Vocal Duets [Box set]

Editorial Reviews
Album Details
3-CD Boxed Set. Selections also Feature Billie Holiday, the Mills Brothers, the Ink Spots and Others.

Tracks:

LULLABY OF BROADWAY duet with Dixie Chicks
SMILE duet with Barbra Streisand
PUT ON A HAPPY FACE duet with James Taylor
THE GOOD LIFE duet with Billy Joel
THE SHADOW OF YOUR SMILE duet with Juanes
RAGS TO RICHES duet with Elton John
THE VERY THOUGHT OF YOU duet with Paul McCartney
COLD, COLD HEART duet with Tim McGraw
IF I RULED THE WORLD duet with Celine Dion
THE BEST IS YET TO COME duet with Diana Krall
FOR ONCE IN MY LIFE duet with Stevie Wonder
ARE YOU HAVIN ANY FUN? duet with Elvis Costello
BECAUSE OF YOU duet with k.d. lang
JUST IN TIME duet with Michael Bubl
THE BOULEVARD OF BROKEN DREAMS duet with Sting
I WANNA BE AROUND - duet with Bono
SING, YOU SINNERS duet with John Legend
I LEFT MY HEART IN SAN FRANCISCO
HOW DO YOU KEEP THE MUSIC PLAYING? duet with George Michael

Amazon.com

At this point, who else but Tony Bennett would have the clout to round up stars on the scale of Elton John, Paul McCartney, Bono, Celine Dion and Barbra Streisand for some duets? (Note also that unlike some similar projects, all the parties involved on this CD were alive when it was recorded!) The material consists of relatively obvious classics in standard big-band arrangements, and Bennett himself is in top form at age 80, so much so that he doesn't need anybody else to handle "I Left My Heart in San Francisco." But the fun comes from checking out how his collaborators fare. The Dixie Chicks provide wonderful Andrews Sisters-type harmonies on the percolating version of "Lullaby of Broadway" that opens the festivities. The best songs tend to be the ones where Bennett's slightly craggy voice is juxtaposed to smooth female ones, like Diana Krall on "The Best Is Yet to Come," familiar accomplice k.d. lang on the sultry "Because of You" and Streisand—-perhaps Bennett's only equal in stature at this point—on "Smile." Among the less expected guests, soulman John Legend is a revelation on the hard-swinging "Sing, You Sinners," while George Michael confirms he's quite the crooner on "How Do You Keep the Music Playing?" Elvis Costello, Celine Dion or Juanes don't sound as comfortable, and sometimes it feels as if they overdo it to compensate, but overall this collection is among the best of its kind, with most guests rising to the occasion. --Elisabeth Vincentelli

Amazon.com

Perfecting the art of excellence for over six decades, with 105 albums selling over 50 million copies, Tony Bennett has come to represent the essence of elegance, tradition and artistic accomplishments. Tony celebrates his 80th birthday recording Duets of his greatest hits with today's greatest artists: Bono, Michael Bublé, Elvis Costello, Celine Dion, Dixie Chicks, Billy Joel, Elton John, Juanes, Diana Krall, k.d. lang, John Legend, Paul McCartney, Tim McGraw, George Michael, Sting, Barbra Streisand, James Taylor, and Stevie Wonder.

More from Tony Bennett

The Art of Romance

A Wonderful World (with k. d. lang)

Perfectly Frank: An American Classic Celebrates 80

Basie Swings, Bennett Sings (DVD)

The Movie Song Album

The Classic Collection (Box Set)

Customer Reviews:

Tony Bennett.......2007-07-16

Great duets, enjoyed every song on the CD!! He still continues to amaze me with that silky voice. He's a legend....

It really swings.......2007-07-14

All classics with new voices. I bought it after seeing the special on PBS.

Not bad but the voice is going--sorry.......2007-06-27

I would say "OK" but it is not of the quality of the Ray Charles' duets. Tony is fantastic but time diminshes the quality of the voice.

Watch the DVD, then rate the album.......2007-06-23

PBS ran the tape of the making of Duets and gave me a whole new perspective on the CD. I now can visualize each song as I listen, and it has enhanced my enjoyment of the best tracks while making ones I thought were not as good much more in line with the Bennett tradition of "telling the story" of each song. He gets inside the music and lives there with such ease.

There is nobody who can blend with Bennett's voice better than k.d. lang - except Diana Krull, James Taylor, Tim McGraw or, well, most of the other people chosen to sing with him.

This record is joyful and not enhanced, as one reviewer suggested. Hearing/seeing how Bennett works with lyrics and other performers still amazes me. I've been a fan since his first recording - there was nothing like a Bennett song for setting the mood.

Tolerable but falls short of its potential.......2007-06-19

As much as I wanted to rate this album higher, befitting Tony's legendary status, I couldn't because it suffers from "too many cooks in the kitchen." Like so many of these collaborations, some of the singers paired with Bennett work (McCartney, Michael, Streisand, John, and a surprisingly good Bono), some are adequate (Dion, Wonder, Joel, Juanes) and some fall into the "what-were-they-thinking" category (The Dixie Chicks, McGraw and John Legend).

And no matter how much respect I have for the legendary crooner, Bennett's voice is, expectedly, not what it used to be and on some songs, he strains and has wavy tones.

However, one can't deny his musical status and the fact that he was able to get so many top-notch talent to support is a testament to that fact.

And the choice of songs can't be denied; they are all bonafide "classics" in the truest sense of the term.

Average customer rating:

DUETS
Listening Magic with Barbra
The greatest
For a few chilling moments
DUETS

Duets
Barbra Streisand
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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The Essential Barbra Streisand
Guilty Pleasures
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The Movie Album

ASIN: B00006LFGD
Release Date: 2002-11-26

Tracks:

I Won't Be The One To Let Go (Duet with Barry Manilow)
Guilty (Duet with Barry Gibb)
You Don't Bring Me Flowers (Duet with Neil Diamond)
I Finally Found Someone (Duet with Bryan Adams)
Cryin' Time (Duet with Ray Charles)
I've Got A Crush On You (Duet with Frank Sinatra)
Tell Him (Duet with Celine Dion)
No More Tears (Enough Is Enough) (Duet with Donna Summer)
What Kind Of Fool (Duet with Barry Gibb)
I Have A Love/One Hand, One Heart (Duet with Johnny Mathis)
One Less Bell To Answer/A House Is Not A Home (Duet with Barbra Streisand)
Lost Inside Of You (Duet with Kris Kristofferson)
Till I Loved You (Duet with Don Johnson)
Make No Mistake, He's Mine (Duet with Kim Carnes)
If You Ever Leave Me (Duet with Vince Gill)
The Music Of The Night (Duet with Michael Crawford)
Ding-Dong! The Witch Is Dead (Duet with Harold Arlen)
Get Happy/Happy Days Are Here Again (Duet with Judy Garland)
All I Know Of Love (Duet with Josh Groban)

Amazon.com

Even in the face of epochal success, it's tempting to ponder what Barbra Streisand might have accomplished had she not spread herself across so many diverse entertainment media; so much ambition, so little time. This collection of 19 Streisand duets chronicles collaborations with Frank Sinatra and Judy Garland at one end of the scale and Don Johnson at the other. It finds the singer dabbling--if, as her bluesy miscue with Ray Charles on "Crying Time" argues, not necessarily triumphing--in styles she largely eschewed elsewhere in her career. Still, her unlikely collaborations with Barry Gibb ("Guilty," "What Kind of Fool") and Donna Summer ("No More Tears (Enough Is Enough") during the disco era scored her some of the biggest successes of her career, ample proof that with the right chemistry, Streisand could be as powerful a pop music chameleon as she was a diva. New recordings with veteran Barry Manilow (the warm, low-key "I Won't Be the One to Let You Go") and Josh Groban (David Foster's overwrought "All I Know of Love") supplement recordings that stretch from the '60s kitsch-a-go-go of Harold Arlen's "Ding-Dong! The Witch Is Dead" across five decades of Streisand's unparalleled career. --Jerry McCulley

Customer Reviews:

DUETS.......2007-06-11

AWESOME DUETS WITH BARBRA AND EVEN FRANK SINATRA!! NOT SURE IF HIS VOICE WAS ENTERED ELECTRONICALLY SINCE HE HAS BEEN GONE A WHILE. BUT GREAT ALBUM FOR ANY FAN.

Listening Magic with Barbra.......2007-04-01

I was so enthralled to hear the CD of Duets. I have always loved Barbra Streisands voice and this was just great. I enjoyed it enormously and listen to it all the time. Her choice of male singer was perfect.

The greatest.......2007-03-13

Barbar is always a good buy. This showes how she can sing with so many different people and pull it off. Ever with her self. What more could I say?

For a few chilling moments.......2007-02-14

Much of this is not the greatest Steisand, though Streisand almost always is a very great and moving singer. But certain moments here sent a chill down the spine. Hearing Judy Garland 's voice and then Streisand's was such a moment. Arguably the two greatest female ballad singers all time. There was another moment just hearing Sinatra and Streisand together though their collaboration on 'I've got a Crush on you' is far from what each is capable of. I remember the Barry Gibb collaboration and it still has its pleasantness. Her duet with Josh Groban is a nice piece. The opening riff of her duet with Ray Charles is a bit overdone. Barbara is an entertainer who gives it all but here it sounds as if she is schmaltzing it up a bit.
On the whole though her quality as a singer prevails here as it does in most of her work.

DUETS.......2007-02-11

ONE OF THE BEST DUETS OUT THERE. GOOD ARRANGEMENTS WITH GOOD COMBOS MAKES SWEET MUSIC. ENJOY.

Average customer rating:

Not Sinatra's Best But Far From His Worst.
Dazzling Duets
Love Frank
Not good
It's Pretty Good

Duets
Frank Sinatra
Manufacturer: Capitol
ProductGroup: Music
Binding: Audio CD

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Duets II
Classic Duets
Duets
Duets/Duets II: 90th Birthday Limited Collector's Edition
Playin' with My Friends: Bennett Sings the Blues

ASIN: B000002USN
Release Date: 1993-11-02

Tracks:

The Lady Is A Tramp
What Now My Love
I've Got A Crush On You
Summer Wind
Come Rain Or Come Shine
New York, New York
They Can't Take That Away From Me
You Make Me Feel So Young
Guess I'll Hang My Tears Out To Dry/In The Wee Small Hours Of The Morning
I've Got The World On A String
Witchcraft
I've Got You Under My Skin
All The Way/One For My Baby (And One More For The Road)

Amazon.com

A tremendous commercial success upon its release in 1993, this collection pairs Sinatra with various big name vocalists on 13 of his best-known classics. Unfortunately, it's also one of the least enjoyable records of Sinatra's career. Part of the problem is Phil Ramone's obtrusively slick production, but the fact that Sinatra's partners sang along to tapes of his already-recorded performances--rather than with the Chairman himself--really keeps Duets from ever catching fire. Tony Bennett turns in a predictably swell "New York, New York," but duets with Gloria Estefan ("Come Rain or Come Shine"), Kenny G ("All the Way/One More for My Baby") and U2's Bono ("I've Got You Under My Skin") unfortunately represent something of an artistic low-point for Sinatra. --Dan Epstein

Customer Reviews:

Not Sinatra's Best But Far From His Worst........2007-06-16

By 1993, Frank Sinatra was 77 years old. His voice was in tatters, his memory was failing regularly, and his health was deteriorating. And yet, he was still performing and seeling out houses around the world, playing to audiences young and old.

It was this appeal that led Sinatra to return to the studio at the request of his family and friends, and team up with the hottest artists of that era for an album of newly recorded duets of Sinatra classics. The result was simply titled "Duets".

"Duets" has polarized Sinatra fans since its release. Many fans love it and think of it as a great souvenier for Sinatra's later years. Others despsie it and see it as a joke to milk Sinatra's legacy. I am in the middle. I think "Duets" is flawed, but it's a very solid and enjoyable album.

The artists chosen here are indeed an eclectic bunch, ranging from R & B belters (Aretha Franklin, Luther Vandross) to modern day pop divas (Gloria Estefan, Natalie Cole, Carly Simon, Anita Baker), to a modern day rock icon (Bono), to a schlock king saxophonist (Kenny G), to two foreign crooners (Julio Iglesias, Charles Aznavour), an artsit I've never heard of and a select few who were in the same mold as Frank (Streisand, Tony Bennett, Liza Minelli).

With this group of artists, you are bound to get varied results when it comes to the songs. The fact of the matter is, some songs work and some don't.

The ones that work really well, and are fortunately the better part of the record. Streisand's performane with Frank on "I've Got A Crush On You" is irresistibly sweet and playful. Bennett on "New York, New York" is a dream come true, with the tow greatest singers in their field finally getting together on record. Minnelli was born to sing with Frank just like her mother, and the two swing out on "I've Got The World On A String". Anita Baker scores well on "Witchcraft", throwing in some nice scatting, and Carly Simon provides a good counter-vocal to Frank on an aching medley of "Guess I'll Hang My Tears Out To Dry" and "In The Wee Small Hours Of The Morning". And while it looked like a bad idea on paper, Bono really blends in well on "I've Got You Under My Skin". Bono clealry respects Frank and does not try and upstage him and the two redefine cool with this track.

The bad is not terrible, but is lacking. Gloria Estefan comes across as too over the top on "Come Rain Or Come Shine", and Natalie Cole, who had attempted the same feat three years earlier with her dad on "Unforgettable", is surprsingly weak on "They Can't Take That Away From Me". Luther Vandross is one of my favorite R & B singers, but he fails to ignite sparks on "The Lady Is A Tramp". The duets with Iglesias ("Summer Wind") and Aznavour ("You Make Me Feel So Young"). The biggest disappointment perhaps is Aretha Franklin, who should've been a high point of the record, but she seems disconnected on "What Now My Love".

This leaves us with the last song on the album, which is by definition not a duet, and ironically manages to be the undisputed high point of the album. Kenny G. plays an instrumental version of "All The Way" (I was really hoping the older Frank would try his hand at this, but its' not to be). After tow minutes of Kenny's sax, the song quietly fades into "One For My Baby (And One More For The Road)". And the result is amazing. Frank gives the song all he's got, and the wear and tear of his voice gives the song a more poignant and heartbreaking feel to it. It's an incredible recording. I almost cried listening to it.

Overall, "Duets" isn't a masterpiece, but a solid effort from Frank in his final years. It is certainly worth having, even if not's quite a must have.

Dazzling Duets.......2007-05-29

"If Frank Sinatra is a saloon singer, as he's so fond of saying, then the whole world is his saloon." ~ David Wild, Liner Notes, 1993 ~

Yes, definitely, I would love to be at his world forever and a day swooning over every note of his songs and be intoxicated with the beauty of his timeless music! His music is so many things to me. It's an inspiration! It's a joy! It's a dream in my heart! It evokes varied range of emotions. His music has made me happy and sad. His music has made me laugh and cry.

One of the notable quotes from Sinatra which I find very remarkable and sincere is: "I was a baby when I started in this business and without the guidance, friendship and talents of brilliant people like Nelson Riddle, Johnny Mercer, Jim Van Heusen, Harold Arlen, the Gershwins, Cy Coleman, Don Costa, Jule Styne, Gordon Jenkins, Sammy Cahn; the musicians I work with today, as well as my own determination, I would not have had a career."

The one thing I most admire with the Chairman apart from his many musical virtues is his deep sense of gratitude as evident on the above quote. He knew how to give credit when due. He was never an egoistic and self-centered person. He knew what a teamwork was all about. It was all about having great respect with people he had worked with and recognizing their combined efforts and great contributions to the ultimate success of his career.

"We all have so much admiration for this guy. As far as we are concerned, Frank Sinatra, is a national treasure." This is a quote from his Production Manager for so many years, Hank Cattaneo.

Indeed, he was not only a national treasure but also a legendary icon, most-loved Entertainer of All-Time. Why I have to listen to one or two Sinatra CDs everyday is beyond me! I could listen to all of his recordings day in and day out without tiring ever, and each time my heart simply melts! And this CD, "Duets" is no exception. This is one of the most wonderful CDs he recorded. What made it so special and notable is his pairing with some of the artists who have made great names for themselves and became famous for their tremendous talents. Each duet is executed beautifully and flawlessly making each performance sparkle and glow like a dazzling diamond.

My favorites include "They Can't Take That Away From Me'" with Natalie Cole, "Guess I'll Hang My Tears Out To Dry"/"In The Wee Small Hours of The Morning" with Carly Simon, "I've Got You Under My Skin" with Bono, "I've Got A Crush On You" with Barbra Streisand, "Witchcraft" with Anita Baker, "Come Rain or Come Shine" with Gloria Estefan and of course "New York, New York" with Tony Bennett.

David Wild has written the interesting and very informative Liner Notes with catchy sub-titles. I enjoyed reading it!

"DUETS is indeed a beautiful piece of art, a masterpiece that reminds us of what makes Sinatra one-of-a-kind." ~ David Wild ~

Amen to that! And if you don't have this yet in your Sinatra collection, add it and have a happy listening experience!

Wholeheartedly recommended.

Love Frank.......2007-01-06

I reaquainted myself with this CD, and it is classic Sinatra. Everyone is wonderful. My teens have fallen in love with this CD.
No complaints.Great Music

Not good.......2006-11-15

As a Sinatra fan, I can tell you that this does not represent his best output. I hate to be cynical but part of me wonders if this album was prompted by a desire to squeeze just a bit more cash out of some tired old numbers. There was no point getting Sinatra to re-record a selection of favourites - he was too old and his voice had all but gone (let's face it). So why not get him to croak a few lines and then fill in the gaps with some lesser stars and then market it as a duets album?

The instrumental arrangements and the band itself are great. But the singing is at best uninteresting and at worst laughable. The duet with Bono is a complete joke, the one with Barbara Streisand tedious and uninspiring. In fact, just about the only one that is at all enjoyable is the duet of Summer Wind with Julio Iglesias. No, this is not a good album and the third-rate quality of it is highlighted by the rumour that Sinatra pre-recorded his bits and the others filled in the gaps later. I find that very easy to believe.

There are so many good Sinatra albums and collections around, so why would you bother with this offering? Go listen to him in his prime.

It's Pretty Good.......2006-07-11

Really, the condition of Frank's voice, and the fact that he pre-recorded his parts doesn't bother me. Of course, it would have been ideal if Frank had made his duets album ten years earlier.

This album had its flaws, but it didn't deserve the critical slam that it received at the time--and it didn't stop millions of people from loving it. It IS good, just not great. Duets II is actually better. The song choices are better, and Frank's voice was in better shape on those songs. I recomend both Duets 1 & 2.

I hope someday that they release Frank's recordings of these songs before the duet partners were added, I'd like to hear the original cuts.

Classical Masterpieces of the Millennium [20 CD Set]

Average customer rating:

Mill. Classical review
classical music for the unitiated
Some little gems there that I had forgotten!
A very helpful collection
Excellent!

Classical Masterpieces of the Millennium [20 CD Set]

Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD

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ASIN: B00000K1C9
Release Date: 1999-08-24

Tracks:

Brandenbutg Concerto No.3 In G First Movement
Overture No.3 In D Second Movement
Violin Concerto In E First Movement
Prelude In C minor
Jesu Bleibet Meine Freude (Chorus From Cantata No.147)
Overture No.2 In B minor Minuet And Badinerie
Oboe Concerto In D minor Second Movement
Brandenburg Concerto No.4 In G Third Movement
Musical Offering - Fuga canonica
Easter Oratorio - Overture
Minuet In D minor
Kommst Du Nun, Jesu, Vom Himmel herunter(From Choral Prelude BWV 650
Brandenburg Concerto No.1 In F Second Movement
Art Of The Fugue - Contrapunctus 9
Concerto For Flute, Violin, Harpsichord And Strings. Triple Concerto - Third Movement
Overture No.4 In D - Réjouissance
Concerto No. 1 in E: Spring
Concerto No. 1 in E: Spring
Concerto No. 1 in E: Spring
Concerto No. 2 in G minor: Summer
Concerto No. 2 in G minor: Summer
Concerto No. 2 in G minor: Summer
Concerto No. 3 in F: Autumn
Concerto No. 3 in F: Autumn
Concerto No. 3 in F: Autumn
Concerto No. 4 in F minor: Winter
Concerto No. 4 in F minor: Winter
Concerto No. 4 in F minor: Winter
Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
Concerto Grosso in A minor, Op. 3, no. 8
Concerto Grosso in A minor, Op. 3, no. 8
Concerto Grosso in A minor, Op. 3, no. 8
Water Music - Alla Hornpipe
Xerxes - Ombra Mai Fu (Largo)
Messiah - And The Glory Of The Lord
Concerto Grosso In A Minor, Op. 6, No. 4 - Larghetto Affettuoso
Organ Concerto In F, Op. 4, No. 4 Allegro
Water Music - Air
Messiah - For Unto Us A Child Is Born
Concerto Grosso In B flat, Op. 3, No. 2 - Largo
Salomon - Sinfonia, Act 3
The Choice Of Hercules - While For Thy Arms
Water Music - Allegro (Suite No. 1)
Suite No. 5 In E - Air With Variations
Jephtha - How Dark, O Lord
Organ Concerto In F, Op. 4, No. 5 Alla Siciliana - Presto
Mi Palpita Il Cor (Solo Cantata) S'un Di M'adora
Water Music - Andante Allegro Da Capo
Concerto for Trumpet & Orchestra in E-flat: First Movement
Symphony No. 94 in G: Surprise Symphony-second movement
Concerto for Violin No. 2 in D: Third Movement
Flute Trio No. 31 in G: Second Movement
Symphony No. 31 in D: Hornsignal-First Movement
String Quartet No. 17 in F, Op. 3, no. 5: Serenade Quartet-Second Movement
Sinfonia Concertante in B-flat for Violin, Cello, Oboe, Bassoon and Orchestra-Third Movement
Concerto for 2 Horns & Orchestra in E-flat: Second Movement
Symphony No. 88 in G: Fourth Movement
String Quartet No. 77 in C: Kaiser Quartet-Poco adagio cantabile
Notturno No. 1 in C: Second Movement
Symphony No. 98 in B: Londoner No. 4-Fourth Movement
Eine Kleine Nachtmusik - first movement
Piano Concerto in A - second movement
Flute Concerto in D - Rondeau
Serenade - Minuet
Violin Concerto - first movement
Symphony No. 40 in G minor - first movement
Clarinet Concerto - second movement
Turkish March
Divertimento - Minuet
Horn Concerto No. 3 in E-flat - first movement
Symphony No. 5 in C minor, Op. 67-First Movement
Piano Sonata No. 14 in C sharp minor, Op. 27, no. 2: Moonlight Sonata-First Movement
Overture
O welche Lust (Prisoners' Chorus)
Ha, welch ein Augenblick (Pizarros's Aria)
Concerto for Piano and Orchestra No. 3 in C minor, Op. 37: Second Movement
Concerto for Violin and Orchestra in D, Op. 61: Third Movement
Piano Sonata No. 8 in C minor, Op. 13: Pathétique-Second Movement
Sympony No. 6 in F, Op. 68: Pastorale-First Movement
Fantasy for Piano, Chorus and Orchestra in C minor, Op. 80: Choral Fantasy - Finale
German Dance No. 1 In C
Impromptu Op. 90, No. 3 In G-Flat
Heidenroslein
Ave Maria
Der Lindenbaum
Quintet In A 'Trout Quintet' - Andante
Mass No. 6 In E-Flat - Kyrie
Die Schone Mullerin Des Mullers Blumen
German Dance No. 2 In G
Piano Sonata In B-Flat
Nachtgesang Im Walde
Winterreise - No. 15: Die Krahe
German Mass - Zum Sanctus (Heilit, Heilig Ist Der Herr)
Symphony No. 8 In B Minor 'Unfinished' - Second Movement
Waltz No. 1 in E-flat, Op. 18 Grande Valse brillante
Nocturne in E-flat, Op. 9, no. 2
Etude in G-flat, Op. 10, no. 5
Concerto for Piano and Orchestra No. 2 in F minor, Op. 21-Second Movement
Mazurka in D minor, Op. 33, no. 2
Prelude in D-flat, Op. 28, no. 15 Raindrop
Etude in C, Op. 10, no. 1
Nocturne in D-flat, Op. 27, no. 2
Impromptu No. 4 in C-sharp minor, Op. 66 Fantasy Impromptu
Scherzo in B minor, Op. 20
Piano Sonata No. 2 in B-flat minor, Op. 35-Third Movement
Concerto for Piano and Orchestra No. 1 in E minor, Op. 11 - Third Movement
Piano Concerto No. 1 in B-flat minor - first movement 113.String Seranade - Waltz
Violin Concerto - second movement
The Sleeping Beauty - Waltz
Capriccio Italien, Op. 45
Swan Lake - Waltz
Eugene Onegin - Polonaise
The Nutcracker - Waltz of the Flowers
Orchestral Suite No. 4 - Mozartiana - Third Movement
Swan Lake - Dance of the Swans
Symphony No. 6 in B minor - Pathétique - Third Movement
Hungarian Dance No.5
Lullaby
Symphony No.1 in C minor, Op. 68 - Third Movement
Intermezzo in E-flat, Op.117, no. 1
Concerto for Violin and Orchestra in D, Op. 77 - Third Movement
Waltz, Op. 39, no. 15
Concert for Piano and Orchestra No. 2 in B-flat, Op. 83 - Second Movement
String Quintet in G, Op. 111 - Second Movement
Symphony No.4 in E minor, Op. 98 - Third Movement
Intermezzo in A minor, Op. 76, no. 7
Hungarian Dance No.1 in G minor
German Requiem Selig sind die Toten (Final Chorus)
Die Fledermaus - Overture
Kaiser Waltz, Op.437
Thunder And Lightning Polka, Op. 324
Roses From The South Waltz, Op. 388
AnnenPolka, Op. 117
Vienna Blood Waltz, Op. 354
Eljen A Magyar Polka, Op. 332
Wine, Women and Song Waltz, Op. 333
On The Beautiful Blue Danube Waltz, Op. 134
Die Meistersinger Von Nurnberg - Overture
Tannhauser - Die Pilger sind's (Pilgims' Chorus)
Tannhauser - O du mein holder Abendstern (Wolfram's Aria)
Lohengrin - Act 3 Prelude and Bridal Chorus
The Flying Dutchman - Jo-ho-he Traft ihr das Schiff (Senta's Ballad)
The Flying Dutchman - Steuermann, lass die Wacht (Sailors' Chorus)
Die Walkure - Wintersturme wichen dem Wonnemond (Siegmund's Aria)
Die Walkure - Ride of the Valkyries
Siegfried Hoho! Hoho! Hohei! Schmiede mein Hammer (Siegfried's Forging Song)
Tristan und Isolde - Liebestod
Thus sprach Zarathustra, Op. 30 (excerpt)
Don Juan, Op. 20
Eine Alpensinfonie, Op. 64, I.Nacht
Don Quixote, Op.35, first movement: Introduction
Salome, Op. 54, Dance Of The Seven Veils
Der Rosenkavalier, Op. 59, Finale: Hab' mir's gelobt ihn lieb zu haben
Piano Concerto 2 In C minor, Op. 18 - First Movement
Vocalise, Op.34, No. 14
Prelude In G Sharp minor, Op. 32, No. 12
Piano Concerto No. 4 In G minor, Op. 40 - Third Movement
Symphony No. 2 In E minor, Op. 27 - Third Movement
Piano Concerto No. 1 In F sharp minor, Op. 1 - Second Movement
Rhapsody, Op. 43 On A Theme By Paganini
Hungarian Rhapsody No.2
Liebestraum No.3 in A-flat
Piano Concerto No.1 in E-flat - third movement
Angelus
Mephisto Waltz No.1 (Dance in a Village Tavern)
Prelude and Fugue on B-A-C-H
Dante Symphony - Finale. - Purgatorio - Magnificat
Les Préludes
Boléro
Daphnis et Chloé first movement: Nocturne
Rhapsodie Espagnole
Shéhérazade - first movement: Asie
Ma Mère l'Oye - fourth movement: La Belle et la Bête
Introduction and Allegro for Harp, Flute, Clarinet, and String Quartet
La Valse
Slavic Dance No. 1 in C, Op. 46, no.1
Symphony No. 9 in E minor, Op. 95 'From the New World' - second movement
Humoresque, Op. 101
Slavic Dance No. 8 in G minor, Op. 46, no. 8
Serenade for String Orchestra, Op. 22 - second movement
Romance for Violin and Orchestra In F minor, Op. 11
Symphony No. 7 in D minor - third movement
Melodie (Songs My Mother Taught Me)
Carneval Overture, Op. 92
Concerto for Cello and Orchestra in B minor, Op. 104 - third movement
Symphony No.4 In A, Op. 90. Italian - First Movement
Frühlingslied In A, Op. 62, No. 6
Wedding March (From A Midsummer Night's Dream, Op.61)
Duetto In F, Op.30, No.6 (From Songs Without Words)
String Symphony No.9 In C. Schweitzer Symphony - Third Movement
Concerto For Violin, Piano And String Orchestra No. 1 In D minor - Second Movement
Symphony No.3 In A minor, Op.56 Scottish - Third Movement"
Notturno (From A Midsumment Night's Dream, Op. 61)
Rondo Capriccioso, Op.14
String Symphony No. 12 In G minor - First Movement
Venetian Gondola Song In F Sharp minor, Op.30, No.6
Scherzo (From A Midsumment Night's Dream, Op. 61)
Violin Concerto In E minor, Op.64 - Third Movement
Peer Gynt - Suite No. 1, Op. 46 - Morgenstimmung
Holberg Suite, Op. 40 - I. Prelude. Allegro vivace
Holberg Suite, Op. 40 - IV. Air. Andante religioso
Arietta, Op. 12, no. 1
Homage March from Sigurd Jorsalfar, Op. 56
Peer Gynt - Suite No. 2, Op. 55 - Solveig's Song
Wedding Day at Troldhauen, Op. 65, no. 6
The Last Spring, Op. 34, no. 2
Peer Gynt - Suite No. 1, Op 46 - Anitra's Dance
Nordic Melody Op. 63
Notturno, Op. 54, no. 4
Elegie, Op. 47, no. 5
Peer Gynt - Suite No. 2, Op. 55 - Arabic Dance
Piano Concerto in A minor, Op. 16 - Allegro
Symphony No. 3 in E flat, Op. 97 - Rhenish - first movement
Traumerai (from Kinderszenen, Op. 15)
Mondnacht (from Eichendorff-Liederkreis, Op. 39)
Aufschwung (from Fantasietucke, Op. 12)
Triolett, Op. 114, no. 2
Tanzlied (No. 1 from Duets, Op. 78)
Symphony No. 4 in D minor, Op. 120 - second movement
Frühlingsgruss
Abschied (from Waldszenen Op. 82)
Dichterliebe, Op. 48 - Im wunderschonen Monat Mai
Manfred Overture, Op. 115
Romance in F sharp, Op. 28, no. 2
Die Rose stand im Tau
Liebesgarten (from Four Duets, Op. 34)
Warum? (from Fantasiestucke, Op. 12)
Kennst du das Land, Op.79, no. 29 (from Lieder der Mignon, Op. 98a)
Von fremden Landern und Menschen (from Kinderszenen, Op. 15)

Album Description

An extraordinary 20-CD collection of great works by Bach, Vivaldi, Handel, Haydn, Mozart, Beethoven, Schubert, Chopin, Tchaikovsky, Brahms, Ravel, Mendelssohn, Rachmaninoff, J. Strauss, R. Strauss, Schumann, Wagner, Dvorak, Grieg and Liszt. It also features worldrenowned artists such as Sir Neville Marriner, Martha Argerich, Ivo Pogorelich, Hermann Prey, Reiner Goldberg, Sylvia Sass, Jochen Kowalski, Peter Schreler and many more. This exquisite, copper metallic, deluxe boxed set is the perfect gift for the classical music neophyte.

Customer Reviews:

Mill. Classical review.......2007-05-13

This is a great set of recordings for the money, the only problem was I've had to clean some of the CD's before they played correctly.

classical music for the unitiated.......2007-04-01

This set is a good way to start listening to classical music. It's very well produced and easy to listen to. I purchased it to use as part of my world history high school class. It would have been nice to have some bio information on the composers. However, the product is exactly as advertised and good value for the money. The students were intrigued by how many of the excerpts they had heard before.

Some little gems there that I had forgotten!.......2007-03-30

Although I studied classical music at school, I had all but forgotten it until I bought this set. I heard several tracks I haven't heard for over 30 years, and I had been humming Brahms's 'Hungarian Dance no. 5' for years without ever knowing what it was and it was on the disc, so that was nice.

I found it to be a very good selection overall, but I felt too much had already been heard on TV, which of course is what lots of newcomers to classical music might appreciate. I managed to find about 2 hours of tracks that I wanted to keep, which works out quite expensive per disc, but I did find some wonderful music I had completely forgotten about, so it was worth it. All in all, it represents good value, and I have only knocked one star off as so much of it had been used in adverts.

It is definitely a good introduction to classical music, and it has made me want to listen to more of it, so I don't regret this 'expensive' purchase one bit!

Classical Masterpieces of the Millennium [20 CD Set]

A very helpful collection.......2007-03-24

I define this set as an excellent way to find out who you like, and who you don't, among 20 of the important composers. It opens the door to purchasing more complete pieces by composers you do like, and can save a lot of time and money in the process.
To criticize the set for not containing more composers, or more than just snippets of those who are in the set, is missing the point: it is a helpful introduction to finding your way in the huge maze of classical music. It succeeds admirably in this.
Sound quality is uniformly very good on an audiophile system.
Highly recommended.

Excellent!.......2007-03-08

A great way to start a classical music collection. It's nice to have a full CD of each composer. It makes it easy to keep track of selections/composers I already have and what composers I still need to puchase to complete my collection.

Average customer rating:

DUETS II
Damning With Faint Praise
Nice gender gap CD
Patti & Frank are excellent
Patti is the best!! ALL FIVE STARS ARE FOR PATTI NOT FRANK

Duets II
Frank Sinatra
Manufacturer: Capitol
ProductGroup: Music
Binding: Audio CD

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Duets
Classic Duets
Duets
Duets/Duets II: 90th Birthday Limited Collector's Edition
The Main Event -- Live

ASIN: B000002TO1
Release Date: 1994-11-15

Tracks:

For Once In My Life
Come Fly With Me
Bewitched
The Best Is Yet To Come
Moonlight In Vermont
Fly Me To The Moon
Luck Be A Lady
A Foggy Day
Where Or When
Embraceable You
Mack The Knife
How Do You Keep The Music Playing?/My Funny Valentine
My Kind Of Town
The House I Live In (That's America To Me)

Amazon.com

Encouraged by the massive sales of 1993's Duets, Capitol went back to the well a year later for a sequel. The pairings are a little more inspired this time around, with Willie Nelson ("A Foggy Day"), Lena Horne ("Embraceable You"), Chrissie Hynde ("Luck Be a Lady") and Antonio Carlos Jobim ("Fly Me to the Moon") all turning in satisfying performances. Unfortunately, there's also a heaping helping of forgettable cuts (including duets with Luis Miguel, Jimmy Buffett, Jon Secada, and Lorrie Morgan), and Phil Ramone's arrangements continue to grate. And the overwrought duet with Neil Diamond on "The House Live In (That's America to Me)" has to be heard to be believed. Hardly a necessary addition to your Sinatra collection. --Dan Epstein

Customer Reviews:

DUETS II.......2007-02-06

My wife and mother in law had the opportunity to see Frank Sinatra a couple of times in NYC. He was great (I think my mother in law was a bobby socker). Very cool. The music selection is great and I had purchased this, and the first Duets CD for her because she really enjoys the music of Sinatra. He is the Chairman of the Board and worked hard at his craft to be the best. I highly recommend these albums to anyone who appreciates the big band sound and the melodic singing of Sinatra.

Damning With Faint Praise.......2006-05-16

Better than the first Duets - and you can take that however you want to. Seriously, folks, don't waste your time here; Sinatra has dozens of classic albums, and this ain't one of 'em...

Nice gender gap CD.......2006-03-11

Own both Sinatra Duet CD's and have played them so much since they first came out I have had to purchase new copies. Love the variety and that they are CD's with artists that cover all ages, and generations. Something I think is lost on the negative critics. This was made at a time when Sinatra was aging well, and had teen age granddaughters. It was a CD set that alot of people had requested he do.

Duet the first CD has a great Sinatra pairing with U2's Bono and the song I've Got You Under My Skin' which is orgasmic in more ways than one. The duet with Barbra Steisand, 'I've Got A Crush On You', is lush even if I didn't care for the personalization of the lyrics. 'What Now My Love' with Aretha Franklin shows off her voice well, as does

In Duet 2 How Do You Keep The Music Playing?/My Funny Valentine with Lorrie Morgan is a favorite since its a real love song, and one I think of my late husband alot of when I listen to the CD. Chrissie Hynde 'Luck Be a Lady' shows off her sexy deep voice. Moonlight In Vermont with Linda Ronstadt is nice. Pattie LaBelle also shows off a voice that can hit some awesome high notes.

Its important to note that Sinatra and the artists did not record in the same studio at the same time but sang separate with the producers blending or mixing the lyrics. Much like Natalie Cole does so well when she does her 'duet' with her father on various songs.

Patti & Frank are excellent.......2006-02-26

I love patti she's the greatest and so is this song

Patti is the best!! ALL FIVE STARS ARE FOR PATTI NOT FRANK .......2006-02-24

Patti& Frank did an excellent job. Patti is the greatest singer of all time! SHE WILL NEVER GO OUT OF STYLE! I ONLY BOUGHT THIS CD BECAUSE SHE WAS ON IT. ATTENTION ALL PATTI FAN'S IT MAY ONLY BE ONE SONG SHE'S ON BUT BUY IT SUPPORTPATTI SHE IS WORTH IT!!!!

Average customer rating:

Instruments of the Orchestra - Great Reference Material!
Beginner or Expert
Very Informative and Enjoyable
Frank's view
Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
The Life and Works of Ludwig van Beethoven
What to Listen for in Music
Study of Orchestration, Third Edition
The Life and Works of Frédéric Chopin

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
Also Sprach Zarathustra (Of The Afterworldsmen)
Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
Variations On A Theme Of Frank Bridge (No. 4)
Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

Tracks:

"The Lady Is a Tramp" Frank Sinatra w/ Luther Vandross
"What Now, My Love?" Frank Sinatra w/ Aretha Franklin
"I've Got a Crush on You" Frank Sinatra w/ Barbra Streisand
"Summer Wind" Frank Sinatra w/ Julio Iglesias
"Come Rain or Come Shine" Frank Sinatra w/ Gloria Estefan
"Theme from New York, New York" Frank Sinatra w/ Tony Bennett
"They Can't Take That Away from Me" Frank Sinatra w/ Natalie Cole
"You Make Me Feel So Young" Frank Sinatra w/ Charles Aznavour
"Guess I'll Hang My Tears Out to Dry/In the Wee Small Hours of the Morning" Frank Sinatra w/ Carly Simon
"I've Got the World on a String" Frank Sinatra w/ Liza Minnelli
"Witchcraft" Frank Sinatra w/ Anita Baker
"I've Got You Under My Skin" Frank Sinatra w/ Bono
"All the Way/One for My Baby (And One More for the Road)" Frank Sinatra w/ Kenny G.

Tracks:

"For Once in My Life" Frank Sinatra w/ Glady's Night
"Come Fly With Me" Frank Sinatra w/ Luis Miguel
"Bewitched, Bothered and Bewildered" Frank Sinatra w/ Patti LaBelle
"The Best Is Yet to Come" Frank Sinatra w/ Jon Secada
"Moonlight in Vermont" Frank Sinatra w/ Linda Ronstadt
"Fly Me to the Moon" Frank Sinatra w/ Jobim
"Luck Be a Lady" Frank Sinatra w/ Chrissie Hynde
"A Foggy Day" Frank Sinatra w/ Willie Nelson
"Where or When" Frank Sinatra w/ Steve & Eydie
"Embraceable You" Frank Sinatra w/ Lena Horne
"Mack the Knife" Frank Sinatra w/ Jimmy Buffett
"How Do You Keep the Music Playing?/My Funny Valentine" Frank Sinatra w/ Lorrie Morgan
"My Kind of Town" Frank Sinatra w/ Frank Sinatra Jr.
"The House I Live In" Frank Sinatra w/ Neil Diamond
"My Way" Frank Sinatra w/ Willie Nelson (previously Unreleased)

Album Description

Frank Sinatra's "Duets" and "Duets II" are now combined as a 2-CD set. Includes a previously unreleased duet, Willie Nelson and Frank Sinatra performing "My Way." This special collector's edition commemorates Sinatra's 90th Birthday. (December 12, 1915)

Customer Reviews:

Very Good!!.......2007-03-14

It is so good!!Right up there with Tony Bennett's CD, Although Tony's is a lot better.

SINATRA FAREWELL MASTERPIECE~BRAVO FRANK & CO.!!!.......2006-03-20

Whenever I listen to my original limited edition Duets & Duets II, I really feel good as the combo of both are a great musical trip with The Master and a cast of many magnificent duet partners...it doesn't matter that these wonderous duets were created in various studio locations around the country because it is all done so well and the listener can feel an affectionate connection with all of the great duet partners plus arrangements and production values are the best and vocal performances richly varied and generally brilliant! My only regret was that Duets III didn't happen as this type of greatness will never happen again and I would have loved a Barry Manilow duet as I know they were great fans of each other...Sinatra started his Manilow collection from the beginning. Standouts abound and naming a few "I've Got You Under My Skin" with Bono is incredible, "Come Fly With Me" with Luis Miguel a thrilling ride, "Bewitched, Bothered and Bewildered" with Patti LaBelle moving and spectacular, "Moonlight In Vermont" with Linda Ronstadt dreamy and romantic, "What Now My Love" with Aretha a vocal tour-de-force, a big-band jazzy treatment of "Fly Me To The Moon" with Jobim a complete classic, "Where Or When" with Steve and Eydie a very winning and classic trio, "Embraceable You" with Lena Horne moving and sentimental, "Luck Be A Lady" with Chrissie Hynde completely intoxicating, "For Once In My Life" a soulful and inspired paring with Gladys Knight and Stevie Wonder, "How Do You Keep The Music Playing?/My Funny Valentine" with Lorrie Morgan torchy and soulful, "I've Got A Crush On You" with Barbra Streisand a glorious vocal blend, "I've Got The World On A String" with Liza Minnelli showcase two music legends in peak form and "All The Way/One For My Baby (And One More For The Road) with Kenny G is a haunting and masterful performance that stays with one long after it's over...this magnificent collection is a must have for anyone without these great collections with superb sound and classy packaging...Mr. Frank Sinatra we love and miss you and thank you for leaving behind this tremendous musical treasure for all of us life-long fans to savor and enjoy over and over again!!!

change partners..........2005-12-09

Why, why, WHY are Duets I & II being re-reissued for the third time? Of all the Sinatra CDs in the universe to add to your collection, these should be the last. For the same money you can buy 2 or 3 classic Capitol or Reprise albums that are among the finest records ever made. Many of these Sinatra performances would actually be worth hearing without the overdubbed "duets" by this strange cast of characters that only a marketing & PR committee could have ever dreamed up (Jimmy Buffet? Gloria Estefan? Luther Vandross? Bono????). In fact, "One For My Baby" is a beautiful, twilight reading tainted only by the thakfully minimal overdubbed soprano sax noodlings of the nauseating Kenny G. There are a few other near misses here: duets with Lorrie Morgan, Natalie Cole, Lena Horne, and Linda Ronstadt are okay... Still, this set will leave you cold and wanting to hear more of The Man and less of his phoned-in guests.

Once upon a time there was a "black-market" CD of Sinatra's vocals from these sessions without the overdubbed duets [titled "Solos"]. Too bad Capitol Records hasn't released those tracks as a "Limited Edition" instead of this set... or anything else for that matter: is this really all Captiol, Reprise, and "The Family" can come up with for a Sinatra "90th Birthday Collection" release? There are so many great unreleased live concerts, session outtakes, and video materials stagnating in the vaults... what a shame and what a joke...

Another Missed Opportunity.......2005-12-01

Say what you will about Sinatra's over-produced Duets and Duets II being the appropriate items to present as the "90th Birthday Limited Collecter's Edition" but once again the fans are milked for one more unreleased track. Sinatra and Willie Nelson duet on "My Way," but it's pretty obvious that as long as fans are willing to pay, we'll keep on getting the same-old rehashed tracks their way.

If you don't have this material already, this is probably the best place to get it, but if you're looking to celebrate Sinatra's 90th in a more fitting way, there are dozens of CD that are more worthy of your time.

Average customer rating:

Duets
Jeanette MacDonald & Nelson Eddy
Manufacturer: Jasmine Music
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Jazz | Styles | Music

Traditional Jazz General | Traditional Jazz & Ragtime | Jazz | Styles | Music

Vocal Jazz General | Vocal Jazz | Jazz | Styles | Music

General | Opera & Vocal | Styles | Music

Operettas | Opera & Vocal | Styles | Music

Musical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music

Nostalgia | Miscellaneous | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Oldies | Pop | Styles | Music

Traditional Pop | Oldies | Pop | Styles | Music

General | Easy Listening | Pop | Styles | Music

General | Vocal Pop | Pop | Styles | Music

Traditional Vocal Pop | Broadway & Vocalists | Styles | Music
Similar Items:

When I'm Calling You
The Artistry of Nelson Eddy
Gilbert & Sullivan: Princess Ida; Patter Songs
Dream Lovers
Bitter Sweet

ASIN: B000EU1LTA
Release Date: 2007-02-26

Tracks:

Naughty Marietta/Ah! Sweet Mystery of Life
Rose Marie/Indian Love Call
Maytime/Carry Me Back to Old Virginny
Maytime/Santa Lucie
Maytime/Will You Remember?
Girl of the Golden West/Senorita
Girl of the Golden West/Who Are We to Say?
Sweethearts/Every Lover Must Meet His Fate
Sweethearts/Sweetheart Waltz
Sweethearts/Pretty as a Picture
Sweethearts/The Message of the Violet/Keep It Dark
Sweethearts/Little Grey Home in the West
New Moon/Wanting You
New Moon/Marianne
New Moon/Lover, Come Back to Me
Bitter Sweet/I'll See You Again
Bitter Sweet/The Call of Life
Bitter Sweet/What Is Love?
Bitter Sweet/Love in Any Language
Bitter Sweet/Dear Liti'le Cafe
I Married an Angel/Spring Is Here
I Married an Angel/I Married an Angel

Album Details

Here for the First Time is an Album of Fantastic Duets Taken from their Motion Pictures. Featuring the Million Seller "Indian Love Call" plus Many Other Tracks Available on the Same Compilation for the First Time.

Average customer rating:

Two, two divas in one. . .

Simply Barbra: The Duets Album
Steven Brinberg
Manufacturer: Lml Music
ProductGroup: Music
Binding: Audio CD

General | Opera & Vocal | Styles | Music

General | Musicals | Broadway & Vocalists | Styles | Music

Traditional Vocal Pop | Broadway & Vocalists | Styles | Music

General | Vocal Pop | Pop | Styles | Music

Traditional Pop | Oldies | Pop | Styles | Music
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ASIN: B000

The Art of Romance	A Wonderful World (with k. d. lang)	Perfectly Frank: An American Classic Celebrates 80
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