MC sounds a little like Lord Finesse, which ain't ever a bad thing.
Average customer rating:
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Marching With the Beatles
Manufacturer: Bandleader
ProductGroup: Music
Binding: Audio CD
General
| Opera & Vocal
| Styles
| Music
Marches
| Miscellaneous
| Styles
| Music
General
| Classical
| Styles
| Music
ASIN: B00000JIQ6
Release Date: 1998-01-01 |
Tracks:
- All My Loving
- Yesterday
- I'll Keep You Satisfied
- From Me To You
- A Hard Day's Night
- She Loves You
- Can't Buy Me Love
- Things We Said Today
- Michelle
- It's For You
- I Want To Hold Your Hand
- Help
- Echoes Of An Era: With A Little Help From My Friends/Lucy In The Sky With Diamonds...
- Music Of The Beatles: All My Loving/A Hard Day's Night/Ticket To Ride/Yesterday/Norwegian Wood...
Music:
- En Espanol/ Hoy
- Experience the Divine: Greatest Hits [Import]
- Frasier: Tossed Salad & Scrambled Eggs [Soundtrack]
- Get Away With: The Very Best of George Fame and the Blue Flames [Import]
- Get Out Those Old Records: 50 of His Many Greatest
- Grandma, What Great Songs You Sang!/Miss Dynamite [Original recording remastered]
- Greatest Love Songs
- Happy Songs
- Haunted Heart
- Hollywood: My Way/Broadway: My Way [Import] [Original recording remastered]
Music
Music