Della [Import]

Sonata No.11 In B Flat Major, Op.22: Allegro con brio
Sonata No.11 In B Flat Major, Op.22: Adagio con molta espressione
Sonata No.11 In B Flat Major, Op.22: Menuetto
Sonata No.11 In B Flat Major, Op.22: Rondo: Allegretto
Sonata No.12 In A Flat Major, Op.26: Andante von variazioni
Sonata No.12 In A Flat Major, Op.26: Scherzo: Allegro molto
Sonata No.12 In A Flat Major, Op.26: Marcia funebre sulla morte d'un Eroe: Maestoso andante
Sonata No.12 In A Flat Major, Op.26: Allegro
Sonata No.13 In E Flat Major, Op.27 No.1: Andante - Allegro
Sonata No.13 In E Flat Major, Op.27 No.1: Allegro molto e vivace
Sonata No.13 In E Flat Major, Op.27 No.1: Adagio con espressione - Allegro vivace

Tracks:

SONATA NO.8 IN C MINOR, OP.13 'PATHETIQUE': Grave - Allegro molto e con brio
SONATA NO.8 IN C MINOR, OP.13 'PATHETIQUE': Adagio cantabile
SONATA NO.8 IN C MINOR, OP.13 'PATHETIQUE': Rondo: Allegro
Sonata No.14 InC Sharp Minor, Op.27 No.2 'Moonlight': Adagio sostenuto
Sonata No.14 InC Sharp Minor, Op.27 No.2 'Moonlight': Allegretto
Sonata No.14 InC Sharp Minor, Op.27 No.2 'Moonlight': Presto agitato - Adagio - Presto agitato
SONATA NO.23 IN F MINOR, OP.57 'APPASSIONATA': Allegro assai - Piu allegro
SONATA NO.23 IN F MINOR, OP.57 'APPASSIONATA': Andante con moto
SONATA NO.23 IN F MINOR, OP.57 'APPASSIONATA': Allegro ma non troppo - Presto

Tracks:

Sonata No.15 In D Major, Op.28 'Pastoral': Allegro
Sonata No.15 In D Major, Op.28 'Pastoral': Andante
Sonata No.15 In D Major, Op.28 'Pastoral': Scherzo: Allegro vivace
Sonata No.15 In D Major, Op.28 'Pastoral': Rondo: Allegro ma non troppo
Sonata No.21 In C Major, Op.53 'Waldstein': Allegro con brio
Sonata No.21 In C Major, Op.53 'Waldstein': Introduzione (Adagio molto) - Rondo (Allegretto moderato - Prestissimo)
Sonata No.19 In G Minor, Op.49 No.1: Andante
Sonata No.19 In G Minor, Op.49 No.1: Rondo: Allegro
Sonata No.20 In G Major, Op.49 No.2: Allegro ma non troppo
Sonata No.20 In G Major, Op.49 No.2: Tempo di menuetto

Tracks:

Sonata No. 16 In G Major, Op. 31 No. 1: Allegro vivace
Sonata No. 16 In G Major, Op. 31 No. 1: Adagio grazioso
Sonata No. 16 In G Major, Op. 31 No. 1: Rondo: Allegretto - Adagio - Presto
Sonata No. 17 In D Minor, Op. 31 No. 2 'The Tempest': Largo - Allegro
Sonata No. 17 In D Minor, Op. 31 No. 2 'The Tempest': Adagio
Sonata No. 17 In D Minor, Op. 31 No. 2 'The Tempest': Allegretto
Sonata No.18 In E Flat Major, Op.31 No.3: Allegro
Sonata No.18 In E Flat Major, Op.31 No.3: Scherzo: Allegretto vivace
Sonata No.18 In E Flat Major, Op.31 No.3: Menuetto: Moderato grazioso
Sonata No.18 In E Flat Major, Op.31 No.3: Presto con fuoco

Tracks:

Sonata No.24 In F Sharp Major, Op.78: Adagio cantabile - Allegro ma non troppo
Sonata No.24 In F Sharp Major, Op.78: Allegro vivace
Sonata No.25 in G major, Op.79: Presto alla tedesca
Sonata No.25 in G major, Op.79: Andante
Sonata No.25 in G major, Op.79: Vivace
Sonata No.26 In E Flat Major, Op.81a 'Les Adieux': Das Lebewohl (Les Adieux): Adagio - Allegro
Sonata No.26 In E Flat Major, Op.81a 'Les Adieux': Abwesenheit (L'Absence): Andante espressivo
Sonata No.26 In E Flat Major, Op.81a 'Les Adieux': Wiedersehn (Le Retour): Vivacissimamente - Poco andante - Tempo 1
Sonata No.27 In E Minor, Op.90: Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck
Sonata No.27 In E Minor, Op.90: Nicht zu geschwind und sehr singbar vorzutragen

Tracks:

Sonata No.28 In A Major, Op.101: Allegretto ma non troppo
Sonata No.28 In A Major, Op.101: Vivace alla Marcia
Sonata No.28 In A Major, Op.101: Adagio, ma non troppo, con affetto - Tempo del primo pezzo - Allegro
Sonata No.29 In B Flat Major, Op.106 'Hammerklavier': Allegro
Sonata No.29 In B Flat Major, Op.106 'Hammerklavier': Scherzo: Assai vivace - Presto - Tempo 1
Sonata No.29 In B Flat Major, Op.106 'Hammerklavier': Adagio sostenuto
Sonata No.29 In B Flat Major, Op.106 'Hammerklavier': Largo - Allegro - Prestissimo - Allegro risoluto (Fuga a tre voci, con alcune licenze)

Tracks:

Sonata No.30 In E Major, Op.109: Vivace, ma non troppo - Adagio espressivo - Tempo 1
Sonata No.30 In E Major, Op.109: Prestissimo
Sonata No.30 In E Major, Op.109: Tema: Andante molto cantabile e espressivo - Variazioni 1-6
Sonata No.31 In A Flat Major, Op.110: Moderato cantabile, molto espressivo
Sonata No.31 In A Flat Major, Op.110: Allegro molto
Sonata No.31 In A Flat Major, Op.110: Adagio ma non troppo
Sonata No.31 In A Flat Major, Op.110: Fuga: Allegro ma non troppo - L'istesso tempo di arioso - L'istesso tempo della Fuga - Meno allegro
Sonata No.32 in C minor, op.111: Maestoso - Allegro con brio ed appassionato
Sonata No.32 in C minor, op.111: Arietta: Adagio molto semplice e cantabile - Variazioni

Customer Reviews:

Barenboim's Beethvoen.......2007-06-27

I heard Bachaus play all Beethoven recitals at Carnegie Hall, in NYC. At that time he was the acknowledged master of the Beethvoen Sonata. With Barenboim, the old order changeth, yielding place to new. These recordings have fire, tempestuousness and passion, all emotions that belong in Beethoven.

One of the very best ever.......2007-02-15

This set has to be experienced. The clarity of these performances is beyond belief. If it's not the best set of Beethoven Sonatas, it is certainly among the very best. Take for example the first movement of Sonata number 21. It is so easy to have a performer play all the notes just as Beethoven wrote them and yet leave the listener in a morass of confusion without the slightest idea of what he had in mind. Not here. The ideas pour forth in a white light that has to be experienced. It really has to be experienced!! I love these performances. I will play them until I die. Oh...and the recordings are technically excellent. At least when played through Levinson electronics and Maggies....superb!

dead in the water.......2007-01-12

Sorry, I just don't like Barenboim's renditions. Beethoven is my favourite composer, depending on my mood that is, and nothing moves me as his music can. But I just don't get Barenboim's renditions... doesn't do a thing for me. Something of Beethoven's depth and richness gets totally "lost in translation".

Better off finding a better performance of these if you really want to be "blown away". My favorite "Beethoven" conductor would have to be Herbert von Karajan; and as for individual pianists my all time favorite is Maurizio Pollini, whose performances are exquisite, in both technique and expression! If you are a music lover you should really check his work out if you haven't already. My favorite Beethoven CD by him is "Die Spaten Klaviersonaten" (Beethoven) by Deutsche Grammophon in their "legendary recordings" series. It is a real gem! (the sound quality is excellent also)

Sublime expression nourished by a colossal vision!.......2006-03-23

Thanks to this immense and untiring activity in the field of the orchestral direction, his vision as pianist has enriched himself quite a lot: Barenboim performs these well known Sonatas with a splendid architectural construction; according Schnabel `s tradition.

And that is a very remarkable good point in this musical moment where the pianist technique is eclipsing and even annulling the personal approach in the most of pianists all over the world. Honesty, conviction, vision and commitment dress those interpretations loaded of expression and personality.

In the great tradition of the great Beethovenian keyboard giants of the past, Daniel explores and plays every little bar with that well felt intensity of someone who in Beethoven `s there is much more than simple music. In Beethoven the music is not a goal by itself; but a revelation superior to any philosophy; all his musical legacy possess values that are placed of the standards. There is not art without second intention and that is precisely what Barenboim has made with this fabulous cycle of Beethoven Sonatas.

If you really want to listen remarkable performances far beyond of the trivial conventionalisms, go for this record.

Performed with great enthusiasm.......2004-05-16

This is classic early Barenboim (he was just 24 when he started recording this set in 1966). He is very enthusiastic and expressive (if you don't like him, he "takes liberties" and "shows off"). The slow movements are veerrry slow, and the fast ones really rip. Pianissimo is extremely soft, and fortissimo rattles the windows! [My wife insists that I wear headphones for late-night listening.]

Tracks:

Azzurro
Tarantella Del Diavolo
O' Sole Mio
Notte Di Christallo
Tarantella Di Napoli
Macia Di Bergamo A Monte Catini
Volare
Piccola Maria
Torna A Sorriento
Tarantella Meridionale
Marina
Che La La
Tarantella Siciliana
Tarantella Meridionale
Santa Lucia
Guaglione - Nisa
O Maria
Valsa Della Primavera
Funiculi Funicula
La Passeggiata
Arrivederci Roma
Il Padrone - Rota
Quanne Ta Fatte Mammeta
Balatta Siciliana

Customer Reviews:

Every song sounds the same.......2007-04-13

My husband and I buy many Italian CDs so we think we have good judgement after so many purchases. We were somewhat disappointed in this CD. Every song has the same instrumentation and basically sounds the same. We wonder even if the mandolins are "live" or just canned, they sound so tinny and the same each song. This CD could have used more feeling, romance, whatever...possible had there been some sensitive arrangements with solos, etc. Instead, it was the same bunch of mandolin sounds which made for a very boring CD, in our opinion. A few vocals would have helped the monotony, too. Would not recommend.

Traditional Italian music.......2007-03-31

This is a great album of really very traditional Italian music. It is not anglicised but just like you hear when you go to Italian festas.

Italian dinner music.......2007-03-08

Excellent....Perfect! We recently had an Italian themed dinner party and needed just the right instrumental background/mood music. Mandolins from Italy was perfect. We also needed it FAST. Althought shipping was not cheap, we received it on time and made our party a hit.

WELL DONE!

Perfect for a themed party, or just background music!.......2007-02-03

Very cute! Romantic, uplifting, nostalgic background music for an Italian night with friends! Enjoy!

Just like my dad's music.......2007-01-09

I love this music. It takes me back to my childhood when my Dad played the mandolin and my uncle accompanied him on guitar. Some old Italian melodies and some new ones to sing along with. Very nice.

Martha Argerich and Friends: Live from the Lugano Festival, 2006

Average customer rating:

Lots of Schumann, not much Argerich, plus some real oddities

Martha Argerich and Friends: Live from the Lugano Festival, 2006

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

Quartets | Chamber Music | Classical | Styles | Music

Quintets | Chamber Music | Classical | Styles | Music

Trios | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Classical | Styles | Music
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Martha Argerich and Friends Live from the Lugano Festival 2005: Chamber Music
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Jean Renoir Collection (3-Disc Collector's Edition)

ASIN: B000PFU9OM
Release Date: 2007-06-05

Tracks:

I: Sostenuto Assai/Allegro Ma Non Troppo
II: Scherzo: Molto Vivace
III: Andante Cantabile
IV: Finale: Vivace
I: Allegro Assai Vivace
II: Allegretto Scherzando
III: Adagio
IV: Molto Allegro E Vivace
I: Zart Und Mit Ausdruck
II: Lebhaft, Leicht
III: Rasch Und Mit Feuer

Tracks:

I: Mit Energie Und Leidenschaft
II: Lebhaf, Doch Nicht Zu Rasch
III: Langsam, Mit Inniger Empfindung
IV: Mit Feuer
I: Introduzione: Adagio Mest/Allegro
II: Scherzo
III: Largo
IV: Finale: Allegro Vivace

Tracks:

I: Nauges
II: Fetes
I: Andante
II: Allegretto
III: Largo
IV: Allegretto Scherzando
I: Overture
II: Idylie
III: Cadenza
IV: Menuet
V: Finale Alla Marcia

Amazon.com

This inexpensively priced 3-CD set of music from the 2006 Lugano Festival with pianist Martha Argerich at its center presents a fascinating cross-section of chamber music, expertly performed. In addition to Argerich, we hear from 15 other instrumentalists - pianists, cellists, violinists, violists, a flugelhorn player (who plays along with Argerich in three of Schumann's Fantasiestücke, to very strange and not very welcome effect), and a wind ensemble made up of members of the Orchestra della Svizzera Italiana that plays with cellist Gautier Caupcon in Friedrich Gulda's Concerto for Cello and Wind Orchestra: a jazzy, definitely eclectic, and playful finale to the third CD. The infrequently played but rapturous Schumann Piano Quartet is a particular treat. Ravel's transcriptions of two Debussy Nocturnes for two pianos played by Sergio Tiempo and Karin Lechner are a delight as well. This is an off-the-beaten-track collection that will fascinate true devotees of chamber music. --Robert Levine

Customer Reviews:

Lots of Schumann, not much Argerich, plus some real oddities.......2007-06-08

EMI has gotten into the pleasanat habit of issuing a 3-CD bargain box of Martha Argerich's summer music from Lugano, and they are caviar for chamber music lovers, mixing familiar and unfamiliar works in sterling live performances. It's hard to think of any comparable series meeting such high standards since the heyday of the Marlboro Festival under Rudolf Serkin in the Fifties and Sixties. This 2006 edition is no exception, my only disappointment being the absence of Argerich herself in so many works. She even gives up her place in the two-piano arrangement of Debussy's Nocturnes to her protege Sergio Tiempo (she has been a long-time devotee, if not addict, of two-piano arrangements that almost every other serious musician eschews).

The dominance of works by Schumann reflects Ms. Argerich's personal fondness for him, and she appears in the Piano Quartet, which has enjoyed a wonderful, highly personal reading by Glenn Gould and the Juilliard Qt. (Sony), among others. This one displays every virtue of live musicmaking, with Argerich's fervent, spontaneous playing leading the way. Compared to earlier sets, the 2006 collection contains more rarities and because of all the sSchumann, less representation by great composers. The flugelhorn arrangement of Schumann's Fantasiestucke for clarinet sounds like a joke. The once unknown Tanayev Piano Quintet gets a committed reading that should help to boost its popularity. The Debbusy Nocturnes actually bring pleasure in the two-piano arrangement. You won't be prepared for Gulda's concerto for Cello and Piano, which sounds like three-beer night at your local German jazz club. But its worth a smile and a listen.

In the end, however, this installment might be best left to connoisseurs while newcomers to Argerich's summer festivities should begin with the earlier, more conventional editions.

Here's the listing of works and personnel since Amazon doesn't supply it:

Martha Argerich / Renaud Capucon / Lida Chen / Gautier Capucon - Piano Quartet in Eb op.47 (Schumann).

Gautier Capucon / Gabriela Montero - Sonata for cello and piano No.2 in D op.58 (Mendelssohn).

Sergei Nakariakov / Martha Argerich - Fantasiestucke op.73 - version for flugelhorn and piano (Schumann).

Nicholas Angelich / Renaud Capucon / Gautier Capucon - Piano Trio in D minor op.63 (Schumann).

Lilya Zilberstein / Dora Schwarzberg / Lucy Hall / Nora Romanoff-Schwarzberg / Jorge Bosso - Piano Quintet in G minor op.30 (Taneyev).

Sergio Tiempo / Karin Lechner - Three Nocturnes : Nuages / Fetes (Debussy transcribed for two piano Ravel).

Alissa Margulis / Polina Leschenko - Sonata for violin and piano No.1 (Schnittke).

Gautier Capucon / Alexander Rabinovich-Barakovsky - Concerto for cello and windband (Gulda).

Average customer rating:

If you love beautiful voices...
If you want to know Corelli's art, this is the right CD
excellent gift
Greatest Tenor of This Century!
Ah... Franco :}

The Very Best of Franco Corelli

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

French | Languages | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Masses | Vocal Non-Opera | Opera & Vocal | Styles | Music

$9.99 and Under | Classical Music Blowout | Stores | Music

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Very Best of

ASIN: B00008V5VV
Release Date: 2003-04-22

Tracks:

A Te, O Cara
Meco All' Altar Di Venere... Me Protegge, Me Difende
Ah Si, Ben mio...De Quella Pira
Se Quel Guerrier Io Fossi!...Celeste Aida
Pur Ti Riveggo, Mia Dolce Aida
Intanto Amici... Viva Il Vino Spumeggiante
Mamma, Quel Vino E Generoso
Recitar!... Vesti La Giubba
No, Pagliaccio Non Son
Colpito Qui M'avete...Un Di All'azzuro Spazio
Credo A Una Possanza Arcana
Legray!... Andrea Chenier!...Si, Fui Soldato
Come Un Bel Di Di Maggio
Vicino A Te

Tracks:

Donna Non Vidi Mai
Recondita Armonia
E Lucevan Le Stelle
Non Piangere, Liu... Ah! Per L'ultima Volta!
Nessun Dorma
Favorita Del Re!... Spirto Gentil
Cielo E Mar
L'anima Ho Stanca
Non Lunge Della Torre... Bianca Al Par Di Neve Alpina
Ange Adorable
L'amour, L'amour.. Ah! Leve-Toi, Soleil!
O Nuit Divine!
C'est La! Salut! Tombeau!
Fronde Tenere... Ombra Mai Fu
Ave Maria
Domine Deus
Core 'Ngrato
Torna A Surriento

Customer Reviews:

If you love beautiful voices..........2007-04-30

and passionate singing, you won't be disappointed. While Corelli certainly had his flaws, they are minor in the larger picture of this unique, magnificent force of nature. Then get this set for your friend who thinks Andrea Bocelli is a great tenor.

If you want to know Corelli's art, this is the right CD.......2007-03-10

Franco Corelli had one of the powerful tenor voices of the twentieth century. Think Mario del Monaco with more beauty and grace; think Richard Tucker with a smoother voice. He had annoying touches in his singing, such as those "catches" here and there. But, with Tucker, he is, in my estimation, one of the two most powerful and attention riveting tenors in the past century. Other tenors were more artistic, provided better characterization (think Domingo, Gigli, Pavarotti, Gedda, Caruso, and some others).

But Corelli was a wonder of nature! Some samples: "Ah si, ben mio. . .Di quella pira." If there were an aria made for Corelli, this would be it. His big, rich, powerful voice fits this cut nicely. Not much subtlety here. In "Di quella pira," he hits the high notes in a stentorian manner. There are those mannerisms, but they are so easily forgiven, taking into account that rich, lustrous voice.

"Celeste Aida" is another representative cut. This is a powerful version. Also, note how he goes from forte to piano at the end of this aria. A powerful effect indeed.

Then, there are the twin arias from "Tosca." In "Recondita armonia," his rich voice is well manifest. He exhibits a smooth line in his singing. This is a powerful version of this well known aria. "E lucevan le stele" displays again that rich voice. At one point, he goes from forte to piano in a mesmerizing manner (Who'd have thought it?). His final "la vita" grabs one's attention.

Finally, "Nessun dorma." Well, smoothly, and powerfully sung. The final "vincero" is powerfully rendered, leaving goose bumps on the spine.

This is the very best of Franco Corelli. Those who want to get a sense of the vocal prowess of one of the most powerful tenors of the 20th century should attend to this double CD set.

excellent gift.......2007-02-09

I gave it to my father and he says Its an amazing cd.

Greatest Tenor of This Century!.......2007-02-03

Franco Corelli is the greatest tenor of this century. Although there are many fine tenors including Carlo Bergonzi - no tenor comes close to singing with the pure heart and animal magnetism of Franco Corelli. Surprisingly, he was also quite comfortable with bel canto, listen to the incredible "A te o'cara". I've heard "Nessun Dorma" sung by many excellent tenors and hands down, none can touch the sublime beauty of Corelli's version. This 2cd set of his greatest arias is a wonderful gift for any opera fan. "Recondita Armonia" is my personal favorite. His thrilling vocal beauty and intensity of performance is truly unforgettable.

Ah... Franco :}.......2007-01-10

Such a pleasing voice. I can't believe the clarity and perfection. He was well before my time and others have become more 'popular' since then, but for some reason his voice seems better than the more current singers. I do not know much about opera so I will have to rely only on my own ears. I happily recommend this double album. I like to have it playing on the 5 CD changer with other opera cds, mixing through them...it is a perfect saturday morning accompaniment. enjoy.

Monteverdi: Vespro della Beata Vergine 1610/Venetian Vespers

Average customer rating:

Just beautiful
wonderful
A reasonable bargain(?)
Punctilious Research and Performance Practice
Easily the best recording of the Vespers

Monteverdi: Vespro della Beata Vergine 1610/Venetian Vespers

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Motets | Vocal Non-Opera | Opera & Vocal | Styles | Music

$7.99 and Under | Classical Music Blowout | Stores | Music

All Classical Music Blowout | Classical Music Blowout | Stores | Music

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ASIN: B000031WJB
Release Date: 2000-04-11

Tracks:

Vespro Della Beata Vergine 1610: Versiculus, Canto Gregoriano: Deus In Adiutorium
Vespro Della Beata Vergine 1610: Responsorium: Domine Ad Adiuvandum Me Festina
Vespro Della Beata Vergine 1610: Antiphona, Canto Gregoriano
Vespro Della Beata Vergine 1610: Psalmus I: Psalmus 109: Dixit Dominus
Vespro Della Beata Vergine 1610: Con: Nigra Sum
Vespro Della Beata Vergine 1610: Antiphona II, Canto Gregoriano: Maria Virgo Assumpta Est
Vespro Della Beata Vergine 1610: Psalmus II: Psalmus 112: Laudate Pueri
Vespro Della Beata Vergine 1610: Con: Pulchra Es
Vespro Della Beata Vergine 1610: Antiphona III, Canto Gregoriano: In Odorem Unguentorum Tuorum...
Vespro Della Beata Vergine 1610: Psalmus III: Psalmus 121: Laetatus Sum
Vespro Della Beata Vergine 1610: Son
Vespro Della Beata Vergine 1610: Antiphona IV, Canto Gregoriano: Benedicta Filia Tua Domino
Vespro Della Beata Vergine 1610: Psalmus IV: Psalmus 126: Nisi Dominus
Vespro Della Beata Vergine 1610: Con: Audi Coelum
Vespro Della Beata Vergine 1610: Antiphona V, Canto Gregoriano: Pulchra Es Et Decora, Filia...
Vespro Della Beata Vergine 1610: Psalmus IV:: Psalmus V: Psalmus 147: Lauda Jerusalem Dominum
Vespro Della Beata Vergine 1610: Son
Vespro Della Beata Vergine 1610: Capitulum, Canto Gregoriano: In Omnibus Requiem Quaesivi
Vespro Della Beata Vergine 1610: Hymnus: Ave Maris Stella
Vespro Della Beata Vergine 1610: Versus Et Responsorium
Vespro Della Beata Vergine 1610: Antiphona VI, Canto Gregoriano: Hodie Maria Virgo Caelos Ascendit
Vespro Della Beata Vergine 1610: Son Sopra Sancta Maria

Tracks:

Vespro Della Beata Vergine 1610: Magnificat
Vespro Della Beata Vergine 1610: Oratio, Canto Gregoriano: Dominus Vobiscum
Vespro Della Beata Vergine 1610: Versus, Canto Gregoriano: Dominus Vobiscum
Vespro Della Beata Vergine 1610: Con: Duo Seraphim
Vespro Della Beata Vergine 1610: Antiphona Beatae Mariae Virginis: Salve Regina
Vespro Della Beata Vergine 1610: Versus Et Responsorium, Canto Gregoriano: Ora Pro Nobis
Vespro Della Beata Vergine 1610: Oratio, Canto Gregoriano: Domine Vobiscum
Vespro Della Beata Vergine 1610: Conclusio, Canto Gregoriano: Divinum Auxilium Maneat Semper...
Selva Morale E Spirituale 1641: Psalmus 109: Dixit Dominus
Selva Morale E Spirituale 1641: Psalmus 110: Confitebor Tibi Domine
Selva Morale E Spirituale 1641: Psalmus 111: Beatus Vir
Selva Morale E Spirituale 1641: Psalmus 112: Laudate Pueri
Selva Morale E Spirituale 1641: Psalmus 116: Laudate Dominum
Selva Morale E Spirituale 1641: Salve Regina