Ballads Blues & Bebop

Editorial Reviews
Album Details
Billy Eckstine's Smooth Baritone and Distinctive Vibrato Broke Down Barriers Throughout the 1940s, First as Leader of the Original Bop Big-band, Then as the First Romantic Black Male in Popular Music. An Influence Looming Large in the Cultural Development of Soul and R&B Singers from Sam Cooke to Prince, Eckstine was Able to Play it Straight on his Pop Hits "Prisoner of Love," "my Foolish Heart" and "i Apologize". Some of the Greatest Players of the Bebop Era Passed Through the Ranks of his Band, Including Dizzy Gillespie, Charlie Parker and Miles Davis. The Pop and Jazz Sides of Eckstine's Musical Personality Are Both Represented on this Proper Introduction, Showing Why He was Such a Key Figure in the Development of Black Music.

Tracks:

Don't Know Why
Seven Years
Cold Cold Heart
Feelin' The Same Way
Come Away With Me
Shoot The Moon
Turn Me On
Lonestar
I've Got To See You Again
Painter Song
One Flight Down
Nightingale
The Long Day Is Over
The Nearness Of You

Amazon.com

It is not just the timbre of Norah Jones's voice that is mature beyond her 22 years. Her assured phrasing and precise time are more often found in older singers as well. She is instantly recognizable, blending shades of Billie Holiday and Nina Simone without sounding like anyone but herself. Any way you slice it, she is a singer to be reckoned with. Her readings of the Hank Williams classic "Cold Cold Heart" and Hoagy Carmichael's "The Nearness of You" alone are worth the price of the CD. Jones's own material, while not bad, pales a bit next to such masterpieces. They might have fared better had she and producer Arif Mardin opted for some livelier arrangements, taking better advantage of brilliant sidemen such as Bill Frisell, Kevin Breit, and Brian Blade; or if the tunes had simply been given less laconic performances. Jones has all the tools; what will come with experience and some careful listening to artists like J.J. Cale and Shirley Horn is the knack of remaining low-key without sounding sleepy--sometimes less is not, in fact, more. --Michael Ross

Amazon.com

Norah Jones Photos (by Danny Clinch)

More from Norah Jones

Not Too Late
Feels Like Home
The Little Willies

Customer Reviews:

Simply addictive!.......2007-07-12

This is her best album!
Her voice is unbelievable, the delivery is amazing and the lyrics are stunning!

Haunting sounds.......2007-07-06

For 3 months, my Norah Jones CDs have taken over my car stereo. This woman is very talented!

The phenom Ms Jones.......2007-06-27

This is such an outstanding production, so much better than the later(I think) CD. Miss Jones should be careful which guitar players back her up. She should stick to Bill Frizell or maybe she should try Mark Knoffler, if she can get him away from Emmy Lou.

Glad i bought it ( Part II )...!.......2007-06-20

I knew that Nora Jones was good music but i had no idea just how good...My sister-in-law bought me this CD for Father's Day...i have listened to it 3 times today. The way i would describe her lyrics and delivery is equal to "Musical Rose Petals". So smooth and so inviting is her voice. I really love the Piano work also. Her birth name being "Geethali",Nora Jones along with the likes of Michael Buble have added a nice,new,fresh selection of music to today's currently enemic sound. This album made her only the second artist ever to sweep the "Big Four" being Album,Song,Record,& Artist of the Year at the Grammy Awards in 2003. Standouts for me include: "Come Away With Me","Don't Know Why", and i really like her rendition of Hank Williams SR.'s "Cold,Cold Heart". With her throw back to Billie Holiday/Roberta Flack days voice coupled with a very welcomed piano based style, Nora Jones can take me away anytime! If you've waited to give her a listen ,as did I, do yourself a favor and don't wait any longer.

I'd Love To...........2007-06-05

Okay, she's not quite a standards specialist, but a lot of people think Norah Jones is well on her way to setting some new standards of her own.

The daughter of famed Indian sitarist Ravi Shankar, Jones grew up in Dallas with her mother, and her work is firmly rooted in the dry Texas soil. The youngest in this survey (she was born in 1979), Jones burst on the scene in 2002 with this debut album of nine original songs plus a handful of country and pop standards. Renowned for her sweet and soulful set of pipes, Jones has often been compared to Billie Holiday. There's also a touch of Roberta Flack and Emmylou Harris in there.

Come Away with Me is an honest-to-goodness country-blues recording that you can sit back with on the front porch rocker on a brisk autumn afternoon. Sort of like an early James Taylor, Jones mixes a little bit of country, folk, and soul into a collection that's the perfect antidote to today's insincere fare. The public must have sensed the same thing, because it bought this CD in boxcar loads, and in 2003 Jones walked away with eight Grammies, including album of the year and best new artist.

The title track, written by Jones, is the first new song I've heard in a long time that's utterly believable. "Come away with me and I'll never stop loving you," she begs, and it's as though she's singing it to you, personally. To Hank Williams's "Cold Cold Heart" she brings an R & B feel, petitioning in anguish to her lover man to come back, body and soul. "I've Got to See You Again" is an exquisite modern torch song in the same vein, while "One Flight Down" is an upbeat tune with chord progressions right out of Paul McCartney's Wings songs, like "Carry That Load." She ends with Hoagy Carmichael's "The Nearness of You." Close your eyes, let Jones's words envelope you with their soulful caress, and you'll sense that she's a lot nearer than your living room speakers.

Average customer rating:

Good, but not the best
a snoozer
LOVE IT
Feels Like Home
Feels Like Home

Feels Like Home
Norah Jones
Manufacturer: Blue Note Records
ProductGroup: Music
Binding: Audio CD

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Come Away with Me
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The Little Willies

ASIN: B00018D44U
Release Date: 2004-02-10

Tracks:

Sunrise
What Am I To You?
Those Sweet Words
Carnival Town
In The Morning
Be Here To Love Me
Creepin' In
Toes
Humble Me
Above Ground
The Long Way Home
The Prettiest Thing
Don't Miss You At All

Amazon.com

Norah Jones blew everybody away with her jazzy, country-tinged, Grammy-winning debut CD, Come Away with Me. On this recording, Jones doesn't mess with her trademark formula. Under Arif Mardin's cozy coproduction, Jones is supported by her writing partners, her Handsome Band, and some special guests (country legend Dolly Parton, Levon Helm and Garth Hudson of the Band, and jazz drummer Brian Blade, to name a few). Jones's Texas-twanged vocals and her sparse acoustic and electric Wurlitzer piano lines enliven the CD's 13 tracks, from the light and lively single "Sunrise" to Tom Waits's "The Long Way Home" and the bouncy duet with Parton, "Creepin' In." Jones's soul-baring piano/vocal rendition of Duke Ellington's "Melancholia," retitled "Don't Miss You at All," proves she's a true Blue Note artist with unlimited potential. --Eugene Holley Jr.

Amazon.com

Norah Jones Photos (by Danny Clinch)

More from Norah Jones

Not Too Late
Come Away With Me
The Little Willies

Album Description

'Feels Like Home' features 13 tracks & a host of special guests including Dolly Parton, Levon Helm, Garth Hudson of the Band, Jesse Harris, Robert Burger and Tony Scherr. Blue Note. 2004.

Customer Reviews:

Good, but not the best.......2007-06-17

"Feels Like Home" is a welcome addition to any fans' collection. I gave it four stars simply because I did not think it was as good as her first or third CD. If you like Norah's other work you will like this CD, but if you don't have extra money or you would like to introduce yourself to Norah Jones purchase "Come Away With Me" or "Not Too Late" instead.

a snoozer.......2007-06-09

Wonderful intimate voice,great musical heritage, extremely monotonous songs....great if your trying to lower your bloodpressure or achieve REM state. This ain't jazz it's elevator music.

LOVE IT.......2007-04-13

I love the sound of her voice, there is no other like it.

Feels Like Home.......2007-03-23

Another Norah Jones classic in its sound and unusual genre. Easy to listen to - fun to sing with!

Feels Like Home.......2007-03-16

I love the music of Norah Jones and I love this CD. She is so smooth.

Average customer rating:

Absolutely the best of Billie Holiday
Lady Day: The Best of Billie Holiday
The tragedy of a lonely woman!
Billie's Best - Accept No Substitutes
A serious and great artist's best work, you need these sides

Lady Day: The Best of Billie Holiday
Billie Holiday
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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A Love Supreme

ASIN: B00005Q45Y
Release Date: 2001-10-02

Tracks:

What A Little Moonlight Can Do - Billie Holiday
These Foolish Things - Billie Holiday
I Cried For You - Billie Holiday
Summertime - Billie Holiday & Her Orchestra
Billie's Blues - Billie Holiday & Her Orchestra
If You Were Mine - Billie Holiday
A Fine Romance - Billie Holiday & Her Orchestra
Easy To Love - Billie Holiday
I've Got My Love To Keep Me Warm - Billie Holiday & Her Orchestra
I Must Have That Man - Billie Holiday
Me, Myself And I - Billie Holiday & Her Orchestra
They Can't Take Away From Me - Billie Holiday & Her Orchestra
Easy Living - Billie Holiday
A Sailboat In The Moonlight - Billie Holiday & Her Orchestra
Travelin' All Alone - Billie Holiday & Her Orchestra
When A Woman Loves A Man - Billie Holiday & Her Orchestra
You Go To My Head - Billie Holiday & Her Orchestra
My Man - Billie Holiday

Tracks:

I Can't Believe That You're In Love With Me - Billie Holiday
The Very Thought Of You - Billie Holiday & Her Orchestra
I Can't Get Started - Billie Holiday & Her Orchestra
Long Gone Blues - Billie Holiday & Her Orchestra
Sugar - Billie Holiday
Some Other Spring - Billie Holiday & Her Orchestra
Them There Eyes - Billie Holiday & Her Orchestra
The Man I Love - Billie Holiday & Her Orchestra
Body And Soul - Billie Holiday & Her Orchestra
Swing, Brothers, Swing - Billie Holiday & Her Orchestra
Night And Day - Billie Holiday & Her Orchestra
Let's Do It - Billie Holiday
God Bless The Child - Billie Holiday & Her Orchestra
Solitude - Billie Holiday & Her Orchestra
I Cover The Waterfront - Billie Holiday
Gloomy Sunday - Billie Holiday
Until The Real Thing Comes Along - Billie Holiday
All Of Me - Billie Holiday & Her Orchestra

Album Description

Lady Day: The Best Of Billie Holiday is an ideal introduction to the Voice of Jazz in all its enduring glory. This incomparable collection draws on the 10-CD boxed set Lady Day: The Complete Billie Holiday on Columbia (1933-1944) (CXK 85470), representing not only her finest work, but American jazz and pop singing at its zenith. Accompanied sublimely by a Who's Who of the Swing Era (including her soulmate Lester Young, Benny Goodman, Artie Shaw, Buck Clayton, Roy Eldridge, Ben Webster, Johnny Hodges, Harry Carney, Jo Jones, and pianist-arranger Teddy Wilson, who was often at the helm when Holiday entered the studio), Billie Holiday masterfully renders a host of mostly-classic pop tunes. Fans are drawn to her musical triumphs and personal tragedies. She is a mysterious icon in the same vein as Miles Davis. Columbia possesses the first and finest recordings of her entire career! This material has never sounded clearer and more intimate!

Customer Reviews:

Absolutely the best of Billie Holiday.......2007-02-24

Anybody who likes Billie Holiday even part time needs this CD. Even great for those people who only know a few songs just by chance. Love the CD. Even got another as a gift for a friend.

Lady Day: The Best of Billie Holiday.......2007-01-10

Bought this for my granddaughter. She's a Billie Holiday fan. She loved the CD.

The tragedy of a lonely woman!.......2006-11-21

The stature of this emblematic singer of the jazz is absolutely undeniable. Her powerful, sensitive and expressive voice made of her, one of the most tragic icons in the jazz. She sung as she lived. In this sense she reminds too much to the legendary Edith Piaff in the other side of the Atlantic.

What else might I add for cataloguing this cult artist that it has not been said just before? She is part of the history jazz and her memory will transcend and surmount the next years to come.

Billie's Best - Accept No Substitutes.......2006-06-12

Billie Holiday is the quintessential jazz singer; despite a limited vocal range she set the standard by which all others are measured. It's all about the quality of her voice, the lush tone, and her marvelously idiosyncratic phrasing. Though her career was short and troubled, she recorded a lot, which means novice collectors must avoid innumerable bear traps. In general, her later work should be ignored, by then she was wearing her emotional problems like an ugly hat, despair manifested itself in performances so lackluster they're depressing at best, frequently downright tragic.

For the best of Billie you need to go back to the glory days, 1933-1944, precisely the time period covered by this reasonably priced and beautifully produced 2-CD set. (If you're a player with money to burn go for the 10-CD comprehensive retrospective, The Complete Billie Holiday on Columbia, 1933-1944.) All the songs providing the foundation of her reputation are here, as well as many pleasant surprises. The booklet, though not lavish, provides photos, background, and a complete list of personnel for each track. This detail is significant because the players on these selections, in addition to being the finest who ever backed Ms. Holiday, were also the absolute elite of their generation, each worthy of individual exploration. (Names like Lester Young, Roy Eldridge, Ben Webster, Johnny Hodges, and Teddy Wilson enjoy legendary status.)

Perhaps most amazing is the sound quality, considering the recordings are WWII vintage they're clear and smooth. About Ms. Holiday's personal life, the less said the better. What is remarkable is that, despite her personal troubles, she managed to create a canon of work that is truly timeless, just as sweet and powerful today as it was then. Not only is this the best Billie Holiday anthology available, it makes a formidable addition any jazz collection. (Dig that cover photo, wow!)

A serious and great artist's best work, you need these sides.......2005-03-11

If there were some way to award music 200 stars, I am sure all of us would have done so for this set!

Like others here, I have it all, but I think her work from the 30s and early 1940s from Columbia and its ancestors is not just her greatest works, but among the great works of world musical culture. Everyone with a set of ears should be more or less required to have this music and enjoy it.

Strange Fruit was not recorded for Columbia but for the Indy label Commodore. Thus, you will not find it on this or any of the Columbia collections like this that capture her work in the period BEFORE Strange Fruit. It was recorded in the 1940s, whereas this collection contains work from Billie in the 1930s and perhaps 1940 and 1941. No doubt Sony wishes it had the rights to that side and everything else Commodore recorded, but they don't.

The truth is, Strange Fruit is not one of Billie's Greatest works. There are about 15 tunes on this CD that have better singing, better musicians backing her, and were more important pieces of Billie's work. Strange Fruit is well known to the people who know about Billie as a person, but don't know much about Billie as a Jazz musician. Her recording, while powerful, was not very nuanced, not very jazzy, and not as good as much of the work here. Indeed, the weakness of her mid-1940s Commodore work as opposed to these recordings is that Billie was persuaded to move away from Jazz and swing to attempt to become a cabarat chanteuse of "serious" songs, a move that some also relate to the inception of heroin and the decline of her voice, a move that brought about a decline in her art.

If you want to hear a better version of "Strange Fruit," listen to Josh White's recording which is so much more powerful, if not as well known. I am not downing the song or its politics, far from it, but Billie's Strange Fruit is more important as a political statement than as a work of Jazz art.

One of the greatest things about these records are the many master musicians of swing and jazz that join her on these recordings. Very shortly after she started recording, the greatest names in Jazz would flock to her sessions and play on her recordings for litte because of the innovation and creativity Billie showed as a jazz creator in her own right. These recordings were a chance for them to jam together in loose arrangements and be more innovative and creative than they were with the orchestras they played with.

These masters of Jazz viewed Billie as a serious artist of Jazz. They delighted in her knowledge of the musical aspects of swing jazz which was unique for such a young singer (she was in her twenties when these records were made) and delighted in her ability to sense what they were doing in their accompaniments and solos and to respond to them in her vocals.

Despite the exaggerated picture of her life as a prostitute that was part of the marketing of the 1950's work of ghost-written fiction called "Lady Sings the Blues," that a drug addled Billie claimed was her autobiography, Billie Holiday grew up around Jazz with her father being a big band guitar player who complained Billie hired every NY guitarist but him for these sessions. Billie's mother specialized in boarding Jazz musicians and catering parties for musicians and singers, parties where the young Billie would often help serve the food. So when she met Lester young in 1937 for these sessions, she had already known the man she named 'Prez in 1934 when he boarded with her mother while he was in the Fletcher Henderson band.

These sides contain most of the great collaboration between Lester Young and Billie. They were great musical friends and personal friends until Billie became a heroin addict, at which point Lester didn't much want to be around her.

However, as much as I am a Lester Young man to the death (his framed picture hangs in my home), too little is said of the other musicians who grace these recordings. Billie's collaboration with pianist Teddy Wilson who plays on and directed most of these recordings (many were recorded as Teddy Wilson Orchestra sides)needs to be explored. Likewise, her work with the great bassists and rhythm players on these records needs to be appreciated. My favorite sides are the ones in which she has the benefit of Basieites like her dear friend Freddy Green on guitar and the great Walter Page on bass. Likewise, Billie's musical closeness with the great Buck Clayton and his role on these sides is also underestimated.

Yet, it doesn't matter if Billie had recorded these sides with some high school band members from Winslow, Arizona. This is good music to listen to, good music to smile to, music to fall in love to, and music to dance too. Contrary to the tendency to get maudlin and milk her image as a tragedy that Holiday developed in the 1950s as her life and her musical skill declined , even the songs on these recordings with the sadest lyrics possess a great joy, swing, and spirit of the wonders of Jazz.

Average customer rating:

the good songs are very good
Fits the Mood of the Show
Not bad for a TV soundtrack
Another great TV soundtrack.

4400

Manufacturer: Milan Records
ProductGroup: Music
Binding: Audio CD

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The 4400 - The Complete Third Season
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Kyle Xy
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ASIN: B000OCY6VI
Release Date: 2007-05-01

Tracks:

A Place In Time (Theme From The 4400) - Bosshouse
This Is Your Life - Switchfoot
Falling By The Wayside - People In Planes
Into The Fire - Thirteen Senses
Worry About You - Ivy
How Do You Say Goodbye? - Engineers
She Will Be Loved - Maroon 5
Shy Baby - Jacqueline McKenzie
Do The Buildings And Cops Make You Smile? - Bedroom Walls
Cheek To Cheek - Billie Holiday
Salvation - John Van Tongeren
A Place In Time - The Landau Orchestra

Customer Reviews:

the good songs are very good.......2007-06-26

I really like this CD. The songs that are not so good (in my opinion) are still tolerable. The very good ones are just that...outstanding. I am biased because I really like the show and the music really adds to the on-screen events. I do think that you probably need to be a fan of the show to like most of the music on this CD...

Fits the Mood of the Show.......2007-06-16

Judged on its own, this would probably get a 3-star rating. Rated by knowing the show, it should get 5 stars, but the last track is worth a demotion of one star (it's that bad). Most music must be enjoyed according to your mood, and this CD gives one an eerie feeling, almost depressing, but the beauty of it keeps it above the depressive level. Like the series, there's a chill to the overall tone with just enough hope in there to emulate the series to perfection.

Aye, the opening song (the best cut) is WAY too short: I thought like the Geico theme song, "Remind Me," there was surely a longer version. Still even at just over a minute, it's worth buying. Very moody, but very worth listening to!

Not bad for a TV soundtrack.......2007-06-02

I've bought a few TV soundtracks over the years and have sometimes been dissatisfied by them. I rarely remember the selections as being used in the series, The 4400 is no exception but at least it seems to have a nice sound to it.
About all that really stood out for me was the theme song, #1 "A Place in Time" (really the only reason I even bought the CD) and I think I remember #11 "Salvation" being used at some point. The rest of the selections don't mean much to me but they're a good fit and if you like one you'll probably like most of the rest. The worst piece was #12, the instrumental version of the theme- instrumental adaptations rarely work well and this was no exception.

Another great TV soundtrack........2007-05-10

I'm not really into this show but I bought the CD due to the track listing and it's a real good surprise even if I already knew a couple of it:
1) A place in time : apparently the show's theme,nice but a little too short. 4/5
2) This is your life : oh my god! masterpiece! love the band and this one is one of their best by far. 5/5
3) falling by the wayside : really good follow up to this is your life. 5/5
4) into the fire : the same .5/5
5) worry about you : a changing a tone but for the best.It's one of my favorite band and fav song. 5/5
6) how do you say goodbye? : on the verge of into the fire and falling by the wayside. 4,5/5
7) she will be loved : masterpiece but doesn't fit at all with the rest of the CD exept maybe the newt one,shy baby. 5/5
8) shy baby : great discovery on the CD and a great song with a beautiful voice,all little folk to chill. 5/5
9) do the buildings and cops make you smile?: normal follow up to the rest of the songs. 5/5
10) cheek to cheek: same as she will be loved exept that we can't relate it to any other song from the CD.4/5
11) salvation : not a fan of the show so don't really care about this one but it's nice,way to short but nice. 3/5
12) a place in time: another score which is a remix of the theme song.Should have been sang. 3/5
If you're a fan of the show,well buy it cause it's really good,if not,buy it anyway,it's a really good CD,trust me.

Ken Burns's Jazz: The Story of American Music

Average customer rating:

A Good Selection, An Odd Accompaniment to the Documentary
Great Intro to Jazz
Ken Burn's Jazz CD
A must have..
Good starter set for jazz beginners

Ken Burns's Jazz: The Story of American Music
Various Artists
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B000050HVG
Release Date: 2000-11-14

Tracks:

Star Dust - Louis Armstrong & His Orchestra
Soon One Mornin' (Death Come A-Creepin' in My Room0 - Mississippi
Memphis Blues - Lieut. Jim Europe's 369th Infantry ("Hell Fighters") Band
Livery Stable Blues - The Original Dixieland Jazz Band
Charleston - James P. Johnson
Chimes Blues - King Oliver's Creole Jazz Band
Back Water Blues - Bessie Smith
The Pearls - Jelly Roll Morton
Dead Man Blues - Jelly Roll Morton's Red Hot Peppers
Wild Cat Blues - Clarence Williams's Blue Five
Cake Walkin' Babies (From Home) - Clarence Williams's Blue Five
Sugar Foot Stomp - Fletcher Henderson & His Orchestra
Heebie Jeebies - Louis Armstrong & His Hot Five
Potato Head Blues - Louis Armstrong & His Hot Seven
West End Blues - Louis Armstrong & His Hot Five
The Mooche - Duke Ellington & His Orchestra
East St. Louis Toodle-Oo - Duke Ellington & His Washingtonians
Black Beauty - Duke Ellington & His Orchestra
Mood Indigo - The Jungle Band
There Ain't No Sweet Man (Worth The Salt Of My Tears) - Paul Whiteman & His Orchestra featuring Bix Beiderbecke
Singin' The Blues - Frankie Trumbauer & His Orchestra featuring Bix Beiderbecke
Riverboat Shuffle - Frankie Trumbauer & His Orchestra featuring Bix Beiderbecke
Hotter Than 'Ell - Fletcher Henderson & His Orchestra
I Got Rhythm - Ethel Waters

Tracks:

It Don't Mean a Thing (If It Ain't Got That Swing) - Duke Ellington & His Orchestra
Echoes of Harlem - Duke Ellington & His Orchestra
Moten Swing - Benny Moten's Kansas City Orchestra
St. Louis blues - Louis Armstrong & His Orchestra
Ain't Misbehavin' - Louis Armstrong & His Orchestra
For Dancers Only - Jimmie Lunceford & His Orchestra
King Porter Stomp - Benny goodman & His Orchestra
Rose Room - The Benny Goodman Sextet
Sing, Sing, Sing (With a Swing) - Benny Goodman Sextet
Jumpin' at the Woodside - Count Basie & His Orchestra
Sent for You Yesterday and Here You Come Today - Count Basie & His Orchestra
Lester Leaps In - Count Basie's Kansas City Seven
Oh, Lady, Be Good! - Jones-Smith Incorporated
Without Your Love - Billie Holiday & Her Orchestra
Strange Fruit - Billie Holiday
God Bless the Child - Billie Holiday with Eddie Heywood & His Orchestra
Three Little Words - Art Tatum
Rebecca - Pete Johnson & "Big" Joe Turner
Harlem Congo - Chick Webb & His Orchestra
A-Tisket, A-Tasket - Chick Webb & His Orchestra featuring Ella Fitzgerald
Shine - Django Reinhardt & Le Quartet du Hot Club de France
Dear Old Southland - Noble Sissle & His Orchestra

Tracks:

Body and Soul - Coleman Hawkins
Cotton Tail - Duke Ellington & His Orchestra
Take the 'A' Train - Duke Ellington & His Orchestra
Begin the Beguine - Artie Shaw & His Orchestra
In The Mood - Glenn Miller & His Orchestra
Well, Git It! - Tommy Dorsey & His Orchestra
Solitude - Billie Holiday with Eddie Heywood & His Orchestra
Drum Boogie - Gene Krupa & His Orchestra
Salt Peanuts - Dizzy Gillespie & His All Star Quintet
Groovin' High - Dizzy Gillespie Sextet
Ko-ko - Charlie Parker's Re-Boppers
Scrapple From the Apple - Charlie Parker Quintet
Enbraceable You - Charlie Parker Quintet
Get Happy - Bud Powell Trio
Epistrophy - Thelonious Monk
Straight, No Chaser - Thelonious Monk
Manteca - Dizzy Gillespie & His Orchestra
Moon Dreams - Miles Davis Nonet
Just Friends - Charlie Parker
Rockin' Chair - Louis Armstrong
They Can't Take That Away From Me - Sarah Vaughan & Her Trio
Walkin' Shoes - Chet Baker & Gerry Mulligan
Fine and Mellow - Billie Holiday

Tracks:

Doodlin' - Horace Silver & The Jazz Messengers
I Get A Kick Out of You - Clifford Brown & Max Roach
St. Thomas - Sonny Rollins
Django - The Modern Jazz Quartet
Take Five - The Dave Brubeck Quartet
So What - Miles Davis Sextet
Giant Steps - John Coltrane
Rick Kick Shaw - Cecil Taylor Trio
Chronology - Ornette Coleman
Original Faubus Fables - Charles Mingus
Acknowledgment - John Coltrane Quartet

Tracks:

Hello, Dolly! - Louis Armstrong
Desafinado - Stan Getz & Charlie Byrd
In a Sentimental Mood - Duke Ellington & John Coltrane
Tourist Point of View - Duke Ellington & His Orchestra
E.S.P. - The Miles Davis Quintet
Spanish Key (single version) - Miles Davis
Birdland - Weather Report
Mister Magic - Grover Washington, Jr
Rockit - Herbie Hancock
Un Ange en Danger - M.C. Solaar & Ron Carter
Tanya - Dexter Gordon
Soon All Will Know - Wynton Marsalis
Death Letter - Cassandra Wilson
Take The "A" Train - The Lincoln Center Jazz Orchestra

Amazon.com

This five-CD box set soundtrack to filmmaker Ken Burns's 10-part, 19-hour documentary Jazz spans nearly a century of jazz styles, from the martial rhythms of James Reese Europe to the soul-jazz of Grover Washington Jr. It includes time-tested classics like Benny Goodman's 1938 classic, "Sing, Sing, Sing"; John Coltrane's chanting 1965 immortal track, "A Love Supreme"; Billie Holiday's blue-ember ballad, "God Bless the Child"; and Ella Fitzgerald peeling off "A-Tisket A-Tasket." Bebop is represented by Charlie Parker's orchestral bop version of "Just Friends"; Thelonious Monk's nocturnal calling card, "'Round Midnight"; and Dizzy Gillespie's "Salt Peanuts" and "Groovin' High."

The jazz-instrumentalist-as-singer comes to life on Coleman Hawkins's "Body and Soul" and Horace Silver and the Jazz Messengers' "Doodlin'." Clifford Brown and Max Roach's "I Get a Kick out of You" epitomizes the hard-bop era, while Miles Davis's "So What" stands as the modal masterpiece. The cool school is in session with Chet Baker and Gerry Mulligan dishing out "Walkin' Shoes," and the Modern Jazz Quartet's soulful elegy "Django" straddles all the above musical orbits. As for Django Reinhardt, he's featured on "Shine" with the justly famed Le Quartet du Hot Club de France.

Louis Armstrong's "West End Blues" and "Potato Head Blues" and Duke Ellington's rousing rendition of Billy Strayhorn's anthem, "Take the A Train," and his moody "Solitude" show why they are the Olympian masters of this art form--and the most frequently featured artists in the series. Although Ken Burns tries bringing the music up-to-date with Wynton Marsalis, Cassandra Wilson, and two jazz-hip-hop-influenced tracks--Herbie Hancock's robotic "Rockit" and the French-language "Un Aige en Danger" by MC Solaar and bass legend Ron Carter--there are significant holes here. After Cecil Taylor and Ornette Coleman, the avant-garde period from the late 1960s to the 1980s is lacking. And aside from the bossa nova hit "Desafinado," Latin jazz is also missing. It's a tough task summarizing jazz in five CDs, and Burns has given us a vibrant and vivid multicolored aural portrait of the music. --Eugene Holley Jr.

Customer Reviews:

A Good Selection, An Odd Accompaniment to the Documentary.......2007-04-25

To chronicle the first six decades or so of American jazz in five CD's is an ambitious undertaking. Ken Burns pulled it off by making it the soundtrack to stories he wanted to tell. This made for heavy representation of songs from Louis Armstrong, Duke Ellington, Charlie Parker and Miles Davis easy choices. The documentary, in some ways, tells like an allegory of racism and civil rights in 20th century America, yet the soundrack includes white musicians like Chet Baker, Stan Getz, Dave Brubek and Benny Goodman in the CD selections. Brubek's inclusion is particularly notable after the documentary was so dismissive of "West Coast Jazz" - I don't even remember Take 5 being mentioned in the documentary. It would have been nice to include Bill Evans since every jazz pianist that followed him credited Evans as an influence, but his work as side man on "So What" is all we get. Herbie Hancock's Rockit is nowhere close to representative of his body of work. My main disappointment is that after Free Jazz and the like, jazz had nowhere left to go except backwards, yet the contemporary "pop" jazz at the end comes across as the latest and greatest thing yet. I respectfully disagree.

Great Intro to Jazz.......2007-03-23

For those just getting into Jazz or just need a refresher course this is a great CD. I brought it for my husband who is a big Jazz fan and he just loves it and gets alot of use out of them.

Ken Burn's Jazz CD.......2007-01-14

A great cd with many remastered original recordings of jazz greats. Each cd features a different jazz era, so one can select a jazz genre to suit one's mood.

A must have.........2007-01-05

..for any jazz fan or music history buff. LOADS of content, hours and hours of great music.

Good starter set for jazz beginners.......2006-02-22

This is a beautifully packaged 5 disc set highlighting some of the greatest jazz artists of all time. If you buy this set and are really excited about the sound and the masterful artists presented then, I highly recommend collecting the 22 discs of individual artists by Burns which showcase the popular and influential music of those artists. Having all of the Ken Burns Jazz editions is of course just a start but a good start into the world of jazz it will be.