The Source [Import] [CD-single]

Editorial Reviews
Album Description
Aussie remastered reissue for the jazz balladeer from 1970. Digipak.

Tracks:

Trumpet Concerto In D Major - 1. Allegro
Trumpet Concerto In D Major - 2. Largo
Trumpet Concerto In D Major - 3. Allegro (moderato)
'Let the Bright Seraphim' From Samson
Sonata A 5 For Trumpet & Strings, T.V. 3
'Sound the Trumpet' from Come Ye Sons Of Art
'Chaconne' from Come Ye Sons Of Art
'Entrada' from The Indian Queen
'Trumpet Air' from The Indian Queen
'Trumpet Tune' from King Arthur
'Trumpet Overture' from The Indian Queen
Sonata A 5 For Trumpet & Strings, T.V. 7
'Eternal Source Of Light Divine'
For Solo Trumpet And Strings, Concert No. 2 - 1. Allegro
2. Adagio
For Solo Trumpet And Strings, Concert No. 2 - 3. Allegro

Customer Reviews:

A blast of brass.......2005-08-18

I first encountered this on cassette, quite by accident. It later became the background for my work at morning at the easel painting watercolours. But this is no wallpaper music. The technical genius of matching separate recordings of different trumpet parts is surpassed only by Marsalis's bright and lively technique. The masters would be pleased. As for the watercolours, I can now stand before them and see the music's influence on paper. Well worth the listening...

Old school Wynton.......2005-08-12

This cd features a lot of Wynton's earlier piccolo playing, which, while perhaps not as brilliant as you'd hear on his Gabriel's Garden album, is slightly more refined and appropriate to the repertoire. That isn't to say he doesn't embellish; The Fasch concerto has some tastefully inserted ornaments. "Let the Bright Seraphim" is as well played with soprano Edita Gruberova as it is in Wynton's later recording with Kathleen Battle. The Purcell selections on the album are probably the best examples of good piccolo playing I've found, particularly the trills. One only need listen to the "Entrada" to see how delicate and refined the playing on the whole album is.

fabulous.......2003-09-28

Marsalis' prodigious talent coupled with the greatest of Baroque brass composers is a combination that cannot be beat! Of course, Anthony Newman takes everything (less the slow stuff, of course) at his characteristic "lively" pace, but Marsalis keeps up. His execution of the ornamentation is awesome! Gotta have this one!

Amazing talent.......2001-04-22

Without doubt, the birthday ode to Queen Anne (Eternal Source of Light Divine) is one of the loveliest pieces ever. Couple that with two of the most accomplished talents in the world, you have a near spiritual moment. Even those with even a passing interest in the classics will find this a stirring expierence. this is true candy for the ear and food for the soul.

Average customer rating:

Wonderfull Collection to have but no Orignal Art Work.
A fountain of youth for a Star Wars geek
This is more of a description of the music than a review for this particular set, really . . .
You can feel the Force around you.
Quality could be better

Star Wars Trilogy
John Williams
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B0002YCVLU
Release Date: 2004-09-21

Tracks:

20th Century Fox Fanfare
Main Title/Rebel Blockade Runner
Imperial Attack
Dune Sea of Tatooine/Jawa Sandcrawler
Moisture Farm
Hologram/Binary Sunset
Landspeeder Searck/Attack of the Sand People
Tales of a Jedi Knight/Learn About the Force
Burning Homestead
Mos Eisley Spaceport
Cantina Band
Cantina Band #2
Binary Sunset [Alternate Take][*]

Tracks:

Princess Leia's Theme
Millennium Falcon/Imperial Cruiser Pursuit
Destruction of Alderaan
Death Star/The Stormtroopers
Wookiee Prisoner/Detention Block Ambush
Shootout in the Cell Bay/Dianoga
Trash Compactor
Tractor Beam/Chasm Crossfire
Ben Kenobi's Death/Tie Fighter Attack
Batte of Yavin: Launch from the Fourth Moon/X-Wings Draw Fire/Use ...
Throne Roon/End Title

Tracks:

20th Century Fox Fanfare
Main Title/The Ice Planet Hoth
Wampa's Lair/Vision of Obi-Wan/Snowspeeders Take Flight
Imperial Probe/Aboard the Executor
Battle of Hoth: Ion Cannon/Imperial Walkers/Beneath the ...
Asteroid Field
Arrival on Dagobah
Luke's Nocturnal Visitor
Han Solo and the Princess
Jedi Master Revealed/Mynock Cave
Training of a Jedi Knight/The Magic Tree

Tracks:

Yoda's Theme
Imperial March (Darth Vader's Theme)
Yoda's Theme
Attacking a Star Destroyer
Yoda and the Force
Imperial Starfleet Deployed/City in the Clouds
Lando's Palace
Betrayal at Bespin
Deal With the Dark Lord
Carbon Freeze/Darth Vader's Trap/Departure of Boba Fett
Clash of Lightsabers
Rescue from Cloud City/Hyperspace
Rebel Fleet/End Title

Tracks:

20th Century Fox Fanfare
Main Title: Approaching the Death Star/Tatooine Rendezvous
Droids Are Captured
Bounty for a Wookiee
Han Solo Returns
Luke Confronts Jabba/Den of the Rancor/Sarlocc Sentence
Pit of Carkoon/Sail Barge Assault
Emperor Arrives/The Death of Yoda/Obi-Wan's Revelation
Alliance Assembly
Shuttle Tydirium Approaches Endor
Speeder Bike Chase/Land of the Ewoks
Levitation/Threepio's Bedtime Story
Jabba's Baroque Recital
Jedi Rocks
Sail Barge Assault [Alternate Take][*]

Tracks:

Parade of the Ewoks
Luke and Leia
Brother and Sister/Father and Son/Fleet Enters Hyperspace/Heroic Ewok
Emperor's Throne Room
Battle of Endor: Into the Trap/Forest Ambush/Scout Walker Scramble
Lightsaber/The Ewok Battle
Battle of Endor 2: Leia Is Wounded - The Duel Begins/Overtaking ...
Endor 3: Superstructure Chase/Darth Vader's Death/The Main Reactor
Leia's News/Light of the Force
Victory Celebration/End Title
Ewok Feast/Part of the Tribe
Forest Battle (Concert Suite) [*]

Amazon.com

Given that it's largely credited with reinventing Hollywood--or at least fostering its overweening box office expectations--it's hard to imagine that the genesis of George Lucas' sprawling, multi-billion dollar Star Wars franchise was once considered a risky studio proposition at best. But Lucas himself has wisely singled out the robust, retro-romantic music of composer John Williams as the unlikely artistic linchpin that holds all of the saga's disparate dramatic, thematic and technical elements firmly together. Boxed together here then are three of the most successful and influential film scores of modern Hollywood, work that draws as much on Williams' masterful sense of classical music history as it does his own well-studied melodic and arranging instincts. Each of the three double-disc collections here contains all of the music written for Star Wars: A New Hope, Empire Strikes Back and Return of the Jedi (and even Alfred Newman's intyroductory "Fox Fanfare"), newly upgraded via Direct Stream Digital remastering that adds stunning new presence and clarity to Williams' rousing, epochal scores. Each chapter also features a lenticular 3-D cover and newly designed fold-out film poster, as well as encoded disc features allowing online access to elaborate new Star Wars screen savers; the ultimate musical compendium of the original Star Wars triptych. --Jerry McCulley

Customer Reviews:

Wonderfull Collection to have but no Orignal Art Work........2007-06-21

This is without any doubt the best musical presentation for STAR WARS trilogy with excellent remastering. Also, wonderfull music to listen.

It was arranged in same order as the movie and i think it has all the music from the films and more. Also it contain the original 20th Century Fox Fanfare recording for each movie which is rare to listen. In this way you can listen and enjoy the way was the music is recorded for each movie at that time without any enhancement, and that for Star Wars truly music lovers.

The only drawback i found that is lacking the orignal art work for each movie which are the finest and best ever. There are wonderful posters from different type, style A, B, C, and advanced, which i was expecting to see them again here or somewere els.

I was hoping and wishing from ( A Long Time Ago ... ) that they release again same original recording for Star Wars and Empire strikes back when they released first time in 1977 and 1980. I don't know why it has been decline ever since. At that time each movie released its sound track in two album with different and excellent arrangement. I believe this is a perfect arrangement and better in term of music listening. Im just hoping releasing them again with finest remastering.

A fountain of youth for a Star Wars geek.......2007-02-13

It has been a long time since I last dared to take out my old Star Wars LP, with its well remembered skips and pops. Now, thanks to the Boxed set of the Star Wars Trilogy, I can listen to it again as it was intended to sound, and as often as I like. It is like revisiting an old friend, but there are differences: for one, there is more music, and it has been restored to its actual running order, unlike the LP which cut and spliced a bit to create rounder, perhaps more balanced listening. But for a true fan of the films, it is deeply satisfying to hear the score in its proper order and entirety, even if at times it can ramble on or shift more suddenly than a typical symphonic work. That being said, John Williams is a master at composing for film, so that even taken out of context it is beautifully listenable.
The major drawback to the boxed set is the complete lack of liner notes or any kind of commentary--one of my favorite features of the old LP were the inserted notes. So much thought went into the score that it demands commentary. Admittedly, I haven't yet been able to access the "unlock and go" feature on the internet, so perhaps the lack of liner notes on the box is rectified there. Another surprise, given the fact that there is room on the CD's to include more music, alternate takes (and even an extended secret "inner groove" on the first disc), is that in the case of episode 6, music that was added for the new edition of the film is included but not the music it replaced. Admittedly this was the least interesting music in the soundtracks, namely the "pop" music in Jabba's palace and the Ewok's chant at the end, but for the sake of completion, it should also have been included. A minor quibble, and more than made up for by the inclusion of the 20th century fanfare and the second Cantina track.
All-in-all, this boxed set is a must for anyone for whom the original trilogy was a special part of their youth. It will instantly bring you back to that state of wonder when you first saw the films, and on repeated listens it will continue to reveal the genius of John Williams.

This is more of a description of the music than a review for this particular set, really . . ........2006-12-30

A New Hope:

What to say about Star Wars? It's all too known to say very much. But let me just point out a few things, instead. The Main Title track, after the fanfare calms, is quoting 'Mars' from Holst's 'The Planets'. "The Dune Sea of Tatooine" is a tribute to Stravinsky's 'The Rite of Spring'. The bonus track contains several different takes on the Main Title if you sit around and wait--there is a LOT of silence 'til it starts, but it's fascinating to hear the subtle differences from take to take. With "May the Force Be With You" and "Princess Leia's Theme", we have the beginning of the lovely, melodic leitmotifs we have come to associate with Star Wars music.

The Empire Strikes Back:

Both the best movie and the best soundtrack of the original trilogy, in my opinion. Whether or not you agree about the movie, the music here really is the best, from a professional standpoint and not just an "it's pretty!' one. Three huge things happen in this movie, musically: "Han Solo and the Princess", the love theme which is based on "Princess Leia's Theme"; "Yoda's Theme"; and, last but certainly not least, "The Imperial March". I believe the two biggest, most recognisable themes of the saga are the Main Title theme and "The Imperial March", which was constructed from half-developed "evil" cues from 'A New Hope', and also Chopin's "March funèbre, Lento" from 'Piano Sonata No.2 in B flat minor' (trust me, you know it).

The Return of the Jedi:

The only new themes (there are plentiful delectable motifs) to come out of this movie are "Parade of the Ewoks", which nearly succeeds in making the Ewoks themselves cute, and the extremely luscious "Luke and Leia". "The Emperor's Theme", introduced in 'Empire Strikes Back', is emphasised, and voices lace over the epic duel between father and son (not nearly as stimulating as the music or the fight scenes of the prequel trilogy). It is true, there are some slightly embarrassing tracks ("Threepio's Bedtime Story", "Jedi Rocks"), but somehow all is set right by the power of "Victory Celebration" (which evokes much the same in its feeling of somewhat tragic triumph that "Now We Are Free" does in 'Gladiator'). It closes the saga perfectly (and we won't be mentioning the Yub Nub song, thank you very much).

I might also mention that Star Wars themes do wonders for hearing intervals. And that knowing the intervals make relationships between themes throughout the saga that much more interesting.

You can feel the Force around you........2006-08-31

I have never owned these before and I bought them for a SW Themed Party but constantly play them, if you are a fan these are a must own, especially since they include both end tracks for EP.6 the Ewok OE and the new Calypso one from the SE. Finally all of these Disc's are CD Text Capabile.

Quality could be better.......2006-02-14

This is the best way to get the soundtrack collection of the three original films. With some minor exceptions, the tracks are in the same sequence of the films so you can follow the story unfold the same as watching the movies.
The sound quality does leave a bit to be desired overall. Granted there is only so much that can be done from the original recordings, but it seems as though they tried to over-remaster most of the tracks and did not do enough with others. This has left many of the scores sounding thin, bright and shallow. For the price of this boxed set, I would have expected a little bit more time put into making this collection sound better. Ideally, having the entire saga re-performed would have likely offered the best solution for audio purists, though likely not capatured exactly the same feel as the original performance.
Essentially, this boxed set is a trade off between having the original scores of Episodes 4 through 6 and sacrificing the overall sound quality that a John Williams performance deserves.
For a point of reference, my sound system is a B&W and McIntosh combination with the speakers being the same model as what was used in nearly all recording studios at the time of the later half of these films.

Kathleen Battle · Wynton Marsalis ~ Baroque Duet / Anthony Newman · Orch St. Luke's · Nelson

Average customer rating:

Brilliant!
My Birthday Present to me
Amazing voice
One of the Best
Battle and Marsalis scintillating and stunning

Kathleen Battle · Wynton Marsalis ~ Baroque Duet / Anthony Newman · Orch St. Luke's · Nelson
George Frideric Handel , Alessandro Scarlatti , Luca Antonio Predieri , Alessandro Stradella , Johann Sebastian Bach , John Nelson , Kathleen Battle , Wynton Marsalis , Orchestra of St. Lukes , Anthony Newman , John T. Kulowitsch , Krista Bennion Feeney , Eriko Sato , and Marc Goldberg
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000027C1
Release Date: 1992-04-21

Tracks:

Let The Bright Seraphim
No 1: Si Suoni La Tromba
No. 3: Con Voce Festiva
No. 4: Rompe Sprezza
No. 6: Mio Tesoro Per Te Moro (Aria In Forma Di Menuet Alla Francese)
I. Sinfonia. Grave
II. Recitativo
III. Sinfonia-Aria
IV. Recitativo
V. Aria. Largo
VI. Aria. Poco Mosso, Sempre Dolce E Leggiero-Ritornello
VII. Recitativo
VIII. Aria-Sinfonia. Grave (Da Capo)
Eternal Source Of Light Divine
Pace Una Volta
I. Spiritosa, E Staccata
II. (Allegretto-Corrente)
III. Canzone
IV. (Allegro)
Seufzer, Tranen, Kummer, Not
Alle Voci Del Bronzo Guerriero
I. Aria: Jauchzet Gott In Allen Landen
IV. Chorale: Sei Lob Und Preis Mit Ehren; Alleluja

Customer Reviews:

Brilliant! .......2007-05-31

Spectacular display of brilliance and harmony. Truly, two masters of their respective disciplines melding together to display flawless virtuosity. Wynton Marsalis not only tames the piccolo beast, but somehow expertly mimics the human voice. And not just any voice, but the bright edgeless tone of Kathleen Battle. If you love Baroque, at any level, this is a must buy!

My Birthday Present to me.......2007-05-29

Actually, I was driving and I heard it on the radio. Luckily, the radio station has a website to see what played at what time. After getting goose bumps listening to the little I did on my birthday, I knew I had to have it. Its since been downloaded on my ipod. If you want to feel uplifted, and joyous listen to this wonderful CD . Kathleen Battles voice and Wynton Marsalis trumpet playing is phenominal. My favorites are the last 7 or 8 cuts of the CD especially.

Amazing voice.......2007-05-13

What an amazing voice this woman has. Pairing her with Wynton Marsalis was a match made in musical heaven.

One of the Best.......2007-01-05

I heard cuts from this CD on the radio one early Sunday morning last year. Mesmerized, I ordered it and continue to be zoned out on this incredibly beautiful music masterfully executed by Marsalis and Battle.

Battle and Marsalis scintillating and stunning.......2006-12-28

The making of this album was filmed in a wonderful documentary that brings to the fore the vulnerability and humanity of both artists. Marsalis and Battle are close friends, and the album itself is clearly a labor of love; Marsalis, who stopped performing classical trumpet in the late 80's, returned to the form when Battle was ready to make this recording.

The album is packed with regal music and royal performances. Bach's 51st cantata is particularly captivating, what with its technical demands and relentless pace. But Battle and Marsalis are able to derive strength and energy from one another in the film - through the difficult preparation process of confronting its daunting technical minefield - to realize a stunning result.

Bravo! Their contribution to the recorded corpus here is sublime.

Average customer rating:

Don't downrate a CD because of a missing piece - please!
Bolet is outstanding
Great selections; technically great but dull performance
Great Liszt compilation
Missing The Famous Hungarian Rhapsody #2

Liszt: Favourite Piano Works

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

Waltzes | Ballets & Dances | Classical | Styles | Music

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ASIN: B00000427O
Release Date: 1995-11-14

Tracks:

Liebestraum No. 3 In A Flat Major
Mephisto Waltz No. 1
Funilles
Rniscences de Don Juan
La campanella
Die Forelle
Erlkonig
Hungarian Rhapsody No. 12 In C Sharp Minor

Tracks:

Consolation No. 3
Sonetto 104 del Pentrarca
Les Jeux d'eau a Villa d' Este
Au bord d' une source
Gnomenreigen
Un sospiro
Rigoletto
Sonata In B Minor - Lento assai
Andante sostenuto
Fugato

Customer Reviews:

Don't downrate a CD because of a missing piece - please!.......2005-07-15

This is an excellent representative 2-CD bargin set of Liszt's piano works played by a recognized expert pianist in this repertoire. The other reviewers (i.e. those w/ 5* ratings) have made their points well. What continues to bother me in many of these classical CD reviews is 'downgrading' a CD by several stars, if not more in some cases, because the listener is irked at the lack of a feature that has nothing to do w/ the performance on the recording. Such is the case here - a 3* rating because one piece was mislabelled is ridiculous - rate the music & performance first, please. If there is a problem unrelated to the performance (sound quality, liner notes, etc.), then simply state that in your review. I often look at the overall rating to determine if I even want to consider a classical CD & read the reviews - knocking off a star or two because of petty complaints is not justified.

Bolet is outstanding.......2005-01-23

There are many Liszt performers, and while Bolet was known to never substitute technical perfection for feeling, there is a great balance to his playing. 'Un Sospiro' is played on the slow side, every melody note can be heard perfectly, while his interpretation and rubato are heart stopping. While I don't agree with his Liebstraum (the honor of greatest playing is held for Cliburn on this piece, if you haven't heard him play it, go buy the CD, now), the lesser played works such as the Elf King transcription more than makes up for it. If you want a technically perfect, clear, sometimes very moving performance of Liszt, Bolet is for you (I prefer him infinitely over Cziffra, although I may be alone on that one). Postscript: Hungarian Rhapsody No. 12 is NOT No. 2, this is an error on Amazon's part, and also on the other Bolet albums, it is indeed no. 12 and not 2.

Great selections; technically great but dull performance.......2004-04-09

I know this pianist Jorge Bolet is supposed to be one of the world's greatest. But I bought this as a replacement set when I temporarily lost my Phillips "Best Of Liszt" set and couldn't live without Liszt. I was sadly disappointed on the selections that overlap. While some of my favorite selections (Liebestraum, Mephisto Waltz) are actually longer here, they simply do not stir my soul as much. The pressure of the notes, the timing, something indefinable just isn't the same in this recording as in the Phillips one. The quality of sound reproduction is fine, the piano-playing is certainly correct and crisp (maybe TOO crisp?), and again, the variety of the pieces chosen is commendable, but I recommend the Phillips 2-disc set over this one. There ARE some very interesting selections of not just Liszt's original works but also some of his arrangements or adaptations of other's works, i.e., the Shubert pieces and La campanella (from Paganini).

Great Liszt compilation.......2003-12-23

Bolet's finest moments on this two-fer are the Schubert-Liszt transcriptions - you'd almost think 'Who needs a voice?' But he's equally good in the aforementioned Mephisto Waltz, and the operatic journey through Mozart's Don Giovanni.

The cons are here too: Bolet's RCA Liszt recital has better, less cautious versions of Liebestraum, Un sospiro and Funerailles. The Sonata is tremendous overall but in the end I'd rank it just a little below the best - particularly Brendel, Richter and Arrau. Yet all these renditions have great merits - even the ones Bolet surpassed himself. This Liszt compilation is overall very good.

Missing The Famous Hungarian Rhapsody #2.......2003-05-27

Although the listing at Amazon.com says this CD contains Hungarian Rhapsody #12, A.K.A #2, it does NOT have the famous #2 in C Sharp Minor. It is indeed #12. Since I bought this CD specifically for Hungarian Rhapsody #2 in C Sharp Minor, I was disspointed that it was not included. It is Liszt's most famous song, at least in my opinion. If you are looking for this song, I would suggest Hungarian Rhapsodies Vol. 1, by Jeno Jando.

Average customer rating:

A flawed near-masterpiece
Major Label Debut...and What a Debut!!
The Soundtrack to My Own Teenage Riot
Overrated, but not a few of the songs
...And Everyone Will Know Them By The Trail of Dead!

Source Tags & Codes
...And You Will Know Us by the Trail of Dead
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Relative Ways

ASIN: B00005YW51
Release Date: 2002-02-26

Tracks:

It Was There That I Saw You
Another Morning Stoner
Baudelaire
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How Near How Far
Heart in the Hand of the Matter
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Days of Being Wild
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Source Tags and Codes

Amazon.com

With their first major-label release, Austin's most destructive live act will hopefully move from notoriety for trashing their instruments to appreciation for the way they use them. Source Tags & Codes is the third release from the band with the long name, and it is a volatile time bomb of emo, art rock, and post rock that explodes with emotion on every song. The walls of guitar effects and tense, heated vocals provide the band's driving aggression, but they soften the blows with bouts of dark melody, even adding strings and piano in places. The album should please fans of bands such as At the Drive In, Unwound, and Les Savy Fav, but Source Tags & Codes weighs in as heavier, noisier, and, in places, more tormented and beautiful than those bands. With enough twists in its movements to ward off any signs of predictability, Source Tags & Codes is an impressive rock collage that exposes new musical layers with each listen. --Jennifer Maerz

Customer Reviews:

A flawed near-masterpiece.......2007-07-04

Some may have been quick to throw the label of masterpiece on Source Tags & Codes, but even while it falls short of being an instant classic, there's more than enough reasons to seek it out. It's simultaneously challenging and accessible, a difficult quality to wind up with in indie rock. The song structures and musical rhythms are complicated, there are arty interludes and song switches, and buzzsaw guitars doing as much screeching as thrilling. But strip away those bits and you're left with a melodic rock record that almost anyone could embrace.

There are nearly flawless hooks in "How Near How Far" and "Relative Ways," showcasing the band's edgy pop side. And on a drawn-out epic like "Monsoon," there's an almost tangible unpredictability that keeps the listener on edge (it never truly pays off, but has enough strong moments to rank as one of the albums better tracks). Intro, "Invocation," and the interlude, "After the Laughter," both coast by on a similar simple melody, so pretty that I can't even qualify them as throwaways. The album's best moment comes from "Baudelaire," a relatively straight rock song replete with driving guitars and reverb, both melodic and powerful. "Homage" stumbles and falls over its own mountain of excess and "Heart in the Hand of the Matter" is groping blindly for the gravity it needs to survive after soaring too high into the overkill stratosphere. But they're little quibbles, and abundance isn't so much of a bad thing.

Even with them there, I almost never hit the skip button because the album flows so well. Flaws and all, Source Tags & Codes is a great record, one which time and reflection should be kind upon, and I can't fault those who heralded it as a work of genius. Certain moments do make that promise and falling a few inches short is just fine by me.

Best cuts: "Baudelaire," "How Near Is Far," "Monsoon," "Source Tags & Codes," "Relative Ways," "It Was There That I Saw You," "Another Morning Stoner," "Days of Being Wild"

Major Label Debut...and What a Debut!!.......2006-10-24

Trail of Dead's 3rd album was also their major label debut after being on small indie labels. Source Tags and Codes caught the record buying public by surprise....it was a critical success but rather a commercial failure, which must have frustrated the band (and label!). However, as someone who has been into this band from day #1, this is nothing less than a fantastic album and a perfect melding of all of the elements that make Trail of Dead one of the best and most exciting rock bands around today.

This album perfectly blends the more anarchistic, loud, and bombastic tendencies of their first two records (their self-titled debut and sophomore effort Madonna, both superb) with the more melodic and proggy tendencies they have brought in, especially as evidenced by where they went with 2005's Worlds Apart and their forthcoming album, So Divided (I can only imagine!)

This album starts off with It Was There That I Saw You and from there moves from strength to strength, going to Another Morning Stoner and Baudelaire. The centerpiece of this album has to be the almost operatic suite of How Near How Far, Heart In the Hand of the Matter, Monsoon, and Days of Being Wild. Moving from bombastic choruses, plaintive sections, and almost epic overtures in between, this, the "meat" of the record, if you will, is just beyond beautiful in all its forms. The album ends with the almost-poppy Relative Ways, the melancholy little instrumental After the Laughter, and the calming title track....listen after it ends to hear a spine-tingling string quartet play the main theme from How Near How Far as the album slowly ends.....gorgeous.

Trail of Dead are a phenomenal band and one worthy of more recognition and praise than they get. If you're tired of horrid garbage like The Killers, the Strokes, My Chemical Romance, or any other derivative garbage loved by hipsters and the "Rolling Stone intelligentsia", give Trail of Dead a shot. This would be the perfect album to start with.

The Soundtrack to My Own Teenage Riot.......2006-08-13

When I was 17, I discovered Source Tags & Code almost accidentally. I think I stumbled across it while trying to get into At the Drive-In (which never happened), the band who a lot of people say the Trail of Dead owe their sound. Very shortly after that, I started to smoke pot. The two things are completely unrelated except for the fact that this became my favorite album to listen to when high, and I listened to this album almost everyday for more than a year. It seemed to embody everything I felt and looking back, it really seems to define that whole era for me. I remember listening to it and worrying what exactly I wanted to major in in college - which I imagined would shape the whole future of my life. I remember listening to this for perhaps the 79th time, while particularly baked, and outlining a review for this album in which I explained how it was a brilliantly subtle concept album with a story arc describing the ego of any and every teen in America (I won't get into it, but I still somewhat believe it), and wondering why it wasn't the most popular album in the country, and stating for sure that it would be remembered as ahead of it's time.

"It Was There (That I Saw You)" couldn't be better for the first song. A quiet, simple guitar riff quickly joins the sound of a distant tv and what could only be described as space static. No sooner than the 15 second mark, the bass distinctively drops in half a beat before the loud, distorted, chiming punk chords and Conrad lets out one verse and a chorus about an old girlfriend ("but as time went on, I wondered what went wrong, I wondered what became....of you...") which segues into a great bridge/fuzzed out guitar jam that builds and builds until it bursts back into verse two with another bass dropout and even faster, louder, chimier (is that a word?) guitars and a climactic repeat of the chorus. This sets up the tone for the whole album, as most of the songs go by that same formula of Intro-verse-chorus-cool breakdown-verse-chorus-climax, some more intensely, others less so. I actually didn't like this song so much at first only because it's sung in what sounded to me like the whiny Good Charlotte pop-punk that was circulating at the time.

"Another Morning Stoner" is, even on the first listen, immediate a standout. The two guitar intro, one playing a riff right up there with Cobain's best, the other adding cool atmospheric fills grabs your attention and leads in to melodic, buzzsaw guitars on the verse. I think it was the second single.

"Baudelaire" has fast power chords and lyrics about the poet most famous for writing about boredom being the greatest sin. The fact that this is one of the most forgettable songs on the album is a compliment.

"Homage" is exactly what it's name implies. It's an homage to post-punk screamo bands such as Fugazi and Minor Threat. It's very fast paced and great if you were ever a fan of post-punk. If not, you won't like it.

"How Near How Far" is immediately another album highlight. The mellow, slowly crashing drums combining with a great echo-y guitar riff open the song then the pace is quickened for the verses, until it returns towards the end and builds while the refrain "how near, how far, how lost they are" is repeated about 15 times. This song is so amazing it will be playing in your head for a week after hearing it.

"Heart in the Hand of the Matter" begins with the coolest opening lyrics since "I was born in a crossfire hurricane" from Jumping Jack Flash. You just have to respect any song that begins with "ride the apocalypse" and a continues on with"there's nothing that could be done/we've lost all control/I walk in the shadows of your tortured realm/and I'm so damned/I can't win/with my heart in my hands again." At first, this song didn't really grab me. But, after actually listening to the lyrics I really came to think this is easily up there with the best songs on the album. "Heart in the Hand" leads perfectly into "Monsoon," which must be the most epic song of ToD's career so far. The great lyrics continue with such gems as "roll of thunder like a voice that commands/raindrops fall like the blood from your hands/pray to a God but I doubt that he's listening/this world's a gutter that he likes to piss in/millions of people quietly sleep/dreaming of deserts as the puddles run deep." Musically, "Monsoon" wears it's Sonic Youth influence right out on it's sleeve. James Reece even sounds like Lee Renaldo here.

"Days of Being Wild" blasts off right out of the gate. It's the loudest, fastest, and as far as I'm concerned, best song on all of `Source Tags'. The lyrics about "all night amphetamines" being "alive in jail/alive and well" fit perfectly being shouted over the hammering drums and guitars that sound like their trying to impersonate the sound of metal being viciously torn apart. The song climax's with a chorus being desperately shouted with the poem "Graffiti Deposition" read over it, ending in the line "a middle finger to the institution" and it all just works so surprisingly well.

"Relative Ways" was the first single, which of course means in this case that it's the most straightforward rock song here. Again awards for cool lyrics must go out for "our electric guitar hangs to our knees/got a couple of verses I can barely breathe/it's alright it's ok/it's coming together in relative ways" as well as the repeated lines "it's ok/I'm a saint/I forgave your mistakes".

"After the Laughter" is a instrumental interlude that continues the riffs from "Relative Ways" but quietly and on piano. It's a perfect comedown and a perfect lead-in to "Source Tags & Code" which is one of those perfect album closers where the guitars and lyrics just seem to put you into that totally warm, happy, nostalgic mood without fail every time you listen to it. There's nothing more to be said about this song, you can't not like it. Stick around after the song is over because after a few seconds you hear a very unlikely beautiful violin concerto which is the album's true coda.

Now I'm 21. Finally, I've answered all those questions I used to ask myself while stoned and blasting this in headphones. With the last grains of teenager-dom finally washed away, I still find myself coming back to this CD quite often. So, I'm starting to think that my very first impressions of `Source Tags' were totally right. This isn't just some teen angst [...] you listen to when you're young, then forget. This album is truly one of the greats, one that will be up there with those few albums that have seemed to define entire sections of your life. Albums that when played, have the power to transport you back to all the good times, all the bad times, and at the same time be an excellent album musically and lyrically. `Madonna' before this laid the groundwork, "the St. Elena's Tomb" EP hold's more of the same type of sound found here, before `World's Apart' blew ToD's possibilities wide open with a blend of different song styles. But none of those albums can touch the landmark greatness of `Source Tags & Codes."

Overrated, but not a few of the songs.......2006-08-06

3 1/2

...Trail of Dead's major label debut was a step up artistically for the band as it incorporated way more melodic cohesion, but by no means turned their back on their loud, harsh, often abrasive production which some argue should have stayed intact after the next release. I say they still have not made the album that they want to. While Source Tags might be the crowd favorite for their fans, to me it sounds like a fair album with a few very beautiful songs on it, namely found in the middle and the end of the disc. Besides for the few standout guitar driven tracks, the majority of the material earnestly continues their sonic assault, although does not really have any sticking power due to the hard hitting, but somewhat generic writing. A solid, although not particularly impressive alternative rock disc that is definitely worth owning if nothing for the few songs that do hit you hard, right where it counts.

...And Everyone Will Know Them By The Trail of Dead!.......2006-02-08

The Trail of Dead, simply put, have created a masterpiece in Source Tags. The passion put forth in these songs have created some of the hardest TOD to date (Homage, Days of Being Wild) and have also managed to become a more introspective band, adding violin and piano to make a more rounded off, polished record. They expand on their music while keeping the worldly lyrics and catchy melody of past albums intact. Here's a song by song breakdown of this cd:

1. It Was There (That I Saw You)- the vocals are toned down in tihs one, but halfway through this song there is nothing but two guitars playing off each other; overall a decent song to set off the record.

2. Another Morning Stoner- one of my favorites on this album. the guitars are amazing without being overbearing;perfect for the song's mood.

3. Boudelaire- a good song; not my favorite, but a strong song lyrically.

4. Homage- the hardest song on this album. it's very punk-influenced, high energy.

5. How Near How Far- absolutely my favorite song on this album, the military-sounding drums combined with the vocals make it a high energy ponderous track.

6. Heart in the Hand of the Matter- piano and dark lyrics will make this song a favorite for people who also like bands like bright eyes and calla.

7. Monsoon- this song continues the trend of lyrics tackling death and other bright, cheery themes of life.

8. Days of Being Wild- another song that comes into the realm of punk

9. Relative Ways- piano over distorted guitar; who doesn't love that?

10. After the Laughter- a very cool outtro of Relative Ways. instrumental and exremely good use of atmospheric sounds.

11. Source Tags and Codes- a nice modern-rock tune that is the only song off this album that'll get stuck in your head. very cool violins at the end.

*This album is amazing, but only if you can deal with the fact that the sound quality is not the best!*

Average customer rating:

It was faulty on the last title to be played The Carnival of Venice
Awesome Collection!
A Wonderful Collection
Wonderful edition to your trumpet collection.
Quite the CD

Greatest Hits: Trumpet

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Classic Wynton
Famous Classical Trumpet Concertos
Trumpet Concertos
Baroque Trumpet Concertos
Wynton Marsalis - Baroque Music for Trumpet

ASIN: B000002AVK
Release Date: 1994-12-06

Tracks:

Brandenburg Concerto No.2, BWV 1047: III. Allegro assai
Birthday Ode For Queen Anne: Eternal Source Of Light Divine
Concerto For 2 Trumpets In C Major, RV 537: 1. Allegro
The Prince Of Denmark March
Canzon V
First Symphonic Suite: Rondeau
Trumpet Tune 'Martial Air': Martial Air
Trumpet Concerto In E-Flat Major: III. Finale. Allegro
Sonata a 9 zu der Kayserlichen Serenade
Voluntary In C Major
Trumpet Concerto In E-Flat Major: II. Andante
Trumpet Concerto In E-Flat Major: III. Rondo
Pictures At An Exhibition: Promenade
Petrushka: Dance Of The Ballerina & Waltz
Also sprach Zarathustra, Op. 30: Introduction
Lieutenant Kije: Symphonic Suite, Op. 60: Kije's Wedding
Hary Janos Suite: Entrance Of The Emperor & His Court
Swan Lake, Op. 20: Naepolitan Dance (Act III) - Tchaikovsky
Rondo For Lifey
Concerto No. 1 For Piano, Trumpet & String Orchestra, Op. 35: IV. Allegro con brio
Tsar Saltan: Flight Of The Bumblebee
The Three Aces - Clarke
A Bugler's Holiday
Variations On The Carnival Of Venice

Customer Reviews:

It was faulty on the last title to be played The Carnival of Venice.......2007-06-01

I returned this to New Castle. Box 15550. I have heard nothing. The date of the return was 15/05/07 from my Throop postoffice in Dorset. I sent it recorded delivery. Over to you. There was nothing on the return screen to explain the fault. ie faulty track. So after many attempts to get intouch I sent it to the address on the paper inside the parcel. Please help.
I am a Grandmother so I am over 13 ???

Awesome Collection!.......2006-07-04

As a young boy I would play my trumpet from my father's old Arban's method book. My private trumpet teacher (Mr. Bonfield) would love to play duets with me from the Merchant of Venice. One day I heard Wynoton Marsailas play a a flawless rendition of The Merchant of Venice on my local clasical radio station. It was flawless and brought back many fond memories of studiying the trumpet as a youngster with my beloved teacher. This collection contains that rendition and a wide selecton of clasical trumpet pieces. You may not recognize every song, but you will enjoy the high quality of the music and artists on this CD. Anyone looking for an introduction to quality, classical, trumpet music should buy this CD. The price also makes this an affordable must for any true trumpet fan.

A Wonderful Collection.......2004-01-26

This is a splendid anthology of music. Traditional Baroque and orchestral pieces up front, and a few surprises nearer the end. A splendid work. The price makes it a steal. Add it to your cart. You will not be sorry. There is technical excellence - peace in some of the songs and real energy in others.

Wonderful edition to your trumpet collection........2003-10-21

Trumpet fans should all own this album, that is if they don't already own all of the pieces on here on separate recordings (it would take a while to obtain them all). This recording features a bunch of great classical trumpeters and innovators such as Armando Ghitalla, Phil Smith, Wynton Marsalis, Mark Gould, H.L. Clarke, Ron Romm, Charles Schleuter, William Vacchiano, and more. Great performances of Bach's "Brandenburg Concerto No. 2", the Haydn and Hummel Concertos, Wynton's excellent performance of J.B. Arban's "The Carnival Of Venice", the New England Brass Ensemble performing "Trumpet Voluntary", a very good job done by a Baroque Orchestra of the Vivaldi Concerto for Two Trumpets, "The Three Aces" played by H.L. Clarke, and Leroy Anderson's classic "A Bugler's Holiday".

Overall this is a great listen to some of the best trumpet players of all-time in this idiom. All of the pieces are impeccably played by some of the best. I didn't discover this tape in my collection until recently, and boy I'm glad I did.

Quite the CD.......2001-04-17

If I were you, I would buy this CD. It is a diverse collection of amazing performances of quintessential pieces - an important addition to any classical music fan's collection. Heck, even if you're not big on classical music (or trumpet music or brass music or music at all) you should purchase this compact disc.

And comrades, let me say that you can't call yourself a member of the human race until you've heard Wynton Marsalis' performance of JB Arban's "Variations of Carnival of Venice." It's literally perfect. Buy this today.

Delibes: Coppélia (complete in three acts) / La Source (suites)
Average customer rating:

A full-length Coppelia at an appealing price

Inspired ballet music at a bargain price.

Superb Performance

Delibes: Coppélia (complete in three acts) / La Source (suites)

Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music
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Prokofiev: Cinderella, Op. 87; Glazunov: Seasons Op67

Delibes - Coppelia / Kirov, Vinogradov, Tarasova

ASIN: B00000147M
Release Date: 1996-01-23

Tracks:

Coppa, Ballet In 3 Acts: Act I: Prde
Coppa, Ballet In 3 Acts: Act I: Valse
Coppa, Ballet In 3 Acts: Act I: Sc
Coppa, Ballet In 3 Acts: Act I: Mazurka
Coppa, Ballet In 3 Acts: Act I: Sc
Coppa, Ballet In 3 Acts: Act I: Ballade
Coppa, Ballet In 3 Acts: Act I: Th slave varl
Coppa, Ballet In 3 Acts: Act I: Czarda-Danse hongroise
Coppa, Ballet In 3 Acts: Act I: Sortie
Coppa, Ballet In 3 Acts: Act I: Final
Coppa, Ballet In 3 Acts: Act II: Entr'acte
Coppa, Ballet In 3 Acts: Act II: Sc
Coppa, Ballet In 3 Acts: Act II: Sc
Coppa, Ballet In 3 Acts: Act II: Musique des automates
Coppa, Ballet In 3 Acts: Act II: Sc
Coppa, Ballet In 3 Acts: Act II: Sc
Coppa, Ballet In 3 Acts: Act II: Chanson oire et Sc
Coppa, Ballet In 3 Acts: Act II: Sc
Coppa, Ballet In 3 Acts: Act II: Valse de la poup
Coppa, Ballet In 3 Acts: Act II: Sc
Coppa, Ballet In 3 Acts: Act II: Bol
Coppa, Ballet In 3 Acts: Act II: Gigue
Coppa, Ballet In 3 Acts: Act II: Sc

Tracks:

Coppa, Ballet In 3 Acts: Act III: Marche de la cloche - F del la cloche - Divertissement
Coppa, Ballet In 3 Acts: Act III: Valse des heures
Coppa, Ballet In 3 Acts: Act III: L'aurore
Coppa, Ballet In 3 Acts: Act III: Coppa, Act 3: 4: La pri
Coppa, Ballet In 3 Acts: Act III: Le travail
Coppa, Ballet In 3 Acts: Act III: L'Hymen (Noce villageoise)
Coppa, Ballet In 3 Acts: Act III: La discorde et la guerre
Coppa, Ballet In 3 Acts: Act III: La paix (Pas de deux)
Coppa, Ballet In 3 Acts: Act III: Variation
Coppa, Ballet In 3 Acts: Act III: Danse de f
Coppa, Ballet In 3 Acts: Act III: Galop final
La Source, Suite No. 2: Sc dans
La Source, Suite No. 2: Scherzo Polka
La Source, Suite No. 2: Pas de la Guzla
La Source, Suite No. 2: Marche danset Final
La Source: Intermezzo (Pas des Fleurs, Grande Valse)
La Source, Suite No. 3: Incantation
La Source, Suite No. 3: Romance
La Source, Suite No. 3: Introduction et Mazurka
La Source, Suite No. 3: Finale