Easy to Love...The Music of Cole Porter

Editorial Reviews
About the Artist
David Wilson has been recording Great American Standards for several years. On this project he offers his renditions of some of Cole Porter's best songs. David Wilson lives and works in the Los Angeles area. His recordings have been generating an ever increasing fan base.

Album Description
Cole Porter was one of America's greatest writers/lyricists for stage and screen. Renowned violinist David Wilson presents his sweeping romantic renditions of these timeless classics as only he can. The diversity and brilliance of each selection is realized in these passionate performances that will sweep listeners off their feet.

Tracks:

Night & Day
Anything Goes
Just One Of Those Things
It's All Right With Me
Weren't We Fools?
From This Moment On
Who Wants To Be A Millionaire?
Why Don't We Try Staying Home?
You Do Something To Me
Easy To Love
Goodbye Little Dream, Goodbye
You'd Be So Nice To Come Home To
Let's Do It
Ev'rytime We Say Goodbye

Customer Reviews:

Some Very Good Covers.......2004-01-25

The late Susannah McCorkle cut a very good album with this one. I loved her cover of "Let's Do It"; she effortlessly knocked off what must be every known lyric to that song. My favorite, though, was "It's All Right With Me" for the countermelodies in the arrangement. The back-up instrumentalists (particularly Ken Peplowski) are fine throughout. Consistently fine throughout. Recommended.

Great Album * Sad Admirer.......2003-09-24

I first became a fan of Ms. McCorkle in 1996 when I heard Susannah on public radio doing some of her work including stuff from then new album "Easy to Love: The Songs of Cole Porter". I was immediately enthralled and ran out and bought the CD. I love this compilation of Cole Porter songs. It's great to sit out on the porch at sunset, sipping wine and listen to this entire album, bidding farewell to another glorious day. I was saddened by her death as I'd been planning since 1998 to make a trip to New York City with the sole intent to catch one of Susannah's shows. God bless you Susannah, I hope to catch your act when I get to Heaven!

Unique interpretations of Cole Porter songs.......2003-03-13

Susannah established a reputation for singing songs from the Great American Songbook in her own way. This is never more evident than on this collection of songs written by Cole Porter. Of course, the first thing you notice is the song selection - a typical mix of famous and obscure. It would have been interesting to hear Susannah sing I get a kick out of you, to name one of many obvious songs not included, but instead we get Weren't we fools and Why don't we try staying home - two very obscure but delightful songs that I'd never heard before.

Many of the song will be familiar to you in some form. Night and day is a song that Susannah originally sang part of for a commercial. After it was shown on TV, people wanted to buy her version of the song, so here it is. Anything goes is given an octet arrangement in ¾ time. Just one of those things and It's all right with me are cleverly linked in a medley. Other famous songs to be found here include Easy to love, Let's do it and Ev'ry time we say goodbye.

Susannah recorded many excellent albums before committing suicide. I have all the available original albums and I enjoy them all. For anybody new to Susannah's music, this is a good one to start with, because it contains so many familiar songs, so you can get a sense of how her versions differ from those you've heard before.

Susannah is better live than on cds.......2001-06-18

My wife and I had the privilege of hearing Susannah live on several occasions at the Oak Room in the Big Apple. What a great live performer Susannah was. I feel like she is much better live than on recordings.

What a tragedy it was when we got the news of her death. We felt like she was a member of our extended family. She was a great performer, but least of all a great person. She did a lot of charity work, but never ask for publicity. We will al miss her!

As far as this cd goes, we only liked 5 songs out of the 14 performed her. My calculator says this is only a 40% rating so all we can give her for this effort is a 2 star rating. We need to be honest disite our friendship.

In conclusion we would like to say that we know Susannah is with God and that when we die we will reunited with her again. With all our love, Mom and Pops

Lovely.......2001-06-07

I'd never heard of Susannah McCorkle until an article in the NEW YORKER magazine about her untimely death.

I ordered three McCorkle CD's...this is, by far, the best of the lot.

I love any artist who uses all the lyrics (Weslia Whitfield comes to mind)...and McCorkle coaxes so much out of each phrase.

I didn't much care for WHO WANTS TO BE A MILLIONAIRE or YOU DO SOMETHING TO ME, but the rest are almost perfect.

Tracks:

Nice Work If You Can Get It
Isn't It Romantic
Swinging On A Star
Ask Me Again
Rhode Island Is Famous For You
'S Wonderful
Wonder Why
Too Marvelous For Words
Where Do You Start
Theme From The Bad And The Beautiful
Easy To Love
Alexander's Ragtime Band
Who Are You Now?
You're An Education
You Are There
Sophisticated Swing
Love Can Change The Stars
Come Out, Come Out Wherever You Are
Half Of April (Most Of May)
Marianne
They Can't Take That Away From Me
I Love A Piano

Tracks:

That's Entertainment
My Favorite Year
Ten Feet Off The Ground (With Rosemary Clooney)
I Never Felt Better
Someone To Watch Over Me
Kiss Her Now
The Ugly Bug Ball
For You, For Me, Forever More
The Mole People
And So To Bed
You're All The World To Me
Old Friend
Isn't It A Pity (with Rosemary Clooney)
Pattisserie
Open Your Eyes
For Love Alone
I Won't Send Roses/Time Heals Everything
Get Out And Get Under The Moon (with Page Cavanaugh)
My Romance
Love Is Here To Stay
Violin (with Liza Minnelli)

Amazon.com

The line between evangelist and entertainer has always been somewhat indistinct. But as showcased on this 43-track, double-disc collection culled from his '87-'96 recordings for Elektra/Nonesuch/Atlantic, Michael Feinstein's dedication to spreading the gospel of the American song often blurs it beyond recognition. While the singer's pedigree for the task is impeccable (a long-term stint as Ira Gershwin's assistant and early career sponsorship by Liza Minnelli), his interpretations often succeed by playing off a tense axis of fervent emotionalism and a joyous sense of irreverence.

If his readings of romantic standards can sometimes tend toward the precious, they're often balanced here by sheer dramatic power and telling insights ("Isn't It Romantic" fairly bristles with ironic chauvinism) and a few loopy curves ("The Mole People," the Sherman Brothers' "The Ugly Bug Ball," and the previously unreleased "Rhode Island Is Famous for You"). Feinstein's dedicated song archaeology is also showcased on several gems: "Violin," a duet with Liza Minnelli; "My Favorite Year," a rejected ballad for the film of that name; the sublime "lost" Gershwin classic "Ask Me Again."

Sprinkled with live performances (the forum where Feinstein's talents seem most energized) and studio outtakes and featuring a lengthy print interview with the singer, the set chronicles both the pioneering efforts of one of pop music's most successful revivalists and, crucially, the cream of his beloved American songwriters, from stalwarts Gershwin, Berlin, and Porter to later legends like Herman, Styne, Lane, Martin, and Mercer. --Jerry McCulley

Album Description

The definitive collection of performances by the Grammy nominated singer features 43 tracks from 14 albums released by Elektra, Elektra Nonesuch, and Atlantic labels from 1987-1996. Plus 8 previously unreleased live tracks only available here 'Rhode Island is Famous For You', 'S Wonderful', 'Alexander's Ragtime Band', 'I Love A Piano', 'Patisserie', 'Get Out And Get Under The Moon' (with Page Cavanaugh), 'Love Is Here To Stay' & 'Violin' (with Liza Minnelli). 2 Digipacks housed in a slipcase with a booklet. Rhino Records. 2002.

Customer Reviews:

Mixed feelings.......2005-10-05

This album has some GREAT songs on it; sophisticated swing being one of my favorites. However many of the other songs are too operatic and lame. I give three stars but this album is definatly worth it just for some of the better songs.

Your love for this superb collection will be here to stay..........2002-07-18

The magnificently talented Michael Feinstein has made one wonderful album after another for nearly two decades. Now that Elektra and Rhino have put together this anthology, I am blown away by the versatility and diversity in Feinstein's recorded output. Such amazing rare gems, combined with the most beloved favorites in the history of American Popular Song. Assembled with wit, intelligence, and obvious affection on the part of the record company, this set is a keeper. You'll love it!

He's done it again.......2002-07-15

Is there anything this man can't sing? This collection is so varied as to be the definitive collection of songs for any occassion.

This is perfect background music for a dinner party for a whole group but especially for two. Light, romantic and just gorgeous. You just can't go wrong when Michael Feinstein is your musical choice.

Way to go Michael, you've done it again!

Absolutely 'S WONDERFUL!.......2002-06-10

There are very few contemporary performers who can hold their own with the truly great interpreters of American popular song. Michael Feinstein is truly the ONLY performer of the "younger" generation who really understands what these songs are all about. His incredible knowledge of this music, and his enthusiasm and passion for it have fueled his career. Rhino Records has done a truly outstanding job of putting together an anthology that exemplifies why Mr. Feinstein has become so beloved by audiences around the world. The packaging is excellent, and filled with interesting photos and background information about many of the selections.

This collection not only contains all the favorites one would expect, but a neat group of surprises too. I especially love the duets with people like Liza Minnelli and Rosemary Clooney, and the various collaborative efforts with songwriters like Jule Styne and Burton Lane accompanying Michael at the piano.

This collection is a classic to be treasured. Bravo Michael!
Bravo Rhino!

A beautiful 2 disc CD-another hit for Michael.......2002-06-09

I have every CD Michael has ever made and this is by far one of the best ones because of Michael's range in singing and his wonderful singing voice. I love his duets with Rosemary Clooney and Liza Minelli. He is a wonderful performer on this double CD and am looking foward to the next CD.

Forbidden Broadway 2001: A Spoof Odyssey

Average customer rating:

As Always, Hilarious
Spoof Odessey worth the laughs!
better to be "Lost in Space"
Stretched Thin
Do the Math

Forbidden Broadway 2001: A Spoof Odyssey

Manufacturer: Drg
ProductGroup: Music
Binding: Audio CD

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Forbidden Broadway Cleans Up Its Act!: The Unoriginal Cast Recording, Volume 5 (1998 New York Cast)
Forbidden Broadway, Vol. 8 - Special Victims Unit
Forbidden Broadway (20th Anniversary Edition)
Forbidden Broadway, Vols. 1-4
Forbidden Broadway: The Hit Musical Revue (1982 Revue Compilation)

ASIN: B0000584UL
Release Date: 2001-02-13

Tracks:

Forbidden Broadway 2001: Another Op'nin, 'Another Show
Futuristic Stewardess/Usherette: Come Fly With Me
Judi Dench: Why Can't The English?
Trouble In New Tork City: Trouble
The Music Man Revival 2001: Till There Was You
Cole Porter: You're The Top/From The Moment On
Kiss Me, Kate Revival 2001: Wunderbar
I Hate Ben - Marin Mazzie: I Hate Men
Cheryl Ladd In Annie Get Your Gun: There's No Business Like Show Business
Miss Saigon Farewell: Why God Why?
Saturday Night Fiasco: Stayin' Alive
Gwen Verdon & The Fosse Dancers: I'm A Brass Band/Steam Heat
Liza Minnelli 2001/Alan Cumming in Cabaret: Wilkommen
Let's Run Times Square Again: Let's Do the Time Warp Again
Ethel Merman & Elton John: I've Got Rhythm/Old Fashioned Wedding
Beauty's Been Decreased: Beauty And The Beast
Being Lupone: Being Alive
Sondheim's Blues: Buddy's Blues
Streisand's Farewell Tour: Happy Days Are Here Again/Mame
Les Miz 2001 - Edith Piaf/Milord
Aida - Amneris Intro: Every Story Is A Love Story/Heather Headley/It's Cheesy: Easy As Life
Elaborate Sets (Aida Cont.): Elaborate Lives
Angela Lansbury: I Don't Want To Know
The Full Monty: Let It Go
76 Hit Shows: 76 Trombones
Bows-Ta-Ta Folks: Another Op'nin, 'Another Show
Joseph And The Amazing High 'C': Any Dream Will Do

Customer Reviews:

As Always, Hilarious.......2007-05-03

This is so funny! Like all the Forbidden Broadway cds, its another knock-out. I feel like such a crazy person when I am in the car driving and I just burst out laughing. Its great and a must have for any Forbidden Broadway fan.

Spoof Odessey worth the laughs!.......2002-04-14

I enjoyed "Forbidden Broadway 2001: A Spoof Odyssey." This recording has some truly genius material, and although these actors' impersonations of famous Broadway stars aren't as strong as they have been in the past, the CD has a lot to recommend it.

Particularly strong is Track 16, "Let's do an old fashioned show tune," featuring Elton John and Ethel Merman duking it out over AIDA, which Merman says is "putting everyone here through hell." Likewise, Track 15, "Let's Ruin Times Square Again," tickles my funny bone. Also wonderful are the satires of Beauty and the Beast, Angela Lansbury, and the Full Monty; Gerard Alessandrini's done a tremendous job with these! In addition, this CD's introductory song is much stronger than those on the previous volumes of Forbidden Broadway. It really sets the tone for the best parts of this recording.

Unfortunately, with a few notable exceptions, the first half of the CD is a bit thin, which is why I give this recording 3 out of 5 stars: Even though it entertains me, there's a lot I have to skip over. For example, the Liza Minelli spoof annoying (though, I admit, a little funny), and in the Music Man revival satire, their Robert Preston impersonator sounds *nothing* like the original. (In earlier recordings, the actors *did* sound like the people they claimed to be.)

The good news is that the CD has 30 tracks in all, so even though there are 13 that I dislike, I just love the rest... I do recommend it!

better to be "Lost in Space".......2001-12-31

First and foremost, this CD is really for diehard fans of Forbidden Broadway, those of us who want the good, the bad and the ugly on the cd rack. I was extremely unimpressed with the latest offering.

While I agree with some of the other reviewers that there is some nice work, I don't know that Saturday Night Fiasco and Sondheim's Blues are sufficient to carry the rest of the tracks. Not much seems new or worse yet, important. Disney isn't new, nor is Les Miz. And while pointing out what is stale and pedestrian on Broadway was amusing on the last couple of releases, this Forbidden Broadway spoof clearly has joined the list of stale and pedestrian.

While there is some nice material on this disc, I really didn't laugh out loud, and that is why I have always bought these in the past.

If Alessandrini reduces the show to the same complaints of the same shows and then replaying lightly tweaked versions of past numbers, Trouble and Alan Cumming in Cabaret specifically, then he has himself is on the becoming a revival - and we know what he thinks of revivals.

The repeats might even be acceptable if there was something fresh in the perfomance, but both were done much better on their respective discs. I think Danny Gurwin is a great comedian, but he doesn't shine in either of these numbers. We also need a recording with no Ethel Merman or Liza numbers - give them a rest already. And why bring back Streisand with such a poor imitation? The earlier Barbara's were dead on vocal impressions as well as speech patterns. If you aren't going to improve on it, then don't drag it back out.

Alessandrini suggests that this is one of the best casts he has ever worked with. I don't know what he bases that on, but I beg to differ, either cast with Bryan Batt was significantly better, although they worked with fresh, clever material. Still, those recordings had verocious talent that brought Gerard's stinging wit to life for those of us who can't see every new production of FB.

Maybe it is time to go to off Broadway productions, or to the radio or the movies for some new ideas. Or else promise no references to the Gap, Disney, or Chorus Boys, (way over used on this recording), along with a Merman and Liza free season. Start from scratch. That might give us hope that Forbidden Broadway too might not be dead.

Stretched Thin.......2001-03-26

I just saw the stage production of Forbidden Broadway 2001: A Spoof Odyssey. I agree with the other reviewers who feel that Alessandrini is no longer at the top of his game. Perhaps he should lay off for a year or three and let Broadway present new things for him to lampoon - as it always will.

The opening sequence is forced and unfunny, and clearly in place only to batter the listener with the "2001" theme. Unlike a previous reviewer, I found the Judi Dench parody hysterical, though I question its accuracy.

The "Trouble" parody is, as it always was, incomplete and thin. My dear friend John Kenrick (...) did a better job with it - included the segments of the original song that GA left out, and in a funnier fashion. The Cole Porter parody is marginally amusing, but the Brian Mitchell/Marin Mazzie parody is dead on the mark, and VERY funny.

The parody of Cheryl Ladd remains in the show, although she's no longer in "Annie Get Your Gun" - Reba McIntyre is now in the role. Similarly, he stabs at Alan Cumming, who is no longer playing the Emcee. These numbers, while funny, lack punch. On the other hand, he once again skewers long time target Patti LuPone with an hysterical new parody of Being Alive. I suppose she's innately funnier, after all these years, than Alan Cumming, who is, after all, a relative newcomer.

The Rocky Horror parody is amusing, and the observation that sex has moved off 42nd Street and onto the Broadway stage is not without merit. The Beauty parody is amusing, and apt, but as has already been noted, GA has been clobbering us with the Disnification of Broadway for years now. I suppose he finds some glee in the fading success of this particular show.

I must say that while Gurwin is not the greatest singer, "Sondheim's Blues" is the most brilliant piece I've heard from Alessandrini in years. It's absolutely dead on. The friends I was with had never seen nor heard "Follies" and completely missed the point, but I was in stitches.

The "10 Years More" (which does not appear on this album, but remains in the show) has really begun to wear thin, especially with the closing this year of Cats and Miss Saigon. The Cameron Macintosh British mega-musicals are finally releasing their grip on Broadway, and this isn't as funny any more.

Broadway, despite the naysayers, will never die... and apparently, neither will Forbidden Broadway. I don't think it should - but I do think it needs a rest.

Do the Math.......2001-03-15

Four CDs cover the first 20 Years of Forbidden Broadway, Gerard Alessandrini's viciously witty satire of New York Theatre. The last year has seen Three new CDs, FB "Cleans Up Its Act" "20th Anniversary Edition" and now "2001 a Spoof Odyssey". Do the math.

Alessandrini is running out of ideas, and is spreading the remaining ones too thin. . Sanitized Time Square - Been there. Disnified Broadway - Done that, and so many times. Asinine casting faux pas, plotless pointless set-monster musicals, and Ethel Merman and Liza. We've heard it all before - and last time, it was funnier.

Now normally when a writer (or director or actor) has truly entertained me on numerous occasions, I'll forgive the odd show that disappoints. This would be the case here except for two things: Alessandrini is in the vicious parody business - he's never spared anyone else Besides, if he's going to actually include couplets like: "If lyrics are no longer witty... Then I don't want to go " he's inviting the pans.

When you hear the AIDA lampoon, you'll be reminded of the dim bulb in Cyrano de Bergerac who taunts the hero with the brilliant witticism: Your nose is very large

Yes, there are a few true Forbidden Broadway tracks on Spoof Odyssey. Dame Judi Dench singing "Why can't Americans do theatre like the Brits?" (with apologies to My Fair Lady), I Hate Ben (with apologies to Kiss Me Kate) and about 1/3 of "Let's Ruin Time Square Again" (no apologies necessary to Rocky Horror which understands how easy it is for good parody to go bad). Oh yes, there is one absolutely true Forbidden Broadway track: TROUBLE - yes, the same Trouble from Volume 3 which was just re-released on the 20th Anniversary compilation - and it's back again with a more hackneyed Robert Preston impersonation and all of 4 words changed. Granted it's one of the better bits, more worthy of rerunning than say, referring to Miss Saigon as Viet-Numb, but oh, he reran that gag too

Easy to Love...The Music of Cole Porter
Average customer rating:

So nice to come home to.

Not a CD for the ages.

Easy to Love...The Music of Cole Porter
David Wilson
Manufacturer: Swallowtail Records
ProductGroup: Music
Binding: Audio CD

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Boulevard of Dreams, The Best of David Wilson

The Romance of Paris

Dreams of Hollywood Nights A Tribute to the Music of Henry Mancini

there's a small hotel

ASIN: B00005NP7P
Release Date: 2001-08-14

Tracks:

Easy To Love
In The Still Of The Night
What Is This Thing Called Love
From This Moment On
I Love You
Goodbye, Little Dream
My Heart Belongs To Daddy
I Concentrate On You
Love For Sale
All Of You
True Love
Every Time We Say Goodbye

Album Description

Cole Porter was one of America's greatest writers/lyricists for stage and screen. Renowned violinist David Wilson presents his sweeping romantic renditions of these timeless classics as only he can. The diversity and brilliance of each selection is realized in these passionate performances that will sweep listeners off their feet.

Customer Reviews:

So nice to come home to........2001-12-10

Having very much enjoyed Mr.Wilsons previous albums, "Romance of Paris" and "Cafe Europa," my husband and I where delighted to discover this Cole Porter Collection. We were not disappointed. The qualities David imbues into these great songs combine gentle casualness with an elegant passion. Speaking for my husband and I, this album succeeds in pushing all the right buttons.

Not a CD for the ages........2001-11-18

In one of the Amazon editorials about this effort, the writer said something like "sweeping romantic renditions....." of classic Cole Porter songs. All I can say is his interpretation of something that is sweepingly romantic is a far cry from my own. To me Mr. Wilson's playing is very similar to Stephan Grapelli, which means the intonation borders on the squawking rather than the creamy and romantic. The sound quality of the recording itself is quite good. But unless you want a CD that could easily be titled "Stephan Grapelli Plays Cole Porter," you can safely avoid this production. Now both Mr. Wilson and Mr. Grapelli are exceptional jazz violinists. But from you've already read, you can probably tell this effort is not suited to my tastes.

Cesare Siepi Sings Cole Porter and Italian Songs

Average customer rating:

A smooth voice in a smooth repertoire.
Delightful collection of songs performed by great artist

Cesare Siepi Sings Cole Porter and Italian Songs

Manufacturer: Myto Records Italy
ProductGroup: Music
Binding: Audio CD

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Cesare Siepi: Classic Recitals - Operatic Arias for Bass

ASIN: B000009ONP
Release Date: 2000-09-09

Tracks:

Night And Day
So In Love
I've Got You Under My Skin
You'd Be So Nice To Come Home To
Ev'ry Time We Say Goodbye
Wunderbar
Begin The Beguine
Easy To Love
I Get A Kick Out Of You
I Love You
In The Still Of The Night
Blow, Gabriel, Blow
Malia
Occhi Di Fata
Non T'amo Piu
Serenata
Mia Sposa Sra La Mia Bandiera
E Canta Il Grillo
Visione Veneziana
L'Ultima Canzone

Customer Reviews:

A smooth voice in a smooth repertoire........2004-04-04

Cesare Siepi's bass voice is greatly underrepresented in the CD catalogue. This album lets us know what an artist he was. His interpretations are always just right, and never over the top. Only an occasional accent slips in. His English diction should be a model for all singers. I lost no more than 5% of the words. The wonderful way he caresses his way into "Night and Day" or sails through "Begin the Beguine" are wonderful examples of his artistry. Siepi includes the often omitted verses to each song, and that is a plus.

The sound quality is more than acceptable. It isn't digital, but here the fidelity comes from the artistry and not the sound itself. In fact the sound quality is a lot better than the 1955 recording date might indicate. I was not bothered in the least ... in fact I was pleasantly surprised.

There are unfortunately lots of typos in the notes that should have been corrected. Myto should review such things before putting them out on the market.

Siepi's way with the Italian songs is equally enjoyable. How nice to have someone sing them instead of bawling them to the rafters. This is a winner album, and it would be 5 stars if the sound were a little more modern.

Delightful collection of songs performed by great artist.......1999-05-24

Despite the inferior sound quality of this CD, it is pleasing to have this unusual collection available. Cesare Siepi is a great artist, with the best English diction of any classical Italian singer within memory. Although I remember him best as the most dashing and truly seductive Don Giovanni at the Met, he is equally convincing with a popular song. A rare achievement! Siepi, I love you as much today as I did when I was an infatuated teenager.

The Best of the Great American Composers, Vol. 1

Average customer rating:

What a great collection of old standards

The Best of the Great American Composers, Vol. 1

Manufacturer: Alshire
ProductGroup: Music
Binding: Audio CD

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The Best of The Great American Composers, Vol. III
Magic of Broadway
Best of Rodgers & Hammerstein
More of the Best of 101 Strings Orchestra
Rhapsody in Blue

ASIN: B000000KOH
Release Date: 1996-05-21

Tracks:

Blue Skies
But Not Too Much
Always
Rhapsody In Blue
Portrait Of You
Summertime
Night And Day
White Tie And Tails
I Love Paris
Some Enchanted Evening
Oklahoma
Aisle Talk
Gigi
Thank Heaven For Little Girls
Standing Room Only
Moon River
Happy Hobo
Days Of Wine And Roses

Customer Reviews:

What a great collection of old standards.......2000-11-17

This is an exciting cd. It features the hits of many of the great tunesmiths of America. What a treat!

I belive this series showcases six composers on each cd. With this format, there's no way to go wrong with this cd. The 101 Strings do a wonderful job of performaning these songs.

Tracks:

Big Black Giant [Me and Juliet]
Tin Pan Alley [John Murray Anderson's Almanac]
Little Bit in Love (Wonderful Town)
Quiet Girl (Wonderful Town)
How Far Can a Lady Go? [Carnival in Flanders]
Sudden Thrill [Carnival in Flanders]
Ohio (Wonderful Town)
Ev'ry Street's a Boulevard (In Old New York) [Hazel Flagg]
You Become Me/My Mind's on You [Maggie May]
C'est Magnifique [Can-Can]
Come Along with Me [Can-Can]
I Love Paris [Can-Can]
Stranger in Paradise [From Kismet]
You Can Take the Word of a Gentleman [Carnival in Flanders]
You're So Much a Part of Me [John Murray Anderson's Almanac]
One Hundred Easy Ways to Lose a Man (Wonderful Town)
Salomee [Hazel Flagg]
No Other Love [Me and Juliet]
Here's That Rainy Day [Carnival in Flanders]
And This Is My Beloved [From Kismet]
Baubles, Bangles and Beads [From Kismet]

Customer Reviews:

Another strong Broadway by the Year.......2006-08-20

Scott Seigel's concerts, Broadway by the Year gather a group of the current crop of Broadway performers and turn them loose on songs from Musicals that opened during 1 year on Broadway. It helps that 1953 was a strong year musically, with Bernstein's Wonderful Town, Porter's Can Can, Kismet and Me and Juliet from Rogers and Hammerstein. Jule Styne also chimed in with Hazel Flagg which contains one almost standard "Every Street's a Boulevard in Old New York. Some great stuff on this album, wonderfully sung as almost always. I love this series and hope to acquire each and every one at some point.

Music of Cole Porter/Music of Vincent Youmans

Average customer rating:

Kostelanetz Treasures

Music of Cole Porter/Music of Vincent Youmans

Manufacturer: Collectables
ProductGroup: Music
Binding: Audio CD

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Music of George Gershwin
Music of Jerome Kern
The Ultimate Collection
Duets: An American Classic

ASIN: B000056K35
Release Date: 2001-01-30

Tracks:

Begin the Beguine [From Jubilee]
All Through the Night [From Anything Goes]
I Concentrate on You [From Broadway Melody of 1940]
I Love You [From Mexican Hayride]
Night and Day [From the Gay Divorcee]
In the Still of the Night [From Rosalie]
I've Got You Under My Skin [From Born To Dance]
Blow, Gabriel, Blow [From Anything Goes]
Just One of Those Things [From Jubilee][*]
Medley: Hallelujah! /Time on My Hands [from "Hit the Deck"]
Tea for Two [From No, No, Nanette]
Carioca [From Flying Down to Rio]
Medley: Without a Song/Great Day [From "Great Day"]
More Than You Know [From Great Day]
Orchids in the Moonlight [From Flying Down to Rio]
Medley: Sometimes I'm Happy/I Know That You Know
Medley: Through the Years/Drums in My Heart [From Smiling Through]
I Know That You Know [From "Oh, Please"]
Through the Years [From "Smiling Through"]
Drums in My Heart [From "Smiling Through"]

Customer Reviews:

Kostelanetz Treasures.......2001-02-08

In my opinion, the composer series recordings by Kostelanetz are among his best. The arrangements are for full orchestra and some of the best examples of Kostelanetz' passion and insight into the golden age of musical theatre. Six of the Cole Porter selections I had on '78s when they were first recorded, and the arrangements are the essence of Cole Porter. Kostelanetz indeed, plays the words, that is, during recording sessions,the orchestra members had the lyrics as well as the music on their music stands. My favorite is Porter's "I Love You". The Kostelanetz strings have a way of reaching my heart strings - it seems to express in music the way I feel about my wife of 42 years - you guessed it - I'm in my late 60's. I have this CD on back order, and have not really listened to it - but I have enjoyed these recordings for many years. However, to evaluate the quality of sound on these CDs I purchased the CD in the same series "Music of Irving Berlin" . The sound is outstanding, and true to the Kostelanetz original recordings. The Vincent Youmans recordings are a bit newer and first appeared on mono-LP. Again, they are excellent Kostelanetz arrangements and outstanding performances. What a treasure to find both of these wonderful LP recordings on one CD. I expect to have my copy of this CD from Amazon within the next week or so, and I will update this review after listening.

Night and Day: Thomas Hampson Sings Cole Porter

Average customer rating:

Let theyself be hereby dubbed.........Best Broadway Tune Vocalist...
This isn't a vanity crossover project but Cole Porter with art and style
pure self indulgent garbage
Thank god, no astaire or kelly singing on this one
Cole must have been watching over this project

Night and Day: Thomas Hampson Sings Cole Porter

Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

General | Soundtracks | Styles | Music

Traditional Vocal Pop | Broadway & Vocalists | Styles | Music

General | Broadway & Vocalists | Styles | Music
Similar Items:

Leading Man
Christmas with Thomas Hampson
The Very Best of Thomas Hampson

ASIN: B000002RS3
Release Date: 1991-05-24

Tracks:

'Night And Day': 'Begin The Beguine' (Jubilee)
'Night And Day': 'In The Still Of The Night' (Rosalie)
'Night And Day': 'Easy To Love' (Born To Dance)
'Night And Day': 'Two Little Babes In The Wood' (Greenwich Village Follies - Sixth Yearly Edition)
'Night And Day': 'When My Baby Goes To Town' (Something For The Boys)
'Night And Day': 'When I Had A Uniform On' (Hitchy-Koo 1919)
'Night And Day': 'I've Got You Under My Skin' (Born To Dance)
'Night And Day': 'Bring Me Back My Butterfly' (Hitchy-Koo 1919)
'Night And Day': 'Who Said Gay Paree?' (Can-Can- Unused, Nicht verwendet, Inutilise)
'Night And Day': 'A Fool There Was' (Rosalie - Can-Can- Unused, Nicht verwendet, Inutilise)
'Night And Day': 'How's Your Romance?' (Gay Divorce)
'Night And Day': 'My Cozy Little Corner In The Ritz' (Hitchy-Koo 1919)
'Night And Day': 'Don't Fence Me In' (Hollywood Canteen)
'Night And Day': 'Drink' (Seven Lively Arts)
'Night And Day': 'Night And Day' (Gay Divorce)
'Night And Day': 'It Was Written In The Stars' (Du Barry Was A Lady)
'Night And Day': 'I Concentrate On You' (Broadway Melody Of 1940)
'Night And Day': 'Bull Dog' (Yale College)