Act One-Sing, Too [Import] [Limited Edition] [Original recording remastered]

Editorial Reviews
Album Details
Japanese version 24 bit digitally remastered in a LP style sleeve cover.

Act One-Sing, Too, Music, Polly Bergen, Easy Listening/Vocal, Pop, Pop Vocals, Traditional Pop
Act One-Sing, Too
Average customer rating: 5 out of 5 stars
  • Top Singer!!
 Act One-Sing, Too
Polly Bergen
Manufacturer: Universal
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Jazz | Styles | Music
Traditional Jazz GeneralTraditional Jazz General | Traditional Jazz & Ragtime | Jazz | Styles | Music
Traditional Vocal PopTraditional Vocal Pop | Broadway & Vocalists | Styles | Music
GeneralGeneral | Vocal Pop | Pop | Styles | Music
Traditional PopTraditional Pop | Oldies | Pop | Styles | Music
JazzJazz | Imports | Stores | Music
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  1. Happiness Is a Warm Sue Raney
  2. Early Years
  3. Sings for Johnny Smith
  4. Lucky Lucy Ann

ASIN: B000KJTJJ4
Release Date: 2007-01-29

Tracks:

  1. Continental
  2. They Can't Take That Away from Me
  3. Way You Look Tonight
  4. Through a Long and Sleepless Night
  5. As Time Goes By
  6. Cheek to Cheek
  7. Easy to Love
  8. For Every Man There's a Woman
  9. Bye Bye Baby
  10. You'd Be So Nice to Come Home To
  11. Hi-Lili-Hi-Lo
  12. Aren't You Glad You're You

Customer Reviews:

5 out of 5 stars Top Singer!!.......2007-03-09

Polly Bergen is one of the most underrated of singers. In this album she proves as much.I love the feeling, emotion she puts in every song like it was written specifically with her in mind, When Bergen sings one can hear the lyrics unlike some singers I've listened to. Anyone who loves good music, done the right way, will enjoy this CD. Also provides a good selection of songs. Only negative is that the CD is not in stereo, but the sound is real clear.I wish Bergen would have recorded more music.
The Best of Gilbert & Sullivan
Average customer rating: Not rated
    		The Best of Gilbert & Sullivan

    Manufacturer: Angel Records
    ProductGroup: Music
    Binding: Audio CD

    All Works by SullivanAll Works by Sullivan | Sullivan, Arthur | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
    General ModernGeneral Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
    Brannigan, OwenBrannigan, Owen | ( B ) | Featured Performers, A-Z | Classical | Styles | Music
    GeneralGeneral | Classical | Styles | Music
    GeneralGeneral | Opera & Vocal | Styles | Music
    OperettasOperettas | Opera & Vocal | Styles | Music
    ASIN: B00004SSJR
    Release Date: 2002-11-05

    Tracks:

    1. The Mikado: Overture
    2. The Mikado: A Wandering Minstrel I
    3. The Mikado: Our Great Mikado, Virtuous Man
    4. The Mikado: Young Man, Despair
    5. The Mikado: Behold The Lord High Executioner!...Taken From The County Jail
    6. The Mikado: As Some Day It May Happen
    7. The Mikado: Three Little Maids From School Are We
    8. The Mikado: Were You Not To Ko-Ko Plighted
    9. The Mikado: I Am So Proud
    10. The Mikado: The Sun, Whose Rays
    11. The Mikado: Here's A How-De-Do!
    12. The Mikado: Miya Sama (Entrance Of The Mikado)
    13. The Mikado: A More Humane Mikado Never
    14. The Mikado: The Criminal Cried
    15. The Mikado: See How The Fates Their Gifts Allot
    16. The Mikado: The Flowers That Bloom In The Spring
    17. The Mikado: Alone, And Yet Alive!...Hearts Do Not Break!
    18. The Mikado: On A Tree By A River
    19. The Mikado: There Is Beauty In The Bellow Of The Blast
    20. The Mikado: For He's Gone And Married Yum-Yum
    21. Trail By Jury: The Learned Jungle
    22. H.M.S. Pinafore: I'm Called Litttle Buttercup
    23. H.M.S. Pinafore: My Gallant Crew...I Am The Captain Of The Pinafore
    24. Sorry Her Lot Who Loves Too Well
    25. H.M.S. Pinafore: When I Was A Lad I Served A Term

    Tracks:

    1. H.M.S. Pinafore: Fair Moon, To Thee I Sing
    2. H.M.S. Pinafore: Things Are Seldom What They Seem
    3. H.M.S. Pinafore: The Hours Creep On Apace
    4. H.M.S. Pinafore: Never Mind The Why And Wherefore
    5. The Pirates Of Penzance: Oh, Better Far To Live And Die
    6. The Pirates Of Penzance: Oh, Is There Not One Maiden Breast
    7. The Pirates Of Penzance: Poor Wandering One!
    8. The Pirates Of Penzance: I Am The Very Model Of A Modern Major-General
    9. The Pirates Of Penzance: When The Foeman Bears His Steel
    10. The Pirates Of Penzance: Ah, Leave Me Not To Pine
    11. The Pirates Of Penzance: When A Felon's Not Engaged In His Employment
    12. The Pirates Of Penzance: With Cat-Like Tread
    13. Patience: The Soldiers Of Our Queen...If You Want A Receipt For That Popular Mystery
    14. Patience: Am I Alone And Unobserved...If You're Anxious For To Shine
    15. Patience: Sad Is That Woman's Lot...Silvered Is The Raven Hair
    16. Patience: A Magnet Hung In A Hardware Shop
    17. Patience: Love Is A Plaintive Song
    18. Patience: So Go To Him And Say To Him
    19. Patience: When I Go Out Of Door
    20. Patience: After Much Debate (Finale Act 2)
    21. Iolanthe: When I Went To The Bar As A Very Young Man
    22. The Lady Of My Love...(Finale Act 1)

    Tracks:

    1. When All Night Long A Chap Remains
    2. When Britain Really Ruled The Waves
    3. When You're Lying Awake With A Dismal Headache
    4. If You Go In, You're Sure To Win
    5. Ruddigore: My Boy, May Take It From Me
    6. Ruddigore: The Battle's Roar Is Over
    7. Ruddigore: In Sailing O'er Life's Ocean Wide
    8. Ruddigore: You Understand?
    9. Ruddigore: When The Night Wind Howls
    10. Ruddigore: My Eyes Are Fully Open
    11. Ruddigore: There Grew A Little Flower
    12. The Gondoliers: We're Called Gondolieri
    13. The Gondoliers: From The Sunny Spanish Shore...In Enterprise Of Martial Kind
    14. The Gondoliers: I Stole The Prince
    15. The Gondoliers: When A Merry Maiden Marries
    16. The Gondoliers: Take A Pair Of Sparkling Eyes
    17. The Gondoliers: Dance A Cachucha, Fandango, Bolero
    18. The Gondoliers: There Lived A King, As I've Been Told
    19. The Gondoliers: I Am A Courtier Grave And Serious
    20. The Yeoman Of The Guard: I Have A Song To Sing, O!
    21. The Yeoman Of The Guard: How You Say Maiden, Will You Wed
    22. The Yeoman Of The Guard: Where I Thy Bride
    23. The Yeoman Of The Guard: Oh! A Private Buffoon Is A Light Hearted Loon
    24. The Yeoman Of The Guard: Comes The Pretty Young Bride
    The Ultimate Lotte Lenya Collection
    Average customer rating: Not rated
      		The Ultimate Lotte Lenya Collection

      Manufacturer: Bear Family
      ProductGroup: Music
      Binding: Audio CD

      BalletsBallets | Ballets & Dances | Classical | Styles | Music
      All Works by BlitzsteinAll Works by Blitzstein | Blitzstein, Marc | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
      Eisler, HannsEisler, Hanns | ( E ) | Featured Composers, A-Z | Classical | Styles | Music
      All Works by WeillAll Works by Weill | Weill, Kurt | ( W ) | Featured Composers, A-Z | Classical | Styles | Music
      GeneralGeneral | Early Music | Historical Periods | Classical | Styles | Music
      Chamber MusicChamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
      General ModernGeneral Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
      Vocal & SongVocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
      General ContemporaryGeneral Contemporary | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
      GeneralGeneral | Classical | Styles | Music
      GeneralGeneral | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
      CantatasCantatas | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music
      Modern & 20th CenturyModern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music
      GeneralGeneral | Opera & Vocal | Styles | Music
      EnglishEnglish | Languages | Opera & Vocal | Styles | Music
      GermanGerman | Languages | Opera & Vocal | Styles | Music
      CantatasCantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music
      Musical TheaterMusical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music
      GeneralGeneral | Musicals | Broadway & Vocalists | Styles | Music
      GeneralGeneral | Easy Listening | Pop | Styles | Music
      GeneralGeneral | Vocal Pop | Pop | Styles | Music
      AustriaAustria | Continental Europe | Europe | International | Styles | Music
      Vocal JazzVocal Jazz | Jazz | Indie Music | Stores | Music
      ASIN: B0000251AF
      Release Date: 1999-03-22

      Tracks:

      1. 'Happy End': Surabaya-Johnny (1929)
      2. 'Happy End': Bilbao-Song (1929)
      3. 'Aufstieg Und Fall Der Stadt Mahagonny': Alabama-Song (1930) - Lotte Lenya/The Three Admirals
      4. 'Aufstieg Und Fall Der Stadt Mahagonny': Denn Wie Man Sich Bettet (1930) - Lotte Lenya/The Three Admirals
      5. 'Aufstieg Und Fall Der Stadt Mahagonny': Alabama-Song (1930)
      6. 'Aufstieg Und Fall Der Stadt Mahagonny': Denn Wie Man Sich Bettet (1930)
      7. 'Die Dreigoschenoper': Ouverture/Moritat/Ballade Vom Angenehmen Leben (1931) - Kurt Gerron/Willy Trenk-Trebitsch
      8. 'Die Dreigoschenoper': Liebeslied/Kanonensong (1931) - Kurt Gerron/Erika Helmke/Willy Trenk-Trebitsch/Chorus
      9. 'Die Dreigoschenoper': Die Seerauberjenny (1931) - Kurt Gerron/Lotte Lenya
      10. 'Die Dreigoschenoper': Erstes Dreigroschen-Finale (1931) - Kurt Gerron/Lotte Lenya/Erika Helmke/Erich Ponto
      11. 'Die Dreigoschenoper': Barbarasong/Eifersuchtsduett (1931) - Kurt Gerron/Lotte Lenya/Erika Helmke
      12. 'Die Dreigoschenoper': Abschied/Zweites Dreigroschen-Finale (1931) - Kurt Gerron/Erika Helmke/Willy Trenk-Trebitsch/Chorus
      13. 'Die Dreigoschenoper': Zuhalter-Ballade/Lied Von Der Unzulanglichkeit Menschlichen Strebens (1931) - Kurt Gerron/Willy Trenk-Trebitsch/Lotte Lenya/Erich Ponto
      14. 'Die Dreigoschenoper': Moritat/Schlusschoral (1931) - Kurt Gerron/Lotte Lenya/Chorus
      15. Querschnitt, 1. Tiel: 'Aufstieg Und Fall Der Stadt Mahagonny' (1932)
      16. Querschnitt, 2. Tiel: 'Aufstieg Und Fall Der Stadt Mahagonny' (1932)
      17. 'Happy End': Surabaya-Johnny (1943) - Lotte Lenya/Kurt Weill
      18. 'Aufstieg Und Fall Der Stadt Mahagonny': Denn Wie Man Sich Bettet (1943) - Lotte Lenya/Kurt Weill
      19. Complainte De La Seine (1943) - Lotte Lenya/Kurt Weill
      20. J'Attends Un Navire (1943) - Lotte Lenya/Kurt Weill
      21. 'Lost In The Stars': Lover Man (1943) - Lotte Lenya/Kurt Weill
      22. 'Lost In The Stars': Lost In The Stars (1943) - Lotte Lenya/Kurt Weill
      23. 'I've Got The Tune': And So The Last Thing, Too (1937 Interview) - Lotte Lenya/Marc Blitzstein/Shirley Booth

      Tracks:

      1. 'Die Dreigoschenoper': Moritat (1955)
      2. 'Die Dreigoschenoper': Barbara-Song (1955)
      3. 'Die Dreigoschenoper': Seerauberjenny (1955)
      4. 'Aufstieg Und Fall Der Stadt Mahagonny': Havanna-Lied (1955)
      5. 'Aufstieg Und Fall Der Stadt Mahagonny': Alabama-Song (1955)
      6. 'Aufstieg Und Fall Der Stadt Mahagonny': Denn Wie Man Sich Bettet (1955)
      7. 'Happy End': Bilbao-Song (1955)
      8. 'Happy End': Surabaya-Johnny (1955)
      9. 'Happy End': Was Die Herren Matrosen Sagen (Matrosen-Tango) (1955)
      10. 'Das Berliner Requiem': Ballade Vom Ertrunkenen Madchen (1955)
      11. 'Der Silbersee': Ich Bin Eine Arme Verwandte (1955)
      12. 'Der Silbersee': Casar-Ballade (1955)
      13. 'Die Sieben Todsunden': Prolog/Introduktion (1956) - Lotte Lenya/Julius Kantona/Fritz Gollnitz/Sigmund Roth/Ernst Poettgen
      14. 'Die Sieben Todsunden': Faulheit (1956) - Lotte Lenya/Julius Kantona/Fritz Gollnitz/Sigmund Roth/Ernst Poettgen
      15. 'Die Sieben Todsunden': Stolz (1956) - Lotte Lenya/Julius Kantona/Fritz Gollnitz/Sigmund Roth/Ernst Poettgen
      16. 'Die Sieben Todsunden': Zorn (1956) - Lotte Lenya/Julius Kantona/Fritz Gollnitz/Sigmund Roth/Ernst Poettgen
      17. 'Die Sieben Todsunden': Vollerei (1956) - Lotte Lenya/Julius Kantona/Fritz Gollnitz/Sigmund Roth/Ernst Poettgen
      18. 'Die Sieben Todsunden': Unzucht (1956) - Lotte Lenya/Julius Kantona/Fritz Gollnitz/Sigmund Roth/Ernst Poettgen
      19. 'Die Sieben Todsunden': Habsucht (1956) - Lotte Lenya/Julius Kantona/Fritz Gollnitz/Sigmund Roth/Ernst Poettgen
      20. 'Die Sieben Todsunden': Neid (1956) - Lotte Lenya/Julius Kantona/Fritz Gollnitz/Sigmund Roth/Ernst Poettgen
      21. 'Die Sieben Todsunden': Epilog (1956) - Lotte Lenya/Julius Kantona/Fritz Gollnitz/Sigmund Roth/Ernst Poettgen

      Tracks:

      1. 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 1, Szene 1 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
      2. 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 1, Szene 2 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
      3. 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 1, Szene 3 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
      4. 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 1, Szene 4 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
      5. 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 1, Szene 5 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
      6. 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 1, Szene 6 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
      7. 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 1, Szene 7 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
      8. 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 1, Szene 8 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
      9. 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 1, Szene 9 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
      10. 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 1, Szene 10 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
      11. 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 1, Szene 11 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
      12. 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 2, Szene 12 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
      13. 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 2, Szene 13 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn

      Tracks:

      1. 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 2, Szene 14 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
      2. 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 2, Szene 15a (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
      3. 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 2, Szene 15b (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
      4. 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 2, Szene 16 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
      5. 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 2, Szene 17 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
      6. 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 3, Szene 18 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
      7. 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 3, Szene 19 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
      8. 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 3, Finale (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn

      Tracks:

      1. 'Knickerbocker Holiday': September Song (1957)
      2. 'Knickerbocker Holiday': It Never Was You (1957)
      3. 'Lady In The Dark': Saga Of Jenny (1957)
      4. 'One Touch Of Venus': Foolish Heart (1957)
      5. 'One Touch Of Venus': Speak Low (1957)
      6. 'The Firebrand Of Florence': Sing Me Not A Ballad (1957)
      7. 'The Eternal Road': Song Of Ruth (July Version) (1957)
      8. 'Street Scene': Lonely House (1957)
      9. 'Street Scene': A Boy Like You (1957) - Lotte Lenya/Darryl Richard
      10. 'Love Life': Green-Up Time (1957)
      11. 'Lost In The Stars': Trouble Man (1957)
      12. 'Lost In The Stars': Stay Well (1957)
      13. 'Lost In The Stars': Lost In The Stars (1957)
      14. 'The Eternal Road': Song Of Ruth (August Version) (1957)
      15. 'The Threepenny Opera': Pirate Jenny (1954)
      16. 'The Threepenny Opera': Solomon-Song (1954)
      17. 'The Threepenny Opera': Tango-Ballad (1954) - Lotte Lenya/Scott Merrill
      18. 'The Threepenny Opera': Lenya & Blitzstein TV Interview (1954) - Lotte Lenya/Marc Blitzstein
      19. 'Johnny Johnson': Mon Ami, My Friend (1956)
      20. Young Blood (1969)
      21. Welcome Home (1969)

      Tracks:

      1. 'Die Dreigoschenoper': Ouverture (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
      2. 'Die Dreigoschenoper': Moritat (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
      3. 'Die Dreigoschenoper': Morgenchoral Des Peachum (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
      4. 'Die Dreigoschenoper': Anstatt-Dass-Song (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
      5. 'Die Dreigoschenoper': Hochzeitslied Fur Armere Leute (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
      6. 'Die Dreigoschenoper': Kanonensong (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
      7. 'Die Dreigoschenoper': Liebeslied (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
      8. 'Die Dreigoschenoper': Barbara-Song (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
      9. 'Die Dreigoschenoper': Erstes Dreigroschen-Finale (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
      10. 'Die Dreigoschenoper': Der Pferdestall (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
      11. 'Die Dreigoschenoper': Abschiedslied Der Polly (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
      12. 'Die Dreigoschenoper': Zwischenlied (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
      13. 'Die Dreigoschenoper': Ballade Von Der Sexuellen Horigkeit (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
      14. 'Die Dreigoschenoper': Die Seerauberjenny (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
      15. 'Die Dreigoschenoper': Zuhalter-Ballade (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
      16. 'Die Dreigoschenoper': Ballade Vom Angenehmen Leben (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
      17. 'Die Dreigoschenoper': Eifersuchtsduett (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
      18. 'Die Dreigoschenoper': Arie Der Lucy (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
      19. 'Die Dreigoschenoper': Zweites Dreigroschen-Finale (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
      20. 'Die Dreigoschenoper': Lied Von Der Unzulanglichkeit Menschlichen Strebens (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
      21. 'Die Dreigoschenoper': Solomon-Song (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
      22. 'Die Dreigoschenoper': Ruf Aus Der Gruft (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
      23. 'Die Dreigoschenoper': Ballade In Der MacHeath Jedermann Abbitte Leistet (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
      24. 'Die Dreigoschenoper': Der Reitende Bote (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
      25. 'Die Dreigoschenoper': Drittes Driegroschen-Finale (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
      26. 'Die Dreigoschenoper': Schlusstrophen Der Moritat (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...

      Tracks:

      1. 'Happy End': Introduktion (Hosiannah) (1960)
      2. 'Happy End': Bilbao-Song (1960)
      3. 'Happy End': Der Kleine Leutnant Des Lieben Gottes (1960)
      4. 'Happy End': Geht Hinein In Die Schlacht (Heilsarmee-Lied 1) (1960)
      5. 'Happy End': Was Die Herren Matrosen Sagen (Matrosen-Tango) (1960)
      6. 'Happy End': Bruder, Gib Dir Einen Stoss (Heilsarmee-Lied 2) (1960)
      7. 'Happy End': Das Lied Vom Branntweinhandler (1960)
      8. 'Happy End': Der Song Von Mandelay (1960)
      9. 'Happy End': Furchte Dich Nicht (Heilsarmee-Lied 3) (1960)
      10. 'Happy End': Surabaya-Johnny (1960)
      11. 'Happy End': Das Lied Von Der Harten Nuss (1960)
      12. 'Happy End': In Der Jugend Gold'Nem Schimmer (Heilsarmee-Lied 4) (1960)
      13. 'Happy End': Die Ballade Von Der Hollen-Lili (1960)
      14. 'Happy End': Der Kleine Leutnant Des Lieben Gottes (1960)
      15. 'Cabaret': So What? (1966)
      16. 'Cabaret': It Couldn't Please Me More (1966) - Lotte Lenya/Jack Gilford
      17. 'Cabaret': Married (1966) - Lotte Lenya/Jack Gilford
      18. 'Cabaret': What Would You Do (1966)
      19. 'Cabaret': Finale (1966) - Lotte Lenya/Bert Convy/Jill Haworth/Jack Gilford/Joel Grey

      Tracks:

      1. Unter Der Linde (1958)
      2. Menschlich Elende (1958)
      3. Das Rosenband (1958)
      4. Der Tod Und Das Madchen (1958)
      5. Abendlied (1958)
      6. Der Bauer (1958)
      7. Lebenspflichten (1958)
      8. Gesang Der Geister Uber Den Wassern (1958)
      9. Aus 'Romische Elegein' (1958)
      10. Gefunden (1958)
      11. Wo Bist Du Itzt (1958)
      12. Der Handschuh (1958)
      13. Hyperions Schicksalied/Aus 'Hymnen Der Nacht' (1958)
      14. Mondnacht (1958)
      15. Das Schloss Boncourt (1958)
      16. Kommen Und Scheiden (1958)
      17. Auf Geheimem Waldespfade (1958)
      18. Der Weiher (1958)
      19. Das Verlassene Magdlein (1958)
      20. Der Wirtin Tochterlein (1958)
      21. Mit Dummen Madchen (1958)
      22. Im Wunderschonen Monat Mai (1958)
      23. Ich Wollte Meine Lieder (1958)
      24. Nachtlich Am Busento (1958)
      25. Kehr Ein Bei Mir! (1958)
      26. Altassyrisch (1958)
      27. Die Musik Kommt (1958)
      28. Wer Weiss Wo (1958)
      29. Der Romische Brunnen (1958)
      30. Vereinsamt (1958)
      31. Der Werwolf (1958)
      32. Der Arbeitsmann (1958)
      33. Die Bieden (1958)
      34. Du Schlank Und Rein Wie Eine Flamme (1958)
      35. Spanische Tanzerin (1958)
      36. Ich Liebe Frauen (1958)
      37. An Den Leser (1958)
      38. Die Entwicklung Der Menschheit (1958)
      39. Der Vater (1958)
      40. Erinnerung An Die Marie A (1958)
      41. Von Der Freundlichkeit Der Welt (1958)
      42. Kinderkreuzzug (1958)

      Tracks:

      1. A Hunger Artist (1959)
      2. An Imperial Message (1959)
      3. A Fratricide (1959)
      4. The Care Of A Family Man (1959)
      5. Up In The Gallery (1959)
      6. A Dream (1959)
      7. The Bucket Rider (1959)
      8. Vergnugungen: What I Enjoy (Last Song) (1962) - Diane Clark/Anne Jackson/Lotte Lenya/Viveca Lindfors/George Voskovec/Michael Wager
      9. Inscription On A China Lion (The Lion) (1962) - Diane Clark/Anne Jackson/Lotte Lenya/Viveca Lindfors/George Voskovec/Michael Wager
      10. 'Die Dreigroscheneroper': The Solomon Song (1962) - Diane Clark/Anne Jackson/Lotte Lenya/Viveca Lindfors/George Voskovec/Michael Wager
      11. 'Buckower Elegien': Changing Wheels (1962) - Diane Clark/Anne Jackson/Lotte Lenya/Viveca Lindfors/George Voskovec/Michael Wager
      12. Burning Books (1962) - Diane Clark/Anne Jackson/Lotte Lenya/Viveca Lindfors/George Voskovec/Michael Wager
      13. Written On The Wall (1962) - Diane Clark/Anne Jackson/Lotte Lenya/Viveca Lindfors/George Voskovec/Michael Wager
      14. Lied Der Courage (1962) - Diane Clark/Anne Jackson/Lotte Lenya/Viveca Lindfors/George Voskovec/Michael Wager
      15. Song Of A German Mother (1962) - Diane Clark/Anne Jackson/Lotte Lenya/Viveca Lindfors/George Voskovec/Michael Wager
      16. 'Buckower Elegien': The Dog (1962) - Diane Clark/Anne Jackson/Lotte Lenya/Viveca Lindfors/George Voskovec/Michael Wager
      17. To The Next Generation (1962) - Diane Clark/Anne Jackson/Lotte Lenya/Viveca Lindfors/George Voskovec/Michael Wager
      18. Bad Times For Poetry (1962) - Diane Clark/Anne Jackson/Lotte Lenya/Viveca Lindfors/George Voskovec/Michael Wager
      19. Und Was Bekam Des Soldaten Weib (1943) - Lotte Lenya/Kurt Weill
      20. Wie Lange Noch (1943) - Lotte Lenya/Kurt Weill
      21. Lied Einer Deutschen Mutter (1943) - Lotte Lenya/Kurt Weill

      Tracks:

      1. 'Die Dreigroscheneroper': Moritat Von Mackie Messer (1960)
      2. 'Aufstieg Und Fall Der Stadt Mahagonny': Havanna-Leid (1960)
      3. 'Das Berliner Requiem': Ballade Vom Ertrunkenen Madchen (1960)
      4. 'Happy End': Was Die Herren Matrosen Sagen (Matrosen-Tango) (1960)
      5. 'Das Berliner Requiem': Zu Potsdam Unter Den Eichen (1960)
      6. 'Die Dreigroscheneroper': Die Seerauberjenny (1960)
      7. 'Happy End': Bilbao-Song (1960)
      8. Carnegie Hall Introduction (1965)
      9. 'Aufstieg Und Fall Der Stadt Mahagonny': Alabama-Song (1965)
      10. 'Aufstieg Und Fall Der Stadt Mahagonny': Havanna-Song (1965)
      11. 'Das Berliner Requiem': Ballade Vom Ertrunkenen Madchen (1965)
      12. 'Das Berliner Requiem': Zu Potsdam Unter Den Eichen (1965)
      13. 'One Touch Of Venus': Speak Low (1965)
      14. 'One Touch Of Venus': Foolish Heart (1965)
      15. 'One Touch Of Venus': Bilbao-Song (1965)
      16. 'One Touch Of Venus': Surabaya-Johnny (1965)
      17. 'Love Life': Love-Song (1965)
      18. 'Love Life': Susan's Dream (1965)
      19. 'Happy End': Was Die Matrosen Sagen (Matrosen-Tango) (1965)
      20. 'Happy End': Der Song Von Mandelay (1965)
      21. 'Happy End': Das Lied Von Der Harten Nuss (1965)
      22. 'Happy End': Lilli Of Hell (1965)
      23. 'Knickerbocker Holiday': September Song (1965)
      24. 'Die Dreigroscheneroper': Barbara Song (1965)

      Tracks:

      1. Moritat (1965)
      2. Moritat (German Version) (1965) - Lotte Lenya/Turk Murphy
      3. Mack The Knife (1965) - Lotte Lenya/Louis Armstrong
      4. Mack The Knife (1965) - Lotte Lenya/Louis Armstrong
      5. Lied Der Courage I (1965) - Lotte Lenya/Harry Buckwitz
      6. Das Lied Vom Weib Und Soldaten (1965)
      7. Lied Von Der Grossen Kapitulation (1965)
      8. Lied Der Courage II (1965)
      9. Lied Der Courage III (1965)
      10. Eia Popeia, Was Ras Im Stroh (1965)
      11. Lied Der Courage IV (1965)
      12. The Dick Cavett Show (1975) - Lotte Lenya/Dick Cavett
      13. Start (1975) - Lotte Lenya/Dick Cavett
      14. American Films (1975) - Lotte Lenya/Dick Cavett
      15. The Opening Night Ot The Rise And Fall Of The City Of Mahagonny (1975) - Lotte Lenya/Dick Cavett
      16. 'One Touch Of Venus': I'm A Stranger Here Myself (1975) - Lotte Lenya/Dick Cavett
      17. Anita Berber (1975) - Lotte Lenya/Dick Cavett
      18. The Great Inflation (1975) - Lotte Lenya/Dick Cavett
      19. Thoughts On 'Oh, Calcutta' (1975) - Lotte Lenya/Dick Cavett
      20. Berlin Visit 1955 (1975) - Lotte Lenya/Dick Cavett
      21. Introduction To 'Bilbao-Song' (1975) - Lotte Lenya/Dick Cavett
      22. Bilbao-Song (1975) - Lotte Lenya/Dick Cavett
      23. Introduction (1966)
      24. 'Knickerbocker Holiday': How Can You Tell An American (1966)
      25. 'Knickerbocker Holiday': September Song (1966)
      Kiss Me, Kate (1993 London Studio Cast)
      Average customer rating: 4 out of 5 stars
      • Conspicuous Extravagance
      • A decent chance to hear the complete score
      • Really helpful learning CD
      • Every note exactly as it was written - Fabulous!
      • I never made it past disc one.
      		 Kiss Me, Kate (1993 London Studio Cast)

      Manufacturer: Jay Records
      ProductGroup: Music
      Binding: Audio CD

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      Similar Items:
      1. Kiss Me, Kate (1999 Broadway Revival Cast)
      2. Sweet Charity (1995 Studio Cast)
      3. Kiss Me Kate (Broadway Revival - PBS Great Performances)
      4. The King and I (1992 Hollywood Studio Cast)
      5. The Drowsy Chaperone (2006 Original Broadway Cast)

      ASIN: B000005BHS
      Release Date: 1996-06-18

      Tracks:

      1. Overture - NSO/John Owen Edwards
      2. Another Op'nin, Another Show - Shezwae Powell/Original Cast
      3. Why Can't You Behave? - Diane Langton/Graham Bickley
      4. Wunderbar - Diana Montague/Thomas Allen
      5. So In Love - Diane Montague
      6. Padua Street Scene/We Open In Venice - NSO/Diana Montague/Thomas Allen/Graham Bickley/Diane Langton
      7. Tom, Dick or Harry - Michael Bauer/Graham Bickley/Paul Manuel/Diane Langton
      8. Rose Dance - NSO/John Owen Edwards
      9. I've Come To Wive It Wealthily in Padua - Thomas Allen/Original Cast
      10. I Hate Men - Diana Montague
      11. Were Thine That Special Face - Thomas Allen
      12. I Sing Of Love - Diane Langton/Graham Buckley/Original Cast
      13. Dance/Tarantella - NSO/John Owen Edwards
      14. Finale Act One - Thomas Allen/Diana Montague/Brian Greene/Original Cast

      Tracks:

      1. Entr'acte - NSO/John Owen Edwards
      2. Too Darn Hot - Paul Collis/Original Cast
      3. Where Is The Life That Late I Led ? - Thomas Allen
      4. Always True To You In My Fashion - Diane Langton
      5. Bianca - Graham Buckley/Original Cast
      6. So In Love Reprise - Thomas Allen
      7. Brush Up Your Shakespeare - Brian Greene/Matt Zimmerman
      8. Pavane - NSO/John Owen Edwards
      9. I Am Ashamed That Women Are So Simple - Diana Montague
      10. Shrew Finale/Grand Finale - Diana Montague/Thomas Allen/Original Cast
      11. Can Can Overture - NSO/John Owen Edwards
      12. Jubilee Overture - NSO/John Owen Edwards
      13. Out Of This World Overture - NSO/John Owen Edwards

      Customer Reviews:

      3 out of 5 stars Conspicuous Extravagance.......2004-09-08


      It takes much more than this generally lack-luster performance delivers to overcome the intrinsic embarrassments of 'Kiss Me Kate'. While minor misogynies were then more or less default, if not de riguer, it is doubtful even the nudge-nudge friendly audiences of the 1940's and `50's would have put up with Cole Porter's stale, striving, prep school vulgarities had he not possessed an uncommon lyric gift.

      And the set is too long. No one (except, apparently, devotees unwilling to settle for less than every note) needs instrumental reprises and variation-less dance numbers--especially when no purpose is discernable beyond running up a second disc. Most CD players have a Repeat mode. (At least the McGlinn/Barstow/Hampson EMI effort offers up some interesting out-takes to pad the second side; this one kicks in 15'' of overtures.)

      Barring the two leads, the cast is ho-hum, and while Thomas Allen has his moments, he will not be remembered for his Fred Graham.

      Notwithstanding all of the above, one is tempted to declare it all worth putting up with just to hear Diana Montague sing 'So in Love'--possibly Porter's loveliest song. (Why has no one thought of doing the reprise as a duet?) She even renders listenable the insufferably adolescent 'I Hate Men'. There's just not enough for her to sing in this show. Unless money is no object, go--for Montague alone--for the highlights disc.


      4 out of 5 stars A decent chance to hear the complete score.......2003-12-11

      Until you've heard the complete score to "Kiss Me, Kate" with Robert Russell Bennett's original orchestrations recorded in good, modern sound, you don't know what you've been missing. Matchless as the original Broadway leads were, neither of the recordings they made satisfy completely. Both the original Columbia and the Capitol remake are missing huge chunks of the score and neither adequately conveys the quality of the orchestrations even in the parts that are recorded.

      So it is slightly frustrating that there have been two complete recordings of "Kiss Me, Kate" in modern sound featuring the original orchestrations, and both of them have significant problems. The earlier recording, an EMI release conducted by John McGlinn, is not currently available in the U.S., while this JAY release is conducted by John Owen Edwards. Even though the EMI is not available, I'm going to compare the two, for those who are interested.

      Both recordings are well-conducted, but I feel McGlinn gets more out of the score than does Owen Edwards. McGlinn can often be a bit stodgy, but his "Kate" is just gorgeous. He does a better job of bringing out all the neat touches in the orchestration than does Owen Edwards, and he's also better in the jazzier sections. Owen Edwards does a good job, but it's sad to hear him completely miss some moments, like when he fails to slow down sufficiently for the crucial second "And you're mine, dear" in "Wunderbar." Overall, McGlinn just points things better without getting too fussy. If only the same could be said for his cast.

      But both recordings fall down in their casts. As Fred/Petruchio, McGlinn's Thomas Hampson is completely at sea. The music doesn't lie well for him, seeming to mostly sit in the least attractive part of his range. And his readings of the dialogue that is included is labored and self-conscious. Thomas Allen, on this JAY release, sounds older than Hampson, but his basic sound seems more attractive to me, the music lies better for him, and his dialogue, if not great, is at least not painful.

      It must be said, though, that Hampson has been coached thoroughly in the role, and is aware of every nuance. The trouble is that he overdelivers on every nuance, whereas Allen almost sounds like he's sight-reading some of the score. Still, he's preferable to Hampson. I wish, though, that the JAY people had realized that they were using the bowdlerized British edition of the score. In "I've Come to Wive It Wealthily in Padua," Allen sings "doggone nose" instead of "goddamned nose." It's just not the same.

      As Lilli/Kate, EMI's Josephine Barstow tries hard, perhaps a bit too hard, but what she does seems to me mostly suitable for the role. She does well everywhere except "I Hate Men," in which her vocal style just doesn't work, and she is further hampered by some lyrics not usually heard, and with good reason. The rest of the time, she puts out 110 percent. I suspect some may find her a bit too operatic, but I'm convinced by her. JAY's Diana Montague sings well, but is a bit pallid and humorless. She could use more of Barstow's spunk.

      And so it goes. As Lois/Bianca, EMI's Kim Criswell is a bit pinched and colorless. JAY's Diane Langton sounds a bit old for the role, with some of her top notes a tad frayed, but brings more humor and brio to the role in general, especially "Always True to You in My Fashion," and this is one song on which Owen Edwards surpasses McGlinn.

      As Bill/Lucentio, EMI's George Dvorsky is OK but a little staid, with "Bianca" oversung. JAY's Graham Bickley is more winning, even if his British accent shows through at moments. Without oversinging "Bianca," he still sounds like he has a voice that might have been good for Fred/Petruchio, and I suspect he would have better in the role than either Hampson (well, I'm sure of that) or Allen.

      On the other hand, EMI's gangsters, Robert Nichols and David Garrison, are a hoot, surpassing JAY's pair, who are certainly good enough. And the other supporting roles tend to be a bit better on the EMI, with Davis Gaines and John Mark Ainsley particularly funny in their introductory sections to "Tom, Dick or Harry," while their counterparts on JAY don't seem to realize they could be funny. On JAY, Shezwae Powell does a good job with "Another Op'nin'," but with McGlinn's fabulous conducting, Karla Burns is even better on EMI. Similarly, Paul Collis does a nice job on "Too Darn Hot" on JAY, but Damon Evans really sizzles on EMI.

      EMI also has more interesting filler, with cut songs from "Kate," although JAY's filler of the overtures to "Can Can," "Jubilee," and "Out of This World" is certainly nice to have.

      So, on balance the EMI is perhaps a little bit better, if you can get past Hampson. But as long as it's not available, this JAY version will serve adequately.

      5 out of 5 stars Really helpful learning CD.......2003-03-11

      As an MD for an amateur production of Kiss Me Kate, I found this recording useful as it contains not only every single note in the score, but also every encore as well. It was really helpful in learning the orchestration, as the score was a piano reduction. It certainly saved a lot of time in rehearsal trying to work out who has what tune etc. - I could do it from memory in that I knew the trumpet had the tune there etc. The choreographer used this recording to estimate how long each dance was - something very important as other shows I have done the Choreographer was using a different version of the show (such as the broadway revival of Kiss Me Kate).
      Singers can listen to this and know exactly what they will hear from the pit - which is always a helpful thing!! And less experienced singers (or non singers!!) can learn by ear.
      I agree with another review that dislikes the singing - however my use was only for learning. The voices don't seem well suited for the parts, however they are not so bad that you cringe in horror - I think stopping after the first disc is a bit excessive!

      5 out of 5 stars Every note exactly as it was written - Fabulous!.......2002-05-09

      Great CD - Don't be fooled by other 'jazzed up' versions - this is how it was written and how you'll normally hear it performed. A very gutsy and earthy performance all round. The original Broadway album, sounds great but has alot of "enhancements" which the composer never wanted put in and disapproved of. Go for this one if you want the true Kiss Me, Kate in it's full version - NO CUTS or HIGHLGHTS!

      2 out of 5 stars I never made it past disc one........2000-07-04

      It's a shame the John McGlinn recording on EMI is out of print, because this travesty is no compensation at all. The singers are really, really bad. And the conductor fails to capture the swing of the score, leaving it sounding dull and lifeless. Run, don't walk, away from this CD.
      Act One-Sing, Too
      Average customer rating: 5 out of 5 stars
      • Act One, Sing Too/ Polly Bergen
      		 Act One-Sing, Too
      Polly Bergen
      Manufacturer: Polygram Int'l
      ProductGroup: Music
      Binding: Audio CD

      GeneralGeneral | Easy Listening | Pop | Styles | Music
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      ASIN: B00005HRKZ
      Release Date: 2001-06-12

      Tracks:

      1. Continental
      2. They Can't Take That Away from Me
      3. Way You Look Tonight
      4. Through a Long and Sleepless Night
      5. As Time Goes By
      6. Cheek to Cheek
      7. Easy to Love
      8. For Every Man There's a Woman
      9. Bye Bye Baby
      10. You'd Be So Nice to Come Home To
      11. Hi-Lili-Hi-Lo
      12. Aren't You Glad You're You

      Album Details

      Japanese version 24 bit digitally remastered in a LP style sleeve cover.

      Customer Reviews:

      5 out of 5 stars Act One, Sing Too/ Polly Bergen.......2001-04-23

      Polly Bergen recorded this album in 1963 for the Philips label. It would be her last LP after which she devoted her career almost exclusively to acting. The album cover was even a publicity photo of her posing on the set of the motion picture that she was filming at the time, "The Caretakers." She looked absolutely lovely.

      The songs selected were all standards popularized in movies of the 30s, 40s, and 50s. Jerry Fielding conducted the sessions. His smoothe and easy arrangements never overwhelm the singer. They perfectly complement Miss Bergen's slightly husky, but swet voice.

      I love this album so much, it's hard to pick favorites. Still, her tender rendition of "Hi Lili Hi Lo" is just exquisite. And "Easy to Love" lingers in my mind long after the record has ended. How many times have you heard "As Time Goes By?" After hearing Polly's heartfelt version, you will feel as if it were the first. "You'd Be So Nice To Come Home To" makes me imagine that I'm sitting in an intimate supper club. On "Bye Bye Baby" she demonstrates once again that she can belt as well as croon.

      Polly Bergen has blessed us with six LPs in her career as a singer. I cherish them all, and it thrills me that one more has been reissued on CD.

      It should be noted, however, that although the album was originally recorded in mono and stereo, this particular reissue is mono. I would have preferred the stereo.

      Nevertheless, the sound quality is superb. The performance is first rate. And you won't be disappointed. A must for your collection.

      Music:

      1. Afterglow [Original recording remastered]
      2. Alvin Freeland
      3. Ballad for Americans
      4. Bassey Sings Bond [Import]
      5. Before Sunset/Before Sunrise [Soundtrack]
      6. Best of Judy Garland: 20th Century Masters [Original recording remastered]
      7. Best of Schoolhouse Rock
      8. Bewitched [Soundtrack]
      9. BJ 4 [Import] [Limited Edition]
      10. Black Coffee [Original recording remastered]

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