Music for Her

Editorial Reviews
Album Description
A mono album of riches - tender string arrangements that Percy has written to showcase in a jewel-like setting some giant melodies by Cole Porter, Harold Arlen, Jerome Kern and many more; slow and beautiful arrangements from 1955, easily THE mood music album of the time. As this was Percy Faith's longest album as well, we couldn't fit two albums on one CD - so enjoy six vocal and choral arrangements of the time heard on this CD for the first time since the 45 rpm "donut" records were the rage! (Bill Halvorsen)

Tracks:

Ah! Whither Should We Fly...
...As With Rosy Steps The Morn
O Bright Example Of All Goodness!...
...Bane Of Virtue, Nurse Of Passions
The Clouds Begin To Veil The Hemisphere...
...Defend Her Heav'n!
Lord, To Thee Each Night And Day
She's Gone, Disdaining Liberty And Life...
...New Scenes Of Joy
Cantata
Cantata
Cantata
Cantata
Cantata
Cantata
Cantata
Cantata
Se Bramate D'amar, Chi Vi Sdegna
Frondi Tenere E Belle...
...Ombra Mai Fu

Amazon.com

If you think you've heard Handel's "Ombra mai fu" (known as his "Largo") so often, and in so many different arrangements, and sung by so many different voices, that you can no longer be moved or surprised by it, think again. This CD of Handel arias, mostly from his Theodora or the cantata La Lucrezia, ends with "Ombra mai fu," and as sung by Lorraine Hunt Lieberson, it is so tender, so beautiful, so impeccably shaded, that you'll think you're hearing it for the first time. But that's only four of this disc's 67 minutes---a follow-up to Hunt Lieberson's extraordinarily successful CD of Bach cantatas. There's not a dull or disinterested moment to be heard anywhere. As the violated Lucrezia, Hunt Lieberson alternately rages against the man who raped her and turns her grief inward; the former is terrifying in its intensity, the latter makes us almost feel as if we're eavesdropping. The five arias for Irene, Theodora's friend, confidante, and the upholder of Christian beliefs are all magical prayers or statements of faith, and from Hunt Lieberson, they become real, with each word honestly conveyed and colored. The voice itself is unfailingly beautiful---warm, lush, never forced, agile when necessary---and her breath control is stunning. She is backed ideally by Harry Bicket and The Orchestra of the Age of Enlightenment, and the string soloists in the ensemble---the viola da gamba player, lutenist, etc.---are as gifted as she is. If you want proof that Handel was a great dramatist with a special gift for communicating emotion, all while listening to sublime sounds, this CD is a must. --Robert Levine

Customer Reviews:

A Legendary Singer........2007-03-07

I simply don't have the heart to review Mrs. Lieberson's works.
If we call Ms. Bartoli a 'great' singer, then the description of 'legendary' more aptly depicts Mrs. Lieberson.
If ever a truly good artist lived, Mrs. Lieberson is one such.
The only singer that could be recalled singing in such style is Teresa Berganza; but still, they are different.
This is one of my favourite interpretators of Haendel. Having been 'treated' by those coloraturas of arias of Haendel's period by Ms. Bartoli and others, I find the singing of Lorraine Hunt Lieberson a great relief - at last, this is what Haendel would want it to be. And I equally enjoy the singing of soprano arias by Mrs. Lieberson - the timbre is warmer, but still with all the shimmer - so different from the dark mushy tones of other celebrated 'lyrical soprano' around.
Don't want to say more. Mrs. Lieberson's leaving last year is too heavy a news for me.

Lorraine Hunt Lieberson's Bach: The mind of God revealed!!.......2007-01-06

These deeply felt performances of two of Bach's most moving cantatas show this transcendent singer's combination of emotional honesty and profound musicality, all combined to reveal the very mind of God through divine redemption from suffering. The disc is to be treasured even more in light of the Ms. Lieberson's recent untimely death from cancer. I'm an agnostic, but this music makes me envious of those who can believe. Roy in Pope Valley, California

Glorious singing to treasure for decades.......2006-07-11

By any measure, America's Lorraine Hunt Lieberson is at least the equal of Italy's premier diva, mezzo-soprano Cecilia Bartoli, although she does not have the same superstar status. It is difficult to recall past mezzos with clearer enunciation of English text, (as favoured in nine excerpts from Theodora), the richness of voice, displayed in full-throated fortissimo and sharply contrasted pianissimo of utmost delicacy, evokes fondest memories of the tragically doomed Kathleen Ferrier. Masterfully chosen to display every facet of Hunt Lieberson's consumate command of Handel's dauntingly difficult music, the disc's repertoire - recitatives and linkig arias from the operas Theodora and Serse, and the cantana La Lucrezia - is stunning. An unsung mezzo who makes the senses tingle!

Lorraine Hunt-Lieberson (1954-2006), supreme Handelian.......2006-07-06

I have never heard a voice purer of tone, more flexible in phrasing, and so gorgeously produced in a homogeneous column of sound such as this artist in Handel's repertoire. It is very tastefully sung (unlike a certain person whose name begins with R and ends with enaaay Fleming) and so dramatically touching that one could not help but feel that this repertoire finally has found its instrument. And how sad it is to know that this instrument has passed away two days ago. Lorraine Hunt-Lieberson died two days ago in her home in Santa Fe, New Mexico of breast cancer. It is such a huge loss to the opera world, as she is an artist who is still experiencing the prime of her career. The voice is just so beautiful, the tone so pure, that I lament that we can no longer hear any great roles from this artist. She will be missed.

The Stellar Hunt Lieberson.......2006-03-19

Simply put, Lorraine Hunt Lieberson is one of the very best classical singers alive. She combines vocal elegance and purity with an emotional delivery that raises her above the crowd of technically proficient singers who just don't possess her depth of musical understanding or emotional commitment. Hunt Lieberson is a true artist who resists easy classfication except to say she is perfect in what she does.

Average customer rating:

NEVER RECEIVED THIS ITEM!!
Perlman, Williams reunite in wonderful Serenade sequel
Some of the most beautiful music you'll ever hear
Don't compare it to Cinema Serenade 1
I can't stop listening to this CD....

Cinema Serenade II: The Golden Age

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Cinema Serenade
Itzhak Perlman's Greatest Hits, Vol. 2
Itzhak Perlman's Greatest Hits
Classic Perlman: Rhapsody
Itzhak Perlman - Greatest Hits ~ "Carmen" Fantasy · Havanaise · Poème · and more

ASIN: B00000JQG0
Release Date: 1999-07-27

Tracks:

Laura
Now, Voyager
Modern Times
Lost Weekend
The Quiet Man
The Adventures Of Robin Hood
Casablanca
Henry V
The Uninvited: 'Stella By Starlight'
My, Foolish Heart
Gone With The Wind
Wuthering Heights

Amazon.com

Cinema Serenade 2: The Golden Age is the sequel to Itzhak Perlman's popular album of movie themes performed with soundtrack composer John Williams. Unlike its predecessor, this disc focuses on classic cinema themes and features the Boston Pops Orchestra, not the Pittsburgh Symphony Orchestra. The Laura theme, as well as Max Steiner's Now Voyager and Miklós Rózsa's Lost Weekend themes, sound lush and romantic in Perlman's lyrical hands. The traditional Irish jig "The Quiet Man" is the disc's most upbeat moment, while the unforgettable Gone with the Wind theme is its most memorable. These are timeless, dreamy compositions, though not necessarily the most uplifting. If you're looking for something cinematic to get your heart racing, check out Ricardo Chailly's recording of Shostakovich's film scores or even Leopold Stokowski's classic work on Fantasia. --Jason Verlinde

Customer Reviews:

NEVER RECEIVED THIS ITEM!!.......2007-03-17

I cannot review the product which I know is great , as I was billed for it, but never received it.

Perlman, Williams reunite in wonderful Serenade sequel.......2003-12-04

With the success of Cinema Serenade, conductor John Williams and violinist Itzhak Perlman reunited to record another collection of classic movie themes. Performed this time by the Boston Pops Orchestra, the music of Cinema Serenade 2: The Golden Age harkens back to the days of stars such as Bette Davis, Humphrey Bogart, Errol Flynn, Ray Milland and Clark Gable.

The 12 selections include themes by Hollywood legends Max Steiner, Miklos Rozsa and Erich Wolfgang Korngold (whose son George would later produce several of composer/conductor Williams' scores for Varese Sarabande Records). Cinema Serenade 2 presents beautiful arrangements of Steiner's themes for Now, Voyager and Gone With The Wind, Korngold's love theme from The Adventures of Robin Hood, Charlie Chaplin's lovely Modern Times and "St Patrick's Day," a traditional Irish song from the John Wayne classic The Quiet Man.

Since I consider myself to be a charter member of The Rick Blaine Society of Rank Sentimentalists, I'd have to say my favorite tracks on this album are Herman Hupfeld's timeless "As Time Goes By" from 1942's Casablanca and Victor Young's "My Foolish Heart" (from the 1949 film of the same title). It was while I was listening to the radio (on the late WTMI 93.1 FM classical station) that the DJ played "As Time Goes By" and I discovered this recording of mostly lyrical themes; I listened to Perlman's haunting violin solos and the Boston Pops' bravura performance and nearly wept. I, of course, bought this CD the next day and it's now one of my favorites.

For fans of Itzhak Perlman, John Williams or film music in general, both of the Cinema Serenade CDs are a treasure trove of beautiful and memory-stirring themes.

Some of the most beautiful music you'll ever hear.......2001-06-15

This is one of the most beautiful CDs I've ever heard. The selections are musically much richer than Cinema Serenade I. In particular, Sir William Walton's music from Henry V, Korngold's music from Robin Hood, and Newman's music from Wuthering Heights are standouts. The Korngold is my favorite, with several themes from the picture packed into a short love scene lifted straight from the movie. The arrangements on this album are stunningly lush, especially those by Williams. His opening chords from The Uninvited are terrific harmonically.

Don't compare it to Cinema Serenade 1.......2000-01-24

Itzhak Perlman is still considered by me the best violinist alive today. His techiniques are so impressable and heartouching and nobody can contest that. The idea of this CD was wonderful, although the selections of the musics aren't so good than in Cinema Serenade 1. But anyway, if you want to listen musics that worldwide the people emotioned with, buy this CD, but don't fall in the temptation to compare it to the first one.

I can't stop listening to this CD...........1999-10-03

All of those lush movie themes are greatly compiled on this CD. I especially liked Laura and Stella by Starlight. After listening to this, you will want to go out and buy/rent these great old movies!

All At Once Well Met: English Madrigals; The King's Singers

Average customer rating:

Very pleased
Sumptuous and mellow
One of the Best Collections of English Madrigals
A Delightful Collection of English Madrigal
A wide variety

All At Once Well Met: English Madrigals; The King's Singers
John Dowland , Thomas Morley , Thomas Weelkes , John Wilbye , William Byrd , John Farmer , and The King's Singers
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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ASIN: B000002RPZ
Release Date: 1990-10-25

Tracks:

English Madrigals: A Little Pretty Bonny Lass
English Madrigals: Weep No More, Thou Sorry Boy
English Madrigals: Shoot False Love
English Madrigals: Now Is The Month Of Maying
English Madrigals: Four Arms, Two Necks, One Wreathing
English Madrigals: Hark, All Ye Lovely Saints Above
English Madrigals: Since Robin Hood
English Madrigals: Though Philomela Lost Her Love
English Madrigals: O Wretched Man
English Madrigals: Weep, O Mine Eyes
English Madrigals: The Nightingale, The Organ Of Delight
English Madrigals: Come, Sirrah Jack, Ho!
English Madrigals: Cruel, Behold My Heavy Ending
English Madrigals: Fair Phyllis I Saw Sitting All Alone
English Madrigals: Sing We And Chant It
English Madrigals: On A Fair Morning
English Madrigals: Oft Have I Vowed
English Madrigals: Is Love A Boy?
English Madrigals: Say, Love, If Ever Thou Didst Find
English Madrigals: All At Once Well Met
English Madrigals: Construe My Meaning
English Madrigals: Lord! When I Think
English Madrigals: Cruel, Wilt Thou Persever
English Madrigals: Fine Knacks For Ladies
English Madrigals: Strike It Up, Tabor
English Madrigals: I Love, Alas I Love Thee
English Madrigals: Farwell, Dear Love
English Madrigals: See, See The Shepherd's Queen
English Madrigals: Have I Found Her
English Madrigals: Lady Your Words Do Spite Me
English Madrigals: Were I A King
English Madrigals: Come Again
English Madrigals: Tan Ta Ra, Cries Mars
English Madrigals: Why Should I Love?
English Madrigals: This Sweet And Merry Month Of May

Customer Reviews:

Very pleased.......2007-06-10

I wasn't sure what to expect when I bought this CD. True, I could have listened on line before buying but that would have taken the fun out of the purchase. Besides, I really didn't care for the CD the first couple of times I listened but now I really love it. It's not something to listen to all the time but given the right circumstances e.g. a small gathering of friends, it's perfect. If I'd listened to online, I wouldn't have purchased it.

Sumptuous and mellow.......2002-11-28

The six men of the King's Singers present sweet and light-hearted madrigals of such English composers as Morley, Weelkes, Dowland, Wilbye and Byrd. The thirty five selections include "Now is the Month of Maying", "Though Philomela Lost Her Love", "Sing We and Chant It," the celebration of tobacco entitled "Come, Sirrah Jack, Ho!" and a host of other fa-la-la-la-la venues interspersed with wistful laments. I love the rich, sonorous sound of a male vocal ensemble, with countertenors, tenor, baritones and bass, and these six singers do a great job. Occasional instrumental accompaniments by lute and tabor are included, but this group doesn't really need it--I could listen to them for hours all by themselves. Also quite enjoyable, as well as educational, is their earlier release, "The King's Singers' Madrigal History Tour: Italy, England, France, Spain and Germany". For a more risque' take on the vocal music of Renaissance England, you might get a kick out of "The Art of the Bawdy Song" by the Baltimore Consort with the Merry Companions.

One of the Best Collections of English Madrigals.......2002-03-27

Any fan of the King's Singers will regret not having this album in their collection.

This album offers a veritable feast of the choicest English madrigals found on any comparable album. From the obligatory "Now is the Month of Maying" and "Fair Phyllis" to the more obscure "Tan ta ra, cries Mars," there is certainly enough on this album to bring a smile to lovers of Renaissance music - and a spark of recognition to anyone who sang traditional madrigals in high school or university. For serious students of early music, this album comes very highly recommended.

Among the more sonorous offerings on this album, Jones' "Farewell, Dear Love" and Dowland's "Come Again," cannot be ignored. Nor can Bennet's immortal "Weep O mine eyes" be matched more musically than here by the King's Singers.

This album has been played again and again for almost 6 years as both serious listening and background working music. And it has yet to lose its delight.

A Delightful Collection of English Madrigal.......2000-08-16

With 35 tracts to enjoy you're sure to find a couple of favorites. I gave this CD 4 of 5 stars compared to 5 stars for the King's Singers World Madrigal Tour CD. If you prefer all your songs in English, this will be your 5 star CD. Tract 32 "Come again" is my favorite due to the surperb tenor lead and melodic development. Compared to many polyphonic early music styles (1300s-1485), this era (1500-1610) provides many memorable melodies.

A wide variety.......2000-04-28

This is an excellent sampling of English madrigals. This presentation, given by an older roster of the Singers, is a nice introduction to the world of the madrigal, and English madrigals in particular.

Average customer rating:

Hyponotic music from an early great composer
One of my favorite albums of all time.
Luminous
Heavenly
Short, but still the very best of Hildegard of Bingen. Buy It.

Feather on the Breath of God

Manufacturer: Hyperion UK
ProductGroup: Music
Binding: Audio CD

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Hildegard von Bingen: Canticles of Ecstasy
Luminous Spirit
Hildegard von Bingen: Voice of the Blood
Vision: The Music of Hildegard von Bingen
Secrets of God: Writings of Hildegard of Bingen

ASIN: B000002ZGD
Release Date: 1993-09-01

Tracks:

Sequentia de Sancto Maximo: Columba aspexit
Ymnus de Sancta Maria: Ave, generosa
Sequentia de Spiritu Sancto: O ignis spiritus
De Sancto Ruperto: O ierusalem
De sancto Euchario sequentia: O Euchari
De Sancta Maria: O viridissima virga
Sequentia de Sancto Dysibodo: O presul vere civitatis
De Undecim Milibus Virginbus: O Ecclesia

Amazon.com essential recording

This is the record that started the Hildegard craze back in 1982--and you need only listen to Emma Kirkby glide and soar through Columba aspexit (the opening hymn) to understand why. Gothic Voices performs the music very simply, either alternating soloists and unison choir over a drone or using a single unaccompanied voice. The singers render Hildegard's extravagant poetic imagery and melody not with the rhythmically fluid, ecstatic approach favored by Sequentia, but with equalist rhythm and a calm, meditative quality. Gothic Voices' straightforward approach is less likely to send you into a rapturous trance than is Sequentia's, but in the hands of such fine singers as Kirkby, Margaret Philpot, and Emily van Evera, Hildegard's extraordinary texts and melodies are captivating--and clear enough to linger in the memory as melodies rather than just sensations. This record is still Hyperion's bestselling title by far--try it and find out why. --Matthew Westphal

Customer Reviews:

Hyponotic music from an early great composer.......2007-03-10

The Abbess Hildegard of Bingen wrote hypnotic, haunting music a thousand years ago (she lived from 1098-1179). The notes from this CD state that: "This recording draws upon Hildegard's large collection of music and poetry. . .which she continued to enlarge and enrich throughout her life. It contains some of the finest songs ever written in the Middle Ages. . . . The songs are conceived on a large--sometimes a massive--scale; it is in superabundance that Hildegard found herself both as poetess and composer." Hers is a very different style of music from what we are used to today. And the voices of Emma Kirkby and "Gothic Voices" (a group) appear to capture the spirit and soul of this music well.

Kirkby has a crystalline clear and clean voice. In "Columba aspexit," Kirkby and supporting voices paint a musical tapestry that is hypnotic (a common phrase that can be used across the songs). In "Ave, generosa," Kirkby sings the hymn solo and without any instrumental backing. An enchanting piece. Three tenors from "A Gothic Voice" essay "O ignis spiritus." Their voices meld together well and their take on this has a spiritual element. A final example (no need to mention each of the cuts on the CD). . . . "O Jerusalem" features both Kirkby and some members of "A Gothic Voice." The voices play off one another well. Another nicely done work.

This is a good introduction to ancient but interesting music. Kirkby once again shows her skills off to good effect, with an assist from "A Gothic Voice."

One of my favorite albums of all time........2007-03-06

This is the best Hildegard von Bingen recording I have heard. It features the marvelous English soprano, Emma Kirkby.

This is an older recording. I first bought the album on vinyl. I bought it again on CD. Now it is in heavy rotation on my ipod. This is simply one of the best pieces of vocal music ever recorded, any age, any genre.

Enjoy.

Luminous.......2006-11-27

Landmark recording of the early Kirkby glorying in this beautiful music. Ears that can do East and West may like to sample 'Shruti' by Sangeeta Bandyopadhyay - a similarly evocative and remarkable recording.

Heavenly.......2006-11-15

This CD is a Masterpiece. I often play this before I go to sleep. If you want a CD that will totally relax you and clear your sole then you can't go past this great piece of work. The music and voices are Heavenly. I really admire Hildgard and her work. She was very ahead of her time. I very highly recommend this CD to anyone who loves beauty.

Short, but still the very best of Hildegard of Bingen. Buy It........2005-12-20

'A feather on the breath of God' is a performance of eight 'Sequences and Hymns' by Abbess Hildegard of Bingen' which has been lauded by Gramophone Magazine as a 'Best of' in the year it was released.

I have heard two other performances of Hildegard of Bingen compositions and to my amateur ear, these are the best. With soloist Emma Kirkby plus the instrumental backup, they are certainly more interesting than the a capella treatment by the Anononymous 4.

Very highly recommended.

Jane Eyre, the Musical (Original 2000 Broadway Cast)

Average customer rating:

Great Buy!
Perfect Match
Probably the most beautiful musical of all time
Beautiful!
A good musical

Jane Eyre, the Musical (Original 2000 Broadway Cast)
John Caird
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B000051Y31
Release Date: 2000-11-21

Tracks:

The Orphan
Children of God
Forgiveness
The Graveyard
Sweet Liberty
Secrets of the House
Act One: Perfectly Nice
Act One: As Good As You
Secret Soul
Finer Things
The Pledge
Sirens
Things Beyond This Earth
Painting Her Portrait
In the Light of the Virgin Morning
The Gypsy
The Proposal
Slip of a Girl
Sirens (Reprise)
Farewell, Good Angel
My Maker
Rain
The Voice Across the Moors
Poor Sister
Brave Enough for Love

Amazon.com

Here's another to join the parade of page-to-stage musicals inspired by 19th-century fiction. This ambitious adaptation of Charlotte Brontë's haunting classic Jane Eyre for the musical theater seems to be part of a trend represented most famously by Les Misérables. It also reflects the increasing pressure to schedule an original cast recording release as close as possible to a new show's Broadway opening: in this case, in fact, the CD was both recorded and released prior to the show's opening in December 2000 at the Brooks Atkinson Theatre. But what's most significant for the artistic character of Jane Eyre: The Musical is found in yet another pattern: like a number of his colleagues, composer-lyricist Paul Gordon comes to the project from a pop music industry background (best known for his hit "Friends and Lovers"). And quite a few of the show's numbers benefit from Gordon's catchy craftwork, weaving melodies that are clearly destined to be whistled long past curtain. Yet the effect is sometimes too facile, not diving as deep as we would like into the emotional predicaments of Brontë's characters. You begin to crave a more deftly defined and imagined variety of sound worlds (especially for the darker aspects of Thornfield Hall) than what is hinted at. Gordon doesn't forge any new paths, but his melodic fluency does have its moments of payoff--especially in the moving final duet "Brave Enough for Love," which is also strong enough to stand on its own.

Gordon's predilections as a would-be son of Sondheim are nevertheless clear, and he's telescoped the story into mostly effective lyrics, with some thoughtful juxtapositions of material. Most importantly, he understands that this is more than a Gothic romance, foregrounding the central message of forgiveness that Jane learns as a girl. He attempts to explore the injured sense of self shared by both Jane and Rochester and sets them on a painful, mutual voyage of discovery.

The creative team also includes the veteran duo John Caird (book and direction) and John Napier (scenic design), who have collaborated on such epics as Les Mis and Nicholas Nickleby (not to mention the Las Vegas Siegfried and Roy extravaganza). And the show's creators seem to share a vision geared toward the more operatic end of the spectrum (it was opera composers, after all, who early on claimed 19th-century Gothic fiction for the stage, as in Donizetti's Lucia di Lammermoor), with an actual parody of coloratura in one showstopper ("The Finer Things") given to Blanche Ingram. Fortunately, the two principals have large, richly expressive voices to encompass the large, complicated emotions of these characters. Marla Schaffel singswith unusual beauty and brings dimension to her Jane, while James Barbour (whose resumé includes Beauty and the Beast) is never really threatening as Rochester, but rather a tortured soul who is sweet-voiced even at his most cynical. Mary Stout is a stitch as the blustery Mrs. Fairfax. While the show has already undergone a lengthy evolution from its very first workshops, the viability of its final, fully staged realization has yet to be determined. But this cast recording conveys an authentic sense of the musical's atmosphere and emotional scope. --Thomas May

Customer Reviews:

Great Buy!.......2007-06-08

Not only was this CD super cheap, it also arrived at my house 3 days later!

Perfect Match.......2007-03-16

The music in this album really gave me the feeling of reading the book. I think the songs were well chosen and well written, except of course for the songs sung by Mrs. Fairfax... I could have done without those. Jane and Mr. Rochester's songs carry the story well and they sound lovely. For any musical lover, or romance fan I definitely recommend this album.

Probably the most beautiful musical of all time.......2007-02-16

This is a hidden gem and if you buy it and listen to it, I don't see how you can not love it. I have bought many, many Broadway cast albums but I still am a popster at heart. With all that said, this is a cast album that soars above the crowd.

I bought this several years ago and have listened to it repeatedly since I got it. Why do I love it so much? First of all, the lyrics are full of heart and emotion and tell the story ably. But it is the music and the performances that are truly remarkable here. The melodies are memorable and absolutely exquisite. The orchestration is lush but not sappy. The performances by the two leads are nothing less than stunning.

I never get bored with this wonderful cast album and it is very, very highly recommended.

Beautiful!.......2007-01-28

I listen to this soundtrack all the time and I never get tired of the songs. If Charlotte Bronte story was written as a musical, then this would definitely be it.

A good musical.......2006-07-20

if you like old-fashioned romantic stuff, this one's for you. Some songs are very inspired, the music is,for the most part, quite beautiful, and the story line keeps the essence of the Bronte novel. I heard this right after "Wuthering Heights: the musical", which is quite good, yet this is superior. Give it a try and you might be nicely surprised. I would highly recommend it to the ones who know the novel and to English Literature students: it offers a different and interesting approach to the novel.

Average customer rating:

have been searching for this for years
Been looking for years
An Excellent Introduction to Renaissance Dance
renaissance dance music
Wonderful reissue from early days of early music recordings

Panorama: Dances of the Renaissance

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

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Early Music Festival / David Munrow, Early Music Consort

ASIN: B00004YMTN
Release Date: 2001-02-27

Tracks:

Terpsichore: 1. Entree - Courante - Collegium Terpsichore
Terpsichore: 2. Gavotte - Collegium Terpsichore
Terpsichore: 3. Spagnoletta - Collegium Terpsichore
Terpsichore: 4. La Bouree - Collegium Terpsichore
Terpsichore: 5. Ballet - Collegium Terpsichore
Terpsichore: 6. Volte - Collegium Terpsichore
Musikalischer Tugenspiegel: Sophia (no.13) - Anna (no.4) - Collegium Terpsichore
Musikalischer Tugenspiegel: Clara (no.6) - Collegium Terpsichore
Musikalischer Tugenspiegel: Magdalena (no.3) - Collegium Terpsichore
Musikalischer Tugenspiegel: Agatha (no.15) - Collegium Terpsichore
Musikalischer Tugenspiegel: Regina (no.12) - Collegium Terpsichore
Banchetto musicale: Suite No.4 - 1. Pavane - Collegium Terpsichore
Banchetto musicale: Suite No.4 - 2. Gaillarde - Collegium Terpsichore
Banchetto musicale: Suite No.4 - 3. Courante - Collegium Terpsichore
Banchetto musicale: Suite No.4 - 4. Allemande - Tripla - Collegium Terpsichore
Banchetto musicale: Suite No.5 - 1. Pavane - Collegium Terpsichore
Banchetto musicale: Suite No.5 - 2. Gaillarde - Collegium Terpsichore
Banchetto musicale: Suite No.5 - 3. Courante - Collegium Terpsichore
Banchetto musicale: Suite No.5 - 4. Allemande - Tripla - Collegium Terpsichore
Banchetto musicale: Suite No.3 - 1. Pavane - Collegium Terpsichore
Banchetto musicale: Suite No.3 - 2. Gaillarde - Collegium Terpsichore
Banchetto musicale: Suite No.3 - 3. Courante - Collegium Terpsichore
Banchetto musicale: Suite No.3 - 4. Allemande - Tripla - Collegium Terpsichore
Lamento di Tristano - Rotta - Ulsamer Collegium
Trotto - Ulsamer Collegium
Istampita Ghaetta - Ulsamer Collegium
Istampita Cominciamento di gioia - Ulsamer Collegium
Saltarello - Ulsamer Collegium
Bassa danza a 2 - Ulsamer Collegium
Alta danza a 3 - Ulsamer Collegium
Bassa danza a 2 - Ulsamer Collegium
Bassa danza a 3 - Ulsamer Collegium
Basse danse La brosse - Tripla - Tourdion - Ulsamer Collegium
Bassa danse La gratta - Ulsamer Collegium
Basse danse La Magdalena - Ulsamer Collegium

Tracks:

Calata ala Spagnola
Der Judentanz
Welscher Tanz - Wascha mesa - Hupfauff
Pavana I - II
Romanesca Guarda me las vacas
Passamezzo - Saltarello
Branle de Bourgogne
Englischer Tanz
Tanz Du hast mich wollen nemmem
Schiarazula
Ungaresca - Saltarello
Ronde
Branle de Bourgogne
Branle de Champagne
Passamezzo d'Italye - Reprise - Gaillarde
Schiarazula Marazula
Tedesca - Saltarello
Ungaresca - Saltarello
Branle - Branle gau
Mascherade
Saltarello
Ballo detto 'Il Conte Orlando' - Saltarello
Gagliarda del Principle di Venosa
Barriera
Celeste Giglio
Pavana de Spaigne
Courante
Courante
Volte
Volte
Pavan: The Funerals
Noel's Galliard
Coranto: High Ho Holiday
Kemp's Jig
Queen Elizabeth her Galliard
Mrs. Winter's Jump
Alman
Galliard
Galliarde de Monsieur Wustron
Galliarde de la guerre
Reprinse
Tantz
Paduan
Galliard
Catkanei

Customer Reviews:

have been searching for this for years.......2007-06-11

Happy to see the Collegium Terpsichore CD out again (disc 1), though hiding in this bargain set, wasn't immediately obvious. But one listen to the Praetorius samples and knew I found it. This album was played continuously on the air on KKHI when I was in college (circa late-hippie_, and I never tired of it. I wore out my LPs. Now I've misplaced that single CD so might have to buy it again if I can't locate it soon. Phooey. At least it's available. It's the most refreshing CD you'll ever put on your player.

Been looking for years.......2007-02-13

I have been looking for the Deutsche Grammophon "Dances from Terpsicore" from the 60's but to no avail till now. The entire album is included in this two disc set...

Yippee

An Excellent Introduction to Renaissance Dance.......2005-06-23

This is my first disc of Renaissance dance music, for which I have been searching for quite a while. I thought ir was very excellent. I have heard some before when I was in a few Shakespeare plays, and ever since, I have been looking. These selections provide a broad range of the music of the courts during the 15th and 16th centuries. There is music from all over Europe, including what sounds like Southeastern Europe. The interpretations are also very good, and they put me, at least, back into that time period. The only problem I found was the glockenspiel like instrument, which was sometimes a little annoying. Otherwise, wonderful.

renaissance dance music.......2004-10-24

This CD is a compilation of three recordings which are From The Vault: Dance Music of the High Renaissance by Fritz Neumeyer, Dance Music of the Renaissance by Josef Ulsamer, and Early Baroque Music by Konrad Ragossnig.

Wonderful reissue from early days of early music recordings.......2004-01-28

This cd is a reissue of material from several albums in the 60s. The Fritz Neumeyer recordings of Praetorius are from an old Archiv LP that was one of my first introductions to "early music", and it can be charged that it was more enthusiastic than historically informed. A recorder consort will take up one section of a tune, and then a group of viols will swirl in, maybe followed by crumhorns playing another brief phrase, and then a solo harpsichord finishing off the tune. Different instruments provide a variety of textures of sound, keeping things interesting even though most of the tunes are played fairly "straight", without a lot of improvisation. There's been quite a bit of research and rediscovery of Renaissance techniques since this record was first out, and I appreciate those, but these old recordings really get my toe tapping and remind me why I fell in love with early music in the first place.

Average customer rating:

Very Best of Broadway Music

Very Best Of Broadway Musicals
Various Artists
Manufacturer: Metro Music
ProductGroup: Music
Binding: Audio CD

General | Musicals | Broadway & Vocalists | Styles | Music

General | Broadway & Vocalists | Styles | Music

General | Soundtracks | Styles | Music

Broadway & Vocalists | Indie Music | Stores | Music
Similar Items:

Greatest Songs from the Musicals
The Best of Broadway - The American Musical (PBS Series)
Only Broadway CD You'll Ever Need
The Best Of Broadway (Cast Recording Anthology)
Ultimate Broadway

ASIN: B000068CC4
Release Date: 2002-06-25

Tracks:

All That Jazz
If I Can't Love Her
Maybe This Time
People Will Say We're In Love
The Impossible Dream
Seventy Six Trombones
Can You Feel The Love Tonight?
Still
Send In The Clowns
One
Younger Than Springtime
This Is The Moment
Good Morning Starshine
Your Getting To Be A Habit With Me
Wunderbar
Maria
I Could Have Danced All Night
Singin' In The Rain
Written In The Stars
One Song Glory

Customer Reviews:

Very Best of Broadway Music.......2007-05-08

I really like Broadway music so this is the BEST!!!!!!
I let someone else borrow this to listen at her house--She liked it also

Dowland - The Collected Works / The Consort of Musicke, Rooley

Average customer rating:

A musical treasure-box
a beautiful journey into melancholy

Dowland - The Collected Works / The Consort of Musicke, Rooley
John Dowland , Anthony Rooley , Emma Kirkby , Christopher Wilson , The Consort of Musicke , Colin Tilney , Anthony Bailes , Jakob Lindberg , Nigel North , Glenda Simpson , Peter Holman , and John Donne
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

General | Sacred & Religious | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Psalms | Vocal Non-Opera | Opera & Vocal | Styles | Music

Solo Instrumental | New Age | Styles | Music

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The Decca Records Store | Specialty Stores | Music
Similar Items:

Dowland: Complete Lute Works, Vol.1-5
William Byrd: Consort Songs
Bach: The Landowska Recordings
Britten Conducts Britten
Janácek: Operas

ASIN: B000004CYV
Release Date: 2007-03-13

Tracks:

First Booke Of Songes: I. Unquiet Thoughts
First Booke Of Songes: II. Who Ever Thinks Or Hopes Of Love
First Booke Of Songes: III. My Thoughts Are Wing'd With Hopes
First Booke Of Songes: IV. If My Complaints Could Passions Move
First Booke Of Songes: V. Can She Excuse My Wrongs
First Booke Of Songes: VI. Now, O Now, I Needs Must Part
First Booke Of Songes: VII. Dear, If You Change
First Booke Of Songes: VIII. Burst Fourth My Tears
First Booke Of Songes: IX. Go Crystal Tears
First Booke Of Songes: X. Think'st Thou Then By Thy Feigning
First Booke Of Songes: XI. Come Away, Come Sweet Love
First Booke Of Songes: XII. Rest Awhile, You Cruel Cares
First Booke Of Songes: XIII. Sleep, Wayward Thoughts
First Booke Of Songes: XIV. All Ye, Whom Love Or Fortune Hath Betray'd
First Booke Of Songes: XV. Wilt Thou Unkind Thus Reave Me
First Booke Of Songes: XVI. Would My Conceit
First Booke Of Songes: XVII. Come Again: Sweet Love Doth Now Invite
First Booke Of Songes: XVIII. His Golden Locks
First Booke Of Songes: XIX. Awake, Sweet Love
First Booke Of Songes: XX. Come, Heavy Sleep
First Booke Of Songes: XXI. Away With These Self-Loving Lads

Tracks:

Second Booke Of Songs: I. I Saw My Lady Weep
Second Booke Of Songs: II. Flow My Tears
Second Booke Of Songs: III. Sorrow, Stay
Second Booke Of Songs: IV. Die Not Before Thy Day
Second Booke Of Songs: V. Mourn, Mourn, Day Is With Darkness Fled
Second Booke Of Songs: VI. Time's Eldest Son
Second Booke Of Songs: VII. Then Sit Thee Down
Second Booke Of Songs: VIII. When Others Sing Venite
Second Booke Of Songs: IX. Praise Blindness Eyes
Second Booke Of Songs: X. O Sweet Woods
Second Booke Of Songs: XI. If Floods Of Tears
Second Booke Of Songs: XII. Fine Knacks For Ladies
Second Booke Of Songs: XIII. Now Cease My Wand'ring Eyes
Second Booke Of Songs: XIV. Come Ye Heavy States Of Night
Second Booke Of Songs: XV. White As Lilies Was Her Face
Second Booke Of Songs: XVI. Woeful Heart
Second Booke Of Songs: XVII. A Shepherd In A Shade
Second Booke Of Songs: XVIII. Faction That Ever Dwells
Second Booke Of Songs: XIX. Shall I Sue
Second Booke Of Songs: XX. Toss Not My Soul
Second Booke Of Songs: XXI. Clear Or Cloudy
Second Booke Of Songs: XXII. Humour Say What Mak'st Thou Here

Tracks:

Third Booke Of Songs 1603: I. Farewell, Too Fair
Third Booke Of Songs 1603: II. Time Stands Still
Third Booke Of Songs 1603: III. Behold A Wonder Here
Third Booke Of Songs 1603: IV. Daphne Was Not So Chaste
Third Booke Of Songs 1603: V. Me, Me, And None But Me
Third Booke Of Songs 1603: VI. When Phoebus First Did Daphne Love
Third Booke Of Songs 1603: VII. Say, Love, If Ever Thou Didst Find
Third Booke Of Songs 1603: VIII. Flow Not So Fast, Ye Fountains
Third Booke Of Songs 1603: IX. What If I Never Speed?
Third Booke Of Songs 1603: X. Love Stood Amazed
Third Booke Of Songs 1603: XI. Lend Your Ears To My Sorrow
Third Booke Of Songs 1603: XII. By A Fountain Where I Lay
Third Booke Of Songs 1603: XIII. O What Hath Overwrought
Third Booke Of Songs 1603: XIV. Farewell, Unkind
Third Booke Of Songs 1603: XV. Weep You No More, Sad Fountains
Third Booke Of Songs 1603: XVI. Fie On This Feigning!
Third Booke Of Songs 1603: XVII. I Must Complain
Third Booke Of Songs 1603: XVIII. It Was A Time When Silly Bees
Third Booke Of Songs 1603: XIX. The Lowest Trees Have Tops
Third Booke Of Songs 1603: XX. What Poor Astronomers Are They
Third Booke Of Songs 1603: XXI. Come When I Call

Tracks:

A Pilgrimes Solace: I. Disdain Me Still
A Pilgrimes Solace: II. Sweet Stay Awhile
A Pilgrimes Solace: III. To Ask For All Thy Love
A Pilgrimes Solace: IV. Love, Those Beams That Breed
A Pilgrimes Solace: V. Shall I Strive Wih Words To Move?
A Pilgrimes Solace: VI. Were Every Thought An Eye
A Pilgrimes Solace: VII. Stay, Time, Awhile Thy Flying
A Pilgrimes Solace: VIII. Tell Me, True Love
A Pilgrimes Solace: IX. Go Nightly Cares
A Pilgrimes Solace: X. From Silent Night
A Pilgrimes Solace: XI. Lasso vita mia
A Pilgrimes Solace: XII. In This Trembling Shadow Cast
A Pilgrimes Solace: XIII. If That A Sinner's Sights
A Pilgrimes Solace: XIV. Thou Mighty God
A Pilgrimes Solace: XV. When David's Life
A Pilgrimes Solace: XVI. When The Poor Cripple

Tracks:

A Pilgrimes Solace: XVII. Where Sin Sore Wounding
A Pilgrimes Solace: XVIII. My Heart And Tongue Were Twins
A Pilgrimes Solace: XIX. Up Merry Mates
A Pilgrimes Solace: XX. Welcome Black Night
A Pilgrimes Solace: XXI. Cease, Cease These False Sports
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Lachrimae Pavane
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can Shee
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana
Keyboard Transcriptions Of Dowland's Music By Other Musicians: The Frogge
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Frog's Galliard
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavana And Galiarda
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana Lachrymae
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can She Excuse
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavion Solus cum sola
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Dowland's Almayne
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Piper's Paven And Galliard
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavan Lachrymae

Tracks:

Mr. Henry Noell Lamentations: I. The Lamentation Of A Sinner
Mr. Henry Noell Lamentations: II. Domine ne in furore
Mr. Henry Noell Lamentations: III. Miserere mei Deus
Mr. Henry Noell Lamentations: IV. The Humble Suit Of A Sinner
Mr. Henry Noell Lamentations: V. The Humble Complaint Of A Sinner
Mr. Henry Noell Lamentations: VI. De profundis
Mr. Henry Noell Lamentations: VII. Domine exaudi
Lachrimae: Lachrimae Antiquae
Lachrimae: Lachrimae Antiquae Novae
Lachrimae: Lachrimae Gementes
Lachrimae: Lachrimae Tristes
Lachrimae: Lachrimae Coactae
Lachrimae: Lachrimae Amantis
Lachrimae: Lachrimae Verae
Lachrimae: Mr. John Langton's Pavan
Lachrimae: Mr. Nicholas Gryffith His Galiard
Lachrimae: Sir John Souch His Galiard
Lachrimae: Semper Dowland Semper Dolens
Lachrimae: Mr. Giles Hobies Galiard
Lachrimae: The King Of Denmark's Galiard
Lachrimae: Sir Henry Umpton's Funerall
Lachrimae: Mr. Henry Noell His Galiard
Lachrimae: The Earl Of Essex Galiard
Lachrimae: Mr. Bucton His Galiard
Lachrimae: Mr. George Whitehead His Almand
Lachrimae: Captain Digorie Piper His Galiard
Lachrimae: Mr. Thomas Collier His Galiard
Lachrimae: Mrs. Nichols Almand

Tracks:

Sacred Songs: Sorrow, Come!
Sacred Songs: I Shame At Mine Unworthiness
Sacred Songs: An Heart That's Broken And Contrite
Psalms: Psalm 100: All People That On Earth Do Dwell
Psalms: Psalm 38: Put Me Not To Rebuke O Lord
Psalms: Psalm 130: Lord To Thee I Make My Moan
Psalms: Psalm 104: My Soul Praise The Lord
Psalms: Psalm 100: All People That On Earth Do Dwell
Psalms: Psalm 134: Behold And Have Regard
A Prayer For The Queen's Most Excellent Majesty
Instrumental Music: Solus cum sola pavan
Instrumental Music: Lachrimae
Instrumental Music: Galliard
Instrumental Music: Pipers Pavan
Instrumental Music: Lachrimae
Instrumental Music: Lady Rich Galliard
Instrumental Music: Earl Of Essex Galliard
Instrumental Music: If My Complaints
Instrumental Music: Lachrimae Doolande
Instrumental Music: Lord Willoughbie's Welcome Home
Instrumental Music: My Lord Chamberlaine His Galliard
Instrumental Music: Comagain
Instrumental Music: Pavan Lachrymae
Instrumental Music: Sorrow Stay

Tracks:

Lute Music: Preludium
Lute Music: Lachrimae
Lute Music: Can She Excuse
Lute Music: Dr. Case's Pavan
Lute Music: Melancholy Galliard
Lute Music: Sir John Smith, His Almain
Lute Music: Fantasia
Lute Music: A Dream
Lute Music: Almain
Lute Music: The Queen's Galliard
Lute Music: Coranto
Lute Music: Resolution
Lute Music: Mrs. Vaux Galliard
Lute Music: Almain
Lute Music: Mr. Dowland's MIdnight
Lute Music: Fantasia
Lute Music: Loth To Depart
Lute Music: The Most Sacred Queen Elizabeth, Her Galliard
Lute Music: The Earl Of Essex, His Galliard
Lute Music: Pavan
Lute Music: John Dowland's Galliard
Lute Music: Aloe
Lute Music: The Lady Clifton's Spirit
Lute Music: What If A Day
Lute Music: Mr. Giles Hobie's Galliard
Lute Music: Come Away (Song arrangement)
Lute Music: Galliard
Lute Music: Fancy (Fantasia)

Tracks:

Lute Music: Lachrimae (Basic Version)
Lute Music: Galliard To Lachrimae
Lute Music: [Jig]
Lute Music: Galliard On 'Wasingham'
Lute Music: Complaint (Ballad Setting)
Lute Music: Mignarda (Galliard)
Lute Music: Semper Dowland Semper Dolens (Pavan)
Lute Music: The Frog Galliard
Lute Music: A Fancy (Fantasia)
Lute Music: Fancy (Fantasia)
Lute Music: Piper's Pavan
Lute Music: Captain Digorie Piper's Galliard
Lute Music: Lady Laiton's Almain
Lute Music: Dowland's Galliard
Lute Music: Dowland's First Galliard
Lute Music: Tarleton's Jig
Lute Music: Walsingham (ballad Setting)
Lute Music: Lord Willoughbie's Welcome Home (Ballad Setting)
Lute Music: Sir Henry Guilforde, His Almain
Lute Music: Pavan (Related To 'Lachrimae')
Lute Music: Mr. Langton's Galliard
Lute Music: Mrs. Clifton's Almain
Lute Music: Galliard
Lute Music: Lady Hunsdon's Puffe (Almain)
Lute Music: Galliard
Lute Music: Go From My Window (Ballad Setting)
Lute Music: Fancy (Fantasia)

Tracks:

Lute Music: Pavana Johan Douland
Lute Music: Mrs. Brigide Fleetwood's Pavan (Solus sine sola)
Lute Music: La mia Barbara
Lute Music: Sir Henry Umpton's Funeral (Pavan)
Lute Music: Lachrimae
Lute Music: Farewell Fancy (Chromatic Fantasia)
Lute Music: Farewell (On The 'In Nomine' Theme)
Lute Music: The King of Denmark's Galliard
Lute Music: Mrs. Vaux's Jig
Lute Music: Mrs. Nichol's Almain
Lute Music: Galliard
Lute Music: Lord Strang's March
Lute Music: Mrs. Winter's Jump
Lute Music: Can She Excuse (Galliard)
Lute Music: The Shoemaker's Wife, A Toy
Lute Music: Mrs. Norrish's Delight
Lute Music: Galliard
Lute Music: Mrs. White's Thing (Almain)
Lute Music: Mrs. White's Nothing
Lute Music: The Frog Galliard
Lute Music: Solus cum sola
Lute Music: The Lord Viscount Lisle, His Galliard
Lute Music: Orlando Sleepeth (Ballad Setting)
Lute Music: Robin (Ballad Setting)
Lute Music: Galliard (On A Galliard By Daniel Bacheler)
Lute Music: Forlorn Hope Fancy (Chromatic Fantasia)

Tracks:

Lute Music: The Lady Russell's Pavan
Lute Music: Fancy (Fantasia)
Lute Music: Sir John Langton's Pavan
Lute Music: Earl Of Derby, His Galliard
Lute Music: A Coy Toy
Lute Music: Fortune My Foe
Lute Music: [Almain]
Lute Music: Mr. Knight's Galliard
Lute Music: Sir John Souch His Galliard
Lute Music: Tarletone's Riserrectione
Lute Music: The Lady Rich, Her Galliard
Consort Music: Lachrimae Pavan
Consort Music: Can She Excuse Galliard
Consort Music: Captain Piper's Pavan And Galliard
Consort Music: The Frog Galliard
Consort Music: Round Battell Galliard
Consort Music: Fortune My Foe
Consort Music: Dowland's First Galliard
Consort Music: Katherine Darcie's Galliard
Consort Music: Tarleton's Jigge
Consort Music: Almain a 2
Consort Music: Mistress Nichols Almain a 2
Fullsack And Hildebrandt: Auserlesener Paduanen und Galliarden: Susanna Fair (Galliard)
Haussmann: Rest von polnischen und andern Tanzen: Mistress Nichols Alman a 5
Opusculum: Mr. John Langton Pavan And Galliard
Opusculum: La mia Barbara Pavan and Galliard
Opusculum: Lachrimae Antiquae Novae Pavan and Galliard

Tracks:

Consort Music: Mistress NIchols Almain
Consort Music: Volta a 4 ('Ioh. Douland')
Consort Music: Were Every Thought an Eye
Consort Music: Lady If You So Spite Me
Consort Music: Pavan a 4
A Musicall Banquet: I. My Heavy Sprite (Anthony Holborne)
A Musicall Banquet: II. Change Thy Mind Since She Doth Change (Richard Martin)
A Musicall Banquet: III. O Eyes, Leave Off Your Weeping (Robert Hales)
A Musicall Banquet: IV. Go, My Flock, Go Get You Hence (Anon.)
A Musicall Banquet: V. O Dear Life, When Shall It Be? (Anon.)
A Musicall Banquet: VI. To Plead My Faith (Daniel Bacheler)
A Musicall Banquet: VII. In A Grove Most Rich Of Shade (Guillaume Tessier)
A Musicall Banquet: VIII. Far From Triumphing Court
A Musicall Banquet: IX. Lady, If You So Spite Me
A Musicall Banquet: X. In Darkness Let Me Dwell
A Musicall Banquet: XI. Si le parler et le silence (Pierre Guedron)
A Musicall Banquet: XII. Ce penser qui sans fin tirannise ma vie (Pierre Guedron)
A Musicall Banquet: XIII. Vous que le Bonheur rappelle (Pierre Guedron)
A Musicall Banquet: XIV. Passava Amor su arco desarmado (Anon. Spanish)
A Musicall Banquet: XV. Sta notte mi sognava (Anon. Italian)
A Musicall Banquet: XVI. Vuestros ojos tienen d'Amor (Anon. Spanish)
A Musicall Banquet: XVII. Se di farmi morire (Domenico Maria Megli)
A Musicall Banquet: XVIII. Dovro dunque morire? (Giulio Caccini)
A Musicall Banquet: XIX. Amarilli mia bella (Giulio Caccini)
A Musicall Banquet: XX. O bella piu (Anon, Italian)

Customer Reviews:

A musical treasure-box.......2006-09-10

Both the music and this actual product are masterpieces. John Dowland's collected works here - covering 12 compact discs - exhibit the depth and power of this composer, a composer who many now regard as suffering from clinical depression. I doubt that the issue of the diagnosis of Dowland's depression can ever be settled, however, it is certainly obvious from his music, so completely on display here, that he was a man with very dark depths and corners in his mind. Dowland's various manifestations and "takes" on his own tune, "Flow my tears"/"Lachrimae" are here. This tune has haunted me ever since I first heard it when I was a child. It seems to sum up Dowland's feelings - at least Dowland seems to have thought so.

The First, Second, Third and Fourth Bookes of Songes, A Musicall Banquet, the keyboard transcriptions, all the lute music, consort music are here and virtually everything else written or supposedly written by John Dowland. Anthony Rooley and The Consort of Musicke perform this music with style and feeling throughout. This 12 CD set is something of a monument to the ensemble - I only wish they'd finished their collection of Monteverdi madrigals, which was equally good (La Venexiana are currently doing a magnificent job of recording all Monteverdi's books of madrigals for the GLOSSA label).

This is an expensive set, however, you will probably never need to buy another John Dowland CD again after buying and listening to this collection.

I bought this CD set on a mild Summer evening of 1998 and listened to it while sitting in my sun room - which a glorious orange sunset in progress, and a glass of wine. It brought back so many memories.

a beautiful journey into melancholy.......2001-06-15

I'm amazed at how many people tend to associate John Dowland's music with a tragic sense of drama. While no doubt this is art highly based on sadness, the "tragic" sense of it is more a legacy from the Romantic period. During the Renaissance, however, sadness was undestood as a very aesthetic way of approaching life. That is also the reason why Shakespeare's tragedies appear more sophisticated than his comedies.

Tracks:

A Piece Without Title - Dowland
Pavana - Dowland
Mr Knights Galliard - Dowland
My lord willobies wellcome home - Dowland
The frogg galliard - Dowland
A Fancy - Dowland
My Ladie Riches galyerd - Dowland
The Lady Laitons Almone - Dowland
A Dream (Lady Leighton's Paven) - Dowland
Galliard - Dowland
Orlando sleepeth - Dowland
What if a Day - Dowland
Mrs Winters Jumpp - Dowland
Galliard - Dowland
M. Giles Hobies Galiard - Dowland
Dr Cases Pauen - Dowland
Mellancoly Galliard - Dowland
Galliard - Dowland
Mistris Whittes thinge - Dowland
Go from my windowe - Dowland
Almain - Dowland
Mrs Whites Nothing - Dowland
Pavan - Dowland
Galliard - Dowland
Farewell - Dowland

Tracks:

My lady hunnsdons puffe
Solus cum sola
Suzanna Galliard
Sir John Smith his Almain
Sweet Robyne
Dowlands first galliard
Master Pypers Pavyn
Captain Digorie Piper his Galliard
As I wen to Walsingham
Monsieur's Almaine
Mrs Brigide fleetwoods paven alias Solus sine sola
Dowlands Galliard
Farwell (As
Captain Candishe his Galyard
Aloe
Can she excuse
A Coye Joye
Mrs vauxes Gigge
Mrs vaux Galliarde
Sir Henry Guilforde his Almaine
Mignarda
Lachrimae
Sir John Souch his galliard
Fantasia

Tracks:

The most high and mightie Christianus, the fourth King of Denmark, his Galliard
Sir John Langton his Pavin
Mr. Langtons galliard
A Fancy
A Pavan
The most sacred Queene Elizabeth, her Galliard
Mrs. Cliftons Allmaine
The Right Honourable the Lady Cliftons Spirit
tarletones riserrectione
Tarletons Willy
fortune my foe
The Queenes galliard
Wallsingham
A Galliard (on Walsingham)
Dowlands Adew for Master Oliver Cromwell
The Right Honourable Ferdinando Earle of Darby, his Galliard
Lord Strangs March
Mistresse Nichols Almand
forlone Hope fancye
Mr. Dowlands Midnight
Semper Dowland semper dolens

Tracks:

Preludium
A Fancy
Lachrimae
Galliard to Lachrimae
A Fantasia
An Almand
Pavana
The Right Honourable Robert, Earl of Essex, his Galliard
A Galliard (on a galliard by Daniel Bachelar)
My Lord Wilobies Welcom Home
The Shoemakers Wife. A Toy
The Right Hounourable The Lord Viscount Lisle, his Galliard
Coranto
A Galliard
The Lady Russells Paven
Galliard (on Awake sweet love, set by Fr. Cutting)
The Frog Galliard
Come Away
La mia Barbara
Loth to Departe

Tracks:

A Fancy
Pavana Dowlandi Angli (Mylius #2)
Doulands rounde battell galyarde
Pavin
The Erle of Darbies Galiard
Mistris Norrishis Delight
A Jig
The Erle of Essex Galliard
Galliard
Une Jeune Fillette
Gagliarda
Pavana Lachrimae
Squires Galliard
A Fancy
Hasellwoods Galliard
Sir Thomas Monson, his Pavin
Sir Thomas Monson, his Galliard
Almande
Sir Henry Umptons Funerall
Captayne Pipers Galliard
A fantasie

Amazon.com

Dowland did for lute music what Haydn did for the string quartet and Beethoven the piano sonata. The finest lutenist and songwriter of his age--he composed several of the greatest hits of the late 16th and early 17th centuries--the surviving lute works constitute a sort of encyclopedia of the possibilities of the instrument. There are song arrangements, dance pieces, tributes to the composer's friends, even a musical self-portrait. Much of the music is fashionably sad. Lute songs generally deal with the agony of lost love, and Dowland's most popular tune was called Lachrimae (Tears). Paul O'Dette is simply the best lutenist alive. These five discs are available together at a special price, or separately. A reference edition. --David Hurwitz

Customer Reviews:

Outstanding.......2007-03-31

If you are a fan of the music of John Dowland, you must own this CD. The playing is outstanding to say the least.

It's not heavy breathing.......2006-08-22

It's great that O'Dette gives us the complete solo works, of course. I have the common reaction to O'Dette: his technique is flawless, his performance unengaging.

Others have remarked on the "heavy breathing" noticeable on the recordings -- it's not heavy breathing, but the movement of his fingers on the gut strings making that sound.

Technically good, emotionally bland. .......2006-04-11

Considering the extreme paucity of (especially solo) lute recordings currently available worldwide,
but especially in the US, this set becomes an essential "must have" for all lovers of the lute.
Yet it somehow disappoints.
I am sure that Paul O'Dette is brimming over with virtuousity and a technical expertise
that I am hardly one to pass sound judgement upon.
But the recordings have a flatness and monotony;
the songs are rendered with precision, but seem to lack feeling, empathy, or enthusiasm throughout the offering.
It is an impressive compendium, and I'm glad I purchased it.
There are very few lutenists out there producing any music at all, so Mr. O'Dette should certainly be praised
for delivering such a substantial feast to our ears.
It just should have had more flavor.
Where is Konrad Ragossnig when you need him?

Highly recommended.......2005-10-23

I bought Volume 1 of this set a couple of years ago. It has become one of my favorite CDs, so I thought I would enjoy the full set. I have not been disappointed. I find the sound quality excellent, the playing superb. The included booklet has a lot of interesting background material. The music is great as background for a dinner party or intimate conversation, but has depth aplenty for concentrated listening. I often listen to it while working at the computer where I swear it improves concentration and productivity!

A few tunes appear more than once as Dowland reused some work, but the arrangements are sufficiently different to be interesting. It is his complete lute works, after all. Some might criticise the set for sounding too much in the same style. It is the work of one composer, and if you happen to like the style, as I do, this is a pro rather than a con.

Another reviewer mentioned obtrusive breathing on the recording. I had listened to Volume 1 for two years before reading the review and had not noticed this. On listening carefully, there is breathing audible, but I do not find it a problem. Perhaps it depends whether one listens to the music or the background.

just a warning..........2005-10-14

Beautiful music, but... you can hear Paul's heavy breathing throughout. Apparently a lot of other reviewers either don't hear the heavy breathing, or aren't bothered by it, but for me, it's a near deal-breaker. Go ahead and mark my review as unhelpful, but I had to put the warning out there.

Average customer rating:

Gosford Park Sound Track
Better than the movie
I don't mind the repeating themes, but the CD is too short!
Excellent Mix
One the best soundtracks out there!!!!!!!!!!!!!!!!!!!!!!!!!!

Gosford Park (2001 film)
Patrick Doyle
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Gosford Park
We'll Gather Lilacs: The Songs of Ivor Novello
Shine Through My Dreams: Original 1917-1950 Recordings
A Little Princess: Original Motion Picture Soundtrack
Much Ado About Nothing: Original Motion Picture Soundtrack

ASIN: B00005UNCB
Release Date: 2002-01-15

Tracks:

Waltz Of My Heart
Mr. Parks
Gosford Park
Bored To Sobs
The Shirt
And Her Mother Came Too
Walking To Shoot
No Smoke Without Fire
Scherzo In G
I Can Give You The Starlight
What A Duke Should Be
Inspector Thompson
Pull Yourself Together
Life Goes On
Secrets To Hide
Only For A While
Rather A Pasting
Love Jam
Why Isn't It You?
The Way It's Meant To Be
Carpe Diem
Good Luck
Your Boy's Alive
The Land That Might-Have-Been

Amazon.com

Thematically, director Robert Altman's career sometimes seems an endless series of left turns into the unexpected; the one constant has been a rich and rewarding attention to the intricacies of character development and interaction. Composer Patrick Doyle underscores Gosford Park's Merchant-Ivory/Agatha Christie/Altman-wit fusion and '30s British upper-class setting with a score that's period spot-on, character-rich, and often sadly evocative. Doyle's restraint is masterful, often leaning on piano, accordion, and small string arrangements that emphasize the characters' intimacies and the film's drawing room settings. Key to the story are a handful of prewar songs by Ivor Novello (who's also a character in the film), ranging from the sprightly humor of "And Her Mother Came Too" and "What a Duke Should Be" to the romantic schmaltz of "I Can Give You the Starlight" and "Why Isn't It You?" The latter is performed here at the piano (and, remarkably, live before the cameras) by Jeremy Northam. Leavened by a small jazz ensemble and a few darkly ominous cues, Doyle's score is an understated gem. --Jerry McCulley

Customer Reviews:

Gosford Park Sound Track.......2007-03-30

The original music is creative and very listenable. It is typical of popular music of the 1930s. This CD is highly recommended to those people who enjoy music from the 1920s and 1930s.

Better than the movie.......2004-12-08

Many people, I believe, buy a soundtrack because they are mesmerized by the movie and want to extend the experience by listening to something that reminds them of it. But "Gosford Park" is hardly that kind of movie. It is brilliant and atmospheric as it analyzes the British class system, but that's hardly the kind of thing that wins the heart. The soundtrack of this movie was my favorite CD from last year, and the reasons I liked it had nothing to do with the movie.

Why is this music so compelling and winning?

First, it is fun to discover the marvellous talent of Ivor Norvello. His music is half of the charm of the soundtrack. Some songs are funny ("Her mother came too"), some beautiful ("I can give you the starlight") and some poignant ("The land of might have been"). I had not encountered Norvello before this film. Jeremy Northam's perfect delivery of Norvello's songs would not leave me after I'd seen the film. Days later, I found the songs had taken up residence in the back of my head, insisting that I go back to the soundtrack to make them a permanent part of my musical life.

Second, there is the charm of the orchestral music composed by Patrick Doyle. Sometimes people wonder "why aren't they writing beautiful classical music any more?" Well, they are. It goes into soundtracks, however, rather than being commissioned by orchestras. The test for the quality of Doyle's compositions is that you don't need to refer to the film to appreciate this music. It simply charms and intrigues us with its own merits.

My third reason for loving this CD is too personal to mention here.

I give this CD my highest personal recommendation.

I don't mind the repeating themes, but the CD is too short!.......2004-06-08

Unlike many reviewers here, I didn't buy the CD to hear the Ivor Novello songs or Jeremy Northam's voice. I actually liked the instrumental tracks, and never actually thought I'd like to listen to something played on an accordion.

However, Mr. Doyle's music portrays the lethargy of the snobby Upstairs very well to the contrast of the relative energy of Novello's songs, which the Downstairs servants enjoy, but the Upstairs people can't stand.

My dislikes about the CD include the female singer who can't really sing and the length of the CD. Some of these cues are only about a minute long. WHY pay so much money for such a short CD??? Why not add more music??

Overall though, if you liked either Doyle's music or Novello's songs (hopefully the listener will like both), it's a CD worth getting.

Excellent Mix.......2003-04-23

I fell in love with this soundtrack when I watched Gosford Park in the cinemas.

Sometimes period music, sometimes mystery music, sometime personal music. Jeremy Northam's songs are simply delicious and I love hearing them.

I liken the style (not type) of mix to You've Got Mail.

Heaps of fun and lovely to listen to.

One the best soundtracks out there!!!!!!!!!!!!!!!!!!!!!!!!!!.......2003-03-06

When I saw the movie at the theater I kept thinking I've got to have the soundtrack to this movie because it is so beautiful. I also really enjoyed the sung songs 6.And Her Mother Came Too, 10.I Can Give You The Starlight, 11.What A Duke Should Be, 16. Only For A While, 20. The Way It's Meant To Be, 24. The Land That Might-Have-Been!! I think that Patrick Doyle did a wonderful job of scoring this movie the just fits right in with it all, I only wish there was more to listen to!! I highly recommend this album to everyone who liked the movie and people who love great soundtracks, you will not be sorry if you buy this!!!!

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