Two a Day

Editorial Reviews
Album Details
The Secound Baker Album Recorded for Francis Dreyfus Music with J.l. Rassinfosse, Phil Markowitz and Jeff Brillinger. This Title for Export Only. --This text refers to an out of print or unavailable edition of this title.

Tracks:

Prde from Suite No. 1 in G Major for Cello, BWV 1007
II. Largo from "Winter", Op. 8, No. 4, RV 297 from the Four Seasons
Jesus, bleibet meine Freude (Jesu, Joy of Man's Desiring), BWV 147
Schafe kn sicher weiden (Sheep May Safely Graze), BWV 208
Wachet auf, ruft uns die Stimme (Sleepers Awake), BWV 645
The Swan from Carnival of the Animals (Chamber Version)
Havanaise, Op. 83
Mtation from Tha
Liebesfreud Instrumental
Allegro ben ritmato e deciso from Three Preludes
Vocalise Vocal
IV. Allegro from Sonata in D minor for Cello and Piano, Op. 40
Andante Cantabile for Cello Solo and String Orchestra, Op. posth.
IV. Rondo alla Zingarese. Presto from Quartet No. 1 in G minor for Piano and Strings, Op. 25
III. Finale. Allegro moderato from Concerto in B minor for Cello and Orchestra, Op. 104

Tracks:

Cristal
A lenda do caboclo
Chega de Saudade Live
Wapango Live
Libertango
Appalachia Waltz Solo Cello Version
Butterfly's Day Out
1B
Pickin' from Three Pieces for Solo Cello
Simple Gifts
The Mission
Gabriel's Oboe
The Falls Album Version
The Eternal Vow from Crouching Tiger, Hidden Dragon
The Cellist of Sarajevo - A Lament in Rondo Form for Solo 'Cello, Op. 12
Chi passa per'sta strada
Mido Mountain (Chinese Traditional)
Mohini (Enchantment)
Baroque in Rhythm from Suite for Cello and Jazz Piano Trio
Anything Goes Instrumental
I Could Have Danced All Night Extended version

Amazon.com

Here are three dozen pieces of music, all played by Yo-Yo Ma, culled from his extensive discography. Aside from the technical mastery and beautiful tone that are absolutes in all of his playing, one is dazzled by his curiosity and ability to adapt to so many forms and types of music. His Bach and Vivaldi are pellucid and played with non-sentimental crispness, his tango music gritty and rhythmically pungent, his jazz seemingly spontaneous, the "Meditation" from Thais simply ravishing, "Anything Goes" a romp, and the Appalachian music performed with both respect and a great twang, while the traditional Chinese music is fascinating. It's really a matter of how much Ma loves whatever he plays here, how entirely he becomes involved in it, and what a fine partner he invariably is to other musicians. This collection is a doozy--it is truly "essential." --Robert Levine

Customer Reviews:

pure genius.......2007-05-21

No instrument asks more from the soul of an artist as the cello does.
Yo Yo Ma shows to be master of the instrument and his interpretations en technique are pure genius. Everyone should have this album in his (or hers of course) basic classical collection

Another great Yo-Yo Disc.......2007-05-15

The set-up with the classical pieces on the first disc and the other on the second is excellent.

first disc great- second a flop.......2007-04-12

the first disc is awesome. the second disc is weird and boring.

Encore.......2007-03-31

Incredible. My young cellist (son) loves it. Beautiful music. The album is well organized and each song transitions nicely.

The Versatile Yo-Yo Ma.......2007-03-29

I've found this collection to be extremely delightful! It gives you a sense of the versatility of Yo-Yo Ma like no other, with one disc being dedicated more to his classical side, while the other explores jazz and world music venues. Not your typical "greatest hits" collection.

With a Song In My Heart (from the 1952 film)/ Pal Joey (with 1952 cast members)

Average customer rating:

with a song in my heart/pal joey sound tracks
With A Song In My Heart CD
A Jane Froman double feature.
"Pal Joey's" Pal
another great twofer from DRG

With a Song In My Heart (from the 1952 film)/ Pal Joey (with 1952 cast members)

Manufacturer: Drg
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Jane Froman: With A Song In My Heart / Yours Alone - Original Recordings 1930-1952
My Heart Speaks
I'll Cry Tomorrow
I'll Cry Tomorrow
Susan Hayward Double Feature: Smash-Up/Tulsa

ASIN: B0000AGWH6
Release Date: 2003-08-26

Tracks:

Opening
It's A Good Day
Tea For Two
Blue Moon
That Old Feeling
Embraceable You
Get Happy
I'll Walk Alone
They're Either Too Young Or Too Old
I'm Thru With Love
An American Medley
WIth A Song In My Heart
Overture
You Mustn't Kick It Around
I Could Write A Book
Chicago
That Terrific Rainbow
What Is A Man?
Happy Hunting Horn
Bewitched
Pal Joey
The Flower Garden Of My Heart
Zip
Plan You Now, Dig You Later
In Our Little Den
Do It The Hard Way
Take Him
Bewitched (Reprise)
Finale

Album Description

First time collection on CD! This Jane Froman package features the 1952 Broadway Revival of "Pal Joey" (where Jane provided the lead vocals for Vivienne Segal) along with the original soundtrack to "With Song in My Heart" - the 1952 film starring Susan Hayward in the life story of Jane Forman (Jane provided vocals for the film). The classic Rodgers & Hart "Pal Joey" album also features a standout performance from a young Elaine Stritch singing her showstopper "Zip." Digitally Remastered.

Customer Reviews:

with a song in my heart/pal joey sound tracks.......2007-03-31

I actually was so pleased to see a CD available because I have been longing for the movie "with a song in my heart" to become available on VHS and then on DVD, and it never has, so now at least I can enjoy the songs from the movie. The cast track from Pal Joey was just an added bonus.

With A Song In My Heart CD.......2007-03-19

I saw the film, "With A Song In My Heart" when I was twelve or thirteen years old and have wanted the sound track for many years. As an impressionable teenager in the 1950s, I have collected over time many of the films from that time on VHS or DVD, to satisfy my memories of the period. I regret that this particular film is not available on VHS or DVD, but, this CD is the next best choice. It is really enjoyable to hear the richness and depth of the voice of Jane Froman, who was one of the best singers of the time. I can still recall many scenes from the film and this CD revives the memories so well.

A Jane Froman double feature........2006-09-16

This DRG CD pairs two recordings starring Jane Froman.

WITH A SONG IN MY HEART

Susan Hayward played Jane Froman in the film but Froman herself dubbed the vocals. This album of songs was originally issued as a 10" Lp. None of the tracks are taken from the film: They are all studio re-recordings. Later, Capitol re-released it as a 12" LP with two extra songs added. It is that expanded [program included here. Froman is in great voice, though the orchestrations are overly lush and string heavy. Still, the songs include such standards as "It's a Good Day", "Get Happy", and "Embraceable You" making for an enjoyable mini-concert.

PAL JOEY

Capitol's cast album of the 1952 revival has long been a collector's item. The original Lp was deleted in 1960 and did not resurface until Broadway Angel released it on CD (briefly) in 1993. As the stars of the revival Harold Lang and Vivienne Segal had already made a studio cast album for Columbia - an album that helped inspire the revival - they were unable to re-record their songs for Capitol, and the label turned to Jane Froman and Dick beavers to fill in. The revised orchestrations sound dated now, but here is a chance to hear Elaine Stritch singing "Zip" and to enjoy the lusty voice of Helen Gallagher early in her career.

In the end it's the WITH A SONG IN MY HEART selections (making their debut on CD here) that make this CD worthwhile. For PAL JOEY the studio recording (available from SONY) is preferable, however if one is so inclined you can assemble your own cast album of the '52 revival by combining tracks from both releases.

"Pal Joey's" Pal.......2006-07-30

While the legubrious and over-orchestrated songs from the film "With a Song in My Heart" are typical of their era (and Jane Froman's stilted renditions are what once stood for emoting) the "Pal Joey" cast recording is an absolute delight. The orchestrations are bouncy and jazzy in a way that has long been forgotten, and the performances (except for the aforementioned Ms. Froman, whose Vulgnarian renditions are at times quite disconcerting, and who hits the sonic notes like lazer beems but misses the emotional ones by a country mile) are exceptional. Helen Gallagher deserved her Tony from the evidence of this recording, with Elaine Stritch not far behind her. But the overall impact surpasses any recording of "Joey" including the historic one that lead to this revival. There's energy, intensity and a whole lot of fantastic song writing (leave it to to Rogers and Hart) to satisfy any musical theater fan. A must have for anyone who loves "Old Broadway."

another great twofer from DRG.......2004-01-21

Jane Froman was one of the top vocalists of her era. Froman's greatness is celebrated in this new 2-on-1 album, which comprises the film soundtrack of WITH A SONG IN MY HEART as well as the 1952 Broadway revival cast album of PAL JOEY.

WITH A SONG IN MY HEART was the life story of Jane Froman, with the lovely Susan Hayward in the lead role. Froman herself supplied the singing for the film. Numbers include "It's a Good Day", the bittersweet and humorous "They're Either Too Young or Too Old", "Blue Moon", "Get Happy", "Tea for Two" and "I'm Thru with Love".

The 1952 Broadway revival of PAL JOEY was the result of the huge success of a studio album released by Columbia the year before (which featured Vivienne Segal reprising her original role of Vera and Harold Lang as Joey). Segal and Lang headlined the new revival with Helen Gallagher (SWEET CHARITY, HAZEL FLAGG) as Gladys Bumps and Elaine Stritch (ON YOUR TOES, GOLDILOCKS) as reporter Melba Snyder.

Having already recorded their roles for the Columbia album, Segal and Lang saw little need in re-recording them for the revival album on the Capitol label. Instead, the roles of Vera and Joey were covered by Jane Froman and Dick Beavers.

The cast album suffers on many levels. First, the absence of Segal and Lang is quite distracting, and secondly the new Overture can't even compare with the scintillanting original.

The Columbia studio album is the version to buy in addition to this, though both albums have their strong and weak points. As per usual, Elaine Stritch brings her impressive and formidable comic timing to the fore in the show-stopping "Zip", and Helen Gallagher's silvery voice is perfect for "That Terrific Rainbow".

Tracks:

Give My Regards To Broadway- Joel Grey
Swanee- Al Jolson
When The Moon Shines On The Moonshine- Bert Williams
A Pretty Girl Is Like A Melody- John Steel
My Man- Fanny Brice
Fascinating Rhythm- Fred Astaire, Adele Astaire
If You Knew Susie (Like I Know Susie)- 78rpm Version Eddie Cantor
Someone To Watch Over Me- Gertrude Lawrence
Bill- 78 rpm Version Helen Morgan
Ol' Man River- Paul Robeson
Ain't Misbehavin'- Louis Armstrong & His Orchestra
Ten Cents A Dance- Ruth Etting
Body And Soul- Libby Holman
Brother, Can You Spare A Dime- Bing Crosby
Night And Day- Fred Astaire
Heat Wave- Ethel Waters
Smoke Gets in Your Eyes- Tamara
You're The Top- Ethel Merman
Summertime- Anne Brown
September Song- Walter Huston
My Heart Belongs To Daddy- Mary Martin
It Never Entered My Mind- Shirley Ross
Bewitched, Bothered, Bewildered- Vivienne Segal
Oh, How I Hate To Get Up In The Morning- Irving Berlin
Oh, What a Beautiful Mornin'- Alfred Drake

Tracks:

New York, New York- Cris Alexander,Adolph Green,John Reardon
If I Loved You- John Raitt,Jan Clayton
Come Rain Or Come Shine- Ruby Hill,Harold Nicholas
There's No Business Like Show Business- Ensemble
How Are Things In Glocca Morra? From "Finian's Rainbow"- Ella Logan
Once In Love With Amy- Ray Bolger
Wunderbar- Alfred Drake,Patricia Morison
Some Enchanted Evening- Ezio Pinza
Lost In The Stars- Todd Duncan
Diamonds Are A Girl's Best Friend- Carol Channing
Luck Be A Lady- Robert Alda,Guys
Getting To Know You- Gertrude Lawrence
Who Cares?- Jack Carson,Betty Oakes
Stranger In Paradise- from " Kismet" Doretta Morrow,Richard Kiley
Ballad Of Mack The Knife- Gerald Price
Hey There- from "The Pajama Game" John Raitt
Whatever Lola Wants- Gwen Verdon
I Could Have Danced All Night- Julie Andrews
Standing On The Corner- from "The Most Happy Fella, 1956" Shorty Long,John Henson,Alan Gilbert
The Party's Over- Judy Holliday
Glitter And Be Gay- Barbara Cook
Tonight- Larry Kert, Carol Lawrence

Tracks:

Seventy-Six Trombones- Robert Preston
I Enjoy Being A Girl- from "Flower Drum Song, 1958" Pat Suzuki
Everything's Coming Up Roses- Ethel Merman
My Favorite Things- from "The Sound Of Music" Mary Martin
Put On A Happy Face- from "Bye Bye Birdie" Dick Van Dyke
Try To Remember- Jerry Orbach
Camelot- from "Camelot" Richard Burton
Love Makes The World Go 'Round- Anna Maria Alberghetti
I Believe In You- Robert Morse And Co.
The Sweetest Sounds- Diahann Carroll,Richard Kiley
Comedy Tonight- Zero Mostel
What Kind Of Fool Am I?- Anthony Newley
As Long As He Needs Me- Georgia Brown
Hello, Dolly!- Carol Channing,Cast
People- Barbra Streisand
Anyone Can Whistle- from "Anyone Can Whistle" Lee Remick
If I Were A Rich Man- Zero Mostel
Night Song- Sammy Davis, Jr.
The Impossible Dream- Richard Kiley
If My Friends Could See Me Now- Gwen Verdon
Open a New Window- from Mame Voice

Tracks:

Willkommen- from "Cabaret" Joel Grey
Let The Sunshine In- James Rado,Lynn Kellogg,Melba Moore,Cast
I'll Never Fall In Love Again- Jill O'Hara,Jerry Orbach
The Ladies Who Lunch- from "Company" Elaine Stritch
Tea For Two- Roger Rathburn,Susan Watson
I'm Still Here- Yvonne De Carlo
I Don't Know How To Love Him- Yvonne Elliman
We Go Together- Adrienne Barbeau,Barry Bostwick,Walter Bobbie,Cast
Corner Of The Sky- John Rubinstein
Send In The Clowns- Glynis Johns
Ease On Down The Road- Stephanie Mills,Tiger Haynes,Ted Ross,Hinton
One- from "A Chorus Line" Cast
All That Jazz- Chita Rivera,Ensemble
Tomorrow- Andrea Mcardle
Don't Cry For Me Argentina- Patti Lupone
Come Follow The Band
Lullaby Of Broadway- Jerry Orbach
And I'm Telling You I'm Not Going- Jennifer Holliday
The Bells Of St. Sebastian- Raul Julia

Tracks:

Memory- Betty Buckley
I Am What I Am- George Hearn
Move On- Bernadette Peters,Mandy Patinkin
Do You Hear The People Sing?- Michael Maguire,Cast
The Music Of The Night- Michael Crawford
You're Nothing Without Me- James Naughton,Gregg Edelman
The American Dream- Jonathan Pryce,Cast
Doctor Jazz- Gregory Hines,Company
With One Look- Glenn Close
On Broadway- Adrian Bailey,Frederick B. Owens,Ken Ard,Victor Trent Cook
Le Jazz Hot- Julie Andrews,Ensemble
Seasons Of Love-
Hakuna Matata- Max Casella,Tom Alan Robbins,Scott Irby-Ranniar,Jason Raize
I Wanna Be A Producer- Matthew Broderick,Ensemble
Dancing Queen- Louise Plowright,Jenny Galloway
Good Morning Baltimore- Marissa Jaret Winokur
Movin' Out- Michael Cavanaugh,Band
I Go To Rio- Hugh Jackman,Company
Defying Gravity- Kristin Chenoweth,Idina Menzel

Customer Reviews:

Fabulous for any Broadway-lover.......2007-01-30

Packs into 5 CD's a sampling of Broadway tunes from the 20's thru (almost) today, mostly from original cast recordings. Includes not just well-known hits, but also some lesser-known gems. Sound quality is first rate, booklet is informative too. Have given this as a gift to several friends with rave reviews.

Top Shelf.......2007-01-04

This is THE definitive collection of Broadway hits. I have other collections, and none of them measure up. A great deal of care was obviously taken in compiling and presenting this box set. It covers a lot of ground, starting with some long-forgotten but still very enjoyable hits from the days of yore, and finishing with present-day favorites. To the best of my knowledge, the recordings are by those who made them famous. You won't be disappointed.

TERRIFIC CD'S.......2006-03-23

THESE BROADWAY MUSICALS CD'S ARE A BROADWAY LOVERS DREAM. WITH EACH SONG, MEMORIES COME FLOODING BACK. BOTH THE FAMILIAR AND THE FORGOTTEN SONGS ARE A TRUE LISTENING PLEASURE. IF YOU LIKE BROADWAY, YOU'LL LOVE THIS SET.

Great Collection of Broadways greatest Songs .......2005-06-14

This Collection was perfectly made it has almost all the most famous Broadway songs on this 5 cd set. The Music is great and has Broadways greatest treasures like "Memory""People""With One Look""Give my regards Too Broadway" just to name a few of this numerous cd set with over 100 songs. This is a great buy if you like musicals or The music of Broadway

Great Compilation!.......2005-01-17

If you are a fan of the Broadway Musicals, this is a collection that you should purchase. Since I got the 5 disc set I've enjoyed listening to it. The majority of the songs are done by the original singers. The collection is priceless considering that you will have over 100 songs from popular musicals since the beginning of Broadway

Mozart for Morning Coffee: Freshly Brewed to Perk Up Your Day

Average customer rating:

why?
Wake Up To Mozart
Corny title - great CD
Absolutely splendid sampler (but its one disc not two)
Excellent Recording Quality!

Mozart for Morning Coffee: Freshly Brewed to Perk Up Your Day

Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

Quartets | Chamber Music | Classical | Styles | Music

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General | Chamber Music | Classical | Styles | Music

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Bach for Breakfast
Beethoven for Book Lovers: An Intimate Companion for Reading
Mozart for Meditation
Tchaikovsky At Tea Time: A Refreshing Blend For Body And Spirit
Mozart at Midnight

ASIN: B0000041FN
Release Date: 1996-08-13

Tracks:

Violin Sonata In G, K. 301: Allegro
Violin Sonata In C, K. 296: Andante sostenuto
Violin Sonata In B-Flat, K. 378: Allegro moderato
Violin Sonata In F, K. 376: Andante
Violin Sonata In C, K. 296: Allegro (Rondo)
Piano Trio In D Minor, K. 442: Tempo di minuetto
Violin Sonata In C, K. 303: Adagio-Molto allegro
Piano Trio In B-Flat, K. 254: Rondeaux (Tempo di menuetto)
Piano Trio In G, K. 496: Allegro
Piano Quartet In E-Flat, K. 493: Allegretto

Customer Reviews:

why?.......2005-10-28

Why do they keep making these "Mozart (and other composers) for..." CDs? I know I know. For idiots to buy them of course so the record company can make tons of money. But I feel it's an insult to classical music. No offense but Mozart wasn't thinking of you sipping a cup of joe when he wrote this music. He couldn't care less "how perky" your Starbucks is to tell you the truth. I think he'd be pretty mad seeing how his music is being commercially exploited these days. Why can't people just buy and listen to classical music as it was intended? Buy a set of Mozart's violin concertos or maybe Don Giovanni if you're so inclined. Don't be afraid - Mozart didn't write anything less than great. You won't be disappointed even if you go out on a limb and even buy one of his lesser known works. But don't get this "potpourri excerpts from his music" trash. Gosh, these kinds of CDs have gone too far. What's next - "Tchaikovsky for Taking a Dump"? Sheeesh....Don't suport this if you care about preserving art...

Wake Up To Mozart.......2005-09-25

This CD is from the many titles in the "Set Your Life To Classical Music" which feature such catchy themes as Tchaikovsky at Tea Time, Chopin and Champagne, Baroque For Beauty Sleep, Bach For Barbecue, Beethoven For Book Lovers, Bach for Breakfast, Puccini and Pasta, Debussy for Dreamers, Liszt for Lovers and many many others. This one is a collection of Mozart's more intimate, nevertheless lively and jingly Violin Sonatas and Piano Trios, as played by the Beaux Arts Trio with Grimmeaux on the violin. The music sounds fresh and is certain to wake you up as much as a strong cup of coffee would. While the Mozart For Your Brain (Mozart music raising a person's IQ level) was proven to be ineffective, this music should be taken as background music or elevator music in a sense, to wake you up or to drink your coffee with. It is lovely music to wake to, and I have tried it. It works! It's beautiful, classy and elegant and at the same time, lively and jovial. Mozart's music has a charming effect. It is ebullient and gentle, and perfect to hear in any occassion. This type of music never becomes too deep or complex and Mozart never intended it to. It's purely musical for the sake of being musical and thus makes us feel good while listening to it. While its not exactly party music, it nearly becomes festive in its mood. I highly recommend all the CD titles in the Series. They are also excellent, first-rate introductions to classical music for the novice. This is not heavy stuff like Wagner, Mahler or Bruckner. It is simpler music relying on the grace and classical balance of harmony and consistency of line that Mozart used. It's easily appreciated. The covers to these titles are also very friendly looking and cute.

Corny title - great CD.......2004-12-02

I first noticed this CD when I ran a query to find Arthur Grumiaux listings, but ignored it because of the title; thinking that it was a sampler of a variety of artists. When I ran across it in the store, though, I saw that Grumiaux and Klein perform on all Sonatas, and the Beaux Art Trio on all Trios! Strange that they decided to use their best artists on a low-price, mass-appeal compilation. So ignore the schmaltzy concept and definitely try this out - for the price you can't beat these great performances.

Absolutely splendid sampler (but its one disc not two).......2003-06-19

This is a lttle gem of a mozart chamber sampler...gentle pieces that show Mozart at his most gracious. The bargain (for casual classical listeners) is that you get a nice representative selection for a nice price (altho' please note this is ONE disc, not two)

For the the not-so-casual listener of Mozart, having Grumiaux and the Beaux Arts trio as performers means you get about the best Philips ever put on their catalogue. Much easier to shell out $$ for these selected performances by these musicians than to pay multiples of that to get the full sets. A "teaser...".

Excellent Recording Quality!.......1999-08-23

I now have about 4 of the "Mozart for ..." CD's, and I have found all of them to be of excellent sound quality, and I have a very discrminating sound system. The Signal to Noise ratios are very good, and the music is very dynamic without suffering from much compression. If you know little about classical but enjoy well recorded, popular tunes, this series is for you! Highly recommended!

Classical Masterpieces of the Millennium [20 CD Set]

Average customer rating:

Mill. Classical review
classical music for the unitiated
Some little gems there that I had forgotten!
A very helpful collection
Excellent!

Classical Masterpieces of the Millennium [20 CD Set]

Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD

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Little Night Music - Ultimate Mozart Collection [20 CD Set]
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ASIN: B00000K1C9
Release Date: 1999-08-24

Tracks:

Brandenbutg Concerto No.3 In G First Movement
Overture No.3 In D Second Movement
Violin Concerto In E First Movement
Prelude In C minor
Jesu Bleibet Meine Freude (Chorus From Cantata No.147)
Overture No.2 In B minor Minuet And Badinerie
Oboe Concerto In D minor Second Movement
Brandenburg Concerto No.4 In G Third Movement
Musical Offering - Fuga canonica
Easter Oratorio - Overture
Minuet In D minor
Kommst Du Nun, Jesu, Vom Himmel herunter(From Choral Prelude BWV 650
Brandenburg Concerto No.1 In F Second Movement
Art Of The Fugue - Contrapunctus 9
Concerto For Flute, Violin, Harpsichord And Strings. Triple Concerto - Third Movement
Overture No.4 In D - Réjouissance
Concerto No. 1 in E: Spring
Concerto No. 1 in E: Spring
Concerto No. 1 in E: Spring
Concerto No. 2 in G minor: Summer
Concerto No. 2 in G minor: Summer
Concerto No. 2 in G minor: Summer
Concerto No. 3 in F: Autumn
Concerto No. 3 in F: Autumn
Concerto No. 3 in F: Autumn
Concerto No. 4 in F minor: Winter
Concerto No. 4 in F minor: Winter
Concerto No. 4 in F minor: Winter
Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
Concerto Grosso in A minor, Op. 3, no. 8
Concerto Grosso in A minor, Op. 3, no. 8
Concerto Grosso in A minor, Op. 3, no. 8
Water Music - Alla Hornpipe
Xerxes - Ombra Mai Fu (Largo)
Messiah - And The Glory Of The Lord
Concerto Grosso In A Minor, Op. 6, No. 4 - Larghetto Affettuoso
Organ Concerto In F, Op. 4, No. 4 Allegro
Water Music - Air
Messiah - For Unto Us A Child Is Born
Concerto Grosso In B flat, Op. 3, No. 2 - Largo
Salomon - Sinfonia, Act 3
The Choice Of Hercules - While For Thy Arms
Water Music - Allegro (Suite No. 1)
Suite No. 5 In E - Air With Variations
Jephtha - How Dark, O Lord
Organ Concerto In F, Op. 4, No. 5 Alla Siciliana - Presto
Mi Palpita Il Cor (Solo Cantata) S'un Di M'adora
Water Music - Andante Allegro Da Capo
Concerto for Trumpet & Orchestra in E-flat: First Movement
Symphony No. 94 in G: Surprise Symphony-second movement
Concerto for Violin No. 2 in D: Third Movement
Flute Trio No. 31 in G: Second Movement
Symphony No. 31 in D: Hornsignal-First Movement
String Quartet No. 17 in F, Op. 3, no. 5: Serenade Quartet-Second Movement
Sinfonia Concertante in B-flat for Violin, Cello, Oboe, Bassoon and Orchestra-Third Movement
Concerto for 2 Horns & Orchestra in E-flat: Second Movement
Symphony No. 88 in G: Fourth Movement
String Quartet No. 77 in C: Kaiser Quartet-Poco adagio cantabile
Notturno No. 1 in C: Second Movement
Symphony No. 98 in B: Londoner No. 4-Fourth Movement
Eine Kleine Nachtmusik - first movement
Piano Concerto in A - second movement
Flute Concerto in D - Rondeau
Serenade - Minuet
Violin Concerto - first movement
Symphony No. 40 in G minor - first movement
Clarinet Concerto - second movement
Turkish March
Divertimento - Minuet
Horn Concerto No. 3 in E-flat - first movement
Symphony No. 5 in C minor, Op. 67-First Movement
Piano Sonata No. 14 in C sharp minor, Op. 27, no. 2: Moonlight Sonata-First Movement
Overture
O welche Lust (Prisoners' Chorus)
Ha, welch ein Augenblick (Pizarros's Aria)
Concerto for Piano and Orchestra No. 3 in C minor, Op. 37: Second Movement
Concerto for Violin and Orchestra in D, Op. 61: Third Movement
Piano Sonata No. 8 in C minor, Op. 13: Pathétique-Second Movement
Sympony No. 6 in F, Op. 68: Pastorale-First Movement
Fantasy for Piano, Chorus and Orchestra in C minor, Op. 80: Choral Fantasy - Finale
German Dance No. 1 In C
Impromptu Op. 90, No. 3 In G-Flat
Heidenroslein
Ave Maria
Der Lindenbaum
Quintet In A 'Trout Quintet' - Andante
Mass No. 6 In E-Flat - Kyrie
Die Schone Mullerin Des Mullers Blumen
German Dance No. 2 In G
Piano Sonata In B-Flat
Nachtgesang Im Walde
Winterreise - No. 15: Die Krahe
German Mass - Zum Sanctus (Heilit, Heilig Ist Der Herr)
Symphony No. 8 In B Minor 'Unfinished' - Second Movement
Waltz No. 1 in E-flat, Op. 18 Grande Valse brillante
Nocturne in E-flat, Op. 9, no. 2
Etude in G-flat, Op. 10, no. 5
Concerto for Piano and Orchestra No. 2 in F minor, Op. 21-Second Movement
Mazurka in D minor, Op. 33, no. 2
Prelude in D-flat, Op. 28, no. 15 Raindrop
Etude in C, Op. 10, no. 1
Nocturne in D-flat, Op. 27, no. 2
Impromptu No. 4 in C-sharp minor, Op. 66 Fantasy Impromptu
Scherzo in B minor, Op. 20
Piano Sonata No. 2 in B-flat minor, Op. 35-Third Movement
Concerto for Piano and Orchestra No. 1 in E minor, Op. 11 - Third Movement
Piano Concerto No. 1 in B-flat minor - first movement 113.String Seranade - Waltz
Violin Concerto - second movement
The Sleeping Beauty - Waltz
Capriccio Italien, Op. 45
Swan Lake - Waltz
Eugene Onegin - Polonaise
The Nutcracker - Waltz of the Flowers
Orchestral Suite No. 4 - Mozartiana - Third Movement
Swan Lake - Dance of the Swans
Symphony No. 6 in B minor - Pathétique - Third Movement
Hungarian Dance No.5
Lullaby
Symphony No.1 in C minor, Op. 68 - Third Movement
Intermezzo in E-flat, Op.117, no. 1
Concerto for Violin and Orchestra in D, Op. 77 - Third Movement
Waltz, Op. 39, no. 15
Concert for Piano and Orchestra No. 2 in B-flat, Op. 83 - Second Movement
String Quintet in G, Op. 111 - Second Movement
Symphony No.4 in E minor, Op. 98 - Third Movement
Intermezzo in A minor, Op. 76, no. 7
Hungarian Dance No.1 in G minor
German Requiem Selig sind die Toten (Final Chorus)
Die Fledermaus - Overture
Kaiser Waltz, Op.437
Thunder And Lightning Polka, Op. 324
Roses From The South Waltz, Op. 388
AnnenPolka, Op. 117
Vienna Blood Waltz, Op. 354
Eljen A Magyar Polka, Op. 332
Wine, Women and Song Waltz, Op. 333
On The Beautiful Blue Danube Waltz, Op. 134
Die Meistersinger Von Nurnberg - Overture
Tannhauser - Die Pilger sind's (Pilgims' Chorus)
Tannhauser - O du mein holder Abendstern (Wolfram's Aria)
Lohengrin - Act 3 Prelude and Bridal Chorus
The Flying Dutchman - Jo-ho-he Traft ihr das Schiff (Senta's Ballad)
The Flying Dutchman - Steuermann, lass die Wacht (Sailors' Chorus)
Die Walkure - Wintersturme wichen dem Wonnemond (Siegmund's Aria)
Die Walkure - Ride of the Valkyries
Siegfried Hoho! Hoho! Hohei! Schmiede mein Hammer (Siegfried's Forging Song)
Tristan und Isolde - Liebestod
Thus sprach Zarathustra, Op. 30 (excerpt)
Don Juan, Op. 20
Eine Alpensinfonie, Op. 64, I.Nacht
Don Quixote, Op.35, first movement: Introduction
Salome, Op. 54, Dance Of The Seven Veils
Der Rosenkavalier, Op. 59, Finale: Hab' mir's gelobt ihn lieb zu haben
Piano Concerto 2 In C minor, Op. 18 - First Movement
Vocalise, Op.34, No. 14
Prelude In G Sharp minor, Op. 32, No. 12
Piano Concerto No. 4 In G minor, Op. 40 - Third Movement
Symphony No. 2 In E minor, Op. 27 - Third Movement
Piano Concerto No. 1 In F sharp minor, Op. 1 - Second Movement
Rhapsody, Op. 43 On A Theme By Paganini
Hungarian Rhapsody No.2
Liebestraum No.3 in A-flat
Piano Concerto No.1 in E-flat - third movement
Angelus
Mephisto Waltz No.1 (Dance in a Village Tavern)
Prelude and Fugue on B-A-C-H
Dante Symphony - Finale. - Purgatorio - Magnificat
Les Préludes
Boléro
Daphnis et Chloé first movement: Nocturne
Rhapsodie Espagnole
Shéhérazade - first movement: Asie
Ma Mère l'Oye - fourth movement: La Belle et la Bête
Introduction and Allegro for Harp, Flute, Clarinet, and String Quartet
La Valse
Slavic Dance No. 1 in C, Op. 46, no.1
Symphony No. 9 in E minor, Op. 95 'From the New World' - second movement
Humoresque, Op. 101
Slavic Dance No. 8 in G minor, Op. 46, no. 8
Serenade for String Orchestra, Op. 22 - second movement
Romance for Violin and Orchestra In F minor, Op. 11
Symphony No. 7 in D minor - third movement
Melodie (Songs My Mother Taught Me)
Carneval Overture, Op. 92
Concerto for Cello and Orchestra in B minor, Op. 104 - third movement
Symphony No.4 In A, Op. 90. Italian - First Movement
Frühlingslied In A, Op. 62, No. 6
Wedding March (From A Midsummer Night's Dream, Op.61)
Duetto In F, Op.30, No.6 (From Songs Without Words)
String Symphony No.9 In C. Schweitzer Symphony - Third Movement
Concerto For Violin, Piano And String Orchestra No. 1 In D minor - Second Movement
Symphony No.3 In A minor, Op.56 Scottish - Third Movement"
Notturno (From A Midsumment Night's Dream, Op. 61)
Rondo Capriccioso, Op.14
String Symphony No. 12 In G minor - First Movement
Venetian Gondola Song In F Sharp minor, Op.30, No.6
Scherzo (From A Midsumment Night's Dream, Op. 61)
Violin Concerto In E minor, Op.64 - Third Movement
Peer Gynt - Suite No. 1, Op. 46 - Morgenstimmung
Holberg Suite, Op. 40 - I. Prelude. Allegro vivace
Holberg Suite, Op. 40 - IV. Air. Andante religioso
Arietta, Op. 12, no. 1
Homage March from Sigurd Jorsalfar, Op. 56
Peer Gynt - Suite No. 2, Op. 55 - Solveig's Song
Wedding Day at Troldhauen, Op. 65, no. 6
The Last Spring, Op. 34, no. 2
Peer Gynt - Suite No. 1, Op 46 - Anitra's Dance
Nordic Melody Op. 63
Notturno, Op. 54, no. 4
Elegie, Op. 47, no. 5
Peer Gynt - Suite No. 2, Op. 55 - Arabic Dance
Piano Concerto in A minor, Op. 16 - Allegro
Symphony No. 3 in E flat, Op. 97 - Rhenish - first movement
Traumerai (from Kinderszenen, Op. 15)
Mondnacht (from Eichendorff-Liederkreis, Op. 39)
Aufschwung (from Fantasietucke, Op. 12)
Triolett, Op. 114, no. 2
Tanzlied (No. 1 from Duets, Op. 78)
Symphony No. 4 in D minor, Op. 120 - second movement
Frühlingsgruss
Abschied (from Waldszenen Op. 82)
Dichterliebe, Op. 48 - Im wunderschonen Monat Mai
Manfred Overture, Op. 115
Romance in F sharp, Op. 28, no. 2
Die Rose stand im Tau
Liebesgarten (from Four Duets, Op. 34)
Warum? (from Fantasiestucke, Op. 12)
Kennst du das Land, Op.79, no. 29 (from Lieder der Mignon, Op. 98a)
Von fremden Landern und Menschen (from Kinderszenen, Op. 15)

Album Description

An extraordinary 20-CD collection of great works by Bach, Vivaldi, Handel, Haydn, Mozart, Beethoven, Schubert, Chopin, Tchaikovsky, Brahms, Ravel, Mendelssohn, Rachmaninoff, J. Strauss, R. Strauss, Schumann, Wagner, Dvorak, Grieg and Liszt. It also features worldrenowned artists such as Sir Neville Marriner, Martha Argerich, Ivo Pogorelich, Hermann Prey, Reiner Goldberg, Sylvia Sass, Jochen Kowalski, Peter Schreler and many more. This exquisite, copper metallic, deluxe boxed set is the perfect gift for the classical music neophyte.

Customer Reviews:

Mill. Classical review.......2007-05-13

This is a great set of recordings for the money, the only problem was I've had to clean some of the CD's before they played correctly.

classical music for the unitiated.......2007-04-01

This set is a good way to start listening to classical music. It's very well produced and easy to listen to. I purchased it to use as part of my world history high school class. It would have been nice to have some bio information on the composers. However, the product is exactly as advertised and good value for the money. The students were intrigued by how many of the excerpts they had heard before.

Some little gems there that I had forgotten!.......2007-03-30

Although I studied classical music at school, I had all but forgotten it until I bought this set. I heard several tracks I haven't heard for over 30 years, and I had been humming Brahms's 'Hungarian Dance no. 5' for years without ever knowing what it was and it was on the disc, so that was nice.

I found it to be a very good selection overall, but I felt too much had already been heard on TV, which of course is what lots of newcomers to classical music might appreciate. I managed to find about 2 hours of tracks that I wanted to keep, which works out quite expensive per disc, but I did find some wonderful music I had completely forgotten about, so it was worth it. All in all, it represents good value, and I have only knocked one star off as so much of it had been used in adverts.

It is definitely a good introduction to classical music, and it has made me want to listen to more of it, so I don't regret this 'expensive' purchase one bit!

Classical Masterpieces of the Millennium [20 CD Set]

A very helpful collection.......2007-03-24

I define this set as an excellent way to find out who you like, and who you don't, among 20 of the important composers. It opens the door to purchasing more complete pieces by composers you do like, and can save a lot of time and money in the process.
To criticize the set for not containing more composers, or more than just snippets of those who are in the set, is missing the point: it is a helpful introduction to finding your way in the huge maze of classical music. It succeeds admirably in this.
Sound quality is uniformly very good on an audiophile system.
Highly recommended.

Excellent!.......2007-03-08

A great way to start a classical music collection. It's nice to have a full CD of each composer. It makes it easy to keep track of selections/composers I already have and what composers I still need to puchase to complete my collection.

Average customer rating:

Instruments of the Orchestra - Great Reference Material!
Beginner or Expert
Very Informative and Enjoyable
Frank's view
Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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The Life and Works of Ludwig van Beethoven
What to Listen for in Music
Study of Orchestration, Third Edition
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ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
Also Sprach Zarathustra (Of The Afterworldsmen)
Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
Variations On A Theme Of Frank Bridge (No. 4)
Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

Tracks:

Symphony No. 3 In E-flat Major, Op. 97: 'Rhenish' - Lebhaft
Andante And Variations In B-Flat Major
Symphonic Etudes, Op. 13
Toccata In C Major, Op. 7
Kreisleriana, Op. 16
Piano Concerto In A Minor, Op. 54: Allegro Vivace
Carnaval, Op. 9
'Dedication', Op. 25/1
Symphony No. 4 in D Minor, Op. 120: Introduction - Vivace
Papilons, Op. 2
Op. 25-3: 'The Nut Tree'
Symphony No. 3 In E-flat Major, Op. 97: 'Rhenish' - Lebhaft-Schneller
Piano Quintet In E-flat Major, Op. 44: Allegro ma non troppo
Piano Concerto In A Minor, Op. 54: Allegro affettuoso
Carnaval, Op. 9: Waltz
Album For The Young, Op. 68: The Merry Farmer
Scenes From Childhood, Op. 15: Dreams
Cello Concerto In A Minor, Op. 129: Nicht au schnell
Symphony No. 3 In E-flat Major, Op. 97: 'Rhenish' - Feierlich
Peer Gynt Suite No. 1, Op. 46, No 1
Lyric Suite, Op. 54-2: Norwegian Rustic Dance
Op. 12 No. 4: Elf Dance
Op. 35, No. 1: Norwegian Dances
Elegiac Melodies
Op. 64, No. 4: Symphonic Dances
Op. 35, No. 2: Norwegian Dances
Op. 5-3: 'I Love Thee'
Op. 43, No. 1: Butterfly
Op. 65, No. 6: Wedding Day At Troldhaugen
Peer Gynt Suite No. 1, Op. 46, No. 3: Anitra's Dance
Peer Gynt Suite No. 2, Op. 55, No. 4: Solveig's Song
Peer Gynt Suite No. 1, Op. 46, No. 4: In The Hall Of The Mountain King
Piano Concerto In A Minor, Op. 16: Allegro moderato; Allegro marcato
Holberg Suite, Op. 40: Prelude: Allegro vivace
Lyric Suite, Op. 54, No. 3: Dance Of The Dwarfs
Homage To Chopin
Sigurd Jorsalfar Suite, Op. 56, No. 3: Homage March
Peer Gynt Suite No. 1, Op. 46: Morning Mood
Peer Gynt Suite No. 1, Op. 46: The Death Of Aase
Peer Gynt Suite No. 1, Op. 46: Anitra's Dance
Peer Gynt Suite No. 1, Op. 46: In The Hall Of The Mountain King
Peer Gynt Suite No. 2, Op. 55: III The Return Of Peer Gynt
Peer Gynt Suite No. 2, Op. 55: IV Solveig's Song

Average customer rating:

"Salon" (not "Saloon") Ragtime
Bolcom - Piano Rags
Comprehensive collection of modern Americana
Still Raggin'

Bolcom - Piano Rags

Manufacturer: Albany Records
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music
Similar Items:

Complete Rags for Piano: Piano Solo
World's Greatest Piano Rags
William Bolcom: Music for Two Pianos
Works by Bolcom and Wolpe: Twelve New Etudes/Battle Piece
William Bolcom - Songs of Innocence and of Experience (William Blake) / Slatkin, University of Michigan School of Music

ASIN: B00000IMH2
Release Date: 1999-04-20

Tracks:

Eubie's Lucky Day (Rag Obsession)
Three Ghost Rags: Graceful Ghost Rag
Three Ghost Rags: The Poltergeist (Rag Fantasy)
Three Ghost Rags: Dream Shadows
Raggin' Rudi
The Gardenia (Slow Drag)
Tabby Cat Walk (Slow Two-step)
California Porcupine Rag
Rag-Tango
Last Rag

Tracks:

Knight Hubert
Three Classic Rags - Glad Rag
- Eiptaph for Louis Chauvin (Slow Rag)
- Incineratorag
Seabiscuits (from three popular rags)
Fields of Flowers
The Garden of Eden - Old Adam (Two Step)
- The Eternal Feminine (Slow Drag)
- The Serpent's Kiss (Rag Fantasy)
- Through Eden's Gate (Cakewalk)
Lost Lady Rag
Epithalamium

Customer Reviews:

"Salon" (not "Saloon") Ragtime.......2007-06-06

It's a matter of taste whether one likes ragtime in its "saloon" or "salon" form. Personally I prefer the former, because ragtime was originally performed in saloons and brothels in two of the main centers of early 20th Century popular music -- New Orleans and Sedalia, Missouri. In other words, it was popular entertainment for a popular audience. Admittedly, Scott Joplin, James Scott, and Joseph Lamb (among others) had higher aspirations --- nevertheless, the music's main appeal was the sheer, high-energy "charge" of the music. That's what I find largely missing in more classically-oriented pianists like John Murphy, who, like Joshua Rifkin and John Arpin before him, seem intent on turning the music into something appropriate for a staid Carnegie Hall audience. Not that there aren't fine rags here that occasionally capture the flavor of raw Bohemianism --- pieces like "Eubie's Lucky Day," "Raggin' Rudi," "California Porcupine Rag," and "The Serpent's Kiss" all have their moments. But even on these, the dead weight of Murphy's genteel hand takes a lot of the "dance" out of the music. The concert-hall "echo" effect contributes even more to the annoyingly sanitized quality. Paradoxically, from my point of view, the best piece on the entire set is the slow drag called "The Eternal Feminine," since it's a deliberately laid-back composition to begin with, much like the famous "Heliotrope Bouquet" of Louis Chauvin. For those, however, who want Rags to Really Dance To, I'd recommend Richard Zimmerman's Complete Joplin Rags, some of "Perfessor" Bill Edwards's solo ragtime discs, or, best of all, almost any of the piano rag discs performed by Scott Kirby or David Thomas Roberts. Best single "saloon" disc ever? Track down Roberts's compilation of "The Collected Brun Campbell." Now THERE'S real ragtime!!!"

Bolcom - Piano Rags.......2005-09-02

Better to buy the sheet music to go along with this to realize how complicated these are to play. Murphy has that special 'bent' to play the details - there are no shortcuts in this set..

Comprehensive collection of modern Americana.......2001-10-13

William Bolcom is undoubtedly one of America's most important living composers and musicians. Without sacrificing one iota of his stylistic integrity or musical personality, he has done much to bridge the gap between so-called serious music and the popular idioms that most people think of when the phrase "American music" is uttered: ragtime, jazz and music-hall styles. His albums of popular music from the turn of the 20th century with his wife, mezzo-soprano Joan Morris, remain classics of their kind.

John Murphy, who plays all of Bolcom's piano rags on this collection, is a personal friend of the composer and presumably has his seal of approval. It's good to have all of this enjoyable music in one place; still, I can't muster as much enthusiasm for this album as I would like. Murphy's technique, though serviceable, seems taxed by the more demanding moments in these frequently virtuosic pieces, and the resulting lack of rhythmic precision, in particular, frequently robs the music of its full effect. He also applies the pedal more liberally than I personally like. Nevertheless, the chances of anyone else recording all of Bolcom's 29 rags (including seven unpublished pieces) in the near future is remote, so this is an album fans of this composer ought to have.

Still Raggin'.......2000-04-13

Despite the origins of ragtime being a century ago, ragtime still thrives today. It is considered a legitimate classical music form. It is even more delightful to have contemporary rags get published and performed - especially when the performance captures the nuance of the composer's intentions. William Bolcom's finely crafted rags come to life under pianist John Murphy's hands. From the delicate, thoughtful Ghost Rags to the slammin' variations in the Garden of Eden, Bolcom combines the energy of turn-of-the-century ragtime with refined classical sensibility. This CD set should be a part of any and every ragtime anthology - from casual listeners to classroom teachers.

Toru Takemitsu: Quotation of Dream (20/21 series) - London Sinfonietta / Oliver Knussen

Average customer rating:

More of the bland stagnance of Takemitsu's later symphonic work
Really enjoying this one
A fine collection of late works and an ideal introduction
Another world
Takemitsu draws you into his dream world

Toru Takemitsu: Quotation of Dream (20/21 series) - London Sinfonietta / Oliver Knussen
Oliver Knussen , Paul Crossley , Peter Serkin , London Sinfonietta , Sebastian Bell , Michael Collins , Andrew Crowley , Gareth Hulse , Joan Atherton , Rebecca Hirsch , and Timothy Lines
Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Deutsche Grammophon: Music | Specialty Stores | Music
Similar Items:

Takemitsu: A Flock Descends into the Pentagonal Garden
Takemitsu: Requiem; Twill by Twilight
Takemitsu: A Flock Descends into the Pentagonal Garden
Takemitsu: Chamber Music
Takemitsu: To the Edge of Dream / Folios for Guitar / Toward the Sea / Transcriptions for Guitar

ASIN: B00000I0L6
Release Date: 1999-02-09

Tracks:

Quotation Of Dream: Day Signal
Quotation Of Dream
Quotation Of Dream: How Slow The Wind
Quotation Of Dream: Twill By Twilight
Quotation Of Dream: Archipelago S.
Quotation Of Dream: Dream-Window
Quotation Of Dream: Night Signal

Amazon.com

Sometimes, even while you are listening, it can be very difficult to understand how Takemitsu created such exquisitely beautiful music using so much dissonance. As the brief Day Signal opens the disc, for example, you're more likely to think of the glory of sunrise than of the discords. And Quotation of Dream, which quotes freely from Debussy's La Mer, is nearly as beautiful as its source. Rather than waste time figuring out how Takemitsu's spacing of notes and imaginative scoring influences our perceptions, it's much more rewarding just to relax and let the music wash over you. Knussen, who leads amazing performances here, has programmed the disc for a continuous listening experience, although the novice should probably listen only to a couple of pieces at one sitting. --Leslie Gerber

Customer Reviews:

More of the bland stagnance of Takemitsu's later symphonic work.......2007-06-03

It's inexplicable that so little of Takemitsu's extraordinary film music has been released in affordable editions outside Japan, while compilations of his boring, overtly derivative late orchestral output have enjoyed inclusion on releases by the likes of DG. Then again, DG hasn't had a good string of releases since the late '70s, so I don't expect too much from that fallen giant.

"Quotation of Dream" is easily one of Takemitsu's worst compositions and an absolute waste of time: a meandering exercise that tediously quotes Debussy's "La Mer" and recycles portions of Takemitsu's own "Dream/Window." Technically, this piece is as expertly constructed as all of Takemitsu's work, but that doesn't make it any less counterfeit of its' source material, or any less embarrassing for it. Why should I listen to this tiresome pablum when the compositions it borrows from are readily available?

"How Slow the Wind," "Twill by Twilight" and "Archipelago S." are typical examples of Takemitsu's late orchestral works: they assume a lovely sound and were composed with ingenious design, but that doesn't make them even remotely interesting or memorable.

There are a few works on this disc that are worth hearing. The aforementioned "Dream/Window" is a brilliant, beautiful twelve-tone composition that's infused with the drifting, dreamlike sonority common of his works - an aesthetic which is almost anathema to the rigorous character of most serialist compositions.
Also notable are "Day Signal" and "Night Signal," a pair of dissonant, evocative fanfares that bookend the album's content. These brass-voiced compositions seem almost facile to the ear at first listen, but repeated plays distinguish the cleverness of these little pieces as antiphonal movements.

None of the negative comments of this review should obscure the fact that Takemitsu was a truly gifted and intuitive composer. But it's inexplicable that so much of his best (and in many cases, most accessible) works of film, piano, chamber and electronic/tape music remain either out of print (often since being released on LP) or entirely unavailable for domestic consumption of his North American and European listeners when the least of his orchestral oeuvre is readily on hand.

There's nothing that I can say against these performances by Knussen conducting the LS. They're excellent, informed executions of mostly mediocre compositions. However, I'd much rather hear Knussen performing the best of his own small (but distinguished) oeuvre!

The production is decent: as transparent and pristine as most of the best digital recordings. These compositions don't demand any venture into extreme registers, but the soft passages are capably, audibly reproduced without any loss of their inherent subtlety.

Really enjoying this one.......2006-04-29

I have only recently begun listening to Takemitsu. Was introduced at a guitar recital. I have been slowly accumulating more of his compositions. For me, this is possibly the best.

Composition intrigues me perhaps more than any other aspect of music, and this fellow was clearly inspired. I would liken his music to that of Alan Hovhaness, but without some of the more brash moments of that composer. I can also hear the influence of Debussy, but Takemitsu takes the listener in many enjoyable directions throughout this CD.

The playing and recording are also top-notch.

A fine collection of late works and an ideal introduction.......2004-12-11

QUOTATION OF DREAM is the first of Deutsche Grammophon's several collections of pieces by late Japanese composer Toru Takemitsu, who thankfully has been getting ever-more attention since his untimely death in 1996. Takemitsu was a mainly self-taught composer, and because of this there seems to be little that connects him to his serialism- or minimalism-inspired colleagues. Nevertheless, Takemitsu's own path is fascinating, exploring Japanese and Western compositional principles in isolation and in combination and striving to transcend them both. These pieces, several of them related by shared thematic materials. are lovingly performed by the London Sinfonietta conducted by Oliver Knussen, who was a friend and admirer of Takemitsu.

The disc is framed by two antiphonal fanfares written in 1987, "Day Signal" and "Night Signal", together called "Signals from Heaven". They are closely related, both using dissonance to suggest the changing of the skies, but with one inverted from the other to suggest an opposite tone.

A quip of Takemitsu was "I am self-taught, but I consider Debussy my teacher." The first major work here, "Quotation of Dream - Say sea, take me!" (1991), is a tribute to Debussy using quotations from his "La Mer" as if the composer was trying to recreate the piece he had just woken up from dreaming. The title also refers to its use of some material from "Dream/Window", an earlier composition present on this disc. "Quotation of Dream" is a lovely tribute to the composer's greatest inspiration, but the majority of the work comes only from Takemitsu. His use of a zig-zag of harmony, of orchestral colour that comes forth and recedes like waves is nothing you have ever heard before in orchestral music.

"How Slow the Wind" (1991), inspired by a poem by Emily Dickinson, is rather more brooding. It's most interesting moments occur toward the end, when cascading woodwind sounds and the faintly mechanical notes of two Swiss cowbells transform the work into something different. This is one of Takemitsu's most impressive works,

"Twill by Twillight (in memory of Morton Feldman)" (1988) is an experiment with a musical "tapestry", where a theme "weaves" through the piece. The piece is pretty music, but does little to make itself memorable and for me remains the low point of this collection.

The title of "Archipelago S." for twenty-one players (1993) refers to the landscapes of Seattle, Stockholm, and the islands of the Sato Inland Sea . The piece has an innovative stage layout, with the players grouped into five "islands": a five-person brass group, two mixed seven-piece groups, a clarinet sitting to the right, and a clarinet sitting to the left. The effect is indeed somewhat nautical and this recording exploits the space well.

"Dream/Window" (1985) is probably the most important composition on this disc. Every note of this piece is of the greatest delicacy, and the work as a whole is so crystalline and fragile that one feels one will break it just by listening to it. Though Takemitsu's later works are impressive, they have never seemed to me to acheive the perfection of "Dream/Window". What is surprising is that this work is true twelve-tone music, yet with Takemitsu's skill it does not sound dull or scientific.

If you ever think that modern-classical music is written only by dispassionate ivory-tower robots like Pierre Boulez, the works of Takemitsu will show you that contemporary techniques can, under the right hands, touch the emotions as much as the intellect. While it takes some time to get used to (nearly six months for me), this is probably the single best introduction to the music of Toru Takemitsu. And one should certainly listen to this before getting the other DG "20/21" discs, which are rather more specialised (with, for example, one having traditional Japanese pieces and the other flute and guitar works).

Another world.......2003-10-18

Toru Takemitsu was one of the late 20th century's most individual composers whose scores use primarily the traditional instruments of western classical music. Perhaps in part because he wrote film scores in addition to concert pieces, his art is highly communicative and un-academic. It has the double merit of being about as far as you can get both from gnarly, dissonant modernism and from pretty-pretty New Age ear candy.

Quotation of Dream includes seven pieces from the last decade of Takemitsu's life (he died in 1996), including the premiere recording of the title piece. The disc begins and ends with fanfares that, while perhaps effective as aural bookends, are to my ears undistinguished. The music that lies in between, however, is extraordinarily compelling.

Takemitsu's style in these works is generally meditative, with frequent slow, quiet passages, strings predominating. But there are dramatic incidents and color as well: flaring brass, rising like a mountainous island from a tropical sea; raindrops of chimes; drawn-out woodwind lines weaving sinuously through swirls of massed violins. The music sometimes pivots around silent pauses, like the empty spaces in Zen painting. In Quotation of Dream, twin pianos (played by Paul Crossley and Peter Serkin, respectively) dominate the foreground with gentle cascades of notes while orchestral clouds form in the background.

The musical language is often reminiscent of Debussy and Ravel; in mood (though not in technique) it can resemble the slowest and most mysterious moments in music of the second Viennese school (Schoenberg, Berg, Webern et al.). The subtlety and elusiveness probably owe something to the composer's Japanese heritage. But this is no cut-and-paste job; the overall impression is startlingly original.

I have not read the liner notes, and have no idea of what Takemitsu is trying to "say," or what these scores "mean." I would also suggest that those considerations are pretty irrelevant: the important thing is the sound world that he has created, which is both other-worldly and bracing.

Oliver Knussen, a contemporary British composer and a friend of Takemitsu, conducted the London Sinfonietta in these recordings. It is apparent that that he helped the players, who sound expert, get "inside" the music.

Anyone who already knows and appreciates Takemitsu's sensibility need not hesitate to acquire this disc. It can also be recommended for all but the most determinedly "mostly Mozart" classical devotees.

The presentation is not ideal. Deutsche Grammophon has never excelled at digital recordings, and the sound of this disc, while detailed and transparent, is a bit bright and clinical. The disc is contained in one of those cardboard containers that some labels are now trying to get you to accept in lieu of the standard jewel case because it's cheaper to produce (but not cheaper for you to buy). The atmospheric sepia-toned photo on the cover has a fat round sticker on it that shouts "World Premiere Recording"; if you try to peel off the sticker, it leaves ineradicable shreds. The plastic tray with the central claw ring is glued to the cardboard. Take care not to break the plastic, because there is no way you can replace it.

Takemitsu draws you into his dream world.......2002-04-07

These pieces from Takemitsu's maturity represent the pinnacle of achievement for this gifted composer. Without regard to trends and fashion in contemporary music has has created his own sound universe. A peaceful, yet oddly non-somnolent, serenity informs virtually every bar of these wonderful pieces. The music is beautiful, lush and imaginative at every turn and despite strong ties to the French impressionists it is creative and unique and infused with Takemitsu's personal stamp and his nature-mystical aesthetic. The sound and the performances are first rate and Oliver Knussen must be congratulated on doing such a fine job in bringing these excellent pieces to life. If you love Takemitsu, you will love this CD. If you are new to Takemitsu, this is a wonderful introduction to one of the 20th century's finest composers.
Recommended without reservation.

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Great Hits from Sigmund Romberg

Great Hits from Sigmund Romberg

Manufacturer: Pearl
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Operettas | Opera & Vocal | Styles | Music

Musical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music
Similar Items:

Music of Sigmund Romberg
Ah, Sweet Mystery of Life: The Songs of Victor Herbert
A Victor Herbert Showcase: The Greatest Hits of the Father of American Popular Song
The Desert Song / The New Moon
The Student Prince (1952 Studio Cast)

ASIN: B000000X26
Release Date: 1992-06-12

Tracks:

The Desert Song: It
Maytime: Waltz Medley
Girl Of The Golden West: Who Are We To Say?
The New Moon: Introduction - Stout Hearted Men - Lover Come Back To Me - Girl On The Prow - Try Her Out At Dances - Wanting You - Softly As In A Morning Sunrise - One Kiss - Finale
Nina Rosa: The Gaucho March
The Desert Song: Waltz
Viennese Nights: Introduction - I Bring You A Love Song - Here We Are - You Will Remember Vienna - Regimental March
Blossom Time: Song Of Love
My Maryland: Introduction - Dixie - Boys In Grey - Mother - Silver Moon - Your Land Is My Land
Bimbo: In Old Granada
The Desert Song: Introduction - Riff Song - One Flower In Your Garden - Waltz - The Foreign Legion - Romance - One Alone
Maytime: Farewell To Dreams
Nina Rosa: Your Smiles, Your Tears
The New Moon: Marienne
The New Moon: Softly As In A Morning Sunrise
Nina Rosa: My First Love, My Last Love
Viennese Nights: I Bring A Love Song
The Night Is Young: When I Grow Too Old To Dream
The Student Prince: Intorduction - Arrival Of The Prince - Serenade - Deep In My Heart, Dear - Drinking Song - Just We Two - Students' March Song

Customer Reviews:

Great Hits from Sigmund Romberg.......2007-01-04

Excellent audio product, especially considering its age and the state of technology.

Music:

Music

Music