Songs for Christmas [Import]

Mendelssohn: Piano Concertos
Mendelssohn: 5 Symphonies; 7 Overtures
Mendelssohn: Sonata for Piano; Prelude & Fugue; Variations Sérieuses; Rondo Capriccioso
Songs Without Words
Schumann: Complete Piano Trios

ASIN: B000001GYC
Release Date: 1997-04-15

Tracks:

Lieder ohne Worte op. 19: No. 1 In E Major - Andante con moto
Lieder ohne Worte op. 19: No. 2 In A Minor - Andante espressivo
Lieder ohne Worte op. 19: No. 3 In A Major 'Hunting Song' - Molto allegro e vivace
Lieder ohne Worte op. 19: No. 4 in A Major - Moderato
Lieder ohne Worte op. 19: No. 5 In F Sharp Minor - Piano agitato
Lieder ohne Worte op. 19: No. 6 In G Minor 'Venetian Gondola Song' - Andante sostenuto
Lieder ohne Worte op. 30: No. 1 In E Flat Major - Andante espressivo
Lieder ohne Worte op. 30: No. 2 In B Flat Minor - Allegro di molto
Lieder ohne Worte op. 30: No. 3 In E Major - Adagio non troppo
Lieder ohne Worte op. 30: No. 4 In B Minor - Agitato e con fuoco
Lieder ohne Worte op. 30: No. 5 In D Major - Andante grazioso
Lieder ohne Worte op. 30: No. 6 In F Sharp Minor 'Venetian Gondola Song' - Allegretto tranquillo
Lieder ohne Worte op. 38: No. 1 In E Flat Major - Con moto
Lieder ohne Worte op. 38: No. 2 In C Minor - Allegro non troppo
Lieder ohne Worte op. 38: No. 3 In E Major - Presto e molto vivace
Lieder ohne Worte op. 38: No. 4 In A Major - Andante
Lieder ohne Worte op. 38: No. 5 In A Minor - Agitato
Lieder ohne Worte op. 38: No. 6 In A Flat Major - Andante con moto
Lieder ohne Worte op. 53: No. 1 In A Flat Major - Andante con moto
Lieder ohne Worte op. 53: No. 2 In E Flat Major - Allegro non troppo
Lieder ohne Worte op. 53: No. 3 In G Minor - Presto agitato
Lieder ohne Worte op. 53: No. 4 In F Major - Adagio
Lieder ohne Worte op. 53: No. 5 In A Minor 'Folksong' - Allegro con fuoco
Lieder ohne Worte op. 53: No. 6 In A Major - Molto allegro, vivace

Tracks:

Lieder ohne Worte op. 62: No. 1 In G Major - Andante espressivo
Lieder ohne Worte op. 62: No. 2 In B Flat Major - Allegro con fuoco
Lieder ohne Worte op. 62: No. 3 In E Minor 'Funeral March' - Andante maestoso
Lieder ohne Worte op. 62: No. 4 In G Major - Allegro con anima
Lieder ohne Worte op. 62: No. 5 In A Minor 'Venetian Gondola Song' - Andante con moto
Lieder ohne Worte op. 62: No. 6 In A Major 'Spring Song' - Allegretto grazioso
Lieder ohne Worte op. 67: No. 1 in E Flat Major - Andante
Lieder ohne Worte op. 67: No. 2 In F Sharp Minor - Allegro leggiero
Lieder ohne Worte op. 67: No. 3 In B Flat Major - Andante tranquillo
Lieder ohne Worte op. 67: No. 4 In C Major 'Spinning Song' - Presto
Lieder ohne Worte op. 67: No. 5 In B Minor - Moderato
Lieder ohne Worte op. 67: No. 6 In E Major 'Wiegenlied' - Allegretto non troppo
Lieder ohne Worte op. 85: No. 1 In F Major - Andante espressivo
Lieder ohne Worte op. 85: No. 2 In A Minor - Allegro agitato
Lieder ohne Worte op. 85: No. 3 In E Flat Major - Presto
Lieder ohne Worte op. 85: No. 4 In D Major - Andante sostenuto
Lieder ohne Worte op. 85: No. 5 In A Major - Allegretto
Lieder ohne Worte op. 85: No. 6 In B Flat Major - Allegretto con moto
Lieder ohne Worte op. 102: No. 1 In E Minor - Andante, un poco agitato
Lieder ohne Worte op. 102: No. 2 In D Major - Adagio
Lieder ohne Worte op. 102: No. 3 In C Major - Presto
Lieder ohne Worte op. 102: No. 4 In G Minor - Un poco agitato, ma andante
Lieder ohne Worte op. 102: No. 5 In A Major - Allegro vivace
Lieder ohne Worte op. 102: No. 6 In C Major - Andante
Kinderstucke op. 72: Allegro non troppo
Kinderstucke op. 72: Andante sostenuto
Kinderstucke op. 72: Allegretto
Kinderstucke op. 72: Andante con moto
Kinderstucke op. 72: Allegro assai
Kinderstucke op. 72: Vivace
Gondellied: Allegretto non troppo
2 Klavierstucke: Andante cantabile
2 Klavierstucke: Presto agitato
Albumblatt op. 117: Allegro

Customer Reviews:

FORGOTTEN (BY ME) BEAUTIES.......2007-05-14

Until I purchased this bargain (two discs for the price of one), recording of Mendelssohn's "Songs without Words" that are played exquisitely by Daniel Barenboim, I, in the past, have listened mainly to Mendelssohn's chamber music, Concertos and/or Symphonies kind of forgetting about these most beautiful compositions, What a real pleasure this recording has been for me. I believe that Mendelssohn composed these" Songs without Words" (also included are Mendelssohn's "Kinderstucke", op 72, "Albumblatt", op. 117 and 2 short pieces) through out his short life. Daniel indeed plays all of the works including the "demanding" ones (there are surprisingly for me some very demanding ones) most beautifully never forgetting that the compositions are above all else "Songs". Daniel Barenboim always lets the melodies be heard above all else and there are some very beautiful melodies to hear.

This recording was made in the early 1970s; however, DGG has done a wonderful job of transferring them to the CD format--the sound is rich, lush and clear.

If you want to hear some beautiful compositions that are played most beautifully, buy this recording.

MENDELSSOHN'S 48.......2006-09-01

Bach's 48 preludes and fugues seem to me to be to some extent a diary of the composer's feelings, and I get much the same impression from Mendelssohn's Songs Without Words, which are also 48 in number. To me, they are beautiful and touching minor masterpieces and when I hear them I am not disturbed, or even visited, by the thought that they are not masterpieces to rank with Bach's. However I am not as exacting in evaluating a performance of them as I would be with Bach either, and when I willingly award this set 5 stars I know that I'm setting the bar lower. There are limits to what any interpreter, even the greatest, of the Songs Without Words can find in them, but for all that some interpreters are greater than others, and I happen to know even better accounts of some of these pieces than you will find on these two discs from Barenboim.

It was high time in any case that I had a complete set of these lovely works. My collection up to now had only stretched to 14 of them, but - I have to say it again - those 14 are enough to teach me the difference between fine performances and great ones. Barenboim's accounts should be easily good enough for most of us most of the time, and in addition to the Songs he throws in the Children's Pieces plus a few other short numbers that Mendelssohn, for reasons known principally to himself, chose not to publish. With one solitary exception, Barenboim's touch is affectionate, warm and beautiful, and is well served by the 1974 recording. Speeds adopted sound about right to me in general, and the interpretations offered are full of insight and loving care, and free from eccentricity or egotism. Barenboim can be powerful when he needs to be, but the requirement for power is very limited in what we have here, and the overall impression that the set leaves is rightly one of tact, sympathy and enthusiasm. My single regret concerns my own favourite of all the Songs - the Duetto op 38/6. Something goes quite unaccountably wrong here. I'd call the speed too fast in the first place, and I would have liked the pseudo-voices brought out more strongly against the arpeggio accompaniment, but the real affront to my sensibilities comes when the two voices sing forte in octaves, and Barenboim bangs out the melody in a bad-tempered and cacophonous way that reminds me of one of Kissin's off-days.

One botched effort out of 58 is not a bad ratio nevertheless. I can play the Duetto to my own satisfaction anyway, or I can listen to it on my old Turnabout LP played by Guiomar Novaes. Novaes seems to be all but forgotten these days, but she was a great player, recognised as such by no less than Debussy when she was a teenager. Her idea of the Duetto is slower than mine, indeed for an amateur like me the piece, which lies beautifully and naturally under the hands, seems practically to dictate its own speed. However it's not the tempo that makes the impression. In this piece as in many others starting with the very first of all the Songs, what transfixes me is the haughty and highlighted clarity of Novaes's melodic line and the magnificence of her left-hand tone. It also happens that in the disc that accompanies the biography of Serkin by Stephen Lehmann and Marion Faber there are two of the Songs in Novaes's selection - a solemn and gripping op 62/1 and a coruscating Spinning Song worthy of Horowitz or Cziffra for virtuosity. The point is simply this - there is an aura of greatness that surrounds the playing of Serkin and Novaes in practically anything they do. Admirable as he is, Barenboim is not quite in that league, although I don't consider the balance of advantage to be totally one-sided, and it may be that Barenboim actually makes a more appealing job of the Spring Song.

Nevertheless I have only 14 of the Songs from Novaes, and all of two from Serkin, in somewhat antiquated sound at that. Barenboim gives me all 48 plus some bonus extras, played with love and appreciation of the soul of this beautiful and affecting music. This is a set I am going to be returning to for solace and balm to the spirit, I can tell already. The recorded sound is not wondrous, but it's good 1974 quality. The liner note is from the distinguished pen of Joan Chissell, but I can't say it seems to me to amount to much. Moreover she nails her colours to the mast with the ringing challenge `No 19th-century composer exceeded Mendelssohn in respect for Classical tradition, and such ordered modes of expression as fugue...' I dispute this strenuously. Not only are Mendelssohn's fugues not his best or most professional work, as Tovey makes very clear, they are inferior in respect for classical precedent and thoroughness of workmanship to Schumann's, as the same sage also points out. Besides which Brahms was a musical scholar of minute and profound learning, particularly steeped in the great German musical tradition, to an extent that Mendelssohn never rivalled. What Mendelssohn can claim is to be sui generis, what he does best he does better than anyone, and some of his most intimate musical thoughts are to be found in the Songs Without Words. For the pleasure and comfort they bring me I thank Mendelssohn's shade and the loving and expert guidance of Barenboim.

Portraits at exhibition!.......2006-04-09

In contrast to many other musicians, Mendelssohn had an evident, fruitful and fortunate association with the visual arts. Keeping in mind his education was conceived as part of the Renascence man, so we should not ignore his classical-humanistic education, so that explains why his Symphonies maybe basically, considered such arresting visual landscapes: the Scottish, Italian and Reform would seem confirm it.

The Songs without words conform ostensibly, a great stylistic and conceptual unity. It could not be other way, noticing the fact John Field was essentially the grandfather of the nocturnes for piano and Chopin the most expressive and intimate explorer of the human soul, Mendelssohn had all those variables in mind and decided to create a portrait album. As other artists as Liszt and Goethe the exerted fascination after being in Venice would work out as febrile inspiration. Every little page of this kaleidoscopic reflects different state anima; they are structured and interweaved similarly respect Robert Schumann with his Carnival or Childhood scenes; with profound lyric and evocative accent, destined to recreate the tourist memory. He achieved then to make a voluminous album of feelings but without that marked introspective mood of Frederic Chopin, for instance.

Daniel Barenboim decided to record these ebb tide piano pieces with personal conviction and lyric imagination. The result was simply refulgent and deeply inspiring.

Second-tier Mendelssohn and Boringboim to boot.......2002-10-21

The majority of Mendelssohn's works consisted of fluff and flutter reminisent of Mozart on an off-day and these piano pieces certainly aren't among Mendelssohn's small number of masterworks.The fact that these compositions are no more than trifles is made worse by Barenboim's insistence in trying to infuse an element of profundity to them.The result is tedium and annoyance.I owned this 2 disk set for more than 2 years and didn't listen to it more than 7-8 times.Every time I would try and listen boredom would set in and within a few minutes listening became a matter of endurance.I finally traded it off and haven't missed it in the least.It may be a 2 for the price of 1 set but,as usual,such "bargains" are hardly a bargain.

Excellent!.......2002-02-18

This is one of my top 5 classical piano CDs. It has a relaxing, easy-to-listen-to sound that I never get tired of. Every song in this 2-cd set is great.

The Essential Leontyne Price: Spirituals, Hymns & Sacred Songs

Average customer rating:

The Price Club
A living legend
not your daddy's old timey spiritual
Immaculate Vocals of Leontyne Price
Great Gospel Stuff

The Essential Leontyne Price: Spirituals, Hymns & Sacred Songs

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Folk | Styles | Music

General | Opera & Vocal | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

Noels | Vocal Non-Opera | Opera & Vocal | Styles | Music

Price, Leontyne | Divas | Opera & Vocal | Styles | Music

General Christmas | Holiday | Miscellaneous | Styles | Music

General Christmas | Holiday Music | Special Features | Music

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Leontyne Price: The Ultimate Collection
Leontyne Price Christmas Songs Chants de Noel.Weihnachtslieden Wiener Philharmoniker Herbert Von Karajan
Spirituals in Concert
Amazing Grace: Jessye Norman
Spirituals

ASIN: B000003FWE
Release Date: 1997-01-14

Tracks:

Ev'ry Time I Feel The Spirit - Various Artists
Let Us Break Bread Together On Our Knees - Various Artists
His Name So Sweet - Various Artists
'Roun' About The Mountain - Various Artists
Swing Low , Sweet Chariot - Various Artists
Sit Down, Servant - Various Artists
Were You There - Various Artists
He's Got The Whole World In His Hands - Various Artists
Deep River - Various Artists
Honor! Honor! - Various Artists
My Soul's Been Anchored In De Lord - Various Artists
On Ma Journey - Various Artists
A City Called Heaven - Various Artists
Ride On, King Jesus - Various Artists
I Wish I Knew How It Would Feel To Be Free - Various Artists
Sinner, Please Don't Let This Harvest Pass - Various Artists
Sweet Little Jesus Boy - Various Artists
There Is A Balm In Gilead - Various Artists
Let Us Cheer The Weary Traveler - Various Artists
Ev'ry Time I Feel The Spirit - Various Artists
My Way Is Cloudy - Various Artists
Nobody Knows The Touble I've Seen - Various Artists
I Couldn't Hear Nobody Pray - Various Artists

Tracks:

Holy, Holy, Holy - Leontyne Price
Lead, Kindly Light - Leontyne Price
Blessed Assurance - Leontyne Price
Ave Maria - Leontyne Price
What A Friend We Have In Jesus - Leontyne Price
Amazing Grace - Leontyne Price
The Lord's Prayer - Leontyne Price
Pass Me Not, O Gentle Savior - Leontyne Price
The Church's One Foundation - Leontyne Price
Bless This House - Leontyne Price
I Need Thee Every Hour - Leontyne Price
Schlesische Volkslieder: Fairest Lord Jesus - Leontyne Price
I Wonder As I Wander - Leontyne Price
Ave Maria - Leontyne Price
Porgy And Bess: Summertime - Leontyne Price
America The Beautiful - Leontyne Price
Lift Ev'ry Voice And Sing - Leontyne Price
A Mighty Fortress Is Our God - Leontyne Price
Battle Hymn Of The Republic - Leontyne Price

Customer Reviews:

The Price Club.......2005-04-28

"I am here," said Leontyne Price when interviewed as she opened the new Metropolitan Opera with Samuel Barber's underrated ANTONY AND CLEOPATRA, "and you will know that I am the best and will hear me. The color of my skin or the kink of my hair or the spread of my mouth has nothing to do with what you are listening to." Back in the 1960s Price was one of the greatest divas in all of opera, and it wasn't just her voice but her magnificent stage presence, combined with her social activism. All of the above come into play in this collection of secular songs and ditties, some of them traditional plantation chanties and others, art songs and a scattering of pop music. And some of them, like Gershwin's "Summertime," cross the ever-permeable boundaries between Broadway and classical. These recordings were made at different times in Price's career, and her voice, while always angelic, has different shadings and reaches a different range of timbre in each separate recording date, but there is no question that, as time goes by, she is able to impart a richness of life experience noticeably absent from some of her earlier work.

"Ave Maria" sounds heavenly no matter which way you slice it, and as for "I Wonder As I Wander," it brings tears to your eyes. If you have a heart that's beating you will be moved by this rendition. "Ein feste Burg" is pretty strong, but Price seems more comfortable with the traditional spirituals, though perhaps it is the slightly off-kilter sounds of the Ambrosian Singers (what a name) who back her up on many of these tracks, that detract slightly from the experience. Compare "Lead Kindly Light" for a clear sense of what constitutes authority vs. what is a wee bit overproduced. If you had this compilation, and perhaps one of Leontyne Price's Christmas albums, you could attain nirvana any time you wanted to, just flip a switch and close your eyes, let her lift you up on wings of song.

A living legend.......2005-03-10

Leontyne Price (still alive) and already passing into immortality amongst vocal artists, both classical and popular. Leontyne Price stands at the pinnacle of her classical art, but those who only know her work in La Forza del destino or the Verdi Requiem are in for a heart rending treat with this album where Leontyne Price goes home to her roots in Mississippi and gives an unabashed account of the classic spirituals she sang as a young woman. Like John Mc Cormacks rendering of Irish songs there is a personal longing and devotion expressed here that reveals a side of the artist not known in the bulk of their "classical" repetoire. A sense of going home like Citizen Kane's rosebud, or as Dorothy Gale observes at the end of the Wizard of Oz "everything I could ever have wanted was right in my own backyard "

not your daddy's old timey spiritual.......2004-06-23

Agreed this is a good cd for a beautiful voice, but this is not, repeat not, for someone who wants to hear that old-timey religious fervor that you think of when you've been to a Black Baptist hand-clapping, standing, swaying, and singing service.

Immaculate Vocals of Leontyne Price.......2003-12-31

IMMACULATE, SUPERB vocal range and style! There's no other words that can complement Miss Leontyne Price's vocal arrangements. Miss Price's voice is strong, and shrills very nicely to the instruments played on many songs listed on this double CD which is a joy to treasure; every song listed are songs I was raised to hearing and singing. Miss Price is the reason why many of these songs remain in popularity and presently used. Miss Leontyne Price has been incredible in many of her past performances. This is my fourth CD of Miss Price and I am glad to own this particular CD forever and ever. Many thanks to the executors who found this remarkable album and upgraded it to a CD format! **Angi**

Great Gospel Stuff.......2001-04-12

This is a great CD. The only problem I have with it is that on some of the selections there is a boy's choir screaming in the background, and this takes away (a bit) from her performance. That said, her best selections are those that are either unaccompanied or those where her voice is not buried. Songs that strike me are - His Name So Sweet, He's Got The Whole World, Were You There, I Wonder as I Wander, Lift Every Voice and Sing, and my all time favourite Summertime. Enough said.

Average customer rating:

Microcosmos
Great value with a few flaws
eeh, I guess I don't like Bartok that much
Best classical value out there
5 Stars for the music and performance

Bartok: Complete Solo Piano Music

Manufacturer: Vox (Classical)
ProductGroup: Music
Binding: Audio CD

Dances | Ballets & Dances | Classical | Styles | Music

Etudes | Forms & Genres | Classical | Styles | Music

Improvisation | Forms & Genres | Classical | Styles | Music

Rondos | Forms & Genres | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

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ASIN: B00008X5AY
Release Date: 2003-05-27

Amazon.com

Sàndor, still active at 90 as this reissue appears, was a student of Bartók and a preferred interpreter of his music. Since this set appeared on nine LPs in the early 1960s, it has been the standard for Bartók's piano music; in this fine-sounding reissue, it still is. Sàndor can hit hard enough for such virtuoso pieces as the Piano Sonata and "Out of Doors," but he also retains the romantic element heard in the composer's own playing which tempers the harsher qualities of the music. While this collection isn't quite as complete as advertised (some early, insignificant piano music by Bartók is omitted), it includes all of Bartók's significant piano music, including such relatively obscure gems as the Bagatelles, eight Improvisations, and many delectable folk arrangements which will appeal even to listeners who think Bartók is too challenging for them. Vox's recorded sound, superbly remastered, resists obsolescence as effectively as Sàndor's performances. Even with the inclusion of the early books of "Mikrokosmos," which will appeal mostly to piano students, this set is worth several times the asking price. --Leslie Gerber

Customer Reviews:

Microcosmos.......2007-03-08

Sándor was a champion not only of Bartók's music but also of Bartók's style of playing. He often complained that people were too quick to see Bartók as ultra-modern, and to fail to appreciate the rich seam of lyricism that also runs through his music.

The piano music is dominated by short pieces, many of them written for piano students, notably the collections "Microcosmos" and "For Children". These, together with suites of folk dance arrangements, make up the bulk of the solo piano output.

Sandór plays these short, and often simple pieces, with neither too much nor too little art. As a gifted teacher, he knew unerringly how much music each of these small vessels held. The result is beguiling - but be warned: no-one can listen to the 153 short pieces of Microcosmos end-to-end. This is an anthology to be dipped into, not swallowed whole.

The remastering is pretty successful (fortunately - some of Vox's CD reissues are plagued by severe deterioration of the original tapes). And it's for half nothing-what's not to like?

Great value with a few flaws.......2006-07-28

I am not a Bartok expert by any scale, but I do like the way these pieces, without exception, are played. There are, however, a couple of other problems.

As mentioned by an earlier reviewer, very few of the works are split into tracks - Mikrokosmos is divided into 7 for each of its six volumes, and to accomodate for a full CD. In these seven tracks there are 121 songs. I would have much preferred if the songs had been split into tracks. Almost the entire CD set is this way - Fifteen Hungarian Songs is one track, Fourteen Bagatelles, etc. It is very annoying when one wants to hear a particular song in those tracks and not the others.

Another detriment to the collection is the recording quality. It is decent most of the time, but in loud sections the piano buzzes. One might be able to ignore it, but I think that it detracts from the passion of the forte quite a bit.

Overall, for $18 it is pretty decent, but if you are like me and like to keep your music library neatly organized (and aren't extremely cheap), I would not recommend this set.

eeh, I guess I don't like Bartok that much.......2006-07-25

I like the fact that Bartok is into the folk tradition and all, but he just tends to forget the fact that melody has to be SOMEWHERE in the music. I'm all for creative expression when you're sitting alone at the piano, but abstract music should be reserved for performance art. I like playing some of your stuff Bela, but I just don't want to listen to you.

Best classical value out there.......2005-10-05

To put this set in perspective, for months I would go to my local Tower Records fishing for worthwhile classical CDs at least once a week. One of the discs that sat in the bins the longest was a single CD of Bartok piano music, played by Zoltan Kocsis. It was Volume 7 of a complete series. This CD listed for $17.99, and as long as I went to that Tower Records, it did not budge an inch, nor was its price amended.

Now, Kocsis is one of the greatest pianists alive, and if anyone is worthy of commanding a premium, it is him. And to be fair, that CD is going to be re-released on October 11 as part of a Collector's Edition - eight CDs, $63.97 MSRP. But it's already going up against this little gem, which contains five CDs with all of the truly great solo-piano works by an internationally recognized Bartok specialist for $21 - not much more than the cost of one CD from the other set. This kind of value is not to be taken lightly.

I came to this set with my impression of Sandor informed by his complete Prokofiev - ultra-hard, sometimes rhythmically slack, always melodically lacking in some way or another. But he held a very special feeling for Bartok, and saved his best playing for the great Hungarian. In passages like the first of the Three Csik Dances, the opening of the Improvisations Op. 20, or in the Ten Easy Pieces, there is a simplicity, charm and wistful homesickness that is quite touching. In pieces like the Out of Doors suite, the Sonata, or the Burlesques, there is a vicious, impulsive energy, a wicked sense of humor and an overabundance of overtones. It is never mindless, inappropriate or even overly harsh - it's just very, very loud.

In this set I like best the endless landscape of the Sonatina, the unusual colors and fragrances in the Etudes, the brilliantly conceived Bear Dance (the last of the Ten Easy Pieces), and the multifaceted, complex, gorgeous Improvisations. Any fan of Bartok should hear these.

5 Stars for the music and performance.......2005-04-04

This is a fantastic deal, but the problem with this Collection stems from the fact that the pieces are often not separated by tracks. This is especially annoying for the Children's Pieces and Mikrokosmos. There are so many pieces, one wears out the fast forward button and still may miss the particular piece one is looking for. The booklet is fairly insightful, and the performer is widely hailed as the supreme interpreter of Bartok's piano music. So aside from this slightly annoying at times and ridiculously annoying at other times flaw, this is one of the best deals in Classical music. Don't hesitate. Add it to the cart.

Average customer rating:

My idea of heaven
Wonderful, but not quite the best of I had hoped
A treasury
Chanticleer: A Portrait

Chanticleer: A Portrait
Caroll Coates , Harold / Mercer, Johnny Arlen , Spiritual Traditional , Vince Guaraldi , Joseph Jennings , Ettore Stratta , Eric Alatorre , Tim Krol , Corey McKnight , Kevin Baum , David Munderloh , and Dawn Upshaw
Manufacturer: Teldec
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Folk | Styles | Music

General | Opera & Vocal | Styles | Music

Noels | Vocal Non-Opera | Opera & Vocal | Styles | Music

General | Soundtracks | Styles | Music

General Christmas | Holiday | Miscellaneous | Styles | Music

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ASIN: B00008J2VP
Release Date: 2003-03-18

Tracks:

Quem Terra Pontus Sidera
Ave Maria (Gregorian Chant)
Alma Redemptoris Mater
The Angel Cried Out
Angelicas Milicias
Wherewithal Shall A Young Man...
Love Is A Beautiful Dream
This Heart That Flutters Near My Heart
Wild Grass
Labbra Vermiglie E Belle
Jeanie With The Light Brown Hair
Dulaman
Shenandoah
Spanish Carol
Love Is Letting Go
Blues In The Night
Wade In The Wate
We Shall Walk Through The Valley In Peace
Christmas Time Is Here

Amazon.com

With this disc, Chanticleer, the internationally renowned, all-male 12-voice chamber choir, celebrates its 25th anniversary. Presenting songs from earlier albums plus one not previously recorded, the selection displays the group's remarkable stylistic and linguistic versatility, as well as all the qualities that have made it famous: the impeccable precision and intonation; the pristine tonal purity; the deep, inner expressiveness; the infinitely variable range of colors, textures, dynamics and moods; and the incredible vocal control that allows voices to stand out as well as to blend into a seamless, sonorous whole. Not for nothing has the group been called "an orchestra of voices" with its ability to sound like a big band in chordal passages and to imitate bass pizzicati as well as patter-songs and gospel shouts. The sopranos take off into stratospheric heights with florid coloratura; it is hard to believe that these are male voices. The program ranges from Gregorian chant and liturgical music of the 16th and 17th century, through traditional and jazz-influenced folk songs and spirituals (some in deplorably bad arrangements), to works by contemporary composers. Chanticleer's mostly vibrato-less vocal style still reflects its roots in its original Renaissance repertoire, but the way the singers use their voices in the popular, jazzy songs makes one aware of the evolving kinship between the two traditions. Though primarily an a capella ensemble, Chanticleer is occasionally joined by various instrumental groups, from period instrument orchestras to a jazz trio, and Dawn Upshaw adds her radiant, smiling, unmistakably "real" soprano to a delightful, high-spirited performance of a Spanish Carol. This disc is a fine, varied sampling of Chanticleer's discography and should inspire listeners to search out all the complete albums. --Edith Eisler

Customer Reviews:

My idea of heaven.......2007-02-17

If you liked Norman Luboff's Song's of the Sea's "Shenandoah", the price of this CD is worth it alone. That's why I ordered the CD. I heard Chanticleer's version and immediately ordered it. The rest is just the icing on the cake.

Then there is the one Kiri Tekanawa (sp?) offering, which is the only female voice on the recording.

Wonderful, but not quite the best of I had hoped.......2006-07-18

Some great material truly shines on this album, but I wsih that the group had been a little less populist in their choice of repertoire. There is a little too many arrangements and folk-like material, with the exception of the wonderful "Dulaman", and I would like to have heard some more varied repertoire. That said this is an excellent starting point for this amazing group.

A treasury.......2005-11-06

As you can tell from the samples, the music here is amazing and covers a wide territory. It is less obvious that much of this is available on other CDs. I am confident, for example, that "We Shall Walk Through the Valley In Peace" is the same track that you will find on their phenomenal and highly recommended gospel collection, _Where the Sun Shall Never Go Down_, and I see a number of familiar-looking titles from other CDs. My advice is: if you're looking for a broad sample of the group's repertoire, then you can't go wrong here -- but if you've already got several Chanticleer albums, then you'll want to check your existing collection for potential duplications before buying this 'treasury.'

Chanticleer: A Portrait.......2005-10-26

This is a marvelous singing group of all males with a little addition of Dawn Upshaw on a couple of pieces. They are thourally amazing at what they can sing with Male Voices usually unaccompanied. Obviously they have good strong Contra-Tenors that can manage the high notes without any problems. I would recommend this album to anyone who enjoys vocal music, unaccompanied and like Male Voices

Christopher Parkening - A Tribute to Segovia

Average customer rating:

Awesome guitar work
Have been loving this for over ten years!!
sonic rapture...
Not just a tribute
Wonderful, relaxing music

Christopher Parkening - A Tribute to Segovia

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

Suites | Forms & Genres | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Folk | Styles | Music

General | Opera & Vocal | Styles | Music

In the Spanish Style / Christopher Parkening
Christopher Parkening plays Bach
Artistry of Christopher Parkening
Christopher Parkening Plays Vivaldi Guitar Concertos & Warlock Capriol Suite
Christopher Parkening - The Great Recordings ~ By America's Preeminent Guitar Virtuoso

ASIN: B000002RQ8
Release Date: 1991-11-08

Tracks:

Castles Of Spain: Rumor de copla
Castles Of Spain: Siguenza
Castles Of Spain: Manzanares del real
Castles Of Spain: Romance de los pinos
Castles Of Spain: Turegano
Variations On A Theme Of Mozart
Tonadilla
Suite espanola: Espanoletas
Suite espanola: Rujero y paradetas
Suite espanola: La Minona de Cataluna
Suite espanola: Folias
Suite espanola: Passacalle de la cavalleria de Napoles
Suite espanola: Canarios
Villanesca
Torre bermeja
Estudio sin luz
Remembranza
Suite In D Minor: Preludio
Suite In D Minor: Allegro
Suite In D Minor: Zarabanda
Suite In D Minor: Gabota
Suite In D Minor: Despacio
Suite In D Minor: Giga
Suite catalan: La Filadora
Suite catalan: La Filla del marxant
Suite catalan: La Nit de nadal
Suite catalan: El Noi de la mare

Customer Reviews:

Awesome guitar work.......2007-01-12

Parkening sets the standard for others to compare to. Enjoyable tribute to Segovia. The type of guitar mastery that one can relax to after a hard days work. Enough said.

Have been loving this for over ten years!!.......2003-09-26

I bought this cassette over ten years ago (1992) when I started taking classical guitar lessons. Would listen to it on the way home from work, then had a baby nine years ago and have used it for lullaby music (works like a charm) for afternoon naps and nighttime. Still listen to it in the car when the kids fight and they mellow out instantly.

Finally buying it on CD because I think I wore a spot out on the cassette! I have listened to this masterpiece at least a thousand times and have never, ever tired of this most excellent work of art.

If you are a classical guitar fan, you will absolutely adore every single note played on this album/CD. I promise!! :)

sonic rapture..........2003-06-03

If anyone knows of a better sonically intoxicating cd than this please let me know. Possibly only Julian Bream's unreal 1982 Granados and Albeniz cd would top this one for me. Anyway just thought I would pass this thought along to anyone who may visit here. The tone is absolutely magical on this cd. This is the cd to listen to at night to chill out and get mellow while being enchanted to the max. Peace. I must go on... the tone, the tone. My god the tone.

Not just a tribute.......2001-07-31

Parkening shows how much he learned from Segovia. I have many of these pieces played by the Master. Parkening plays with a similar timbre, simlar dynamics and with a musicality just as deep as Segovia's. IF you like classical guitar you should own this one.

Wonderful, relaxing music.......2001-01-27

This cd will spend much time on my player. It is so lively, yet comforting music to listen to.

Parkening provides wonderful tribute to Segovia with Spanish compositions especially loved by the master, even some of them performed on one his Segovia's guitars.

Tracks:

Christmas Oratorio: Bereite Dich, Zion
Messiah: He Was Despised
Elijah: O Rest In The Lord
Alto Rhapsody
Ich Bin Der Welt Abhanden Gekommen
L'Invitation Au Voyage
Pie Jesu (From The Requieum Op.9)
Sea Pictures Op.37: I. Sea Slumber-Song
Sea Pictures Op.37: II. In Haven
Sea Pictures Op.37: III. Sabbath Morning At Sea
Sea Pictures Op.37: IV. Where Corals Lie
Sea Pictures Op.37: V. The Swimmer
The Angel's Farewell - Ambrosian Singers

Tracks:

Linden Lea
A Boy Was Born, Op.3: Corpus Christi Carol
Pretty Ring Time
Prison
Soir
Clair De Lune
Ave Maria (Ellens Gesang III)
Gretchen Am Spinnrade
Wiegenlied (Schlafe, Schlafe)
Die Forelle
Auf Dem Wasser Zu Singen
An Die Musik
An Sylvia
Nacht Und Traume
Heidenroslein
Du Bist Die Ruh'
Auf Flugeln Des Gesanges
Liederkreis, Op.39: Mondnacht
Frauenliebe Und -Leben Op.42: Du Ring An Meinem Finger
Geistliches Wiegenlied
Befreit
Morgen!

Amazon.com

While it is impossible to really squeeze The Very Best of Janet Baker onto just two CDs, this two and a half hour anthology is a fine portrait of the British mezzo-soprano. Central to CD 1 is Elgar's Sea Pictures, a definitive account with the London Symphony Orchestra conducted by Sir John Barbirolli. While other British music is represented by Vaughan Williams's "Linden Lea," Britten's "Corpus Christie Carol," and Warlock's "Pretty Ring Time," CD 2 balances the program with 10 Schubert songs accompanied at the piano by either Gerald Moore or Geoffrey Parsons, which range from "Ave Maria" to Shakespeare. The set lends equal weight to orchestral and more intimate song, as well as to works in English--a very moving reading of Handel's "He was despised" from Messiah--and European landmarks, including Mendelssohn's On Wings of Song and Brahms's Alto Rhapsody, the latter with a superlative London Philharmonic Orchestra under Sir Adrian Boult. In an age of technically dazzling but sometimes bland singers, this release is a reminder of emotionally intense musicianship that retains vocal clarity and commitment to the composer's intentions over superstar ego. The word great is often used all too easily, but it could not be more appropriate for this outstanding collection of a great singer. --Gary S. Dalkin

Customer Reviews:

The Very Best of Janet Baker is simply the very best!.......2005-02-09

This cd and this amazing musician are an absolute must have for any music lover or music snob alike! Her voice is amazing!

Grace Incarnate.......2002-09-02

If there is one singer who has ever truly been able to master the singer's art of interpretation, this is her. She is a gift to music, I truly believe this. A few words, or glowing adjectives could not accurately describe the singing of a woman who epitomizes art. And music. Grace and beauty.
Each track on this cd is a perfect union of poetry, melody and technicality. Dame Janet Baker fully immerses herself into each piece, and delivers highly commited, intelligent & emotional performances.

A Rare & Glorious Singer.......2002-06-10

This is a pretty good cross-section of Dame Janet's output from the prime of her career. There are few if any singers like her around today. There are many mezzos who can sing beautifully, with great articulation and finesse, but they lack the moral and musical integrity Dame Janet always brought to her singing. The voice is ardent, seeking, yearning, finding, exulting. Listen to the excerpt from "Dream of Gerontius" or the third of the "Sea Pictures" to see what I mean.
She does not sing to show off. She sings to enlighten, to illuminate, to reveal, to enter into. Her voice carries us off, near to Heaven.
Dame Janet has been neglected of late. This recording shows us why, in these perilous times, we need her more than ever.

Medieval & Renaissance Minstrels, Songs & Dances

Average customer rating:

A very nice album for SCAdian ears
Recording is defective
adequate performances but totally inadequate information
A nice overview of very early music
Don't Be Affraid

Medieval & Renaissance Minstrels, Songs & Dances

Manufacturer: Legacy
ProductGroup: Music
Binding: Audio CD

General | Sacred & Religious | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Folk | Styles | Music

Traditional Folk | Folk | Styles | Music

General | International | Styles | Music

General | Opera & Vocal | Styles | Music

Noels | Vocal Non-Opera | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

Virelais | Vocal Non-Opera | Opera & Vocal | Styles | Music

General Christmas | Holiday | Miscellaneous | Styles | Music

General Christmas | Holiday Music | Special Features | Music
Similar Items:

Music for a Medieval Banquet
Sinners & Saints: The Ultimate Medieval and Renaissance Music Collection
Medieval Dance Music
Courts, Kings, & Troubadours: Medieval & Renaissance Music
English Renaissance Music

ASIN: B000002NR5
Release Date: 1994-07-18

Tracks:

Renaissance Song & Dance
Dance Suite - Eramus Widmann - Collection Of1613
Three English Songs For Voices And Instruments
Instrumental Music Of The Early Barogue
Festive Sounds
Trouvere Tunes
The Cabinet Organ
Lauda And Motet
Minstrel Melodies
Medieval Dances

Customer Reviews:

A very nice album for SCAdian ears.......2007-04-25

This is a fun album. it's festive, playful, and a real joy to listen to. There is something for everyone in this album--including and especially SCAdians. In fact there's probably at least one piece on this album that every SCAdian dancer, musician, and/or bard will recognize. There's courtly songs, love songs, and get out of your chair dances, even formal pieces you associate with concert halls.

Whether you play in the SCA or just love great historical music, this is one of the better albums I've ever bought--on amazon or anywhere else!

Recording is defective.......2007-04-06

The first one I got had a lot of popping and crackling, and some digital defects that cause the CD player to skip. I liked the music so I bought another copy and it was the same. Both wound up in the trash. Don't waste your money on this disk.

adequate performances but totally inadequate information.......2005-04-27

It is perhaps unfair to judge the performances on this recording (presumably made in the late 1950s/early 60s? - we are not given a date) by modern standards of early music performance. Yes, there are moments when the experimental nature of the approach is all too apparent, both in terms of the [im]plausibility of the interpretations and in the [at times] excruciating intonation (a particularly pertinent example is the shawm playing in track 10). But what is in fact by far the most deplorable feature of this recording is the utter sparsity of information provided - about the performers, the instruments, the composers, the repertoire, etc. Worse still, what little that is provided is often hopelessly inaccurate: sometimes in the form of blatant spelling errors (eg the Coventry Carol becomes here 'Lully Lullary', etc), at other times factual blunders (the medieval 'Estampie' in track 10 is in fact a 16th cent [ie Renaissance] tourdion, 'Quand je bois du vin clairet', whilst John Dowland's 'Frogg Galliard', c.1597, is here given an anonymous attribution...etc, etc, etc).

In short, for those not acquainted with pre-Baroque music, this is NOT a good place to start!!! Seasoned Early Music connoisseurs, on the other hand, may find a perverse pleasure in some atrocious moments, or perhaps take interest in its value as an example of historically informed performance style in the pioneering years - but you have been warned!!

For those interested, here are some alternative recommendations if you are new to this music: firstly, 2 wide-ranging compilations by 2 well-known ensembles -

1. Sinners and Saints - The New London Consort/Philip Pickett (Decca 48559)
2. Portrait ('Moyen Age et Renaissance') - Hesperion XX/Jordi Savall (Auvidis Fontalis 'Portrait' ES9904), or either of the 2 new compilations by Savall and his ensemble(s) on Alia Vox ('Harmonie Universelle', AV9810; 'Harmonie Universelle II', AV9839).

and a compilation (mostly of early music) featuring a number of different groups -

'Pastime with Good Company' (Alpha, A901) [includes groups like L'Arpegiatta, Le Poeme Harmonique, Diabolus in Musica...]

A nice overview of very early music.......2003-12-02

This was one of the first recordings of early music I ever bought. It's a broad survey of styles and periods, from the 12th to 17th centuries. I've become a more sohisticated listener since then, but I still get this one out fairly regularly. The recording is apparently old and the digital remastering was not done extraordinarily well, but those who are more interested in music than in audio equipment should be able to listen through the occasional (minor) vinyl surface noise. My major complaint (why I gave it 3 stars instead of 4) is the lack of documentation--there is no information about the musicians, and many of the composers are uncredited (some because they actually are anonymous, but sometimes out of apparent laziness). Still, at this price it's a bargain.

Don't Be Affraid.......2003-11-19

This cd is worth picking up. Yes the first couple of tracks have pops and crackles in it. And yes it sounds as if the music was transfered directly from a vinyl source. But the performances and selections on this cd are fabulous. And you get use to the flaws in the recordings. Which I find minor.

Tracks:

Water Music Suite No. 2: Alla Hornpipe
Violin Concerto In E Major, RV269 'Spring': I. Allegro
Adagio
Orchestral Suite In B Minor, BWV 1067: Badinerie
Concerto For Guitar, 2 Violins & Basso Continuo In D Major, RV 93: II. Largo
First Symphonic Suite: Rondeau
Orchestral Suite In D Major, BWV 1068: Air (Excerpt)
Mandolin Concerto In C Major, RV 425: I. Allegro
Goldberg Variations, BWV 988: Aria
Te Deum In D Major: Introduction
The Anna Magdelana Notebook: Minuet
Canon For 3 Trumpets And Strings
Xerxes: Largo ('Ombra mai fu')
Abdelazer: Rondeau
Le Tambourin
Oboe Concerto In D Minor: II. Adagio
Solomon: Arrival Of The Queen Of Sheba
Canata No. 147: Jesu, Joy Of Man's Desiring
Piano Concerto In F Minor, BWV 1056: II. Largo
Lute Suite In E Major, BWV 1006a: I. Prelude
Prince Of Denmark's March
Concerto Grosso In G Minor, Op. 6 No. 8 'Christmas Concerto': II. Largo. Pastoral ad libitum
Messiah: Hallelujah Chorus

Customer Reviews:

The Best Of Baroque Collection.......2004-02-22

This compilation album features some well-known Baroque Era musical works and serves as a perfect introduction to classical music. The great Baroque composers are showcased here - Bach, considered the greatest of them all, Handel, Vivaldi, Corelli and others. The Baroque period (from 1600 to 1750) was a time of great development and change in music. Before the Baroque Era, music was single-melody and primitive, in much the same way it had been since the Old World of the Greeks and Romans. Plaintive chorus was the only new invention of the medieval days- the Gregorian monk chant and Hildegard Bingen's nuns' chant. But during the Baroque Era, instruments were created and with them a new sound. Flutes, oboes, clarinets, drums, violins, violas and most significantly the trumpet, was played in a new medium called the orchestra. This music was played before royalty, kings of England, Germany and France, and often elitist aristocratic crowds. The same applied to Baroque Opera, which re-told Greek legends and classical heroes through music and the human singing voice of opera. Finally, music broke out from the old and into the new.

Johann Sebastian Bach is regarded as the best of the Baroque composers. He wrote prolifically for orchestra, for harpsichord (the earliest piano or keyboard instrument), as well as the organ. Among Bach's popular pieces are the Toccata and Fugue in D Minor (which is the theme for "Dracula" and was made into an orchestra version by conductor Leopold Stokowski as seen in the Disney film Fantasia of 1940), his Brandenburg Concertos- a total of six concertos that showcase the tone color of several instruments of the orchestra and are considered the height of the Baroque musical style. The Brandenburg Concerti that are most famous are th 3rd and 5th. Bach's Golberg Variations for keyboard are also very virtuosic as well as his Organ Preludes. Bach's Orchestral Suites are the skeletons of the first symphonies, even if it it's not exactly a symphony form, and Bach's cantatas and Mass In B have long been hailed as the best works of chorus.

George Frederic Handel, a German-born composer, adapted the Italian musical technique, especially the new invention of opera, but performed publically in England, even writing the famous "Messiah" oratorio in English. Handel's skills were most keen in the orchestra. His "Concerti Grossi" which total a number of 12, are virtuoso and expressive of instrumental color. The Water Music and the Royal Fireworks music are also very famous and written in a grandiose style that was quintessentially Baroque. Vivaldi, a former priest, became a composer who specialized in small-scale chamber music. He created the "tone poem" long before it was even called that in the 19th century. His "Four Seasons" are his most acclaimed. The music expresses the four seasons of fall, winter, spring and summer. The violins, the woodwinds, the trumpets, each deliver a picture of pastoral scenes. Vivaldi also wrote numerous other concerti, including some for mandolin, an early guitar.

This collection is a must have for music lovers.

Outstanding sampler.......2001-02-25

It is impossible of course to capture Baroque music on a single CD, but if you want just one it doesn't get any better than this. Outstanding and generous selection of many of the best known excerpts of the period, excellent performances throughout, and superior sound quality. Even the casual listener will recognize many of these great works, such as the theme from Masterpiece Theater, Pachelbel's Canon, Handel's Water Music, and so on.

Music:

Music

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