Time to Sing! II

Editorial Reviews
About the Artist
James Coffey, one of the nations most acclaimed family music artists, produced and arranged the Time to Sing1 II tracks. Coffey composedd music for popular I Love Toyn Trains and Lionel model train videos. His most recent CD release is My Mama is a Train, which won a Parent's Choice Award and his Come Ride Along With Me and Animal Grooves CDs won awards and inclusion on "Best of the Year" lists. Coffey is a former music teacher with a master's degree in education. He arranged each song in consultation with early childhood experts and speech/language pathologists. A children's chorus and several guest artists participated in the production.

Album Description
Young Children love to sing, but they need to sing at their own speed. Time to Sing! is a delightful collection of children's classic songs newly arranged for children of all ages and abilities. The musicis fun and playful, the words are sung at a slower tempo so that any child can sing along- even a child learning to speak. Time to Sing! helps to build language skills and the wide variety of musical styles and settings makes it a joy to hear again and again.

Time to Sing! II, Music, Various Artists
Instruments of the Orchestra
Average customer rating: 4.5 out of 5 stars
  • Instruments of the Orchestra - Great Reference Material!
  • Beginner or Expert
  • Very Informative and Enjoyable
  • Frank's view
  • Excellent Intro for Those Not Familiar with the Orchestra
Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
  2. The Life and Works of Ludwig van Beethoven
  3. What to Listen for in Music
  4. Study of Orchestration, Third Edition
  5. The Life and Works of Frédéric Chopin

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Dowland - The Collected Works / The Consort of Musicke, Rooley
Average customer rating: 5 out of 5 stars
  • A musical treasure-box
  • a beautiful journey into melancholy
Dowland - The Collected Works / The Consort of Musicke, Rooley
John Dowland , Anthony Rooley , Emma Kirkby , Christopher Wilson , The Consort of Musicke , Colin Tilney , Anthony Bailes , Jakob Lindberg , Nigel North , Glenda Simpson , Peter Holman , and John Donne
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Dowland: Complete Lute Works, Vol.1-5
  2. William Byrd: Consort Songs
  3. Bach: The Landowska Recordings
  4. Britten Conducts Britten
  5. Janácek: Operas

ASIN: B000004CYV
Release Date: 2007-03-13

Tracks:

  1. First Booke Of Songes: I. Unquiet Thoughts
  2. First Booke Of Songes: II. Who Ever Thinks Or Hopes Of Love
  3. First Booke Of Songes: III. My Thoughts Are Wing'd With Hopes
  4. First Booke Of Songes: IV. If My Complaints Could Passions Move
  5. First Booke Of Songes: V. Can She Excuse My Wrongs
  6. First Booke Of Songes: VI. Now, O Now, I Needs Must Part
  7. First Booke Of Songes: VII. Dear, If You Change
  8. First Booke Of Songes: VIII. Burst Fourth My Tears
  9. First Booke Of Songes: IX. Go Crystal Tears
  10. First Booke Of Songes: X. Think'st Thou Then By Thy Feigning
  11. First Booke Of Songes: XI. Come Away, Come Sweet Love
  12. First Booke Of Songes: XII. Rest Awhile, You Cruel Cares
  13. First Booke Of Songes: XIII. Sleep, Wayward Thoughts
  14. First Booke Of Songes: XIV. All Ye, Whom Love Or Fortune Hath Betray'd
  15. First Booke Of Songes: XV. Wilt Thou Unkind Thus Reave Me
  16. First Booke Of Songes: XVI. Would My Conceit
  17. First Booke Of Songes: XVII. Come Again: Sweet Love Doth Now Invite
  18. First Booke Of Songes: XVIII. His Golden Locks
  19. First Booke Of Songes: XIX. Awake, Sweet Love
  20. First Booke Of Songes: XX. Come, Heavy Sleep
  21. First Booke Of Songes: XXI. Away With These Self-Loving Lads

Tracks:

  1. Second Booke Of Songs: I. I Saw My Lady Weep
  2. Second Booke Of Songs: II. Flow My Tears
  3. Second Booke Of Songs: III. Sorrow, Stay
  4. Second Booke Of Songs: IV. Die Not Before Thy Day
  5. Second Booke Of Songs: V. Mourn, Mourn, Day Is With Darkness Fled
  6. Second Booke Of Songs: VI. Time's Eldest Son
  7. Second Booke Of Songs: VII. Then Sit Thee Down
  8. Second Booke Of Songs: VIII. When Others Sing Venite
  9. Second Booke Of Songs: IX. Praise Blindness Eyes
  10. Second Booke Of Songs: X. O Sweet Woods
  11. Second Booke Of Songs: XI. If Floods Of Tears
  12. Second Booke Of Songs: XII. Fine Knacks For Ladies
  13. Second Booke Of Songs: XIII. Now Cease My Wand'ring Eyes
  14. Second Booke Of Songs: XIV. Come Ye Heavy States Of Night
  15. Second Booke Of Songs: XV. White As Lilies Was Her Face
  16. Second Booke Of Songs: XVI. Woeful Heart
  17. Second Booke Of Songs: XVII. A Shepherd In A Shade
  18. Second Booke Of Songs: XVIII. Faction That Ever Dwells
  19. Second Booke Of Songs: XIX. Shall I Sue
  20. Second Booke Of Songs: XX. Toss Not My Soul
  21. Second Booke Of Songs: XXI. Clear Or Cloudy
  22. Second Booke Of Songs: XXII. Humour Say What Mak'st Thou Here

Tracks:

  1. Third Booke Of Songs 1603: I. Farewell, Too Fair
  2. Third Booke Of Songs 1603: II. Time Stands Still
  3. Third Booke Of Songs 1603: III. Behold A Wonder Here
  4. Third Booke Of Songs 1603: IV. Daphne Was Not So Chaste
  5. Third Booke Of Songs 1603: V. Me, Me, And None But Me
  6. Third Booke Of Songs 1603: VI. When Phoebus First Did Daphne Love
  7. Third Booke Of Songs 1603: VII. Say, Love, If Ever Thou Didst Find
  8. Third Booke Of Songs 1603: VIII. Flow Not So Fast, Ye Fountains
  9. Third Booke Of Songs 1603: IX. What If I Never Speed?
  10. Third Booke Of Songs 1603: X. Love Stood Amazed
  11. Third Booke Of Songs 1603: XI. Lend Your Ears To My Sorrow
  12. Third Booke Of Songs 1603: XII. By A Fountain Where I Lay
  13. Third Booke Of Songs 1603: XIII. O What Hath Overwrought
  14. Third Booke Of Songs 1603: XIV. Farewell, Unkind
  15. Third Booke Of Songs 1603: XV. Weep You No More, Sad Fountains
  16. Third Booke Of Songs 1603: XVI. Fie On This Feigning!
  17. Third Booke Of Songs 1603: XVII. I Must Complain
  18. Third Booke Of Songs 1603: XVIII. It Was A Time When Silly Bees
  19. Third Booke Of Songs 1603: XIX. The Lowest Trees Have Tops
  20. Third Booke Of Songs 1603: XX. What Poor Astronomers Are They
  21. Third Booke Of Songs 1603: XXI. Come When I Call

Tracks:

  1. A Pilgrimes Solace: I. Disdain Me Still
  2. A Pilgrimes Solace: II. Sweet Stay Awhile
  3. A Pilgrimes Solace: III. To Ask For All Thy Love
  4. A Pilgrimes Solace: IV. Love, Those Beams That Breed
  5. A Pilgrimes Solace: V. Shall I Strive Wih Words To Move?
  6. A Pilgrimes Solace: VI. Were Every Thought An Eye
  7. A Pilgrimes Solace: VII. Stay, Time, Awhile Thy Flying
  8. A Pilgrimes Solace: VIII. Tell Me, True Love
  9. A Pilgrimes Solace: IX. Go Nightly Cares
  10. A Pilgrimes Solace: X. From Silent Night
  11. A Pilgrimes Solace: XI. Lasso vita mia
  12. A Pilgrimes Solace: XII. In This Trembling Shadow Cast
  13. A Pilgrimes Solace: XIII. If That A Sinner's Sights
  14. A Pilgrimes Solace: XIV. Thou Mighty God
  15. A Pilgrimes Solace: XV. When David's Life
  16. A Pilgrimes Solace: XVI. When The Poor Cripple

Tracks:

  1. A Pilgrimes Solace: XVII. Where Sin Sore Wounding
  2. A Pilgrimes Solace: XVIII. My Heart And Tongue Were Twins
  3. A Pilgrimes Solace: XIX. Up Merry Mates
  4. A Pilgrimes Solace: XX. Welcome Black Night
  5. A Pilgrimes Solace: XXI. Cease, Cease These False Sports
  6. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Lachrimae Pavane
  7. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can Shee
  8. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana
  9. Keyboard Transcriptions Of Dowland's Music By Other Musicians: The Frogge
  10. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Frog's Galliard
  11. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavana And Galiarda
  12. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana Lachrymae
  13. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can She Excuse
  14. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavion Solus cum sola
  15. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Dowland's Almayne
  16. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Piper's Paven And Galliard
  17. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavan Lachrymae

Tracks:

  1. Mr. Henry Noell Lamentations: I. The Lamentation Of A Sinner
  2. Mr. Henry Noell Lamentations: II. Domine ne in furore
  3. Mr. Henry Noell Lamentations: III. Miserere mei Deus
  4. Mr. Henry Noell Lamentations: IV. The Humble Suit Of A Sinner
  5. Mr. Henry Noell Lamentations: V. The Humble Complaint Of A Sinner
  6. Mr. Henry Noell Lamentations: VI. De profundis
  7. Mr. Henry Noell Lamentations: VII. Domine exaudi
  8. Lachrimae: Lachrimae Antiquae
  9. Lachrimae: Lachrimae Antiquae Novae
  10. Lachrimae: Lachrimae Gementes
  11. Lachrimae: Lachrimae Tristes
  12. Lachrimae: Lachrimae Coactae
  13. Lachrimae: Lachrimae Amantis
  14. Lachrimae: Lachrimae Verae
  15. Lachrimae: Mr. John Langton's Pavan
  16. Lachrimae: Mr. Nicholas Gryffith His Galiard
  17. Lachrimae: Sir John Souch His Galiard
  18. Lachrimae: Semper Dowland Semper Dolens
  19. Lachrimae: Mr. Giles Hobies Galiard
  20. Lachrimae: The King Of Denmark's Galiard
  21. Lachrimae: Sir Henry Umpton's Funerall
  22. Lachrimae: Mr. Henry Noell His Galiard
  23. Lachrimae: The Earl Of Essex Galiard
  24. Lachrimae: Mr. Bucton His Galiard
  25. Lachrimae: Mr. George Whitehead His Almand
  26. Lachrimae: Captain Digorie Piper His Galiard
  27. Lachrimae: Mr. Thomas Collier His Galiard
  28. Lachrimae: Mrs. Nichols Almand

Tracks:

  1. Sacred Songs: Sorrow, Come!
  2. Sacred Songs: I Shame At Mine Unworthiness
  3. Sacred Songs: An Heart That's Broken And Contrite
  4. Psalms: Psalm 100: All People That On Earth Do Dwell
  5. Psalms: Psalm 38: Put Me Not To Rebuke O Lord
  6. Psalms: Psalm 130: Lord To Thee I Make My Moan
  7. Psalms: Psalm 104: My Soul Praise The Lord
  8. Psalms: Psalm 100: All People That On Earth Do Dwell
  9. Psalms: Psalm 134: Behold And Have Regard
  10. A Prayer For The Queen's Most Excellent Majesty
  11. Instrumental Music: Solus cum sola pavan
  12. Instrumental Music: Lachrimae
  13. Instrumental Music: Galliard
  14. Instrumental Music: Pipers Pavan
  15. Instrumental Music: Lachrimae
  16. Instrumental Music: Lady Rich Galliard
  17. Instrumental Music: Earl Of Essex Galliard
  18. Instrumental Music: If My Complaints
  19. Instrumental Music: Lachrimae Doolande
  20. Instrumental Music: Lord Willoughbie's Welcome Home
  21. Instrumental Music: My Lord Chamberlaine His Galliard
  22. Instrumental Music: Comagain
  23. Instrumental Music: Pavan Lachrymae
  24. Instrumental Music: Sorrow Stay

Tracks:

  1. Lute Music: Preludium
  2. Lute Music: Lachrimae
  3. Lute Music: Can She Excuse
  4. Lute Music: Dr. Case's Pavan
  5. Lute Music: Melancholy Galliard
  6. Lute Music: Sir John Smith, His Almain
  7. Lute Music: Fantasia
  8. Lute Music: A Dream
  9. Lute Music: Almain
  10. Lute Music: The Queen's Galliard
  11. Lute Music: Coranto
  12. Lute Music: Resolution
  13. Lute Music: Mrs. Vaux Galliard
  14. Lute Music: Almain
  15. Lute Music: Mr. Dowland's MIdnight
  16. Lute Music: Fantasia
  17. Lute Music: Loth To Depart
  18. Lute Music: The Most Sacred Queen Elizabeth, Her Galliard
  19. Lute Music: The Earl Of Essex, His Galliard
  20. Lute Music: Pavan
  21. Lute Music: John Dowland's Galliard
  22. Lute Music: Aloe
  23. Lute Music: The Lady Clifton's Spirit
  24. Lute Music: What If A Day
  25. Lute Music: Mr. Giles Hobie's Galliard
  26. Lute Music: Come Away (Song arrangement)
  27. Lute Music: Galliard
  28. Lute Music: Fancy (Fantasia)

Tracks:

  1. Lute Music: Lachrimae (Basic Version)
  2. Lute Music: Galliard To Lachrimae
  3. Lute Music: [Jig]
  4. Lute Music: Galliard On 'Wasingham'
  5. Lute Music: Complaint (Ballad Setting)
  6. Lute Music: Mignarda (Galliard)
  7. Lute Music: Semper Dowland Semper Dolens (Pavan)
  8. Lute Music: The Frog Galliard
  9. Lute Music: A Fancy (Fantasia)
  10. Lute Music: Fancy (Fantasia)
  11. Lute Music: Piper's Pavan
  12. Lute Music: Captain Digorie Piper's Galliard
  13. Lute Music: Lady Laiton's Almain
  14. Lute Music: Dowland's Galliard
  15. Lute Music: Dowland's First Galliard
  16. Lute Music: Tarleton's Jig
  17. Lute Music: Walsingham (ballad Setting)
  18. Lute Music: Lord Willoughbie's Welcome Home (Ballad Setting)
  19. Lute Music: Sir Henry Guilforde, His Almain
  20. Lute Music: Pavan (Related To 'Lachrimae')
  21. Lute Music: Mr. Langton's Galliard
  22. Lute Music: Mrs. Clifton's Almain
  23. Lute Music: Galliard
  24. Lute Music: Lady Hunsdon's Puffe (Almain)
  25. Lute Music: Galliard
  26. Lute Music: Go From My Window (Ballad Setting)
  27. Lute Music: Fancy (Fantasia)

Tracks:

  1. Lute Music: Pavana Johan Douland
  2. Lute Music: Mrs. Brigide Fleetwood's Pavan (Solus sine sola)
  3. Lute Music: La mia Barbara
  4. Lute Music: Sir Henry Umpton's Funeral (Pavan)
  5. Lute Music: Lachrimae
  6. Lute Music: Farewell Fancy (Chromatic Fantasia)
  7. Lute Music: Farewell (On The 'In Nomine' Theme)
  8. Lute Music: The King of Denmark's Galliard
  9. Lute Music: Mrs. Vaux's Jig
  10. Lute Music: Mrs. Nichol's Almain
  11. Lute Music: Galliard
  12. Lute Music: Lord Strang's March
  13. Lute Music: Mrs. Winter's Jump
  14. Lute Music: Can She Excuse (Galliard)
  15. Lute Music: The Shoemaker's Wife, A Toy
  16. Lute Music: Mrs. Norrish's Delight
  17. Lute Music: Galliard
  18. Lute Music: Mrs. White's Thing (Almain)
  19. Lute Music: Mrs. White's Nothing
  20. Lute Music: The Frog Galliard
  21. Lute Music: Solus cum sola
  22. Lute Music: The Lord Viscount Lisle, His Galliard
  23. Lute Music: Orlando Sleepeth (Ballad Setting)
  24. Lute Music: Robin (Ballad Setting)
  25. Lute Music: Galliard (On A Galliard By Daniel Bacheler)
  26. Lute Music: Forlorn Hope Fancy (Chromatic Fantasia)

Tracks:

  1. Lute Music: The Lady Russell's Pavan
  2. Lute Music: Fancy (Fantasia)
  3. Lute Music: Sir John Langton's Pavan
  4. Lute Music: Earl Of Derby, His Galliard
  5. Lute Music: A Coy Toy
  6. Lute Music: Fortune My Foe
  7. Lute Music: [Almain]
  8. Lute Music: Mr. Knight's Galliard
  9. Lute Music: Sir John Souch His Galliard
  10. Lute Music: Tarletone's Riserrectione
  11. Lute Music: The Lady Rich, Her Galliard
  12. Consort Music: Lachrimae Pavan
  13. Consort Music: Can She Excuse Galliard
  14. Consort Music: Captain Piper's Pavan And Galliard
  15. Consort Music: The Frog Galliard
  16. Consort Music: Round Battell Galliard
  17. Consort Music: Fortune My Foe
  18. Consort Music: Dowland's First Galliard
  19. Consort Music: Katherine Darcie's Galliard
  20. Consort Music: Tarleton's Jigge
  21. Consort Music: Almain a 2
  22. Consort Music: Mistress Nichols Almain a 2
  23. Fullsack And Hildebrandt: Auserlesener Paduanen und Galliarden: Susanna Fair (Galliard)
  24. Haussmann: Rest von polnischen und andern Tanzen: Mistress Nichols Alman a 5
  25. Opusculum: Mr. John Langton Pavan And Galliard
  26. Opusculum: La mia Barbara Pavan and Galliard
  27. Opusculum: Lachrimae Antiquae Novae Pavan and Galliard

Tracks:

  1. Consort Music: Mistress NIchols Almain
  2. Consort Music: Volta a 4 ('Ioh. Douland')
  3. Consort Music: Were Every Thought an Eye
  4. Consort Music: Lady If You So Spite Me
  5. Consort Music: Pavan a 4
  6. A Musicall Banquet: I. My Heavy Sprite (Anthony Holborne)
  7. A Musicall Banquet: II. Change Thy Mind Since She Doth Change (Richard Martin)
  8. A Musicall Banquet: III. O Eyes, Leave Off Your Weeping (Robert Hales)
  9. A Musicall Banquet: IV. Go, My Flock, Go Get You Hence (Anon.)
  10. A Musicall Banquet: V. O Dear Life, When Shall It Be? (Anon.)
  11. A Musicall Banquet: VI. To Plead My Faith (Daniel Bacheler)
  12. A Musicall Banquet: VII. In A Grove Most Rich Of Shade (Guillaume Tessier)
  13. A Musicall Banquet: VIII. Far From Triumphing Court
  14. A Musicall Banquet: IX. Lady, If You So Spite Me
  15. A Musicall Banquet: X. In Darkness Let Me Dwell
  16. A Musicall Banquet: XI. Si le parler et le silence (Pierre Guedron)
  17. A Musicall Banquet: XII. Ce penser qui sans fin tirannise ma vie (Pierre Guedron)
  18. A Musicall Banquet: XIII. Vous que le Bonheur rappelle (Pierre Guedron)
  19. A Musicall Banquet: XIV. Passava Amor su arco desarmado (Anon. Spanish)
  20. A Musicall Banquet: XV. Sta notte mi sognava (Anon. Italian)
  21. A Musicall Banquet: XVI. Vuestros ojos tienen d'Amor (Anon. Spanish)
  22. A Musicall Banquet: XVII. Se di farmi morire (Domenico Maria Megli)
  23. A Musicall Banquet: XVIII. Dovro dunque morire? (Giulio Caccini)
  24. A Musicall Banquet: XIX. Amarilli mia bella (Giulio Caccini)
  25. A Musicall Banquet: XX. O bella piu (Anon, Italian)

Customer Reviews:

5 out of 5 stars A musical treasure-box.......2006-09-10

Both the music and this actual product are masterpieces. John Dowland's collected works here - covering 12 compact discs - exhibit the depth and power of this composer, a composer who many now regard as suffering from clinical depression. I doubt that the issue of the diagnosis of Dowland's depression can ever be settled, however, it is certainly obvious from his music, so completely on display here, that he was a man with very dark depths and corners in his mind. Dowland's various manifestations and "takes" on his own tune, "Flow my tears"/"Lachrimae" are here. This tune has haunted me ever since I first heard it when I was a child. It seems to sum up Dowland's feelings - at least Dowland seems to have thought so.

The First, Second, Third and Fourth Bookes of Songes, A Musicall Banquet, the keyboard transcriptions, all the lute music, consort music are here and virtually everything else written or supposedly written by John Dowland. Anthony Rooley and The Consort of Musicke perform this music with style and feeling throughout. This 12 CD set is something of a monument to the ensemble - I only wish they'd finished their collection of Monteverdi madrigals, which was equally good (La Venexiana are currently doing a magnificent job of recording all Monteverdi's books of madrigals for the GLOSSA label).

This is an expensive set, however, you will probably never need to buy another John Dowland CD again after buying and listening to this collection.

I bought this CD set on a mild Summer evening of 1998 and listened to it while sitting in my sun room - which a glorious orange sunset in progress, and a glass of wine. It brought back so many memories.

5 out of 5 stars a beautiful journey into melancholy.......2001-06-15

I'm amazed at how many people tend to associate John Dowland's music with a tragic sense of drama. While no doubt this is art highly based on sadness, the "tragic" sense of it is more a legacy from the Romantic period. During the Renaissance, however, sadness was undestood as a very aesthetic way of approaching life. That is also the reason why Shakespeare's tragedies appear more sophisticated than his comedies.

Dowland, a contemporary of Shakespeare, discovered that meditating on a sad theme is, at the same time, a way of discovering a special beauty that we tend to avoid (maybe because of the "tragic" heritage of the Romantics). So, in the end, meditating on sadness is an uplifting experience! This box set is a journey into melancholy that includes songs, chamber music, pieces for lute, some rare sacred music and -as a highlight- Dowland's beautiful collection of seven pieces for viola which he called "Lachrimae" (Tears).
Time to Sing! II
Average customer rating: 3.5 out of 5 stars
  • loud instrumental/background music
  • A Great CD for Kids with Speech Disorders
  • My son with apraxia loves this CD
  • Please turn it off!
Time to Sing! II
Children
Manufacturer: Center for Creative Play
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Children's Music | Styles | Music
CompilationsCompilations | Children's Music | Styles | Music
Similar Items:
  1. Time to Sing!
  2. Time to Sing! at Christmas
  3. Baby Babble - Speech-Enhancing DVD for Babies and Toddlers
  4. Speechercise - A Musical Workout For Your Mouth
  5. The Late Talker: What to Do If Your Child Isn't Talking Yet

ASIN: B0001KOR4E
Release Date: 2004-02-01

Tracks:

  1. Louby Lou
  2. Hush Little Baby
  3. Row, Row Row Your Boat
  4. Rubber Duckie
  5. Mary Had a Little Lamb
  6. I've Been Working on the Railroad
  7. This Old Man
  8. The Grand Old Duke of York
  9. The More We Get Together
  10. How Much is That Doggie in the Window
  11. Skip to My Lou
  12. You Are My Sunshine
  13. Take Me Out to the Ballgame
  14. Train is a-Comin'
  15. This Little Light of Mine
  16. Where is Thumbkin
  17. She'll Be Comin' Round the Mountain
  18. Six Little Ducks
  19. Down By the Station
  20. Animal Fair
  21. Rock-a-Bye Baby
  22. Muffin Man
  23. Teddy Bear's Picnic
  24. Happy Birthday

Product Description

Young Children LOVE to sing, but they need to sing at their own speed. Time to Sing is a delightful collection of classic children's songs newly arranged for children of all ages and abilities. Time to Sing helps to build language skills and the wide variety of musical styles and settings makes it a joy to hear again and again. The Time to Sing series is sure to be a family favorite, give your child hours of entertainment... with Time to Sing! All proceeds benefits fully accessible indoor play enviroments for all children and their families.

Customer Reviews:

3 out of 5 stars loud instrumental/background music.......2007-02-14

The lyrics are sung slowly but the backround/instrumental music a bit too loud so it drowns the lyrics some of the time. The arrangements are also a bit more for adults--a bit too jazzy or intermittently loud for a child, when the enunciation of the lyrics should be the emphasis.

Would also be more appealing to a child if a child and NOT an adult would sing the songs...like the Wee Sing Mother Goose songs where every song is clearly sung by a child--this CDis what I would suggest instead. Even an adult will appreciate the pleasant-sounding arrangements of this particular Wee Sing CD....NOT so with the Time to Sing CD's

5 out of 5 stars A Great CD for Kids with Speech Disorders.......2005-08-09

These CD's were made specifically for children with apraxia and other speech disorders. I ordered "Time to Sing" and was very happy with it. I even enjoy listening to it.

I think "Time to Sing II" is even better because it's slower and the pronounciation is clearer. My 3 year old daughter, Zoe, and I really enjoy listening to and singing along with this CD. It has a jazzy sound that is appealing to both of us. It's also great for bedtime since the pleasant slow pace of the music is quite relaxing.

It is very important to have CD's like these for children with apraxia. Not often do we hear about "apraxia" but it can be a very frustrating condition for a child and others who try to discipher what the child is saying.

It's great fun for a speech disabled child to be able to learn to sing songs like other kids and it's especially valuable for their self-esteem. I highly recommend parents of a child with apraxia buy these CD's as part of their overall speech therapy program.

I will soon be buying the Christmas version of "Time to Sing".

5 out of 5 stars My son with apraxia loves this CD.......2004-08-08

This song is almost always in our car's cd player. My son who is 3 and has apraxia never sang before I purchased this CD. He loves the songs and the slower tempo allows him to sing along. He now is starting to sing along with his friends in class which he never had the confidence to do before. I would highly recommend this cd.

1 out of 5 stars Please turn it off!.......2004-04-23

My son has a speech disorder but he managed to say "Turn it off!". I guess it was helpful in that respect. The words are very choppy and unnatural sounding. I would not recommend this CD.
The MARIO LANZA Collection
Average customer rating: 4.5 out of 5 stars
  • Selections from the Greatest Voice of the Last Hundred Years
  • A Must Have
  • The Mario Lanza Collection
  • The MARIO LANZA Collection
  • WONDERFUL!!!!!
The MARIO LANZA Collection

Manufacturer: RCA Victor
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Mario Lanza: At His Best!
  2. Christmas with Mario Lanza
  3. Mario Lanza ~ Opera Arias & Duets, from Andréa Chenier · La Bohème · I Pagliacci · Madama Butterfly · Otello
  4. American Caruso
  5. Lanza: Greatest Hits

ASIN: B000003F6V
Release Date: 1991-11-12

Tracks:

  1. Be My Love
  2. I'll Never Love You
  3. Because You're Mine
  4. The Song Angels Sing
  5. Drink, Drink, Drink
  6. Serenade
  7. The Loveliest Night of the Year
  8. La Donna E Mobile
  9. Because
  10. For You Alone
  11. Golden Days
  12. Deep In My Heart, Dear
  13. If I Loved You
  14. Yours Is My Heart Alone
  15. One Night Of Love
  16. Beloved
  17. Beautiful Love
  18. With A Song In My Heart
  19. You Are My Love
  20. Call Me Fool

Tracks:

  1. All The Things You Are
  2. My Song,My Love
  3. Love Is The Sweetest Thing
  4. Will You Remember
  5. Granada
  6. Lolita
  7. Serenade
  8. Temptation
  9. Lygia
  10. Lady of Spain
  11. This Land
  12. Lee-Ah-Loo
  13. Tina-Lina
  14. Boom Biddy Boom Boom
  15. The Bayou Lullaby
  16. The Lord's Prayer
  17. And Here You Are
  18. Song of Songs
  19. Somewhere A Voice Is Calling
  20. I Never Knew

Tracks:

  1. Ciribiribin
  2. Wonder Why
  3. Come Dance With Me
  4. O Sole Mio
  5. Younger Than Springtime
  6. For the First Time (Come Prima)
  7. Never Till Now
  8. Arrivederci, Roma
  9. If You Were Mine
  10. Behold!
  11. A Night to Remember
  12. Love in a Home
  13. Do You Wonder
  14. Softly as in a Morning Sunrise
  15. One Alone
  16. Aida:Celeste Aida
  17. Carmen: Flower Song
  18. La Traviata: Brindisi
  19. Rigoletto:Questa O Quella
  20. Pagliacci:Vesti La Giubba
  21. Cavalleria Rusticana: Addio Alla Madre

Customer Reviews:

5 out of 5 stars Selections from the Greatest Voice of the Last Hundred Years.......2007-03-13

Mario Lanza was, arguably, the greatest tenor and greatest singer of this and the last century. It is difficult to appreciate him without listening to a variety of selections. This collection has some of his best recordings and exhibits the versatility and variety that he possessed that permitted him to "crossover" from opera to popular music with a ease.

I recommend this for those who already know Lanza to some extent but want to go into more depth and understand his marvelous skills.

5 out of 5 stars A Must Have .......2006-12-12

I had forgotten what a beautiful voice Mario Lanza had. This collection contains opera and pop selections that exhibit the power yet sweetness of his voice. Fortunately, we have his CD's and videos so we can remember and listen to his gorgeous, vibrant voice and personality. I highly recommend this collection along with his wonderful movies, especially The Great Caruso.

5 out of 5 stars The Mario Lanza Collection.......2006-11-10

I had forgotten just how beautiful a voice from the past was. It is a wonderful collection

4 out of 5 stars The MARIO LANZA Collection.......2006-08-19

extract from most important LPs. Brilliant sound quality from RCA. Also included are soundtrack recordings from some of his movies. The are several reissues from Mario Lanza but this one is a collection you should have.

5 out of 5 stars WONDERFUL!!!!!.......2005-10-19

The Mario Lanza Collection is a three CD set and it has 61 songs and they all sound great. The mastering on this set is excellent and the song choice is very very good. It would have been perfect if they added a forth CD with more Arias, Italian songs and Sacred Arias. BUT still this set is a great introduction to Lanza. Lanza's voice was powerful and beautiful; if you are a fan of great singing, you will love Lanza. Highlights on this CD set are; Be my Love, Because your Mine, Serenade, With a Song in My Heart, Temptation, The Lord's Prayer, Ciribirbin, O Solo Mio, Ariverducci Roma, and on and on. They are many many great songs on this set, and I highly recommend it.
Leo Smit: 33 Songs on Poems of Emily Dickinson
Average customer rating: Not rated
    Leo Smit: 33 Songs on Poems of Emily Dickinson

    Manufacturer: Bridge
    ProductGroup: Music
    Binding: Audio CD

    General ModernGeneral Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
    GeneralGeneral | Classical | Styles | Music
    GeneralGeneral | Opera & Vocal | Styles | Music
    ClassicalClassical | Indie Music | Stores | Music
    ASIN: B00000JIRG
    Release Date: 1999-07-20

    Tracks:

    1. Cycle 1, Cholde Emilie, 14 Songs About Memories & Fantasies Of Childhood: 1. I Was The Slightest..
    2. Cycle 1, Cholde Emilie, 14 Songs About Memories & Fantasies Of Childhood: 2. Through Lane It Lay...
    3. Cycle 1, Cholde Emilie, 14 Songs About Memories & Fantasies Of Childhood: 3. It Troubled Me As...
    4. Cycle 1, Cholde Emilie, 14 Songs About Memories & Fantasies Of Childhood: 4. The Childs Faith Is New
    5. Cycle 1, Cholde Emilie, 14 Songs About Memories & Fantasies Of Childhood: 5. Softened My Time's...
    6. Cycle 1, Cholde Emilie, 14 Songs About Memories & Fantasies Of Childhood: 6. Papa Above!
    7. Cycle 1, Cholde Emilie, 14 Songs About Memories & Fantasies Of Childhood: 7. We Talked As Girls Do
    8. Cycle 1, Cholde Emilie, 14 Songs About Memories & Fantasies Of Childhood: 8. They Shut Me Up In...
    9. Cycle 1, Cholde Emilie, 14 Songs About Memories & Fantasies Of Childhood: 9. I Cried At Pity--Not At
    10. Cycle 1, Cholde Emilie, 14 Songs About Memories & Fantasies Of Childhood: 10. Let Us Play Yesterday
    11. Cycle 1, Cholde Emilie, 14 Songs About Memories & Fantasies Of Childhood: 11. A Loss Of Something...
    12. Cycle 1, Cholde Emilie, 14 Songs About Memories & Fantasies Of Childhood: 12. Good Morning...
    13. Cycle 1, Cholde Emilie, 14 Songs About Memories & Fantasies Of Childhood: 13. Up Life's Hill With...
    14. Cycle 1, Cholde Emilie, 14 Songs About Memories & Fantasies Of Childhood: 14. I'm Ceded--I've...
    15. Cycle 2, The Celestial Thrush, 12 Songs About Music & Birds: 1. I Was A Phoebe--Nothing More
    16. Cycle 2, The Celestial Thrush, 12 Songs About Music & Birds: 2. The Bird Her Punctual Music Brings
    17. Cycle 2, The Celestial Thrush, 12 Songs About Music & Birds: 3. The Earth Has Many Keys
    18. Cycle 2, The Celestial Thrush, 12 Songs About Music & Birds: 4. The Bobolink Is Gone
    19. Cycle 2, The Celestial Thrush, 12 Songs About Music & Birds: 5. A Train Went Through A Burial Gate
    20. Cycle 2, The Celestial Thrush, 12 Songs About Music & Birds: 6. I Cannot Dance Upon My Toes
    21. Cycle 2, The Celestial Thrush, 12 Songs About Music & Birds: 7. Upon His Saddle Sprung A Bird
    22. Cycle 2, The Celestial Thrush, 12 Songs About Music & Birds: 8. Better-Than Music!--For I--Who...
    23. Cycle 2, The Celestial Thrush, 12 Songs About Music & Birds: 9. Bind Me--I Still Can Sing
    24. Cycle 2, The Celestial Thrush, 12 Songs About Music & Birds: 10. Within My Garden, Rides A Bird
    25. Cycle 2, The Celestial Thrush, 12 Songs About Music & Birds: 11. Heart, Not So Heavy As Mine
    26. Cycle 2, The Celestial Thrush, 12 Songs About Music & Birds: 12. I Shall Keep Singing
    27. Cycle 6, The White Diadem, 7 Songs About Poets & Poetry: 1. I Reckon--When I Count At All
    28. Cycle 6, The White Diadem, 7 Songs About Poets & Poetry: 2. I Dwell In Possibility
    29. Cycle 6, The White Diadem, 7 Songs About Poets & Poetry: 3. The Martyr Poets--Did Not Tell
    30. Cycle 6, The White Diadem, 7 Songs About Poets & Poetry: 4. The Poets Light But Lamps
    31. Cycle 6, The White Diadem, 7 Songs About Poets & Poetry: 5. I Would Not Paint--A Picture
    32. Cycle 6, The White Diadem, 7 Songs About Poets & Poetry: 6. To Pile Like Thunder To Its Close
    33. Cycle 6, The White Diadem, 7 Songs About Poets & Poetry: 7. Me--Come! My Dazzled Face

    Album Description

    Leo Smit has an impressive pedigree as an American composer and musician. A virtuoso pianist, he has worked closely with such legends as Stravinsky, Balanchine, Copland and Stokowski. He has set more that 75 of Emily Dickinson's poems to music, grouping the works into cycles about related subject matter. The disc contains the world premiere recordings of three of those cycles- Childe Emilie- Memories and Fantasies of Childhood, The Celestrial Thrush- Songs of Music and Bird, and The White Diadem- Songs About Poets and Poetry. Smit's songs display great sensitivity to Dickinson's very personal world, and reflect the poet's emotional range by adopting an extremely colorful palette. The songs frequently veer from the simple and tonal to more rhythmically complex and chromatic settings, always alert to word and mood.
    The Essential Leontyne Price
    Average customer rating: 5 out of 5 stars
    • A Long Time Coming...
    • Her Best Album
    • Price At Her Peak
    • of course world class
    • the greatest american soprano of the 20th century
    The Essential Leontyne Price

    Manufacturer: RCA
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B000003FWD
    Release Date: 1996-08-13

    Tracks:

    1. Aida: Act I: Ritorna vincitor!
    2. Aida: Act I: E l'amor mio?
    3. Aida: Act I: I sacri nomi di padre, d'amante
    4. Aida: Act III: Qui Radames verra!
    5. Aida: Act III: O patria mia
    6. Un Ballo in Maschera: Act II: (Prelude)
    7. Un Ballo in Maschera: Act II: Ecco l'orrido campo
    8. Un Ballo in Maschera: Act II: Ma dall'arido stelo divulsa
    9. Un Ballo in Maschera: Act III: A tal colpa e nulla il pianto
    10. Un Ballo in Maschera: Act III: Morro, ma prima in grazia
    11. Il Trovatore: Act I: Che piu t'arresti?
    12. Il Trovatore: Act I: Tacea la notte placida
    13. Il Trovatore: Act I: Di tale amor che dirsi
    14. Il Trovatore: Act IV: Siam giunti
    15. Il Trovatore: Act IV: D'amor sull'ali rosee
    16. Ernani: Act I: Surta e la notte
    17. Ernani: Act I: Ernani! Ernani, involami
    18. Ernani: Act I: Tutto sprezzo che d'Ernani
    19. La forza del destino: Act II: Son giunta! Grazie, o Dio!
    20. La forza del destino: Act II: Madre, madre, pietosa Vergine
    21. La forza del destino: Act II: La Vergine degli angeli
    22. La forza del destino: Act IV: Pace, pace, mio Dio

    Tracks:

    1. Cosi fan tutte: Act I: Come scoglio immoto resta
    2. Madama Butterfly: Act II: Piangi? Perche?; Un bel di vedremo
    3. Madama Butterfly: Act III: Tu? tu? piccolo Iddio!
    4. TOSCA: Act II: Vissi d'arte
    5. Manon Lescaut: Act II: In quelle trine morbide
    6. Manon Lescaut: Act IV: Sola, perduta, abbandonata
    7. Dialogues des Carmelites: Act III: Mes filles, voila que s'acheve
    8. Don Giovanni: Act I: Don Ottavio, son morta!
    9. Don Giovanni: Act I: Or sai chi l'onore
    10. Don Giovanni: Act II: Crudele? Ah, no, mio bene!
    11. Don Giovanni: Act II: Non mi dir
    12. Turandot: Act I: Signore, ascolta!
    13. Turandot: Act III: Tu che di gel sei cinta
    14. Ariadne auf Naxos: Es gibt ein Reich
    15. Antony And Cleopatra: Act III: Give me my robe

    Tracks:

    1. Otello: Era piu calmo?
    2. Otello: Mia madre aveva una povera ancella (Willow Song)
    3. Otello: Ave Maria
    4. Fidelio: Act I: Abscheulicher! Wo eilst du hin?
    5. Suor Angelica: Senza mamma, o bimbo, tu sei morto!
    6. Carmen: L'amour est un oiseau rebelle (Habanera)
    7. La Traviata: Act I: E strano, e strano !
    8. La Traviata: Act I: Ah, fors' e lui
    9. La Traviata: Act I: Sempre libera
    10. Le nozze di Figaro: Act III: E Susanna non vien!
    11. Le nozze di Figaro: Act III: Dove sono
    12. Die Agyptische Helena: Act II: Awakening Scene
    13. La rondine: Ore dolci e divine
    14. Salome: Finale

    Tracks:

    1. Eugene Onegin: Act II: Puskai pogibnu ya
    2. Eugene Onegin: Act II: Ya k vam pishu
    3. Eugene Onegin: Act II: Net, nikomu na svete
    4. Eugene Onegin: Act II: No tak i byt'!
    5. La rondine: Act I: Chi il bel sogno di Doretta
    6. VANESSA: Act I: He Has Come, He Has Come!
    7. VANESSA: Act I: Do Not Utter A Word
    8. Carmen: Act I: Pres des remparts de Seville (Seguidilla)
    9. Manon: Act II: Allons! il le faut!
    10. Manon: Act II: Adieu, notre petite table
    11. Macbeth: Act IV: Sleepwalking Scene: Vegliammo invan due notti
    12. Macbeth: Act IV: Sleepwalking Scene: Una macchia e qui tuttora
    13. La Boheme: Act IIII: Addio. Donde lieta usci (Mimi's Addio)
    14. Die Frau ohne Schatten: Act II: Empress's Awakening Scene
    15. Dido and Aeneas: Act III: Thy Hand, Belinda!
    16. Dido and Aeneas: Act III: When I Am Laid In Earth
    17. Don Carlo: Act V: Tu che le vanita conoscesti del mondo

    Tracks:

    1. Otello: Act I: Gia nella notte
    2. Otello: Act I: Quando narravi
    3. Otello: Act I: Venga la morte!
    4. Cosi fan tutte: Act I: Ah, guarda, sorella
    5. Madama Butterfly: Act I: Bimba, bimba, non piangere
    6. Madama Butterfly: Act I: Bimba dagli occhi
    7. Madama Butterfly: Act I: Vogliatemi bene
    8. Requiem: Recordare
    9. Porgy And Bess: Act II: Bess, You Is My Woman
    10. Norma: Act III: Me chiami, o Norma
    11. Norma: Act III: Mira, o Norma
    12. Ernani: Act II: Tu, perfida!
    13. Ernani: Act II: Ah, morir, potessi adesso
    14. Cosi fan tutte: Act II: Sorella, cosa dici?
    15. Cosi fan tutte: Act II: Prendero quel brunettino
    16. Aida: Act IV: La fatal pietra sovra me si chiuse
    17. Aida: Act IV: Presago il core della tua condanna
    18. Aida: Act IV: Vedi? Di morte l'angelo
    19. Aida: Act IV: O terra, addio

    Tracks:

    1. Un Ballo in Maschera: Act II: Teco io sto!
    2. Aida: Act III: Ciel! mio padre!
    3. Aida: Act III: Rivedrai le forest imbalsamate
    4. Aida: Act III: In armi ora si desta il popol nostro
    5. Aida: Act III: Padre! a costoro schiava non sono
    6. Requiem: Angus Dei
    7. Manon Lescaut: Act I: Oh, saro la piu bella!; Tu, tu, amore?
    8. Cosi fan tutte: Act I: Soave sia il vento
    9. Porgy And Bess: Act II: I Loves You, Porgy
    10. Aida: Act II: Silenzio! Aida verso noi s'avanza
    11. Aida: Act II: Fu la sorte dell'armi
    12. Aida: Act II: Pieta ti prenda del mio dolor
    13. Aida: Act II: Alla prompa che s'appresta
    14. Il Trovatore: Act IV: Udiste?
    15. Il Trovatore: Act IV: Mira, di acerbe lagrime
    16. Il Trovatore: Act IV: Vivra! Contende il giubilo
    17. Madama Butterfly: Act II: Scuoti quella fronda di ciliegio (Flower Duet)
    18. Carmen: Act IV: C'est toi! - C'est moi!
    19. Carmen: Act IV: Ou vas-tu? - Laisse-moi!

    Tracks:

    1. Les nuits d'ete, Op.7: Villanelle
    2. Les nuits d'ete, Op.7: Le spectre de la rose
    3. Les nuits d'ete, Op.7: Sur les lagunes
    4. Les nuits d'ete, Op.7: Absence
    5. Les nuits d'ete, Op.7: Au cimetiere (Clair de lune)
    6. Les nuits d'ete, Op.7: L'ile inconnue
    7. Four Last Songs: Fruhling
    8. Four Last Songs: September
    9. Four Last Songs: Beim Schlafengehen
    10. Four Last Songs: Im Abendrot
    11. Clair de lune, Op.46, No.2: Clair de lune
    12. Notre amour, Op.23, No.2: Notre amour
    13. Au cimetiere, Op.51, No.2: Au cimetiere
    14. Au bord de l'eau, Op.8, No.1: Au bord de l'eau
    15. No.1, Cinq melodies de Venise, Op.58: Mandoline
    16. Main dominee par le coeur
    17. Miroirs brulants No.2: Je nommerai ton front
    18. Miroirs brulants No.1: Tu vois le feu du soir
    19. Ce doux petit visage

    Tracks:

    1. Knoxville: Summer Of 1915, Op.24: Knoxville: Summer Of 1915
    2. Frauenliebe und -leben, op.42: Seit ich ihn gesehen
    3. Frauenliebe und -leben, op.42: Er, der Herrlichste von allen
    4. Frauenliebe und -leben, op.42: Ich kann's nicht fassen
    5. Frauenliebe und -leben, op.42: Du Ring an meinem Finger
    6. Frauenliebe und -leben, op.42: Helft mir, ihr Schwestern
    7. Frauenliebe und -leben, op.42: Susser Freund, du blickest
    8. Frauenliebe und -leben, op.42: An meinem Herzen, an meiner Brust
    9. Frauenliebe und -leben, op.42: Nun hast du mir den ersten Schmerz getan
    10. Widmung (No.1, Myrthen, Op.25): Widmung
    11. Mignon (No.28, Liederalbum fur die Jugend, Op.79): Mignon
    12. Volksliedchen, Op.51, No.2: Volksliedchen
    13. Schone Wiege meiner Leiden (No.5, Liederkreis, Op.24): Schone Wiege meiner Leiden
    14. Er ist's (No.23, Liederalbum fur die Jugend, Op.79): Er ist's
    15. Heiss mich nicht reden (No.5, Lieder und Gesand aus Wilhelm Meister)
    16. Lust der Sturmnacht, Op.35, No.1: Lust der Sturmnacht
    17. Allerseelen, Op.10, No.8: Allerseelen
    18. Schlagende Herzen
    19. Freundliche Vision, Op.48, No.1: Freundliche Vision
    20. Wie sollten wir geheim, Op.19, No.4: Wie sollten wir geheim
    21. Der Gartner (Morike-Lieder No.17)
    22. Lebe wohl (Morike-Lieder No.36)
    23. Morgentau (From An Old Songbook)
    24. Geh, Geliebter, geh jetzt (Spanisches Liederbuch No.34)

    Tracks:

    1. Ev'ry Time I Feel The Spirit - Various Artists
    2. Let Us Break Bread Together On Our Knees - Various Artists
    3. His Name So Sweet - Various Artists
    4. 'Roun' About De Mountain - Various Artists
    5. Swing Low, Sweet Chariot - Various Artists
    6. Sit Down, Servant - Various Artists
    7. Were You There - Various Artists
    8. He's Got The Whole World In His Hands - Various Artists
    9. Deep River - Various Artists
    10. Honor! Honor! - Various Artists
    11. My Soul's Been Anchored In De Lord - Various Artists
    12. On Ma Journey - Various Artists
    13. A City Called Heaven - Various Artists
    14. Ride On, King Jesus - Various Artists
    15. I Wish I Knew How It Would Feel To Be Free - Various Artists
    16. Sinner, Please Don't Let This Harvest Pass - Various Artists
    17. Sweet Little Jesus Boy - Various Artists
    18. There Is A Balm In Gilead - Various Artists
    19. Let Us Cheer The Weary Traveler - Various Artists
    20. Ev'ry Time I Feel The Spirit - Various Artists
    21. My Way Is Cloudy - Various Artists
    22. Nobody Knows The Touble I've Seen - Various Artists
    23. I Couldn't Hear Nobody Pray - Various Artists

    Tracks:

    1. Holy, Holy, Holy
    2. Lead, Kindly Light
    3. Blessed Assurance
    4. Ave Maria
    5. What A Friend We Have In Jesus
    6. Amazing Grace
    7. The Lord's Prayer
    8. Pass Me Not, O Gentle Saviour
    9. The Church's One Foundation
    10. Bless This House
    11. I Need Thee Every Hour
    12. Fairest Lord Jesus
    13. I Wonder As I Wander
    14. Ave Maria
    15. Porgy And Bess: Summertime
    16. America The Beautiful
    17. Lift Ev'ry Voice And Sing
    18. A Mighty Fortress Is Our God
    19. Battle Hymn Of The Republic

    Tracks:

    1. Chants tziganes, Op. 103: He Zigeuner
    2. Chants tziganes, Op. 103: Hochgeturmte Rimaflut
    3. Chants tziganes, Op. 103: Wisst ihr, wann mein Kindchen
    4. Chants tziganes, Op. 103: Lieber Gott, du weisst
    5. Chants tziganes, Op. 103: Brauner Bursche
    6. Chants tziganes, Op. 103: Roselein dreie in der Reihe
    7. Chants tziganes, Op. 103: Kommt dir manchmal in den Sinn
    8. Chants tziganes, Op. 103: Rote Abendwolken
    9. Adriana Lecouvreur: Act I: Io son l'umile ancella
    10. This Little Light O'Mine
    11. Interview With Leontyne Price By John Pfeiffer

    Amazon.com

    This 11-CD set, one might say jokingly, contains all the music ever written for the soprano voice and a bit for mezzo as well. And indeed, it's a staggering collection: In addition to her great Verdi heroines (the two Leonoras, Aida, Amelia, and Elvira in Ernani), Price is heard in her Puccini roles--Manon Lescaut, Butterfly, Tosca--and at least two dozen other roles, most of which she never sang on stage. Here are her heroic, secure Leonore in Fidelio, Strauss's high-flying Egyptian Helen, Purcell's Dido, Barber's Cleopatra, Bellini's Norma, Ariadne, Verdi's Violetta and Desdemona, Bizet's Carmen, Mozart's Countess, and Fiordiligi. Some are, naturally, more successful than others; almost none are embarrassing (Carmen comes close). In addition, she sings songs by Schubert, Schumann, and Strauss--none of them as well as say, Janet Baker or Elisabeth Schwarzkopf, and Barber's Knoxville, etc.--quite beautifully. Berlioz's Les Nuits d'été is not very good, but a group of spirituals is. In all, however, this is an amazing display by one of the century's greatest sopranos. There may be no new depths plumbed here, but the singing is a knockout. --Robert Levine

    Customer Reviews:

    5 out of 5 stars A Long Time Coming..........2006-03-30

    This compilation of Ms. Price's career is almost as complete as anything I've ever come across!!
    An American Icon....I will forever be a loyal fan and admirer!!

    5 out of 5 stars Her Best Album.......2006-01-01

    Along with the equally extensive "Prima Donna Collection" this is Leontyne Price's best album. Anyone who wants to become familiarized with her vocal technique and her art on record should own this album. It features her best work ever recorded. A lot of these arias and their respective soprano roles were not roles she sang on stage. Leontyne Price was not only a consummate artist, but a cautious one. The reason these arias, Lieder, Gospel and spirituals sound so beautiful and technically brilliant is because Leontyne was smart enough to sing them infrequently and in concert form. She did not take on new roles other than her repetitive Aidas, Leonoras, Butterfly, Toscas and Madame Lidoins, etc, because she was afraid of ruining her glorious voice too soon as many of her contemporary sopranos. Like soprano Zinka Milanov, Leontyne Price preserved the freshness and vitality of her voice through "operatic abstinence". Thus, the Norma, Salome, Manon, Lady Macbeth and even Traviata we hear on this album are well-rendered because she did NOT sing them on stage. She would have worn out her beautiful voice if she sung so many roles.

    This collection is overwhelming. Leontyne Price proves herself to be a masterful artist of diverse repertoire. Pity she didn't really sing these on stage because she would have put Maria Callas and all the reigning divas before and after her to shame. Listen to her remarkable, unsurpassed Mozart repertoire. This she did sing in opera houses, probably because Mozart does not require a true lyrico-spinto heavyness and smaller opera houses can accomodate Mozartian voices that do not often rise above the staff/orchestra. She sang exquisite Fiordiligis at the Met. The arias from Cosi Fan Tutte here - Soave sia il vento, O Guarda Sorelle and the fiendishly difficult vocal showcase "Come Scoglio" with its vertiginious scales are all fine samples of Miss Price's artistry. She sang Susanna and Donna Anna with beauty and bravura. The Salome excerpt is quite thrilling. She would have made a terrific Salome but the role is quite difficult and it would have surely killed her voice. Leontyne Price was the number one Verdi soprano. Every opera cognoscente will tell you that. When you hear the excerpts from Verdi operas here - Lady Macbeth's Sleepwalking Scene, Aida's arias, Leonora's arias from Trovatore and Leonora's arias from Forza Del Destino, particularly La Virgine Del Angeli and the ravishing Pace Pace Mio Dio- are the best renditions of Verdi soprano singing. Anyone who wants to study how to sing in the letter-to-letter Verdi lyrico spinto style should hear these arias. A voice like Leontyne cannot be easily imitated. Maria Callas's own voice can be imitated as Romanian diva Angela Gheorghiu has proven. Leontyne was in a class of her own, a voice that is both dramatic and beautiful to hear. However, most people find fault in her lack of dramatic interpretation. I say they're not hearing hard enough. Yes, there is excessive beauty in her singing but she understood that the opera heroines should sound beautiful because they are beautiful and though I never saw her on stage, from the recordings I hear she sounds dramatic and character-driven enough for me to be satisfied. For a devoted fan of Leontyne Price, this album is the Holy Grail. She sings the most beautiful Norma, Madame Butterfly, Tosca, Aida, Violetta, Madame Lidoin, Suor Angelica, Susanna, Dona Ana, Gilda, Fiordiligi, Desdemona and countless other heroines. The last cd is a collection of Gospel, spirituals and patriotic songs. These "American", non-opera selections find her in beautiful voice and she is actually paying tribute to her roots. She was not only African-American, but a Southerner from Mississippi. Her voice must have been heavenly to hear in Church! This is the album that made me love Leontyne.

    5 out of 5 stars Price At Her Peak.......2005-05-02

    Originally a Gospel singer, Leontyne Price rose to the heights of operatic superstardom in the 60's and 70's. She enjoyed the same success Maria Callas did in the 50's. Although Callas will forever be most people's idea of the greatest soprano of the 20th century, Leontyne Price was not a force to be reckoned with. In my opinion, and this is just me, she outshone Callas and was the greater singer as far as techinicality and musicianship. Leontyne Price's best work is recorded in this album. It is her best album, together with the Prima Donna Collection. The price is expensive but it's worth every penny. Prepare to be riveted and blown away by the dynamic strength and passion of her voice as it blasts through yours stereo. While many often point out that Leontyne Price was not much of an actress, from a purely operatic/vocal level, her voice was faultless and virtuosic, powerful, passionate, beautiful, lyrical, soulful. Never have I heard a soprano so richly endowed with strong chest register- she could sing the low octaves that are found in the roles of mezzo-soprano voices or contralto voices. But she was a dramatic soprano and that's dramatic with a capital D- all the high C's were there, perfectly in place, and she was a thrilling singer when reaching for the stratosphere with her voice.

    This album contains arias from operas that I didn't even know she performed- La Traviata (yes, Leontyne Price as Violetta is a moving and powerful interpretation, executed with sublime beauty. She finds herself the equal to Callas in the role- for Callas had a big voice for a role that calls for the "dying" effect. Thus, Price, like Callas, could sing roles that call for beauty and not just dramatic vigor. It's unfortunate that unlike the stars that were rising in her time- Joan Sutherland, Beverly Sills and Montserrat Caballe- Price never mastered the bel canto repertoire - Rossini, Donizetti, Bellini (although she sang a sensational Norma, excerpts are found in this recording). But her strongest suit was Verdi. She had the voice Verdi was looking for in a soprano- rich, dramatic, beautiful, able to fill up the lines with smoky and velvety hues and a gleaming high top. Check out her Amelia in Un Ballo In Maschera, her Leonora in Trovatore, her Leonora in La Forza Del Destino. Of course, her greatest role, her signature role, and one which she connected with on a personal/ancestral level was that of Aida. The first selections in this recording are from that masterpiece. As Aida, she was at her best. It was easy for her somehow, when most other sopranos tackle the role with difficulty. She conveys grace, nobility, passion and spirituality in the role of the tragic Ethiopian princess.

    Further roles she excelled in that are on this recording is Desdemona in Otello, which she sung opposite Placido Domingo. Their masterful voices blend together harmonically and gloriously in the Act 1 Love Duet. She's quite the ground-breaking artist. Most Violettas in Traviata or Desdemona in Otello are Caucasian lyric soprano (Desdemona was white, Otello was black, that was Shakespeare's intention) but in opera, race does not matter and Leontyne Price's voice made her a star in a time when it was incredibly difficult for a black woman to sing opera. From the start of the century, opera was always associated with white Europeans and later on Americans. But Leontyne Price followed the inspirational example of the gutsy contralto Marian Anderson, who suffered a lot of rejection in opera due to skin color in pre-Civil Rights Movement 30's, 40's and 50's. Finally in the late 50's, Anderson, after a lifetime of singing only in private concerts and recitals, debuted at the Met as Ulrica in Un Ballo. Leontyne Price immediately picked up where she left- singing all the soprano diva roles typically associated with white singers - especially Tosca. Her Tosca is second to her Aida. As Tosca, she encompasses the diva who dies for love in the most thrilling way.

    Other than Tosca, Puccini heroines were just as magnificent vehicles for her voice. She sang Madame Butterfly to great acclaim. I dont know how she did it but she suddenly ceased to be herself and became the frail, naive, lovesick Japanese Geisha. Softness and fragility is also mixed with the maturity of a woman in love, with passion and dramatic vocal color. She sang La Rondine with equal success, though this role is more along the lines of Violetta/Traviata. She sang Suor Angelica, she sang in modern works such as Barber's Antony and Cleopatra- in that infamous Zefferelli production- she sang Gershwin's Porgy and Bess, she sang in Dialoge of the Carmelites. All these are on here, along with her Baroque specialties- Dido in Dido and Aeneas. Her Mozart voice is also the best I've heard, really, even with a more dramatic and beautiful charm than other singers I've heard. She sang the acrobatic role of Fiordiligi in Cosi Fan Tutte, both Dona Ana and Donva Elvira in Don Giovanni. I prefer her as Dona Ana, she is all fire, despair, intensity and repressed desire, but she sings a hysterical and lovesick Elvira with a passion as well. She even sang the Countess in Le Nozze Di Figaro. But the sky was the limit to Price. She even sang, in a Jessie Norman way, the Wagner role of Isolde. Her "Liebestod" is the greatest I've heard since Birgit Nilsson, with a passion that stemmed from her religious Gospel heart.
    This is a great album and I recommend it to any fan of Price and any fan of opera in general. If you have never heard Price and want to start somewhere, start with this one. This one or the Prima Donna Collection.

    5 out of 5 stars of course world class.......2000-08-14

    Price is amazing. I will have to also mention that Joan Sutherland in the 1960 is even more incredible, if that's possible. Check Dame Joan out, you will not be sorry. But Price is a D flawless diamond set by Cartier, in my opinion.

    5 out of 5 stars the greatest american soprano of the 20th century.......1999-12-12

    This collection of arias, art songs, and spirituals is truly amazing for the sheer breadth and depth of this soprano's artistry. It is hard to imagine any Verdi soprano after Ms. Price who could offer us the smoky richness of her vocal color, and there are so many wonderful selections, many of them being roles she did not perform on stage. Among my personal favorites are her scene from Dialogues of the Carmelites, the Letter Scene from Eugene Onegin, and the drama of her Lady Macbeth. For those of us who heard Ms. Price over the years in opera and concert, this collection brings back wonderful memories...It is truly a must-have for any serious opera lover.
    Rachmaninov Songs
    Average customer rating: 5 out of 5 stars
    • Lovely
    Rachmaninov Songs

    Manufacturer: EMI Records [All429]
    ProductGroup: Music
    Binding: Audio CD

    Chamber MusicChamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
    Vocal & SongVocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
    Chamber MusicChamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music
    Vocal & SongVocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music
    GeneralGeneral | Classical | Styles | Music
    All Works by RachmaninovAll Works by Rachmaninov | Rachmaninov, Sergei | ( R ) | Featured Composers, A-Z | Classical | Styles | Music
    GeneralGeneral | Opera & Vocal | Styles | Music
    Modern & 20th CenturyModern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music
    ASIN: B00000K4EO
    Release Date: 1999-09-14

    Tracks:

    1. Op. 26, No. 7: To The Children
    2. Op. 34, No. 5: Arion
    3. Op. 21, No. 1: Fate
    4. Op. 21, No. 5: Lilacs
    5. Op. 14, No. 8: Oh, Do Not Grieve For Me!
    6. Op. 38, No. 6: A-OO
    7. Op. 14, No. 2: The Isle
    8. Op. 4, No. 3: In The Mysterious Silence Of The Night
    9. Op. 4, No. 4: Oh, Do Not Sing To Me
    10. Op. 21, No. 2: Beside A New Grave
    11. Op. 14, No. 12: It Is Time!
    12. Op. 26, No. 12: The Night Is Mournful
    13. Did You Hiccup, Natasha?
    14. By The Gates Of The Holy Dwelling
    15. April! A Festive Spring Day
    16. Op. 26, No. 13: We Met Yesterday
    17. I Shall Tell You Nothing
    18. Op. 21, No. 11: I Am No Prophet
    19. Op. 26, No. 11: Christ Is Risen
    20. Op. 14, No. 4: I Came To Her
    21. Op. 26, No. 15: All Things Pass Away

    Customer Reviews:

    5 out of 5 stars Lovely.......2002-03-19

    I don't know anything about Dimitri Kharitonov or Leif Ove Andsnes beyond this recording, but whoever they are, I love them! I'd never actually heard any Rachmaninoff songs before I bought this CD, so I won't swear it's the best out there. Nevertheless, I was so inspired by what I heard that I immediately started working on adding Rachmaninoff songs to my own vocal repertoire. Kharitonov's voice is very sweet and pleasant in the more tender songs, and he's wonderfully theatrical and fun in the more aggresive works. The pianist is fantastic, too, and the accompaniment is very passionate. Rachmaninoff songs are beautiful, captivating, moving, and hugely underappreciated. If you've never heard them, this recording is a great way to be introduced.
    Russian Choral Music
    Average customer rating: Not rated
      Russian Choral Music

      Manufacturer: Melodiya
      ProductGroup: Music
      Binding: Audio CD

      All Works by TchaikovskyAll Works by Tchaikovsky | Tchaikovsky, Peter Ilyich | ( T ) | Featured Composers, A-Z | Classical | Styles | Music
      All Works by RachmaninovAll Works by Rachmaninov | Rachmaninov, Sergei | ( R ) | Featured Composers, A-Z | Classical | Styles | Music
      GeneralGeneral | Concertos | Forms & Genres | Classical | Styles | Music
      GeneralGeneral | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
      GeneralGeneral | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
      Sacred & ReligiousSacred & Religious | Early Music | Historical Periods | Classical | Styles | Music | Requiems
      Vocal & SongVocal & Song | Early Music | Historical Periods | Classical | Styles | Music | Requiems
      GeneralGeneral | Sacred & Religious | Classical | Styles | Music
      GeneralGeneral | Classical | Styles | Music
      GeneralGeneral | Opera & Vocal | Styles | Music
      ChantsChants | Vocal Non-Opera | Opera & Vocal | Styles | Music
      MassesMasses | Vocal Non-Opera | Opera & Vocal | Styles | Music
      Te DeumTe Deum | Vocal Non-Opera | Opera & Vocal | Styles | Music
      ClassicalClassical | Box Sets | Stores | Music
      ASIN: B000001HE7
      Release Date: 1995-06-13
      Sergei Leiferkus ~ Rachmaninov Songs
      Average customer rating: Not rated
        Sergei Leiferkus ~ Rachmaninov Songs
        Sergei Rachmaninov , Sergei Leiferkus , and Howard Shelley
        Manufacturer: Chandos
        ProductGroup: Music
        Binding: Audio CD

        Chamber MusicChamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
        Vocal & SongVocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
        Chamber MusicChamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music
        Vocal & SongVocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music
        GeneralGeneral | Classical | Styles | Music
        All Works by RachmaninovAll Works by Rachmaninov | Rachmaninov, Sergei | ( R ) | Featured Composers, A-Z | Classical | Styles | Music
        Leiferkus, SergeiLeiferkus, Sergei | ( L ) | Featured Performers, A-Z | Classical | Styles | Music
        GeneralGeneral | Opera & Vocal | Styles | Music
        Modern & 20th CenturyModern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music
        ASIN: B000000AX1
        Release Date: 1995-08-22

        Tracks:

        1. At The Gates Of The Holy Cloister
        2. Nothing Shall I Say To You
        3. Song Of The Disenchanted
        4. Do You Remember The Evening?
        5. Were You Hiccoughing, Natasha?
        6. O, No, I Beg You, Do Not Leave!, Op. 4 No. 1
        7. Morning, Op. 4 No. 2
        8. In The Silence Of The Secret Night, Op. 4 No. 3
        9. Sing Not, O Lovely One, Op. 4 No. 4
        10. My Child, Your Beauty is That Of A Flower, Op. 8 No. 2
        11. Thoughts, Reflection, Op. 8 No. 3
        12. I Was With Her , Op. 14 No. 4
        13. You Are So Loved By All, Op. 14 No. 6
        14. She Is As Beautiful As Midday, Op. 14 No. 9
        15. Spring Torrents, Op. 14 No. 11
        16. It Is Time, Op. 14 No. 12
        17. Fate, Op. 21 No. 1
        18. By A Fresh Grave, Op. 21 No. 2
        19. Lilacs, Op. 21 No. 5
        20. Before The Icon, Op. 21 No. 10
        21. I Am No Prophet, Op. 21 No. 11
        22. All Was Taken From Me, Op. 26 No. 2
        23. We Shall Rest, Op. 26 No. 3
        24. Christ Is Risen, Op. 26 No. 6
        25. Yesterday We Met, Op. 26 No. 13
        26. All Passes, Op. 26 No. 15
        27. Letter To K.S. Stanislavsky
        28. In The Soul Of Each Of Us, Op. 34 No. 6
        29. The Raising Of Lazarus, Op. 34 No. 6
        30. You Knew Him, Op. 34 No. 9
        31. The Herald, Op. 34 No. 11
        32. From The Gospel Of John
        Pora! Russian Romances
        Average customer rating: 5 out of 5 stars
        • These songs must have been written for Amaize
        Pora! Russian Romances
        Alexander Borodin , Modest Mussorgsky , Sergey Rachmaninov , Nikolay Andreyevich Rimsky-Korsakov , Pyotr Il'yich Tchaikovsky , and Odekhiren Amaize
        Manufacturer: Msr Classics
        ProductGroup: Music
        Binding: Audio CD

        All Works by BorodinAll Works by Borodin | Borodin, Alexander | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
        All Works by MussorgskyAll Works by Mussorgsky | Mussorgsky, Modest | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
        All Works by TchaikovskyAll Works by Tchaikovsky | Tchaikovsky, Peter Ilyich | ( T ) | Featured Composers, A-Z | Classical | Styles | Music
        All Works by RachmaninovAll Works by Rachmaninov | Rachmaninov, Sergei | ( R ) | Featured Composers, A-Z | Classical | Styles | Music
        Chamber MusicChamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
        Chamber MusicChamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
        Vocal & SongVocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
        Chamber MusicChamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music
        Vocal & SongVocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music
        GeneralGeneral | Classical | Styles | Music
        GeneralGeneral | Chamber Music | Classical | Styles | Music
        GeneralGeneral | Opera & Vocal | Styles | Music
        Modern & 20th CenturyModern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music
        GeneralGeneral | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music
        ASIN: B00003L9GM
        Release Date: 1999-12-14

        Customer Reviews:

        5 out of 5 stars These songs must have been written for Amaize.......2004-04-07

        My gripe with most recordings of "art songs" is that the performances are boring, as if the music has been fed through a vocal processor, technique overrides heart. This is never the case with Odekhiren Amaize, who makes each song his own. For my money, there is no voice or heart more perfectly suited to interpret these deep, rich Russian songs than his deep, rich Bass-Baritone...the combination of Rakhmaninov and Amaize is nothing short of amazing, and I was moved to tears on more than one occasion even though (not speaking Russian and not first having read the English translations) I didn't have a clue what the text was about. Absolutely stunning!

        Music:

        1. Tunes from Tarrytown [Enhanced]
        2. Two Little Sounds - Fun With Phonics And Numbers
        3. Underwater Land
        4. Where Have All The Flowers Gone: The Songs of Pete Seeger
        5. Where Is Thumbkin?
        6. 21 Really Cool Songs
        7. A Child's Celebration Of The World
        8. A Child's Garden of Song: The Poetry of Robert Louis Stevenson in Song
        9. A Christmas Album: Bethlehem Star
        10. All for Freedom

        Music

        Music