I Like Men & Sugar & Spice [Import] [Original recording remastered]

Editorial Reviews
Album Details
Part of EMI'S 'Two on One Series featuring Two Original Albums from the Queen of the Capitol. Digitally Remastered.

I Like Men & Sugar & Spice, Music, Peggy Lee, Easy Listening/Vocal, Pop, Pop Vocals, Vocal
Mendelssohn: Elijah
Average customer rating: 4.5 out of 5 stars
  • Wonderful, but not my first choice
  • THE BEST recording of the BEST oratorio ever...
  • Too bad there are so few recordings of Elijah
 Mendelssohn: Elijah

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Franz Joseph Haydn: The Creation
  2. Mendelssohn - Elijah / Terfel, Fleming, Bardon, Ainsley, Fulgoni, Paul Daniel
  3. Mahler: Das Lied von der Erde
  4. Brahms - Ein Deutsches Requiem (A German Requiem) / Auger, Stilwell, Atlanta SO, Robert Shaw
  5. Brahms: Ein deutsches Requiem [A German Requiem]

ASIN: B0002XV31A
Release Date: 2005-02-15

Tracks:

  1. Introduction: As God The Lord Of Israel Liveth
  2. Overture
  3. No.1 Help, Lord! Wilt Thou Quite Destroy Us?
  4. No.2: Lord! Bow Thine Ear To Our Prayer!
  5. No.3: Ye People, Rend Your Hearts
  6. No.4: If With All Your Hearts
  7. No.5: Yet Doth The Lord See It Not
  8. No.6: Elijah! Get Thee Hence
  9. No.7: For He Shall Give His Angels Charge Over Thee
  10. Recitative: Now Cherith's Brook Is Dried Up
  11. No.8: What Have I Do To Do With Thee?
  12. No.9: Blessed Are The Men Who Fear Him
  13. No.10: As God The Lord Of Sabaoth Liveth
  14. No.11: Baal, We Cry To Thee: Hear And Answer Us!
  15. No.12: Call Him Louder, For He Is A God!
  16. No.13: Call Him Louder! He Heareth Not!
  17. No.14: Lord God Of Abraham, Isaac And Israel!
  18. No.15: Cast Thy Burden Upon The Lord
  19. No.16: O Thou, Who Makest Thine Angels Spirits
  20. No.17: Is Not His Word Like A Fire?
  21. No.18: Woe Unto Them Who Forsake Him!
  22. No.19: O Man Of God, Help Thy People!
  23. No.20: Thanks Be To God!

Tracks:

  1. No.21: Hear Ye, Israel; Hear What The Lord Speaketh
  2. No.22: Be Not Afraid, Saith God The Lord
  3. No.23: The Lord Hath Exalted Thee
  4. No.24: Woe To Him, He Shall Perish
  5. No.25: Man Of God, Now Let My Words Be Precious
  6. No.26: It Is Enough; O Lord Now Take My Life
  7. No.27: See, Now He Sleepeth
  8. No.28: Lift Thine Eyes To The Mountains
  9. No.29: He, Watching Over Israel, Slumbers Not
  10. No.30: Arise, Elijah, For Thou Hast A Long Journey
  11. No.31: O Rest In The Lord
  12. No.32: He That Shall Endure To The End, Shall Be Saved
  13. No.33: Night Falleth Round Me, O Lord!
  14. No.34: Behold! God The Lord Passed By!
  15. No.35: Above Him Stood The Seraphim
  16. No.36: Go, Return Upon Thy Way
  17. No.37: For The Mountains Shall Depart
  18. No.38: Then Did Elijah The Prophet Break Forth
  19. No.39: Then Shall The Righteous Shine Forth
  20. No.40: Behold, God Hath Sent Elijah
  21. No.41: But The Lord, From The North Hath Raised One
  22. No.41a: O Come Everyone That Thirsteth
  23. No.42: And Then Shall Your Light Break Forth

Customer Reviews:

4 out of 5 stars Wonderful, but not my first choice.......2007-04-07

I believe this was the first recording of Elijah in English that used an "international" conductor and some international singers. Fruhbeck gives a good, dramatic sweep to the piece, with some wonderful dramatic moments. This is an old fashioned performance, with only a solo quartet, and if there is a semi-chorus, I can't tell the difference. This means that the soprano is the Widow, and an Angel, the mezzo the Angel and Queen Jezabel, etc. You really should have a libretto, but you don't get one at this price.
Fischer-Dieskau roughens up his voice for the role, and therein lies a problem. The voice spreads and his diction suffers because of it; that and his unidiomatic pronounciation, with far too many rolled "r"s. He does the drama well, but what works well in lieder works here less well on the large scale. Odd, given his success as on opera singer (check out his Iago), that here he frequently comes off blustery.
Dame Gwyneth Jones belies her reputation and gives a contolled, dramatic performance, using her "edge" to advantage in "Hear Ye, Israel". Gedda's diction is amazing, with exactly the right color for this literature, and projecting a little more blood than an English tenor.
Dame Janet Baker is my star in this performance. Dramatic, heart-rending when need be, and in wonderful voice. She'll chill your blood when she tells the people of Baal to "slaughter him, do what he hath done!".
And as for the people of Baal, the Philharmonia Chorus is wonderful. Incisive and dramatic, with beautiful tone. I could do without the trick of the boy choir for "Lift Thine Eyes", and I miss the small ensembles, but all in all a fine performance, and good recording, circa 1968.
First choice in English, Daniels/Terfel: better Elijah in Terfel, better recording, more authentic orchestra, small vocal ensembles (as per the score) but inferior women (including Fleming: beautiful tone, but where's her head?). In German, it's Sawallisch/Adam all the way.
But if you're singing Elijah, and have a score, this is a good choice.

5 out of 5 stars THE BEST recording of the BEST oratorio ever..........2006-08-15

Okay, I'm gonna admit I'm biased- I first sung in the chorus of Elijah when I was 14 and it made a BIG impression on me!
This recording is in every way wonderful. Starting with Dietrich Fischer-Dieskau. He IS Elijah to me. His singing is perfection. He has amazing phrasing and his diction makes it possible to understand the lovely, inspired libretto to this heavenly music. There are so many pieces that are ephemeral, but a couple of my favorites are: #14, Lord God of Abraham and #37, For the Mountains shall Depart. Dieskau does a great job of what I think of as compassionate, heartfelt singing. His interpretation sounds like the voice of God himself. It has a quality of kindness and yet he sounds just as convincing reprimanding the people of Baal. He is the true highlight of this recording.

That said, the rest of the cast is wonderful as well. Gwyneth Jones has a lovely, silvery voice that has a clarion bell-like tone that rings over the large orchestra with ease. She has occasional "misfire" but is a consistent performer. Dame Janet Baker and Nicolai Gedda both perform at a consistently lovely level. The orchestra and chorus are both wonderful. #15, Cast thy Burden upon the Lord, #32 He that Shall Endure to the End, and #38 Then Did Elijah are all highlights.

All said, for me the main reason to get this recording is Dieskau's Elijah- after all, he's the main character. But don't forget the lovely music. This story is exciting and passionate and sacred all at the same time. For me, it's the best oratorio that has a moving story and great music too.

4 out of 5 stars Too bad there are so few recordings of Elijah.......2006-07-03

This is a good recording of an oratorio that deserves more attention. The chorus and soloists are very good--I just wish Fischer-Diskau wouldn't slide around so much in singing the title part!
Songs of Free Men/ A Paul Robeson Recital
Average customer rating: 4.5 out of 5 stars
  • Robeson on wax
  • The voice, the sound quality and the interpretation
  • A Voice from the 40s, often dated, often moving
  • Robeson at his best
  • some of the greatest songs of the last century
 Songs of Free Men/ A Paul Robeson Recital

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000029YJ
Release Date: 1997-12-09

Tracks:

  1. Balm in Gilead
  2. Chassidic Chant
  3. Quiet Flows The Don: From Border To Border
  4. Quiet Flows The Don: Oh, How Proud Our Quiet Don
  5. Elijah, Op. 70: The Lord God Of Abraham
  6. The Purest Kind Of Guy
  7. Joe Hill
  8. The Peat-Bog Soldiers
  9. The Four Insurgent Generals
  10. Native Land
  11. Song Of The Plains
  12. Cradle Song
  13. Within Four Walls
  14. By An' By
  15. Sometimes I Feel Like A Motherless Child
  16. John Henry
  17. Water Boy
  18. My Curly Headed Baby
  19. Mah Lindy Lou
  20. Wagon Wheels
  21. The House I Live In
  22. Showboat: I Still Suits Me
  23. Sylvia
  24. Showboat: Ol' Man River
  25. Porgy And Bess: It Ain't Necessarily So

Amazon.com

There was nothing like the Robeson sound, ever. To describe his deep, rich, perfectly equalized instrument is futile. Go instead to "Balm in Gilead," the opening track, and see if you can listen to the last pianissimo phrase without falling to pieces. Robeson was at his best when the music was slow and the words contained spiritual or social messages. Faster, lighter fare like Kern's "I Still Suits Me" or Gershwin's "It Ain't Necessarily So" find the serious-minded singer out of his element, lacking irony and swing. "Old Man River," though, gets a simple, dignified treatment. It's Songs of Free Men, though, that will just keep Robeson's artistry rolling along, especially in Sony's astonishing transfers. --Jed Distler

Customer Reviews:

4 out of 5 stars Robeson on wax.......2007-06-19

I found this album in a thrift store last week, for a couple of dollars. It's the original pressing on four 78 RPM records, in a gatefold format. It's in pristine condition. I really bought it for the incredible cover art, although I hope to be able to listen to it in this format at some point.

5 out of 5 stars The voice, the sound quality and the interpretation.......2004-09-24

Put this on your stereo and if it is good enough the depth and richness of Robeson's voice will make your fillings rattle and your chest rumble. The power of his voice is awesome. This CD is superbly recorded with no audible noise at normal listening levels.

4 out of 5 stars A Voice from the 40s, often dated, often moving.......2002-09-01

"Red diaper babies" have greeted this disc with nostalgic joy, and it captures a time and an aesthetic and a political belief with precision. Anyone interested in the emotional life of the pro-Soviet left of the 1940s should buy this disc. It's something like Henry Wallace set to music. There is much more to Robeson than that, however, and Sony has given us Robeson whole: there are songs by American masters of the musical, there are labor songs, religious songs, as well as the kind of faux-folk songs which the butcher supreme Josef Stalin encouraged and which were not taken seriously inside the USSR (except at gunpoint!!) but which were taken up by dupes around the world. This is Robeson at his least savory - willing propagandist for a vile mass murderer. Songs such as "Native Land" (fittingly, Robeson is referring to the Soviet Union) and the Red Army song are the equivalent of the "Horst Wessel Song", anthems of murder, and it is difficult to listen to the worst of them without retching. On the other hand, Robeson's commitment to American folk culture was real. "Balm in Gilead" is deeply beautiful; "John Henry" is heroic; "By an' By" is both resigned yet hopeful. "Joe Hill" captures an era in labor history. Anyone interested in American popular song should hear these. Turning to Broadway, his "Old Man River" is very fine, though Robeson changed the lyrics for political reasons and Leonard Warren has done the song better. I disagree with the editorial reviewer: "I Still Suits Me" is wonderfully playful and shows Robeson using his gorgeously rich voice to tease and poke fun. However, Marc Blitzstein's "Purest Kind of a Guy" is beyond saving - another example of Robeson recording an unworthy song by a political fellow-traveller. Ugh. But for every miss there are two hits. Robeson performs Mendelssohn's Elijah with nobility, and sings his favorite song, "Water Boy", with joyous pride: "There ain't no hammer that's on these mountains that rings like mine, boys, that rings like mine."
No one need have any fears about the mono sound quality. The orchestra in the second half of the program is at times a little dwarfed by Robeson's voice, but it generally sounds clean and colorful, and the great artist's voice rings like no other.

5 out of 5 stars Robeson at his best.......2000-05-12

It's hard to believe that most of these recordings pre-date the advent of magnetic tape: the CD transfer is superlative. The songs and performance are beyond reproach. Notable is the imaginative packaging in miniature 'record album' format, complete with the original cover art, and a replica of the original Columbia record label applied to the CD.

In response to a previous question: Robeson's performance of Danny Boy (Londonderry Air) can be found on the Vanguard LP entitled "Robeson" (VRS-9037).

5 out of 5 stars some of the greatest songs of the last century.......2000-05-05

In the 1940s, before rabid McCarthyism and racism had taken its toll on him, Robeson made these wonderful recordings of spirituals, classics and pop tunes. Accompanied by the solo piano of the incomparable Lawrence Brown, or by an orchestra, the songs ring out with pride, dignity, skill and unmatched integrity. The shameful treatment that Robeson was subject to from American authorities certainly seem grotesquely absurd to a modern listener. The wonderful version of "The House I Live In" included on this cd should forever kill off any suspicion that Robeson did not love his country deeply. This album ought to be heard by millions of people, world wide. Robeson's voice is nothing less than a glorious high point in 20th century music, and it's hard to think of any recording capturing it to greater advantage.
Land of My Fathers: 100 Great Welsh Choir Favourites
Average customer rating: Not rated
    		Land of My Fathers: 100 Great Welsh Choir Favourites

    Manufacturer: Castle Pulse
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B0009SOFXG
    Release Date: 2005-08-01

    Tracks:

    1. Guide Me O Thou Great Redeemer (CWM Rhondda) - Caerphilly Make Voice Choir
    2. Land of My Fathers - Caerphilly Make Voice Choir
    3. Dies Irae
    4. Men of Harlech
    5. You'll Never Walk Alone
    6. Cadwyn O Emyn Donau Cymreig: Joanna (Trad./Elfion Wyn)/Crugybar (Trad.
    7. Old Folks at Home
    8. Il Liza Jane
    9. Faust/Soldier's Chorus - Caerphilly Make Voice Choir
    10. Vergine Degli Angeli
    11. Ballard of Rourke's Drift - Cwt-Y-Collen Choir
    12. My Hero
    13. God Bless the Prince of Wales - Caerphilly Make Voice Choir
    14. German Mass/Gloria
    15. German Mass/Sanctus
    16. Misbles/Master of the House/On My Own/Drink with Me/Empty Chairs at
    17. All Through the Night - Caerphilly Make Voice Choir
    18. Arwelfa
    19. Invictus
    20. Softly as I Leave You

    Tracks:

    1. Diolch l'R L
    2. Hine E Hine (Maori Lullaby)
    3. Pererin Wyf (Amazing Grace)
    4. Tribute to the USA: America the Beautiful (Ward/Bates)/God Bless ...
    5. Memories of Martha
    6. I Lombardi/The Crusaders' Chorus - Treorchy Male Choir
    7. Myfanwy - Treorchy Male Choir
    8. Tales of Hoffman/Barcarolle
    9. Creation's Hymn
    10. In the Spirit!
    11. Shall We Gather at the River
    12. Nos a Bore
    13. Very Best Time of Year
    14. Soon Ah Will Be Done
    15. Thanks Be to God
    16. Flower That Shattered the Stone
    17. Rhys - Treorchy Male Choir
    18. Where Shall I Be?
    19. Bywyd y Bugail
    20. Lord's Prayer

    Tracks:

    1. Ave Maria
    2. Pearl Fishers/Divine Brahma
    3. She Was Beautiful (Cavatina) - Treorchy Male Choir
    4. Cymru Fach
    5. Nidaros
    6. Jacob's Ladder - Treorchy Male Choir
    7. Watching the Wheat
    8. Pan Ddaw y Saint (When the Saints Go Marching In)
    9. Misbles/Stars
    10. Rachie
    11. Pirates of Penzance/With Cat-Like Tread - Treorchy Male Choir
    12. There Is a Balm in Gilead
    13. Rise Up Shepherd and Foller
    14. My Lord, What a Mornin'
    15. Bryn Myrddin
    16. Jesus Christ Superstar/Medley: Jesus Christ Superstar/Hosanna/The Last
    17. Finnish Forest (Suomen Salossa)
    18. Nabucco/The Glory of Israel
    19. Ride the Chariot
    20. Tydi a Roddaist - Treorchy Male Choir

    Tracks:

    1. Y Nefoedd
    2. Phantom of the Opera/Think of Me
    3. Morte Christe (When I Survey the Wondrous Cross)
    4. By Babylon's Wave
    5. I'm Gonna Sing
    6. Where Could I Go But to the Lord?
    7. Holy City - Treorchy Male Choir
    8. Mefistofele: Ave Signor, Degli Angeli
    9. Senzenina (Zulu Chant)
    10. That's All I Want from You
    11. Deep Harmony - Treorchy Male Choir
    12. Give Me Jesus
    13. Just a Closer Walk with Thee
    14. My Wish for You
    15. Jeptha/Waft Her Angels
    16. Mose in Egitto/Prayer
    17. Be Still My Soul (Finlandia Hymn)
    18. God's Choir in the Sky
    19. Floral Dance - Treorchy Male Choir
    20. Smilin' Through

    Tracks:

    1. Calon Lan
    2. True Love
    3. Mor Fawr Wyt Ti (How Great Thou Art)
    4. Aberystwyth
    5. Comrades in Arms
    6. Cats/Memory
    7. They Led My Lord Away
    8. State Fair/It's a Grand Night for Singing
    9. When I Fall in Love
    10. Let's Face the Music and Dance
    11. Windmills of Your Mind
    12. How Soon
    13. Non Nobis Domine
    14. Rhythm of Life
    15. Kalinka
    16. Sound an Alarm
    17. Neapolitan Trilogy: It's Now or Never (Di Capua/Schroeder/Gold)/Mo ...
    18. Turandot/Nessun Dorma
    19. Christus Redemptor
    20. Ann Evening's Pastorale

    Album Details

    Choirs Include the Morriston Orpheus Choir, the Pontadrddulais Male Voice Choir, the Caerphilly Male Voice Choir, the Cwrt-y-gollen Choir, the Treorchy Male Choir and the Lucknow Male Voice Choir.
    Modern Rock 1982-1983
    Average customer rating: Not rated
      		Modern Rock 1982-1983
      1. Down Under -- Men At Work 2. Sweet Dreams (Are Made Of This) -- Eurythmics 3. Come On Eileen -- Dexy's Midnight Runners 4. Hungry Like The Wolf -- Duran Duran 5. Shake It Up -- The Cars various artists , 6. She Blinded Me With Science -- Thomas Dolby 7. Too Shy -- Kajagoogoo 8. (She's) Sexy + 17 -- Stray Cats 9. Steppin' Out -- Joe Jackson 10. In A Big Country -- Big Country , 11. Love My Way -- The Psychedelic Furs 12. Mexican Radio -- Wall Of Voodoo Track Title 1. True -- Spandau Ballet 2. One Thing Leads To Another -- The Fixx , 3. Back On The Chain Gang -- The Pretenders 4. Vacation -- The Go-Go's 5. Love Plus One -- Haircut 100 6. I Want Candy -- Bow Wow Wow 7. Our House -- Madness 8. Always Something There To Remind Me -- Naked Eyes , and 9. Only The Lonely -- The Motels 10. I Ran (So Far Away) -- A Flock Of Seagulls 11. Goody Two Shoes -- Adam Ant 12. I Know What Boys Like -- Waitresses
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      Binding: Audio CD

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      ASIN: B000NHZHKS

      Product Description

      Year: 1982 Track Title 1. Down Under -- Men At Work 2. Sweet Dreams (Are Made Of This) -- Eurythmics 3. Come On Eileen -- Dexy's Midnight Runners 4. Hungry Like The Wolf -- Duran Duran 5. Shake It Up -- The Cars 6. She Blinded Me With Science -- Thomas Dolby 7. Too Shy -- Kajagoogoo 8. (She's) Sexy + 17 -- Stray Cats 9. Steppin' Out -- Joe Jackson 10. In A Big Country -- Big Country 11. Love My Way -- The Psychedelic Furs 12. Mexican Radio -- Wall Of Voodoo Track Title 1. True -- Spandau Ballet 2. One Thing Leads To Another -- The Fixx 3. Back On The Chain Gang -- The Pretenders 4. Vacation -- The Go-Go's 5. Love Plus One -- Haircut 100 6. I Want Candy -- Bow Wow Wow 7. Our House -- Madness 8. Always Something There To Remind Me -- Naked Eyes 9. Only The Lonely -- The Motels 10. I Ran (So Far Away) -- A Flock Of Seagulls 11. Goody Two Shoes -- Adam Ant 12. I Know What Boys Like -- Waitresses
      Traditionally British
      Average customer rating: 3.5 out of 5 stars
      • Gilding the Lilly
      • Excellent!
      		 Traditionally British

      Manufacturer: Chandos
      ProductGroup: Music
      Binding: Audio CD

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      Similar Items:
      1. Regimental Marches of British Army, Vol. 1
      2. Best of Brass
      3. Grimethorpe
      4. Regimental Marches of the British Army, Vol. 2
      5. Old Rugged Cross: 24 Brass Band Favourites

      ASIN: B000000A88
      Release Date: 1992-10-28

      Tracks:

      1. The Blaydon Races
      2. Drink To Me Only
      3. The British Grenadiers
      4. Jerusalem
      5. Greensleeves
      6. Fantasy On British Sea Songs
      7. Charlie Is My Darlin'
      8. My Love Is Like A Red, Red Rose
      9. Loch Lomond/Comin' Thro' The Rye
      10. The Girl I Left Behind Me
      11. The Minstrel Boy
      12. The Gentle Maiden
      13. The Ash Grove
      14. All Through The Night
      15. Men Of Harlech

      Customer Reviews:

      2 out of 5 stars Gilding the Lilly.......2007-02-05

      The selection of songs for this cd is excellent, however unable to leave well enough along they include overblown intros, restarts, embellishments etc making the original tune almost unrecognizable. The arranger should be shot.

      5 out of 5 stars Excellent!.......2006-03-23

      Beautifully patriotic. Even if your not British.
      This is music that makes your upper lip stiff.
      Anything Goes (1988 Studio Cast) - Cole Porter
      Average customer rating: 4.5 out of 5 stars
      • The Original, but not the Better
      • Anything Goes - Cole Porter
      • An excellent additionto the Cole Porter fan's collection.
      • A PLEASANT SURPRISE . . .
      • As close to the original 1934 performance as we'll ever get!
      		 Anything Goes (1988 Studio Cast) - Cole Porter
      Cole Porter , Kim Criswell , Bruce Hubbard , Frederica von Stade , John McGlinn , and London Symphony Orchestra
      Manufacturer: EMI Classics
      ProductGroup: Music
      Binding: Audio CD

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      Similar Items:
      1. Anything Goes - The New Broadway Cast Recording
      2. Anything Goes (1962 Off-Broadway Cast)
      3. Anything Goes
      4. Anything Goes
      5. Oh, Kay! (1994 Studio Recording)

      ASIN: B000002RRA
      Release Date: 1990-05-08

      Tracks:

      1. Anything Goes: Overture
      2. Anything Goes: Act One: I Get A Kick Out Of You (Reno)
      3. Anything Goes: Act One: Bon Voyage (Boys, Girls)
      4. Anything Goes: Act One: All Through The Night (Billy, Hope)
      5. Anything Goes: Act One: There'll Always Be A Lady Fair
      6. Anything Goes: Act One: Where Are The Men? (Chorus)
      7. Anything Goes: Act One: You're The Top (Billy, Reno)
      8. Anything Goes: Act One: Encore: You're The Top (Reno, Billy)
      9. Anything Goes: Act One: Reprise: There'll Always Be A Lady Fair
      10. Anything Goes: Act One: Anything Goes (Reno)
      11. Anything Goes: Act One: Finale Act One (Billy, Hope, Moonface, Reno)
      12. Anything Goes: Act One: Entr'acte
      13. Anything Goes: Act Two: Public Enemy Number One (Chorus)
      14. Anything Goes: Act Two: What A Joy To Be Young (Hope)
      15. Anything Goes: Act Two: Blow, Gabriel, Blow (Reno, Company)
      16. Anything Goes: Act Two: Be Like The Bluebird (Moonface)
      17. Anything Goes: Act Two: Buddie, Beware (Reno)
      18. Anything Goes: Act Two: The Gypsy In Me (Hope)
      19. Anything Goes: Act Two: Finale Ultimo (All)
      20. Anything Goes: Appendix: There's No Cure Like Travel (Boys, Girls)
      21. Anything Goes: Appendix: Kate The Great (Reno, Angels)
      22. Anything Goes: Appendix: Waltz Down The Aisle (Evelyn, Hope)

      Amazon.com

      Along with Kiss Me, Kate, 1934's Anything Goes is usually thought to be Cole Porter's finest show. Even without a young belter named Ethel Merman as the lead, the show's parade of hits ("I Get a Kick Out of You," "All Through the Night," "You're the Top," and "Blow, Gabriel, Blow") would have secured it a place in Broadway's pantheon. This recording is the first one to use the original 1934 arrangements, painstakingly reconstructed with the help of one of the original arrangers, Hans Spialek, and it also includes three songs cut from the original production. And the excellent cast does the London Symphony Orchestra and conductor John McGlinn proud: Kim Craswell is her usual powerhouse as Reno Sweeney (if only a little brittle around the edges sometimes), while mezzo Frederica von Stade smoothly adapts to musical theater as Hope Harcourt. All musical-theater lovers should have Anything Goes in their collection, and this recording is quite a worthy one. --Elisabeth Vincentelli

      Customer Reviews:

      3 out of 5 stars The Original, but not the Better.......2007-01-31

      This CD is quite a classic, as it is Anything Goes, but in as close to its original form as possible. The other recordings of Anything Goes have been altered significantly with dropped and added songs. This CD also is very much in the classical musical theater style. This seems to be an ensemble piece, with big chorus numbers mixed in equally with love duets, and the occasional ballad. After listening to a few tracks, you will surely have a tune stuck in your head, but the nice thing is none of these are annoying tunes. The singers (save one) are great; the lyrics are decent, although sometimes predictable, and the orchestration is out in full grandeur. I would suggest this for collectors, older listeners, or listeners of the older musicals. This is not one for the newer listeners who are captivated with the likes of Wicked and Tarzan. For the newer listeners I would suggest getting the 1962 Off-Broadway Cast, it has a much fresher feel to it, and I prefer it to this one. Favorite Song: "Anything Goes"

      5 out of 5 stars Anything Goes - Cole Porter.......2006-03-18

      I'm too young to have heard this music when it was originally released, but heard some of the songs on the radio as part of a Cole Porter feature and liked them. I looked up the details on the BBC website and tried to find the same recording on-line. The only way I could get it was ordering from Amazon America, which I did. No problems - delivery within 2 weeks and (including postage) same cost as a full price CD in UK.

      If you know any of these songs and want to hear them recorded with original orchestration, without anything added or taken away, and sung by very good singers, then this will fit the bill.

      Orchestration is very good, nothing too lush or fancy, it just fits the words perfectly. And beautifully recorded.

      The singers are all very good except for Jack Gilford who I personally thought was awful - but he only features once. Kim Criswell is exceptional.

      With the CD comes a very informative booklet, giving full text of the lyrics, background to how the musical came to be written, and an explanation of the context of the topics covered by the songs.

      I'm very glad I went to the trouble of getting this CD. If you want to hear Cole Porter's musical as it sounded originally, then get this!

      5 out of 5 stars An excellent additionto the Cole Porter fan's collection........2005-09-22

      If you like Cole Porter and/or musical comedies, don't miss this item. The performances are outstanding. The entire production is faithful to the original production. Also included is a very thorough booklet, which even has a glossary explaining Porter's allusions in his lyrics.

      4 out of 5 stars A PLEASANT SURPRISE . . . .......2005-08-07

      My introduction to ANYTHING GOES was the 1962 revival on LP. (Remember LPs? Remember when vinyl meant music and not imitation leather?) With it I became an Eileen Rodgers fan and remain so to this day. (Would someone please re-issue the original Broadway cast recording of TENDERLOIN so Broadway fans may hear Ms. Rodgers belt "Little Old New York" as only she can? I was fortunate to purchase the Angel Broadway CD before Capitol dropped it, along with many other fine cast recording. Shame!!!) Anyway, I like this version and highly recommend it, especially for its restored original orchestrations and for the excellence of its three leads. Yes, the Ambrosian Singers are too well trained and "proper" to sing "Broadway" and the bits of dialogue reveal how the "book" played second fiddle to the music in those days. Thankfully, this would change with SHOW BOAT, and John McGlinn's EMI recording of the complete score with dialoge - although not my favorite - is an invaluable document and needs to be in any serious collection of Broadway show recordings.

      I truly appreciate the authenticity of this (ANYTHING GOES) project. I only wish McGlinn and company had not approached the show with kid gloves, because it lacks the energy and immediacy of a good Broadway cast recording. There were times, when listening, I felt as I often do in a museum. The piece of art is a classic and much to be admired, but don't get too close. And you mustn't touch! Nevertheless, I highly recommend this recording. Kim Criswell deserves to be on your shelf along with Eileen Rodgers and Patti LuPone.

      5 out of 5 stars As close to the original 1934 performance as we'll ever get!.......2004-10-23

      Of the many ANYTHING GOES recordings, this is the ONLY one to recreate the score as it was heard on opening night in 1934.

      The later stage revivals (1962 and 1987) dropped some of the original songs and added other Cole Porter standards. While these versions play well on stage, there is something to be siad for hearing the original text and orchestrations. While no one can replace Ethel Merman's original star performance, it was not preserved because "original cast" albums were not being done in 1934. She did record some of the songs over the years but never with the original orchestrations. (Just think if EMI had made this set in the 1960s and brought Merman into the studio to record her interpretations! What a missed opportunity.) That said, Kim Criswell brings the requesite belt to Reno Sweeney's songs. Cris Groenendaal brings a pleasant light tenor to Billy Crocker's songs, and Frederica Von Stade (one of the few opera singers whose voice seems well suited to american musical theatre repretoire) is well suited to Hope's short musical scenes. As an ingenue, she doesn't get to sing all that much!

      Not all is perfect. Jack Gilford was too old and frail having little voice left for Moonface Martin's number. And the Ambrosian singers sing correctly without having the proper "broadway" sound. Nevertheless, John McClinn conducts with precision, and the thick booklet is full of fascinating facts about the show, a detailed synopsis, all the lyrics and an amusing glossery explaing some of the obscure references in Porter's original lyrics.

      The Nervous Set (1959 Original Broadway Cast)
      Average customer rating: 4 out of 5 stars
      • An underrated gem!
      • Dig that beat...
      		 The Nervous Set (1959 Original Broadway Cast)
      Tommy Wolf , Fran Landesman , and Richard Hayes
      Manufacturer: Drg
      ProductGroup: Music
      Binding: Audio CD

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      5. Kean (1961 Original Broadway Cast)

      ASIN: B00005YKIO
      Release Date: 2002-02-26

      Tracks:

      1. Overture/Man, We're Beat
      2. New York
      3. What's To Lose/Stars Have Blown My Way
      4. Fun Life
      5. How Do You Like Your Love?
      6. Party Song
      7. Night People
      8. Overture - Act II
      9. Party Song (Reprise)
      10. I've Got A Lot To Learn About Life
      11. The Ballad Of The Sad Young Man
      12. A Country Gentleman
      13. Max The Millionaire
      14. Travel The Road Of Love
      15. Laugh, I THought I'd Die
      16. Fun Life (Reprise)
      17. Bonus Track 1: Fun Life (By Jackie Cain & Roy Kral)

      Amazon.com

      As fans of musical theater, we're used to offbeat projects, but this long-forgotten show takes the cake--and it's completely entrancing. The opening number alone makes nasty fun of the then-popular beatniks and is immediately followed by "New York," a list song enumerating all the awful things about the city. Rarely has so much bile been spilled on the New York stage--but perhaps that's because the show originated in St. Louis. Tommy Wolf's finger-snapping score and Fran Landesman's biting lyrics are very compelling, especially because it's hard to tell when they're serious and when they're drily sarcastic. The energetic cast, which includes Larry Hagman (best known as JR in Dallas), is backed by a jazz quartet, and the result often sounds strangely contemporary. And then you have some numbers, such as "Night People," that are almost Sondheimian. What a strange, wonderful little show this is. --Elisabeth Vincentelli

      Customer Reviews:

      5 out of 5 stars An underrated gem!.......2003-06-03

      The songs in this musical are simply wonderful! Canny, passionate, "beat," and sardonic. The story, its characters, and the lyrics are classic Greenwich Village of the late 1950's. This CD features talented singers and actors (including a very young Larry Hagman),a great lyricist, lush and complex music. To reiterate, it's just WONDERFUL! I ruined my LP long ago, and am THRILLED to find this CD replacement.

      3 out of 5 stars Dig that beat..........2002-02-28

      A fun recording to have on CD. Very beatnik oriented musical from 1959 with such interesting names in the cast as Tom Aldredge (Into the Woods, Passion) and Larry Hagman!? The song "New York" is a lot of fun. The best of the rest the score include "The Ballad of the Sad Young Man" sung by Tan Seitz and "Laugh, I Thought I'd Die" sung by Richard Hayes. Larry Hagman has one song, "Travel the Road of Love" and although he doesn't embarrass himself, thank God "I Dream of Jeannie" and "Dallas" were still be come. He definitely did not inherit his mother's singing ability. In fact, I think his mother was performing in "The Sound of Music" during the short run of this show.
      Forbidden Broadway 2001: A Spoof Odyssey
      Average customer rating: 3 out of 5 stars
      • As Always, Hilarious
      • Spoof Odessey worth the laughs!
      • better to be "Lost in Space"
      • Stretched Thin
      • Do the Math
      		 Forbidden Broadway 2001: A Spoof Odyssey

      Manufacturer: Drg
      ProductGroup: Music
      Binding: Audio CD

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      Similar Items:
      1. Forbidden Broadway Cleans Up Its Act!: The Unoriginal Cast Recording, Volume 5 (1998 New York Cast)
      2. Forbidden Broadway, Vol. 8 - Special Victims Unit
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      4. Forbidden Broadway, Vols. 1-4
      5. Forbidden Broadway: The Hit Musical Revue (1982 Revue Compilation)

      ASIN: B0000584UL
      Release Date: 2001-02-13

      Tracks:

      1. Forbidden Broadway 2001: Another Op'nin, 'Another Show
      2. Futuristic Stewardess/Usherette: Come Fly With Me
      3. Judi Dench: Why Can't The English?
      4. Trouble In New Tork City: Trouble
      5. The Music Man Revival 2001: Till There Was You
      6. Cole Porter: You're The Top/From The Moment On
      7. Kiss Me, Kate Revival 2001: Wunderbar
      8. I Hate Ben - Marin Mazzie: I Hate Men
      9. Cheryl Ladd In Annie Get Your Gun: There's No Business Like Show Business
      10. Miss Saigon Farewell: Why God Why?
      11. Saturday Night Fiasco: Stayin' Alive
      12. Gwen Verdon & The Fosse Dancers: I'm A Brass Band/Steam Heat
      13. Liza Minnelli 2001/Alan Cumming in Cabaret: Wilkommen
      14. Let's Run Times Square Again: Let's Do the Time Warp Again
      15. Ethel Merman & Elton John: I've Got Rhythm/Old Fashioned Wedding
      16. Beauty's Been Decreased: Beauty And The Beast
      17. Being Lupone: Being Alive
      18. Sondheim's Blues: Buddy's Blues
      19. Streisand's Farewell Tour: Happy Days Are Here Again/Mame
      20. Les Miz 2001 - Edith Piaf/Milord
      21. Aida - Amneris Intro: Every Story Is A Love Story/Heather Headley/It's Cheesy: Easy As Life
      22. Elaborate Sets (Aida Cont.): Elaborate Lives
      23. Angela Lansbury: I Don't Want To Know
      24. The Full Monty: Let It Go
      25. 76 Hit Shows: 76 Trombones
      26. Bows-Ta-Ta Folks: Another Op'nin, 'Another Show
      27. Joseph And The Amazing High 'C': Any Dream Will Do

      Customer Reviews:

      5 out of 5 stars As Always, Hilarious.......2007-05-03

      This is so funny! Like all the Forbidden Broadway cds, its another knock-out. I feel like such a crazy person when I am in the car driving and I just burst out laughing. Its great and a must have for any Forbidden Broadway fan.

      3 out of 5 stars Spoof Odessey worth the laughs!.......2002-04-14

      I enjoyed "Forbidden Broadway 2001: A Spoof Odyssey." This recording has some truly genius material, and although these actors' impersonations of famous Broadway stars aren't as strong as they have been in the past, the CD has a lot to recommend it.

      Particularly strong is Track 16, "Let's do an old fashioned show tune," featuring Elton John and Ethel Merman duking it out over AIDA, which Merman says is "putting everyone here through hell." Likewise, Track 15, "Let's Ruin Times Square Again," tickles my funny bone. Also wonderful are the satires of Beauty and the Beast, Angela Lansbury, and the Full Monty; Gerard Alessandrini's done a tremendous job with these! In addition, this CD's introductory song is much stronger than those on the previous volumes of Forbidden Broadway. It really sets the tone for the best parts of this recording.

      Unfortunately, with a few notable exceptions, the first half of the CD is a bit thin, which is why I give this recording 3 out of 5 stars: Even though it entertains me, there's a lot I have to skip over. For example, the Liza Minelli spoof annoying (though, I admit, a little funny), and in the Music Man revival satire, their Robert Preston impersonator sounds *nothing* like the original. (In earlier recordings, the actors *did* sound like the people they claimed to be.)

      The good news is that the CD has 30 tracks in all, so even though there are 13 that I dislike, I just love the rest... I do recommend it!

      2 out of 5 stars better to be "Lost in Space".......2001-12-31

      First and foremost, this CD is really for diehard fans of Forbidden Broadway, those of us who want the good, the bad and the ugly on the cd rack. I was extremely unimpressed with the latest offering.

      While I agree with some of the other reviewers that there is some nice work, I don't know that Saturday Night Fiasco and Sondheim's Blues are sufficient to carry the rest of the tracks. Not much seems new or worse yet, important. Disney isn't new, nor is Les Miz. And while pointing out what is stale and pedestrian on Broadway was amusing on the last couple of releases, this Forbidden Broadway spoof clearly has joined the list of stale and pedestrian.

      While there is some nice material on this disc, I really didn't laugh out loud, and that is why I have always bought these in the past.

      If Alessandrini reduces the show to the same complaints of the same shows and then replaying lightly tweaked versions of past numbers, Trouble and Alan Cumming in Cabaret specifically, then he has himself is on the becoming a revival - and we know what he thinks of revivals.

      The repeats might even be acceptable if there was something fresh in the perfomance, but both were done much better on their respective discs. I think Danny Gurwin is a great comedian, but he doesn't shine in either of these numbers. We also need a recording with no Ethel Merman or Liza numbers - give them a rest already. And why bring back Streisand with such a poor imitation? The earlier Barbara's were dead on vocal impressions as well as speech patterns. If you aren't going to improve on it, then don't drag it back out.

      Alessandrini suggests that this is one of the best casts he has ever worked with. I don't know what he bases that on, but I beg to differ, either cast with Bryan Batt was significantly better, although they worked with fresh, clever material. Still, those recordings had verocious talent that brought Gerard's stinging wit to life for those of us who can't see every new production of FB.

      Maybe it is time to go to off Broadway productions, or to the radio or the movies for some new ideas. Or else promise no references to the Gap, Disney, or Chorus Boys, (way over used on this recording), along with a Merman and Liza free season. Start from scratch. That might give us hope that Forbidden Broadway too might not be dead.

      3 out of 5 stars Stretched Thin.......2001-03-26

      I just saw the stage production of Forbidden Broadway 2001: A Spoof Odyssey. I agree with the other reviewers who feel that Alessandrini is no longer at the top of his game. Perhaps he should lay off for a year or three and let Broadway present new things for him to lampoon - as it always will.

      The opening sequence is forced and unfunny, and clearly in place only to batter the listener with the "2001" theme. Unlike a previous reviewer, I found the Judi Dench parody hysterical, though I question its accuracy.

      The "Trouble" parody is, as it always was, incomplete and thin. My dear friend John Kenrick (...) did a better job with it - included the segments of the original song that GA left out, and in a funnier fashion. The Cole Porter parody is marginally amusing, but the Brian Mitchell/Marin Mazzie parody is dead on the mark, and VERY funny.

      The parody of Cheryl Ladd remains in the show, although she's no longer in "Annie Get Your Gun" - Reba McIntyre is now in the role. Similarly, he stabs at Alan Cumming, who is no longer playing the Emcee. These numbers, while funny, lack punch. On the other hand, he once again skewers long time target Patti LuPone with an hysterical new parody of Being Alive. I suppose she's innately funnier, after all these years, than Alan Cumming, who is, after all, a relative newcomer.

      The Rocky Horror parody is amusing, and the observation that sex has moved off 42nd Street and onto the Broadway stage is not without merit. The Beauty parody is amusing, and apt, but as has already been noted, GA has been clobbering us with the Disnification of Broadway for years now. I suppose he finds some glee in the fading success of this particular show.

      I must say that while Gurwin is not the greatest singer, "Sondheim's Blues" is the most brilliant piece I've heard from Alessandrini in years. It's absolutely dead on. The friends I was with had never seen nor heard "Follies" and completely missed the point, but I was in stitches.

      The "10 Years More" (which does not appear on this album, but remains in the show) has really begun to wear thin, especially with the closing this year of Cats and Miss Saigon. The Cameron Macintosh British mega-musicals are finally releasing their grip on Broadway, and this isn't as funny any more.

      Broadway, despite the naysayers, will never die... and apparently, neither will Forbidden Broadway. I don't think it should - but I do think it needs a rest.

      2 out of 5 stars Do the Math.......2001-03-15

      Four CDs cover the first 20 Years of Forbidden Broadway, Gerard Alessandrini's viciously witty satire of New York Theatre. The last year has seen Three new CDs, FB "Cleans Up Its Act" "20th Anniversary Edition" and now "2001 a Spoof Odyssey". Do the math.

      Alessandrini is running out of ideas, and is spreading the remaining ones too thin. . Sanitized Time Square - Been there. Disnified Broadway - Done that, and so many times. Asinine casting faux pas, plotless pointless set-monster musicals, and Ethel Merman and Liza. We've heard it all before - and last time, it was funnier.

      Now normally when a writer (or director or actor) has truly entertained me on numerous occasions, I'll forgive the odd show that disappoints. This would be the case here except for two things: Alessandrini is in the vicious parody business - he's never spared anyone else Besides, if he's going to actually include couplets like: "If lyrics are no longer witty... Then I don't want to go " he's inviting the pans.

      When you hear the AIDA lampoon, you'll be reminded of the dim bulb in Cyrano de Bergerac who taunts the hero with the brilliant witticism: Your nose is very large

      Yes, there are a few true Forbidden Broadway tracks on Spoof Odyssey. Dame Judi Dench singing "Why can't Americans do theatre like the Brits?" (with apologies to My Fair Lady), I Hate Ben (with apologies to Kiss Me Kate) and about 1/3 of "Let's Ruin Time Square Again" (no apologies necessary to Rocky Horror which understands how easy it is for good parody to go bad). Oh yes, there is one absolutely true Forbidden Broadway track: TROUBLE - yes, the same Trouble from Volume 3 which was just re-released on the 20th Anniversary compilation - and it's back again with a more hackneyed Robert Preston impersonation and all of 4 words changed. Granted it's one of the better bits, more worthy of rerunning than say, referring to Miss Saigon as Viet-Numb, but oh, he reran that gag too
      Songs to Shakespeare
      Average customer rating: 5 out of 5 stars
      • One of my Favorite CDs
      • Melodious Shakespeare
      		 Songs to Shakespeare
      John Addison , John Addison II , William Aikin , Thomas Arne , Sir Henry Rowley Bishop , Benjamin Britten , Geoffrey Bush , John Clifton , Henry Balfour Gardiner , Franz Joseph Haydn , Mervyn Horder , Herbert Howells , John Ireland , William Linley , John Major , Sir Charles H.H. Parry , Roger Quilter , John Christopher Smith , Charles Villiers Stanford , Michael Tippett , Ralph Vaughan Williams , Graham Johnson , and Anthony Rolfe Johnson
      Manufacturer: Hyperion
      ProductGroup: Music
      Binding: Audio CD

      All Works by ArneAll Works by Arne | Arne, Thomas Augustin | ( A ) | Featured Composers, A-Z | Classical | Styles | Music
      All Works by BrittenAll Works by Britten | Britten, Sir Benjamin | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
      All Works by Franz Joseph HaydnAll Works by Franz Joseph Haydn | Haydn, Franz Joseph | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
      Howells, HerbertHowells, Herbert | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
      All Works by TippettAll Works by Tippett | Tippett, Michael | ( T ) | Featured Composers, A-Z | Classical | Styles | Music
      Vaughan Williams, RalphVaughan Williams, Ralph | ( V ) | Featured Composers, A-Z | Classical | Styles | Music
      Incidental MusicIncidental Music | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
      Chamber MusicChamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
      GeneralGeneral | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
      Vocal & SongVocal & Song | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music | Cantatas | Romances
      GeneralGeneral | Vaughan Williams, Ralph | Composers | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
      Chamber MusicChamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
      Vocal & SongVocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
      Chamber MusicChamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music
      Vocal & SongVocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music
      GeneralGeneral | Classical | Styles | Music
      CompilationsCompilations | Classical | Styles | Music
      GeneralGeneral | Opera & Vocal | Styles | Music
      Modern & 20th CenturyModern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music
      ClassicalClassical | Imports | Stores | Music
      ASIN: B000002ZP7
      Release Date: 1993-11-19

      Tracks:

      1. You Spotted Snakes
      2. No More Dams I'll Make For Fish
      3. On A Day, Alack The Day
      4. She Never Told Her Love
      5. O Mistress Mine
      6. Lawn, As White As Driven Snow
      7. If Love Make Me Forsworn
      8. O Happy Fair!
      9. If Music Be the Food Of Love
      10. Farewell, Thou Art Too Dear For My Posessing
      11. When In Disgrace With Fortune And Men's Eyes
      12. Shall I Compare Thee To A Summer's Day?
      13. The Rain It Raineth Every Day
      14. Orpheus With His Lute
      15. Come Away Death
      16. Fear No More The Heat o' The Sun
      17. Take, O Take Those Lips Away
      18. It Was A Lover And His Lass
      19. Winter
      20. When Daffodils Begin To Peer
      21. Under The Greenwood Tree
      22. Songs For Ariel - I. Come Unto These Yellow Sands
      23. Songs For Ariel - II. Full Fathom Five
      24. Songs For Ariel - III. Where The Bee Sucks
      25. Who Is Silvia?
      26. Francie
      27. Sigh No More Ladies

      Customer Reviews:

      5 out of 5 stars One of my Favorite CDs.......2004-02-19

      In this wonderful collection of Shakespeare settings, Mr. Rolfe-Johnson creates a magical atmosphere using his unbelievable musicality and gorgeous, gorgeous voice! The songs themselves range from the sweet and charming "No more Dams!" to the heavenly interpretation of "She Never Told Her Love", but for me the high point of the whole CD is his incredible performance of the early version of Vaughan Willams' "Orpheus with his Lute"...this song alone is worth the price of the album! Mr. Rolfe Johnson is truly one of the worlds most exquisite tenors! A must have for every fan of English Song!

      5 out of 5 stars Melodious Shakespeare.......2001-01-24

      This CD consists of a collection of settings of Shakespearian lines by composers ranging from the 18th to the mid-20th centuries. It is an ideal vehicle for finding a new way to enjoy these writings of Shakespeare and also experience the work of a number of British composers, some well-known and some not so well-known
      Handel: Messiah
      Average customer rating: 4 out of 5 stars
      • Finally a Messiah with fervor!
      • Great recording!
      • Good and Bad
      • This is a great recording!
      		 Handel: Messiah

      Manufacturer: Naxos
      ProductGroup: Music
      Binding: Audio CD

      All Works by HandelAll Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
      GeneralGeneral | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
      GeneralGeneral | Classical | Styles | Music
      GeneralGeneral | Opera & Vocal | Styles | Music
      OratoriosOratorios | Opera & Vocal | Styles | Music
      OratoriosOratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music
      General ChristmasGeneral Christmas | Holiday | Miscellaneous | Styles | Music
      General ChristmasGeneral Christmas | Holiday Music | Special Features | Music
      Similar Items:
      1. Christmas at Trinity

      ASIN: B00002R16A
      Release Date: 1999-11-30

      Tracks:

      1. Messiah: No. 1 Overture
      2. Messiah: No. 2 Arioso For Tenor
      3. Messiah: No. 3 Air For Tenor
      4. Messiah: No. 4 Chorus
      5. Messiah: No. 5 Recitative For Bass
      6. Messiah: No. 6 Air For Bass
      7. Messiah: No. 7 Chorus
      8. Messiah: No. 8 Recitative For Alto
      9. Messiah: No. 9 Air For Alto And Chorus
      10. Messiah: No. 10 Arioso For Bass
      11. Messiah: No. 11 Air For Bass
      12. Messiah: No. 12 Chorus
      13. Messiah: No. 13 Pifa (Pastoral Symphony)
      14. Messiah: No. 14a Recitative And No. 14b Arioso For Soprano
      15. Messiah: No. 15 Recitative For Soprano
      16. Messiah: No. 16 Arioso For Soprano
      17. Messiah: No. 17 Chorus
      18. Messiah: No. 18 Air For Soprano
      19. Messiah: No. 19 Recitative For Alto
      20. Messiah: No. 20 Air For Alto And Soprano
      21. Messiah: No. 21 Chorus
      22. Messiah: No. 22 Chorus
      23. Messiah: No. 23 Air For Alto
      24. Messiah: No. 24 Chorus
      25. Messiah: No. 25 Chorus
      26. Messiah: No. 26 Chorus

      Tracks:

      1. Messiah: No. 27 Arioso For Tenor
      2. Messiah: No. 28 Chorus
      3. Messiah: No. 29 Recitative For Tenor
      4. Messiah: No. 30 Air For Tenor
      5. Messiah: No. 31 Recitative For Tenor
      6. Messiah: No. 32 Air For Tenor
      7. Messiah: No. 33 Chorus
      8. Messiah: No. 34 Recitative For Tenor
      9. Messiah: No. 35 Chorus
      10. Messiah: No. 36 Air For Alto
      11. Messiah: No. 37 Chorus
      12. Messiah: No. 38 Aria For Soprano
      13. Messiah: No. 39 Chorus
      14. Messiah: No. 40 Air For Bass
      15. Messiah: No. 41 Chorus
      16. Messiah: No. 42 Recitative For Tenor
      17. Messiah: No. 43 Air For Tenor
      18. Messiah: No. 44 Chorus
      19. Messiah: No. 45 Air For Soprano
      20. Messiah: No. 46 Chorus
      21. Messiah: No. 47 Recitative For Bass
      22. Messiah: No. 48 Air For Bass
      23. Messiah: No. 49 Recitative For Alto
      24. Messiah: No. 50 Duet For Alto And Tenor
      25. Messiah: No. 51 Chorus
      26. Messiah: No. 52 Air For Soprano
      27. Messiah: No. 53 Chorus
      28. Messiah: Amen

      Customer Reviews:

      5 out of 5 stars Finally a Messiah with fervor!.......2005-10-20

      I've hunted a thrilling performance of The Messiah through 240 versions so far. This is the best I've found. Some are self-conscious, dutifully singing as instructed. Some are almost childish in their lilt. Some are overblown with so much bombast that you can barely hear the heart of the music. Some are concentrated on faithfulness to the original instruments. If you want a performance that will make you shiver with the power and joy of the music, this is the one. The singers are singing about GLORY. They sound as if they are ecstatic. The musicians are at one with the music and they create a virtual cathedral wherever this CD is played, just close your eyes. Or, let your own imagery, be it celestial, or of great oceans...carry you away.

      5 out of 5 stars Great recording!.......2003-09-22

      There are so many performances of the Messiah out there that it is very difficult to point to a difinative one, but I'd put this in the catagory of the "very good" ones. As other reviewers have said, every performance is different and has its own character. Each has stronger and weaker points. Here the conductor and musicians have made good, solid musical choices. There is an amazing attention to detail which is not so obvious the first listen through but which makes the piece shine. The tempos seem to be right on, and there is no frivolous over-embellishment by the soloists. There is no attempt to be showey. The dramatic dynamics in the first section of the overture are interesting, but seem to work after you hear it a few times. This performance also includes sections which are often omitted (Second half of "He shall feed his flock," "Thou art gone up on high," "Great was the company of the preachers," and "Death where is thy sting"). I prefer the more intimate quality of a small ensemble of musicians to the mega-performances by the London Philharmonic, Vienna State Opera Orchestra, etc.. As with this performance, the smaller group lends a clarity to the music, where the larger ensembles can get a little "muddy" at times. Just my personal preference. Overall, this is a very good performance, and certainly the low price (being on the Naxos lable) makes this a clear choice.

      2 out of 5 stars Good and Bad.......2000-04-09

      I was more interested in "The Messiah" for the religious content than as a music critic, but this was too much. The strings are tinny. The orchestra is plodding. The soloists and choir are thankfully very good and seem to understand the meaning of the words. It is a shame the sound mix is uneven. The male parts come across loud and clear, but the poor women. For instance, No. 9 Oh thou that tellest..., the soloist sounded like she was singing in an echo chamber far from the mike. This is one of the most disappointing versions of "The Messiah" I have heard in a long time.

      4 out of 5 stars This is a great recording!.......2000-02-11

      I was really surprised with the new that the Messiah's New World premiere was held at Trinity Church in October 1770, twenty-eight years after it was written. This fact only will make one proud in having this CD among his collection.

      Anyhow, this is nothing more than a historic detail and would not count if this recording had not an outstanding first-rate ensemble of singers. Without doubt there is no definitive version of Messiah. Each one has its own distinctive touch and feeling and exploring it is always a pleasant journey through imagination.

      As stated by the conductor: "we must concede that performing Messiah with twenty singers and an appropriately balanced instrumental ensemble represents, at best, an imperfect comprimise", it will be easy to understand that this recording does not stand among the greatest and will probably carry some imperfections. I will mention two that kind of disppointed me a little bit. The Overture and the Chorus Worthy is the Lamb, for some reason misses the habitual vigor and strenght. Everything else is great and this is definitely a worth buying.

      Music:

      1. I'll Make It Alright
      2. I Owe Him Me
      3. I (Who Have Nothing)/Sings She's a Lady [Import]
      4. I Will Give You Praise [Live]
      5. If I Were a Carpenter/Inside Out [Import]
      6. Innocent [Import]
      7. It Must Be Him/The Way of Today! [Import]
      8. Jazz 'Round Midnight: Sarah Vaughan
      9. Judy at Carnegie Hall [Live]
      10. Julie...At Home/Around Midnight [Import] [Limited Edition] [Original recording remastered]

      Music

      Music