Girl Talk

Editorial Reviews
Amazon.com
On Girl Talk, Vanessa Rubin runs the gamut of jazz styles and vocal approaches. Ably accompanied by a stellar band of veterans and up-and-comers--Cedar Walton and Larry Willis on piano, Lewis Nash on drums, Eric Alexander and Javon Jackson on tenor sax, David Williams on bass--Rubin puts her warm, tuneful stamp on a variety of material. Though wearing her influences on her sleeve--Ella Fitzgerald, Carmen McCrae, Sarah Vaughan, Dakota Staton, and Nancy Wilson--Rubin nonetheless brings enough personality to make these songs her own. From the jaunty "Matchmaker, Matchmaker" to the sad and dreamy "One for My Baby" to the risqué "Sex Is a Misdemeanor (The More You Miss De Meaner You Get)," Rubin exults in her stylistic range and chameleonlike voice. On "But Not for Me" and "Gee, Baby, Ain't I Good to You," she's joined by husky-voiced Etta James, who brings some gritty authenticity to the mix. Along with Diana Krall and Cassandra Wilson, Vanessa Rubin shows respect for her predecessors while bringing something fresh to the music. --Wally Shoup

Tracks:

Once Again
That's My DJ
Hold Up
Too Deep
Smash Your Head
Minute By Minute
Ask About Me
Summer Smoke
Friday Night
Hand Clap
Give And Go
Bounce That
Warm It Up
Double Pump
Overtime
Peak Out

Album Description

"A fusion of Tigerbeat6's pop destruction and 2ManyDJs' mainstream mash-ups." -URB

"Girl Talk...accelerates beats, distorts textures, pitches up flow, and sets up strange juxtapositions to render absurd the sexed-up aura of hip-hop and dance pop." - CLEVELAND SCENE

"In a time when kids can barely sit through an entire album by just one artist, this A.D.D. mix will keep them sedated and/or spastic." - XLR8R

Girl Talk (a.k.a. Gregg Gillis) is back with his third album on Illegal Art! With each release getting closer to his notorious semi-naked live show, Night Ripper is focused less on beat-fuckery and more on bringing heat to the party. It bangs as a continuous mix packed with wildly disparate Top 40 genres and eras. Current hip-hop hits, soft rock radio standards, party classics, grunge masterpieces, R&B singles, glossy club-shakers and rock anthems are all layered and pieced together into one nonstop celebration of pop and excess declared "a plunderphonics party record" by Mark Hosler of Negativland.

Girl Talk tours regularly and actively participates and collaborates with other "on the verge" Midwest and East Coast artists such as Grand Buffet (Fighting), Drop the Lime (Tigerbeat6), Chris Glover (Interscope) and Hearts of Darknesses (Schematic/Asphodel).

Customer Reviews:

Pop culture lesson........2007-07-05

Night Ripper is a dance album both unlike any other and just like every other. That is why it is so good. It reminds me of what Warhol did with consumer goods and pop icons. Night Ripper is Pop Art at its best.

AMAZING.......2007-01-14

Gregg Gillis dazzles with his rythmic genuis and starts the party that you won't want to end.

Very Different, but Good!.......2007-01-09

This is one of the more different DJ mixes that I have ever heard. The only down side to this CD is that most of the tracks leave you wanting more. Track 5 is so good, that it was worth buying the CD, it is a mix with Notorious BIG and Elton John, it will blow your mind.

it's a good one..........2006-08-30

It's not as good as the ones from 2ManyDjs but it's real close. The same idea is going on here though and it does have it's moments. The only reason I give the nod to 2manydjs is because their mashes and mixes had purpose behind them. The obvious example is mixing Dolly Parton's 9 to 5 with Destiny's Child's Independant Woman.

The mixes here work because of timing, pitch, and kitsch. The only other complaint I have would be that's it packed (imo) with too much rap.

With all that said, I haven't sat still since its been in the player. Very well worth the money to own.

Sounds of the Last 3 Decades.......2006-08-10

I love those late night infomercials for CD packages from Time-Life, you know like "sounds of the seventies" or "AM Gold." I love those infomercials because I don't have to sit through the entire song, I just hear the best parts and it gives me a memory from my childhood. This CD takes that idea a bit further. Not only do I get snippets of songs from the 70s, but there are songs included that were popular last month. All of it is swirled together and it don't stop. I've been facinated with "mash-ups" for quite a while, but this fills all of my want to hear any others. The pace of this disc keeps my attention the whole time. I have been listening to it so much I am a little afraid I'm going to memorize it and it will become predictable. There are some highlights: Notorious B.I.G. mixed with "Tiny Dancer," and my favorite, 2 LIVE Crew "We want some P****" playing over Pavement and Paul McCartney "Silly Love Songs." I love hearing Neutral Milk Hotel counting off at some point. I love hearing Ciara mixed in. M.I.A. sounds great in there at some point too. I don't know who does the song "Kryptonite," but on here it's great. I really hope to hear more from GIRL TALK and I hope it doesn't get popular enough to get pulled, maybe I shouldn't even be writing a review. Maybe I should give it a crappy review, but it rocks!

Average customer rating:

Don't stop at Night Ripper and don't be intimidated by Secret Diary.

Unstoppable
Girl Talk
Manufacturer: Illegal Art
ProductGroup: Music
Binding: Audio CD

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Secret Diary
Night Ripper
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YoYoYoYoYo
Silent Shout

ASIN: B000CA2Z5Q
Release Date: 2006-05-09

Tracks:

All Eyes on Me
Non-Stop Party Now
Touch 2 Feel
Pump It Up
Bang This in the Club
Bodies Hit the Floor
Feeling
Happen - Girl Talk, Chris Glover
Cleveland, Shake
Keeping the Beat
Step to It
Can't Stop

Album Description

Girl Talk's second album."Unstoppable, for all its sweaty beats and sexy grooves, paints a picture of Gillis that's just as much mad scientist as oversexed party animal. Gillis' manic experiments bring life to inanimate rhythms and swap the personalities of unwitting samples in harebrained schemes to make bottoms shake and fists pump." -DUSTED

Customer Reviews:

Don't stop at Night Ripper and don't be intimidated by Secret Diary........2007-07-11

I'm a huge Girl Talk fan and own everything he has put out. This record is my favorite. It is glitchier than Night Ripper and far poppier than Secret Diary. If you like Night Ripper, it is a pretty safe bet you will like this.

The Music Man (1957 Original Broadway Cast) [Angel Reissue]

Average customer rating:

Music Man
One of This Country's Finest Musicals Beautifully Re-Mastered
We need a new remaster, nonetheless
Accept no substitutes!
Preston and Cook are the best ever

The Music Man (1957 Original Broadway Cast) [Angel Reissue]

Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

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My Fair Lady (1956 Original Broadway Cast)
South Pacific (Original 1949 Broadway Cast)
Camelot (1960 Original Broadway Cast)
West Side Story (1957 Original Broadway Cast)
Guys & Dolls: A Decca Broadway Original Cast Recording (1950 Original Broadway Cast)

ASIN: B000002SNL
Release Date: 1992-11-17

Tracks:

Act I. Overture/Rock Island - Vern Reed
Act I. Iowa Stubborn - Ensamble
Act I. Ya Got Trouble - Robert Preston/Ensemble
Act I. Piano Lesson - Barbara Cook/Pert Kelton
Act I. Goodnight My Someone - Barbara Cook
Act I. Seventy-Six Trombones - Robert Preston
Act I. Sincere - Buffalo Bills
Act I. The Sadder But Wiser Girl For Me - Robert Preston
Act I. Pick-A-Little, Talk-A-Little - Asnia Rice, Peggy Mondo, Elain Swann, Helen Raymond, Martha Flynn, Robert Preston
Act I. Goodnight Ladies/Marian The Librarian - Robert Preston, Buffalo Bills
Act I. My White Knight - Barbara Cook
Act I. Wells Fargo Wagon - Eddie Hodges, Ensemble
Act II. It's You - Buffalo Bills
Act II. Shipoopi - Iggie Wolfington, Ensemble
Act II. Lida Rose/Will I Ever Tell You? - Buffalo Bills, Barbara Cook
Act II. Gary, Indiana - Eddie Hodges
Act II. Till There Was You - Barbara Cook, Robert Preston
Act II. Finale - Robert Preston, Barbara Cook, Ensemble

Amazon.com

Although Robert Preston and Barbara Cook put in stellar performances, it's the music that's the star of this hugely successful document of the 1958 Broadway smash. Written entirely by Meredith Willson, it drew from memories of his childhood in a small Midwestern town. Preston plays a traveling salesman/con artist, while Cook is the dull spinster "Marian the Librarian," whose love for Preston's character makes her come alive. "Seventy-Six Trombones" has become a marching band standard, while "Ya Got Trouble" (featuring dizzying fast-talk from Preston) and "'Til There Was You" (with a gorgeous vocal from Cook) remain well known even among those who have never seen the show. The latter was also a favorite of the Beatles, who covered it on their first album. --Dawn Eden

Customer Reviews:

Music Man.......2007-02-09

The original cast recording brings back the memory of the live production I saw which will always be superior, in my opinion, to the movie version. However, the movie was one of the better "reproductions" of this genre.

One of This Country's Finest Musicals Beautifully Re-Mastered.......2006-11-23

THE MUSIC MAN opened on Broadway on December 19, 1957 to rave reviews from the critics, adulations from the captivated audiences, and the beginning of a long run. This wondrous musical is an 'opera' of sorts in that the piece is not a series of songs connected by the usual musical comedy spoken dialogue. Meredith Willson wrote the music and lyrics in such a way that there is not an extraneous note or word that doesn't contribute to the totality of the work.

Despite the multiple reincarnations of this brilliant show both on film and recording, none of them compares to this original cast. Imagine Barbara Cook (lithe, and new) as Marian the Librarian: Cook still reigns as one of our finest voices on the stage and cabaret rooms today. Robert Preston is not only rich in personality he also delivers the immensely complex patter songs with deft authority. And the Buffalo Bills add the multiple barbershop quartet numbers with authentic sound and professionalism.

This musical holds all of the joys and imaginations and longings that we all hold so dear in our memories of how things used to be - and it is so terrific to return to that stage of ecstasy again. This is a must own CD. Grady Harp, November 06

We need a new remaster, nonetheless.......2006-10-22

A very interesting photo on the liner booklet's back cover demonstrates the one real flaw in this otherwise classic recording: it shows Robert Preston at the album sessions singing at two mikes, a fat Neumann with a Capitol flag and a skinny one, probably an AKG. This can only mean Capitol recorded this in simultaneous mono and stereo takes. With all that knob twiddling the balance had to go off, a problem not entirely corrected by the reissue engineer Bob Norberg, whose remasterings of Ol' Blue's Capitol mono output have earned scorn from some Sinatraphiles for their slight fake echo and stereo effects. (He remastered just about every album in the Broadway Angel series; the monos all appear to have the echo and stereo.) I guess we should be happy to have this in any form at all given how the other majors turned it down. Capitol was late and indifferent to the cast album trade, and it only had three hits before making its monumental closing botch of "Follies." However the label approached it it's still a great and exciting score perfectly performed. Who could have imagined a hit musical with a barbershop quartet? And if only all women could sing like Barbara Cook! Who says you can have too much of a good thing?

With the show's fiftieth anniversary coming up (!) now would be a good time for a remaster. (I know, I know, I'm tired of paying repeatedly for the same product too, but this deserves it.) It should include a second disc with the 1959 Capitol documentary LP "And Then I Wrote 'The Music Man'", where Meredith Willson and his wife Rini detail the eight years of trials and rewrites behind the show. Nor would it hurt to have bonuses like Willson's original take on "Till There Was You" (called "Till I Met You," which Fran Warren evidently first sang on "The Big Show") or a few licensed pop balladeers of the day -- and maybe examples like the 70s jingle for the late lamented Oldsmobile ("Oh ho the new Oldsmobile is a -- comin' down the line...."). It must also include Willson's contentious JFK physical fitness tune "Chicken Fat", recorded about the time "The Music Man" was filmed and available only on oddball Web music sites, where Preston yells and grunts himself into an athletic -- passion. (I keep thinking Allan Sherman recorded a full version of his notorious parody "76 Sol Cohens", but I guess he didn't.) The whole thing should end with a live public-radio performance from 1980 or 1981 where Willson led the superb Detroit Concert Band in "76 Trombones" and "The Stars and Stripes Forever" -- an apt and brilliant finish.

No, I have not forgotten the Beatles, but I fear neither have their lawyers.

Accept no substitutes!.......2006-08-22

This the best version of "The Music Man" available, especially if you're looking for the Broadway cast. The performances here are all terrific, the recording and mastering are great, and the liner notes are informative and thorough. "The Music Man" is available in several other versions and forms, including other releases of the same original cast recording, but without the good mastering or liner notes found here. My wife and I, hoping to listen to this great show with our kids, first purchased other versions that were easier to find (e.g., on iTunes) and those were major disappointments. Buy this CD (Broadway Classics from Angel) and accept no substitutes.

Preston and Cook are the best ever.......2006-07-15

Yes, the film is a delight, and Shirley Jones is certainly good as Marian. But the original cast album of this wonderful musical remains the best version ever, mostly thanks to Barbara Cook, whose voice was and remains a miracle of rare device to listen to.

For years I thought I was the only person who was in love with her voice, wearing out vinyl LPs of this musical with replaying. Then, in the early 80s I saw Cook in a one woman show in London, and discovered I was part of a fanatical following! The other reviews here on Amazon confirm the truth: there is only one truly great Marian, Madam Librarian.

Watch the movie, which is a terrific adaptation of the stage show, go to professional and amateur revivals of the musical, but buy this recording of the score for repeated listening. There is nothing better.

Average customer rating:

Feel...
Before They Were Famous...
Is this serious?
I wonder what could have been...

Secret Diary
Girl Talk
Manufacturer: Illegal Art
ProductGroup: Music
Binding: Audio CD

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Electronica | Dance & DJ | Styles | Music

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Unstoppable
Night Ripper
YoYoYoYoYo
!!!
Sound of Silver

ASIN: B000F9RM34
Release Date: 2006-05-09

Tracks:

Let's Start This Party Right
I Want You Back
Ffun Haave To
What If...
Time to Get Glamorous
Unicorn vs. Gravity
Right Stuff
Fun in the Sun
Jumpin(g)
Friends 4 Ever - Girl Talk,

Album Description

Secret Diary is where all the Girl Talk fun begins! "John Oswald-ian reconfiguring of pop, glitched out, cut and pasted bits of Joan Osborne and Jay-Z that fly past in a blur, Secret Diary runs the gamut from full-out songs of pilfered parts combined in a patchwork matter to Olivia Tremor Control-ish noise collages." - FAKEJAZZ

Customer Reviews:

Feel..........2007-02-23

...the noise. I hope Greg comes out with another just like it only more songs. Bring on the mix (Night Ripper), bring on the glitch (Unstoppable), and bring on the noise (Secret Diary)! He does it all...SO SO SO SO well!

Before They Were Famous..........2007-02-15

Like the other reviewers before me, I will preface this by saying that I LOVE the Night Ripper album. It's a brilliantly calculated album of near perfect mash-ups. And one of the best albums of 2006.

Unstoppable, the previous album, is not as strong, but you can tell he was improving his craft, working his way up to the brilliance of Night Ripper. At least those songs sound like mash-ups in the traditional sense.

But Secret Diary, his first album, is just a mess. These "songs" are nowhere near as fluid & coherent as his later albums. Instead it sounds like your CD player is skipping. (As one reviewer pointed out, I too had to check to make sure the disc wasn't damaged!) Either that, or it brings to mind the sound your radio makes as you quickly scroll across the dial, catching split-second snippets of songs. I'd be hard-pressed to call it music. And it's certainly nothing you can dance to! One track, "Time To Get Glamorous," doesn't even use songs, but rather sound effects & such!

This album is more a meditation on noise experimentation if nothing else. It's the CD equivalent to record scratching. And it's not enjoyable. Skip this & instead go for Night Ripper & Unstoppable.

Is this serious?.......2007-02-14

I will be the first to say that Girl Talk's "Night Ripper" is simply incredible, and it never seizes to amaze me everytime I listen to it, which is approaching the thousands.

This obsession led to a understandable Girl Talk high, prompting me to order this album.

To be honest, I spent the first hour of owning it testing the CD in every disc playing device I owned, making sure that my ears weren't deceiving me. I was convinced the disc was severely scratched or damaged. However, I was completely wrong. The tracks are supposed to be like that.

One of the most annoying things I can think of is a cd skipping, killing a mood. This entire album is intentionally like that, and it's repulsing.

Purchase Night Ripper, which is nearly perfect, but under no circumstances purchase this album.

I wonder what could have been..........2006-09-26

This is damn near unlistenable. It won't ever be played again. It's like they took what might have been a good mix/mash and destroyed it on purpose by sending through some assinine chain of effects boxes. There's so much distortion and bit-rate manipulation that you can't tell what's going on underneath. And that's the problem, you can't hear the music. Art is art, whatever, but this just isn't fun to listen to. It's not thoughtful, playful, deep, or anything else, it's noise for the sake of noise.

I gave Night Ripper 5 stars but I can't in good conscience recommend this whatsoever.

Rodgers & Hammerstein: Songbook for Orchestra (Orchestral Suites)

Average customer rating:

Irresistible
"Some Enchanted Evening" with Kunzel and the Cincinnati Pops
Excellent!
Great Arrangments

Rodgers & Hammerstein: Songbook for Orchestra (Orchestral Suites)

Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD

Waltzes | Ballets & Dances | Classical | Styles | Music

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Musical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music

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General | Broadway & Vocalists | Styles | Music
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Lerner & Loewe Songbook for Orchestra
Rodgers & Hammerstein - The Complete Overtures ~ Opening Night / Hollywood Bowl Orchestra · Mauceri
Puttin' on the Ritz: The Great Hollywood Musicals
The Sound Of Music (1987 Studio Cast)
Classics of the Silver Screen

ASIN: B000003CXQ
Release Date: 1992-01-28

Tracks:

Oklahoma!
Carousel
State Fair
South Pacific
The King And I
Cinderella Waltz
Flower Drum Song
The Sound Of Music

Customer Reviews:

Irresistible.......2005-07-29

From beginning to end this CD is pure delight. A great recording has great music, a great performance, and great sound; this one scores on all three counts.

Rodgers and Hammerstein's musicals dominated Broadway in the 1940s and 1950s, and American musical theater has produced no more consistently eloquent and durable voice than Richard Rodgers. From his fertile genius flowed a surprising number of memorable songs, many of which have passed into and become an accepted and beloved part of modern American culture.

This well-filled CD (77:36) features symphonic arrangements (all but two by Robert Russell Bennett) of the music from Oklahoma (1943), Carousel (1945), State Fair (1945), South Pacific (1949), The King and I (1951), Flower Drum Song (1958), and The Sound of Music (1959). All the great tunes are here in suites from each musical that average 10-12 minutes in length. The arrangements are expert: rich, varied, and colorful. The performances are polished, idiomatic, and irresistible; Kunzel and this orchestra are thorough masters of this kind of material. And Telarc's sound (recorded 1991) is state-of-the-art (engineer Michael Bishop deserves to take a bow).

In short, there's nothing here to cloud your listening pleasure (the only quibble I can imagine is that some of your favorites may not last long enough), so it's hard for me to envision anyone with ears and a taste for music who wouldn't enjoy this CD. Warmly recommended. Finally, if you like this one as much as I do, you might want to know that the same team has produced a companion volume, the Lerner & Lowe Songbook for Orchestra.

"Some Enchanted Evening" with Kunzel and the Cincinnati Pops.......2003-12-26

Erich Kunzel's Rodgers and Hammerstein anthology with the Cincinatti Pops Orchestra is one of the best and most ravishing instrumental Rodgers and Hammerstein albums of all time. With sumptuous arrangements and warm, natural Telarc recording, this glorious 77-minute CD presents sweeping, melodic arrangements of over 60 Rodgers and Hammerstein selections, spanning eight scores, and Kunzel allows the Pops to play with a characterful and polished understanding of the Rodgers and Hammerstein idiom. The disc is enough to cheer you up on a dull day and make you smile, and it might even want to make you feel like a convert to Rodgers and Hammerstein musicals.

This CD has all the scores arranged chronologically. The OKLAHOMA! suite that opens this disc promises a feast for the senses, Kunzel ably evokes the territory's "bright, golden haze" in the way he conducts the various excerpts, until you feel the atmosphere of the country charm of the show, and the love-affair between Curly and Laurey. Then, in CAROUSEL, he ably evokes the pathos of this tragic R&H masterwork, especially in the truncated Waltz, but he leads a wonderfully melodic "June is Bustin' Out All Over" and a devotional "You'll Never Walk Alone." Although this suite does not include Billy's pivotal Soliloquy, it includes "If I Loved You" as an expression of his love for Julie, and within minutes you could be soaked in the ups and downs of the show's mood.

After a brief STATE FAIR suite, with sweeping renditions of "It Might As Well Be Spring" and "It's a Grand Night for Singing", we are brought into the disc's showstopping highlights. These highlights are the excerpts from SOUTH PACIFIC, THE KING AND I, and THE SOUND OF MUSIC. But yet Kunzel conducts the rest of the disc until the various suites amount to a series of showstoppers. These three suites present wonderfully-arranged versions of their many familiar classic songs, with well-played solos. The SOUTH PACIFIC suite presents the songs in chronological order, yet preserves the atmosphere of the show at the same time. Kunzel ably brings out the romance in "Some Enchanted Evening" and "Younger than Springtime," and contrasts it with the exotic and dreamlike "Bali Hai'i" and the comic "There is Nothing like a Dame" and "I'm Gonna Wash That Man Right Outa My Hair". Although the suite ends quietly with a reprise of "Dites-Moi" rather than the reprise of "Some Enchanted Evening," within minutes we are swept into the KING AND I suite. Kunzel ably brings out the Oriental pathos in this score, and he captures the warmth of Anna's rapport with the King's Siamese children in "Getting to Know You", and with the King himself in "Shall We Dance." There is also romance in the love ballads "I Have Dreamed" and "We Kiss in a Shadow." Similarly, in the selection from THE SOUND OF MUSIC, Kunzel conducts this until the orchestra soaks itself in the atmosphere of this Austrian R&H score. This SOUND OF MUSIC suite has more of a feel of the score compared to the bonus track on Sony's reissued version of the Broadway recording. You can almost feel as if you are following the progress of the Trapp family and how it lifts its spirits with the joy of music. Kunzel gives us a soaring version of the title song, and spirited versions of "Do-Re-Mi" and "My Favourite Things." He balances it with the open-air quality of "Edelweiss" and "The Lonely Goatherd." Although this suite could have included "Something Good," the love ballad written for the film, the three recollections of the songs that were cut from the movie only last for a while. And, the towering version of "Climb Every Mountain" crowns this portion of the disc, and this sumptuously-produced recording. But, I should also mention the infectuous FLOWER DRUM SONG medley, where Kunzel turns this underrated score into a work of art, until it convinces you to buy the cast recording. And, don't forget about the brief CINDERELLA WALTZ, too, when Kunzel conducts it magically, until you feel like you are in the company of Cinderella and the Prince. He is able to show how this R&H score marked a comeback for R&H after the failiures of Me and Juliet, and Pipe Dream.

Overall, this glorious Rodgers and Hammerstein recording is guarunteed to make you want to pucker your lips out for a whistle or sing along (to paraphrase another revew for Kunzel's Disney Spectacular disc) - even if this recording is music only, and as long as you know the words to the songs (and you might know a large handful of them already.) There is always a certain magic in this fine CD that makes you feel like you're sitting in the theatre watching these musicals, until it makes you feel like it is truly, to borrow two R&H song titles, "Some Enchanted Evening" and "Something Wonderful" to be in Kunzel's company for this R&H offering. It would certainly be one recording that could make you feel willing to buy the complete cast recordings of the shows. And I guaruntee that it will make you feel willing to pull out your existing copies of the cast recordings to listen to them again. I also guaruntee that it will be a cornerstone in any Rodgers and Hammerstein collection, just as it is in mine. Recommended heartily to any Rodgers and Hammerstein enthusiast and to fans of Erich Kunzel's work. And, you can play it while reading the Richard Rodgers biography, Musical Stages, until Rodgers himself would count this as his favourite disc in the afterlife.

By the way, most of the arrangements for the suites on this CD were done by the veteran R&H orchestrator Robert Russell Bennett, and it surely adds to the appeal of this recording. This itself is enough to amount to the icing on the cake, since Kunzel conducts them well on here, and since this recording still allows the suites to have the original theatrical atmosphere. And, although this recording is like the Mauceri collection of the Rodgers & Hammerstein overtures in compiling orchestral suites of Rodgers & Hammerstein, I think that I like the Kunzel recording even more because Kunzel has more magic in his conducting of these suites.

Excellent!.......2003-04-08

This is one of the best Erich Kunzel/Cincinnati Pops collections we own! A must for Rodgers and Hammerstein fans, too.

Great Arrangments.......2001-09-02

This is a first rate album with great arrangments and orchestrations. If you're a Rodgers and Hammerstein fan, you can't afford to miss this specatacular album

Average customer rating:

Still my favorite
Numbing.
A Piano, a Bass, and a Voice
Smooth and Lovely

Girl Talk
Holly Cole
Manufacturer: Alert Canada
ProductGroup: Music
Binding: Audio CD

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Romantically Helpless
Shade
Blame It on My Youth
Dark Dear Heart
Temptation

ASIN: B0000549IH
Release Date: 2007-01-08

Tracks:

My Foolish Heart
Girl Talk
Talk To Me Baby
Cruisin'
Spring Can Really Hang You Up The Most
My Baby Just Cares For Me
How Long Has This Been Going On
I'm So Lonesome I Could Cry
Melancholy Baby
Downtown

Album Description

1994 album from the Canadian vocalist, Girl Talk was recorded live to two-track using a single microphone.

Customer Reviews:

Still my favorite.......2004-12-09

This was one of the very first tapes I have ever owned. It is still one of my favorites. I love every song. Listening to this started my love of jazz music. I just bought this on CD.

Numbing........2004-03-18

Often painful to listen to, Holly lacks tone, pitch, and phrasing-three essential ingredients for jazz singing. The material is good, but one can't help feel the Holly is singing in the wrong genre: Perhaps she would be better as a rock star.
The bottom line is that with such spartan accompaniment, a singer has to have an inner feeling for the music-and of course the talent to match. Holly has neither.

A Piano, a Bass, and a Voice.......2000-10-05

A piano. A bass. A voice. It is with these three simple elements that the Holly Cole Trio formed its hauntingly stark sound. It is unfortunate that this album is not more well-known in the US as it is in Canada. It is a must-have album for fans of jazz vocals.

For those fans who have come to Holly Cole more recently, it should be noted that this album may be somewhat different than Ms. Cole's later work. The sparseness of the arrangements (accentuated by the absence of percussion) as well as the choice of material (mostly jazz standards) place Girl Talk firmly in the jazz vocal category. Contrast this with the latest Holly Cole offering, Romantically Helpless, which is a more diverse and eclectic work with definite pop overtones.

Smooth and Lovely.......2000-06-29

Holly Cole at her best, singing smooth, warm jazz. This record is full of thoughts and feelings. Simply, a lovely record about love. If you love Diana Krall's recordings, you are going to love this one. For any vocal jazz fan - a must have.