Last Swing of the Century
Editorial Reviews
Amazon.com
Ken Peplowski's tribute to Benny Goodman, Last Swing of the Century, will delight listeners who think of the great clarinetist and bandleader before they think of Big Bad Voodoo Daddy when someone mentions the word swing. Recorded live in Japan on the last night of a 15-concert tour in 1998, this is classic swing at its finest, with Peplowski and a 13-piece big band tearing through classic arrangements written for the Goodman Orchestra by greats like Fletcher Henderson and others. Peplowski succeeds in bringing this music to life, with each of these 16 tunes remaining faithful to the original versions but still allowing the soloists plenty of creative leeway to make this material their own. The top-caliber musicians (several of whom were members of Goodman's Orchestra at one time or another) do the formidable material justice. Highlights include Rickey Woodard's tenor sax solo on the hard-charging "King Porter Stomp" and Frank Vignola's astounding guitar playing on a duet performance of "China Boy" with Peplowski. But it's Peplowski, of course, with the biggest shoes to fill, and he responds to the challenge with vigor, sounding beautifully melodic on "Restless" and bursting with energy on "Don't Be That Way." --Ezra Gale
Last Swing of the Century, Music, Ken Peplowski, Big Bands, Dixieland, Jazz, Jazz Music, Pop, Swing, Traditional Pop
Average customer rating:
- kiri kern
- Kiri sing Kern is a great experience
- Lacks Splendor
- White Glove Kern
- mildly disappointing
|
Kiri Sings Kern: Dame Kiri TeKanawa
Dame Kiri TeKanawa , Jerome Kern , Jonathan Tunick , and London Sinfonietta
Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD
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Similar Items:
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ASIN: B000002SK3
Release Date: 1993-03-16 |
Tracks:
- The Songs Of Jerome Kern: The Folks Who Live on the Hill
- The Songs Of Jerome Kern: I'm Old Fashioned
- The Songs Of Jerome Kern: The Way You Look Tonight
- The Songs Of Jerome Kern: The Song Is You
- The Songs Of Jerome Kern: Smoke Gets In Your Eyes
- The Songs Of Jerome Kern: All Through The Day
- The Songs Of Jerome Kern: The Last Time I Saw Paris
- The Songs Of Jerome Kern: A Fine Romance
- The Songs Of Jerome Kern: Yesterdays
- The Songs Of Jerome Kern: All The Things You Are
- The Songs Of Jerome Kern: Bill
- The Songs Of Jerome Kern: Long Ago And Far Away
- The Songs Of Jerome Kern: Look For The Silver Lining
- The Songs Of Jerome Kern: Can't Help Lovin' Dat Man
Amazon.com
As Hammerstein writes in the opening song, "Many dames with lofty aims strive for lofty goals"--and Te Kanawa strives for successful crossover. Her beautiful singing exhibits impeccable diction and excellent phrasing; but "A Fine Romance" lacks anger and humor, "Smoke Gets in Your Eyes" lacks a storyteller, and "All the Things You Are" lacks romanticism. However, happy songs like "All Through the Day," "Look for the Silver Lining," and "The Folks Who Live on the Hill," are successfully interpreted. Jonathan Tunick's orchestrations enhance Kern's beauty through his captivating use of obbligato instruments. A pleasant, if not wholly satisfactory, listening experience. --Barbara Eisner Bayer
Customer Reviews:
kiri kern.......2007-03-29
Kiri is sensational on this CD. Jerome Kern music is stupendous and the arrangements superb. Three top esses.
Kiri sing Kern is a great experience.......2004-01-18
I love the way she sings Kern's songs. Though certainly not opera, Kern's songs benefit from an an operatic approach--not all of them, but certainly ones such Smoke gets in your Eyes, The song is you, All the things you are. I love Kern;s songs sung in many styles but Kiri's way is one of the best.
On the other hand, I did not like Kiri singing Berlin.
Lacks Splendor.......2002-09-01
Though I do enjoy Kiri's interpretation of most music, and this CD was decent, I did not find any piece particularly memorable.
The voice is undeniably beautiful, and Kiri has managed to keep her maturing voice sounding somewhat young, yet I find that I much prefer her rendition of "The Laughing Song" to that of "Smoke Gets in YOur Eyes."
If you love Kern, and couldn't care less who performs it, than purchase this CD. If you are a fan of Kiris', then perhaps it would be best to avoid this purchase...for it is not a shining star in her vast collection of CDs. All in all, it was a disappointment.
White Glove Kern.......2001-05-20
I am the first to admit that most "crossover" albums, be they of classical performers singing pop or vice versa never quite cross over. This album does splendidly. Kern's music is the most related to classical operetta , and therefore the least jazziest. Operatic soprano Kiri Te Kanawa gives luscious, heartfelt readings of these wonderful songs, backed by glamorous orchestrations. Hearing a voice of such opulence and beauty in this music is a rare treat. Just listen to "Smoke Gets In Your Eyes" ,"Long Ago and Far Away" or "The Song is You" and prepare to be swept away to another, more elegant time.
mildly disappointing.......2000-09-30
Sometimes cross-over works, sometimes not. While Kiri te Kanawa has a beautiful voice, she never gets into the idiom of these Jerome Kern masterpieces sufficiently to convey their stories or their subtleties. Smoke Gets in Your Eyes especially stands out, she sings it with none of the pathos the song demands and her version pales compared to the Platters. The orchestral arrangements are decent and in many of the songs the purity of her voice is enough to carry them, but overall I would say this is a disappointing example of a crossover record. Ms. te Kanawa should stick to what she does best.
Average customer rating:
- Peps The King of Swing 2000
- a tarnished gem
- VERY GOOD BIG BAND ARRANGEMENTS, SMOOTH WELL COORDINATED.
- A fitting tribute to Benny Goodman and his music
- Would like to review Peplowski's Last swing of the century
|
Last Swing of the Century
Ken Peplowski
Manufacturer: Concord Records
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Tribute to Benny Goodman with the BBC Big Band
- Grenadilla
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ASIN: B00000JCRE
Release Date: 1999-06-22 |
Tracks:
- Let's Dance
- Hunkadola
- Between The Devil And The Deep Blue Sea
- King Porter Stomp
- Moon Glow
- Stealin' Apples
- You Turned The Tables On Me
- Bugle Call Rag
- Don't Be That Way
- Memories Of You
- Restless
- Get Happy
- Sometimes I'm Happy
- China Boy
- Down South Camp Meetin'
- Good-Bye
Amazon.com
Ken Peplowski's tribute to Benny Goodman, Last Swing of the Century, will delight listeners who think of the great clarinetist and bandleader before they think of Big Bad Voodoo Daddy when someone mentions the word swing. Recorded live in Japan on the last night of a 15-concert tour in 1998, this is classic swing at its finest, with Peplowski and a 13-piece big band tearing through classic arrangements written for the Goodman Orchestra by greats like Fletcher Henderson and others. Peplowski succeeds in bringing this music to life, with each of these 16 tunes remaining faithful to the original versions but still allowing the soloists plenty of creative leeway to make this material their own. The top-caliber musicians (several of whom were members of Goodman's Orchestra at one time or another) do the formidable material justice. Highlights include Rickey Woodard's tenor sax solo on the hard-charging "King Porter Stomp" and Frank Vignola's astounding guitar playing on a duet performance of "China Boy" with Peplowski. But it's Peplowski, of course, with the biggest shoes to fill, and he responds to the challenge with vigor, sounding beautifully melodic on "Restless" and bursting with energy on "Don't Be That Way." --Ezra Gale
Customer Reviews:
Peps The King of Swing 2000.......1999-09-28
Okay...okay...we all know from Ken Peplowski's past releases that here is a musician that isn't content to rest on his laurels. But Peps!...you're killing me here! How can this guy keep topping himself? If you would like to hear what Benny Goodman would be doing with the clarinet if he was alive today, give this a listen. I just have to wonder...what will Mr. Peplowski's next CD sound like? And, is it possible that he can achieve any higher level of skill on this difficult instrument. Swing never sounded so good!
a tarnished gem.......1999-08-07
I've been a Benny Goodman fan since 1969. I'd almost forgotten how great Fletcher Henderson's arrangements are. Ken Peplowski is a spooky sound and style clone, but with his own personal touches--very tasty. But, on this album his other soloists are disappointing. (The exception is the pianist, who doesn't get nearly enough chance to show off.) None matches Ken's energy, accuracy and ideas. Several are out of tune, behind the beat and "blatty"--a sign of a very tired wind player. The band is pretty tight and clean, but he might have held out for better live tracks. This album inspired me to buy more, but of BG's, not Ken's.
VERY GOOD BIG BAND ARRANGEMENTS, SMOOTH WELL COORDINATED........1999-07-27
I AM A BIG FAN OF BENNY GOODMAN, PEANUTS HUCKO, ETC. THIS RECORDING BRINGS THE GOODMAN RECORDINGS BACK TO LIFE WITH AN ORIGINALITY THAT IS ALL KEN'S. HE DOESN'T COPY THE MUSIC, BUT HE INTERPRETS IT WITH A NICE BEAT AND SOME EXCELLENT INDIVIDUAL SOLOS BY SOME TOP NOTCH ARTISTS. A VERY ENJOYABLE BIG BAND SOUND THAT BREATHES NEW LIFE INTO THE OLD STANDARDS.
A fitting tribute to Benny Goodman and his music.......1999-07-25
I will admit that the first two times through Ken's tribute to BG I was a bit disconcerted. It was a little like hearing Barbra Streisand sing "Over The Rainbow." By the third time, I was hooked. This is a terrific album, with great musicianship all around. By allowing individual creativity on the part of all the soloists, Ken has managed to maitain the integrity of the arrangments while instilling a breath of frresh air into some material that has been around quite a while. His treatment of the three small-group pieces, "Moonglow," "Memories of You," and "China Boy," are worth the price of the album. Great job, Ken, Benny would be pleased.
Would like to review Peplowski's Last swing of the century.......1999-06-27
How can I review this CD when the tunes aren't listed
Average customer rating:
- Genial, pero...
- GREAT TE KANAWA !
|
Very Best Of Kiri Te Kanawa
Manufacturer: EMI Classics
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- Duets: An American Classic
ASIN: B0000AHEAZ
Release Date: 2003-09-02 |
Tracks:
- Signore, Ascolta
- Ecco: Respiro Appena. Io Son L'Umile Ancella
- La Mamma Morta
- Attendo, Attendo...Addio Del Passato
- Je Marche Sur Tous Les Chemins...Obeissons Quand Leur Voix Appelle
- Depuis Le Jour
- Elle A Fui, La Tourterelle!
- Me Voila Seule...Comme Autrefois
- Ach, Ich Fuhl's
- Dich, Teure Halle
- Wie Nahte Mir Der Schlummer...Leise, Leise, Fromme Weise!
- Da Geht Er Hin, Der Aufgeblas'ne Schlechte Kerl
- Gluck, Das Mir Verblieb
- La Flute Enchantee
- L'Invitation Au Voyage
- Le Manoir De Rosemonde
Tracks:
- Somebody Loves Me
- Love Is Here To Stay
- Embraceable You
- Summertime
- Long Ago And Far Away
- A Fine Romance
- The Song Is You
- Let's Face The Music And Dance
- What'll I Do?
- They Say It's Wonderful
- I've Got You Under My Skin
- Ev'ry Time We Say Goodbye
- True Love
- I'll Be Home For Christmas
- Silent Night
- Come To The Fair
- The Last Rose Of Summer
- The Keel Row
- Comin' Thro' The Rye
- Greensleeves
- Danny Boy
- Hoki Hoki Tonu Mai
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- The World You're Coming Into
Customer Reviews:
Genial, pero..........2005-04-19
Me parece que el arte vocal de Kiri posee muchas fortalezas y sòlidos atributos: brillantez, claridad, riqueza de colores, excelente fraseo, perfecta colocación y afinación, expresividad. Sin embargo, también carece de una mejor respiración para poder contrarrestar el excesivo vibrato que aplica a su canto. Sobre algunas de las obras interpretadas, recomiendo: Der Rosenkavalier: Schwarzkopf; Wagner: Kirsten Flagstad.
GREAT TE KANAWA !.......2004-02-19
THIS IS A GODD OVERVIEW OF KIRI TE KANAWA`S TALENT,THIS COMPILATION INCLUDES GREAT OPERA ARIAS,AMERICAN SONGBOOK CLASSICS,MAORI SONGS AND MORE,DIGITALLY REMASTERED. REALLY ENJOYABLE.
Average customer rating:
- A Long Time Coming...
- Her Best Album
- Price At Her Peak
- of course world class
- the greatest american soprano of the 20th century
|
The Essential Leontyne Price
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD
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ASIN: B000003FWD
Release Date: 1996-08-13 |
Tracks:
- Aida: Act I: Ritorna vincitor!
- Aida: Act I: E l'amor mio?
- Aida: Act I: I sacri nomi di padre, d'amante
- Aida: Act III: Qui Radames verra!
- Aida: Act III: O patria mia
- Un Ballo in Maschera: Act II: (Prelude)
- Un Ballo in Maschera: Act II: Ecco l'orrido campo
- Un Ballo in Maschera: Act II: Ma dall'arido stelo divulsa
- Un Ballo in Maschera: Act III: A tal colpa e nulla il pianto
- Un Ballo in Maschera: Act III: Morro, ma prima in grazia
- Il Trovatore: Act I: Che piu t'arresti?
- Il Trovatore: Act I: Tacea la notte placida
- Il Trovatore: Act I: Di tale amor che dirsi
- Il Trovatore: Act IV: Siam giunti
- Il Trovatore: Act IV: D'amor sull'ali rosee
- Ernani: Act I: Surta e la notte
- Ernani: Act I: Ernani! Ernani, involami
- Ernani: Act I: Tutto sprezzo che d'Ernani
- La forza del destino: Act II: Son giunta! Grazie, o Dio!
- La forza del destino: Act II: Madre, madre, pietosa Vergine
- La forza del destino: Act II: La Vergine degli angeli
- La forza del destino: Act IV: Pace, pace, mio Dio
Tracks:
- Cosi fan tutte: Act I: Come scoglio immoto resta
- Madama Butterfly: Act II: Piangi? Perche?; Un bel di vedremo
- Madama Butterfly: Act III: Tu? tu? piccolo Iddio!
- TOSCA: Act II: Vissi d'arte
- Manon Lescaut: Act II: In quelle trine morbide
- Manon Lescaut: Act IV: Sola, perduta, abbandonata
- Dialogues des Carmelites: Act III: Mes filles, voila que s'acheve
- Don Giovanni: Act I: Don Ottavio, son morta!
- Don Giovanni: Act I: Or sai chi l'onore
- Don Giovanni: Act II: Crudele? Ah, no, mio bene!
- Don Giovanni: Act II: Non mi dir
- Turandot: Act I: Signore, ascolta!
- Turandot: Act III: Tu che di gel sei cinta
- Ariadne auf Naxos: Es gibt ein Reich
- Antony And Cleopatra: Act III: Give me my robe
Tracks:
- Otello: Era piu calmo?
- Otello: Mia madre aveva una povera ancella (Willow Song)
- Otello: Ave Maria
- Fidelio: Act I: Abscheulicher! Wo eilst du hin?
- Suor Angelica: Senza mamma, o bimbo, tu sei morto!
- Carmen: L'amour est un oiseau rebelle (Habanera)
- La Traviata: Act I: E strano, e strano !
- La Traviata: Act I: Ah, fors' e lui
- La Traviata: Act I: Sempre libera
- Le nozze di Figaro: Act III: E Susanna non vien!
- Le nozze di Figaro: Act III: Dove sono
- Die Agyptische Helena: Act II: Awakening Scene
- La rondine: Ore dolci e divine
- Salome: Finale
Tracks:
- Eugene Onegin: Act II: Puskai pogibnu ya
- Eugene Onegin: Act II: Ya k vam pishu
- Eugene Onegin: Act II: Net, nikomu na svete
- Eugene Onegin: Act II: No tak i byt'!
- La rondine: Act I: Chi il bel sogno di Doretta
- VANESSA: Act I: He Has Come, He Has Come!
- VANESSA: Act I: Do Not Utter A Word
- Carmen: Act I: Pres des remparts de Seville (Seguidilla)
- Manon: Act II: Allons! il le faut!
- Manon: Act II: Adieu, notre petite table
- Macbeth: Act IV: Sleepwalking Scene: Vegliammo invan due notti
- Macbeth: Act IV: Sleepwalking Scene: Una macchia e qui tuttora
- La Boheme: Act IIII: Addio. Donde lieta usci (Mimi's Addio)
- Die Frau ohne Schatten: Act II: Empress's Awakening Scene
- Dido and Aeneas: Act III: Thy Hand, Belinda!
- Dido and Aeneas: Act III: When I Am Laid In Earth
- Don Carlo: Act V: Tu che le vanita conoscesti del mondo
Tracks:
- Otello: Act I: Gia nella notte
- Otello: Act I: Quando narravi
- Otello: Act I: Venga la morte!
- Cosi fan tutte: Act I: Ah, guarda, sorella
- Madama Butterfly: Act I: Bimba, bimba, non piangere
- Madama Butterfly: Act I: Bimba dagli occhi
- Madama Butterfly: Act I: Vogliatemi bene
- Requiem: Recordare
- Porgy And Bess: Act II: Bess, You Is My Woman
- Norma: Act III: Me chiami, o Norma
- Norma: Act III: Mira, o Norma
- Ernani: Act II: Tu, perfida!
- Ernani: Act II: Ah, morir, potessi adesso
- Cosi fan tutte: Act II: Sorella, cosa dici?
- Cosi fan tutte: Act II: Prendero quel brunettino
- Aida: Act IV: La fatal pietra sovra me si chiuse
- Aida: Act IV: Presago il core della tua condanna
- Aida: Act IV: Vedi? Di morte l'angelo
- Aida: Act IV: O terra, addio
Tracks:
- Un Ballo in Maschera: Act II: Teco io sto!
- Aida: Act III: Ciel! mio padre!
- Aida: Act III: Rivedrai le forest imbalsamate
- Aida: Act III: In armi ora si desta il popol nostro
- Aida: Act III: Padre! a costoro schiava non sono
- Requiem: Angus Dei
- Manon Lescaut: Act I: Oh, saro la piu bella!; Tu, tu, amore?
- Cosi fan tutte: Act I: Soave sia il vento
- Porgy And Bess: Act II: I Loves You, Porgy
- Aida: Act II: Silenzio! Aida verso noi s'avanza
- Aida: Act II: Fu la sorte dell'armi
- Aida: Act II: Pieta ti prenda del mio dolor
- Aida: Act II: Alla prompa che s'appresta
- Il Trovatore: Act IV: Udiste?
- Il Trovatore: Act IV: Mira, di acerbe lagrime
- Il Trovatore: Act IV: Vivra! Contende il giubilo
- Madama Butterfly: Act II: Scuoti quella fronda di ciliegio (Flower Duet)
- Carmen: Act IV: C'est toi! - C'est moi!
- Carmen: Act IV: Ou vas-tu? - Laisse-moi!
Tracks:
- Les nuits d'ete, Op.7: Villanelle
- Les nuits d'ete, Op.7: Le spectre de la rose
- Les nuits d'ete, Op.7: Sur les lagunes
- Les nuits d'ete, Op.7: Absence
- Les nuits d'ete, Op.7: Au cimetiere (Clair de lune)
- Les nuits d'ete, Op.7: L'ile inconnue
- Four Last Songs: Fruhling
- Four Last Songs: September
- Four Last Songs: Beim Schlafengehen
- Four Last Songs: Im Abendrot
- Clair de lune, Op.46, No.2: Clair de lune
- Notre amour, Op.23, No.2: Notre amour
- Au cimetiere, Op.51, No.2: Au cimetiere
- Au bord de l'eau, Op.8, No.1: Au bord de l'eau
- No.1, Cinq melodies de Venise, Op.58: Mandoline
- Main dominee par le coeur
- Miroirs brulants No.2: Je nommerai ton front
- Miroirs brulants No.1: Tu vois le feu du soir
- Ce doux petit visage
Tracks:
- Knoxville: Summer Of 1915, Op.24: Knoxville: Summer Of 1915
- Frauenliebe und -leben, op.42: Seit ich ihn gesehen
- Frauenliebe und -leben, op.42: Er, der Herrlichste von allen
- Frauenliebe und -leben, op.42: Ich kann's nicht fassen
- Frauenliebe und -leben, op.42: Du Ring an meinem Finger
- Frauenliebe und -leben, op.42: Helft mir, ihr Schwestern
- Frauenliebe und -leben, op.42: Susser Freund, du blickest
- Frauenliebe und -leben, op.42: An meinem Herzen, an meiner Brust
- Frauenliebe und -leben, op.42: Nun hast du mir den ersten Schmerz getan
- Widmung (No.1, Myrthen, Op.25): Widmung
- Mignon (No.28, Liederalbum fur die Jugend, Op.79): Mignon
- Volksliedchen, Op.51, No.2: Volksliedchen
- Schone Wiege meiner Leiden (No.5, Liederkreis, Op.24): Schone Wiege meiner Leiden
- Er ist's (No.23, Liederalbum fur die Jugend, Op.79): Er ist's
- Heiss mich nicht reden (No.5, Lieder und Gesand aus Wilhelm Meister)
- Lust der Sturmnacht, Op.35, No.1: Lust der Sturmnacht
- Allerseelen, Op.10, No.8: Allerseelen
- Schlagende Herzen
- Freundliche Vision, Op.48, No.1: Freundliche Vision
- Wie sollten wir geheim, Op.19, No.4: Wie sollten wir geheim
- Der Gartner (Morike-Lieder No.17)
- Lebe wohl (Morike-Lieder No.36)
- Morgentau (From An Old Songbook)
- Geh, Geliebter, geh jetzt (Spanisches Liederbuch No.34)
Tracks:
- Ev'ry Time I Feel The Spirit - Various Artists
- Let Us Break Bread Together On Our Knees - Various Artists
- His Name So Sweet - Various Artists
- 'Roun' About De Mountain - Various Artists
- Swing Low, Sweet Chariot - Various Artists
- Sit Down, Servant - Various Artists
- Were You There - Various Artists
- He's Got The Whole World In His Hands - Various Artists
- Deep River - Various Artists
- Honor! Honor! - Various Artists
- My Soul's Been Anchored In De Lord - Various Artists
- On Ma Journey - Various Artists
- A City Called Heaven - Various Artists
- Ride On, King Jesus - Various Artists
- I Wish I Knew How It Would Feel To Be Free - Various Artists
- Sinner, Please Don't Let This Harvest Pass - Various Artists
- Sweet Little Jesus Boy - Various Artists
- There Is A Balm In Gilead - Various Artists
- Let Us Cheer The Weary Traveler - Various Artists
- Ev'ry Time I Feel The Spirit - Various Artists
- My Way Is Cloudy - Various Artists
- Nobody Knows The Touble I've Seen - Various Artists
- I Couldn't Hear Nobody Pray - Various Artists
Tracks:
- Holy, Holy, Holy
- Lead, Kindly Light
- Blessed Assurance
- Ave Maria
- What A Friend We Have In Jesus
- Amazing Grace
- The Lord's Prayer
- Pass Me Not, O Gentle Saviour
- The Church's One Foundation
- Bless This House
- I Need Thee Every Hour
- Fairest Lord Jesus
- I Wonder As I Wander
- Ave Maria
- Porgy And Bess: Summertime
- America The Beautiful
- Lift Ev'ry Voice And Sing
- A Mighty Fortress Is Our God
- Battle Hymn Of The Republic
Tracks:
- Chants tziganes, Op. 103: He Zigeuner
- Chants tziganes, Op. 103: Hochgeturmte Rimaflut
- Chants tziganes, Op. 103: Wisst ihr, wann mein Kindchen
- Chants tziganes, Op. 103: Lieber Gott, du weisst
- Chants tziganes, Op. 103: Brauner Bursche
- Chants tziganes, Op. 103: Roselein dreie in der Reihe
- Chants tziganes, Op. 103: Kommt dir manchmal in den Sinn
- Chants tziganes, Op. 103: Rote Abendwolken
- Adriana Lecouvreur: Act I: Io son l'umile ancella
- This Little Light O'Mine
- Interview With Leontyne Price By John Pfeiffer
Amazon.com
This 11-CD set, one might say jokingly, contains all the music ever written for the soprano voice and a bit for mezzo as well. And indeed, it's a staggering collection: In addition to her great Verdi heroines (the two Leonoras, Aida, Amelia, and Elvira in Ernani), Price is heard in her Puccini roles--Manon Lescaut, Butterfly, Tosca--and at least two dozen other roles, most of which she never sang on stage. Here are her heroic, secure Leonore in Fidelio, Strauss's high-flying Egyptian Helen, Purcell's Dido, Barber's Cleopatra, Bellini's Norma, Ariadne, Verdi's Violetta and Desdemona, Bizet's Carmen, Mozart's Countess, and Fiordiligi. Some are, naturally, more successful than others; almost none are embarrassing (Carmen comes close). In addition, she sings songs by Schubert, Schumann, and Strauss--none of them as well as say, Janet Baker or Elisabeth Schwarzkopf, and Barber's Knoxville, etc.--quite beautifully. Berlioz's Les Nuits d'été is not very good, but a group of spirituals is. In all, however, this is an amazing display by one of the century's greatest sopranos. There may be no new depths plumbed here, but the singing is a knockout. --Robert Levine
Customer Reviews:
A Long Time Coming..........2006-03-30
This compilation of Ms. Price's career is almost as complete as anything I've ever come across!!
An American Icon....I will forever be a loyal fan and admirer!!
Her Best Album.......2006-01-01
Along with the equally extensive "Prima Donna Collection" this is Leontyne Price's best album. Anyone who wants to become familiarized with her vocal technique and her art on record should own this album. It features her best work ever recorded. A lot of these arias and their respective soprano roles were not roles she sang on stage. Leontyne Price was not only a consummate artist, but a cautious one. The reason these arias, Lieder, Gospel and spirituals sound so beautiful and technically brilliant is because Leontyne was smart enough to sing them infrequently and in concert form. She did not take on new roles other than her repetitive Aidas, Leonoras, Butterfly, Toscas and Madame Lidoins, etc, because she was afraid of ruining her glorious voice too soon as many of her contemporary sopranos. Like soprano Zinka Milanov, Leontyne Price preserved the freshness and vitality of her voice through "operatic abstinence". Thus, the Norma, Salome, Manon, Lady Macbeth and even Traviata we hear on this album are well-rendered because she did NOT sing them on stage. She would have worn out her beautiful voice if she sung so many roles.
This collection is overwhelming. Leontyne Price proves herself to be a masterful artist of diverse repertoire. Pity she didn't really sing these on stage because she would have put Maria Callas and all the reigning divas before and after her to shame. Listen to her remarkable, unsurpassed Mozart repertoire. This she did sing in opera houses, probably because Mozart does not require a true lyrico-spinto heavyness and smaller opera houses can accomodate Mozartian voices that do not often rise above the staff/orchestra. She sang exquisite Fiordiligis at the Met. The arias from Cosi Fan Tutte here - Soave sia il vento, O Guarda Sorelle and the fiendishly difficult vocal showcase "Come Scoglio" with its vertiginious scales are all fine samples of Miss Price's artistry. She sang Susanna and Donna Anna with beauty and bravura. The Salome excerpt is quite thrilling. She would have made a terrific Salome but the role is quite difficult and it would have surely killed her voice. Leontyne Price was the number one Verdi soprano. Every opera cognoscente will tell you that. When you hear the excerpts from Verdi operas here - Lady Macbeth's Sleepwalking Scene, Aida's arias, Leonora's arias from Trovatore and Leonora's arias from Forza Del Destino, particularly La Virgine Del Angeli and the ravishing Pace Pace Mio Dio- are the best renditions of Verdi soprano singing. Anyone who wants to study how to sing in the letter-to-letter Verdi lyrico spinto style should hear these arias. A voice like Leontyne cannot be easily imitated. Maria Callas's own voice can be imitated as Romanian diva Angela Gheorghiu has proven. Leontyne was in a class of her own, a voice that is both dramatic and beautiful to hear. However, most people find fault in her lack of dramatic interpretation. I say they're not hearing hard enough. Yes, there is excessive beauty in her singing but she understood that the opera heroines should sound beautiful because they are beautiful and though I never saw her on stage, from the recordings I hear she sounds dramatic and character-driven enough for me to be satisfied. For a devoted fan of Leontyne Price, this album is the Holy Grail. She sings the most beautiful Norma, Madame Butterfly, Tosca, Aida, Violetta, Madame Lidoin, Suor Angelica, Susanna, Dona Ana, Gilda, Fiordiligi, Desdemona and countless other heroines. The last cd is a collection of Gospel, spirituals and patriotic songs. These "American", non-opera selections find her in beautiful voice and she is actually paying tribute to her roots. She was not only African-American, but a Southerner from Mississippi. Her voice must have been heavenly to hear in Church! This is the album that made me love Leontyne.
Price At Her Peak.......2005-05-02
Originally a Gospel singer, Leontyne Price rose to the heights of operatic superstardom in the 60's and 70's. She enjoyed the same success Maria Callas did in the 50's. Although Callas will forever be most people's idea of the greatest soprano of the 20th century, Leontyne Price was not a force to be reckoned with. In my opinion, and this is just me, she outshone Callas and was the greater singer as far as techinicality and musicianship. Leontyne Price's best work is recorded in this album. It is her best album, together with the Prima Donna Collection. The price is expensive but it's worth every penny. Prepare to be riveted and blown away by the dynamic strength and passion of her voice as it blasts through yours stereo. While many often point out that Leontyne Price was not much of an actress, from a purely operatic/vocal level, her voice was faultless and virtuosic, powerful, passionate, beautiful, lyrical, soulful. Never have I heard a soprano so richly endowed with strong chest register- she could sing the low octaves that are found in the roles of mezzo-soprano voices or contralto voices. But she was a dramatic soprano and that's dramatic with a capital D- all the high C's were there, perfectly in place, and she was a thrilling singer when reaching for the stratosphere with her voice.
This album contains arias from operas that I didn't even know she performed- La Traviata (yes, Leontyne Price as Violetta is a moving and powerful interpretation, executed with sublime beauty. She finds herself the equal to Callas in the role- for Callas had a big voice for a role that calls for the "dying" effect. Thus, Price, like Callas, could sing roles that call for beauty and not just dramatic vigor. It's unfortunate that unlike the stars that were rising in her time- Joan Sutherland, Beverly Sills and Montserrat Caballe- Price never mastered the bel canto repertoire - Rossini, Donizetti, Bellini (although she sang a sensational Norma, excerpts are found in this recording). But her strongest suit was Verdi. She had the voice Verdi was looking for in a soprano- rich, dramatic, beautiful, able to fill up the lines with smoky and velvety hues and a gleaming high top. Check out her Amelia in Un Ballo In Maschera, her Leonora in Trovatore, her Leonora in La Forza Del Destino. Of course, her greatest role, her signature role, and one which she connected with on a personal/ancestral level was that of Aida. The first selections in this recording are from that masterpiece. As Aida, she was at her best. It was easy for her somehow, when most other sopranos tackle the role with difficulty. She conveys grace, nobility, passion and spirituality in the role of the tragic Ethiopian princess.
Further roles she excelled in that are on this recording is Desdemona in Otello, which she sung opposite Placido Domingo. Their masterful voices blend together harmonically and gloriously in the Act 1 Love Duet. She's quite the ground-breaking artist. Most Violettas in Traviata or Desdemona in Otello are Caucasian lyric soprano (Desdemona was white, Otello was black, that was Shakespeare's intention) but in opera, race does not matter and Leontyne Price's voice made her a star in a time when it was incredibly difficult for a black woman to sing opera. From the start of the century, opera was always associated with white Europeans and later on Americans. But Leontyne Price followed the inspirational example of the gutsy contralto Marian Anderson, who suffered a lot of rejection in opera due to skin color in pre-Civil Rights Movement 30's, 40's and 50's. Finally in the late 50's, Anderson, after a lifetime of singing only in private concerts and recitals, debuted at the Met as Ulrica in Un Ballo. Leontyne Price immediately picked up where she left- singing all the soprano diva roles typically associated with white singers - especially Tosca. Her Tosca is second to her Aida. As Tosca, she encompasses the diva who dies for love in the most thrilling way.
Other than Tosca, Puccini heroines were just as magnificent vehicles for her voice. She sang Madame Butterfly to great acclaim. I dont know how she did it but she suddenly ceased to be herself and became the frail, naive, lovesick Japanese Geisha. Softness and fragility is also mixed with the maturity of a woman in love, with passion and dramatic vocal color. She sang La Rondine with equal success, though this role is more along the lines of Violetta/Traviata. She sang Suor Angelica, she sang in modern works such as Barber's Antony and Cleopatra- in that infamous Zefferelli production- she sang Gershwin's Porgy and Bess, she sang in Dialoge of the Carmelites. All these are on here, along with her Baroque specialties- Dido in Dido and Aeneas. Her Mozart voice is also the best I've heard, really, even with a more dramatic and beautiful charm than other singers I've heard. She sang the acrobatic role of Fiordiligi in Cosi Fan Tutte, both Dona Ana and Donva Elvira in Don Giovanni. I prefer her as Dona Ana, she is all fire, despair, intensity and repressed desire, but she sings a hysterical and lovesick Elvira with a passion as well. She even sang the Countess in Le Nozze Di Figaro. But the sky was the limit to Price. She even sang, in a Jessie Norman way, the Wagner role of Isolde. Her "Liebestod" is the greatest I've heard since Birgit Nilsson, with a passion that stemmed from her religious Gospel heart.
This is a great album and I recommend it to any fan of Price and any fan of opera in general. If you have never heard Price and want to start somewhere, start with this one. This one or the Prima Donna Collection.
of course world class.......2000-08-14
Price is amazing. I will have to also mention that Joan Sutherland in the 1960 is even more incredible, if that's possible. Check Dame Joan out, you will not be sorry. But Price is a D flawless diamond set by Cartier, in my opinion.
the greatest american soprano of the 20th century.......1999-12-12
This collection of arias, art songs, and spirituals is truly amazing for the sheer breadth and depth of this soprano's artistry. It is hard to imagine any Verdi soprano after Ms. Price who could offer us the smoky richness of her vocal color, and there are so many wonderful selections, many of them being roles she did not perform on stage. Among my personal favorites are her scene from Dialogues of the Carmelites, the Letter Scene from Eugene Onegin, and the drama of her Lady Macbeth. For those of us who heard Ms. Price over the years in opera and concert, this collection brings back wonderful memories...It is truly a must-have for any serious opera lover.
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Finnish Vocal Music
Manufacturer: Bis
ProductGroup: Music
Binding: Audio CD
Rautavaara, Einojuhani
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ASIN: B00000167C
Release Date: 1994-03-25 |
Tracks:
- Along Forest Paths I Wander, Op.4 No.2 - Jorma Hynninen/Ralf Gothoni
- The Grasshopper's Wedding Journey, Op.15 No.2 - Jorma Hynninen/Ralf Gothoni
- The Charcoal Burner - Jorma Hynninen/Ralf Gothoni
- In The Rushes - Jorma Hynninen/Ralf Gothoni
- Happy Summer Journey - Jorma Hynninen/Ralf Gothoni
- Minstrel's Songs, Op.77: You Eternal Stars - Jorma Hynninen/Ralf Gothoni
- Minstrel's Songs, Op.77: Silent Snow-Covered Fields - Jorma Hynninen/Ralf Gothoni
- Minstrel's Songs, Op.77: I Play Where There's Dancing - Jorma Hynninen/Ralf Gothoni
- Minstrel's Songs, Op.77: Choral Dance - Jorma Hynninen/Ralf Gothoni
- Minstrel's Songs, Op.77: Minstrel's Longing - Jorma Hynninen/Ralf Gothoni
- Minstrel's Songs, Op.77: In The Dewy Morn - Jorma Hynninen/Ralf Gothoni
- Minstrel's Songs, Op.77: If There Were No Wine... - Jorma Hynninen/Ralf Gothoni
- Minstrel's Songs, Op.77: I Sang My Way Through German Land - Jorma Hynninen/Ralf Gothoni
- Three Japanese Songs: The Fine Rain - Jorma Hynninen/Ralf Gothoni
- Three Japanese Songs: After The Kiss - Jorma Hynninen/Ralf Gothoni
- Three Japanese Songs: In The Blue Sky - Jorma Hynninen/Ralf Gothoni
- Ser Op.35 No.1 - Jorma Hynninen/Ralf Gothoni
- See The Dreamer Coming There, Op.21 No.1 - Jorma Hynninen/Ralf Gothoni
- A Maid's Glance - Jorma Hynninen/Ralf Gothoni
- Three Sonnets Of Shakesperare, Op.14: LXXIII. That Time Of Year Thou Mayst In Me Behold - Jorma Hynninen/Ralf Gothoni
- Three Sonnets Of Shakesperare, Op.14: XII. When I Do Count The Clock That Tells The Time - Jorma Hynninen/Ralf Gothoni
- Three Sonnets Of Shakesperare, Op.14: SVIII. Shall I Compare Thee To A Summer's Day? - Jorma Hynninen/Ralf Gothoni
- Come With Me, Op.9 No.3 - Taru Valjakka/Ralf Gothoni
- Swing, Swing!, Op.60 No.1 - Taru Valjakka/Ralf Gothoni
- You Thought I Was Watching You..., Op.68 No.3 - Taru Valjakka/Ralf Gothoni
- Since You Left Me, Op.2 No.1 - Taru Valjakka/Ralf Gothoni
- Dark Herbs, Op.9 No.1 - Taru Valjakka/Ralf Gothoni
- The Swan Of Death, Op.21: The Swan Of Death - Taru Valjakka/Ralf Gothoni
- The Swan Of Death, Op.21: Pastorale - Taru Valjakka/Ralf Gothoni
- The Swan Of Death, Op.21: The Last Cradle Song - Taru Valjakka/Ralf Gothoni
- The Swan Of Death, Op.21: Heavenly Sleigh Ride - Taru Valjakka/Ralf Gothoni
- The Swan Of Death, Op.21: Swansong - Taru Valjakka/Ralf Gothoni
- Finnish Husbandry: Pasty - Taru Valjakka/Ralf Gothoni
- Finnish Husbandry: Quick-To-Prepare Pasty Crust - Taru Valjakka/Ralf Gothoni
- Finnish Husbandry: Grandma From Lahti's Meat Pasty - Taru Valjakka/Ralf Gothoni
- Finnish Husbandry: Autumn Mushroom Pasty Filling - Taru Valjakka/Ralf Gothoni
- Finnish Husbandry: In Conclusion - Taru Valjakka/Ralf Gothoni
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The Art Of Roland Hayes
Manufacturer: Smithsonian Collect.
ProductGroup: Music
Binding: Audio CD
All Works by Arne
| Arne, Thomas Augustin
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| Beethoven, Ludwig van
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Villa-Lobos, Heitor
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| Mendelssohn, Felix
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| Villa-Lobos, Heitor
| Composers
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| Classical
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Chamber Music
| Forms & Genres
| Modern, 20th, & 21st Century
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| Music
General Modern
| Modern, 20th, & 21st Century
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| Classical
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| Music
Vocal & Song
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
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| Music
General
| Renaissance (c.1450-1600)
| Historical Periods
| Classical
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| Music
Vocal & Song
| Renaissance (c.1450-1600)
| Historical Periods
| Classical
| Styles
| Music
Chamber Music
| Forms & Genres
| Romantic (c.1820-1910)
| Historical Periods
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| Romantic (c.1820-1910)
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General
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| Styles
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General
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Classical (c.1770-1830)
| Historical Periods
| Opera & Vocal
| Styles
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| Cantatas
| Romances
Modern & 20th Century
| Historical Periods
| Opera & Vocal
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Romantic (c.1820-1910)
| Historical Periods
| Opera & Vocal
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Renaissance (c.1450-1600)
| Historical Periods
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| Opera & Vocal
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Oratorios
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ASIN: B0000017SF
Release Date: 1994-12-08 |
Average customer rating:
|
Showboat and Other Jerome Kern Classics
Manufacturer: Cbc
ProductGroup: Music
Binding: Audio CD
Chamber Music
| Forms & Genres
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
General Modern
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
Vocal & Song
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Theatrical, Incidental & Program Music
| Forms & Genres
| Classical
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
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ASIN: B000003XTA
Release Date: 1997-01-14 |
Tracks:
- Showboat Medley
- The Last Time I Saw Paris
- I Won't Dance
- I'm Old Fashioned
- Roberta
- The Folks Who Live On The Hill
- Who?
- The Way You Look Tonight
- I've Told Every Little Star
- All The Things You Are
- The Song Is You
Average customer rating:
- George Feyer's Echoes
- echoes
- He was a talent
- The Essential Jerome Kern
- I have always loved Feyer's Echoes recordings
|
George Feyer Plays Jerome Kern
Manufacturer: Vanguard Classics
ProductGroup: Music
Binding: Audio CD
Film Scores
| Theatrical, Incidental & Program Music
| Forms & Genres
| Classical
| Styles
| Music
Chamber Music
| Forms & Genres
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
Vocal & Song
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
Modern & 20th Century
| Historical Periods
| Opera & Vocal
| Styles
| Music
Movie Soundtracks
| Soundtracks
| Styles
| Music
General
| Soundtracks
| Styles
| Music
General
| Easy Listening
| Pop
| Styles
| Music
Easy Listening
| Pop
| Indie Music
| Stores
| Music
ASIN: B0000023E1
Release Date: 1993-05-12 |
Tracks:
- Swing Time/Showboat: The Way You Look Tonight/Bill/Lovely To Look At
- Centennial Summer/Cover Girl: All Through The Day/Long Ago (And Far Away)
- Roberta: Yesterdays/I Won't Dance
- Very Warm For May: All The Things You Are
- Music In The Air: I've Told Ev'ry Little Star
- Swing Time: (This Is) A Fine Romance/Pick Yourself Up
- Sally/Waltz In Swing Time: Look For The Silver Lining/Waltz In Swing Time
- Sunny: Who
- Showboat: Can't Help Lovin' Dat Man
- Showboat/Joy Of Living: Life Upon The Wicked Stage/You Couldn't Be Cuter
- Lady Be Good: The Last Time I Saw Paris
- Roberta/Swing Time: You're Devastating/Never Gonna Dance
- Showboat: Ol' Man River
- Roberta: Smoke Gets In Your Eyes
- The Cat And The Fiddle: She Didn't Say Yes
- Can't Help Singing/Showboat: Can't Help Singing/You Are In Love
- Showboat/Leave It To Jane: Why Do I Love You?/Leave It To Jane
- Sunny/Swing Time: Sunny/Bojangles Of Harlem
Customer Reviews:
George Feyer's Echoes.......2004-06-12
I am 57 and I remember George Feyer's albums since I was a child.
I kept many of them on vinyl from my father's collection.
I will be hightly interested on getting the echoe's whole collection remastered on CD.
echoes.......2001-12-28
holding out for reissue of the echoes series on cd,
especially echoes of paris, echoes of christmas...
let me know when they are available
He was a talent.......2001-11-30
There are 2 CD's of George available. If you like well played piano, with great arrangements, then these are for you. He had a great career on the club circuit in New York and deserves any and all praise. Unfortunately he has passed on to that Concert Grand in the sky, but these CD's will keep his talent alive.
The Essential Jerome Kern.......2001-01-07
Once again George Feyer has proved he is a concert pianist. The way he plays Kern reveal not only his great musicality, but also his great musical culture and taste. He uses to improvise slightly including some familiar themes from his favorite Chopin and other composers in his accompaniment. All recordings are perfectly remastered and sound beautifully. This album is a must for every collector of popular music. Both thumbs up! We are still waiting for more Feyer (his series of "Echoes..." (of Broadway, Hollywood, Paris, Budapest, Rome etc.), which made him famous in America.
I have always loved Feyer's Echoes recordings.......1999-10-14
Like Mr. Pinto, I too would like to buy CDs of any of Feyer's Echoes recordings: e.g. Echoes of Paris, Echoes of Hollywood, etc.
Average customer rating:
|
Last Swing of the Century Vol.1
Manufacturer: Hanover Group
ProductGroup: Music
Binding: Audio CD
General
| Jazz
| Styles
| Music
General
| Pop
| Styles
| Music
Traditional Vocal Pop
| Broadway & Vocalists
| Styles
| Music
General
| Broadway & Vocalists
| Styles
| Music
ASIN: B0007LZIC2 |
Product Description
14 Tracks: IT'S A SIN TO TELL A LIE / DO I WORRY? / MAYBE / WE THREE / INTO EACH LIFE SOME RAIN MUST FALL / TO EACH HIS OWN / I DON'T WANT TO SET THE WORLD ON FIRE / I'LL NEVER SMILE AGAIN / JAVA JIVE / MOOD INDIGO / WHISPERING GRASS / MACK THE KNIFE / MY PRAYER / IF I DIDN'T CARE /
Average customer rating:
|
100 Years Ago: The Songs They Sang Last Century's Eve
Various Artists
Manufacturer: Memoir Records
ProductGroup: Music
Binding: Audio CD
General
| Jazz
| Styles
| Music
Swing General
| Swing Jazz
| Jazz
| Styles
| Music
Traditional Jazz General
| Traditional Jazz & Ragtime
| Jazz
| Styles
| Music
Vocal Jazz General
| Vocal Jazz
| Jazz
| Styles
| Music
Nostalgia
| Miscellaneous
| Styles
| Music
General
| Oldies
| Pop
| Styles
| Music
Traditional Pop
| Oldies
| Pop
| Styles
| Music
General
| Easy Listening
| Pop
| Styles
| Music
General
| Vocal Pop
| Pop
| Styles
| Music
Classic
| Vocal Pop
| Pop
| Styles
| Music
Traditional Vocal Pop
| Broadway & Vocalists
| Styles
| Music
General
| Broadway & Vocalists
| Styles
| Music
Vocal Jazz
| Jazz
| Indie Music
| Stores
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Traditional & Vocal Pop
| Pop
| Indie Music
| Stores
| Music
ASIN: B00004U2AV
Release Date: 2000-02-29 |
Tracks:
- Man Who Broke the Bank at Monte Carlo
- Band Played On - The Jesters
- Daisy Bell (A Bicycle Built for Two)
- Little Annie Rooney
- After the Ball
- Love's Old Sweet Song - John McCormack
- Hearts and Flowers
- When You Were Sweet Sixteen - Perry Como
- Bird in a Gilded Cage
- On the Banks of the Wabash - The Mills Brothers
- Lily of Laguna - Bing Crosby, Mary Martin
- At a Georgia Camp Meeting - Milt Herth Trio
- See Me Dance the Polka - Debroy Somers
- Whistling Rufus
- Medley: I May Be Crazy/In the Shade of the Sheltering ...
- Sweet Rosie O'Grady - Dick Robertson
- She'll Be Coming 'Round the Mountain - Carson Robison
- Daddy Wouldn't Buy Me a Bow-Wow
- My Old Dutch
- Two Little Girls in Blue - Gerald Adams
- Little Dolly Daydream
- Gipsy Love Song - Charles Kullman
- Miner's Dream of Home - Peter Dawson
- Holy City - Richard Crooks
Music:
- Love Story [Import]
- Mein Schonster Traum [Enhanced] [Import]
- Moon River [Import]
- Morning, Noon, & Night
- Movin'/Movin' on Broadway
- My Love/I Couldn't Live Without Your Love [Import]
- My Marilyn
- Nancy Sinatra - Lightning's Girl: Greatest Hits 1965-1971
- Nancy Wilson Christmas
- O Sole Mio: The Very Best of Neapolitan Songs [Import]
Music
Music