Light of Day

Editorial Reviews
Album Description
Debut cd release by NYC underground avant-jazz vocalist Devorah Day. Unorthodox triple saxophone line-up featuring legendary John Coltrane sideman Marion Brown. Beautiful melodies and soulful singing in a relaxed informal environment.

Light of Day, Music, Devorah Day, Vocal Jazz

Star Wars Episode III: Revenge of the Sith - Original Motion Picture Soundtrack
Average customer rating:

Star Wars: A Musical Journey (2005) (V)

Not one of his bests, but very close

John Williams' finest work

A Great Conclusion to the Prequel Trilogy

Williams is slumming it

Star Wars Episode III: Revenge of the Sith - Original Motion Picture Soundtrack

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Star Wars Episode II: Attack of the Clones - Original Motion Picture Soundtrack

Star Wars Episode I: The Phantom Menace - Original Motion Picture Soundtrack

Star Wars Trilogy

Star Wars: Episode VI - Return of the Jedi

Star Wars: Episode IV - A New Hope

ASIN: B000850IS6
Release Date: 2005-05-03

Tracks:

Star Wars and The Revenge Of The Sith
Anakin's Dream
Battle Of The Heroes
Anakin's Betrayal
General Grievous
Palpatine's Teachings
Grievous and the Droids
Padme's Ruminations
Anakin vs. Obi-Wan
Anakin's Dark Deeds
Enter Lord Vader
The Immolation Scene
Grievous Speaks to Lord Sidious
The Birth Of The Twins and Padme's Destiny
A New Hope and End Credits

Amazon.com

John Williams' lovely and moving score for the sixth Star Wars film brings thirty years of collaborating on George Lucas' beyond-popular intergalactic franchise to a close. (Is this really the end of Star Wars? Can't Lucas and Williams work together on a prequel to these prequels? Let us hope so, and that Jar Jar Binks is nowhere near it.) As this music accompanies the most exciting Star Wars film in many a moon, the soundtrack itself is more fun, more evil, more nasty and bumpy. Many of the heroic, anthemic themes woven throughout Episode Three: Revenge of the Sith will necessarily be familiar to any fan of the series, from the "Imperial March" to the main theme. It's remarkable how stirring the latter can be, no matter how many times you've heard it, and even for those who do not have all their money invested in S.W. memorabilia. There is a lot of new music here, and the lush, extensive range of both Williams and the London Symphony Orchestra is on display, most notably in the menacing, percolating "General Grievous" and the rousing "New Hope" end theme. --Mike McGonigal

The Force Is Also with:

Star Wars Trilogy soundtrack box set
Star Wars Episode II sountrack
Star Wars Episode II, Attack of the Clones

Star Wars Episode I, The Phantom Menace
Star Wars Trilogy on DVD
Star Wars, Episode III - Revenge of the Sith

Customer Reviews:

Star Wars: A Musical Journey (2005) (V).......2007-06-21

product: Star Wars: A Musical Journey (2005) (V), included as bonus disc in Episode III soundtrack.

The bonus dvd with this soundtrack was the reason I purchased. I enjoy film soundtracks, and science fiction, but this dvd was a real highlight for me. I got the soundtrack cd out of the local library. The cd was missing from the case, but I found this wonderful dvd instead that I went out to purchase later.

With optional segments of dialog from Ian McDiarmid, this film is a stunning visual and musical overview of the full epic story of episodes I-VI of Star Wars. For those of us who felt that eps. IV-VI fell short of our expectations, this film presents them well as parts of the whole story. The Musical Journey also stands as a summary of the entire SW opus for someone who is not familiar with the Star Wars characters and plot. Highly recommended.

Options: no subtitles or other options.

Not one of his bests, but very close.......2007-05-21

The Episode III soundtrack is very good. Not great, but very, very good. You can tell that Williams is getting old, but he still manages to weave together a very memorable score.

My favorite tracks are "Battle of the Heroes," "Anakin's Betrayal," Palpatine's teachings, "Anakin vs. Obi-Wan," and the "Immolation Scene."
The others are very good as well, but these are especially nice. "Battle of the Heroes" is Dual of the Fates for Revenge of the Sith. "Anakin's Betrayal" is a very sad track that is, in my opinion, one of William's most powerful pieces. "Palpatine's Teachings" is really, really neat. It's very dark and moody, a perfect piece for the evil emperor. The only weird thing is the end. "Anakin vs. Obi-Wan" is the action piece that plays during the battles of Anakin and Obi-Wan, and Yoda and the Emperor. Finally, "The Immolation Scene" is another sad piece, even more so than "Anakin's Betrayal."

Although I really like this CD, there are some things that are missing (as usual). First, the whole sequence where the droids are looking for Obi-Wan after he was shot. You see Obi-Wan in his ship with Senator Organa on the Hologram (or whatever it is), and Obi-Wan says that his clones turned on him. That was some pretty awesome music that OF COURSE was left out of the CD. Then there was Dual of the Fates in the movie, but completely absent from the CD. And probably the most annoying was that whole piece of music before Obi-Wan and Anakin fight. It was so touching and sad and I CAN'T BELIEVE THEY LEFT IT OUT! Absolutely amazing. Also, did anyone notice that some little bits were cut out? For example, in Anakin vs. Obi Wan, they cut out about a second or two of choir. What?! What the heck is with that? It's when Anakin is running on the long thing and jumps on the droid on the lava. Also, there was some pretty cool drumming when you see Yoda and the Emperor fighting, and you can see the whole stadium (the big room). There's also drumming in "Enter Lord Vader" that is muted in the soundtrack.

Oh well...if I'm going to collect movie scores, I'm going to have to get used to the fact that in almost all cases there's not going to be every bit of music. I've experienced this in both Pirates of the Caribbean, Jurassic Park I (there was very little left out on this score), and almost everything else. At the moment, I'm just waiting for the 22nd, for the Pirates of the Caribbean 3 soundtrack. It's gonna be amazing.

See Yu

John Williams' finest work.......2007-04-20

There is little more I can say that hasn't already been said about the soundtrack to Episode 3, especially what Amazon contributor Dan Mohr wrote in his review of the soundtrack on 2/2/2006. His review captured almost all the thoughts, feelings, and emotions I had when I first listened to the soundtrack, and was, IMO, the best review of John Williams' greatest masterpiece.

Having said that, I will say that few soundtracks have ever so perfectly captured the underlying emotional currents of their respective movie; in the case of ROTS, the contemporaneous tragedies of Anakin's fall to the Dark Side, the extermination of the Jedi, and the rise of the oppressive Empire. The listener is confronted with the depth and totality of the evil that has beset the entire galaxy to a degree that the film could not reach in only 2 hours.

Bravo, Dan Mohr, and BRAVO John Williams!

A Great Conclusion to the Prequel Trilogy.......2007-04-07

This is a great work of art. I rank it 4th among Star Wars soundtracks after A New Hope, The Empire Strikes Back and The Phantom Menace. I had a hard deciding which I thought was better, The Phantom Meance or Revenge of the Sith, but I decided that The Phantom Menace lays the foundation for so much that is in this soundtrack and is thus the more masterful work. But that doesn't mean that this score still isn't great. Every piece is a thrill to listen to and pace never lets up. "Battle of the Hereos" is an amazing piece and the rendition of the "Funeral Theme" from Episoded I captures the film's tragety magnificently. Also I do not think John Williams could have portrayed the Jedi's extinction more perfectly than he did in "Anakin's Betrayal". This is without a doubt the best score of 2005 and one of the best of the decade.

Williams is slumming it.......2007-04-01

Williams's score for Revenge of the Sith is almost entirely overbearing, lacking any emotional subtlety. The music is overcomplicated and even a bit confusing, especially in the tracks that correspond to action sequences in the movie. His overuse of choral tracks and vocals is too bombastic and irritating to be listened to without the explosions and laser blasts of the soundtrack to soften them. (Yes, this music is actually softened by the sounds of warfare.) Worst of all, much of the music has simply been lifted from earlier scores. At times his self-imitation was so blatant that I actually wondered whether the editor who had complied this score had made a mistake and I was listening to The Empire Strikes Back or A New Hope. Also suffers from not including the entire score, in some cases cutting out musical segues in obvious and awkward ways.

Average customer rating:

Remaster vs Original CD
A Complete Experience -- Fantastic Remastering
Creating The Sound They Are Known For
WORTH A LISTEN
on the third day

On the Third Day
Electric Light Orchestra
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Face the Music
A New World Record
ELO II
No Answer
Out of the Blue

ASIN: B000F8O4EA
Release Date: 2006-09-12

Tracks:

Ocean Breakup/King Of The Universe
Bluebird Is Dead
Oh No Not Susan
New World Rising/Ocean Breakup Reprise
Showdown
Daybreaker
Ma-ma-ma Belle
Dreaming Of 4000
In The Hall Of The Mountain King
Auntie (Ma-Ma-Ma Belle Take 1)
Autin (Ma-Ma-Ma Belle Take 2)
Mambo (Dreaming Of 4000 Alt. Mix)
Everyone's Born To Die
Interludes (Previously Unreleased)

Customer Reviews:

Remaster vs Original CD.......2007-03-27

I've just bought four remastered ELOs, and already compared two of them, new Out Of The Blue was clearly worst in every aspect. This edition is almost identical to the original CD EXCEPT that it is COMPRESSED!!! WHY? Digital era made almost all producers wanting to sound louder, rock mixing doesn't have a standard loudness as movies. So each decade albums are more and more compressed and less and less musical. As an example, ending of first song (King...) has some pizzicato at peaking at -15db, new version is at -10db (5db louder), so dynamic range has been lost. All pianissimos are loud. Musicality has been lost because of this, I'm afraid all new remaster editions has been heavily compressed.
Original CDs editions have a very good sound quality, I would stick to those versions unless you want bonus tracks.
I give 2.5 stars, 4 because of the music and 1 for poor mastering.

A Complete Experience -- Fantastic Remastering.......2007-03-24

You can hear Lynne's vision coming together on this album, as near a complete album experience as I've heard in a while. This record was meant to be listened to as "sides" (boy I'm really dating myself now) and each one is a truly complete listening experience. The combination of Beatles harmonies, sounds, and melodies, great rock guitar, grand orchestration, tight backbeats, and sci-fi and other esoteric themes, all come together in a very satisfying package.

Highlights for me include the incredible "Bluebird is Dead," with its smart "Tomorrow Never Knows" guitar loops (this song was recently covered by Todd Rundgren for a Jeff Lynne tribute album). followed by some of Jeff's best John Lennon-style singing on "Oh No Not Susan." The great "Showdown" has one of the tastiest guitar breaks on record, and side 2, while more instrumental and experimental, is equally as enjoyable.

The new remastering brings out the depth and dimensions in the music -- the buried sounds, the dense instrumentation, the really rock solid rhythm section -- it's all good, and it sounds great.

But I do have to comment on the bonus tracks. Not only are they not essential, in my view they mar the listening experience. Do we need two additional versions of "Ma-Ma-Ma Belle" after the gentle, prog-like release of the final album track, the instrumental reworking of "In the Hall of the Mountain King"? I say no thanks. I did enjoy the very Blonde-on-Blondish sounding bonus track "Everyone's Born to Die," I just think it should not have been tacked on to such a great, complete record. And the final noodling track adds absolutely nothing, in my opinion.

That shouldn't discourage anyone from picking this up, every serious music fan should own it.

Creating The Sound They Are Known For.......2007-02-13

On this 3rd day of creation, their 3rd album, the fusion of Beatle era pop with strings Ala Magical Mystery Tour and the studio wizardry all comes into it's own as this distinctive important band put it together creating their trademark sound with their successful followups all unmistakable ELO.
A real sonic treat, not to be missed..from The pop of the classic Move, into the 1st ELO albums highbrow eccentric sound, into the longer pieced subdued ELO 2 (with the great rocker Roll Over Beethoven) came this benchmark followed by the lush majestic Eldorado and the followups.

WORTH A LISTEN.......2007-01-27

I say worth a listen if you are a hardcore, buy everything ELO fan, but for beginners who are just starting to listen to ELO, this is an easy pass. Granted the re-mastering sound is great and there are parts of this album I do kind of enjoy, but I find most of it hard to ingest. I can't really seem to want to listen to the album as a whole, just parts of it. Giving it 2 stars may be a little harsh. It's not a bad album or horrible by any means. But it's just about average at best for me. I guess I just prefer that soon to come ELO sound after this. But it is worth a listen. Maybe give it try, you may like it better than I did.

on the third day.......2007-01-16

elo is a very good band. im still looking forward to the next release of the last two albums.

Average customer rating:

Choral work at it's finest.
Love it
Light and shadows
Cambridge Singers = Quality
American Gramaphone, please reissue this title.

Brother Sun, Sister Moon
Gregorian Chant , William Byrd , John Taverner , Giovanni Pierluigi da Palestrina , Samuel Scheidt , John Sheppard , Maurice Durufle , Robert White , Cambridge Singers , Gerald Finley , and John Rutter
Manufacturer: American Gramaphone
ProductGroup: Music
Binding: Audio CD

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Hail, Gladdening Light: Music of the English Church
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Be Thou My Vision

ASIN: B0000005MF
Release Date: 1990-10-25

Tracks:

Music Of The Morning Rite: a. Alleluia - b. Haec Dies
Music Of The Morning Rite: Easter Sequence
Dum Transisset Sabbatum
Sanctus
Exsultate Deo
a. Easter Acclamations b. Surrexit Christus Hodie
Music Of The Evening Rite: Before The Ending Of The Day
Music Of The Evening Rite: In Pace
Music Of The Evening Rite: Into Thy Hands, O Lord
Music Of The Evening Rite: Ubi Caritas
Music Of The Evening Rite: Keep Me As The Apple Of An Eye And Nunc Dimittisa
Music Of The Evening Rite: O Christ, Who Art The Light And Day
Music Of The Evening Rite: a. We Will Lay Us Down In Peace b. Libera Nos, Salva Nos

Amazon.com

A brief glance at the packaging for this recording might make you think New Age, and indeed this label normally offers recordings in that vein. The disc's cover tells nothing about the music inside--all we see are the ruins of an ancient abbey, the moon in the sky on the front, the sun on the back. But wait. If you get far enough to listen to the recording, you'll find one of the most beautiful and beautifully programmed choral recordings in the catalog. The compositions, organized into the categories "Music of the Morning Rite" and "Music of the Evening Rite," are mostly from 16th- century composers--Byrd, Taverner, Sheppard, White--with a few Gregorian chants and a gorgeous rendition of the 20th-century motet by Duruflé, "Ubi caritas." Conductor/choral music legend John Rutter has assembled a program that's both uplifting and restful; the performance is faultless. One could only complain about the short (39 and a half minutes) playing time. --David Vernier

Customer Reviews:

Choral work at it's finest........2007-06-03

I really enjoyed this work. I was first introduced to this title through American Gramophone's website and was also my first introduction in the works of John Rutter and the Cambridge Singers. You do not have be religious to enjoy this work. I find the music uplifting and very sublime. I have listened to it many times, and I find that my favorite period to play it is in the morning hours. .

I have since purchased many other Rutter titles including "Images of Christ", and more recently "Lighten our Darkness"

Love it.......2007-05-02

13 years ago, I had the tape of brother sun, sister moon and as a teenager and I would play it every night as I slept, I loved it. I dont know what happened to it and I have ever sence been looking for it, and I just baught the CD and am so excited.

Light and shadows.......2003-07-29

Recorded in the Great Hall of University College School, London, the Cambridge Singers under the direction of John Rutter produced a true masterpiece in 'Brother Sun, Sister Moon' in 1988. The title derives from a famous prayer by St. Francis of Assisi, and is inspired by liturgical music from (or derivative of) the Middle Ages and Renaissance polyphony and Gregorian chant. The music is meditative, uplifting, and elegant in simplicity and stunning vocal quality.

--Brother Sun--
The first half of the disc is largely composed of pieces from the liturgical Morning Prayer cycle, concentrating on texts from Easter, the most important of Christian days. From the Alleluia to the Acclamations and Surrexit Christus Hodie (Christ is risen today), the flow from Gregorian Chant to compositions by Byrd, Taverner and Palestrina (giants of this type of music) in increasing energy and glory, as befits both a Morning service (time to wake up!) as well as a celebration of the resurrection of Christ. Perhaps of particular note here is the cantoring of bass Gerald Finley in the Easter Acclamations.

--Sister Moon--
The second half of the disc concentrates on music of the evening; in particular, the Compline service, a service of unwinding and sombre meditation with which monastic communities conclude their days of work and worship. Many churches have reincorporated Compline into a regular cycle of services; some have even done so as a result of exposure to this recording. The music here is softer and less energetic than that of Morning prayer. This includes music from Whyte and Sheppard (also masters of the Medieval-to-Renaissance liturgical polyphony) as well as a brilliant motet by twentieth century composer Duruflé for the Ubi Caritas.

--Liner Notes--
The notes for this recording include the titles and words, in both Latin and English, for each of the pieces recorded here. It has an excerpt from a prayer by St. Francis, and a basic introduction to the music relating it historically and liturgically. One thing conspicuously missing is any biographical information about John Rutter, or any descriptive information about the Cambridge Singers apart from the basic listing of singers.

--John Rutter--
Rutter was born in London and educated at Clare College, Cambridge. This was where his career as a composer, arranger and conductor began. His early work was with groups at King's College Chapel at Cambridge as well as the Bath Choir and Philharmonic Orchestra. He has worked for the BBC providing music for educational series such as 'The Archaeology of the Bible Lands', until in 1979 he began forming the Cambridge Singers, and has continued a remarkable career of performance and recording as their director ever since.

--The Cambridge Singers--
The Cambridge Singers are a mixed choir of voices, many of whom were members of choir of Rutter's college, Clare College, Cambridge. While they specialise in English and Latin liturgical pieces, they have a wide range of recordings that span from modern compositions (including a remarkable requiem by Rutter) to English folk songs of the Middle Ages. For this particular recording, the choir consisted of eleven sopranos, six altos, six tenors, and six basses.

Cambridge Singers = Quality.......2002-05-23

I do love this cd, but tend to play certain tracks as my first love is chant. I play the Victimae Paschali Laudes in the car and sing along - it is so very beautiful that this rendition of this Easter Chant is worth purchasing this cd alone. I love that one track so much, my only criticism of the cd is that I wish they'd centered the entire cd on chant - and I hope they will do one like that in the future because the quality of the voices is stunning.

American Gramaphone, please reissue this title........2000-03-30

I originally obtained this CD through Minnesota Public Radio. The first time I listened to the Ubi Caritus, I was moved to tears. The CD became my favorite to play at Christmas and other times. I gave the CD to a friend who has moved to Oregon, deeply regret that it is no longer in production.

Tracks:

Love Divine All Loves Excelling - Choir Of Gloucester Cathedral
Father Hear the Prayer We Offer - Choir Of Gloucester Cathedral
Now Thank We All Our God - Choir Of Gloucester Cathedral
This Day, The First of Days - Choir Of Gloucester Cathedral
Stars of the Morning So Gloriously Bright - Choir Of Gloucester Cathedral
God Save the Queen - Choir Of Gloucester Cathedral
Day of Resurrection - Choir Of Gloucester Cathedral
God Rest You Merry Gentlemen - Choir Of Gloucester Cathedral
Of the Father's Heart Begotten - Choir Of Gloucester Cathedral
O Come All Ye Faithful - Choir Of Gloucester Cathedral
Awake My Soul and With the Sun - Choir Of Norwich Cathedral
Thine Arm O Lord in Days of Old - Choir Of Norwich Cathedral
All People That on Earth Do Dwell - Choir Of Norwich Cathedral
Good Christian Men Rejoice and Sing - Choir Of Norwich Cathedral
There Is a Green Hill - Choir Of Norwich Cathedral
Lord of Beauty - Choir Of Sheffield Cathedral
Rejoice Today With One Accord - Choir Of Sheffield Cathedral
New Every Morning - Choir Of Sheffield Cathedral
Lead Us Heavenly Father Lead Us - Choir Of Sheffield Cathedral
O God Our Help in Ages Past - Choir Of Sheffield Cathedral

Tracks:

Morning Has Broken - Choir Of Marlborough College Chapel
Happy Are They - Choir Of Marlborough College Chapel
In Christ There Is No East or West - Choir Of Marlborough College Chapel
Silent Night - Choir Of Marlborough College Chapel
Be Thou My Guardian - Choir Of Marlborough College Chapel
Ye Servants of the Lord - Choir Of Marlborough College Chapel
At the Name of Jesus Every Knee Shall Bow - Choir Of Marlborough College Chapel
To Thee O Lord Our Hearts We Raise - Choir Of Marlborough College Chapel
Behold the Great Creator Makes - Choir Of Marlborough College Chapel
Rejoice the Lord Is King - Choir Of Marlborough College Chapel
Creator of the Stars of Night - Ely Cathedral Choir
He Comes With Clouds Descending - Ely Cathedral Choir
O Little Town of Bethlehem - Ely Cathedral Choir
Alleluya Alleyluya Alleyluya - Ely Cathedral Choir
This Is the Day the Lord Hath Made - Ely Cathedral Choir
How Sweet the Name of Jesus Sounds - Ely Cathedral Choir
Lord Thy Word Abideth - Ely Cathedral Choir
Jesus Lord We Look to Thee - Ely Cathedral Choir
O Lord Our God Arise - Ely Cathedral Choir
Lord of All Hopefulness - Ely Cathedral Choir

Tracks:

Soldiers of Christ Arise - Choir Of Wakefield Cathedral
Lift Up Your Hearts - Choir Of Wakefield Cathedral
Holy Father, Cheer Our Way - Choir Of Wakefield Cathedral
Maker of the Sun - Choir Of Wakefield Cathedral
O King Most High - Choir Of Wakefield Cathedral
O Praise Our Great and Glorious Lord - Choir Of Wakefield Cathedral
Forgive Our Sins as We Forgive - Choir Of Wakefield Cathedral
We Love the Place O God - Choir Of Wakefield Cathedral
Let Us With a Gladsome Mind - Choir Of Wakefield Cathedral
Give Rest O Christ - Choir Of Wakefield Cathedral
Come Holy Ghost Our Hearts Inspire - Choir Of Truro Cathedral
O Thou in All Thy Might So Far - Choir Of Truro Cathedral
O Christ, Who Art the Light and Day - Choir Of Truro Cathedral
O God Thy Soldiers' Crown and Guard - Choir Of Truro Cathedral
Strife Is O'er the Battle Done - Choir Of Truro Cathedral
O Christ Our Hope, Our Hearts' Desire - Choir Of Truro Cathedral
Jesus Shall Reign - Choir Of Truro Cathedral
God of Love My Shepherd Is - Choir Of Truro Cathedral
O Jesu Saviour of Mankind - Choir Of Truro Cathedral
Immortal Invisible God Only Wise - Choir Of Truro Cathedral

Tracks:

Ride on Ride on in Majesty - Choir Of All Saints - Margaret Street, London
All Glory Laud and Honour - Choir Of All Saints - Margaret Street, London
Come Rejoicing - Choir Of All Saints - Margaret Street, London
God Is Love and Where True Love Is - Choir Of All Saints - Margaret Street, London
Magnificat: The Great Advent Antiphons - Choir Of All Saints - Margaret Street, London
Come, Christ's Beloved - Choir Of All Saints - Margaret Street, London
Children of the Hebrews (Palm Procession) - Choir Of All Saints - Margaret Street, London
Veneration of the Cross/The Reproaches (Veneratum and Reproaches) - Choir Of All Saints - Margaret Street, London
Once in Royal David's City - Choir Of Keble College
God Be in My Head - Choir Of Keble College
O Thou Who Camest from Above - Choir Of Keble College
Judge Eternal Throned in Splendour - Choir Of St Edmunsbury Cathedral
Christ the Lord Is Risen Again - Choir Of St Edmunsbury Cathedral
For All the Saints - Choir Of St Edmunsbury Cathedral
Thy Hand O God Has Guided - Choir Of St Edmunsbury Cathedral
Christ the Dawn of Our Salvation - Choir Of Eastbourne College Chapel
I Was Glad - Choir Of Eastbourne College Chapel
Dear Lord and Father of Mankind - Choir Of Eastbourne College Chapel
Locus Iste - Choir Of Eastbourne College Chapel
Praise My Soul the King of Heaven - Choir Of Eastbourne College Chapel

Tracks:

Stand Up! Stand Up for Jesus! - The Choir of the Abbey School, Tewkesbury
While Shepherds Watched Their Flocks - The Choir of the Abbey School, Tewkesbury
O Worship the King - The Choir of the Abbey School, Tewkesbury
O Heavenly Word of God on High - Choir Of The Collegiate Church Of St Mary
Praise to the Lord, The Almighty - Choir Of The Collegiate Church Of St Mary
Jesus Christ Is Risen Today - The Choir of York Minister
First Nowell - The Choir of York Minister
Abide with Me - The Choir of York Minister
Breathe on Me Breath of God - Choir Of Keble College
Rock of Ages - Choir Of Keble College
On This Day, The First of Days - Choir Of Keble College
Jesu Sweet and Mary - Choir Of Eastbourne College Chapel
O Quam Gloriosum - Choir Of Eastbourne College Chapel
Ye Holy Angels Bright - Choir Of Eastbourne College Chapel
O for a Closer Walk With God - Choir Of Eastbourne College Chapel
Prayer of St Patrick - Choir Of Eastbourne College Chapel
Lord's Prayer - Choir Of Eastbourne College Chapel
Blessed Be the God and Father - Choir Of Eastbourne College Chapel
Day Thou Gavest Lord Is Ended - Choir Of Eastbourne College Chapel
Jerusalem (And Did Those Feet in Ancient Times) - Choir Of Eastbourne College Chapel

Album Description

Full Title - 100 Hymns & Songs Of Inspiration. UK box-set featuring 100 tracks performed by Britain's finest Cathedral Choirs including, Gloucester Cathedral, Norwich Cathedral, Sheffield Cathedral, & many more. Five standard jewel cases housed in a slipbox. Castle Pulse. 2003.

Customer Reviews:

The picture.......2006-12-11

I haven't purchased the CD but the picture of the inside of a church on the cover is not of a British church, like one would assume since it says its a recording of British choirs. This picture is of Notre Dame Basilica in Montreal, Quebec, Canada. Just thought i'd let you know. I'll be honest; I'm one to judge things by it's cover and if the company took such care to choose a 'British' church for their British choir CD, I'm willing to bet the music is equally well selected... I'm being sarcastic. But I gave the product 5 stars because I didn't want to hurt its ratings just because i'm cynical. But check out the church if you're ever in Montreal, it's truly beautiful... here I'm not being sarcastic.

Handel - Messiah / Augér, von Otter, Chance, Crook, Tomlinson, English Concert, Pinnock

Average customer rating:

Ladies & gentleman: The Lord'n Savior, God Almighty
So Fashionable, and So Disappointing
A nice combination of period nad tradiitonal
Wait! Before you buy...
La mas bella y fidedigna interpretacion que se pueda obtener

Handel - Messiah / Augér, von Otter, Chance, Crook, Tomlinson, English Concert, Pinnock
George Frideric Handel , Arleen Auger , Anne Sofie von Otter , Trevor Pinnock , The English Concert & Choir , Michael Chance , Howard Crook , and John Tomlinson
Manufacturer: Archiv Produktion
ProductGroup: Music
Binding: Audio CD

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Belcea Quartet ~ Debussy · Dutilleux · Ravel
Tchaikovsky: Symphony 6 "Pathétique" in B minor Op. 74
Handel: Messiah /Nelson * Kirkby * Watkinson * Elliott * Thomas * AAM * Hogwood

ASIN: B0000057DB
Release Date: 1990-10-25

Tracks:

Messiah: Part One - 1. Sinfony (Grave - Allegro moderato)
Messiah: Part One - 2. Accompagnato : Comfort Ye My People
Messiah: Part One - 3. Air : Ev'ry Valley Shall Be Exalted
Messiah: Part One - 4. Chorus : And The Glory Of The Lord Shall Be Revealed
Messiah: Part One - 5. Accompagnato : Thus Saith The Lord Of Hosts
Messiah: Part One - 6. Air : But Who May Abide The Day Of His Coming
Messiah: Part One - 7. Chorus : And He Shall Purify
Messiah: Part One - 8. Recitative : Behold, A Virgin Shall Conceive
Messiah: Part One - 9. Air and Chorus : O Thou That Tellest Good Tidings
Messiah: Part One - 10. Accompagnato : For Behold, Darkness Shall Cover
Messiah: Part One - 11. Air : The People That Walked In Darkness
Messiah: Part One - 12. Chorus : For Unto Us A Child Is Born
Messiah: Part One - 13. Pifa (Pastoral Symphony)
Messiah: Part One - 14. Recitative: There Were Shepherds Abiding In The Field - Accompagnato: And Lo, The Angel Of The Lord - 15. Recitative: And The Angel Said Unto Them - 16. Accompagnato: And Suddenly There Was With The Angel
Messiah: Part One - 17. Chorus : Glory To God In The Highest
Messiah: Part One - 18. Air : Rejoice Greatly, O Daughter Of Zion
Messiah: Part One - 19. Recitative : Then Shall The Eyes Of The Blind
Messiah: Part One - 20. Air : He Shall Feed His Flock
Messiah: Part One - 21. Chorus : His Yoke Is Easy, His Burthen Is Light
Messiah: Part Two - 22. Chorus : Behold The Lamb Of God
Messiah: Part Two - Air : 23. He Was Despised

Tracks:

Messiah: Part Two - 24. Chorus : Surely He Hath Borne Our Griefs
Messiah: Part Two - 25. Chorus : And With His Stripes We Are Healed
Messiah: Part Two - 26. Chorus : All We Like Sheep Have Gone Astray
Messiah: Part Two - 27. Accompagnato : All They That See Him
Messiah: Part Two - 28. Chorus : He Trusted In God
Messiah: Part Two - 29. Accompagnato : Thy Rebuke Hath Broken His Heart
Messiah: Part Two - 30. Arioso : Behold, And See If There Be Any Sorrow
Messiah: Part Two - 31. Accompagnato : He Was Cut Off Out Of The Land
Messiah: Part Two - 32. Air : But Thou Didst Not Leave His Soul
Messiah: Part Two - 33. Chorus : Lift Up Your Heads, O Ye Gates
Messiah: Part Two - 34. Recitative : Unto Which Of The Angels
Messiah: Part Two - 35. Chorus : Let All The Angels Of God Worship Him
Messiah: Part Two - 36. Air : Thou Art Gone Up On High
Messiah: Part Two - 37. Chorus : The Lord Gave The Word
Messiah: Part Two - 38. Air : How Beautiful Are The Feet
Messiah: Part Two - 39. Chorus : Their Sound Is Gone Out
Messiah: Part Two - 40. Air : Why Do The Nations So Furiously Rage
Messiah: Part Two - 41. Chorus : Let Us Break Their Bonds Asunder
Messiah: Part Two - 42. Recitative : He That Dwelleth In Heaven
Messiah: Part Two - 43. Air : Thou Shalt Break Them
Messiah: Part Two - 44. Chorus : Hallelujah
Messiah: Part Three - 45. Air : I Know That My Redeemer Liveth
Messiah: Part Three - 46. Chorus : Since By Man Came Death
Messiah: Part Three - 47. Recitative : Behold, I Tell You A Mystery
Messiah: Part Three - 48. Air : The Trumpet Shall Sound
Messiah: Part Three - 49. Recitative : Then Shall Be Brought To Pass
Messiah: Part Three - 50. Duet : O Death, Where Is Thy Sting?
Messiah: Part Three - 51. Chorus : But Thanks Be To God
Messiah: Part Three - 52. Air : If God Be For Us
Messiah: Part Three - 53. Chorus : Worthy Is The Lamb That Was Slain --- Amen

Amazon.com essential recording

This is a terrific performance of Messiah. Not only are the soloists all superb, but Trevor Pinnock completely contradicts the image of many period instrument performances as small-scale, scrappy affairs. Indeed, he invests the choruses with as much genuine Handelian pomp as Beecham at his most extravagant. The trumpets really blaze, and the timpani thunder, and everyone simply has a great time. A joyous performance, just right for the holiday season. --David Hurwitz

Amazon.com

Trevor Pinnock meets with mixed success in this account of the Messiah with the English Concert & Choir and soloists Arleen Auger, Anne Sofie von Otter, Michael Chance, Howard Crook, and John Tomlinson, recorded and released in 1988. Its strengths are the strengths of the early-music movement in general. The size and distribution of the instrumental and vocal forces are optimal, which means that textures are clear and balances apt. Rhythms are nicely pointed, though often, in Pinnock's case, not quite well enough sprung. Tempos are well chosen; for example, "All we like sheep"--which turns out to be one of the set's best numbers--is a real bourré, and Pinnock animates it in just the right way. But the performance often seems workmanlike and unemotional, weighed down in too many instances by the humdrum work of the chorus. The alto section in particular, which is half male and half female, sings timidly and is constantly swallowing its entrances. Bass soloist John Tomlinson is a further drag on the effort. He has the right idea--that there's an Italian opera hiding behind all this biblical imagery--but his cottony sound is out of place, a misguided attempt to mimic Nicolai Ghiaurov. His usable range is less than a tenth (he croaks the low G's and F-sharps), and his diction is horrible. "Thus spake the Lord" is strangled, and when, in "The trumpet shall sound" Tomlinson gets to the words "we shall be changed," one can't help wishing that he had been changed too, right before the sessions started. --Ted Libbey

Customer Reviews:

Ladies & gentleman: The Lord'n Savior, God Almighty.......2007-06-13

Handel's Messiah is my favorite piece of classical music. Of the two versions that I had I only have left this one, and it is not the best (the other had been a cheap recording whose author's name I forgot too). This version seems to lack a little enthusiasm from the voices; too melancholic. Anyway, this is the first review of any music that I write, and probably will be the last too, so I just want to leave my impression of how I feel when I hear these solemn and heavenly sounds. One feels so raised to the heavenlies... I can almost sense the presence of the Lord Almighty up yonder among the clouds, and me being carried in solemnity to meet Him. Far away are the buzzing sounds of earthly chores. The air is fresh and clean as we are raised above the valleys, and we come to meet God's elected amid the singing, stronger and stronger. Jubilant, bathed in the glorious rays of the Savior's Light, we come together and sing: Glory to God, glory to God, praise and glory for He is coming...

So Fashionable, and So Disappointing.......2007-02-01

This would be a great 21st Century Reader's Digest version of Messiah, if such a thing existed any more. Handel did as much as he could, but really, the performers still have to do something besides posture, which, by the way, seems to me to characterize many performances these days. Fashionable, but musically deficient.

Specifically: John Tomlinson sings like he thinks he IS God, instead of singing about Him. Heavy, cumbersome, and overblown. May I add boorish?

Arleen Auger has a very sweet voice. And??

Despite the program notes insisting that certain segments of this Messiah are given to "the contralto", Anne Sofie von Otter is NOT a contralto. Not even close.

The male alto can barely sustain a legato line - why he insists upon throwing in those complicated, badly-performed embellishments I can't figure. Well, I can, but I'd really rather not say.

Wake up, choristers!! It's 'For Unto Us A Child Is Born," not "Oy, I have to go to the grocery store today."

Boy do I regret having spent almost $40 on this one. Thank goodness I have the Colin Davis to console me.

A nice combination of period nad tradiitonal.......2006-12-17

This 1988 recording sits between the euqally English, euqally period-ifnluenced Hogwood and Garidner. Of the three, Hogwood sounds more 'authentic' because it uses boys in the chorus and singers schooled period practice. By comparison, Pinnock's soprano, Arleen Auger, and mozeeo, Von Otter, are essentially modern singers--gorgeous ones, of course, Gardiner is far more anemic in his conducting and uses a scrwny-sounding orchestra, so if that's more authentic, so be it. Of the three, Pinnock gives us more traditional music values in his emotional expression and instrumental timbres.

The competiiton is mushc stiffer now than in 1988, but Pinnock's reading has survived the test of time. He is not a genuinely inspired conductor--sadly, Messiah has become a cottage industry that excludes most big-name talents--but neither are Gardiner and Hogwood. (For sheer musicality, I tend to put my money on Andrew Parrott, Robert King, Marc Minkowski, Niklaus Harnoncourt, and Rene Jacobs.) But he's certainly good eough. The reason I haven't given five stars is that the male soloists aren't first-rate, and in particular the Wotan voice of John Tomlinson sounds cavernous in the bass arias. Add to that Pinnock's tendency toward tepidness, and what you end up with is a very good but not great performance.

Wait! Before you buy..........2006-05-28

... This Messiah has recently been re-released at a much cheaper price. Go back and look for the DG "The Originals" release, which is being sold new for under $12.

La mas bella y fidedigna interpretacion que se pueda obtener.......2004-12-29

Soy uno de los mas fanaticos seguidores de Handel y de su obra El Mesias... He escuchado muchas versiones de esta genial e impresionante obra del maestro Handel y, sencillamente no me queda mas que recomendar esta interpretacion, bajo la batuta del maestro Trevor Pinnock. Se nota la exigencia con que esta version se interpreto, dentro el contexto del arte barroco y la magnificencia de la pronunciacion del ingles de la epoca. La orquesta se luce impresionantemente desde la obertura... y le da a cada movimiento, toda aquella fuerza y a la vez delicadeza requerida en el sentimiento que aplica en cada uno de los textos biblicos escogidos por el guionista Jennens. El Coro del English Concert es arrebatador y demuestra maestria en la interpretacion de cada una de las arias que le corresponde. La soprano Arleen Auger, la puedo definir como un angel cantando y resulta ser una caricia a los oidos, a la vez que es capaz de arrancarle a uno las lagrimas por lo excelso de su magia interpretativa. El tenor Crook, aunque no es un tenor con tesitura para canto barroco, es realmente habil y agil al momento de interpretar los melismas caracteristicos de este brillante periodo musical. El contratenor Michael Chance, es fenomenal y quiera Dios que yo tenga el honor de conocer a este genio del canto: "But who may abide..." interpretado por Chance en esta version, es como para caer en extasis. La contralto Anne Sophie von Otter..., tiene una voz oscura y redondeada..., tambien resulta una caricia a los oidos y su "If God be for us..." es desbordante, capaz tambien de hacerle a uno derramar lagrimas por su belleza interpretativa. El bajo Tomlinson..., es barbaro!!! (Soy bajo-baritono en el Coro de la Orquesta Sinfonica Nacional de Costa Rica...) A pesar de su voz tan oscura, es tremendamente agil cuando le toca cantar los melismas y es genial al alcanzar la tonalidad brillante en las partes de notas altas y agudas...; por ejemplo: "The people that walked in darkness..." y "Why do the nations..." Tengo seis años de experiencia, interpretando musica coral y tengo que decir que espere esos seis años, desde 1999, para felizmente cantar esta obra "El Mesias". Ha sido fantastico finalmente lograr este objetivo..., la espera valio la pena y debo admitir que mi inspiracion ha sido sin duda alguna, la version que puede usted encontrar en este disco compacto. Doy gracias a todos los que intervinieron en esta grabacion (al maestro Trevor Pinnock, al English Concert and Choir y a los solistas ya mencionados), en nombre mio y en nombre del maestro Handel.

A Festival Of Carols / Robert Shaw Chorale

Average customer rating:

Traditional Christmas Music
The quintessential Christmas recording
A Top List Christmas CD
The best
How do you describe perfection?

A Festival Of Carols / Robert Shaw Chorale
Robert Shaw Chorale
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Songs of Angels - Christmas Hymns and Carols
The Many Moods of Christmas (1963 RCA Victor Version) Robert Shaw Chorale and Orchestra
Joy to the World - Eugene Ormandy, Philadelphia Orchestra
A Robert Shaw Christmas - Angels on High
A Festival of Carols in Brass

ASIN: B000003EPA
Release Date: 1990-10-25

Tracks:

Medley: Good Christian Men - Rejoice - Silent Night - Patapan - O Come - All Ye Faithful
It Came Upon The Midnight Clear
O Come, O Come, Emmanuel
Shepherd's Carol
Go, Tell It On The Mountain
Medley: O Sanctissima - Joy To The World - Away In A Manger - Fum, Fum, Fum - March Of The Kings
I Wonder As I Wander
We Three Kings
My Dancing Day
Medley: What Child Is This? - Hark! The Herald Angels Sing - Bring A Torch - Jeanette - Isabella - Angels We Have Heard On High
Coventry Carol
God Rest You Merry, Gentlemen
Lo, How A Rose E'er Blooming
Carol Of The Bells
Medley: Break Forth - O Beauteous Heavenly Light - The First Nowell - O Little Town Of Bethlehem - I Saw Three Ships - Deck The Halls With Boughs Of Holly

Customer Reviews:

Traditional Christmas Music .......2007-01-24

If you love traditional Christmas music, done in traditional style (i.e., no rock or jazz influence), this CD is for you. The Robert Shaw Chorale, the "gold standard" of quality choral music, sings much loved carols, with some lesser-known pieces as well. Some are a cappella; some include a full orchestral accompaniment. My favorites on this CD are "We Three Kings," "Bring a Torch, Jeannette Isabella," and "I Saw Three Ships."

The quintessential Christmas recording.......2005-12-09

This recording seems to elicit universal and heartfelt praise. Who am I to dispute that? The performance is terrific, just as described by the other Amazon reviewers, no doubt about it.

However, I do have one bone to pick with this recording. There just isn't enough of it. With material as good as this, that is a real loss!

A Top List Christmas CD.......2004-12-28

I bought this cd long ago, and have enjoyed it immensely each year. It is the perfect blend of celebration and meditation. Orchestra and choir combine in four distinct groupings, and a capella arrangements complete the masterful collection. The orchestral arrangements will make the hairs on your neck stand up, and your stomach quiver with all the excitement you ever felt as a child at Christmas. Adeste Fidelis is performed as few other ensembles have ever come close. The a capella arrangements will all, without exception, be on your yearly list of must-hear holiday arrangements. Truly a top list Christmas CD, essential for every family who celebrates this feast.

The best.......2004-01-02

I own approximately 35 Christmas choral CDs - including choirs and groups such as the Cambridge Singers and the King Singers. I also own two Christmas albums with Robert Shaw and the Atlantic symphony. This performance with the Robert Shaw Chorale is old but it is still my favorite. The arrangements are magnificent, the sound is brilliant, and the choir and orchestra are precise with wonderful volume control. Buy and enjoy!

How do you describe perfection?.......2003-12-14

This is my favorite Christmas CD. Nothing comes close. I thoroughly enjoyed learning much of the music in high school choir over 30 years ago. The music has never left me. The four medleys are the arrangements of Robert Russell Bennett titled "The Many Moods of Christmas". The arrangements seem to have a freshness about them even after listening numerous times.

Interspersed with the medleys are a cappella carols.

All of this music is wonderfully performed by the Robert Shaw Chorale, the a cappella selections recorded in 1957 and the medleys in 1963.

Four decades have proven that this is the standard in choral music. The clarity of text, the richness of tone, the beauty of harmony combine to present the message of Christmas in the manner that only music can do.

These words are no surprise to those familiar with choral music in the United States. If you are not so familiar, but would like to enjoy Christmas music at its most beautiful, you can do no better than acquiring this CD.

Beatles Baroque II
Average customer rating:

Beatles Baroque

Boring - Boreades

Beatles Baroque II
Les Boréades de Montréal
Manufacturer: Atma Classique
ProductGroup: Music
Binding: Audio CD

Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
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Beatles Baroque

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Bach Meets the Beatles: Revisited

Cello Submarine: Beatles Classics by the 12 Cellists of the Berlin Philharmonic

The Beatles Gregorian Songbook

ASIN: B00006L6W6
Release Date: 2002-11-12

Tracks:

Hello Goodbye
Ob-La-Di-Ob-La-Da
Michelle
Maxwell's Silver Hammer
Come Together
For No One
I Am The Walrus
The Inner Light
We Can Work It Out
Within You Without You
Girl
Love You To
When I'm 64
Julia
A Day In The Life

Customer Reviews:

Beatles Baroque.......2005-09-26

Sometimes you long for that old 'elevator music'. This is the one to get!!!

Boring - Boreades.......2005-09-15

I think that this CD is really boring, it's music of The Beatles performed in Barroque Instruments, but the music is 99% The Beatles and 1% Barroque. Really boring.

Light of Day: A Tribute to Bruce Springsteen

Average customer rating:

Springsteen's Songs translate well
Blasphemy
blasphemy
Good music, Good cause, Good man!
They don't get it

Light of Day: A Tribute to Bruce Springsteen
Various Artists
Manufacturer: Schoolhouse Records
ProductGroup: Music
Binding: Audio CD

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Reason to Believe: A Country Music Tribute to Bruce Springsteen
One Step Up/Two Steps Back: The Songs Of Bruce Springsteen
Enjoy Every Sandwich: The Songs of Warren Zevon
Hammersmith Odeon London '75
All the Roadrunning

ASIN: B0000C0FA2
Release Date: 2003-09-09

Tracks:

Better Days - Elliott Murphy
Book Of Dreams - Dion
Valentine's Day - Lucky 7
Thunder Road - Dan Bern
Candy's Room - Crazysloth
Johnny 99 - The Mystic Knights Of The Sea
Man At The Top - Nils Lofgren
If I Should Fall Behind - Cindy Bullens
Something In The Night - Matthew Ryan
Atlantic City - Mike Rimbaud
Highway Patrolman - Sid Griffin
Mansion On The Hill - Billy Brag And The Blokes
Badlands - Joe D'urso & Stone Caravan
State Trooper - Steve Wynn
Ain't Got You - Gary Lucas' Gods And Monsters
Bobby Jean - Jennifer Glass
The River - The Clarks
E Street Shuffle - John Cafferty & The Beaver Brown Band
Hungry Heart - Jesse Malin

Tracks:

Brilliant Disguise - Elvis Costello
New York City Serenade - Pete Yorn
Pink Cadillac - Graham Parker
Streets Of Philadelphia - Garland Jeffreys
My Hometown - Jason Ringenberg
Light Of Day - Joe Grushecky
Lucky Town - Rosie Flores
I'm On Fire - Willie Nile
Downbound Train - Kirk Kelly
Stolen Car - Patty Griffin
Souls Of The Departed - Paradise Brothers
Two Hearts - Mark Wright
The Promise - Graziano Romani
For You - The Format
Hungry Heart - Jesse Malin
Secret Garden - Tom Cochrane
Born To Run - Cowboy Mouth
Working On The Highway - Joe Ely

Customer Reviews:

Springsteen's Songs translate well.......2007-02-20

It's the people crying "blasphemy" who don't quite get it. Springsteen's lyrics (stories) are strong enough that they translate well into other genre's.

Of course they have a different attitude than they did as a rock tune, but folk, country & alternative are supposed to have a different attitude than rock. When listening to the folk & country versions of Springsteen songs, I hear words I never heard before, and the ones I had heard before take on a new level of meaning. It just goes to highlight exactly how strong a songwriter Springsteen is.

Actually, the least interesting tracks on this CD are by the folks who are, infact most like Springsteen in the style, people like Cafferty & Gruschecky; there you are forced into making comparisons.

Blasphemy.......2006-01-19

I'm a fan of Bruce, but I've never cared for his voice, and I always thought he made some odd production choices. Someday, someone will produce an album of Springsteen songs that improve on the original. It would only take a little thought.

This mess demonstrates no thought whatsoever. Is there any reason anyone would be yearning to hear E Street Shuffle without the E Street Band and New York City Serenade without a the piano intro? Is there anyone who listened to Pink Cadillac and thought it would be great to have an acoustic version? A folkie version of Two Hearts? Did we really need to hear Elvis Costello put on a country twang?

What did they leave out? The Promised Land for the polka? A hip hop version of Mansion on the Hill?

blasphemy.......2005-02-07

I'm a huge Bruce fan and have owned almost all of his material. A few months ago I heard the Clarks (another terrific band) cover of the River on the local radio station. I loved it I looked around for weeks trying to find it in stores finally a friend told me that it was released on a Springsteen tribute I found it and bought it. I regretted it. Aside from the Clarks cover there is not a single other song worth buying on this tribute. I mean come on Elvis Costello singing Springsteen get real. I guess Springsteen is about the only one who can sing his material cause almost none of these artists can I advise you to buy the originals and stay far from this blasphemy.

Good music, Good cause, Good man!.......2004-12-24

October 28, 2003
Artist: Various
Title: Light of Day

I love Bruce Springsteen's music. As my brother-in-law once pointed out, "he writes about stuff that's happening in my life." The stature of a "great" songwriter is if the song can stand on it's own (sound good) when being performed by others. As noted drummer Gary Foster once said, "You can't swing a dead cat around here without hitting a tribute album."

This latest double CD tribute album to Bruce Springsteen, Light of Day, is a marvelous example of how a tribute album can be interesting and entertaining. Producer Bob Benjamin doesn't clutter the album up with half-hearted (boring) renditions by superstar names like most tributes albums. Instead he mixes up known artists with lesser known but talented artists which give the performances space to breathe and allows the listener to hear the songs 'new again.' Elvis Costello's version of, Brilliant Disguises, is excellent: Pete Yorn captures the essence of, New York City Serenade, and maybe, just maybe, baby boomers will re-introduce themselves to Britain's finest pub rocker Graham Parker with his acoustic version of, Pink Cadillac. Dan Bern, (formerly of Georgia Satellites?), smacks a bona fide homerun with his version of my favorite Springsteen tune, Thunder Road.'

While I would rarely recommend a tribute record to anyone other than a hardcore fan and collector, in this case Benjamin has put together an album which even the most casual Springsteen fan will be able to enjoy.

As if making a good album isn't sufficient, Benjamin uses this project to raise monies for victims of Parkinson Disease; as well as, for a friend and former employee of Springsteen that was struck down by cancer. As with most things associated with Springsteen, this album smacks of integrity. Now if we could just keep him away from Michael Moore life would be worth living! LOL

They don't get it.......2004-06-12

Did any of the artists on this actually unserstand springsteens appeal? Most of the covers on this CD lack the passion, desperation, anger, bitterness and yet hope that Bruce delivers.
A few tracks, like Garland Jeffries cover of Philadelphia work, but must are disapointing

Average customer rating:

A Fine Soundtrack of a Fine Movie
Review(How original huh?)
Music that transcends simple meaning...

A River Runs Through It

Manufacturer: Milan Records
ProductGroup: Music
Binding: Audio CD

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A River Runs Through It

ASIN: B0007NFL54
Release Date: 2005-03-01

Tracks:

A River Runs Through It
Casting Presbyterian Style
A Land Filled With Wonder
Down The Alley (With You)
A Summer Of Lumber And Fishing
Shooting The Schutes
Three Fishermen
A Trip To The Unknown
A Four Count Rhythm
The Shiek Of Araby
Bye Bye Blackbird - Prudence Johnson
Je Ne Sais Quois
Swing Me High, Swing Me Low
A Place Remembered
A Remark Was Passed
Rugged Cross
Muskrat Ramble
Rawhide
The Wild Ride
Early Departure
The Splendor In The Grass
Jessie And Norman
Lolo's
The High Road
Yes, Quite A Day
A Fine Fisherman And The Big Blackfoot River
The Moment That Could Not Last
Too Deep For Tears
Without Complete Understanding
In The Half-Light Of The Canyon
Haunted By Waters - A River Runs Through It (Reprise)
Exclusive Interview With Mark Isham

Album Description

A River Runs Through It features Mark Isham's Grammy-and Academy Award-nominated score, plus the songs "The Sheik of Araby" written by Harry B. Smith, Ted Snyder & Francis Wheeler, "Bye Bye Blackbird" written by Mort Dixon & Ray Henderson, and "Muskrat Ramble" written by Ray Gilbert and Edward 'Kid' Ory.

Customer Reviews:

A Fine Soundtrack of a Fine Movie.......2007-07-15

I basically love the movie, because it's poetic along with Montana wilderness and I am a fly-fisherman. I have just bought this CD as my background music while I am tying flies. And it works very very well. Each track reminds me of each moment of the movie, especially, tracks from Track 25 "Yes, Quite a Day" to Track 31 "Hauted by Waters" just make me poignant. An exclusive interview with the composer is also very unique and worth to hear about the background of the movie. "The Moment That Could Not Last" last only 1:24, how about in our real life? Is it gonna be like Paul's? I am hautend by this soundtrack.

Review(How original huh?).......2007-01-25

Personally, this is one of the absolute BEST soundtracks I have ever listened to. The music is calming, soothing, and truly wonderful. The music is so well put together and nicely coordinated and I feel like I am watching the movie again...it also makes great to read the Laura Ingalls Wilder books too. Try it...you might be suprised how well it fits. :)

Music that transcends simple meaning..........2006-07-16

Mark Isham's score for the motion picture A River Runs Through It is one of the most memorable and emotionally captivating film scores of all time. The arrangements of strings, piano, woodwinds create a meditative and reflective range of music throughout the film capturing all the emotions of this powerful drama about an American family in rural Montana. It is at once deeply haunting, moving, nostalgic and sentimental and captures the innocence and beauty of nature and childhood, as well as darker themes of rebellion and tragedy. There is a profound sense of emotion that is embedded within the music that sweeps over me every time I hear it. A combination of happiness, sadness, excitement, and reflection. There is something simply sweeping and majestic within his music. I couldn't think of anything else that would better compliment the film. Highly recommended.

Average customer rating:

A COMEPLETE MASTERPIECE - In every sense of the word...
a differant, but equally intersting green carnation
A prog-metal epic that lives up to the hype!
could have been better.
Great CD

Light of Day, Day of Darkness
Green Carnation
Manufacturer: The End Records
ProductGroup: Music
Binding: Audio CD

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The Acoustic Verses
The Quiet Offspring
Blessing in Disguise
The Mantle
Second Life Syndrome

ASIN: B00005UK1F
Release Date: 2002-01-08

Tracks:

Light Of Day, Day Of Darkness

Album Description

Full title - Light Of The Day, Day Of Darkness. Immensely epic in scope, blasting through dark passages of swollen, over-distorted guitars to serene, idyllic moments of acoustic & choral enchantment, this release will surely go down in history as one of the most progressive, innovative albums to ever see the light of day. More than 30 musicians were involved into this epic project, including full opera & children's choirs, classical composers, saxophonists, church organists & a lot more. This highly complex work of art was recorded using 150 tracks & almost 600 samplers. The End Records.

Customer Reviews:

A COMEPLETE MASTERPIECE - In every sense of the word..........2007-05-17

'Light of Day, Day of Darkness' is a complete album in every possible way: Not only is the album one continuous song; it is one whole composition, fitted together with all the necessary components that make for a complete masterpiece!!!
The epic nature of this song is really hard to describe in words. Although I have listened to it multiple times in its entirety I am always amazed by its brilliance. The band utilizes a full orchestra with their powerful riffs to create climactic build-ups within the composition. The intensity of these developments sometimes lead straight into another guitar sequence of even more epic proportions. The male vocals on this composition are perfectly suited to the mood and flow of the piece, sung mostly in a baritone type range, with some operatic sections and minimal yelling. The female chanting/singing in the middle section of the song is wonderfully appropriate followed by a lengthy guitar solo that is completely euphoric.
The tones used for many of the riffs are a high-pitched metallic sound that immediately result in serious head-banging. The great thing about this piece is how some of the riffs are recurring throughout while also incorporating newer soundscapes into the composition as it unfolds, thus creating a complete song - unlike other bands who seem to combine multiple songs into one just for the sake of creating a single song.
No amount of words can ever do this album justice - it quickly became one of my favorite albums ever upon hearing it a few times through. If you like epic progressive metal this is a must have!

RECOMMENDATION: If you want to hear other metal of epic and progressive nature then check out Aghora's album 'Formless'. The riffage will not disappoint you!

a differant, but equally intersting green carnation.......2006-10-18

This album if you have not yet gathered consists of one peice of music. On some editions the peice has been split into tracks , but it is still just one peice of music.
It starts off with some samples and acoustic guitars, light drums and clean vocals. This sets the mood for the album. It is a dark reflective peice of music, yet this is not doom metal, nor does it get particularily heavy or fast at any point.
The Song is a series of passages and twists and turns. Passages are repeated and referred back to in various places so the listener can grab some sense of familiarality, and it ends much like it finishes. But inbetween there is many parts, some good riffs and some nice vocal parts, both clean and black metal inspired.

This peice however is not about choruses and riffs, it is about atmosphere and mood and it creates these very well.A dark reflective song it can engulf the listener as it evolves and changes, builds up to false climaxes and unexpected changes.
It could be perhaps more varied, yet like i said the peice sets a mood and it does so very well. Even so, there is a fair amount of textures and dynamics here, ranging from picked acoustic guitars, to double pedals and distorted guitars, to (original) clean vocal, to black metals vocals, to tense string-like riffs even to saxaphone solos and female scat singing.
The lyrics are about the fall into insanity which add to the musical depth of the album.

this album is worth buying if you are into intelligent metal at all, opeth, agalloch, black metal, katatonia etc...

In short, this is not a novelty project, it is a complete peice as a whole (even though it is part 1 of a later sequal) with a varied soundscape and use of dynamics. Heavy at times, darkly beautiful at others.

worth hearing if you are into metal / rock / experintal or just have an ear for good music

thankyou

A prog-metal epic that lives up to the hype!.......2006-04-22

I realize a lot of people give extra high ratings to concept albums, especially single song concept albums. Most of the time the ratings are totally undeserved. However, this album really is interesting. I was very skeptical because with the exception of Jethro Tull's Thick as a Brick, most of these projects fall woefully short of a 5 star rating.

In all honesty, so does this recording. It isn't an "absolute, must have or your life will be unfulfilled" kind of recording. However, it is better than most skeptics like myself would have thought. Even my "metal-phobic" friends and co-workers enjoyed this effort. It's got enough metal to have a bite when needed and enough prog to draw you into their world. I've only listened to the album 7 times since buying it a couple weeks ago, so I'm not too deeply involved into the lyrics and story. Then again, I rarely pay attention to lyrics unless they are audaciously bad.

I'm not going to go into minute by minute detail other than to say as others have said that the female vocalist's solo in the middle of the song is not only bad, but it is also out of place and ill-fitting the rest of the music. Personally, I ripped this into a sound editor, removed that section, and reassembled the track. That alone puts it in the 4.5 star category. All in all, this is well worth the $12 investment and will definitely provide a lot of musical enjoyment in the years to come.

could have been better........2005-10-08

I don't know why some people compare this album to anything Pink Floyd has done, because quite honestly this album doesn't compare. It is an admirable effort and overall pretty decent, but not even in the same ballpark in terms of greatness as The Wall, or Dark Side of the Moon.

I decided to put the 60 minute opus on while I write this review. There are some great riffs at the start, and indeed, throughout most of the first 30 minutes, but that's about where it ends. Kjetil Nordhus' voice kind of reminds me Jonas Renkse, the singer from Katatonia. It's very pleasant, and has a sad, lamenting quality that doesn't sound overdone.

It's pretty obvious that the 60 minute track is actually several different songs tied together, and in that respect it's not written very well. Good progressive music is beginning at one point and arriving at an entirely different point and not being able to explain exactly how you got there because it sounds so natural. An example would be Agalloch's brilliant song In The Shadow of Our Pale Companion. This track isn't like that. It's not arranged very well, but it's not bad either. It's just not something I get lost in.

There are some great moments in this album, though. Great riffs, but most of them happen before minute 33. Indeed, it's when you're cruising along to a kickass riff that the song drops off a frickin' cliff and goes into a quiet passage. The vocals change, and the woman kind of reminds me of Lisa Gerrard from Dead Can Dance, although less impressive. This halfway point is usually where I start the CD over, because as I said before everything up to that point is really, really good. The song just loses a ton of momentum at the halfway point, and even though I've heard the whole thing on more than a couple occasions, I can't be arsed to review it proper. So I'm just going to say it was less impressive than the first half, although there's some good stuff happening around minute 44-55.

The quiet passage just doesn't work for me at all, which is unfortunate because it cuts the song in half. It would've been better to end quiety with it, because then the arrangement would've at least made some sense.

If you're a fan of progressive music, or if you are interested in this band/CD soley on the strength of the bands it is associated with (like me), then you'll probably dig it. It's certainly not epic SOUNDING, nor is it life-changing, so as long as your expectations are in check you'll be okay.

Great CD.......2005-08-25

This album is definitely different than anything I've ever heard. I'm a huge metalhead & love all things heavy. This CD is actually kind of mellow, with heavier parts. When it comes to the more mellow music, it takes a lot to really get me, most of it just gets really boring. This is a very good one, sort of psycedelic actually. A great one to get stoned to. It has some hints of heavier metal that really adds a lot to it also. One of my favorite things about it is that it's only 1 song, a song that lasts an hour. That's something you don't see too often. If you can get into the more melodic Opeth stuff you'll like this CD for sure.

Music:

Music

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