Sugar Me

Editorial Reviews
Album Description
Japanese reissue of the ethereal French chanteuse's 197? album for Barnaby. Tracks include, 'Who Broke Your Heart', 'With Wings', 'All Alone I Am', 'I Cannot Love You' and 'Goodbye Jimmy Goodbye'. 1999 release. Standard jewel case.

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Cynical types will accuse Disney of milking the "greatest" concept until it's drier than Tinkerbell's fairy dust ("Supercalafragilisticexpealidocious," "Zip-a-Dee-Doo-Da," and "Heigh Ho" were hits off of Vol. 1; "Bare Necessities," "It's a Small World," and "Some Day My Prince Will Come" stole the show on Vol. 2), but a glimpse of this installment's track listing is all it'll take to squash their suspicions. Once again running reverse-chronologically, Vol. 3 opens with Jonatha Brooke's gorgeously achy ballad "I'll Try," from 2002's arguably not-so-great Return to Neverland, and gradually reaches back through the years to re-raise the curtain on Toy Story 2 ("When She Loved Me," performed by Sarah McLachlan), The Lion King ("Can You Feel the Love Tonight"), Mary Poppins (Julie Andrews's classic "A Spoonful of Sugar"), Pinocchio ("Give a Little Whistle"), and a bundle of treasured others, bottoming out at 1933's "Who's Afraid of the Big Bad Wolf" from The Three Little Pigs. Vol. 3 is not without its weak moments--would a G-rated movie-goers' poll produce Beauty and the Beast's "Gaston" or The Hunchback of Notre Dame's "Topsy Turvy" on a hits list? Seems unlikely. Still, the bulk of these tracks are, as the included Little Mermaid song goes, "Part of Your World," and the spread of decades they represent proves their staying power. Don't expect Disney to latch the lid on its inexhaustible archives until a dozen or so of these records, each as strong as the next, beckon you back for more. --Tammy La Gorce

Customer Reviews:

Disney's greatest hits, volum 3.......2007-05-13

This is one of the better volums for kids and for those who are
above 18 but still have some kid in them

Timeless Disney Music.......2007-05-07

Nothing brings sweet recollection of Disney movies like hearing the wonderful songs. In an age where there so much music with no redeeming qualities, these Disney CDs are priceless. Wonderful for the entire family to listen to around the house or in the car while traveling. We can't help but sing along. We love that these are the original tracks from the movies! Wonderful! We now have all three volumes.

Disney songs are the best.......2006-03-18

I love the songs on this volume. I'll Try by Jonatha Brooke is such an amzing somg. I especially bought this CD fort that song but, was pleasantly surprsed by the rest of the playlist.

Great Disney Music.......2006-02-21

I have bought the first 2 volumes of Disney's Greatest Hits and the 3rd volume doesn't disapoint. My 2 young children love to listen to this CD and talk about the movies that they come from. A definate must have!

Not as good as Vol 1 and Vol 2.......2005-09-11

This Disney CD represents the "leftovers" that didn't make it on Vol 1 and Vol 2 of this series. Although it has some of my favorites, I don't listen to the entire CD often. Disney could have done a better job of editing the which sound files should make the cut on this one. Still, it's nice to have all 3 CDs.

Average customer rating:

Instruments of the Orchestra - Great Reference Material!
Beginner or Expert
Very Informative and Enjoyable
Frank's view
Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
Also Sprach Zarathustra (Of The Afterworldsmen)
Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
Variations On A Theme Of Frank Bridge (No. 4)
Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

Tracks:

The Swan
Ave Maria
Greensleeves
Black Orpheus
The Dove
Vocalise
Dance Of The Sugar Plum Fairy
El Condor Pasa
Begin The Beguine
A Child's Folksong
Farewell To Cuba
Songs My Mother Taught Me
Blessing
Satin Doll
The Girl From Ipanema
Coventry Fantasy

Product Description

Baby Cello CD. Soothing Music From 24 Cellos 1. The Swan 2. Ave Maria 3. Greensleeves 4. Black Orpheus 5. The Dove 6. Vocalise 7. Dance of the Sugar Plum Fairy 8. El Condor Pasa 9. Begin the Beguine 10. A Childs Folksong 11. Farewell to Cuba 12. Songs my Mother Taught Me 13. Blessing 14. Satin Doll 15. The Girl from Ipanema 16. Coventry Fantasy

Customer Reviews:

We love this C.D.!.......2005-04-03

We received the Baby Cello C.D. as a gift, and my husband and I just love it. The music is truly moving in the most uplifting way, and the songs chosen are just beautiful; not at all stuffy. The true test was when our two-year-old, who had not had a nap all day, got completely wired and still would not go to sleep after 10 p.m. She screamed for 20 minutes as we tried to get her down, until I put Baby Cello on, and the screaming stopped instantaneously! She went to sleep to the C.D. without another wimper! We highly recommend Baby Cello for parents and babies alike, and have bought it for other parents with babies that we know. It uplifts, as well as soothes, depending upon what time of day we put it on, and it serves as wonderful dinner music as well. We can't imagine anyone not loving this C.D.! A.and J. Pieri, Albany,CA

Glorious sound.......2005-01-23

I am so pleased with Baby Cello. The sound of this music is utterly glorious. Soothing doesn't begin to describe it. My 2 year old and I love listening to it at all times of day.

A Star Is Born (Expanded 1954 Film Soundtrack)

Average customer rating:

Forgive the cheesy title, but a star is re-born once again.
A Star Is Born Soundtrack Review
Judy at her peak!
a "Star" shines like never before...
Musical perfection of the highest magnitude!!!

A Star Is Born (Expanded 1954 Film Soundtrack)
Judy Garland , Harold Arlen , and Ira Gershwin
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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A Star Is Born
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Judy Garland In Hollywood: Her Greatest Movie Hits - Original Soundtrack Performances 1936-1963
Judy in Love & Alone

ASIN: B00009KU7U
Release Date: 2004-05-18

Tracks:

Overture
Night Of The Stars
Gotta Have Me Go With You
Norman At Home
Pasion Oriental
The Man That Got Away
Cheatin' On Me
'I'm Quitting The Band...'
The Man That Got Away (Instrumental Version)
Esther In The Boarding House
Oliver Niles Studio
Esther's Awful Makeup
First Day In The Studio
Born In A Trunk (Medley)
Easy Come, Easy Go
Here's What I'm Here For
The Honeymoon
It's A New World
Someone At Last
Lose That Long Face
Norman Overhears The Conversation
It's A New World (Alternate Take)
The Last Swim
Finale - End Credits
When My Sugar Walks Down The Street
The Trinidad Coconut Oil Shampoo Commercial

Customer Reviews:

Forgive the cheesy title, but a star is re-born once again........2007-07-09

In 1954, Judy Garland gave the most acclaimed performance of her career as a musical movie star in George Cukor's musical remake of the 1937 straight-up drama A Star Is Born. After its premiere, the film was heavily edited and would not be seen in its near complete form again for nearly thirty years. Judy was nominated for an Academy Award for her performance, but lost to Grace Kelly, to the chagrin of many Garland fans to this day, as well as many celebrities of the day. (Groucho Mark famously called it the biggest robbery since Brinks.)

In all that mess, the soundtrack was released by Columbia on vinyl record in mono and has since never been out of print and was a best-seller for years. In 1988, Columbia took the musical numbers and the overture directly from the film's stereo soundtrack (As, sadly, stereo soundtrack masters no longer existed.) and released those onto CD. The sound quality was somewhat horrendous, but digital audio was still in its infancy and not much else could be done.

In 2004, for the film's 50th anniversary, Columbia, Legacy, and Sony Music Soundtrax released this incredible new expanded remastered CD reissue of the film's soundtrack. This is the most complete soundtrack you can find and it's definitely worth upgrading from your 1988 CD release.

This CD contains not only all of the songs, including an extended intro to The Man That Got Away which was shortened in the film as well as the complete intro to Gotta Have Me Go With You, but also contains a near complete release of the instrumental score, which includes whole tracks and parts of tracks that were not used in the film, as well as an alternate vocal take of It's A New World, the deleted When My Sugar Walks Down The Street segment from Born In A Trunk, and a static-y complete version of The Trinidad Coconut Oil Shampoo Commercial, which was taken from a worn acetate playback disc - the only complete recording in existence.

The soundtrack is taken from a mixing and matching of several elements, such as acetate playback discs, the original Columbia mono soundtrack album masters, and the film's 4-track stereo soundtrack, among others. This means that the soundtrack goes back and forth from being stereo and mono. However, this does not detract from my listening experience any, and frankly, I can't tell much of a difference. One interesting note is that Gotta Have Me Go With You uses both the film's soundtrack and the mono soundtrack album masters to create a faithful listening experience, from the mono instrumental intro to the song itself, which except for a short portion, is taken from the film's 4-channel soundtrack. (The mono portion of the vocal part was used to edit out some plot-related screams that were present in the 1988 release. This method of retaining the aural integrity of Gotta Have Me Go With You was also used when it was included on the Rhino Records compilation Judy Garland In Hollywood: Her Greatest Movie Hits.)

Despite the fact that this soundtrack is taken from several different surviving elements and sadly not from a single set of elements, as Warner Bros. didn't have the foresight to save everything like MGM and Disney did, this is an excellent presentation of this landmark soundtrack. The sound quality for the most part is excellent, and the liner notes are also wonderful. Garland historian John Fricke writes a small essay on the production of the film and an annotated guide to the soundtrack, which gives a synopsis of the plot and also indicates where the tracks from the CD appear in the film. Producer Didier C. Deutsch also writes a small essay on the creation of this CD release, giving notes on the elements and some specific tracks.

Amazon is offering this soundtrack at an excellent price, and I have to say, it's a bargain for a soundtrack of this caliber and sound quality. Any Garland fan or movie soundtrack fan should have this in their collection.

A Star Is Born Soundtrack Review.......2007-01-10

A really excellent soundtrack to go with an excellent movie. This is some of Judy Garland's best material in both music and acting. The power of her voice on "The Man That Got Away" is amazing. "Born In A Trunk", "It's A New World", "Someone At Last" and "Lose That Long Face" are other recommended tracks. This is a MUST HAVE for all you Judy Garland fans.

Judy at her peak!.......2006-05-30

Judy Garland's finest film work was "A Star Is Born." Because she and her husband, Sid Luft, were also the producers, it was the most intensely involving production she had ever undertaken. The laser focus of her brilliant talent was never before realized on film to this degree. Also, she had gained tremendous personal confidence due to the unprecedented audience response to the concerts she had done between her MGM films and ASIB. The love with which the live audience embraced her, brought new heights to her acting as well.
The production values of the film were top of the line and it shows on this fine CD. It's a chance to experience Judy's talent on a more intimate basis without the visuals.
A must-have for every serious Garland collector.

a "Star" shines like never before..........2005-04-27

This reissued remaster of A STAR IS BORN is a must-own for fans of the movie, and in particular those who were somewhat dissatified by the previous CD edition (CK 44389). That edition was great for offering us most of the main numbers in stereo/mono mix but was marred by poor analogue distortion and other remastering problems (though this was the best that could have been done at the time). This new edition (CK 65965) presents the entire score, including background and incidental sections as well as the cut material, in a sparkling new package.

The big bonus for getting this latest edition is for Garland's complete rendition of "The Trinidad Coconut Oil Shampoo Commercial" (without the dialogue of James Mason). This has been taken from a rare acetate master, so while the sound quality is not the best, having the number complete without interrupting dialogue is a more than ample compensation. You will notice too that "Lose That Long Face" has been newly mastered from a better stereo source (cutting out the thunder-crashes that were heard on the first CD master, and Garland's singing no longer has those violent analogue fluctuations during the introduction). "Gotta Have Me Go with You" is now presented without the screams and noises, in a new master from the mono soundtrack.

"When My Baby Walks Down the Street", a section cut from the "Born in a Trunk" sequence, has been added as a bonus track. This sparkling-new STAR IS BORN reissue is a great tribute to what is most definitely Judy Garland's greatest hour on film.

Musical perfection of the highest magnitude!!!.......2005-02-25

Was there ever a more perfect voice than the one possessed by Judy Garland? Powerful yet gentle. Dynamic yet restrained. Bone-chilling yet soothing. She had the pipes!

And her instrument was showcased at its best in the music from her triumphant "A Star is Born".

This expanded version is a bona-fide treasure with the highlight being Garland's earth-shattering "The Man That Got Away," presented with vocals and several instrumental versions. Along with "Somewhere Over the Rainbow," "Have Yourself a Merry Little Christmas," and "The Trolley Song", "The Man That Got Away" is an essential for Garland fans, as well as those that know a good song when they hear it.

The fifteen-minute medley that was featured in the film as the "introduction" of "Vicki" to the public is another outstanding track, featuring "Born in a Trunk", "Suwanee," and "My Melancholy Baby," all exquisitely performed by the legendary talent.

Clocking in at just under eighty minutes, the soundtrack to the classic film is, indeed, in a class by itself, and deserving of repeated listening, maintaining its "freshness" after more than five decades.

Average customer rating:

SO MUCH WONDERFUL MUSIC

Tenth Anniversary Special Edition

Manufacturer: Chesky Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B000003GEU
Release Date: 1996-09-17

Tracks:

Just Friends - Johnny Frigo/Bucky/John Pizzarelli
Sugar Blues - Clark Terry
Charles Christopher - Phil Woods
Miss Bea - McCoy Tyner
Congo Blues - Red Rodney
Tricotism - Eddie Daniels
I Love Lucy - Paquito D'Rivera
Meditation - Ana Caram
Grandma's Hands - Livingston Taylor
What You Don't Know - Sara K.
Mama Let Me Lay It On You - Cephas And Wiggins
What Am I Gonna Do With You? - Kenny Rankin
The Word Around Town - Rebecca Pidgeon
Samba De Orfeo - Luiz Bonfa
Caribbean Sunrise - Mongo Santamaria
Rhythms - Badi Assad
Rewind - Oregon
No Quiero Verte - Carlos Heredia

Tracks:

Concerto No.2 In C Minor, Op.18: Moderato - The Royal Philharmonic Orchestra/Jascha Horenstein/Earl Wild
Symphony No.2 In D, Op.43: Allegretto - The Royal Philharmonic Orchestra/Sir John Barbirolli
Symphony No.4 in E Minor, Op.98: Allegro Energico E Passionato - The Royal Philharmonic Orchestra/Fritz Reiner
The Four Seasons Concerto In G Minor 'L'Estate' (Summer), RV 315: Presto - The Connecticut Early Music Festival Ensemble/Igor Kipnis
The Flute Quartets: No.4 In A, KV 298: Rondeau - Allegretto Grazioso - Gary Schocker/The Chester String Quartet
Piano Concerto No.9 In E-flat, KV 271: I. Rondo - Presto - Mozarteum Orchester Salzburg/Nicola Frisardi
Goyescas: El Fandango De Candil - Benita Meshulam
Piano Trio In A Minor: Final (Anime) - The Ahn Trio
The Soldier's Tale For Three Actors & Instrumental Ensemble: The Soldier's March - Solisti New York/Ransom Wilson
The Fantasias For Solo Piano: Choro No.21 - David Chesky
Choro No.1 - Orquesta Nova/Carlos Franzetti
Antiphon: Like As A Heart Psalms and Spiritual Songs - Westminster Chor/Joseph Flummerfelt

Customer Reviews:

SO MUCH WONDERFUL MUSIC.......2004-08-09

Top notch performers, diverse musical genres,
expertly engineered recordings...a definate
must buy!!

Average customer rating:

Amazing skills, yet too busy for listening enjoyment
John Bayless Christmas Rhapsody
best concert pianist in the world
My favorite of the season
Best Piano Christmas CD ever!

Christmas Rhapsody

Manufacturer: Koch Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B0002VEQ5C
Release Date: 2004-10-05

Tracks:

O COME ALL YE FAITHFUL / ANGELS WE HAVE HEARD ON HIGH / HARK! THE HERALD ANGELS SING
I'LL BE HOME FOR CHRISTMAS / "GOING HOME" NEW WORLD SYMPHONY
SANTA CLAUS IS COMING TO TOWN / DANCE OF THE SUGAR PLUM FAIRY
THE CHRISTMAS SONG
RUDOLPH THE RED NOSED REINDEER / LET IT SNOW
AVE MARIA
O COME O COME EMANUEL / O LITTLE TOWN OF BETHLEHEM / THE FIRST NOEL
WINTER WONDERLAND / JINGLE BELLS
SILENT NIGHT / O HOLY NIGHT
SWEET LITTLE JESUS BOY / AWAY IN A MANGER / WHAT CHILD IS THIS?
JESU JOY OF MAN'S DESIRING / AMAZING GRACE
HAVE YOURSELF A MERRY LITTLE CHRISTMAS
WHITE CHRISTMAS

Customer Reviews:

Amazing skills, yet too busy for listening enjoyment.......2006-12-13

I can't believe how well John Bayless has mastered the piano. This is very obvious from the first song that you ever hear him play. I'd really like to watch him play in concert. However, the songs on this album are too much work for me to listen to. The music is so busy that I can hardly concentrate on the melody and it hardly gives me the peace I expect from traditional Christmas music. Some of my favorites for this category are Jim Brickman, David Huntsinger, and Tim Janis.

John Bayless Christmas Rhapsody.......2006-02-13

Christmas Rhapsody has quickly become one of our all time favorite Chistmas CDs. We love it so much that it is February 10th and we are still listening to it.

best concert pianist in the world.......2005-08-18

John Bayless is the best concert pianist in the world. This album shows his genuis. Perfect music to listen to any time of the year.
This is the best Christmas album on the market.

My favorite of the season.......2004-12-31

This is the holiday music I have listened to throughout the season, and it is so beautiful I cannot bear to put it away yet. I love Bayless's work at any time, and these arrangements simply take my breath away. His blending of "I'll Be Home for Christmas" with "Going Home" from the New World Symphony is particulary poignant. And his signature "Jesu Joy of Man's Desiring/Amazing Grace" is seasonless and timeless. Christmas is over, but get this anyway; it's wonderful.

Best Piano Christmas CD ever!.......2004-12-15

David Lanz? Jim Brickman? John Tesh? Move over guys... John Bayless has done what no others could... Taken the xmas classics to a new level of musical enjoyment! By combining the songs together, and making them so rich and full of life, this will be my favorite Christmas CD for a looooooooooong time.

Average customer rating:

Joyous surprises!
Simply the Best...

Simply the Best Christmas Album

Manufacturer: Erato
ProductGroup: Music
Binding: Audio CD

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ASIN: B00005MJ0G
Release Date: 2001-08-21

Tracks:

Adeste Fideles - Thomas Hampson
Ehre Sei Gott In Der Hohe (From Johann Sebastian Bach's Christmas Oratorio) - Tom Koopman
A Spotless Rose - Edward Higginbottom
Silent Night - Kiri Te Kanawa
O Joyful Children - Vienna Symphony
Festive Cheer: (Sleigh Ride/Have Yourself A Merry Little Christmas/Jingle Bells/We Wish You A Merry Christmas) - London Brass
Glory To God (From Handel's Messiah) - Nikolaus Harnoncourt
Il Riposo - ...Per Il Natale (From Vivaldi's Christmas Concerto) - Il Giardino Armonico
O Holy Night - Sumi Jo
Noel Sur Les Jeux D'anches - Marie-Claire Alain
Panis Angelicus - Vienna Symphony
Jesus The Light Of The World - The Boston Camerata
In Dulci Lubilo - Chanticleer
Fallt Mit Danken, Fallte Mit Loben (From J.S. Bach's Christmas Oratorio) - Ton Koopman
Glory To Christmas - Moscow Liturgic Choir

Tracks:

The Nutcracker Suite (Opus 71a: Miniature Overture) - Alexander Lazarev
The Nutcracker Suite (Opus 71a: March) - Alexander Lazarev
The Nutcracker Suite (Opus 71a: Dance Of The Sugar-Plum Fairy) - Alexander Lazarev
The Nutcracker Suite (Opus 71a: Trepak, Russian Dance) - Alexander Lazarev
The Nutcracker Suite (Opus 71a: Dance Of The Reeds) - Alexander Lazarev
Away In A Manger - London Brass
Christmas Stays The Same - Linda Eder
O Tannenbaum - Thomas Hampson
Pour La Nuit De Noel (Concerto Grosso Op.8 - Third Movement) - I Solisti Veneti
A Christmas Carol - Chanticleer
Agnus Dei - Vienna Symphony
O Little Town Of Bethlehem - Jouko Harjanne
We Wish You A Merry Christmas - Kiri Te Kanawa
Entre Le Boeuf Et L'ane Gris - Maitrise Saint-Pierre Aux Liens De Bulle
Christen, Atzet Diesen Tag (From Bach's Christmas Cantata, BWV 63 First Movement: Coro) - Nikolaus Harnoncourt
Have Yourself A Merry Little Christmas - Jung
The Holly And The Ivy - Vienna Symphony
The Little Road To Bethlehem - Edward Higginbottom
Schliesse, Mein Herze (From Johann Sebastian Bach's Christmas Oratorio, Third Cantata: Alto Aria) - Ton Koopman
The Four Seasons, Winter (From Vivaldi's Four Seasons - Second Movement) - Progretto Avanti
Hallelujah (From Handel's Messiah: Part II/Chorus) - Nikolaus Harnoncourt

Amazon.com

A rather presumptive holiday title, Simply the Best Christmas Album is an unqualified best--if you like classical, choral, and symphonic music. Marquee talent such as Placido Domingo, Natalie Cole, and Jose Carreras anchor the mix, abetted by the redoubtable London Brass, St. Paul Chamber Orchestra, Edward Higgenbottom & The Choir of New College, Oxford, and the Bolshoi Symphony Orchestra. This two-disc, 36-piece set presents a broad spectrum of holiday pageantry that embraces familiar traditional works like The Nutcracker and more contemporary pieces from Sumi Jo and Linda Eder. From triumphant brass and angelic choirs to stirring string pieces and rich, lovely orchestral movements, Simply the Best sets an exquisitely festive mood. --Martin Keller

Customer Reviews:

Joyous surprises!.......2006-06-01

Every once in awhile I run across an album that excells, not because of the shining brilliance of one artist, but because of the collective impact of several. Here, in this album, are some little-known gems from Christmas music literature. I was captivated by the lilting and primitive joy in "Jesus, the Light of the World," which I had never heard before. Then there is Chanticleer and its rendition of Charles Ives' "Christmas Carol," a classic too little known. There are others. If you look for unique renditions of familiar and unfamiliar Christmas music to enhance the joy of the season, this album is a must-buy.

Simply the Best..........2002-11-19

The minute I heard Thomas Hampson sing the first few notes of Adeste Fideles, I knew I had to have this album. It is a marvelous compilation of Classical Christmas favorites (excerpts from the Bach, Vivaldi and Corelli Christmas Concertos and The Nutcracker) and standard Christmas favorites, as well as some of the lesser heard Christmas gems.

Tracks:

Lost In The Opera House: Oh Help Me (Zu Hilfe) - The Studio Arts Orchestra/Walter Babiak
Papageno And The Birds: The Best Bird-Catcher (Der Voglefanger) - The Studio Arts Orchestra/Walter Babiak
The Queen Of The Night: You Must Journey (O Zitt're Nicht) - The Studio Arts Orchestra/Walter Babiak
Pamina Arrives, Papageno's Magic Bells: A Girlfriend (Ein Madchen) - The Studio Arts Orchestra/Walter Babiak
The Castle Of Sarastro: O Endless Night (O Ew'ge Nacht) - The Studio Arts Orchestra/Walter Babiak
The Magic Flute: O Listen, Hear The Song (Wie Stark) - The Studio Arts Orchestra/Walter Babiak
The Escape: Let Us Hurry (Schnelle Fusse)/What Twinkles So Brightly (Das Klinget)/Sarastro's ... - The Studio Arts Orchestra/Walter Babiak
Sarastro's Welcome: The Gods Above (O Isis) - The Studio Arts Orchestra/Walter Babiak
The Attack Of The Queen: The Powers Of Night (Der Holle Rache)/Tamino's Trial: This Path... - The Studio Arts Orchestra/Walter Babiak
Pamina's Lament: Oh My Heart Is Broken (Ach, Ich Fuhl's) - The Studio Arts Orchestra/Walter Babiak
In The Labyrinth: O Seekers Of The Light (Der, Welcher Wandert)/Tamino Mine/We Pass Proctected... - The Studio Arts Orchestra/Walter Babiak
Papageno And Papagena: Ring, O Bells (Klinget Glockchen)/Pa-Pa-Papagena - The Studio Arts Orchestra/Walter Babiak
Conclusion: Our Journey Is Over (Bei Mannern)/Overture - The Studio Arts Orchestra/Walter Babiak

Tracks:

Piano Concerto #1, 1st Movt/Danse Napolitaine (Swan Lake) - Studio Arts Orchestra/High Park Girls Choir/Walter Babiak
Trepac (Nutcracker) - Studio Arts Orchestra/High Park Girls Choir/Walter Babiak
Swing Low, Sweet Chariot/Turkey In The Straw/Waltzes (Serenade, And Swan Lake) - Studio Arts Orchestra/High Park Girls Choir/Walter Babiak
Tea (Nutcracker)/Coffee (Nutcracker)/Chocolate (Nutcracker) - Studio Arts Orchestra/High Park Girls Choir/Walter Babiak
Danse Des Cygnes, Allegro (Swan Lake) - Studio Arts Orchestra/High Park Girls Choir/Walter Babiak
1812 Overture (Excerpt) - Studio Arts Orchestra/High Park Girls Choir/Walter Babiak
Silver (Sleeping Beauty)/Ragtime - Studio Arts Orchestra/High Park Girls Choir/Walter Babiak
Overture Act II (Swan Lake) - Studio Arts Orchestra/High Park Girls Choir/Walter Babiak
Girls' Chorus (Eugene Onegin) - Studio Arts Orchestra/High Park Girls Choir/Walter Babiak
Coda, Act II (Nutcracker)/Rag On Tchaikovsky Theme - Studio Arts Orchestra/High Park Girls Choir/Walter Babiak
Marche Slav - Studio Arts Orchestra/High Park Girls Choir/Walter Babiak
Violente (Sleeping Beauty)/Sugar Plum Fairy (Nutcracker) - Studio Arts Orchestra/High Park Girls Choir/Walter Babiak
Le Sommeil, Panorama (Sleeping Beauty) - Studio Arts Orchestra/High Park Girls Choir/Walter Babiak
Long, Long Ago/Onegin (Girls' Chorus)/Waltz Op.20 - Studio Arts Orchestra/High Park Girls Choir/Walter Babiak
Amazing Grace - Studio Arts Orchestra/High Park Girls Choir/Walter Babiak
Serenade For Strings: Movt 1/Finale/1812 Overture: Finale - Studio Arts Orchestra/High Park Girls Choir/Walter Babiak

Tracks:

Orchestral Suite #3, Mvt. 1/Minuet In G/Gigue In G (French Suite #5) - Studio Arts Orchestra/Walter Babiak/The Toronto Boys Chor/Ned Hanson
Jesu, Joy Of Man's Desiring/Chromatic Fantasy/Prelude In B Minor - Studio Arts Orchestra/Walter Babiak/The Toronto Boys Chor/Ned Hanson
Introducing The Orchestra/Organ Chorale Prelude: 'Allein Gott' - Studio Arts Orchestra/Walter Babiak/The Toronto Boys Chor/Ned Hanson
Brandenberg Concerto #5, Movt. 3 - Studio Arts Orchestra/Walter Babiak/The Toronto Boys Chor/Ned Hanson
Flute Sonata in C, Mvt. 2/Organ: 'Es Ist Das Heil'/Orch Ste #2, Mvt. 6/Violin Sonata In E, Mvt. 2 - Studio Arts Orchestra/Walter Babiak/The Toronto Boys Chor/Ned Hanson
Prelude In C (Book 1 Of WTC)/Orchestral Suite #2, Mvt. 2 - Studio Arts Orchestra/Walter Babiak/The Toronto Boys Chor/Ned Hanson
Bist Du Bei Mir - Studio Arts Orchestra/Walter Babiak/The Toronto Boys Chor/Ned Hanson
Orchestral Suite #2, Badinerie - Studio Arts Orchestra/Walter Babiak/The Toronto Boys Chor/Ned Hanson
Orchestral Suite #3, Air For G String - Studio Arts Orchestra/Walter Babiak/The Toronto Boys Chor/Ned Hanson
Orchestral Suite #3, Gigue - Studio Arts Orchestra/Walter Babiak/The Toronto Boys Chor/Ned Hanson
'Adventure In Music' - Studio Arts Orchestra/Walter Babiak/The Toronto Boys Chor/Ned Hanson
Goldberg Variations/Art Of Fugue - Studio Arts Orchestra/Walter Babiak/The Toronto Boys Chor/Ned Hanson
'Liebster Jesu': Flute Sonata In C, Mvt. 4 - Studio Arts Orchestra/Walter Babiak/The Toronto Boys Chor/Ned Hanson
'We Hasten,' Cantata #78 - Studio Arts Orchestra/Walter Babiak/The Toronto Boys Chor/Ned Hanson

Customer Reviews:

Great music/stories as well as sound quality.......2004-02-11

The stories on CD are well written and very entertaining. I listened through all 3 CDs in one sitting when I got them! What's more, its sound quality is very good. I have other classical music CDs for kids and almost always I'm disappointed with the sound quality. (Violines sound like they have flu!)

This is a great buy for kids of all ages!!!

Fabulous for Kids.......2002-01-01

My two children, ages 7 and 5 received the Classical Kids Music Box, volumes 1 & 2 for Christmas this year and they can't seem to get enough of it! Each box contains 3 CD's, each on a different composer. Some are narrated by children and tell a story of the particular composer. Their popular compositions play in the background - this way the listener hears a partial biography of the composer as well as some music. Volume 1 contains stories of Handel, Beethoven and Vivaldi, and Volume 2 contains stories of Mozart, Bach and Tchaikovsky. I highly recommend this for all children who listed to music CD's, whether they're musically inclined or not.

Music Box Series.......2001-04-23

To say this series of music is "CAPTIVATING" is a total understatement. We have enjoyed these immensely for 2 years now and are hoping they will continue to release more composers. These well-told stories will hold the interest of everyone at any age while introducing them to these brilliant composers. My son is a 12 year old AAA travel hockey player and listens to these CD's while going to sleep, every night, without fail! Last week he asked if he could go online to find music and I thought he was looking for something along the line of latest hits. What a surprise to find him looking for more of the Music Box Series. These collections are as valuable to classical music as Harry Potter has become to children's reading! The story of Beethoven is especially poignant, when you realize what he accomplished with his gift in spite of his many challenges. I won't give away the plots of these wonderful stories told in this series, however I will say they will be listened to over and over again! And just like Harry Potter, you can't wait for the next one!

Average customer rating:

AMERICAN SONG RECITAL

American Song Recital

Manufacturer: Channel Classics
ProductGroup: Music
Binding: Audio CD

Preludes | Forms & Genres | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

Musical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music
Similar Items:

Stefano Donaudy: Amor mi fa cantare

ASIN: B000003UYE
Release Date: 1993-08-19

Tracks:

Come Ready And See Me
Sweet Suffolk Owl
Waterbird
Anniversaries: For Craig Urquhart - Fred Weldy
On This Wondrous Sea
The Metropolitan Tower
The Strong House
Secret Words
Sugar In The Cane
Night Without Sleep
Fort Tryon Park: September
For My Daughter, Nina - Fred Weldy
Bee! I'm Expecting You
I Never Saw A Moor
Recuerdo
Social Note
Anniversaries: For William Kappel - Fred Weldy
Never More Will The Wind
Dream With Me
Prld I - Fred Weldy
Prld II - Fred Weldy
Prld III - Fred Weldy
Someone To Watch Over Me

Customer Reviews:

AMERICAN SONG RECITAL.......2000-02-17

AMERICAN SONG RECITAL

Channel Classics Records has taken a first-rate initiative in giving winners of important international music competitions the opportunity to record a CD in the "Winning Artists Series." This CD, with fairly unknown American songs, is part of the above series. Other than a piece by Hundley, the remaining 22 songs are based on texts by American writers.

Richard Hundley's songs are beautiful and his compositions true to the texts on which they are based. All the emotions found in the texts are expanded in the compositions to ensure that the story comes through clearly and is not lost in the music. Lori Laitman was specifically asked by Lauren Wagner to compose a song. She chose a text by Sara Teasdale and the CD is worth owning for this song alone: magnificent! Another "plus" to this production is that the source and full text of the songs are in the CD book.

In addition to songs, a number of piano solos have been recorded. Those of Leonard Bernstein are not very well known, but very much worth listening to. He composed these works for friends, relatives and colleagues. They are concise, very complete compositions.

The fact that Lauren Wagner won four important prizes in 1991 is also not surprising. This singer possesses incredible timbre, has a beautiful, controlled voice and sings with incredible ease. Her music is truly a pleasure to hear. Her accompanist Fred Weldy matches her level of skill easily. This CD is definitely a worthwhile addition to your collection.

Tracks:

Flight Of The Bumble Bee, Hungarian Dance No. 5 - Light Cavallerie, Carmen: Flight Of Carmen
The Moldau, Sheherazade, Nabucco: Soul And Sound
Umbra Mai Fu, From Xerxes: Largo For Lovers
Air, Pathetique, Solveig's Song: Solveig's Air
Sonatas In C Major, A Major (Rondo Alla Turca): Amadeus Up To Date
Nocturne In E Flat Major, Prelude In A Major, Mazurka In A Flat Major Op. 9,2 - 28,7 - 24,3: Blue Hour With Frederic
Poem, Ave Maria: Mary's Poem
Etude In A Major Op. 10,3 - Moonlight Sonata Op. 27,2: Moonlight Fantasy
Trumpet Voluntary, Trumpet Tune In B Flat Major: Old Trumpet Sound
Ave Verum KV 618: Mozart's Prayer
Porgy And Bess: Summertime
West Side Story: America

Tracks:

Swan Lake, Capriccio Italien, Romeo & Juliet (Overture), Pathetique, Nutcracker Suite (Trepak, The Sugar Plum Fairy, The Reed Flutes), Romeo & Juliet (Finale): Russian Sounds
Preludes In C Major And Minor, Italian Concerto BWV 846, 847, 971: The Well - Tempered Bach
Emperor Waltz, Hunters Polka, Perpetuum Mobile, Tritsch-Tratsch Polka, Pizzicato Polka, Thunder & Lightining Op. 437, 373, 257, 214, 324: Vienna In Rhythm
In C Major, A Minor, B Flat Major BWV 772, 784, 785: John Sebastian's Inventions
Inpromptu In A Flat Major Op. 142,2: Always All Ready
Aida (Temple Scene & Romance) Rigoletto (Violetta): Aida In The Background
Aria In F Minor, March From 'Sciplo', Allegro In F Minor: Festive Baroque
Song Of India
Can't Buy Me Love
It Ain't Necessarily So
Nabucco Slave's Chorus, Gefangenchor - Tannhauser
For Elise, Symphony No. 9, Ode To Joy

Tracks:

A Fifth Of Beethoven
Reverie (Traumerei)
Serenade KV 330, Serenade From Sonata KV 284, Turkish March KV 331
Largo From Symphony No. 9: New World
Symphony No. 40 In C Minor
Can Can, Thunder & Lightning (Polka), Hungarian Dance, Galop, Medley, Staccato, Orpheus In The Underworld
Moonlight Sonata: Blue Moon
A Little Night Music
Also Sprach Zarathustra
Waltz In A Minor Op.39
From Tales Of Hoffmann: Barcarole
Toccata Spectrum
Melody In F
Fantasy
Serenade

Customer Reviews:

You call this electronic? BULL!.......2003-01-26

I think I know what electronic classical music is, considering I made an album called Kulture. This does not sound electronic, if it does, it uses drums = not good. It sounds way too classical.

Music:

Music

Music