C'est Ma Chanson [Import]
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Album Details
Petula Clark Singing in French! 18 Great Songs featuring Chaplin's C'Est Ma Chanson, Chariot, Coeur Blesse and Others.
C'est Ma Chanson, Music, Petula Clark, British Invasion, England, Pop, Pop Vocals, Sunshine Pop
Average customer rating:
- Lovely
- An unexpected glimpse of happiness.
- Enchanting recital of French Melodies
- Nuit d'toiles - Melodies Francaises/ Gens, Vignoles
- An Outstanding Vocal Performance
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Véronique Gens - Nuit d'étoiles (Mélodies Française) / Vignoles
Gabriel Fauré , Claude Debussy , Francis Poulenc , Véronique Gens , and Roger Vignoles
Manufacturer: EMI Classics
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Similar Items:
- Véronique Gens ~ Berlioz - Les Nuits d'été · La mort de Cléopatre
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- Tragédiennes
- Joseph Canteloube: Chants d'Auvergne
ASIN: B00003ZKR9
Release Date: 2000-04-11 |
Tracks:
- Apres un reve, Op. 7 No. 1
- Sylvie, Op. 7 No. 3
- Au bord de l'eau, Op. 8 No. 1
- Lydia, Op. 4 No. 2
- Le papillon et la fleur, Op. 1 No.1
- Mandoline, Op. 58 No. 1: 5 Melodies de Venise
- Clair de lune, Op. 46, No. 2
- Les berceaux, Op. 23 No. 1
- 3 Chansons de Bilitis: I. La flute de Pan
- 3 Chansons de Bilitis: II. La chevelure
- 3 Chansons de Bilitis: III. Le tombeau des Naiades
- Fetes galantes: I. En sourdine
- Fetes galantes: II. Fantoches
- Fetes galantes: III. Clair de lune
- Nuit d'etoiles
- Beau soir
- Fleur des bles
- La Belle au bois dormant
- Noel des enfants qui n'ont plus de maison
- BANALITES: I. Chanson d'Orkenise
- BANALITES: II. Hotel
- BANALITES: III. Fagnes de Wallonie
- BANALITES: IV. Voyage a Paris
- BANALITES: V. Sanglots
- 2 Melodies de Guillaume Apollinaire: I. Montparnasse
- 2 Melodies de Guillaume Apollinaire: II. Hyde Park
- Les chemins de l'amour - valse chantee
Customer Reviews:
Lovely.......2005-08-30
I recommend this to any art-song lover, and really, anybody at all. Gens does an excellent performance of a great collection of beautiful French songs. Her voice is enjoyable all the way, she has great expression, and a convincing mastery of the genre.
An unexpected glimpse of happiness........2001-07-21
Stendhal wrote that "the sight of anything extremely beautiful, in nature or in art, brings back the memory of what one loves, with the speed of lightning. That is, ... all that is beautiful and sublime in the world takes part in the beauty of what one loves, and this unexpected glimpse of happiness immediately fills the eyes with tears. This is how love of the beautiful and love give each other life." This is what Ms. Gens will do to you when you listen to this CD.
Enchanting recital of French Melodies.......2000-07-07
This is a most enjoyable release, all the more so because Veronique Gens, who is generally considered a baroque specialist on the lyric stage, may well be a torch-bearer of the elusive art of the French song in the coming decades. The voice of Gens, which is solid and well-integrated with an alluring dash of vibrancy embedded therein, is eminently suited to the repertoire represented in this new Virgin Classics release. Her secure technique (just a hint of strain in one or two high notes) also renders it possible for her to fine down her voice in the ending of phrases to a charming effect. Being a native French speaker certainly helps, too. Although hers is perhaps not the most strongly-etched of readings, she is able to inflect the text intelligently, and her subtle but heart-felt stresses on particular words not only serve to illuminate the poetic prose, but also meld beautifully with the notes that she sing.
The CD opens with songs by Faure, and while Gens may not possess the charm and naturalness of utterance of Maggie Teyte, whose recordings of Faure's songs are, in the opinion of this reviewer, unsurpassable, she can conjure up the right kind of feeling for every song as no one can. Her tempo for the popular "Apres un reve" is a trifle too laid back. Yet, she conveys to perfection the dream-like quality of the song, as well as the sense of confusion and regret at awakening. Her singing of "Le papillon et la fleur" is delightfully vivid, and her evocation of the feeling of sadness being kept in restraint in "Les berceaux" makes the performance both intimate and touching.
The Debussy group is no less impressive. Despite the innovative idiom in which most of these songs are composed, Gens is able bring them off effortlessly and stylishly. She is in total command whether in the serenity of "Beau soir", the romanticism of "Nuit d'etoiles", the rustic charm of "Fleur des bles", or the harrowing grimness of "Noel des enfants qui n'ont plus de maison", the last one composed when Debussy was being haunted by the atrocities of the Great War. In "Fetes galantes I", although the vocal and piano parts are often independent of each other, Gens's remarkable interpretation succeeds in unifying the two strands into a picturesque and colourful whole. The "3 Chansons de Bilitis", which are composed very much in the style of PELLEAS ET MELISANDE, also find an ideal interpreter in Gens where, blessed with a keen sense of rhythm, she succeeds in propelling the texts forward with musical grace and dramatic import. She would surely make a wonderful Melisande.
The Poulenc is equally fine. The young soprano is able to do full justice to the diverse moods in "Banalites", which, according to Olivier Opdebeeck, who penned the CD notes, is composed in a "part-melancholy, part-joyful tone with a barb of irony which the composer identified in the poet". The "2 Melodies de Guillaume Apollinaire" are sharply contrasted, one (Montparnasse) languid and brooding and the other (Hyde Park) gusty and piquant. Gens's singing of "Les chemins de l'amour", a cross between a Viennese waltz and a cabaret song, is loveliness itself and provides a delicious end to an enchanting recital.
The major reservation that this reviewer has involves the accompaniment of Roger Vignoles. While he is able to provide secure support for the singer, his playing is uncharacterful and even bland. Besides, the piano tone seems to be rather thin at times. Nonetheless, this should not detract one from the sensuous beauty of Gens's performance. This reviewer hopes that Virgin Classics would be encouraged by the success of this release so that they can present this most promising singer in further volumes of French songs by, say, Chausson, Ravel and Duparc.
Nuit d'toiles - Melodies Francaises/ Gens, Vignoles.......2000-06-13
Not being a professional, but loving the genre of French melodies I'll avoid technical commentary; I have become a collector of these in recent years and find this one extremely satifying and appreciate the variety this CD presents.
An Outstanding Vocal Performance.......2000-05-01
This ranks as one of the very best recordings of French 'melodies' that I have yet heard. Unlike most other singers, Gens gives the words drama and meaning. Too many singers perform these works in a detached 'artistic' manner that often makes them all sound almost alike. I say this not to belittle Gens' voice (which is superb), but to indicate that this disk will take you beyond the 'standard' interpretations of these works. I had a chance to compare one of the melodies with another recent recording by Schafer, another singer whom I respect Both were being featured in a local record store. It was hard to realize they were actually singing the same piece. I recently saw Gens perform much of the same program at a recital in NYC. This was the best recital I had heard in a very long time (I go to many). The disk is almost as good. It suffers a bit from a very unnatural recorded sound: the microphone is much too close to the singer and the piano is much too forward. Also the accompaniest in NYC was clearly better. Nevertheless, it would be hard to find a better recorded performance. The more I listen to the disk, the less I notice these drawbacks. The choice of repetoire is also well done. I particularly liked the Debussy 'Trois chansons de Bilitis.' She ends with 'Les chemins de l'amour' which Poulenc wrote for Jean Anouilh's play 'Leaocadia'. This has become very popular outside the normal recital circuit. If you get only one disk of French melodies, this is the one to get.
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ASIN: B0001TSWQO
Release Date: 2004-11-09 |
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The Voice of France
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ASIN: B000075A80
Release Date: 2002-11-12 |
Tracks:
- La Marseillaise (French National Anthem) - Placido Domingo
- Dome Epais Le Jasmin (Flower Duet) - Joan Sutherland
- L'amour Est Un Oiseau Rebelle - Regina Resnik
- C'est Toi...Au Fond Du Temple Saint - Gregory Cross
- Belle Noit, O Nuit D'amour - Joan Sutherland
- Apres Un Reve - Renee Fleming
- L'invitation Au Voyage - Gerard Souzay
- Cantique De Jean Racine, Op.11 - Choir Of St. John's College, Cambridge
- Rachel, Quand De Seigneur - Leopold Simoneau
- O Vin, Dissipe La Tristesse - Sherrill Milnes
- Je Suis Titania - Beverly Sills
- Ah, Ou Va La Jeune Indoue - Joan Sutherland
- Les Filles De Cadix - Angela Gheorghiu
- Mon Coeur S'ouvre A Ta Voix - Marilyn Home
- Alerte! Alerte!...Anges Pur - Nuccia Focile
Tracks:
- Frere Jacques - Rita Streich
- Air De Letter: Mon Chet Amant - Regine Crespin
- Marthe Dieu Soit Loue...Deposons Les Armes (Soldiers' Chorus) - Robert Massard
- In Paradisum - L Union Chorale de La Tour De Peliz
- Villanelle - Regine Crespin
- Je Veux Vivre - Joan Sutherland
- Chanson A Boire - Gerard Souzay
- L'Enigme Eternelle - Suzanne Danco
- Sur Le Pont D'Avignon - Hilde Guden
- Phidyle - Gerard Souzay
- Les Gars Qui Vont A La Fete - Gerard Souzay
- Notre Amour - Sylvia McNair
- Beau Soir - Elly Ameling
- C'est L'extase Langoureuse - Sylvia McNair
- Puisqu'on Ne Peut Flechir Ces jalouses Gardiennes-Vainement Ma Bien-Aimee - Alfredo Kraus
- Il Est Doux, Il Est Bon - Angela Gheorghiu
- Hotel - Gilles Cachemaille
- Petite Dinde, Ah! Quel Outrage - Maggie Teyte
- Bailero - Kiri Te Kanawa
- Brezairola - Kiri Te Kanawa
- Malurous Qu'o Uno Fenno - Kiri Te Kanawa
Average customer rating:
- Le parfum d'extase
- Superb chansoms. Superb Ameling. Buy It.
- Great!!!
- A delightful programme
- Limpid, refined, elegant music.
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Fauré - Mélodies / Souzay · Ameling · Baldwin
Gabriel Fauré , Gérard Souzay , Elly Ameling , and Dalton Baldwin
Manufacturer: EMI Classics
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- Debussy - Mélodies / Ameling · Mesplé · Command · Souzay · von Stade · Baldwin
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- A French Song Companion
ASIN: B000002S30
Release Date: 1992-01-23 |
Tracks:
- Le papillon et la fleur: Le Papillon et la fleur, Op. 1, No. 1
- Mai: Mai, Op. 1, No. 2
- Reve d'amour: Reve d'amour, Op. 5, No. 2
- Dans les ruines d'une abbaye: Dans les ruines d'une abbaye, Op. 2, No. 1
- Les Matelots: Les Matelots, Op. 2, No. 2
- Lydia: Lydia, Op. 4, No. 2
- Hymne: Hymne, Op. 7, No. 2
- Seule: Seule, Op. 3, No. 1
- L'absent: L'Absent, Op. 5, No. 3
- L'Aurore: L'Aurore, Op. posthume
- La Rancon: La Rancon, Op. 8, No. 2
- Chant d'automne: Chant d'automne, Op. 5, No. 2
- Aubade: Aubade, Op. 6, No. 1
- Tristesse: Tristesse, Op. 6, No. 2
- Chanson du pecheur (Lamento): Chanson du pecheur (Lamento), Op. 5, No. 1
- Barcarolle: Barcarolle, Op. 7, No. 3
- 2 Duos pour deux sopranos: I Puisqu'ici-bas, Op. 10, No. 1
- 2 Duos pour deux sopranos: II Tarentelle, Op. 10, No. 2
- Ici-bas !: Ici-bas !, Op. 8, No. 3
- Au bord de l'eau: Au bord de l'eau, Op. 8, No. 1
- Serenade toscane: Serenade toscane, Op. 3, No. 2
- Apres Un Reve: Apres un reve, Op. 7, No. 1
- Sylvie: Sylvie, Op. 6, No. 3
- Le Voyageur: Le Voyageur, Op. 18, No. 2
- Automne, Op. 18, No. 3
Tracks:
- Poemes d'un jour, Op. 21: 1. Rencontre
- Poemes d'un jour, Op. 21: 2.Toujours
- 3. Adieu
- Nell, Op. 18, No. 1
- Les berceaux: Les Berceaux, Op. 23, No. 1
- Notre amour: Notre amour, Op. 23, No. 2
- Le Secret: Le Secret, Op. 23, No. 3
- Chanson d'amour: Chanson d'amour, Op. 27, No. 1
- La Fee aux chansons: La Fee aux chansons, Op. 27, No. 1
- Aurore: Aurore, Op. 39, No. 1
- Fleur jetee: Fleur jetee, Op. 39, No. 2
- Le Pays des reves: Le Pays des reves, Op. 39, No. 3
- Les Roses d'lspahan: Les Roses d'lspahan, Op. 39, No. 4
- Nocturne: Nocturne, Op. 43, No. 2
- Les Presents: Les Presents, Op. 46, No. 1
- Clair de Lune: Clair de lune, Op. 46, No. 2
- Larmes: Larmes, Op. 51, No. 1
- Au Cimetiere: Au Cimetiere, Op. 51, No. 2
- 2 Cantiques: 1. En Priere
- 2 Cantiques: 2. Noel, Op. 43, No. 1
- SPLEEN: Spleen, Op. 51, No. 3
- La Rose: La Rose, Op. 51, No. 4
- Chanson de Shylock: Chanson de Shylock, Op. 57, No. 1
- Madrigal de Shylock: Madrigal de Shylock, Op. 57, No. 2
- 5 Melodies: 1. Mandoline
- 5 Melodies: 2. En sourdine
- 5 Melodies: 3. Green
- 5 Melodies: 4. A Clymene
- 5 Melodies: 5. C'est l'extase
- Serenade du Bourgeois gentilhomme
Tracks:
- La Bonne Chanson, Op. 61: 1. Une Sainte en son aureole
- La Bonne Chanson, Op. 61: 2. Puisque l'aube grandit
- La Bonne Chanson, Op. 61: 3. La Lune blanche luit dans les bois
- La Bonne Chanson, Op. 61: 4. J'allais par des chemins perfides
- La Bonne Chanson, Op. 61: 5. J'ai presque peur, en verite
- La Bonne Chanson, Op. 61: 6. Avant que tu ne t'en ailles
- La Bonne Chanson, Op. 61: 7. Donc, ce sera par un clair jour d'ete
- La Bonne Chanson, Op. 61: 8. N'est-ce pas ?
- La Bonne Chanson, Op. 61: 9. L'Hiver a cesse
- Le Parfum imperissable: Le Parfum imperissable, Op. 76, No. 1
- Arpege: Arpege, Op. 76, No. 2
- Pleurs d'or, duo pour soprano et baryton: Pleurs d'or, duo pour soprano et baryton, Op. 72
- Melisande's song: Melisande's song, Op. posthume
- Prison: Prison, Op. 83, No. 1
- Soir: Soir, Op. 83, No. 2
- Dans la foret de septembre: Dans la foret de septembre, Op. 85, No. 1
- La Fleur qui va sur l'eau: La Fleur qui va sur l'eau, Op. 85, No. 2
- Accompagnement: Accompagnement, Op. 85, No. 3
- Le plus doux Chemin (madrigal): Le plus doux Chemin (madrigal), Op. 87, No. 2
- Le Ramier (madrigal): Le Ramier (madrigal), Op. 87, No. 2
- Le Don silencieux: Le Don silencieux, Op. 92
- Chanson: Chanson, Op. 94
- Vocalise-etude
Tracks:
- La Chanson d'Eve, Op. 95: 1. Paradis
- La Chanson d'Eve, Op. 95: 2. Prima verba
- La Chanson d'Eve, Op. 95: 3. Roses ardentes
- La Chanson d'Eve, Op. 95: 4. Comme Dieu rayonne
- La Chanson d'Eve, Op. 95: 5. L'aube blanche
- La Chanson d'Eve, Op. 95: 6. Eau vivante
- La Chanson d'Eve, Op. 95: 7. Veilles-tu, ma senteur de soleil ?
- La Chanson d'Eve, Op. 95: 8. Dans un parfum de roses blanches
- La Chanson d'Eve, Op. 95: 9. Crepuscule
- La Chanson d'Eve, Op. 95: 10. O mort, poussiere d'etoiles
- Le Jardin clos, Op. 106: 1. Exaucement
- Le Jardin clos, Op. 106: 2. Quand tu plonges tes yeux dans mes yeux
- Le Jardin clos, Op. 106: 3. La messagere
- Le Jardin clos, Op. 106: 4. Je me poserai sur ton coeur
- Le Jardin clos, Op. 106: 5. Dans la Nymphee
- Le Jardin clos, Op. 106: 6. Dans la penombre
- Le Jardin clos, Op. 106: 7. Il m'est cher, amour, le bandeau
- Le Jardin clos, Op. 106: 8. Inscription sur le sable
- Mirages, Op. 113: 1. Cygne sur l'eau
- Mirages, Op. 113: 2. Reflets dans l'eau
- Mirages, Op. 113: 3. Jardin nocturne
- Mirages, Op. 113: 4. Danseuse
- C'est la paix !: C'est la paix !, Op. 114
- L'Horizon chimerique, Op. 118: 1. La ber es infinie
- L'Horizon chimerique, Op. 118: 2. Je me suis embarque
- L'Horizon chimerique, Op. 118: 3. Diane Selene
- L'Horizon chimerique, Op. 118: 4. Vaisseaux, nous vous aurons aimes
Customer Reviews:
Le parfum d'extase.......2007-05-18
This 4-CD set receives five stars from me in spite of some flaws. I'll outline those flaws first.
Firstly (a flaw to me, perhaps not to others), I'm not very fond of Gérard Souzay's voice and vocal approach. He frequently sounds blustery and the timbre does not really appeal to me. Yet his commitment to these beautiful songs is impeccable, and he has a wealth of experience, beautifully authentic French (of course!) and occasionally the singing is very effective indeed. I agree that the "La bonne chanson" set is sensitive and moving - it's Souzay at his best. But in general... Souzay is not one of my favourite baritones.
Secondly, as other reviews have mentioned, no translations are included. However, the full text of each song is contained in the accompanying booklet, and for those who don't read French well enough to translate, there are translations on-line of all of the poems set by Fauré. I agree this is not an ideal solution, and that the boxed set would have been improved by translations.
Thirdly, one is sometimes overwhelmed by the balance of the voice compared to that of the piano - this is particularly noticeable in Souzay's singing. However, the piano is still audible. The solution is mostly to turn down the volume for one or two tracks.
Let me now explain why, in spite of the above faults, I still consider this a superb set.
Firstly, the truly lovely singing of Elly Ameling. What a gloriously pretty sound - and I mean "pretty" without any denigration whatsoever. It's not JUST pretty - it's beautiful as well. This is a lovely gleaming sound, perfectly placed, and with a wealth of intrinsic and elegant interpretation that is native to Elly Ameling's singing. She's a miracle - no matter what she sings, it sounds "sung in" and perfectly understood, perfectly interpreted. (I admit Ms Ameling's French is slightly accented at times, but it's completely understandable and very good. It doesn't impair the performance of these songs at all.)
Secondly, Dalton Baldwin's playing is sensitive and impassioned in turns - always lyrical, always attuned to the requirements of each song. What a huge amount of work must have gone into this mammoth 4-CD task!
Thirdly, these vocal compositions are exquisite. Several of them are justly famous as works of genius, and fall so delightfully upon the ear that it seems they have always existed, perfect and full of wonder... that Fauré plucked them out of semi-existence to give them reality.
Fourthly... it's 4CDs of Fauré's vocal works. For those who love French vocal music, it's an extravagant delight to have such a thorough and wide-ranging collection. For singing students, how marvellous to have such a collection to hand to help when choosing songs. For fellow singers, what joy to have all of these songs in such a fine collection in order to note details and particularly admirable points.
In short - this is a set I wouldn't be without. While it's not flawless, it's full of delights. Ameling's singing of "La rose" is one of the highlights, and Fauré's three exquisite duets are all represented here. Highly recommended.
Superb chansoms. Superb Ameling. Buy It........2007-03-01
This EMI Classics package of four CD's for the price of two (plus) is really the way I like to buy classic recordings, where the complete set covers all of a single especially interesting grouping of works. This set, like the comparable one on Debussy, is simply grand, especially, as noted by other reviewers, with the contribution of Ameling, a soprano from whom not much is heard of today, but who, in her prime, was on top of her game.
My only objection to the package is that while the notes five the French text of the songs and the author of the text, there is no translation. Otherwise, this is a super buy.
Great!!!.......2006-06-19
The music on this compilation is beautiful. It is also beautifully sung. Amelling is amazing, as always!!!
A delightful programme.......2006-01-20
Faure was a genius and his songs are some of the most beautiful ever written, being animated by the spirit of beauty itself (Ms Venus:-).)
The performers did an outstanding job singing this repertoire, and especially Elly Ameling's performance is pure *delight*
- honestly-.
I hope others will enjoy it as much as I have.
Highly recommended.
Limpid, refined, elegant music........2001-04-04
This famous set provides on 4 CDs the complete songs (mélodies, he preferred to call them) by Faure. They are entrusted to the native French baritone, the Dutch soprano, and their accompanist Dalton Baldwin, and were recorded in the early 1970s. The set is not inexpensive, so I shall try to outline its merits. The music itself is enthralling. Faure set, over a period of sixty years, texts by French poets. Limpid, refined, elegant music, it repays repetition and close listening. One reviewer has suggested that no listener will want to listen to umpteen of these mélodies in one sitting, but I have never had too much of them. If slow tempi and arpeggio accompaniments begin to pall, listen to "Nell" (CD 2, Track 4). The performers satisfy on all counts. Souzay's contribution reflect a life time's association with the music, and a tradition that goes back through his teachers to the time of Faure himself. His definitive version of "La bonne Chanson" is especially fine. If his style is more suited to the impassioned, ardent items, it balances well with the cooler, more detached singing of Elly Ameling. So that you will not be disappointed, I should also mention that translations of the texts are not provided. I also wish that the balance had been better engineered. Sometimes Souzay seems to have the microphone in his mouth, and always the piano seems too distant. These are but minor flaws, however, in a long necklace of priceless pearls.
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Faure: Complete Songs 1 - Au bord de l'eau
Manufacturer: Hyperion UK
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Similar Items:
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ASIN: B0006L2J8E
Release Date: 2005-02-08 |
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The Very Best of José Van Dam
Manufacturer: EMI Classics
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ASIN: B0006VYEHS
Release Date: 2005-04-26 |
Tracks:
- Le Veau D'Or Est Toujours Debout
- Vous Qui Faites L'Endormie
- Si Les Filles D'Arles Sont Reines
- Voyons: 'Pour Hoffmann'...Dans Les Roles D'Amoureux Langoureux
- Scintille, Diamant
- Bien Des Jeunes Gens
- Lakme, C'est Toi Qui Nous Proteges!
- Tra La La...Quand La Flamme De L'Amour
- Elle Ne M'Aime Pas
- Ah! Malgre Toi, Poete
- Parjure!
- Louange A Vous
- Voyez, Thebains, Voyez - Barbara Hendricks
- Dors, O Cite Perverse!
- Quand Apparaissent Les Etoiles - Teresa Berganza
- Je Suis Le Chevalier Errant - Teresa Berganza
- Ecoute, Mon Ami - Teresa Berganza
Tracks:
- I. Villanelle
- IV. Absence
- VI. L'Ile Inconnue
- Tendrement Enlaces, Ma Chere Bien-Aimee
- Danse Macabre
- Clair De Lune
- Chanson Romanesque
- Chanson Epique
- Chanson A Boire
- Chanson A Dulcinee
- Elegie
- I. La Maitresse Volage
- II. Chanson A Boire
- III. Madrigal
- IV. Invocation Aux Parques
- V. Couplets Bachiques
- VI. L'Offrande
- VII. La Belle Jeunesse
- VIII. Serenade
- Malvina
- Wo Ist Er?
- Wird Dir Nicht Bange?
- Die Frist Ist Um
- Herr, Lehre Doch Mich
- Libera Me, Domine
Customer Reviews:
Fantastic!.......2005-11-02
This collection represents Jose Van Dam at his best. The two arias from Faust are a little low for him but he sings them with great musicality. The aria from Mireille which is a rarity is sung brilliantly. Mr. Van Dam gets up to those high notes so easily. This collection mostly contains French Repertoire which was ideal for his voice. Several of the arias are rarely performed and I think should be performed more often. The few German selections are very effective as well. I think he was one of the finest Brahms Requiem soloists of all time.
Mr. Van Dam is still singing well at age 65. I think he is one of the finest singers and musicians because everything he sings means something to him internally. That is something that defines a great artist for me. I highly recommend this collection because it is a tool for singers to learn how to pronounce French properly. The diction is so clear that you can practically write it down.
Average customer rating:
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Bizet: Carmen / Maazel (1984 film) [highlights]
Georges Bizet , Orchestre National de France , Lorin Maazel , Julia Migenes , Plácido Domingo , Faith Esham , Susan Daniel , and François Le Roux
Manufacturer: Erato
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Binding: Audio CD
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ASIN: B000009HUZ
Release Date: 1999-06-22 |
Tracks:
- Ouverture: Premier Acte - Act One
- Habanera: 'L'amour est un un oisseau rebelle'
- Duo: 'Parle-moi de ma mere'
- Seguedille et duo: 'Pres des remparts de Seville'
- Chanson boheme - Deuxieme Acte:Act Two: 'Les tringles des sistres tintaient'
- Couplets: 'Votre toast, je peux vous le rendre'
- Couplets: 'La fleur que tu m'avais jetee'
- Air: 'Je dis que rien ne m'epouvante'
- Marche et choeur: 'Les voici, voici la quadrille des toreros'
- Duo et choeur final: 'C'est toi ?' - 'C'est moi !'
Amazon.com
This set of excerpts from Bizet's perennial favorite comes from the soundtrack of what is probably the finest film of an opera ever made, the production by Francesco Rosi. Julia Migenes is a soprano Carmen, not the usual mezzo, but her lustiness and vivid word-painting put her in the top rank of Carmens even if she lacks the correct vocal weight for the part. Domingo's Don José is by now familiar, but this is probably the best of the three times he's recorded the role; indeed, his final act desperation is something to behold. Faith Esham is dreary as Micaela, but Ruggero Raimondi sings a dangerously appealing Escamillo. Lorin Maazel does some very odd, unexpected things with tempi (they didn't seem so odd in the film--maybe you had to have been there), but he still holds the opera together (as well as one can with highlights, that is). All told, this is exciting--and recommended. --Robert Levine
Customer Reviews:
Definative Carmen.......1999-07-25
This is the one we have all been waiting for.In my opinion this has the perfect cast,conducter and orchestra. What can one say about Domingos Jose.It seems as if the part was written for him.I don't think there has been a finer exponent of the part.Ever. Bravo!(This is no exception to Domingos other recordings by the way)Raimondis Toreador is magnificent.He has a glorious bass voice and can also put across the characters arrogance perfectly I believe he is one of the greatest basses of his generation.Migenes Carmen is also wonderful,sexy and passionate.A1. Lorin Mazzels conducting is outstanding,perfect tempos all the time.Bravo!This is a must for all fans of this magnificent opera.Get it!!!
Average customer rating:
- Awesome musicality
- Fabulous? Yes!!!
|
The Fabulous Victoria De Los Angeles
Manufacturer: EMI Classics
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Similar Items:
- Songs Of Spain / De Los Angeles, et al
- The Very Best of Victoria de los Angeles
- Massenet: Werther
ASIN: B000002S5G
Release Date: 1994-02-15 |
Tracks:
- Sheherazade: Asie
- Sheherazade: La Flute enchantee
- Sheherazade: L'Indifferent
- Cinq Melodies populaires grecques: Le Reveil de la mariee
- Cinq Melodies populaires grecques: La-bas vers l'eglise
- Cinq Melodies populaires grecques: Quel galant m'est comparable
- Cinq Melodies populaires grecques: Chanson des cueilleuses de lentisques
- Cinq Melodies populaires grecques: Tout gai!
- Duex Melodies hebraiques: Kaddisch
- Duex Melodies hebraiques: L'Enigme eternelle
- L'Invitaiton au voyage
- Phidyle
- L'Enfant Prodigue: Recit. & Air de Lia: L'annee en vain chasse l'annee
- Poeme de l'amour et de la mer: La Fleur des eaux
- Poeme de l'amour et de la mer: Interlude
- Poeme de l'amour et de la mer: La Mort de l'amour
Tracks:
- Cinco Canciones Negras: Cuba dentro de un piano
- Cinco Canciones Negras: Punto de habanera
- Cinco Canciones Negras: Chevere
- Cinco Canciones Negras: Cancion de cuna para dormir a un negrito
- Cinco Canciones Negras: Canto negro
- Coleccion de canciones amatorias: Llorad corazon
- Coleccion de canciones amatorias: Iban al pinar
- Cuatro madrigales amatorios: Con que la lavare?
- Cuatro madrigales amatorios: Vos me matasteis
- Cuatro madrigales amatorios: De donde venis, amore?
- Cuatro madrigales amatorios: De los alamos vengo, madre
- Cinco canciones playeras espanolas: Rutas
- Cinco canciones playeras espanolas: Pregon
- Cinco canciones playeras espanolas: Las 12
- Cinco canciones playeras espanolas: El pescador sin dinero
- Cinco canciones playeras espanolas: Coplilla
- Quatre cancons: Canco de grumet
- Quatre cancons: Cancon incerta
- Quatre cancons: Maig
- Quatre cancons: Anacreontica
- La Dama d'Arago
- El can dels ocells
- Canco de Sega
- El combat del somni: Damunt de tu nomes les flors
- El combat del somni: Aquesta nit un mateix vent
- El combat del somni: Jo et presentia com la mar
- Triptic de Mossen Cinto: L'Harpa Sagrada
- Triptic de Mossen Cinto: Lo violi de Sant Francesh
- Triptic de Mossen Cinto: Sant Fransech i la cigala
Tracks:
- Chansons de Bilitis: La Flute de Pan
- Chansons de Bilitis: La Chevelure
- Chansons de Bilitis: Le Tombeau des Naiades
- Fetes galantes: En sourdine
- Fetes galantes: Fantoches
- Fetes galantes: Clair de lune
- Noel de enfants qui n'ont plus de maisons
- Chants populaires: Chanson espagnole
- Chants populaires: Chanson francaise
- Chants populaires: Chanson italienne
- Chants populaires: Chanson Herbraique
- Trois jours de vendange
- Le Rossignol des lilas
- Tristesse, Op. 6, No. 2
- Au bord de l'eau, Op. 8, No. 1
- Les Roses d'Ispahan, Op. 39, No. 4
- Troujours (No. 2 de Trois Poemes d'un jour, Op. 21)
- Siete Canciones populares espanolas: El pano murano
- Siete Canciones populares espanolas: Sequidilla murciana
- Siete Canciones populares espanolas: Asturiana
- Siete Canciones populares espanolas: Jota
- Siete Canciones populares espanolas: Nana
- Siete Canciones populares espanolas: Cancion
- Siete Canciones populares espanolas: Polo
- Doce canciones gallegas: As florinas dos toxos
- Triptico, Op. 45: Farruca
- Villancicos: Pastorcito santo
- Psyche
- Soneto a Cordoba
Tracks:
- Proserpina: E dove t'aggiri
- Le violette
- Joshua: Oh! had I Jubal's lyre
- Der Tod und das Madchen, D. 531
- Die schone Mullerin, D. 795: No. 2: Wohin?
- D. 547: An die Musik
- Op. 59, No. 8: Dein blaues Auge
- Op. 84, No. 4: Vergebliches Standchen
- Op. 27, No. 1: Chanson d'amour
- Op. 46, No. 2: Clair de lune
- Let Us Wander
- Lost Is My Quiet
- Schlaf in deiner engen Kammer
- Ah! lamenta, oh bella Irene
- Irish Songs: Oh! Would I Were But That Sweet Linnet
- Irish Songs: He Promised Me At Parting
- Irish Songs: They Bid Me Slight My Dermot Dear
- Welsh songs: The Dream
- Mignon und der Harfner, D. 877: Nur wer die Sehnsucht kennt
- Les Fleurs des landes: Le Trebuchet
- Moglichkeit
- Der Apfel
- Schottische Ballade
- Pastorale
- Pleurs d'or
- Sapphische Ode
- La Partenza
Amazon.com
The word "fabulous" seems vulgar when applied to the Spanish diva whose delicately shaded voice encompassed music from the middle ages to the present. This four-disc compilation emphasizes her song repertoire, to which she brought warmth, intelligence, linguistic integrity and irresistible sincerity. Her dignity makes listeners want to come to her, and she rewards them with an intimate, personal experience, especially in this small-scale repertoire by Ravel, Debussy, Duparc, Fauré, lots of Spanish composers and German masters such as Schubert and Brahms. --David Patrick Stearns
Customer Reviews:
Awesome musicality.......2006-07-26
This 4-CD set is a tribute to the concert career of the great Victoria de Los Angeles. The first 3 CDs show her totally at home in the art song of France and of her native Spain. In the French art songs, her silvery, creamy tone, her legendary legato and her perfect French diction make for wonderful and unforgettable performances. These include a sensual Scheherazade, magnificient singing in the Duparc songs and a phenomenal Poeme de L'amour et de la mer of Chausson (try to keep your eyes dry by the end of La mort de l'amour). In the Chausson, while de Los Angeles does not opt for the intensely Wagnerian approach, her sensitive singing more than does justice to the poetry and the feelings of the character. The Spanish songs showcase de Los Angeles at her most natural, flamboyant and attractive singing. The tunes are catchy, full of bouncy rhythms and De Los Angeles's fabulous voice never ceases to amaze. The 4th CD shows the wonderful chemistry between de Los angeles and the great Gerald Moore. While she does not erase memories of Fischer-Dieskau and Schwarzkopf in the Schubert selections, the Brahms songs are excellent and her Faure songs here are earth shaking in their elegance and refinement. The Italian and the famous Handel aria helps to prove De Los Angeles's reputation as an excellent bel canto singer. Her duets with Fischer-Dieskau are absolutely memorable and gorgeous.
The set comes with booklet including full words plus translations, helpful notes on De Los Angeles's concert career and a dozen of beautiful and rare black and white photos. Victoria de Los Angeles's concert career was as prolific as her legendary operatic performances and continued well after her retirement from the operatic stage. This introspective and almost encycopledic release is a real treat and is absolutely recommended. I totally agree with the editor's review who states that the word "fabulous" fails in every respect to fully capture the artistry of the Spanish soprano. Victoria de Los Angeles is definitely one of the most wonderful lyric sopranos of the 20th century and is one of the most heavenly artists to have ever graced the concert scene. A must-have for any collection.
Fabulous? Yes!!!.......1999-09-13
The album is a marvelous sampling of this great singer's artistry. Her performances of the French and Spanish composers are something special. The De Falla "Seven Popular Folksongs" are powerful, passionate; the last song, "Jota," raised the hair on the back of my neck.
I was delighted to see Faure's "Claire de lune" on the album, and equally delighted with De Los Angeles' elegant rendition of this work. The only recording of the song I've liked better is from an LP featuring Frederika Von Stade.
As an added bonus, several duets with the great baritone Dietrich Fischer-Dieskau are featured on Disk #4. These include some charming settings of Irish songs by Beethoven, and a gorgeous arrangement of "Let Us Wander" by Henry Purcell. I remember hearing these duets years ago on an LP recording, and it was a pleasure to hear them again.
Average customer rating:
|
Bizet: Carmen (Highlights)
Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD
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Callas, Maria
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Similar Items:
- Bizet: Carmen (complete opera) with Maria Callas, Nicolai Gedda, Georges Pretre, Paris Opera Orchestra
ASIN: B000006OGH
Release Date: 1998-06-02 |
Tracks:
- Carmen: Avec la garde montante
- Carmen: Habanera: L'amour est un oiseau rebelle
- Carmen: Parle-moi de ma mere!
- Carmen: Seguedille: Pres des remparts de Seville
- Carmen: Chanson boheme: Les tringles des sistres tintaient
- Carmen: Votre toast, je peux vous le rendre
- Carmen: La fleur que tu m'avais jetee
- Carmen: Melons! Coupons!
- Carmen: C'est des contrebandiers... Je dis, que rien ne m'epouvante
- Carmen: Les voici!
- Carmen: C'est toi!... C'est moi!
Average customer rating:
- Melodies to miraculously cure the moribund!!!
- FROM OFFENBACH TO LOPEZ
|
Le Meilleur de l'Opérette
Manufacturer: EMI Records [All429]
ProductGroup: Music
Binding: Audio CD
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All Works by Offenbach
| Offenbach, Jacques
| ( O )
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Strauss Jr., Johann
| ( S )
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ASIN: B000053W6K
Release Date: 2002-04-02 |
Customer Reviews:
Melodies to miraculously cure the moribund!!!.......2005-09-10
This 2000 3-CD set is a new edition of 2-CD set from 1990 titled "Opérette-Passion" from EMI France. By popular request, this adds to the already mirific collection a third CD containing some of the real glories of mid-XXth century French operettas: Maurice Chevalier, Tino Rossi, Fernandel, Alibert, Denise Duval, Luis Mariano, Georges Guétary, Bourvil, Mathé Altéry, Anny Cordy, Gise Mey and Armand Mestral. The selection is not exhaustive - that would be impossible* - but it does give any listener a major incentive to go ferretting for more of the same and the complete score of some of those genuine masterpieces of charm, humour and melody by Fancis Lopez or Maurice Yvain (among many others). For students of the French language and French opera, this collection is priceless as it gives a very good impression of what makes the French singing voice different from any other: something called "le phrasé", which unfortunately cannot be duplicated or improvised by international stars who simply dabble in French (except maybe the multi-talented Petula Clark). The recordings range from a restored antique of the 20's by Chevalier to full stereo scores from the 70's. The result is a package whose value will never be duplicated in discriminating choice, sound quality and sheer listening enjoyment. One very minor reservation : The dates of the recordings are not indicated as they were in the "Opérette-Passion" collection and the names of the lyricists are not given. The liner notes are composed of a 2-page essay which gives a general outlook of the evolution of French operetta (in French) but could have been a little longer, in my humble opinion. Details like this would have made the difference between a wonderful album for connoisseurs and a genuinely educational tool. * The operettas of Vincent Scotto are not represented. WARNING: These recordings are genuine treasures and are never available for long either individually of collectively, so buying this collection is an absolute no-brainer.
FROM OFFENBACH TO LOPEZ.......2002-08-16
Yesterday ,before going to sleep,you told your wife:I have nothing against FRENCH operettas,but what i want to hear is the songs ,not the dialogue that goes with the genre when you listen to complete works.Here in that collection,all the composers who created that particular form of light music are represented.It is so much more entertaining than traditional opera.Among the highlights are songs from OFFENBACH's works like LA BELLE HÉLENE and LA PÉRICHOLE;MESSENGER's VERONIQUE and MONSIEUR BEAUCAIRE;the famous LA VEUVE JOYEUSE that was successfull around the world;CHRISTINÉ's PHI PHI created the day after armistice in 1918.One of the pleasant surprize for me was hearing songs from LES MOUSQUETAIRES AU COUVENT and one from LA FILLE DE MADAME ANGOT (JADIS,LES ROIS)and another from CIBOULETTE(NOUS AVONS FAIT UN BEAU VOYAGE).MADY MESPLÉ,one of the best singers of the genre is featured on seven songs,and she is always a joy to hear in any role of the repertoire.FRANCIS LOPEZ, who is remembered as the last important composer is well honoured with eight selections with singers like BOURVIL,GEORGES GUÉTARY and LUIS MARIANO.Don't try to resist THE MERRY WIDOW ,she'll get to you one way or another.
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