Curtain Time [Import] [Original recording remastered]
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First Time Available on CD. 24bit Digitally Remastered.
Curtain Time, Music, Jack Jones, Ballads, Jazz, Pop, Pop Vocals, Show Tunes, Standards, Traditional Pop, United States of America, Vocal Pop
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
- Beginner or Expert
- Very Informative and Enjoyable
- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
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Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
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ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
- bowersreview
- USMA Glee Club scores a real hit
- Reverent, Full of Love
- Good CD
- A real disappointment...
|
Stand Ye Steady: Songs of Courage & Inspiration
Manufacturer: Curtain Call Prod
ProductGroup: Music
Binding: Audio CD
All Works by Sibelius
| Sibelius, Jean
| ( S )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Smith, John Stafford
| ( S )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Sacred & Religious
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Theatrical, Incidental & Program Music
| Forms & Genres
| Classical
| Styles
| Music
General
| Christian & Gospel
| Styles
| Music
Gospel
| Christian & Gospel
| Styles
| Music
Christian Contemporary Music
| Christian & Gospel
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
Hymns
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
Musical Theater
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
General
| Vocal Pop
| Pop
| Styles
| Music
Similar Items:
- Stand Ye Steady: Songs of Courage & Inspiration
- We Were Soldiers: Original Motion Picture Score
- In The Presence
- The Spirit of America
- We Were Soldiers
ASIN: B000ATQYVU
Release Date: 2005-09-06 |
Tracks:
- Men Of Freedom
- The Longest Day
- Into The Fire
- Rise Up, O Men Of God
- On Great Lone Hills
- Lest We Forget
- Mansions Of The Lord (Interlude)
- Mansions Of The Lord
- Jerusalem
- Via Dolorosa
- Non Nobis
- The Star-Spangled Banner
- Take Me Home (With I Am A Soldier)
- America (My Country 'Tis Of Thee)
- Men Of Freedom
- This Christmastide
Customer Reviews:
bowersreview.......2007-01-04
Exceptional CD. Inspirational and motivational. Highy recommend this for anyone seeking great quality music.
USMA Glee Club scores a real hit.......2006-11-14
This album is awe-inspiring. I bought the album after hearing an out take from "Men of Freedom", the tune is from an old Welsh battle song. You will recognize the tune if you saw Zulu Dawn with Michael Caine. Many of the other songs are equally powerful and mesmerizing. The only songs I didn't like were when the Glee club used guest soloists. They were less impressive and, in my opinion, took away from the strength of the group.
I liked the multiple verses sung from America, I wished they would have given the Star Spangled Banner the same treatment. The Mansions of the Lord is powerful and supremely reverent, as is Rise Up. I would dearly like to hear more from this talented group of soldiers.
Reverent, Full of Love.......2006-09-26
When I saw and heard this music broadcast Veteran's Day on TBN and my friends serving in our Armed Forces in Iraq saw it broadcast on Armed Forces Network, I was so happy to find the stereo CD and companion Dolby Digital 5.1 Surround Sound DVD on Amazon. I cannot stop listening to it! The 60 minute musical program, reminiscent of the great concept albums of years ago, is one of the most reverent, intelligent and passionate portrayals of America's character ever produced. It contains many styles of choral music - all superbly performed by the world famous Cadet Glee Club of West Point arrayed in breathtaking formation on the altar of the massive 100 year old Cadet Chapel. There are richly textured vocal a capella songs such as "Rise Up O Men of God", "Manisons of the Lord", one of the most popular new hymns written, and "America (My Country `Tis of Thee)". Your buttons will burst with pride when you hear the brand new song "Men of Freedom" introduced by a single Cadet then followed by a cascade of additional voices building to a unified and thunderous declaration of defiant freedom in a style reminiscent of the great Welsh Male Choirs. Four songs highlight the power and majesty of the largest church organ in the world. You'll have to fight the urge to stand at attention when you hear and feel its power kick in on "Lest We Forget", "On Great Lone Hills", "Jerusalem" and "This Christmastide". The musical variety is further enhanced by the addition of brass and percussion for the rousing marches, "The Longest Day" and "Non Nobis". When was the last time you heard these two songs - one by world famous singer, songwriter and teen idol, Paul Anka and the other a medieval celebration of thanksgiving sung in Latin! The rich background vocals of the Cadet Glee Club musically frame two songs that underpin the message of this album - Bravery and Sacrifice. "Into the Fire" by NYPD's Daniel Rodriguez made me want to immediately rise up and rush to anyone's aid and when he holds that note at the end - wow! Tony Award Winner Lea Salonga's performance of the classic Christian hit, "Via Dolorosa", (one of the top 50 Christian songs of all time), is "The Passion of the Christ" embodied in a 5 minute song. You will alternate between tears and goose bumps. Her performance of the Spanish stanza will overwhelm you. Finally, Irish song writing master, Phil Coulter's wistful "Take Me Home" is accompanied by beautiful piano and guitar and introduced by a new poem entitled "I Am A Soldier" that is sobering reminder of the oath our soldiers swear to and the actions they are bound to take. God bless them!
A great bonus of the CD and DVD is that they both include a stylish lyric booklet as well as commentary by the producer on why he chose each song.
On the back cover of the CD and DVD cases is the statement that this production was created to honor the men and women of our Armed Forces, past and present, and the great values of America that they defend. This it surely does!! Also, it states that the producer is contributing a portion of his wholesale proceeds from its sale to organizations assisting our wounded soldiers. Bravo, Mr. Coppi.
Good CD.......2006-07-19
Wonderful songs and wonderful renditions of the songs. I must say, though, that the numbers would have been better if they were performed with more "ooomph" (for instance, "The Star Spangled Banner" could have been sung with more power and the arrangement could have used more creativity). The wisest decision on this CD was the inclusion of the numbers from Ms. Lea Salonga (whose hauntingly beautiful voice is able to effectively draw listeners in) and Daniel Rodriguez, one of America's newest tenors. Overall a good CD.
A real disappointment..........2006-06-10
I was so excited to stumble upon this album when a local music store was going out of business and selling CD's at great discounts. I love Glee Club music, I love patriotic music, and I love cathedral/chapel accoustics. Unfortunately, this album did not live up to its billing.
My primary complaints with this recording are twofold: the overuse of unison singing and the unnecessary inclusion of guest soloists. The beauty of glee club music is the rich chords, which are thankfully heard in many songs. To my dismay, though, there are many songs that mostly or entirely omit the beautiful harmonies that make glee clubs great.
As for the guest soloists, I don't understand why a singing group which obviously has many wonderful voices would bring in outsiders for an album like this. Actually, I do know why they would do it, and it's obviously a marketing thing that has financial implications. As reasonable as this may seem, it just cheapens the experience for me. Another great feature of glee clubs (and college choirs more generally) is the lack of polished, perfect, professional singers. There is something raw, authentic, and refreshing about a bunch of college kids singing together. Why bring in random people with no particular connection to the group?
To be fair, "Rise Up, O Men of God" and "Mansions of the Lord" are fantastic. I'll continue to play this album to listen to those songs. However, much of the remainder is somewhat forgettable.
Average customer rating:
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Best of Rodgers & Hammerstein
Manufacturer: Alshire
ProductGroup: Music
Binding: Audio CD
Rodgers, Richard
| ( R )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
General
| Pop
| Styles
| Music
General
| Easy Listening
| Pop
| Styles
| Music
Orchestral Pop
| Easy Listening
| Pop
| Styles
| Music
General
| Vocal Pop
| Pop
| Styles
| Music
General
| Soundtracks
| Styles
| Music
Solo Instrumental
| New Age
| Styles
| Music
CDs Under $7
| Easy Listening
| Pop
| Today's Deals in Music
| Formats
| Music
All Bargain Titles
| Easy Listening
| Pop
| Today's Deals in Music
| Formats
| Music
4-for-3 Classical
| 4-for-3 Music
| Stores
| Music
4-for-3 Pop
| 4-for-3 Music
| Stores
| Music
4-for-3 Soundtracks
| 4-for-3 Music
| Stores
| Music
4-for-3 All Music
| 4-for-3 Music
| Stores
| Music
Similar Items:
- 20 Years of Beautiful Music
- 101 Strings Plays Frank Sinatra
- The Great Musicals of Rodgers and Hammerstein
- Melodies of Love
- As Time Goes By
ASIN: B000000KPJ
Release Date: 1996-05-21 |
Tracks:
- Some Enchanted Evening
- Climb Every Mountain
- June is Bustin' Out All Over
- Aisle Talk
- Bali Hai
- Opening Night
- Getting To Know You
- If I Loved You
- Oklahoma
- Curtain Time
- I Enjoy Being A Girl
- People Will Say We're In Love
Average customer rating:
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Pink Champagne: A Collection of Vintage Light Music
Manufacturer: Asv Living Era
ProductGroup: Music
Binding: Audio CD
All Works by Morton Gould
| Gould, Morton
| ( G )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Film Scores
| Theatrical, Incidental & Program Music
| Forms & Genres
| Classical
| Styles
| Music
Chamber Music
| Forms & Genres
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
General Modern
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
Vocal & Song
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
General Contemporary
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
Modern & 20th Century
| Historical Periods
| Opera & Vocal
| Styles
| Music
General
| Pop
| Styles
| Music
Easy Listening
| Compilations
| Pop
| Styles
| Music
General
| Easy Listening
| Pop
| Styles
| Music
Orchestral Pop
| Easy Listening
| Pop
| Styles
| Music
General
| Vocal Pop
| Pop
| Styles
| Music
Movie Soundtracks
| Soundtracks
| Styles
| Music
General
| Soundtracks
| Styles
| Music
Similar Items:
- Twilight Memories: Vintage Brit Light Music
- A Portrait of Farnon
- Holiday for Strings
ASIN: B00008IHWK
Release Date: 2003-04-08 |
Tracks:
- Curtain Time
- Lovely Day
- Music for "Rivers of the North of England": Serene/Flowing
- Chiming Strings
- Vanessa
- Film Opens (Eleventh Hour Melody)
- Melody in Moccasins
- Seventh Heaven
- Gin-Fizz
- Vendetta - London Promenade Orchestra
- Cross Roads
- Laughing Marionette - London Promenade Orchestra
- Pulling Strings
- Tinkerbell
- Tomboy
- Playtime
- Falcons
- Speakeasy
- Dance of the Hailstones
- Bubble, Bubble, Bubble (Pink Champagne)
- Muriella
- Happy Time
- Waltz in Swingtime
- Veradero
- Windy Corner
- Baa Baa Black Sheep
- Dancing Tambourine
Average customer rating:
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Curtain Time
Jack Jones
Manufacturer: Universal Japan
ProductGroup: Music
Binding: Audio CD
General
| Jazz
| Styles
| Music
Traditional Jazz General
| Traditional Jazz & Ragtime
| Jazz
| Styles
| Music
Vocal Jazz General
| Vocal Jazz
| Jazz
| Styles
| Music
General
| Pop
| Styles
| Music
General
| Vocal Pop
| Pop
| Styles
| Music
Classic
| Vocal Pop
| Pop
| Styles
| Music
Traditional Pop
| Oldies
| Pop
| Styles
| Music
General
| Musicals
| Broadway & Vocalists
| Styles
| Music
Traditional Vocal Pop
| Broadway & Vocalists
| Styles
| Music
General
| Broadway & Vocalists
| Styles
| Music
Broadway & Vocalists
| Imports
| Stores
| Music
Pop
| Imports
| Stores
| Music
Similar Items:
- Sings
- All the Things You Are: The Love Collection
- Where Love Has Gone & My Kind of Town
- She Loves Me / There's Love & There's Love & There's Love [2 on 1]
- Wives and Lovers/Dear Heart & Other Great Songs of Love
ASIN: B000793AV0
Release Date: 2005-03-07 |
Tracks:
- People Will Say We're in Love
- I See Your Face Before Me
- Luck Be a Lady
- Embraceable You
- I Love Paris
- I've Grown Accustomed to Her Face
- People
- Shall We Dance?
- It Never Entered My Mind
- Lot of Livin' to Do
- Ev'ry Time We Say Goodbye
Album Details
First Time Available on CD. 24bit Digitally Remastered.
Customer Reviews:
Great CD but $45?!?.......2007-06-15
Really a great recording but $45? Are they kidding?
Average customer rating:
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Cabaret Songs by Britten/Schönberg/Bolcom
Manufacturer: Music & Arts Program
ProductGroup: Music
Binding: Audio CD
General
| Bolcom, William
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Britten
| Britten, Sir Benjamin
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Schoenberg
| Schoenberg, Arnold
| ( S )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
| Music
Chamber Music
| Forms & Genres
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
General Modern
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
Vocal & Song
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
Hamelin, Marc-André
| ( H )
| Featured Performers, A-Z
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
Modern & 20th Century
| Historical Periods
| Opera & Vocal
| Styles
| Music
ASIN: B000001OFH
Release Date: 1993-11-01 |
Tracks:
- Tell Me the Truth About Love
- Funeral Blues
- Johnny
- Calypso
- Galathea
- Gigerlette
- Der genugsame Liebhaber
- Einfaltiges Lied
- Mahnung
- Jedem das Seine
- Arie aus dem Spiegel von Arcadien
- Over the Piano
- Fur (Murray the furrier)
- He Tipped the Waiter
- Waitin
- Song of Black Max
- Amor
- Place to Live
- Toothbrush Time
- Surprise!
- The Actor
- Oh Close The Curtain
- George
- A Word On My Ear
- Lime Jello Marshmallow Cottage Cheese Surprise
Average customer rating:
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The Swing Era (Curtain Call)
Manufacturer: Time Life/EMI
ProductGroup: Music
Binding: Audio CD
Similar Items:
- The Swing Era 1938-1939
ASIN: B000H14XKK |
Average customer rating:
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O Ravishing Delight: Airs Anglais
Manufacturer: Harmonia Mundi
ProductGroup: Music
Binding: Audio CD
All Works by Dowland
| Dowland, John
| ( D )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Symphonies
| Forms & Genres
| Classical
| Styles
| Music
| Baroque
| Classical
| General
| Modern & 20th Century
| Romantic
| Sinfonia
| Sinfonia Concertante
General
| Baroque (c.1600-1750)
| Historical Periods
| Classical
| Styles
| Music
General
| Renaissance (c.1450-1600)
| Historical Periods
| Classical
| Styles
| Music
General
| Sacred & Religious
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Chamber Music
| Classical
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
Oratorios
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
CDs Under $7
| Classical General
| Classical
| Today's Deals in Music
| Formats
| Music
CDs $7 - $10
| Classical General
| Classical
| Today's Deals in Music
| Formats
| Music
All Bargain Titles
| Classical General
| Classical
| Today's Deals in Music
| Formats
| Music
CDs $7 - $10
| Choruses
| Opera & Vocal
| Today's Deals in Music
| Formats
| Music
All Bargain Titles
| Choruses
| Opera & Vocal
| Today's Deals in Music
| Formats
| Music
ASIN: B00000JPXU
Release Date: 1999-08-10 |
Average customer rating:
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Time to Raise the Curtain
Anish
Manufacturer: Revolver
ProductGroup: Music
Binding: Audio CD
General
| Rock
| Styles
| Music
ASIN: B00005U1WZ
Release Date: 2001-12-17 |
Average customer rating:
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Curtain Time
Brigham Young University Young Ambassadors
Manufacturer: Tantara
ProductGroup: Music
Binding: Audio CD
General
| Christian & Gospel
| Styles
| Music
Christian Contemporary Music
| Christian & Gospel
| Styles
| Music
ASIN: B0007PA04O
Release Date: 2000-06-01 |
Tracks:
- There's No Business Like Show Business
- Ma, He's Makin' Eyes at Me
- Clap Hands! Here Comes Charley!
- Posin '
- Blee Blip
- It Don't Mean a Thing
- Chiquita Banana
- Boogie Woogie Bugle Boy
- Surfer Girl
- She's Out of My Life
- Maria
- On Broadway
- Memory
- Mama Will Provide
- Somewhere
- River in The Rain
- Muddy Water
- Only You
- Mountain Music
- Tapestry
- Breeze Among The Branches
- Light on a Distant Hill
Album Description
Created for the BYU Young Ambassadors' 2000-2001 season and triumphant return tour of Japan, where the group first toured 30 years before, Curtain Time has been loved by audiences and praised by critics worldwide. Affectionately named after an early tour in the Janie Thompson years, Curtain Time features musical scrapbook pages from 30 years of YA tours, and includes digital restorations of instrumental tracks that have been commissioned and recorded since around 1982, with new mixes and all new vocals by the current cast. Sixteen pages of text and stunning photographs chronicle the Young Ambassadors' exciting history and this extra-strong cast pulls out all the stops as they deliver their favorite music and production numbers. Definitely a BYU collector's item.
Music:
- Danny Boy and Other Favorites [Import]
- Dionne Sings Dionne
- Don't Censor Me
- Dr. Dolittle [Import]
- Dream
- Earthy!/Golden Folk Hits
- Easy to Love...The Music of Cole Porter
- Ella & Duke at the Cote D'azur [Live]
- Fever: A Tribute to Peggy Lee
- For the Present/Other Side Of [Import]
Music
Music