Feel The Magic

Editorial Reviews
Patricia Myers - Jazz Times
Kansas City vocalist Angela Hagenbach possesses an extraordinary range, excellent phrasing and a singular style. On her second solo issue, she's pure velvet on "Something Cool" and "Love For Sale," delightfully whimsical on Dave Frishberg's "Peel Me A Grape," and vividly intense on Dori Caymmi's "Obsession" and Sergio Mendes' "So Many Stars." She also wrote the title track and sings Jobim's "Retrato Em Branco E Preto (Portrait in Black and White)," in Portuguese. Angela Haganbach proves she can do it all.

About the Artist
Angela Hagenbach is proof positive that vocal jazz is alive and well in Kansas City. "By dint of hard work and obviously innate musicality, Angela has established herself as one of the areas top jazz singers," says Dr. Chuck Berg, writer for JazzTimes. Hagenbach is a storyteller par excellence whose winning style evokes influences ranging from Sarah Vaughan and Ella Fitzgerald to Julie London and Shirley Horn.

Her 1994 debut CD "Come Fly With Me " released on, her own label Amazon Records, and... read more

Album Description
The songs on this recording were selected simply because I like them. A few of my favorite offerings are: Frishbergs Peel Me A Grape for its hip, sassy attitude; the strong emotional content and delivery of Dori Caymmis Obsession. Note the amusing role reversal on the tag of the classic Ellington standard, Dont Get Around Much Anymore, which also features Rod Fleemans sparkling guitar; the heart wrenching, incredibly haunting Jobim/Buarque composition Retrato em Branco e Preto, featuring the sensual accompaniment of the Latin jazz ensemble Musa Nova; and, the marvelous Bobby Troup blues tune, Baby, Baby, All The Time, showcasing Cartwrights dynamic piano and Stan Kesslers lively horn arrangement. Also enjoyable on this selection is the whimsical trombones intro to the scat solo. This intro is reminiscent of earlier times when the trombone was my instrument of choice. I hope that you, too, will enjoy this recording. I encourage you to find your hearts song, and sing out proudly! And always make time to FEEL THE MAGIC.

Blessed be,

Angela

Feel The Magic

Tracks:

Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
Also Sprach Zarathustra (Of The Afterworldsmen)
Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
Variations On A Theme Of Frank Bridge (No. 4)
Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

Tracks:

Song To The Moon
Should I Ever Learn
How Confused I Feel
Solveig's Song
Solveig's Cradle Song
Amor Volat Undique
Stetit Puella
In Trutina
Vier Letzte Lieder
Vier Letzte Lieder
Vier Letzte Lieder
Vier Letzte Lieder
Symphony No. 4 In G
Tatiana's Letter Scene

Tracks:

Un Cenno Leggiadretto
Ho Perduto Il Caro Sposo
O Had I Jubel's Lyre
Laudate Dominum
Welche Wonne, Welche Lust
Porgi, Amor
Voi Che Sapete
Giunse Alfin Il Momento...Deh Vieni, Non Tardar
Crudele?...Non Mi Dir
Come Scoglio
Una Donna A Quindici Anni
Der Holle Rache
Ach, Ich Fuhl's
Crucifixus
Die Forelle
Gretchen Am Spinnrade
An Sylvia
Zueignung
Es Lebt' Eine Vilja
Klange Der Heimat

Customer Reviews:

Ever-reigning Queen of Sopranos.......2007-05-28

Listening through these two discs, one thought kept leaping up to mind: will ever there be another soprano as versatile and accomplished as Lucia Popp? Died in 1994 at the early age of 54, the operatic world hadn't really mourned her enough.
People are still lingering on Maria Callas, the 'star' soprano with all her glamour and legendary life could offer.
Real listeners, however, could not give up the memory of Lucia Popp's terrific artistry and almost supernatural voice.
Her Rusalka, her Solveig, her Susanna, Zerlina, Despina in the da Ponte/Mozart trio, her terrific Queen of the Night (unsurpassed by ANY subsequent sopranos up till now), and ALSO her Pamina in the same opera. In any language you ask her to sing, and she excelled. I marvel at the Letter Scene in Eugene Onegin - only if Lucia had the chance to perform the whole opera during her short life! The joy, the expectation, the emotional tribulations, so vividly captured in girlish and pure timbre. No one will ever beat her; not even Fleming and Netrebko.
"Weird and wonderful" - that's what Elisabeth Schwarzkopf said of Lucia Popp's singing. We today would modify it to 'wonderful and unsurpassable'.
This 2-CD set is an absolute must have, even if you have never heard of Lucia Popp before.

Lucia Popp.......2006-01-12

This is a wonderful album showcasing the very best of Lucia Popp (as the title suggests). Her voice was absolutely beautiful. She could sing the slavic languages like no one else. Her version of Dvorak's Song to the Moon is unbeatable. I dare anyone to find a better performance! Also, the song from Die Zauberflute -Ah Ich fuls (sp?) is outstanding. I've yet to hear a better version. Her diction was fantastic and while she wasn't the highest soprano around - she knew what worked for her voice. This is album is a keeper!

Lucy: The Reigning Queen of Opera.......2004-07-12

Lucia Popp is one of the best sopranos to ever grace the operatic/classical voice stage. This CD compilation shows her progression through lyric Handel to lyric and dramatic Mozart (her Der Holle Rache from Magic Flute is unrivaled) to tender art song and operetta literature. The first disc also showcases her adeptness with 20th Century literature as well as the ability to step out of the traditional four languages of opera. Any avid music fan MUST have this CD compilation.

Average customer rating:

Great Orchestral Melodies

Manufacturer: Intersound Records
ProductGroup: Music
Binding: Audio CD

Pavanes | Ballets & Dances | Classical | Styles | Music

Waltzes | Ballets & Dances | Classical | Styles | Music

Quartets | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

Scherzo | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

French | Languages | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Russian | Languages | Opera & Vocal | Styles | Music

Oratorios | Opera & Vocal | Styles | Music

Musical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music

Marches | Miscellaneous | Styles | Music

Tracks:

'Solomon': Arrival Of The Queen Of Sheba
'The Four Seasons': The Spring: Allegro
Canon In D
Orchestra Suite No.2: Minuet And Badinerie
Bach: Allegro
Symphony No.104: Adagio; Allegro
Divertimento For Strings, No.1: Allegro
Piano Concerto No.5: Adagio un poco mosso
'The Ruins Of Athens': Turkish March
Eine kleine Nachtmusik: Romanze: Andante
Marche Militaire No.1
'The Hebrides' ('Fingla's Cave'): Overture
'The Valkyrie': Ride Of The Valkyries

Tracks:

Slavonic Dances: No. 1: Presto
Slavonic Dances: No. 3: Poco Allegro
Slavonic Dances: No. 7: Allegro Assai
Slavonic Dances: No. 8: Presto
Coronation March
Entry Of The Gladiators
Serenade For Strings: Waltz
Samson And Delilah: Bacchanale
Piano Concerto No. 2: Adagio sostenuto
Russian And Ludmilla: Overture
Also sprach Zarathustra: Introduction
Symphonie Fantastique: March To The Scaffold
On The Beautiful, Blue Danube
The Firebird: The Palace Of Kashchei And His Enchantments Vanish - Dallas Symphony Orchestra

Tracks:

'Pictures at an Exhibition': Promenade
'Pictures at an Exhibition': Gnomes
'Pictures at an Exhibition': The Hut On Fowl's Legs (Baba Yaga)
'Pictures at an Exhibition': The Great Gate Of Kiev
A Night On Bald Mountain
'The Planets': Mars: The Bringer Of War
'The Pines Of Rome': The Pines Of The Appian Way
Pavan For A Dead Princess
The Sorcerer's Apprentice
'The Three-Cornered Hat': Dance Of The Miller's Wife
Scheherazade: Festival At Baghda; The Sea; The Ship Goes To Pieces Against A Rock Surmounted By A Bronze Warrior

Tracks:

Fanfare For The Common Man
'Appalachian Spring': Variations On A Shaker Melody
'Candide': Overture
'West Side Story': Suite: I Feel Pretty; Maria; Something's Coming; Tonight; One Hand, One Heart; Cool; America
Rhapsody In Blue
Adagio For Strings
'America': Variations
'Rodeo': Hoe-down
Pomp And Circumstance: March No. 1
'Gayane': Sabre Dance
'Lieutenant Kije': Troika
'The Love Of Three Oranges': March
'Hary Janos': The Viennese Musical Clock

Average customer rating:

Magic Flutes

Manufacturer: Delos Records
ProductGroup: Music
Binding: Audio CD

Duets | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music
ASIN: B00000AGAP
Release Date: 1998-08-25

Tracks:

In Here, My Pretty!
That Glorius Ringing
The Wrath Of Hell Boils In My Heart
We Bid You Welcome Yet Again
A Pretty, Little Wife
Ah, I Feel It Is Gone Forever
The Man Who Feels True Love
I Am The Jolly Bird-Catcher
Surely No Eye Has Yet Beheld Such Enchanting Beauty
How Strong Is Your Magical Tone, Dear Flute
I Allegro E moderato
II. Lamentabile
III. Presto
Variations On A Theme By Corelli
I. Allegro
II. Andante
III. Vivace
I. Allegro Con Espressione
II. Adagio
III. Rondo Allegretto

Average customer rating:

A little something different

Symphonic Magic, Vols. 1-4

Manufacturer: Michelle Records
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Operettas | Opera & Vocal | Styles | Music

Soft Rock | Pop | Styles | Music

Easy Listening | Compilations | Pop | Styles | Music

General | Easy Listening | Pop | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music

General | Miscellaneous | Styles | Music

Classical | Indie Music | Stores | Music

Soft Rock | Pop | Indie Music | Stores | Music

Symphonic Suites of the Animated Classics
Heigh-Ho! Mozart

ASIN: B0000011KK
Release Date: 1997-06-24

Tracks:

The Circle of Life - Kingston SO/Glen Fast
I Just Can't Wait To Be King - Kingston SO/Glen Fast
Can You Feel the Love Tonight - Kingston SO/Glen Fast
The Lion Sleeps Tonight - City of Prague Phil/Colin Frechter
Hakuna Matata - Kingston SO/Glen Fast
Carnival of the Animals: Introduction-Royal March of the Lion - American PO/Barry Faldner
Carnival of the Animals: Wild Asses - American PO/Barry Faldner
Carnival of the Animals: The Aquarium - American PO/Barry Faldner
Carnival of the Animals: Aviary - American PO/Barry Faldner
Carnival of the Animals: The Swan - American PO/Barry Faldner
Carnival of the Animals: Finale - American PO/Barry Faldner
William Tell Overture - Ljublijana SO/Anton Nanut
Radetsky March - Sofia SO/Barry Faldner
Give a Little Whistle - Kingston SO/Glen Fast
When You Wish Upon A Star - Kingston SO/Glen Fast
I've Got No Strings - Kingston SO/Glen Fast
Turn Of The Old Music Box - Kingston SO/Glen Fast
Hi Diddle-dee-dee (an Actor's Life for Me) - Kingston SO/Glen Fast
When You Wish Upon A Star (reprise) - Kingston SO/Glen Fast
Symphonie Fantastique: March of the Scaffold - Ljublijana SO/Anton Nanut
Hebrides Ov Op.26: Fingal's Cave - Ljublijana SO/Marko Munih
The Magic Flute Ov, K.620 - Ljublijana SO/Marko Munih

Tracks:

(Just) Whistle While You Work - Kingston SO/Glen Fast
I'm Wishing - Kingston SO/Glen Fast
With A Smile And A Song - Kingston SO/Glen Fast
Some Day My Prince Will Come - Kingston SO/Glen Fast
One Song - Kingston SO/Glen Fast
Heigh-Ho - Kingston SO/Glen Fast
The Nutcracker Ste, Op.71a: Miniature Ov - Ljublijana SO/Marko Munih
The Nutcracker Ste, Op.71a: March - Ljublijana SO/Marko Munih
The Nutcracker Ste, Op.71a: Dance of the Sugarplum Fairy - Ljublijana SO/Marko Munih
The Nutcracker Ste, Op.71a: Russian Dance - Ljublijana SO/Marko Munih
The Nutcracker Ste, Op.71a: Arabian Dance - Ljublijana SO/Marko Munih
The Nutcracker Ste, Op.71a: Chinese Dance - Ljublijana SO/Marko Munih
The Nutcracker Ste, Op.71a: Dance of the Pipe Flutes - Ljublijana SO/Marko Munih
The Nutcracker Ste, Op.71a: Waltz of the Flowers - Ljublijana SO/Marko Munih
Colonel Hathi's March - City of Prague PO/Colin Frechter
The Bare Necessities - City of Prague PO/Colin Frechter
I Wanna Be Just Like You - City of Prague PO/Colin Frechter
Poet and Peasant Ov - Ljublijana SO/Anton Nanut
'L'Arlesienne' Ste No.2: Farandole - Ljublijana SO/Marko Munih
The Love of Three Oranges March - American PO/Barry Faldner
Finlandia - Ljublijana SO/Marko Munih
'Eine Kleine Nachtmusik' (A Little Night Music) (Ser in G, K.525 Allegro) - Ljublijana SO/Alexander Von Pitamic

Tracks:

Belle - Kingston SO/Glen Fast
Beauty and the Beast - Kingston SO/Glen Fast
Be Our Guest - City of Prague PO/Colin Frechter
The Sleeping Beauty Ballet Ste, Op.66: Introduction, The Tree Fairy - Volgograd SO/Edward Serov
The Sleeping Beauty Ballet Ste, Op.66: Adagio, Pas d'action - Volgograd SO/Edward Serov
The Sleeping Beauty Ballet Ste, Op.66: Pas de caricature - Volgograd SO/Edward Serov
The Sleeping Beauty Ballet Ste, Op.66: Panorama - Volgograd SO/Edward Serov
The Sleeping Beauty Ballet Ste, Op.66: Waltz - Volgograd SO/Edward Serov
Arabian Nights - Kingston SO/Glen Fast
Prince Ali - Kingston SO/Glen Fast
A Whole New World - Kingston SO/Glen Fast
One Jump Ahead - Kingston SO/Glen Fast
Scheherazade, Op.35: The Sea and Sinbad's Ship - Ljublijana SO/Anton Nanut
Dumbo Overture - City of Prague PO/Colin Frechter
March Militaire - Sofia SO/Barry Faldner
'Peer Gynt' Ste No.1, Op.46: In The Hall of the Mountain King - Ljublijana SO/Andrew Schenck
Light Cavalry Ov - Ljublijana SO/Marko Munih

Tracks:

If I Knew You - City of Prague PO/Colin Frechter
Just Around The River Bend - City of Prague PO/Colin Frechter
Colours Of The Wind - City of Prague PO/Colin Frechter
Peter and the Wolf (Symphonic Tale for Children), Op.67: Andantino (Peter) - American PO/Barry Faldner
Peter and the Wolf (Symphonic Tale for Children), Op.67: Allegro (The Bird) - American PO/Barry Faldner
Peter and the Wolf (Symphonic Tale for Children), Op.67: Moderato No.11 (The Cat) - American PO/Barry Faldner
Peter and the Wolf (Symphonic Tale for Children), Op.67: Poco Pin Andante No.15 (The Grandfather) - American PO/Barry Faldner
Peter and the Wolf (Symphonic Tale for Children), Op.67: Andantino, Come Prima No.17 (Peter) - American PO/Barry Faldner
Peter and the Wolf (Symphonic Tale for Children), Op.67: Andante No.18 (The Grandfather) - American PO/Barry Faldner
Peter and the Wolf (Symphonic Tale for Children), Op.67: Andante Molto No.19 (The Wolf) - American PO/Barry Faldner
Peter and the Wolf (Symphonic Tale for Children), Op.67: Andante No.24 (The Duck) - American PO/Barry Faldner
Peter and the Wolf (Symphonic Tale for Children), Op.67: Vivo No.30 (The Bird) - American PO/Barry Faldner
Peter and the Wolf (Symphonic Tale for Children), Op.67: Poco Meno Mosso-Moderato No.35 (Peter) - American PO/Barry Faldner
Peter and the Wolf (Symphonic Tale for Children), Op.67: Allegro Moderato No.39 (The Hunters) - American PO/Barry Faldner
Peter and the Wolf (Symphonic Tale for Children), Op.67: Andante No.41 (Peter) - American PO/Barry Faldner
Peter and the Wolf (Symphonic Tale for Children), Op.67: Sostenuto-Listesso Tempo No.48... - American PO/Barry Faldner
Peter and the Wolf (Symphonic Tale for Children), Op.67: Andante-End No.53 (Peter) - American PO/Barry Faldner
Swan Lake Ballet: Scene (moderato) - Ljublijana SO/Marko Munih
Swan Lake Ballet: Waltz - Ljublijana SO/Marko Munih
Swan Lake Ballet: Swan Dance (allegro moderato) - Ljublijana SO/Marko Munih
Swan Lake Ballet: Scene (andante) - Ljublijana SO/Marko Munih
Swan Lake Ballet: Czardas (moderato) - Ljublijana SO/Marko Munih
Bibbidi-Bobbodi-Boo - City of Prague PO/Colin Frechter
A Dream is a Wish Your Heart Makes - City of Prague PO/Colin Frechter
We Can Do It - City of Prague PO/Colin Frechter
So This Is Love (Cinderella Waltz) - City of Prague PO/Colin Frechter
'Carmen Ste' No.1: The Toreadors - Ljublijana SO/Marko Munih
In the Steppes of Central Asia - Ljublijana SO/Marko Munih
1812 Ov, Op.49 (finale) - Ljublijana SO/Marko Munih
Marriage of Figaro Ov, K.492 - Ljublijana SO/Anton Nanut

Customer Reviews:

A little something different.......2007-01-10

I enjoyed this music and am using some of it to choreograph a little different "Disney" for my students.I think it will come in handy in the future as well.

Average customer rating:

Uplifting

Prime Meridian

Manufacturer: Channel Classics
ProductGroup: Music
Binding: Audio CD

Duets | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Classical | Styles | Music

General | New Age | Styles | Music

General | Opera & Vocal | Styles | Music

Classical | Imports | Stores | Music
Similar Items:

Ear Mind I
Smart Went Crazy
Anxiety of Influence
Prophetic Attitude
Ensemble Ambrosius: The Zappa Album

ASIN: B000000T17
Release Date: 1995-08-07

Tracks:

Fanfare For A New Theatre
Peaches En Regalia
Let's Make The Water Turn Black
Oh No - Benjamin Herrington
Igor's Boogie
Eat That Question
Echidna's Arf
Song For Someone
Ice Rose
A Carrot Is As Close As A Rabbit Gets To A Diamond
When I See Mommy, I Feel Like A Mummy
Apes-Ma - Daniel Grabois
Dropout Boogie - Daniel Grabois
Suction Prints
Fanfare For All
Songs For A Dead King
Pandora's Magic Castle
Jessica
Bucket Cue
Freaky Guitar Freylekhs
V'erastikh Li (Divine Betrothal)
Full Moon, Ancient Waters
Psycho-Klezmer
Paterson

Customer Reviews:

Uplifting.......2002-01-28

The great advantage of using Amazon.com is one has an opportunity to listen to a sample of a CD prior to purchasing it. I did this with PRIME MERIDIAN. This opportunity caused me to purchase it.

I love the stylishness of the tracks on this CD. For me, the music has a calming effect. When I know that I am going to have a bad day at the office, I’ll listen to this CD while driving to work. When I arrive, I don’t feel so bad.