The Song Is Paris [Import]
Editorial Reviews
Album Description
Japanese exclusive 24-bit remastered reissue of 1962 album originally issued on Impulse! & out-of-print in the US. Packaged in a limited edition miniature LP sleeve.
The Song Is Paris, Music, Jackie Paris, Ballads, Jazz, Pop, Traditional Pop, Vocal Pop
Average customer rating:
- Un gran concierto
- Give em a 3.5
- The Most Enjoyable Evening IN !!!!!!!!!!!
- Hmmmm....
- Last Encore of songs missing off C.D.
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The 3 Tenors in Concert 1994
Manufacturer: Atlantic / Wea
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Binding: Audio CD
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Similar Items:
- Carreras · Domingo · Pavarotti ~ the three tenors in concert / Mehta
- The Best of the Three Tenors
- Paris 1998
- The Three Tenors Christmas
- The 3 Tenors in Concert 1994 / William Cosel
ASIN: B000002IZE
Release Date: 1994-08-30 |
Tracks:
- Le Cid: O Souverain, O Juge, O Pere
- Maravilla: Amor, Vida De Mi Vida
- Werther: Pourquoi Me Reveiller
- Spring Is Here: With a Song In My Heart
- Granada
- Non Ti Scordar Di Me
- 'A Tribute to Hollywood': My Way
- Tribute To Hollywood: Moon River
- Tribute To Hollywood: Because
- 'A Tribute to Hollywood': Singin' In the Rain
- Tu, Ca Nun Chiagne
- Pagliacci: Vesti la Giubba
- Turondat: Nessun Dorma!
- 'Around the World': America
- 'Around the World': All I Ask Of You
- 'Around the World': Funiculi, Funicula
- 'Around the World': Sous Les Ponts De Paris
- 'Around the World': Brazil
- 'Around the World': Be My Love
- 'Around the World': Marechiare
- 'Around the World': Lippen Schweigen
- 'Around the World': Santa Lucia Luntana
- 'Around the World': Those Were the Days
- 'Around the World': Te Quiero Dijiste
- 'Around the World': Torna A Surriento
- Encores: La Donna E Mobile
- Encores: Libiamo Ne' Lieti Calici
Amazon.com
It's not opera; it's not a pop concert; it's not Broadway. It's all of these and none of them. Once you accept the fact that this sequel to the original blockbuster concert recording is less about music and more about entertainment and the power of musical personalities, you can appreciate what you're hearing as an event--phenomenal and bizarre, momentous and frivolous. This is an occasion to celebrate the voices and egos of three huge superstars, and to have fun listening as Luciano Pavarotti, Placido Domingo, and Jose Carreras interact, bouncing lines off each other and playing to the overwhelmingly enthusiastic audience. Much of the fun and flavor of the concert is dependent on seeing the action, though, and without the visuals you notice flaws in the singing much more. Domingo comes off as the more solid performer, and his voice is in far better shape than the other two. But if you crave big, high, and loud--and you don't take your opera too seriously--you'll love this disc. --David Vernier
Customer Reviews:
Un gran concierto.......2005-07-19
Yo tenia el Cd de este concierto, pero sin duda el DVD presenta la realidad, lo sublime de este evento, porque ademas de ver las interpretaciones, trae varios puntos y canciones extras. Carreras creo que esta bien, saca la tarea. Placido Domingo en Amor vida de mi vida, logra llevar el concierto a su punto mas alto en ese momento, punto superado unicamente por Pavarotti en Nessum Dorma. Pavarotti como siempre sublime como dije en Nessum Dorma, Ave maria y en los popurris. La calidad del DVD es genial, con full screen y sonido digital. Otro punto buenisimo es la aparicion de Frank Sinatra en la cancion My way y de otras luminarias del cine y la política. Espero que este comentario sirva de ayuda para aquellos que quieran este DVD.
Give em a 3.5.......2004-01-25
The Three Tenors has/have become a cottage industry, churning out one CD after another for every imaginable event and in every combination. This does not mean that the results are necessarily inferior but it does imply a commercial, layman's approach. And maybe this is better - spreading the joys of fine music to the masses. After all, where besides figure skating and cartoons do most people have a chance to even hear opera?
This event, like the first one in Rome, has a magnificent setting but, like Rome, the show was marketed mainly to the American audience. They still include the dreadful "Maria" with the hilarious pronunciation and even added "With a Song In My Heart" (or, as Carreras is wont to sing, "Weeth a Soeeng een My Haht"). Though some may deride the choice of encores, they were almost perfect. The Three Tenors, despite their prior celebrity, are creations of our culture of entertainment in ways that Caruso could only dream about.
Synopsis: Carreras stands out, Domingo substitutes volume for quality and Pavarotti soars when he doesn't have to.
The Most Enjoyable Evening IN !!!!!!!!!!!.......2003-05-01
I am not a regular Opera fan, hoever these THREE are the Best. their songs they sing together are SUPER!!! And the range of NOTES REACHED ARE REMARKABLE. tHE MIXTURE of songs is a treat for all, even if you are not an OPERA FAN!!!! Great show!!!!!!
Hmmmm...........2002-04-21
Not what I thought it was going to be. I like only about 4 of the 20+ tracks on this CD. I shoudl have just bought the DVD instead and actually watched them perform. Much, much more entertaining.
Last Encore of songs missing off C.D........2002-02-06
The Three Tenors are my absolute favourite singers. The 1994 Concert was undoubtedly their best in my view. I taped this live concert from the television, and have played and played and played it!! I also taped it on a cassette, however, when I bought the C.D. I was really disappointed that they did not include the last set of encore songs, which included O Sole a Mio (don't know if I've spelt that correctly), where Placido and Jose try and outdo Luciano!! It received such a fantastic reception from the crowd, (one of the many standing ovations), and really showed how much the Three Tenors seemed to enjoy performing the concert. How come this was not included? I don't know if it was on the Video because I play my own.
Many thanks for your time,
With kind regards,
Pam Sargeant.
Average customer rating:
- Fabulous
- Andre Rieu "Fiesta"
- Fiesta
- Not the best versions available
- This is a great album!
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Fiesta
André Rieu , Johann Strauss Orchestra , Georges Bizet , Gioachino Rossini , Mikis Theodorakis , Pascual Marquina , Vincent Youmans , Leo Ferré , E. Ramirez , Filippo Marchetti , Emmerich Kalman , Jacob Gade , P. Shott , Gerhard Winkler , Louis Louiguy , Glanzberg , Vincent Scotto , Luigi Denza , Scottish Traditional , Friedrich Schroder , and Anonymous
Manufacturer: Philips
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Binding: Audio CD
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Similar Items:
- The Vienna I Love, Waltzes From My Heart
- Andre Rieu in Concert
- At The Movies
- Roses from the South
- Tuscany
ASIN: B000031WXB
Release Date: 2000-01-01 |
Tracks:
- Clavelitos
- Espana Cani
- Cielito Lindo
- Seventh Heaven Of Love
- Carmen: Ov
- Hava Nagila
- Tea For Two
- Moulin Rouge/Paris Canaille
- Sirtaki (Zorba's Dance)
- Fascination
- The Gipsy Princess Medley: Love, Love, Love!/The Swallow Song/How Could I Know?/Love, Love, Love!
- William Tell: Ov
- Jalousie
- The Canals Of Amsterdam
- Let's Go To Varasdin
- Chianti-Lied
- La Vie En Rose/Padam Padam/Sous Les Ponts De Paris
- Funiculi Funicula
- Auld Lang Syne
Customer Reviews:
Fabulous.......2005-10-23
This DVD is spectacular. Andre Rieu is absolutely fascinating to listen to and the costumes of the orchestra as gorgeous. Well worth every penny.
Andre Rieu "Fiesta".......2005-09-20
This CD is absolutely fantastic. There is no musician quite like Andre Rieu. His music does indeed lift the spirit.
Fiesta.......2005-09-12
The music lifts my spirits! It is fun and lighthearted. I sincerely recommend this CD by Andre Rieu.
Not the best versions available.......2002-02-12
First of all, why call this recording
"Fiesta"? only for the first four latin-american
works? because the rest of the cd is of
German music.I you want a real "Fiesta"
disc, I recomendation is that disc
of Keith Lockhart, is much more fun and
much more in a fiesta spirit than this one.
This is a great album!.......2002-01-02
I highly recommend this album. Andre Rieu is a great violinist. If you buy this album you will not be dissappointed. I'd give it ten stars if I could.
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
- Beginner or Expert
- Very Informative and Enjoyable
- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
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Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
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Similar Items:
- Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
- The Life and Works of Ludwig van Beethoven
- What to Listen for in Music
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ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
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Broadway: America's Music 1935-2005
Manufacturer: Decca Broadway
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Similar Items:
- Grey Gardens - A New Musical (2006 Original Broadway Cast)
- Broadway - The American Musical (PBS Series)
- The Warmth of the Sun
- The Drowsy Chaperone (2006 Original Broadway Cast)
- White Nights
ASIN: B000B8I93Q
Release Date: 2005-10-18 |
Tracks:
- Oh What a Beautiful Mornin'
- Summertime
- I Could Write a Book
- It Never Entered My Mind
- I Can Cook Too
- Make It Another Old Fashioned, Please
- If I Loved You
- My Heart Belongs to Daddy
- Thou Swell
- I Left My Heart at the Stage Door Canteen
- There's No Business Like Show Business
- South American Way
Tracks:
- Shall We Dance
- Ohio
- Luck Be a Lady
- Mack the Knife
- There's a Small Hotel
- Once in Love with Amy
- Yodel Blues
- Lazy Afternoon
- There Must Be Somethin' Better Than Love
- You're Just in Love
- Now Is the Time
Tracks:
- Impossible Dream
- Love Makes the World Go 'Round
- Try to Remember
- Put on a Happy Face
- I Say Hello
- Happiness
- She Loves Me
- What Kind of Fool Am I?
- Shy
- Consider Yourself
- Poor Little Person
Tracks:
- Magic to Do
- They're Playing My Song
- I Don't Know How to Love Him
- I Won't Send Roses
- Good Morning Starshine
- Don't Cry for Me, Argentina
- Hard Candy Christmas
- Diamonds Are a Girl's Best Friend
- Won't You Charleston with Me?
- Applause
Tracks:
- Phantom of the Opera
- Memory
- On My Own
- Muddy Water
- How Could I Ever Know
- American Dream
- I Know Him So Well
- Dr. Jazz
- Me and My Girl
- Suddenly Seymour
Tracks:
- Mamma Mia!
- Popular
- Seasons of Love
- Oh, the Thinks You Can Think
- Whatever Lola Wants
- Crazy
- How Deep Is Your Love
- Stars
- People Like Us
- I Go to Rio
Average customer rating:
- Magic of love
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An American in Paris (1951 Film Soundtrack)
George Gershwin , Gene Kelly , and Oscar Levant
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Similar Items:
- Singin' in the Rain (1952 Film Soundtrack) (Deluxe Edition)
- Singin' in the Rain (1952 Film Soundtrack)
- Gene Kelly At Metro-Goldwyn-Mayer: 'S Wonderful - Motion Picture Soundtrack Anthology
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- For Me And My Gal: Original Motion Picture Soundtrack
ASIN: B0000033JE
Release Date: 1996-07-16 |
Tracks:
- Main Title (An American In Paris/'S Wonderful/I Got Rhythm) - MGM Studio Orchestra
- Paris Narration/Left Bank (Themes From An American In Paris) - MGM Studio Orchestra
- Nice Work If You Can Get It (Outtake) - Georges Guetary
- Embraceable You - MGM Studio Orchestra
- By Strauss - Gene Kelly, Georges Guetary, Mac MacLain, Grace Stark, Pete Roberts
- Street Exhibit - MGM Studio Orchestra
- I Got Rhythm - Gene Kelly, MGM Children's Chorus
- But Not For Me - Benny Carter & His Orchestra
- Medley: Do, Do, Do/Bidiin' My Time/I've Got A Crush On You/Love Is Here To Stay - MGM Orchestra
- Someone To Watch Over Me - Benny Carter & His Orchestra
- Medley: My Cousin In Milwaukee/A Foggy Day/The Half-Of-It Dearie Blues/But Not For Me (Outtake) - Oscar Levant
- Tra-La-La - Gene Kelly, Oscar Levant
- I'm No Enemy (Love Is Here To Stay) (Outtake) - MGM Studio Orchestra
- Love Is Here To Stay - Gene Kelly
- Medley: What Time Is It?/Love Is Here To Stay (Reprise) - MGM Studio Orchestra, Gene Kelly
- (I'll Build A) Stairway To Paradise - Georges Guetary
- I've Got A Crush On You (Outtake) - Gene Kelly
- Love Walked In (Outtake) - Georges Guetary, Oscar Levant
- Medley: We Would Get Married (Love Walked In) (Outtake)/I Don't Think I'll Fall In Love Today... - Oscar Levant, MGM Studio Orchestra
- Concerto In F (3rd Movement) - Oscar Levant, MGM Studio Orchestra
Tracks:
- Painting Montage (Tra-La-La/Love Is Here To Stay) - MGM Studio Orchestra
- Kiss Me (Outtake) - MGM Studio Orchestra
- 'S Wonderful - Gene Kelly, Georges Guetary
- Lise, I Love You ('S Wonderful/Love Is Here To Stay) - MGM Studio Orchestra
- Strike Up The Band (Extended Version) - MGM Studio Orchestra
- Liza (Complete Version) - Oscar Levant
- Medley: Oh, Lady Be Good/'S Wonderful - MGM Studio Orchestra
- Medley: That Certain Feeling/Clap Yo' Hands - MGM Studio Orchestra
- I've Got A Crush On You (Outtake) - MGM Studio Orchestra
- I Got Rhythm (Extended Version) - MGM Studio Orchestra
- Tra-La-La (Outtake) - MGM Studio Orchestra
- But Not For Me - Georges Guetary
- Utrillo Did It (Love Is Here To Stay/An American In Paris/Nice Work If You Can Get It) - MGM Studio Orchestra
- An American In Paris Ballet (Extended Version) - MGM Studio Orchestra
- Finale (An American In Paris) - MGM Studio Orchestra
- Painting Montage (An American In Paris) (Deleted Version) - MGM Studio Orchestra
- Main Title: An American In Paris (Alternate Version - Outtake) - MGM Studio Orchestra
- Adam Cook Monologue (How Long Has This Been Going On?) (Extended Version) - Oscar Levant
- Nice Work If You Can Get It (Partial As Used In Film) - Georges Guetary, Oscar Levant
- Third Prelude (Outtake) - Oscar Levant
- My Cousin In Milwaukee (Outtake) - Oscar Levant
- A Foggy Day (Outtake) - Oscar Levant
- The Half-Of-It Dearie Blues (Outtake) - Oscar Levant
- But Not For Me - Oscar Levant
- Bidin' My Time (Outtake) - Oscar Levant, Saul Chaplin
- 'S Wonderful (Reprise) (Outtake) - Gene Kelly
- Finale (Alternate Version - Outtake) - MGM Studio Orchestra
Amazon.com essential recording
This is a considerably expanded version of the soundtrack album to Vincente Minnelli's Oscar-winning film. With two discs and 100 minutes of music (much of which is presented for the first time), these original session masters are highlighted by the MGM Studio Orchestra, Oscar Levant, Benny Carter, and Gene Kelly, all of whom perform such memorable Gershwin tunes as "Someone to Watch Over Me," "Love Is Here to Stay," and "S'Wonderful." Just about all of the material has a monotonously mono sound, but Levant's version of "Concerto in F" is included here for the first time in true stereo. Along with several Levant improvisational piano solos based on Gershwin's music, there are also some outtakes as well as extensive production and historical notes. --Joseph Lanza
Customer Reviews:
Magic of love.......2007-03-10
Nothing but Gene and George: the hard work and the happiness in music, conducting by the magician Vince.
Noone is better, noone could do better.
American masterpiece with european feelings.
Filled with musical gems.......2004-02-17
This comprehensive edition is a must have for fans of the movie and of the Gershwins. The outtakes, contrary to the first review above, are excellent. Gene Kelly offers a wonderful vocal of "I've Got a Crush on You" and his short riff on "'S Wonderful" is almost like an acoustic version, much different than the over-the-top duet in the movie. And the Oscar Levant piano pieces are as close to George sitting down at the keys as we're going to get.
TOO LONG !!!!!!!!!!!.......2002-06-17
I would not suggest buying this version of this sondtrack!!! The underscores and the extra tracks that are not featured in the film are not neccesary. Rhino records puts the extras out to jack up the price of the CD (making one LP into 2 CDs).
I would buy the ORIGINAL CAST SOUNDTRACK released by MGM records. You will enjoy this version ever so much more without all the extras!!!
GERSHWIN'S TALENT.......2001-08-12
Many agree that the talented George Gershwin is a fabulous pianist, and alongside Ira, he helped to create some of the most beloved music ever. After viewing the movie that was filled with song and dance, I was pleased to discover that the soundtrack was readily available. The plot of An American in Paris mainly focuses on the lives of three friends and their dreams in addition to the romance that they encounter in the most popular European city. Gene Kelley is a struggling artist who soon falls in love, and the many songs in this cd express his emotions. Who wouldn't want to dance to Gershwin's spectacular tunes such as "Embraceable You?" These original songs included in this two cd set are well worth the price. Furthermore, "I'll Build a Stairway to Paradise" is a true favorite with unique lyrics. Don't miss out on this must have cd collection.
Ga Ga for Gershwin.......2000-12-13
Nearly every popular Gershwin tune is represented here, either as an instrumental, a vocal, or a production number. I am not a big fan of the film, but the soundtrack is fabulous. There are some stereo tracks here, too. Yet another triumph in the Turner/Rhino soundtrack collection of MGM films.As a sidenote I would like to thank Rhino for their extremely co-operative staff. When I bought this CD I opened up the very extensive booklet and was disappointed to find that due to an error on the assembly line I had received an insert that had some pages repeated and others deleted. I contacted Rhino and they sent me a new booklet which arrived within a week! That's what I call excellent customer service. The really neat thing is the fact that I have both booklets. The flubbed copy is sort of a collector's item to me.
Average customer rating:
- Mixed feelings
- Your love for this superb collection will be here to stay...
- He's done it again
- Absolutely 'S WONDERFUL!
- A beautiful 2 disc CD-another hit for Michael
|
The Michael Feinstein Anthology
Manufacturer: Elektra / Wea
ProductGroup: Music
Binding: Audio CD
All Works by Gershwin
| Gershwin, George
| ( G )
| Featured Composers, A-Z
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All Works by Porter
| Porter, Cole
| ( P )
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Rodgers, Richard
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Similar Items:
- Romance on Film/Romance on Broadway
- Hopeless Romantics
- Isn't It Romantic
- Nice Work If You Can Get It: Songs by the Gershwins
- Michael & George (Feinstein Sings Gershwin)
ASIN: B000065DVH
Release Date: 2002-05-21 |
Tracks:
- Nice Work If You Can Get It
- Isn't It Romantic
- Swinging On A Star
- Ask Me Again
- Rhode Island Is Famous For You
- 'S Wonderful
- Wonder Why
- Too Marvelous For Words
- Where Do You Start
- Theme From The Bad And The Beautiful
- Easy To Love
- Alexander's Ragtime Band
- Who Are You Now?
- You're An Education
- You Are There
- Sophisticated Swing
- Love Can Change The Stars
- Come Out, Come Out Wherever You Are
- Half Of April (Most Of May)
- Marianne
- They Can't Take That Away From Me
- I Love A Piano
Tracks:
- That's Entertainment
- My Favorite Year
- Ten Feet Off The Ground (With Rosemary Clooney)
- I Never Felt Better
- Someone To Watch Over Me
- Kiss Her Now
- The Ugly Bug Ball
- For You, For Me, Forever More
- The Mole People
- And So To Bed
- You're All The World To Me
- Old Friend
- Isn't It A Pity (with Rosemary Clooney)
- Pattisserie
- Open Your Eyes
- For Love Alone
- I Won't Send Roses/Time Heals Everything
- Get Out And Get Under The Moon (with Page Cavanaugh)
- My Romance
- Love Is Here To Stay
- Violin (with Liza Minnelli)
Amazon.com
The line between evangelist and entertainer has always been somewhat indistinct. But as showcased on this 43-track, double-disc collection culled from his '87-'96 recordings for Elektra/Nonesuch/Atlantic, Michael Feinstein's dedication to spreading the gospel of the American song often blurs it beyond recognition. While the singer's pedigree for the task is impeccable (a long-term stint as Ira Gershwin's assistant and early career sponsorship by Liza Minnelli), his interpretations often succeed by playing off a tense axis of fervent emotionalism and a joyous sense of irreverence.
If his readings of romantic standards can sometimes tend toward the precious, they're often balanced here by sheer dramatic power and telling insights ("Isn't It Romantic" fairly bristles with ironic chauvinism) and a few loopy curves ("The Mole People," the Sherman Brothers' "The Ugly Bug Ball," and the previously unreleased "Rhode Island Is Famous for You"). Feinstein's dedicated song archaeology is also showcased on several gems: "Violin," a duet with Liza Minnelli; "My Favorite Year," a rejected ballad for the film of that name; the sublime "lost" Gershwin classic "Ask Me Again."
Sprinkled with live performances (the forum where Feinstein's talents seem most energized) and studio outtakes and featuring a lengthy print interview with the singer, the set chronicles both the pioneering efforts of one of pop music's most successful revivalists and, crucially, the cream of his beloved American songwriters, from stalwarts Gershwin, Berlin, and Porter to later legends like Herman, Styne, Lane, Martin, and Mercer. --Jerry McCulley
Album Description
The definitive collection of performances by the Grammy nominated singer features 43 tracks from 14 albums released by Elektra, Elektra Nonesuch, and Atlantic labels from 1987-1996. Plus 8 previously unreleased live tracks only available here 'Rhode Island is Famous For You', 'S Wonderful', 'Alexander's Ragtime Band', 'I Love A Piano', 'Patisserie', 'Get Out And Get Under The Moon' (with Page Cavanaugh), 'Love Is Here To Stay' & 'Violin' (with Liza Minnelli). 2 Digipacks housed in a slipcase with a booklet. Rhino Records. 2002.
Customer Reviews:
Mixed feelings.......2005-10-05
This album has some GREAT songs on it; sophisticated swing being one of my favorites. However many of the other songs are too operatic and lame. I give three stars but this album is definatly worth it just for some of the better songs.
Your love for this superb collection will be here to stay..........2002-07-18
The magnificently talented Michael Feinstein has made one wonderful album after another for nearly two decades. Now that Elektra and Rhino have put together this anthology, I am blown away by the versatility and diversity in Feinstein's recorded output. Such amazing rare gems, combined with the most beloved favorites in the history of American Popular Song. Assembled with wit, intelligence, and obvious affection on the part of the record company, this set is a keeper. You'll love it!
He's done it again.......2002-07-15
Is there anything this man can't sing? This collection is so varied as to be the definitive collection of songs for any occassion.
This is perfect background music for a dinner party for a whole group but especially for two. Light, romantic and just gorgeous. You just can't go wrong when Michael Feinstein is your musical choice.
Way to go Michael, you've done it again!
Absolutely 'S WONDERFUL!.......2002-06-10
There are very few contemporary performers who can hold their own with the truly great interpreters of American popular song. Michael Feinstein is truly the ONLY performer of the "younger" generation who really understands what these songs are all about. His incredible knowledge of this music, and his enthusiasm and passion for it have fueled his career. Rhino Records has done a truly outstanding job of putting together an anthology that exemplifies why Mr. Feinstein has become so beloved by audiences around the world. The packaging is excellent, and filled with interesting photos and background information about many of the selections.
This collection not only contains all the favorites one would expect, but a neat group of surprises too. I especially love the duets with people like Liza Minnelli and Rosemary Clooney, and the various collaborative efforts with songwriters like Jule Styne and Burton Lane accompanying Michael at the piano.
This collection is a classic to be treasured. Bravo Michael!
Bravo Rhino!
A beautiful 2 disc CD-another hit for Michael.......2002-06-09
I have every CD Michael has ever made and this is by far one of the best ones because of Michael's range in singing and his wonderful singing voice. I love his duets with Rosemary Clooney and Liza Minelli. He is a wonderful performer on this double CD and am looking foward to the next CD.
Average customer rating:
- Let the Buyer Beware
- Historical and Pristine
- "Rhapsody In Blue"
|
Gershwin Plays Rhapsody in Blue
Manufacturer: Shout Factory
ProductGroup: Music
Binding: Audio CD
All Works by Gershwin
| Gershwin, George
| ( G )
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Similar Items:
- Gershwin Plays Gershwin: The Piano Rolls
- Gershwin: Rhapsody In Blue/An American In Paris
- The Gershwin Plays Gershwin: The Piano Rolls, Vol. 2
- Levant Plays Gershwin
- Gershwin: Rhapsody in Blue - Piano Concerto in F - An American in Paris
ASIN: B000098ZSS
Release Date: 2003-05-13 |
Tracks:
- Rhapsody In Blue
- An American In Paris
- Swanee
- Walkin' The Dog
- Let's Call The Whole Thing Off
- Somebody Loves Me
- Our Love Is Here To Stay
- S'Wonderful
- Embraceable You
- Oh, Lady Be Good
Customer Reviews:
Let the Buyer Beware.......2007-01-12
I do not disagree on any level with the other reviewers of this CD. However, the content is recorded from piano rolls rather than directly from the artist. This fact is not explicitly presented on the web page. Yes, if one clicks on the CD cover photo to get an enlarged image, one can read "First recording 1924 from rare piano rolls" at the bottom in small type. Not everyone will do this however. For this reason alone I only rate this product 3 stars.
Historical and Pristine.......2006-12-22
This compilation of Gershwin selections taken from the piano rolls of the composer offer a perfect introduction to the music of Gershwin, offering a balance between his serious symphonic pieces and his accessible popular songs. Beginning with two of his concert works, "The Rhapsody in Blue" and "An American in Paris," the CD just hints at what the composer accomplished in the concert hall and the world of serious music. To my understanding, the "Rhapsody in Blue" was originally performed at a concert titled 'An Experiment in Modern Music' in 1924 at Aeolian Hall in New York. The piece was performed by an orchestra with Paul Whiteman as director, and with the composer at the piano as part of a concert experiment in jazz. The version on this CD is a piano adaptation created by the composer based off of the original symphonic work.
"An American in Paris" is also a concert work that did not achieve the widespread adoration that the Rhapsody has garnered. It was intended by the composer to capture the emotions of a tourist visiting Paris, and was purportedly auto-biographical. It was performed in 1928 at New York's Carnegie Hall with Walter Damrosch conducting the New York Philharmonic. It received mixed reviews at the time but remains a favorite of Gershwin's classical works. Like the "Rhapsody," the version included here is a piano adaptation of the original orchestral work.
The remaining works on the CD are those of a popular composer, the flipside of Gershwin's career. No other American composer (or any for that matter) has strattled these two different fields of music with the success with which George Gershwin did. And the popular songs, among them, "Embraceable You," "Let's Call the Whole Thing Off," and "Love is Here to Stay" have achieved enormous pop culture penetration and secure Gershwin's place in history as a master of popular song composition. Notably missing from this CD, however, are Ira Gershwin's contributions, i.e. the words, which add an element important to these songs' true place in history. Along with Ira's contributions come the countless Gershwin vocal interpreters who helped to realize these songs' true significance and their dispersion throughout the American popular music idiom.
On these versions, it is simply Gershwin playing his works (albeit the recordings are taken from his piano rolls, not an actual live recording). In these arrangements, the melodies are incorporated into lush and often convoluted harmonic accompaniment, in which the melody often becomes lost (i.e., the bridge or B section of "Oh, Lady Be Good!"). However, the opportunity to hear the composer express the harmonic possibilities of these disguisingly "simple" American tunes is truly a valuable one. The particular bouncing style with which Gershwin jumps from chord to chord to accompany his melodies is clearly apparent on many of these tunes, and that is an aspect borrowed from Ragtime that contributes to Gershwin being labeled as a uniquely "American" styled composer. The idiosyncracy of his composition and playing are tied together and come to life on this CD. The harmonic statements are sophisticated and evasive to the common ear, and the rhythmic precision and prolificity are legendary. Together with the melody, these elements of the musical composition on which Gershwin demonstrates mastery come together to produce a truly quintessential and essential Gershwin compilation.
"Rhapsody In Blue".......2006-07-12
"This piece (Rhapsody In Blue) seemed to sweep through my mind. It was the heart of America, the feverishness of life, the musical welter of races, of peoples, their joys and their passions, their dissipations and their exaltations." ~ George Gershwin (September 26, 1898 - July 11, 1937) ~
Today, July 11, 2006, marks the 69th death anniversary of one of America's most versatile songwriters, George Gershwin. The birth of one of my favorite jazz-infused-classical pieces, "Rhapsody In Blue" in 1924 made Mr. Gershwin an overnight and sensational star and had gained him a worldwide recognition. He had been my late parents' (and mine, too) favorite composer along with Irving Berlin, Jerome Kern and Cole Porter. His harmonious collaboration with his brother, Ira Gershwin, had produced the most beautiful songs of all-time. They were the most prolific team of songwriters and their compositions have been recorded countless times by famous interpreters of Great American Songbook such as Frank Sinatra, Ella Fitzgerald, John Coltrane, Tony Bennett, Miles Davis, Oscar Peterson, Joe Pass, Michael Feinstein, Natalie Cole, Linda Ronstadt, Rod Stewart, Steve Tyrell, Diana Krall, John Pizzarelli, Michael Bublé and Chris Botti, among many others.
This CD is a musical treasure and one that I would strongly recommend not only to any Gershwin enthusiast but also to any new fan for this includes the original recording of "Rhapsody In Blue" from rare Piano Rolls. The sound quality is just terrific. It highlights two of his major works - "Rhapsody In Blue" (1924) and "An American In Paris" (1928). It also features some of his well-known popular songs and favorites of mine, my parents' theme songs "Our Love Is Here To Stay" and "Embraceable You." It has been said that Mr. Gershwin functioned best and had written his very best compositions at 3 o'clock in the morning and when he finish eight bars that he likes, he can finish a chorus in a few minutes, like the songs "`S Wonderful" and "Let's Call The Whole Thing Off." This recording also includes "Swanee," "Walkin' The Dog," "Somebody Loves Me," and "Oh, Lady Be Good."
It's so amazing that he composed frequently and never run out of inspirations for writing melodic tunes that are so pleasing to the ears. He can write three to five songs in a single afternoon. When he completed the melody of a song, he gives it to Ira to write words to it. He was such a genius and played the piano by ear after a fashion, tapping out the tunes with a finger.
Not known to many, Mr. Gershwin had tried his hand at painting. I've seen a portrait of himself that he painted a year before his death from brain cancer, and I would say, it's a beautiful work of art, almost like a work of a professional painter. He could have been a great painter.
George Gershwin will always be remembered as one of the greatest 20th Century composers and his music will always linger in the hearts of music lovers like me who truly appreciate and enjoy fine music.
Average customer rating:
- kiri kern
- Kiri sing Kern is a great experience
- Lacks Splendor
- White Glove Kern
- mildly disappointing
|
Kiri Sings Kern: Dame Kiri TeKanawa
Dame Kiri TeKanawa , Jerome Kern , Jonathan Tunick , and London Sinfonietta
Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD
Chamber Music
| Forms & Genres
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
General Modern
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
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| Music
Vocal & Song
| Modern, 20th, & 21st Century
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Similar Items:
- Kiri Sings Gershwin
- Kiri Sings Porter; Dame Kiri TeKanawa
- Kiri Sings Berlin
- Kiri! Her Greatest Hits Live
- Kiri Te Kanawa - Greatest Hits ~ 14 Favorites of Opera, Popular & Traditional Song
ASIN: B000002SK3
Release Date: 1993-03-16 |
Tracks:
- The Songs Of Jerome Kern: The Folks Who Live on the Hill
- The Songs Of Jerome Kern: I'm Old Fashioned
- The Songs Of Jerome Kern: The Way You Look Tonight
- The Songs Of Jerome Kern: The Song Is You
- The Songs Of Jerome Kern: Smoke Gets In Your Eyes
- The Songs Of Jerome Kern: All Through The Day
- The Songs Of Jerome Kern: The Last Time I Saw Paris
- The Songs Of Jerome Kern: A Fine Romance
- The Songs Of Jerome Kern: Yesterdays
- The Songs Of Jerome Kern: All The Things You Are
- The Songs Of Jerome Kern: Bill
- The Songs Of Jerome Kern: Long Ago And Far Away
- The Songs Of Jerome Kern: Look For The Silver Lining
- The Songs Of Jerome Kern: Can't Help Lovin' Dat Man
Amazon.com
As Hammerstein writes in the opening song, "Many dames with lofty aims strive for lofty goals"--and Te Kanawa strives for successful crossover. Her beautiful singing exhibits impeccable diction and excellent phrasing; but "A Fine Romance" lacks anger and humor, "Smoke Gets in Your Eyes" lacks a storyteller, and "All the Things You Are" lacks romanticism. However, happy songs like "All Through the Day," "Look for the Silver Lining," and "The Folks Who Live on the Hill," are successfully interpreted. Jonathan Tunick's orchestrations enhance Kern's beauty through his captivating use of obbligato instruments. A pleasant, if not wholly satisfactory, listening experience. --Barbara Eisner Bayer
Customer Reviews:
kiri kern.......2007-03-29
Kiri is sensational on this CD. Jerome Kern music is stupendous and the arrangements superb. Three top esses.
Kiri sing Kern is a great experience.......2004-01-18
I love the way she sings Kern's songs. Though certainly not opera, Kern's songs benefit from an an operatic approach--not all of them, but certainly ones such Smoke gets in your Eyes, The song is you, All the things you are. I love Kern;s songs sung in many styles but Kiri's way is one of the best.
On the other hand, I did not like Kiri singing Berlin.
Lacks Splendor.......2002-09-01
Though I do enjoy Kiri's interpretation of most music, and this CD was decent, I did not find any piece particularly memorable.
The voice is undeniably beautiful, and Kiri has managed to keep her maturing voice sounding somewhat young, yet I find that I much prefer her rendition of "The Laughing Song" to that of "Smoke Gets in YOur Eyes."
If you love Kern, and couldn't care less who performs it, than purchase this CD. If you are a fan of Kiris', then perhaps it would be best to avoid this purchase...for it is not a shining star in her vast collection of CDs. All in all, it was a disappointment.
White Glove Kern.......2001-05-20
I am the first to admit that most "crossover" albums, be they of classical performers singing pop or vice versa never quite cross over. This album does splendidly. Kern's music is the most related to classical operetta , and therefore the least jazziest. Operatic soprano Kiri Te Kanawa gives luscious, heartfelt readings of these wonderful songs, backed by glamorous orchestrations. Hearing a voice of such opulence and beauty in this music is a rare treat. Just listen to "Smoke Gets In Your Eyes" ,"Long Ago and Far Away" or "The Song is You" and prepare to be swept away to another, more elegant time.
mildly disappointing.......2000-09-30
Sometimes cross-over works, sometimes not. While Kiri te Kanawa has a beautiful voice, she never gets into the idiom of these Jerome Kern masterpieces sufficiently to convey their stories or their subtleties. Smoke Gets in Your Eyes especially stands out, she sings it with none of the pathos the song demands and her version pales compared to the Platters. The orchestral arrangements are decent and in many of the songs the purity of her voice is enough to carry them, but overall I would say this is a disappointing example of a crossover record. Ms. te Kanawa should stick to what she does best.
Average customer rating:
|
Menuhin & Grappelli Play...
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD
Duke, Vernon
| ( D )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Gershwin
| Gershwin, George
| ( G )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Porter
| Porter, Cole
| ( P )
| Featured Composers, A-Z
| Classical
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Rodgers, Richard
| ( R )
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- Menuhin & Grappelli Play Berlin, Kern, Porter & Rodgers & Hart
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- Jazz in Paris: Oscar Peterson-Stephanie Grapelli Quartet, Vol. 1
ASIN: B0002Z83LG
Release Date: 2005-02-15 |
Tracks:
- Fascinatin' Rhythm
- Soon
- Summertime
- Embraceable You
- Liza
- A Foggy Day
- 'S Wonderful
- The Man I Love
- I Got Rhythm
- He Loves And She Loves
- They Can't Take That Away From Me
- They All Laughed
- Funny Face
- Our Love Is Here To Stay
- Lady Be Good
- These Foolish Things
- Laura
- April In Paris
- Autumn Leaves
- Autumn In New York
Tracks:
- Cheek To Cheek
- Isn't This A Lovely Day?
- Change Partners
- Top Hat, White Tie And Tails
- I've Got My Love To Keep Me Warm
- Heat Wave
- The Way You Look Tonight
- Pick Yourself Up
- A Fine Romance
- All The Things You Are
- Why Do I Love You?
- I Get A Kick Out Of You
- Night And Day
- Looking At You
- Just One Of Those Things
- My Funny Valentine
- Thou Swell
- The Lady Is A Tramp
- Blue Room
- Jealousy
- Skylark
Customer Reviews:
Most beautiful music.......2005-08-17
This is happy music.
Just plain happy, instrumental music.
Highly recommend to everyone.
Average customer rating:
- Elly Ameling now more available
- Delight in every note
- While they last...
- Treasures From a Treasure
- More than fully earned praise for an exceptional singer.
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Artistry of Elly Ameling (Coll)
Elly Ameling
Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Elly Ameling ~ Schubert · Schumann - Songs
- Philips and Decca Recordings, 1961-1979 (Limited Edition)
- Fauré - Mélodies / Souzay · Ameling · Baldwin
- The Very Best of Lucia Popp
- Ave Maria--Lieder
ASIN: B00007KMSJ
Release Date: 2003-10-14 |
Tracks:
- Matthaus-Passion
- Johannes-Passion
- Weihnachts-Oratorium
- Juditha Triumphans
- Messiah
- Crudel Tiranno Amor
- Die Schopfung
- Orlando Paladino
- 7 Lieder
- Le Nozze Di Figaro
- Exsultate, Jubilate Ch'io Mi Scordi Di Te, K505
- Misera! Dove Son! K369
- 18 Lieder
- Frauenliebe Und- Leben
- 11 Lieder
- 20 Morike-Lieder
Customer Reviews:
Elly Ameling now more available .......2007-03-07
I had a 33 rpm album of Elly Ameling singing Schubert lieder accompanied by piano and clarinet at times. It was one of my all time favorite albums so I have been disappointed that I have not been able to find it anywhere on CD.
Now I can just buy this excellent collection. So much music in one place! Since I confess that I am far from an expert on the rest of her records, I look forward to hearing her sing many other styles and composers.
I think it is silly to criticize her for not singing Wagner, for example, since her version of many songs, especially lieder, are nothing short of sublime. I would like to hear how many Wagnerians sing Schubert or Mozart.
I doubt if they could approach the skill and soul with which Elly Ameling sings lieder.
Delight in every note.......2006-03-10
To speak as briefly as possible about this superb collection from an equally superb singer, what can I say but that Ms Ameling possessed a voice that shone with radiant warmth and star-like shimmer? And unlike many another light lyric soprano, Elly Ameling was possessed of a very high standard of musicianship, considerable intelligence, and a sort of immediate charm that captivates the listener.
So many of her recordings have still to be released on CD, but this 5CD-set goes some way towards remedying the situation. The repertoire spans a wide variety - French mèlodies, Lieder, light-hearted "sentimental" songs, Bach, etc. - and in each piece, Ms Ameling shows that quality of pearl-like beauty. It is a beauty which is also extremely pretty - a beauty of voice that is never overbearing and over-ripe, but perfectly blossoming upon the tree of inspiration.
I recommend this set unequivocally. It truly is sheer delight.
While they last..........2005-05-17
Elly Ameling held the quiet stage for recitals of great artistry and dignity for several decades and sadly most of the enormously successful CDs of her long career output are now unavailable. For those who have little access to the documentation of this very special artist, this box set is a must. It is a compilation of many of her recordings with differing accompanists, conductors, orchestras and composers. And while not all of the choices for inclusion here would be considered her greatest moments, there are enough works that sustain the warm memories of the little Dutch hausfrau who quietly and simply paid homage to composers with her clear and intelligent musicianship and radiant voice.
Ameling was known to schedule recitals of Schubert cycles and songs and in the afterglow of her performance answer the demand for curtain calls with additional Schubert melodies: she gifted her audience with the dignity of honoring a composer's works by maintaining the focus on that composer rather than milk the audience with the usual encore applause-getting favorites. And special moments such as quietly and pensively strolling through the orchestra during the Mahler 4th symphony to arrive at front stage, unapplauded, just in time for the opening line of her singing - those simple homage to composers and collaborators made her selfless manner endearing to audiences.
Despite the fact that Ameling's voice was on the small side she was always able to muster the projection to carry her message solidly in context with an orchestra. Yes, other more famous singers have recorded Ravel's quintessentially French SHEHERAZADE, but few have the perfection of diction and aura of mystery that Ameling maintained. Whether singing with piano or orchestra, or interpreting Bach, Mozart, Handel, and Vivaldi with the same degree of involvement as Brahms and Schumann and Schubert, Elly Ameling spanned a career that engendered passionate commitment from her fans. And this boxed set is a pocket full of memories to be treasured. Buy it before this too becomes unavailable. Grady Harp, May 05
Treasures From a Treasure.......2004-09-25
Treasures from a Treasure.
Ameling, one of the world's most beloved recitalists is captured here in a 5 CD collection offering some of her most beautiful recordings of song. While we are used to her perfection in songs of Bach, Mozart, Schubert, Schumann, Faure and Hahn, an added joy is her "pop" side, tackling - without a whiff of pretension, Porter, Kern, Gershwin, Ellington, et al.
What an absolute joy it is listening to this amazing artist sing these songs with an almost uncanny natural ease. There is no resorting to a "pop" voice and yet most of these pop standards songs sound as though they could have been written for her. Clean attacks, sometimes a bit of the pop technique of hanging on to a consonant longer than a classical artist normally would shows an appreciation and understanding of the style. Still, there is never once a compromise of her vocal beauty.
I like the way the songs have been arranged for her voice in that she sort of sings them clean, unaffected in the first half and then lets loose and kinda "swings" with it adding embellishments but never really changing her voice (Price, von Stade and other favorite singers of mine seem to have always added a breathy quality to much of their crossover material.)
Ameling doesn't resort to trying to "let her hair down" or get down and dirty, but rather the honest with which she approaches every one of these songs shows how much she enjoys singing them and her style is as refreshing as stumbling onto a cool spring on a sweltering summer's afternoon. A wonderful surprise.
More than fully earned praise for an exceptional singer........2003-07-15
As I had the privilige of hearing this outstanding Lied-singer during her long career in Holland and being the proud possessor of almost all her recordings, I cannot but fully agree with the professional and joyful review of Mr. Robert Holliston from Victoria, B.C. Canada.
Yes, it is unbelievable that of about the 150 recordings Mrs. Ameling made during her long career (for the greater part of course on the 'oldfashioned' LP's, as well as the innumerable Dutch live-recorded radio-concerts), so few CD's have been released.
Speaking of tradition: it was the page-turner of the Wigmore Hall in London who told Mrs. Ameling after her first recital in this hall, that she reminded him of Elisabeth Schumann. (And he certainly didn't mean her looks only!)
For those who are eager to hear her singing Ravel's Shéhérazade (just one example of stirring imagination combined with her Art of Singing) I can tell you that Philips released a 2-box CD of this work in 1999, combined with Debussy's La Damoiselle élue and a compilation of French mélodies, i.e. Debussy, Fauré, Duparc, Satie. One of the gems is Caplet's Le Corbeau et le Renard which even make children, who know the fables of La Fontaine, revel in the singing of the quarrelsome birds....
Her brilliant accompanyist is Rudolf Jansen. Let us cherish great artists in their art!
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Music