Belly of the Sun [Import]

Editorial Reviews
Album Description
Japanese edition of the acclaimed jazz vocalist's 2002 album includes one exclusive bonus track, 'Corcovado'. 2002.

Tracks:

The Weight
Justice
Darkness on the Delta
Waters of March
You Gotta Move
Only a Dream in Rio
Just Another Parade
Wichita Lineman
Shelter From the Storm
Drunk as Cooter Brown
Show Me a Love
Road So Clear
Hot Tamales

Amazon.com

By now, it's a moot point whether Cassandra Wilson is singing jazz or not. By unifying what were once considered disparate styles and song forms with her languorously rich vocals and offbeat instrumental textures, she has become the queen of her own genre. Largely recorded at a one-time train station in her native Mississippi, Belly of the Sun ranges from country-blues great Fred McDowell's gritty "You Gotta Move" (popularized by the Rolling Stones and here featuring acoustic-guitar wiz Richard Johnston) to Brazilian immortal Antonio Carlos Jobim's winsome "Waters of March" (featuring a children's choir) to a hauntingly feminized version of Jimmy Webb's "Wichita Lineman." Revealing her command of narrative material, Wilson draws seductive meaning from Bob Dylan's "Shelter from the Storm" and the Band's "The Weight." Featuring Kevin Breit and Marvin Sewell on all manner of guitars and related string instruments, Belly of the Sun also boasts three strong Wilson originals, including "Just Another Parade," a jazzy-soulful duet with India Arie, and "Show Me a Love." As her own producer, Wilson comes up with less compelling backgrounds than Craig Street, who produced her darker-tinged breakthrough albums. Still, this is her most seamless, smoothest-flowing, and most effortlessly expansive recording. "I need to feel some rich black soil that's moist between my toes," she sings. You can feel her Southern roots in the grooves as well. --Lloyd Sachs

Album Description

Belly of The Sun, her fourth release for Blue Note Records, is the classic Cassandra Wilson journey, where borders and boundaries are sometimes pushed, sometimes expanded, sometimes eliminated but always discounted as limitations. Embracing Blues, African, Jazz, R&B, Brazilian and pop sensibilities, Belly of the Sun, is an invitation into the many sounds that have filtered through the musical landscape of the South. Featuring both original material and startling interpretations of material by other songwriters such as The Band, Bob Dylan and Robert Johnson, Belly of The Sun is full of the power of Cassandra's Mississippi roots and the roots of American music.

Customer Reviews:

Grown-Up Fairy Tale.......2005-05-08

"Belly of the Sun" is an excellent set from this powerful vocalist. Cassandra's smoky alto has a rich luster that brings great expressiveness to the material she writes & selects. Of the tracks by other songwriters, three stand out for me. The opener "The Weight" that was the signature song for The Band & memorably covered by Joan Baez is remade into a delightful rolling classic with the percussion of Cyro Baptista & Jeffrey Haynes giving little tabla sounds that makes the whole track sparkle. Bob Dylan's "Shelter from the Storm" that first came out in 1975 on his classic "Blood on the Tracks" album is a delightful song with memorable melody and unique lyrics. Wilson nails the nuances and explores new possibilities with her powerful vocals. "Waters of March" by Antonio Carlos Jobim is also a stunning delight with Cassandra swaying with the lovely Brazilian samba melody with the lovely carefree lyric reflected perfectly in the melody with Cyro Baptista's lighthearted percussive touches. Of Wilson's original songs, I particularly enjoy "Show Me A Love" with its pulsing rhythm & Cassandra's voice caressing the melody, "Far away from all the glitter & the gloom, who are we inside the four walls of this tiny room, is it love we have or just a grown-up fairy tale?" "Drunk As Cooter Brown" is also a lot of fun. "Belly of the Sun" is an excellent set by this sultry singer. Enjoy!

wonderful music and recording.......2005-02-09

Wonderful music and a beautiful, transparent, open recording. As good or better than Blue Light Till Dawn.

Even the cowboy liked it.......2003-01-23

I bought this album along with Norah Jones, and definately prefer Cassandra. I was unfamiliar with her work, but heard her on a Sunday morning TV program and was interested in hearing more. I played it one day while working and my husband came in and was so taken by her beautiful renditions of familiar songs that he asked if he could take it to his carpentry workshop. I was amazed. He is pretty much in to a very different type of music. So, now we share it. Worth buying and worth listening to.

A Delta Delight.....The Journey Continues.......2003-01-14

From the promise of her excellent contributions on Terence Blanchard's*Let's Get Lost*,the scene was set...what could we expect from Ms Wilson.She had already *Travelled Miles*,where could she go from there...a long and rewarding way,is the answer!
Regardless of what genre this CD falls under,and lets be realistic,Ms Wilson slices through a number of them in expressing herself musically here,this is a standout collection in 2002..or any other year for that matter.She can't be pigeoned -holed,she just entertains and continues to grow as a top notch vocalist.

Conceived in the tradition of the Mississippi blues and supplemented with jazz and R&B influences,then executed in the heat of August in a disused railway station and boxcar,punctuated with that percussive beat and maverick style,relying on that midnight and beyond voice..and given wings by a choice of self penned or covered classics of all styles....Ms Wilson has excelled in producing her most accessible collection to date.
Noted for her experimental and sparse percussive sounds,she has crafted,lovingly, with the help of friends,interpretations of classic songs from classic songwriters,that benefit from some deft production that has made a truely memorable CD.the result is personal and infectious!!
The songs chosen,Dylan,Robertson,Webb,Taylor, were not easy,but an artist of her growing maturity delivered,with warts and all,that turned this catalogue into something memorable.*The Weight*,a classic Robertson song interpreted in the Wilson style..which cannot be catagorized save to say that it is unique and bluesy.Personal favourites,such as Mississippi Fred McDowell's *You Got To Move*,from the delta roots,have you joyfully clapping your hands and singing like its Sunday morning at church..a faithful and substantial rendition.Dylan never sounded like this,as *Shelter From The Storm*,a classic fragment song from the monumental*Blood On The Tracks*,is brought to life and a narrative is brought to life, as delivered by Ms Wilson..a personal favourite of mine,worth the purchase price alone.

Playful jazzy bluesy latin and bosa nova renditions that surely must please all who listen,set tracks such *Drunk As Cooter Brown*,*Hot Tamales*and Only A Dream In Rio*up as highlights.
Ms Wilson drifts from style to style,genre to genre,and yet the songs are tightly delivered.So much so that novices like Norah Jones,who have attempted to encompass *it all*, must blush with envy.Long time friend Rhonda Richmond (who pens *Road So Clear*,and,sings, plays piano and violin on this set)compliments her friend beautifully.The excellence from longtime association is very self-evident.
The inclusion of the India Arie duet,*Just Another Parade*,penned by Ms Wilson continues to highlight her abilities as the standout *Jazz,and yet not Jazz*performer status.
*Wichita Lineman*,although an honest interpretation,does not do the Webb classic justice,but continues to highlight the willingness of the artist to push the boundaries further.This is really a pedantic point,as the overall excellence of this CD cannot be escaped.
It would be amiss of any review not to acknowledge the engine room in any Wilson CD,the drums of Xavyon Jamison,the percusive brilliance of Cyro Bapista,Jeffery Haynes,and the guitar playing of anything stringed by Marvin Sewell.Mark Peterson and Kevin Breit,are all excellent and make that*Wilson sound*.Throw in Robert Johnston India Arie and Rhonda Richmond..and the mix is pure Delta gumbo.

In a year when the scene was swamped by jazz R&B rap and pop divas promising to be the *next big thing* and delivering more of the*same old thing*,in blows the unique and talented Ms Wilson like a Gulf breeze and just knocks them dead.Not jazz but music with feeling..adult and rewarding.5 stars because of the mixture of maverick delights,...will be continually played.So much talent on display,Buy it!!!

Her best since Blue Light Till Dawn.......2003-01-13

Cassandra Wilson is at her envelope-pushing best in this album. Interestingly eclectic with plenty of drums and rhythm, as well as some great new original songs: Just Another Parade and Drunk as Cooter Brown are both stunners. She has haunting arrangements of familiar tunes such as Wichita Lineman and Only a Dream in Rio, blues roots in Robert Johnson and Mississippi Fred McDowell songs, and political commentary in Justice. Her vocal pairings with Rhonda Richmond and India.Arie are perfectly complementary to her own sound. She's hit the top of her form with the album!