The Complete Jazz At The Philharmonic On Verve: 1944-1949 [Box set] [Live]

Editorial Reviews
Amazon.com
Ever wonder what a 1940s-era jam session sounded like? Well, not much gets closer to the real thing than the music on these 10 CDs. Norman Granz, founder of the Norgran and Clef labels before launching Verve in the mid-1950s, brought together dozens of musicians for the popular Jazz at the Philharmonic series, taking the ad hoc bands to delighted crowds. The bands cook, taking on scores of well-known tunes and using them as the basis for loose-limbed improvisations that play off the crowd's energy--often audible after solos. With a frequent audio vérité feel to the proceedings, this set moves through all-star sessions galore. The opening session features J.J. Johnson, Illinois Jacquet, Les Paul, and Nat "King" Cole, and one of the later sessions plays Charlie Parker off Lester Young, Flip Phillips, and Roy Eldridge in heated (though always fun) exchanges. Not surprisingly, great moments crop up amid some faltering jams, places where saxophonists stumble through phrases in high spirits to find a vocalist or another soloist already cutting in on the developments. Billie Holiday does a fine turn on "Fine and Mellow" with a supertrio of tenor saxes, including Lester Young, Coleman Hawkins, and Illinois Jacquet. A running thread throughout the 12-plus hours of music is the crosshatching of bebop and swing, which here work together in excited displays of expertise and imagination. The musical detail on this issue is especially welcome, given the recording ban that complicated the documentation of the bebop revolution in its earliest days. Oh, and nearly all this music is on CD for the first time, and for that reason (and others), the set is a full-on winner. --Andrew Bartlett

Tracks:

Lester Leaps In
Tea For Two
Blues
Body And Soul
Yancey Special
Fast Boogie
DuPree Blues
Honky Tonk Train Blues
C-Jam Blues
Sweet Lorraine
The Man I Love
I've Found A New Baby

Tracks:

Rosetta
Bugle Call Rag
One O'Clock Jump
Oh, Lady, Be Good!
Introuduction By Radio Host Al Jarvis
Stompin' At The Savoy
I've Found A New Baby
Body And Soul
Body And Soul
Strange Fruit
(I Don't Stand) A Ghost Of A Chance (With You)
Oh, Lady, Be Good!
How High The Moon?
Announcement By Al Jarvis

Tracks:

Opera In Vout (Groove Juice Symphony)
Blues For Norman
Oh, Lady, Be Good!
I Can't Get Started
After You've Gone
Stompin' At The Savoy
Idaho
Crazy Rhythm

Tracks:

The Man I Love
Sweet Georgia Brown
Blues De Lux
Encore Announcement By Norman Granz
Honky Tonk Blues
Announcement By Norman Granz
JATP Blues
I Got Rhythm
I Surrender, Dear
I've Found A New Baby

Tracks:

Bugle Call Rag
Philharmonic Blues
Oh, Lady, Be Good
I Can't Get Started
Sweet Georgia Brown
The Man I Love
Slow Drag
The Man I Love
Gee, Baby, Ain't I Good To You?
All Of Me
Billie's Blues
Intermission Commentary

Tracks:

Opening Announcement By Radio Hosts
Tea for Two
Intermission Announcement By Radio Hosts
It's The Talk Of The Town
Norman Granz Announcement, My Honey's Lovin' Arms
Boogie Woogie Cocktail
Norman Granz Announcement, D.B. Blues
Saxobebop
Lester Blows Again
I Cried For You
Fine And Mellow
He's Funny That Way
Blues
Blues (Pres)
Just You, Just Me
I Got Rhythm
My Blue Heaven
Play, Fiddle, Play
Flying Home
Trav'lin' Light
He's Funny That Way
How High The Moon?

Tracks:

Bell Boy Blues
Boogie Woogie Cocktail
Sweet Lorraine
Blues
Norman Granz Announcement Of Billy Holiday And Intermission
You'd Better Go Now
You're Driving Me Crazy
There Is No Greater Love
I Cover The Waterfront
Norman Granz Announcement
Perdido
Mordido

Tracks:

I Surrender, Dear
Endido
Norman Granz Introduction
The Opener
Lester Leeps In
Embraceable You
The Closer
Norman Granz Introduction Of Ella Fitzgerald
Robbins' Nest
A New Shade Of Blues

Tracks:

Old Mother Hubbard
I'm Just A Lucky So-And-So
Somebody Loves Me
Basin Street Blues
Ow!
Norman Granz Announcement
Flying Home
Norman Granz Introduction Of Oscar Peterson
Fine And Dandy
I Only Have Eyes For You
Norman Granz Announcement
Carnegie Blues
Norman Granz Introduction Of Coleman Hawkins
Body And Soul
Rifftide
The Big Head
Stuffy
Applause And Chatter
Sophisticated Lady
Norman Granz Introduction Of The Rhythm Section
Ol' Man River
Air Mail Special
Norman Granz Introduction Of Ella Fitzgerald
Oh, Lady, Be Good
Black Coffee

Tracks:

A-Tisket, A-Tasket
Norman Granz Announcement
How High The Moon?
Norman Granz Announcement
Perdido
Norman Granz Announcement
Announcements
Stompin' At The Savoy
Body And Soul
Dark Eyes
Characteristically B.H.
Summertime
Sid Flips His Lid
Medley: Lover, Come Back Too Me/(I Don't Stand) A Ghost Of A Chance (With You)/Just You, Just Me
Untitled
Untitled

Amazon.com

Ever wonder what a 1940s-era jam session sounded like? Well, not much gets closer to the real thing than the music on these 10 CDs. Norman Granz, founder of the Norgran and Clef labels before launching Verve in the mid-1950s, brought together dozens of musicians for the popular Jazz at the Philharmonic series, taking the ad hoc bands to delighted crowds. The bands cook, taking on scores of well-known tunes and using them as the basis for loose-limbed improvisations that play off the crowd's energy--often audible after solos. With a frequent audio vérité feel to the proceedings, this set moves through all-star sessions galore. The opening session features J.J. Johnson, Illinois Jacquet, Les Paul, and Nat "King" Cole, and one of the later sessions plays Charlie Parker off Lester Young, Flip Phillips, and Roy Eldridge in heated (though always fun) exchanges. Not surprisingly, great moments crop up amid some faltering jams, places where saxophonists stumble through phrases in high spirits to find a vocalist or another soloist already cutting in on the developments. Billie Holiday does a fine turn on "Fine and Mellow" with a supertrio of tenor saxes, including Lester Young, Coleman Hawkins, and Illinois Jacquet. A running thread throughout the 12-plus hours of music is the crosshatching of bebop and swing, which here work together in excited displays of expertise and imagination. The musical detail on this issue is especially welcome, given the recording ban that complicated the documentation of the bebop revolution in its earliest days. Oh, and nearly all this music is on CD for the first time, and for that reason (and others), the set is a full-on winner. --Andrew Bartlett

Customer Reviews:

Comprehensive, and a good representation of 1940's Jazz.......2004-01-09

I have to thank my father for introducing me to Jazz when I was 5 or 6 years. He got my interest by playing some of the recordings that are contained in this CD box set. Included are the classic volumes that were originally released on labels such as Norgran and Clef. Also included are unreleased concerts, and although the recording quality sometimes suffers, those concerts are still quite enjoyable.

From the very beginning, Norman Granz always hired the brightest of Jazz stars for his concerts. Some reviewers in past years have complained that, by mixing swing musicians and boppers, sometimes the chemistry suffers. But when one listens, for example, to the 1949 Carnegie Hall concert, even when trombonist Tommy Turk is followed by Charlie "Bird" Parker, or when bebop trumpeter Howard McGhee is sandwiched between the cooking (as illustrated by a stove on an original David Stone Martin album cover included in the box) tenor saxes of Flip Phillips and Illinois Jacquet at the 1947 Carnegie Hall session, nothing seems out of place. In fact, the riffing brings the temperature up a few more degrees.

Speaking of the 1947 Carnegie Hall set, we heard "Perdido" and "Mordido" on the VSP (Verve Special Products) cutout label in the middle 1960's. Another album in the VSP series had "I Can't Get Started" along with the 1947 versions of "How High the Moon" and "Bellboy Blues". Since we only had a few of the VSP albums, I didn't even know about "Endido" until I had a conversation with another collector in the middle 70's. I had to wait until the release of this box set to finally hear Endido, over 20 years later. I'm certain my experience is not unique, so the release of this box set will help others who have been searching for their favorite JATP set.

Included in the box is a book with photos, lists of concert dates, and notes about these recordings. At first, I thought this box set was a bit pricey (for 10 CDs), but afterwards I realized the box set is well worth the almost-$200 list price. For those who are more casual fans of Norman Granz' JATP, one might purchase instead the "Best of" CD "sampler" which contains selections from the box, including favorites such as the 1947 "Perdido", 1946 "Philharmonic Blues", the 1946 "Oh, Lady Be Good" with the classic Bird solo, and Ella Fitgerald and the JATP All-Stars on the 1949 "Flying Home", along with other selections. Some of the concerts (such as the 1944 sets with Nat King Cole, Les Paul, J. J. Johnson and Illinois Jacquet) are available for purchase separately. And, like the back cover of the classic albums declared, "produced under the personnel supervision of Norman Granz", so you know you won't be disappointed!

Call it whatever - it's still LIVE and HISTORY.......2003-09-09

Norman Grantz took a whole lot of crap (especially in the later years) for what some have called "a travelling jazz circus". Thank God he had the foresight (or business acumen) to record these. Some of the best, once-in-a-lifetime moments were caught for posterity in these jams. Looking over the years that have been picked for re-issue (not just this set, but all of the JATP re-issues), I was struck by the inclusion of the 1952 tour, taken not form the Carnegie Hall concert, which I have on LP box set ("JATP VOL #8), but in Frankfurt. Looking at the tracks, I can't help but wonder why. The '52 Carnegie Hall concert was INCREDIBLE...especially the Oscar Peterson Trio. Perhaps because there was no way to keep Oscar's trademark 'growl-singing' along with his playing from being right there with the rest of the band, it was excluded from consideration; but there are other magical moments as well: the "Opening Jam, with Oscar, Flip Phillips, Charlie Shavers, a very "on" Lester Young, Roy Eldridge, Barney Kessell, Buddy Rich...and the crowd is as much a player as the players! Man, oh, man. Also there was the Gene Krupa Trio - Gene, Willie Smith, and Hank Jones. Willie Smith may be one of the most underrated saxmen ever. And, this was the first time Rich and Krupa shared the same stage, and "The Drum Battle" is ALL that. For whatever reason, this is not on CD. But, these 40s classics are, and they are worth getting for a glimpse of Jazz History.

Just as I remember.......2003-04-12

One thing about being old is that you've had a chance to hear the "live concert" when it WAS live. I went to several of JAP's concerts, saw Ella, Lester, and so many in the "Hall of Fame" that SHOULD be. This was music that bridged dixieland (my favorite) and modern (Ugh). This set is unique--it has the timing faults of live real jazz (not off sheet music). One thing is FOR SURE, there is ABSOUTELY NOTHING ELSE LIKE IT. So, don't try to like everything, only the ignorant do, just glory in MOST of it, because if you really care that much recut it. Just GET IT, not as I failed to do the first time out and though I'd lost a chance forever--thank you God for giving me a second chance!

Wish you were there........2000-11-14

Have you ever heard something that so totally convinced you that you were born to late? That was what I felt like upon hearing these incredible sets for the first time. This is truly one of the greatest box sets ever. While Norman Granz is many things to many people, some not so good, the inescapable fact here is the man knew how to assemble talent, and how to get it out to the public.

This could be parralelled to being a early day Woodstock, only on a travelling road show format, in that the giants were assembled, giving a stage and an audience, and told to let it go.The results can be heard here on every disc. From the uncontrolled jams of Illinis Jacquet, J.J. Johnson, and Charlie Parker, the story songs of Slim Gaillard, to the smokey emotive singing of Lady Day, this set encompasses them all.

While the size and price may scare off some, this is jazz at it`s wildest and well worth the price,and Norm Granz should be thanked for putting these roadshows together and for fighting to be able to bring these incredible musicians to the public stage, despite having the racial norms of the day putting up roadblocks in almost evey town, North, South , and even on the West Coast. This is a remarkable piece of history, with remarkable music.

Relive the excitement of the All Star concerts!.......1998-12-24

This voluminous set reissues all the remaining recordings of the Jazz at the Philharmonic concerts produced by Norman Granz during the period 1944 to 1949.

There are previously issued and previously unissued performances here. Lester Young, Coleman Hawkins, and Illinois Jacquett are heavily featured on tenor sax. Also making many appearances are the lesser known Howard McGhee and Kenny Kersey. Many other 'forties jazz stars are present, including Les Paul, Meade Lux Lewis, Charlie Parker, J. J. Johnson, Buck Clayton, Roy Eldridge and Mel Powell. Sure the JATP became formulaic over time, but those performance captured here are exciting and stimulating. I especially enjoy the unissued sides by Lester Young here, and the many appearances on drums of his lesser-known brother, Lee Young.

The sound is excellently remastered. A few selections are from very poor source material, but overall the sound is dynamic and vivid. The lengthy booklet is informative and fun. And have you ever seen a box set that came with a minature sidewalk marquee before? Do you think you will again?

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