Duos II

Duos II, Music, Luciana Souza, Brazil, Brazilian Jazz, Jazz Vocals, Pop, Pop Vocals, Vocal Jazz

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Tracks:

1. Overture To 'Tannhauser'
2. Domna, Pos Vos Ay Chausida
3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
4. Hungarian Dance No.7
5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
6. Violin Concerto In D Major (Adagio)
7. But For A Long Time It Was Seen As The Instrument Of The Devil.
8. The Soldier's Tale: Triumphal March Of The Devil
9. The Manipulative Seductiveness Of The Gypsy Violin.
10. Csardas Music
11. The Violin And The Initiation Of Nature
12. The Four Seasons (Spring, Mvt 1)
13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
14. The Four Seasons (Summer, Mvt 1)
15. Like The Devil, The Violin Is A Master Of Disguise.
16. Old Viennese Dance No.3 'Schon Rosmarin'
17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
18. Tzigane
19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
20. Caprice No.24
21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
22. Variations On A Theme Of Frank Bridge (No.7)
23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
24. Romeo And Juliet: Act IV
25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
26. The Four Seasons (Winter, Mvt 1)
27. The Violin Muted
28. Clair De Lune
29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
31. The Pizzicato Violin
32. Pizzicato Polka
33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
34. Violin Concerto No.2 In G Minor (Slow Mvt)
35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
36. The Planets (Mars - The Bringer Of War)
37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
38. Hungarian Dance No.4
39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
40. The Four Seasons (Autumn, Mvt 1)
41. Now The Same Technique, But The Sound Might Have Come From Another World.
42. Bolero
43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
44. Cadenza To The Violin Concerto By Brahms
45. Now Compare That With A Real Violin Duet.
46. Forty-Four Duos (No. 1: Teasing Song)
47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
48. Forty-Four Duos (No.2: Maypole Dance)
49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
50. Concerto In D Minor For Two Violins (Largo)
51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
52. Violin Concerto No.1 In D Major (Mvt 2)
53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
54. Symphony No.1 'Titan' (Mvt 1, Opening)
55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
61. Also Sprach Zarathustra (Of The Afterworldsmen)
62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
63. Variations On A Theme Of Frank Bridge (No. 4)
64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
65. Four Sea Interludes (Dawn) From 'Peter Grimes'
66. To End This Outing With The Violins, A Charming Little Elfin Dance
67. Elfenreigen

Tracks:

1. Introduction To The Viola
2. Viola Concerto (Mvt 1)
3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
4. Gayane Suite No.1 (Armen's Solo)
5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
6. Passacaglia, Op.33b From 'Peter Grimes'
7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
8. Harold In Italy (Mvt 4)
9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
10. Cypresses (No.9)
11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
12. Symphony No.4 (Mvt 3)
13. The 'Period' Viola In Bach
14. Brandenburg Concerto No.6 (Last Mvt)
15. The Cello: A Voice Of Unique Nobility
16. Suite No.1 For Unaccompanied Cello (Prelude)
17. Brahms And The 'Soul' Of The Cello
18. Piano Concerto No.2 In B Flat Major (Mvt 3)
19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
22. Symphony No.3 'Eroica' (Finale)
23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
24. Elfentanz, Op.39
25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
26. The Protecting Veil (Opening)
27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
28. Flamenco
29. Double-Stopping In The Lower Reaches Of The Cello's Range
30. Solo Suiet For Cello And Piano (Sardana)
31. It's In The Middle Register That The Cello Really Comes Into Its Own.
32. Oriental Dance, Op.2 No.2
33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
34. Symphony No.9 (Finale)
35. Introduction To The Double-Bass
36. The Carnival Of The Animals (The Elephant)
37. But The Double-Bass Can Be Intensely Expressive And Graceful.
38. Elegy No.1 In D Major
39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
40. Capriccio Di Bravura
41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

1. The Antiquity And Magic Of The Flute
2. Prelude A L'Apres-Midi D'Un Faune
3. The Versatility And Agility Of The Flute
4. Orchestral Suite No.2 In B Minor (Badinerie)
5. The Flute In Fifteenth-Century Spain
6. Sa'Dawi
7. Other Flutes: The Bass And Alto
8. Chamber Music No.II
9. The Piccolo - Aptly Named
10. La Naissance D'Osiris (Mvt 6)
11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
12. Suite No.1 For Small Orchestra (Valse)
13. A Variety Of Techniques
14. Chamber Music No.II
15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
16. The Nutcracker (Act II, No.2: Scene)
17. From The Transverse To The Vertical: The Baroque Recorder
18. Recorded Suite In A Minor (Menuet II)
19. An Unfamiliar, Early Vision Of The Instrument
20. Naelden, Naelden
21. The Bachian Oboe
22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
23. Introduction To The Cor Anglais Or 'English Born'
24. Symphony No.9 'From The New World' (Mvt 2)
25. The Loneliness Of The Cor Anglais
26. The Swan Of Tuonela
27. The Cor Anglais Joins The French Horn In Haydn.
28. Symphony No.22 'The Philosopher' (Opening)
29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
30. Bolero
31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
34. Gayane Suite No. 1 (Mvt 5)
35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
36. The Range Of The Normal Clarinet Parts Goes Quite High...
37. The Snow Maiden (Scene 5: Melodrama)
38. ...And Quite Low.
39. Peter And The Wolf (The Cat)
40. The Clarinet As Concerto Soloist
41. Clarinet Concerto In A Major (Rondo)
42. But That's Not The Instrument Mozart Wrote It For; This Is:
43. Clarinet Concerto In A Major (Rondo)
44. Introduction To The Saxophone
45. Hary Janos Suite (Mvt 4)
46. The Soprano Saxophone Has Quite A Different Feel To It.
47. L'Arlesienne Suite No.1 (Minuet)
48. The Little Sopranino Sax Goes Even Higher.
49. Bolero
50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
51. Pictures At An Exhibition (The Old Castle)
52. The Saxophone Can Be Quite Contagiously Good-Humoured.
53. Sax-O-Phun
54. The Puffa-Puffa Image Of The Bassoon
55. Peter And The Wolf (Grandfather)
56. The Bachian Bassoon, In Accompanimental Mode
57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
59. And Ravel, Also In Spanish Mode, Does Likewise.
60. Bolero
61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
62. Symphony No.3 (Opening)
63. The Eerie Bassoon In Its Highest Register
64. The Rite Of Spring (Opening)
65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
66. The Firebird Suite (1919, Berceuse)
67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
68. Bassoon Concerto In G Minor (Finale)
69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
71. The French Horn Under Its Woodwind Hat
72. Wind Quintet, Op.43 (Last Mvt)
73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
75. The Horn In Harmonious Blend With Strings In Another Quintet
76. Horn Quintet, K.407 (Finale)

Tracks:

1. The Trumpet As Virtuoso Soloist
2. Brandenburg Concerto No.2 (Last Mvt)
3. The Special Brillance Of Paired Trumpets
4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
5. The Ceremonial Trumpet
6. Fanfare For The Common Man
7. Trumpets And Drums - An Incomparable Alliance
8. Messiah (The Trumpet Shall Sound)
9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
10. Piano Concerto In F (Slow Mvt)
11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
12. Carmen Suite No.2 (Habanera)
13. The Trumpet As The Voice Of Strength And Courage
14. Carmet Suite No.2 (Toreador's Song)
15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
16. Billy The Kid
17. The Trumpet As Character Actor
18. Pictures At An Exhibition (No.6)
19. The Trumpet As The Voice Of God
20. Mass In B Minor ('Et Exspecto')
21. The Birth Of The Trombone
22. Aenmerckt Nu Hier
23. The Birth Of The Brass As A Family
24. Canzon 12 In Double Echo
25. The Trombone In The Eighteenth Century
26. Trombone Concerto In B Flat Major (Finale)
27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
28. Hosannah
29. The Trombones Become Part Of The Orchestra.
30. Symphony No.5 (Finale)
31. The Wagnerian Trombone:/Overture To 'Tannhauser'
32. The Trombone As Caricaturist
33. Pulcinella (No.19: Vivo)
34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
35. The Horn And The Hunt
36. Horn Concerto No.4 In E Flat, K.495 (Finale)
37. The Challenging Horn Of The Baroque
38. Abaris Ou Les Boreades (Menuet)
39. The Scarcity Of First-Rate Players In Handel's Time
40. Walter Music (Minuet 1)
41. The Horn As Magician/The Firebird Suite (1919, Finale)
42. Horns And The Sound Of Nobility
43. Overture To 'Tannhauser' (Opening)
44. The Special Sound Of The Horn In Its Higher Register
45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
46. The Trumpet-Like Sound Of Massed Horns
47. Symphony No.3 (Mvt 1, Opening)
48. The Tuba - Unfairly Maligned?
49. Symphony No.6 (Mvt 3)
50. The Tuba Perfectly Cast By Ravel
51. Pictures At An Exhibition (Bydlo)

Tracks:

1. Introduction. And We Begin With A Bang.
2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
3. At The Opposite Extreme Is The Triangle.
4. Piano Concerto No.1 In E Flat (Scherzo)
5. Categories Of Percussion: Tuned And Untuned. The Side Drum
6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
8. The Tambourine. One Of The Oldest Instruments In The World
9. Den Hoboecken Dans
10. Even Older Is The Originally Oriental Gong.
11. Ma Mere L'Oye - Mother Goose (Laideronette)
12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
13. Gymnopedie No.2
14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
17. Rodeo (Hoe-Down)
18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
19. Scherzi Musicali (Damigella Tutta Belle)
20. A Still Earlier Example From Fifteenth-Century Spain
21. Yo M'Enamori D'Un Aire
22. The Birth Of The Bongo
23. Symphonic Dances From 'West Side Story'
24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
27. Onwards To The Tuned Percussion. First, The Timpani
28. Also Sprach Zarathustra (Introduction)
29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
31. Taking Advantage Of Tunability
32. Music For Strings, Percussion And Celeste (Mvt 2)
33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
35. Saint-Saens And The Xylophone
36. The Carnival Of The Animals (Fossils)
37. Ravel And The Xylophone
38. Ma Mere L'Oye - Mother Goose (Laideronette)
39. Introducing The Marimba/Carmen Suite (First Intermezzo)
40. Introducing The Vibraphone
41. The Treasure Of The Sierra Madre (Narange Dolce)
42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
43. Introducing The Hungarian Cimbalom
44. Folk Dances
45. The Cimbalom And The Symphony Orchestra
46. Hary Janos Suite (Mvt 3)
47. Introducing The Tubular Bells
48. Hary Janos Suite (Viennese Musical Clock)
49. A More 'Up-Front' Approach From Rodion Shchedrin
50. Carmen Suite (Introduction)
51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
52. Introducing The Celeste
53. The Nutcracker (Dance Of The Sugar Plum Fairy)
54. Magic, In The Use Of Collective Percussion
55. Miroirs (La Vallee Des Cloches)
56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
59. Brandenburg Concerto No.2 (Slow Mvt)
60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
61. Petrushka (Russian Dance)
62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
2. Symphony No.3 'Organ' (Finale)
3. But Things In Handel's Day Were Very Different.
4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
5. The Organ Is Difficult To Classify.
6. An Unexpected, Organ-related Guest
7. Concerto Pour Zampogna (Last Mvt)
8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
9. Les Miserables (Drink With Me)
10. Outside Artefacts And The Power Of Association
11. Mahler's Sleighbells
12. Symphony No.4 (Opening)
13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
16. Don Quixote (Variation VIII)
17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
23. The Sitar Of India/Evening Raga: Bhapoli
24. The Accordion For France (Especially Paris)/Paris Canaille
25. The Zither For Vienna/The Third Man (Theme)
26. The Cimbalom For Hungary/Folk Dances
27. The Guitar As An Integral Part Of The Orchestra/Rondena
28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
30. Nocturnes
31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
32. The Carnival Of The Animals (The Cuckoo)
33. The Flute As An All-purpose Aviary
34. The Carnival Of The Animals (The Aviary)
35. The Oboe As Duck
36. Peter And The Wolf (The Duck)
37. The Recording Of Reality. Does It Work As Well?
38. The Pines Of Rome (The Pines Of The Janiculum)
39. The Recording Of Reality Electronically Reborn In New Guises
40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
43. Some Improbable Casting: The Violin As Braying Donkey
44. The Carnival Of The Animals (Persons With Long Ears)
45. A Truly Orchestral Hee-haw To Be Reckoned With
46. Overture To 'A Midsummer Night's Dream'
47. A Thunderstorm In A Million
48. Symphony No.6 'Pastoral (Allegro-Allegretto)
49. the Instrumental Depiction Of A Silent World
50. The Carnival Of The Animals (The Aquarium)
51. Saint-Saens' Menagerie Takes A Curtain Call.
52. The Carnival Of The Animals (Finale)

Tracks:

1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
2. Forty-Four Duos (No.4)
3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
6. String Trio In B Flat (Menuetto)
7. The String Quartet: Two Violins, Viola, And Cello
8. String Quartet In F, Op.18 No.1 (Mvt 3)
9. The String Quintet - When The Extra Instrument Is A Second Viola
10. String Quartet No.5 In D, K.593 (Adagio)
11. The String Quintet - When The Extra Instrument Is A Second Cello
12. String Quintet In C (Mvt 3)
13. The String Sextet: Two Violins, Two Violas, And Two Cellos
14. String Sextet In B Flat (Mvt 2)
15. The String Octet: The Standard String Quaret Times Two
16. Octet In E Flat, Op.20 (Mvt 1)
17. Double The String Octet: A Fully Fledged String Orchestra
18. String Symphony No.2 (Finale)
19. The Massed Strings Of A Symphony Orchestra
20. Fantasia On A Theme Of Thomas Tallis
21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
23. In The First Variation It's The Horn That Gets The Lion's Share.
24. Wind Quintet In A Minor, Variation 1
25. In Variation Two The Torch Is Handed To The Bassoon.
26. Wind Quintet In A Minor, Variation 2
27. In Variation Three The Oboe Leads.
28. Wind Quintet In A Minor, Variation 3
29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
30. Wind Quintet In A Minor, Variation 4
31. And Variation Five is Dominated By The Clarinet.
32. Wind Quintet In A Minor, Variation 5
33. The Next To Be Featured Is The Virtuoso Flute.
34. Wind Quintet In A Minor, Variation 6
35. Individual Farewells And A Closing Chorus
36. Wind Quintet In A Minor, Variation 7
37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
38. Octet In F (Mvt 3)
39. The Early Classical Symphony Orchestra Of Haydn And Mozart
40. Symphony No.29 In A, K.201 (Finale)
41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
42. Canzon 28
43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
44. Symphony No.5 (Finale)
45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
47. Symphoy No.6 'Tragic' (Mvt 1)
48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
50. When Large Doesn't Necessarily Mean Loud: Debussy
51. Images (Gigues)
52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
53. Turangalila Symphony (Chant D'amour 1)
54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
55. Balle De Xerxes (Gavotte En Rondeau)
56. Computer And Synthesiser: Friends Or Foes?
57. Concerto In D Minor For Two Violins (Largo)
58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

Beginner or Expert.......2007-03-12

Very Informative and Enjoyable.......2006-11-20

Frank's view.......2006-08-19

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.

Average customer rating: As good as it gets

Bartok: Violin Concertos, Viola Concerto, 6 Duo for 2 Violins, Violin Rhapsodies; Yehudi Menuhin Yehudi Menuhin , Bela Bartok , Pierre Boulez , Antal Dorati , New Philharmonia Orchestra , and BBC Symphony Orchestra Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Dances | Ballets & Dances | Classical | Styles | Music Duets | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music General | Bartók, Béla | ( B ) | Featured Composers, A-Z | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music Viola | Strings | Instruments | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music General | Classical | Styles | Music $7.99 and Under | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Bartók, Béla | ( B ) | Composers, A-Z | Classical Music Blowout | Stores | Music Instrumental | Classical Music Blowout | Stores | Music Similar Items: Bartok: Viola Concertos Beethoven: Piano Trios, Vol. 2; Itzhak Perlman; Vladimir Ashkenazy; Lynn Harrell Beethoven: Piano Trios, Vol. 1; Itzhak Perlman; Vladimir Ashkenazy; Lynn Harrell Bartok: Complete Solo Piano Music Berg: Violin Concerto; Schoenberg: Piano Concerto; Violin Concerto ASIN: B0000CE7FG Release Date: 2004-06-01

Tracks:

1. I: Andante Sostenuto
2. II: Allegro Giocoso
3. I: Moderato
4. II: Adagio Religioso
5. III: Allegro Vivace
6. I: Lassu: Moderato/II: Friss: Allegretto Moderato
7. I: Lassu: Moderato/II: Friss: Allegretto Moderato

Tracks:

1. I: Allegro Non Troppo
2. II: Andante Tranquillo
3. III: Allegro Molto
4. 28. Sorrow
5. 31. New Year's Greeting 4
6. 33. Harvest Song
7. 36. Bagpipes
8. 41. Scherzo
9. 42. Arabian Song
10. I: Tempo Di Ciaccona
11. II: Fuga: Risoluto, Non Troppo Vivo
12. III: Melodia: Adagio
13. IV: Presto

Customer Reviews:

As good as it gets.......2007-02-07

Average customer rating: Mesmerizing! Nice Catch Luciana at the Ojai Music Festival this June 2006 A wonderful cd It Does Not Disappoint

Duos II Luciana Souza Manufacturer: Sunny Side ProductGroup: Music Binding: Audio CD Brazil | South & Central America | International | Styles | Music Brazilian Jazz | Jazz | Styles | Music General | Jazz | Styles | Music Vocal Jazz General | Vocal Jazz | Jazz | Styles | Music General | Vocal Pop | Pop | Styles | Music General | Broadway & Vocalists | Styles | Music Similar Items: Brazilian Duos Neruda Rive Gauche Rio Amorosa Norte E Sul (North And South) ASIN: B00096S3E0 Release Date: 2005-05-24

Tracks:

1. Sai Dessa
2. Nos Horizontes Do Mundo
3. A Flor E O Espinho/Juizo Final
4. Muita Bobeira
5. Modinha
6. No Carnaval/Vento
7. Sambadalu (Para Luciana Souza)
8. Aparecida
9. Trocando Em Miudos
10. Chorinho Pra Ele
11. Atras Da Porta
12. Voce

Amazon.com

Duos with a second installment, this time again in intimate duo settings with different guitarists. Souza dwells in her voice's mid-range, seldom going particularly high or low, yet her inflections are as rich as a well-aged cabernet wine. While these nuances take a little time to pick up, Souza's technical facility is easily recognizable and impressive - her lightning fast scat on the new choro "Sambadalu (Para Luciana Souza)" is dazzling; her timing on the ballad "Modinha" is impeccable. Generally regarded a jazz singer because of her chops, Souza is really "beyond category" (to use an old Duke Ellington quote) for bringing Brazilian folk idioms into the jazz genre, and she doesn't do it any better than on Duos II. --Tad Hendrickson

Customer Reviews:

Mesmerizing!.......2007-05-29

This is such a beautiful work; it has the power to open and heal the soul. It is drawn from a deep tradition yet feels so fresh, a new exploration. Luciana sings straight from the heart so directly, so honestly, nothing is wasted; her interplay with the varied guitarists is so intimate, playful, and deep. Their contribution of course is equally astounding. Luciana incorporates her vocal jazz improvisation tastefully, elegantly, with no excess, and gives you just enough to satisfy. I must admit I preferred Duos II considerably to her first Duos disc, though there are equally beautiful places on that recording, but as a whole, this offering feels deeper, more whole and complete...Thank you Luciana and friends!

Nice .......2007-05-05

I prefer Rosa Passos. Luciana's voice has an uneven tone throughout most of this collection. She has a nice ability to do brief scats, but to my ear they do not add much musically, sounding more like technical agility than musical expression. Somehow the album lacks soulfulness.

Catch Luciana at the Ojai Music Festival this June 2006.......2006-03-21

I don't understand a Word of Portuguese but can listen to this recording over and again. L Souza is an extremely gifted artist who has yet to be more widely recognized in the US.

A wonderful cd.......2005-06-08

This is a lovely collection by Luciana Souza. To me she is like Monica Salmaso, a curator of wonderful songs. Every song is elegantly presented and the liner notes are helpful in conveying the meaning to those of us who are linguistically challenged. Luciana Souza's intelligence and the beauty of her work is the antidote to the "American Idol" style of singing that sells so well, but means so little. It is music for grown-ups.

It Does Not Disappoint.......2005-06-03

"Neruda" was one of the most creative and interesting albums released in 2004. Among other questions, it raised this one: What can Luciana Souza possibly do for an encore?

The same question was raised in 1969 by The Who's "Tommy", the first popular "rock opera." That encore, of course, consisted of the Who going back to its roots with one of the greatest rock albums ever recorded, "Who's Next." And, in the same way, Luciana Souza has gone back to her roots with this, her second album of Brazilian duets with various Brazilian guitarists. And like "Who's Next", this one does not disappoint.

This album is recorded with Ms. Souza (sans percussion, voice only) and four guitarists: Romero Lubambo, Marco Pereira, Swami, Jr. (yep, that's his name, fellow Americans) and Guilherme Monteiro. Every cut sounds heavenly. This album will remind you of Laurindo Almeida and Astrud Gilberto, only it's better--basically because Ms. Souza is a far superior singer, IMO.

Special note to four tracks. "Trocando en Mudos" has that same sense of longing and desire that permeated the "Neruda" disc. But lest you think Ms. Souza only does "moody", listen to how she clips along with the guitarists on "Sambadalu (para Luciana Souza)" and "Chorino Pra Ele." (In fact, a great vocal exercise for a vocal jazz ensemble would be to have all of the singers double and try to keep up with Ms. Souza on the latter!)

And then there's the last track, "Voce." Rather than acoustic, Mr. Monteiro swithces to electric guitar and, with the pedals, creates this vast, open sound similar to creations of Bill Frisell or Ben Monder. The vocalization with it is tremendous. A terrific end to a terrific album. Highly recommended. RC

Average customer rating: A little too much and poor sound quality And now, honored ladies and gentlemen, may we present...!

Imperial Fanfares Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Ballets | Ballets & Dances | Classical | Styles | Music Duets | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music All Works by Biber | Biber, Heinrich Ignaz | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Charpentier | Charpentier, Marc-Antoine | ( C ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Lully | Lully, Jean-Baptiste | ( L ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Monteverdi | Monteverdi, Claudio | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Salieri | Salieri, Antonio | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Schmelzer | Schmelzer, Johann H. | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Zelenka | Zelenka, Jan Dismas | ( Z ) | Featured Composers, A-Z | Classical | Styles | Music Ballets & Dances | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Brass | Instruments | Classical | Styles | Music General | Opera & Vocal | Styles | Music Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music French | Languages | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Marches | Miscellaneous | Styles | Music Classic Big Band | Swing Jazz | Jazz | Styles | Music $6.99 and Under | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Biber, Heinrich Ignaz | ( B ) | Composers, A-Z | Classical Music Blowout | Stores | Music Charpentier, Marc-Antoine | ( C ) | Composers, A-Z | Classical Music Blowout | Stores | Music Lully, Jean-Baptiste | ( L ) | Composers, A-Z | Classical Music Blowout | Stores | Music Monteverdi, Claudio | ( M ) | Composers, A-Z | Classical Music Blowout | Stores | Music Salieri, Antonio | ( S ) | Composers, A-Z | Classical Music Blowout | Stores | Music Schmelzer, Johann H. | ( S ) | Composers, A-Z | Classical Music Blowout | Stores | Music Zelenka, Jan Dismas | ( Z ) | Composers, A-Z | Classical Music Blowout | Stores | Music Opera & Vocal | Classical Music Blowout | Stores | Music Similar Items: Fanfare, British Music for Symphonic Brass Ensemble Music from the Royal Court Ceremonial Music for Trumpet & Symphonic Organ Lully: Les Divertissements de Versailles Lully - Ballet Music for the Sun King / Mary Enid Haines · Aradia Baroque Ensemble · Kevin Mallon ASIN: B00008MLVK Release Date: 2003-07-15

Tracks:

1. Imperial Fanfare
2. Royal Entry
3. Ceremonial Procession
4. Heroic Procession
5. Festive Procession
6. Elector's Procession
7. Elector's Procession
8. Majestic Procession
9. Priere Du Matin
10. Intrada
11. Largo - Allegretto
12. Intrada
13. Festive Overture
14. Toccata (Prelude To Orfeo)
15. Courante For The Entry Of His Imperial Majesty And All The Cavalry
16. Follia For New Entry Of The Sprinter And Other Equestrian Manoeuvres
17. Sarabande For The End Of The Ballet
18. Trumpet Duet
19. Intrada For The Trombet Und Musicalischen Tafeldienst
20. Menuet (Trumpet Duet No. 82)
21. Trumpet Duet No. 8
22. 1812 Overture, Op. 49
23. Festive Table Music No. 1
24. Festive Table Music No. 2
25. Procession At The Imperial Court
26. Procession No. 3
27. Festive Procession: The Entry Of The Emperor, 1631
28. Intrada From Bruck An Der Mur
29. Procession No. 4
30. Procession No. 1
31. Procession (Brilliant, Bright)
32. Marche Des Nations De Flore
33. 2e Air Du Combat De Lance D?Amadis
34. La Descente De Mars
35. La Marche Italienne
36. Prelude Des Divertissements
37. Chaconne Du Palais Royal
38. Menuet Royal
39. Marche Pour Les Trompettes Seules
40. Bruit De Trompettes
41. L?Etendard
42. Fanfare A Deux Trompettes
43. Bruit De Guerre
44. Allemande
45. Molto Moderato
46. Signature Tune Of The Old Town Of Bratislava
47. Fanfara 1
48. Fanfara 2
49. Marcia Per La Cavalleria, No. 1
50. Entree Fanfare
51. Modern Fanfare
52. Signature Fanfare
53. Convention
54. Fanfare Solo I
55. Fanfare Solo II
56. Fanfare Solo III
57. Fanfare Solo IV
58. Fanfare Solo V
59. Fanfare Solo VI
60. Opening Fanfare
61. New Palace Fanfare
62. Welcome Fanfare
63. Excitement
64. Short and Concise
65. Short Fanfare No. 1
66. Short Fanfare No. 2
67. Short Fanfare No. 3
68. Short Fanfare No. 4
69. Flourish
70. Il Giorno Del Silenzio
71. Fanfare For Solo Trumpet And Drum - V
72. Fanfare For Solo Trumpet And Drum - II
73. Wrapped In Mystery
74. Marcia Maestoso
75. Imperial Procession In Vienna
76. Procession No. 8: Allegretto

Customer Reviews:

A little too much and poor sound quality.......2006-11-10

Even though this was recorded just a couple of years ago the sound quality is not that good. It sounds like it was recorded in the 70s and outside with the microphones far away. There is nothing too deep here and all the fanfares are fairly short, just lasting a few seconds it seems. I got tired of this pretty quickly and it doesn't stand up to repeated listenings and to be honest a lot of the stuff on here sounds the same. The performances are ok, but nothing special, they sound kind of flat, and they don't really do anything to make this sound exciting like it should. Maybe if the performance and sound was better I would of enjoyed this more.

And now, honored ladies and gentlemen, may we present...!.......2003-07-17

This is what you'd have to call a specialty CD. It consists entirely of fanfares--nothing but fanfares--some of them as short as 10 seconds long. An interesting idea for a CD, perhaps, but I would guess it is primarily for directors of costume dramas, period pieces, and ceremonies of various sorts.

There are 76 fanfares on the disc covering composers ranging from Monteverdi to a trio of modern composers, all of the latter associated with the CD itself. They are played by an outfit called 'The Art of the Trumpet,' a coalescence of 24 Austrian trumpeters and a couple of timpanists (and on occasion a single trombone). Some of the fanfares use the whole group, there are others for solo trumpet, and for all combinations in between. They are led by a trumpeter from Vienna named Leonhard Leeb who is not only one of the trumpeters but also one of the composers--the other two modern composers are Leon Bolten and Joel Modart (I almost typed 'Mozart' but no!...).

Other composers include Salieri, Lully, Biber, J.H. Schmelzer, Pezel (often spelled Petzel here in America), Philidor (yes, the chess master of that name), Marc-Antoine Charpentier, and the multi-talented A. Nony Mous.

The performances are appropriately stirring, ceremonial, attention-grabbing, even mournful (one, Bolten's 'Wrapped in Mystery,' was dedicated to the victims of the World Trade Center tragedy of September 11, 2001). I would strongly suggest you not listen to the whole CD at one sitting--actually, it's hard to imagine anyone would--because too much B flat can fry your brain unless you yourself are a brass player or bagpiper.

For what it is, though, this CD is excellent.

Review by Scott Morrison

Average customer rating:

Hendricks & Quilico - Duos d'Operettes / Foster Rudolf Friml , Sigmund Romberg , Reynaldo Hahn , Andre Messager , Maurice Yvain , Henri Christine , Jacques Offenbach , Carl Millocker , Richard Heuberger , Johann Strauss II , Franz Lehar , Lyon Opera Orchestra , Lawrence Foster , Barbara Hendricks , and Gino Quilico Manufacturer: EMI Records [All429] ProductGroup: Music Binding: Audio CD General | Lehár, Franz | ( L ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Offenbach | Offenbach, Jacques | ( O ) | Featured Composers, A-Z | Classical | Styles | Music Romberg, Sigmund | ( R ) | Featured Composers, A-Z | Classical | Styles | Music Strauss Jr., Johann | ( S ) | Featured Composers, A-Z | Classical | Styles | Music Chamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Vocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music Romances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music French | Languages | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music Classical | Imports | Stores | Music Similar Items: Music of Sigmund Romberg ASIN: B000025CSH Release Date: 2000-06-13

Tracks:

1. (Rose Marie) 'Indian Love Call'
2. (The Desert Song) 'Desert Song'
3. (The New Moon) 'Wanting You'
4. (The Student Prince) 'Deep In My Heart
5. (Ciboulette) 'Nous Avons Fait Un Beau Voyage'
6. (Veronique) 'Dou De I'escarpolette'
7. (Veronique) 'Duetto De I'ane
8. (Ta Bouche) 'Valse'
9. (Phi-Phi) 'Duo Des Souvenirs'
10. (Barbe-Bleue) 'Duo: 'Or Depuis La Rose Nouvelle... Tous Les Deux, Amooureux'
11. (Gasparone) 'Scene & Duo: 'Wie Freu'ich Mich, Sie Hier Zu Seh's... Huten Sie Sich'
12. (Der Opernbal) 'Duettino: 'Hier Ist Die Uhr... Geh'n Wir In's Chambre Separee'
13. (Der Zigeunerbaron) 'Lied: 'Wer Uns Getraut?'
14. (Wiener Blut (Sang Viennois) 'Duo: 'Das Eine Kann Ich Verzeih'n... Wiener Blut ! Wiener Blut ! Wiene
15. (Das Land Des Lachelns (Le Pays Du Sourire) 'Duo: 'Ach Trinken Sie Vielleicht... Bei Einem Tee A Deu
16. (Die Lustige Witwe (La Veuve Joyeuse) 'Duo: 'Lippen Schweigen'

Average customer rating: The Review

Bartók & Kodály Manufacturer: Albany Records ProductGroup: Music Binding: Audio CD Dances | Ballets & Dances | Classical | Styles | Music Duets | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music General | Bartók, Béla | ( B ) | Featured Composers, A-Z | Classical | Styles | Music General | Kodály, Zoltán | ( K ) | Featured Composers, A-Z | Classical | Styles | Music Improvisation | Forms & Genres | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music General | Classical | Styles | Music General Contemporary | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Opera & Vocal | Styles | Music Choruses | Vocal Non-Opera | Opera & Vocal | Styles | Music A Cappella | Folk | Styles | Music ASIN: B0000049LP Release Date: 1995-04-16

Customer Reviews:

The Review.......2000-06-30

It is okay. The CD cover can show more imfo.

Average customer rating:

Dynamic Duos Manufacturer: Vox (Classical) ProductGroup: Music Binding: Audio CD All Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Brahms | Brahms, Johannes | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music General | Saint-Saëns, Camille | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Sarasate | Sarasate, Pablo de | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Schubert | Schubert, Franz | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Spohr | Spohr, Ludwig | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Vivaldi | Vivaldi, Antonio | ( V ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Hummel | Hummel, Johann Nepomuk | ( H ) | Featured Composers, A-Z | Classical | Styles | Music Concertinos | Concertos | Forms & Genres | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Sinfonia Concertante | Symphonies | Forms & Genres | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music General | Classical | Styles | Music Vienna Philharmonic Orchestra | ( V ) | Featured Performers, A-Z | Classical | Styles | Music ASIN: B00008G034 Release Date: 1992-11-04

Average customer rating:

Guitar Duos Mertz , Prunnbauer , and Tappert Manufacturer: MD&G Records ProductGroup: Music Binding: Audio CD Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music ASIN: B00007FP6M Release Date: 2003-02-25

Tracks:

1. Wasserfahrt Am Traunsee - G Major
2. Barcarole - G Minor
3. Erinnerung An Ungarn I - C Minor/Major
4. Tarantelle - C Minor
5. Erinnerung An Ungarn II - F Major
6. Nanien: Am Grabe Der Geliebten - C Minor
7. Nanien: Ich Denke Dein - C Major
8. Nanien: Trauermarsch - D Minor
9. Unruhe - C Minor
10. Standchen - C Minor/Major
11. Mazurka - F Major
12. Deutsche Weise - F Major
13. Vespergang - C Major
14. Grande Fantaisie Concertante - C Minor

Average customer rating:

Piano Duos Mozart Libetta Rimsky-Korsakov Liszt Rachmaninov (VAI) Manufacturer: VAI ProductGroup: Music Binding: Audio CD All Works by Liszt | Liszt, Franz | ( L ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rachmaninov | Rachmaninov, Sergei | ( R ) | Featured Composers, A-Z | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Scherzo | Forms & Genres | Classical | Styles | Music ASIN: B0000A59WN Release Date: 2003-08-12

Average customer rating:

Duos II Luciana Souza Manufacturer: Universal ProductGroup: Music Binding: Audio CD Brazil | South & Central America | International | Styles | Music General | International | Styles | Music Brazilian Jazz | Jazz | Styles | Music General | Jazz | Styles | Music Vocal Jazz General | Vocal Jazz | Jazz | Styles | Music General | Vocal Pop | Pop | Styles | Music International | Imports | Stores | Music ASIN: B000BP17AG Release Date: 2006-04-10

Tracks:

1. Sai Dessa - Romero Lubambo, Luciana Souza
2. Nos Horizontes Do Mundo - Luciana Souza,
3. Flor E O Espinho/Ju Final - Luciana Souza,
4. Muita Bobeira - Romero Lubambo, Luciana Souza
5. Modinha - Marco Pereira, Luciana Souza
6. No Carnaval/Vento - Guilherme Monteiro, Luciana Souza
7. Sambadalra Luciana Souza) - Marco Pereira, Luciana Souza
8. Aparecida - Romero Lubambo, Luciana Souza
9. Trocando Em Mi- Romero Lubambo, Luciana Souza
10. Chorinho Prle - Romero Lubambo, Luciana Souza
11. Atrda Porta - Marco Pereira, Luciana Souza
12. Voc Guilherme Monteiro, Luciana Souza

Music:

1. Essential
2. Everybody's Talkin' 'Bout Miss Thing
3. Eydie Swing the Blues [Import] [Limited Edition]
4. Fascination [Import] [Limited Edition]
5. Foxy [Import]
6. Good Ship Lollipop [blisterpack]
7. Greatest Hits
8. Hands Down [Import] [Limited Edition]
9. Heads [Import] [Limited Edition]
10. Heavyweight Champion: The Complete Atlantic Recordings [Box set]

Music

Music