From Gershwin's Time: The Original Sounds Of George Gershwin 1920-1945

Editorial Reviews
Amazon.com essential recording
Problem with listening to Gershwin tunes these days: all we ever hear is the new interpreters, the crooners who always boast a thick sheen of polish. Of course, there was a time--back before jazz became "smooth" and airline commercials picked up on "Rhapsody in Blue"--when Gershwin's tunes were pop music. You know, fun songs heard everywhere--in the concert halls, at the movies, on the radio--by young and old alike. These tunes comprise From Gershwin's Time, a collection of music recorded (mostly) while the composer was still alive, between 1920 and 1945 (George died in '37). Vintage Gershwin cuts by Al Jolson, Ukulele Ike, Fred Astaire, and Tom Patricola (from the original George White's Sandals Broadway cast) are interspersed with more novel acts: the Singing Sophomores, the Ipana Troubadours, and Borah Minnevitch & His Harmonica Rascals. The second CD features several tracks of Gershwin's own piano work, but it's the oddballs that make this disc so special. Of all the Gershwin compilations out there, none are so varied in performers and scope--from Broadway tunes to Rhapsody--nor are any this fun. A must-have for Gershwin fans. --Jason Verlinde

Tracks:

Capital Revue - Demi Tasse: 'Swanee'
Spice Of 1922: 'The Yankee Doodle Blues'
The French Doll: 'Do It Again'
George White's Scandals Of 1924: 'Somebody Loves Me'
Lady Be Good!: 'Fascinating Rhythm'
Lady Be Good!: 'Oh, Lady Be Good'
Tell Me More: 'Tell Me More'
Tip-Toes: 'Sweet And Low-Down' (1925) / Singing Sophomores
Song Of The Flame: 'Song Of The Flame'
Medley From Oh, Kay!: 'Oh, Kay' - 'Maybe' - 'Do-Do-Do' - 'Someone To Watch Over Me' - 'Clap Yo'Hands'
Funny Face: 'S Wonderful'
Funny Face: 'My One And Only'
Strike Up The Band: 'The Man I Love'
Rosalie: 'Oh, Gee ! Oh, Joy !'
Show Girl: 'Liza (All The Clouds'll Roll Away)'
Show Girl: 'Do what you do !'
Strike Up The Band: 'Strike Up The Band'
Girl Crazy: 'I Got Rhythm'
Of Thee I Sing: 'Of Thee I Sing' - Dance medley
Of Thee I Sing: 'Wintergreen For President'
Pardon My English: 'My Cousin In Milwaukee'
Let 'Em Eat Cake: 'Let 'em Eat Cake'
Porgy And Bess: 'It Ain't Necessary So'
Shall We Dance: 'They All Laughed'
A Damsel In Distress: 'Nice Work If You Can Get It'

Tracks:

A Damsel In Distress: 'A Foggy Day (In London Town)'
The Goldwyn Follies: 'Love Is Here To Stay'
Song Of The World's Fair: 'Dawn Of A New Day'
Oh, Kay!: 'Do-Do-Do'
Oh, Kay!: 'Someone To Watch Over Me'
Oh, Kay!: 'Clap Yo' Hands'
Oh, Kay!: 'Maybe'
Three Preludes For Piano: No. 1
Three Preludes For Piano: No. 2
Three Preludes For Piano: No. 3
Rhapsody In Blue: Andante (Theme)
Novelty Abridgement Of Rhapsody In Blue
Concerto In F: I. Allegro
Concerto In F: II. Adagio - Andante con moto
Concerto In F: III. Allegro agitato
A Symphonic Picture: Porgy And Bess

Amazon.com essential recording

Problem with listening to Gershwin tunes these days: all we ever hear is the new interpreters, the crooners who always boast a thick sheen of polish. Of course, there was a time--back before jazz became "smooth" and airline commercials picked up on "Rhapsody in Blue"--when Gershwin's tunes were pop music. You know, fun songs heard everywhere--in the concert halls, at the movies, on the radio--by young and old alike. These tunes comprise From Gershwin's Time, a collection of music recorded (mostly) while the composer was still alive, between 1920 and 1945 (George died in '37). Vintage Gershwin cuts by Al Jolson, Ukulele Ike, Fred Astaire, and Tom Patricola (from the original George White's Sandals Broadway cast) are interspersed with more novel acts: the Singing Sophomores, the Ipana Troubadours, and Borah Minnevitch & His Harmonica Rascals. The second CD features several tracks of Gershwin's own piano work, but it's the oddballs that make this disc so special. Of all the Gershwin compilations out there, none are so varied in performers and scope--from Broadway tunes to Rhapsody--nor are any this fun. A must-have for Gershwin fans. --Jason Verlinde

Customer Reviews:

Essential Fun.......2005-05-14

This is one of the most delightful CDs ever issued in Sony's late-lamented "Masterworks Heritage" series. The container's design is much like a miniature 78 rpm record album, with wonderful period photos, reproductions of original broadway production posters, and exhaustive notes. Why Sony stopped making new entries in this series defies comprehension - you should rush to buy a copy before they all disappear from sight.

Many of the Gershwin selections are quaint reminders of a bygone era, when music that was universally popular got played and recorded in just about every conceivable format. Jason Verlinde's editorial review omits any mention of two rewarding items here: 1) the world premiere recording of "Porgy and Bess - A Symphonic Picture," arranged by Robert Russell Bennett and performed with considerable gusto by Fritz Reiner and the Pittsburg Symphony, and 2) the FIRST-EVER recording of the Concerto in F, with Roy Bargas at piano and Paul Whiteman conducting. The latter is my favorite recording of the work, and the transfer here is simply superb.

Utterly essential.

S'wonderful.......2002-12-06

If there's an argument against public-domain CDs, it's the gem of this set, the Porgy and Bess Symphonic Picture led by Fritz Reiner. A cursory Web search reveals this was issued twice before on CD, once on a label called Dante, and no doubt like many public-domain albums it came off worn 78s of poor sound quality. If one played this as part of a blind listening test people couldn't tell when it was recorded. The mono might give it away as pre-1960 -- or might not. This is a true high-fidelity rendering, with the sparkling unbelievable acoustics of Pittsburgh's late lamented Syria Mosque -- and it was made in March of 1945, during the long sonically dead era before LPs and magnetic tape. Very careful listening would reveal a touch of acetate surface noise, but otherwise this powerful performance of Robert Russell Bennett's inspired suite sounds almost newly minted -- as in a sense it is. Remember the engineer's name: Andreas Meyer. A heartfelt thank you.

As for the rest of this tremendous historic document, while it is not quite up to the sonic standard of the Reiner, having been taken largely from commercial pressings (the Gershwin solos are disappointingly noisy by comparison), it has many wonderful moments, like the Columbia Light Opera Company's "Oh, Kay!" medley, a real charmer. (When the Smithsonian issued an album of the show's songs it used only the opening, repeated -- not a smart thing.) Or Cliff "Ukelele Ike" Edwards's "Fascinating Rhythm"; he deserves to be known as much more than the alter ego of Jiminy Cricket. Or the great Kate Smith's "I Got Rhythm," which might have inspired the Schnozz himself to rasp, "What a voice! What a voice!" Or the incredibly sexy Vaughn De Leath, whose name first led me to think, this is a man? I do not know what to say of Borah Minnevitch's utterly screwy arrangement of the Rhapsody in Blue -- for harmonica; but this set would be the lesser without it. One might quibble with what's missing -- where's the Paul Whiteman Rhapsody? Where's Gertrude Lawrence? (Alas, those recordings were for Victor, and the current set is limited to the labels associated with Sony Music and its predecessors.) Still, though not the definitive Gershwin -- there are too many good albums for that -- it is A definitive one, with a big A. Small quibbles: the discs are hard to pry from the cardboard holder, which comes with an inconvenient plastic slipcover; and we could have used more liner notes in English.

A footnote: The unjustly forgotten Tom Stacks is here -- which brings up another bad public-domain album: Back in the eighties some deaf engineer enticed Australian Broadcasting's record label to put out a whole slew of "digital stereo" albums of pre-war pop music. You knew you were in the golden age of "electronically simulated to re-create stereo" when you put on the headphones and heard an effect not unlike the way your ears can clog up during a cold. Stacks (performing the deathless "I Do Not Choose to Run" with the Six Jumping Jacks) was one of the victims. DO NOT BUY PUBLIC-DOMAIN CDS unless the artist isn't otherwise anthologized.

Another footnote: Of course, the public-domain labels aren't the only ones to abuse the music. They got a lot of training from the majors. Some time ago Columbia (for example) issued a two-CD anthology of Fred Astaire (he's represented with "A Foggy Day [in London Town]"), and some -- my original, unprofane noun was replaced by a computer or functionary, with a NON-SEXIST WORD to boot, so let's just say someone with tin ears -- for one of the stereo magazines called the mastering "wonderful." I bought it and it sounded like Osama cutting a track on the telephone. Fred sounds great here. The fact that digital audio has advanced so much in the last two decades is no excuse.

Another, and final, footnote, for jazz buffs only: Ben Selvin's "Oh Gee! Oh Joy!" sounds suspiciously like an acoustical version recorded on the same day for Columbia's budget sister label Harmony by an orchestra led by the journeyman musician Lou Raderman -- an orchestra believed to have included Bix Beiderbecke. (See Columbia CK 46175, "Bix Beiderbecke, Volume 2: At the Jazz Band Ball.")

Great Gershwin.......2000-06-27

For someone who is looking for a Gershwin collection that contains something other than the usual pieces, this CD is sure to please. Here is a generous collection of original recordings dating back to Al Jolson's 1919 rendition of Swanee. There are dozens of other recordings from the 1920's and 30's. Most are of Gershwin's Broadway songs. The 2-CD set also includes Gershwin himself playing, among other pieces, the Andante from Rhapsody in Blue and the Three Preludes. Robert Russell Bennett's Porgy and Bess-A Symphonic Picture is here in the 1945 world-premier recording by Fritz Reiner and the Pittsburgh Symphony Orchestra. Overall, this is an outstanding bargain for anyone who loves Gershwin.

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