I'm A Kid
Editorial Reviews
About the Artist
"note from the artist, Dwayne Arvinger: "My wife and I agreed that we would share daycare responsibilities for our son
when it was my turn, I arrogantly thought I would be able to tame the beast known as housework and child care
at the end of my first day when [she] came home from work, the apartment was a disaster area and there was no dinner prepared. I gave her the baby and exhausted, I crawled into bed. Who Knew!?! Over the next few months I got myself on a schedule and inadvertently started singing songs to help get myself through the day
I hope Hangin Out With My Baby will help you develop a special bond with your child the way it did for me and be your musical way to get through the day. Enjoy!" "
Album Description
"I'm A Kid" is the debut release for Jeanie B! and The Jelly Beans. The CD contains 14 original songs by Jeanie B! in the folk/rock genre. The Jelly Beans are mostly rockin' women consisting of Bassist Lisa Crowe, Drummer Theresa Drda and the lone wolf Jay Bonansinga on Harmonica. This is fun and engaging music for kids and adults alike. Full of humor and whimsy from a kid's point of view, and many songs of love from a Mother's heart.
I'm A Kid, Music, Jeanie B & The Jelly Beans, Children's, Childrens, Pop
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
- Beginner or Expert
- Very Informative and Enjoyable
- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
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Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
- The Life and Works of Ludwig van Beethoven
- What to Listen for in Music
- Study of Orchestration, Third Edition
- The Life and Works of Frédéric Chopin
ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
- Boring and unimaginative
- Children of Reich Create Loving Homage
- Decent, but disappointing overall.
- Great music for an electronic fan
- Proxy for a Reich's Greatest Hits CD?
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Reich Remixed
Manufacturer: Nonesuch
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Proverb/Nagoya Marimbas/City Life
- Remixed 2006
- Glasscuts, Philip Glass Remixed
- Reich: Different Trains, Electric Counterpoint / Kronos Quartet, Pat Metheny
- Steve Reich: You Are (Variations)
ASIN: B00000I5LV
Release Date: 1999-03-02 |
Tracks:
- Music For 18 Musicians (Coldcut Remix) - Steve Reich
- Eight Lines (Howie B Remix) - Bang On A Can/Bradley Lubman
- The Four Sections (Andrea Parker Remix) - London Symphony Orchestra/Michael Tilson Thomas
- Megamix (Tranquility Bass Remix) - Steve Reich/London Symphony Orchestra/Michael Tilson Thomas/Theatre Of Voices...
- Drumming (Mantronik Maximum Drum Formula) - Steve Reich
- Proverb (Nobukazu Takemura Remix) - Theatre Of Voices
- Piano Phase (D*Note's Phased & Konfused Mix) - Double Edge
- City Life (DJ Spooky That Subliminal Kid Open Circuit) - The Steve Reich Ensemble/Bradley Lubman
- Come Out (Ken Ishii Remix) - Steve Reich
- Bonus Track 1 - Various Artists
Amazon.com
The beauty of Steve Reich's minimalist compositions can be found not in their repetition but in their evolution. Listening to the Kronos Quartet perform Different Trains, the listener quickly gets over the camp value of the conductor samples to discover an unfolding theme that harks back not only to bustling industrialism but also to the horror of the Nazi concentration-camp trains. Reich is a master of such subtle changes in sonics, and his impeccable timing turns simple phrases into musical tapestries. On Reich Remixed, some of dance music's more innovative artists pay homage to the composer in the way they know best: by sampling his works and remixing them into their own. Coldcut's take on Music for 18 Musicians adds a fast-paced techno flair to the classic composition, Howie B's Eight Lines respectfully keeps the integrity of the original piece, and Tranquility Bass peppers "Megamix" with voices and (eventually) beats. There are some misses here, and, most unfortunate, DJ Spooky's schizophrenic treatment of City Life lobotomizes a previously fine composition. No, you still can't dance to Reich, but you can see how others use him for source material. But after hearing these condensed and diced versions, you might find it's worth delving back into Reich's originals to hear what the fuss is all about. --Jason Verlinde
Customer Reviews:
Boring and unimaginative.......2005-07-13
My opinion is that this compilation doesn't glorify Reich or electronica. I used to think that most techno enthusiasts and maybe even techno composers had probably never heard of him. While I've come to learn that this isn't true, I think this CD would be a good argument in favor of it. I certainly didn't expect Reich Remixed to compare with the originals. And there is certainly nothing wrong with a tribute. But everything here is against Reich's style, both too fast and too simple.
The Coldcut remix of Steve Reich's 18, unfortunately the best track on the disk, is laughable in comparison and a warning against the tracks that follow. After reading the reviews for the original Music for 18 Musicians, there are several people who can say nothing except that it is slow and boring. I think you might as well include Coldplay in that number. It is as if he recorded himself skipping forward through the first 5 or so minutes of the original and smiled at his creation.
He isn't the only one who obviously missed the point. Most of the remixes use some of the cheapest sounding instruments and methods I've heard; these aren't just bad tributes to Reich, they are bad tributes to techno! And don't expect to hear phasing, which was introduced for the first time in Come Out and Drumming, in their remixes. That would require at least some trivial knowledge of Reich's contribution to minimalism, which these artists obviously do not have. And anyway, Reich used much more than rhythmic, vocal/musical repetition and staccato notes, let's get that straight.
I wasted my money on this one. If you haven't been introduced to Reich, I envy you! Try Music for 18 Musicians and Different Trains, many agree that those are among Reich's most powerful pieces.
Children of Reich Create Loving Homage.......2005-04-16
The entrancing hobby of looping gave birth to essencially all forms of techno in existence today, and all followers should be thankful Steve Reich's cassette tapes messed up one day to create a looping effect. He soon became obsessed with overlapping sounds and varying tempos, a basic foundation for modern day electronic music. Such is the reason why a wide variety of artists came together to create a tribute album to this obscure classical composer, and the end result is a diamond in the rough.
If "Reich Remixed" has any style permeating through the whole album, it is the esoteric sounds of trance. Each track brings in a sentimental mourning, but also sings out hosannas of joy, hailing the appreciation of the father of techno. Tranquility Bass's "Megamix", succeeding fully in painting a mural of Reich's repertoire, Coldcut's loving recreation of "Music for 18 Musicians", and Howie B's "Eight Lines" tribute will draw you in with their joyful melodies. Yet darkness lies ahead as well. Andrea Parker brings in a creepy Trip-Hop version of "The Four Sections", perfect for committing a bank robbery if you get off on that. The bonus track from freQ Nasty & B.L.I.M. has the rough sound of Drum n' Bass without corrupting the original message, although it sounds a bit out of place on this album. The masterpiece is Nobukazu Takemura's "Proverb", which stacks the voices in one loop, which will make one double check the CD for scratches. It not only holds true to what Reich was attempting, but re-interprets.
To those who were already die-hard Reich fans, a word of caution. This CD will sound repititive, perhaps even like cheap rip-offs of the original tracks, as they cannot possibly recreate the massive pieces Reich composed in six or seven minutes of CD time. As well, there are slip-ups. "City Life" is butchered to pieces and essentially impossible to enjoy, and "Come Out" only highlights the limitations of techno's possibilities to create as compared to pen, paper, and a symphony orchestra.
The album explores techno's creative possibilities to new levels, and is an aural treat. Consider it Reich's first DJing experience, changing the world of music in the same way his originals shook the ear drums.
Highs: Techno symphony, with the same variety as an orchestra, skillfully mixed, loving and appropriate recreations of Reich's original masterpieces.
Lows: Reich's originals are better, sometimes butchered here, same repitive downfall of techno at times.
The Score: A-, Reich not Lost in Techno Translation.
Decent, but disappointing overall........2002-01-05
There are a few really good tracks on this CD. My personal favorites are Music for 18 Musicians, Four Sections, the Megamix, and Piano Phase. The Desert Music remix (the bonus track) is okay, not great, but okay. And then there's the bottom end of the spectrum, which is everything else. Unfortunately, what I like is overpowered by what I dislike.
Great music for an electronic fan.......2001-10-04
I enjoyed every one of these pieces on their own. I am familiar with most of the electronic artists and each one of these songs is beautiful. I had never heard Steve Reich's music before this. I enjoyed his music but, I didn't think that the remixes were completely true to his form. Reich's music has some good ideas that the remixer's somewhat expanded upon. I think the idea was to take some of Reich's ideas and put it in to a more modern style. If they wanted someone to rehash his ideas, then it would have been boring. I enjoy these artists, but there are artists out there that are using some of his ideas already, namely Plastikman and Tortoise. Overall the songs are great in any sense.
Proxy for a Reich's Greatest Hits CD?.......2001-06-16
Of all modern classical composers, Steve Reich is the one whose music is most likely to attract the rock-oriented ear. 'Music for 18 Musicians' was a ground-breaking album which closed out the 1970s, and it took much of the audience that had been nurtured on Tangerine Dream's 'Ricochet' and, before that, Mike Oldfield's 'Tubular Bells'. It was only to be expected that other artists would start sampling Reich's works.
I can't get enough of 'Music for 18 Musicians' -- I bought it on LP in 1979, and two versions on CD. It is my No. 1 self-hypnosis album. So I was intrigued to discover how it would be re-worked for this album. I was disappointed, frankly. The Coldcut Remix provides no evidence that the DJ has listened beyond the first five minutes of the original.
But there's no heresy in modifying Reich's music. I welcome every effort to do so. I knew about half of the pieces selected here, so, for me, it's partly a Reich sampler. The great thing about the album is that not only did it get me buying more of Reich's output, but it also got me listening more to the originals.
For me, the stand-out track here is 'Piano Phase', which applies prog-rock values to a piece I didn't know at all well. It could so easily be Rick Wakeman or Keith Emerson playing the synth lines over the piano loop!
The opening track has grown on me over the years. At first listen, the Megamix seemed to have too many different samples crowded in; it seemed too ambitious in searching for common musical themes between no fewer than nine of Reich's albums. But now it flows nicely.
The closing track, supposedly based on the Desert Music, is a straightforward techno track, almost Prodigy-like, whose relationship to Reich's music seems entirely tangential.
I believe every Reich fan should hear this album, even though a few will find perhaps nothing to like. And I'd recommend anyone who buys this album without knowing Reich to listen also to 'Different Trains', 'Electric Counterpoint', and of course, 'Music for 18 Musicians'.
Until Nonesuch releases in the US the greatest hits CD compiled in Japan, we will have to rely on this as the only single-CD tour through Reich's works, however oblique and re-shaped these may be.
Average customer rating:
- Its okay. . .
- big up
- Red Rat ....back in full force(As a Big kid)
- SIZZLA2004
- I'm A Big Kid Now
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I'm a Big Kid Now
Red Rat
Manufacturer: Greensleeves
ProductGroup: Music
Binding: Audio CD
Dance Hall
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- Oh No It's Red Rat
ASIN: B00004Y9PL
Release Date: 2000-09-26 |
Tracks:
- Brat Kamp Intro
- Put Yuh Hands Up
- Best Friends - Ghost, Red Rat
- I'm a Big Kid Now
- Buddy She Want
- Oh Wow (Ish)
- Island Boy
- Right Now
- Little Miss Buffett
- Support Yuh Mada
- Fat Girl Slim Girl - Goofy, Red Rat
- Mi Stand Up
- Taiye (Mi Fuss Yute)
- Thinking of You - Curtis Lynch, Jr., Red Rat,
- Skin a Slap
- Kerry-Ann
- Chunny Mouth
- Me Too
- Spookie
- Thief (Call 119)
- My Boy Red Rat - Crissy D, Red Rat
Customer Reviews:
Its okay. . ........2001-08-27
After having this cd for nearly a year, it has really grown away from me. In my original review I spoke of Red Rat having more lyrical content than anyone in reggae besides Sizzla. What a [fool] I was!! Red Rat doesn't really speak about anything of substance, he just kinda flows in and out. Not that there's anything wrong with that, its just that over the course of an album, it just doesn't do anything for me anymore. However, I still like songs like Taiye, and Island Boy. Red Rat is a dancehall artist for the younger people. Kids will eat this one up for the most part (minus Skin a Slap). Still bigup Red Rat and Greensleeves as this ended up being one of their biggest sellers ever.
big up.......2001-08-09
I'm A Big Kid Now, the latest release from Red Rat is a dancehall masterpiece. Working with several producers, Red Rat is his usually comedic self on this album. There are several combination tracks on the CD including "Island Boy," done with Treach from the hip hop group Naughty By Nature and Rat's significant other, Italee. There is also a track with Crissy D, Based on Millie's classic "My Boy Lollipop," here redone as "My Boy Red Rat." My favorite cut on the album is "Best Friends" with Ghost (check out his CD "Love You" too). Most of the rest of the tracks are Red Rat's pieces on recent riddims such as "Little Miss Buffet" (Orgasm), "Mi Stand Up" (New Ride), and "Chunny Mouth" (The Joker) among others. Overall, I'm A Big Kid Now is a great release for every dancehall fan.
Red Rat ....back in full force(As a Big kid).......2001-05-17
This new one from red rat is his best yet. I cant even pick one song here that I didnt like that much. this one takes him to anotehr level because he talks about a lot of things here. The beats on this one overshine his last cd and make it look like it was nothing. Any fans of red rat or dancehall should check this out.
SIZZLA2004.......2001-03-19
01. Brat Kamp Intro 02. Put Yuh Hands Up 03. Best Friends - feat. Ghost 04. I'm A Big Kid Now -> 1st Message 05. Buddy She Want 06. Oh Wow(ish) -> Next Message 07. Island Boy - feat. Treach (Naughty By Nature) & Italee "Rude" Watson 08. Right Now 09. Little Miss Buffett 10. Support Yuh Mada -> Frog Man Interlude 11. Fat Girl Slim Girl - feat. Goofy 12. Mi Stan Up -> Di New Girl Interlude 13. Taiye (Mi Fuss Yute) 14. Thinking Of You - feat. Curtis Lynch Jnr. & Kele Le Roc
(Danny Browne Dancehall Mix) 15. Skin A Slap 16. Kerry-Ann 17. Chunny Mouth -> Di Flop Joke 18. Me Too - feat. Brat Kamp 19. Spookie 20. Thief (Call 119) -> Last Message 21. My Boy Red Rat - feat. Crissy D -> Brat Kamp Outro
I'm A Big Kid Now.......2000-10-17
I think this cd really shows how red rat has grown over the years. It is like a new beginning for him. It is a great cd and anyone who likes red rat will love this album!!!!!!!!
Average customer rating:
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I'm The Man
Kid Dynamite
Manufacturer: Olde Skool
ProductGroup: Music
Binding: Audio CD
General
| Alternative Rock
| Styles
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Hardcore
| Hardcore & Punk
| Alternative Rock
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ASIN: B00004TLNN
Release Date: 2000-06-01 |
Tracks:
- Someone Else is Steppin' In
- You Ain't Satisfied
- Please, Leave
- I'm kid
- Members Only
- My Baby Snores
- Step Out on the Town
- Strokin'
Album Description
New Sounds From Old Chicago Blues Clubs. Roots Music That Made Chicago The R&B Capital Of The World. Three Soul Standards Plus Five Originals. Today Olde Skool Records Is Bringing Back The Live Singer With Real Musicians.
Customer Reviews:
WARNING:.......2000-09-12
This isn't the hardcore/punk Kid Dynamite from Philly. I read the artist bio, and I'm almost one hundred percent sure that this guy did NOT name himself after a Squirrel Bait song. I'll give him three stars out of the benefit of doubt.
Average customer rating:
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Baby I'm Real
Kid Creole & The Coconuts
Manufacturer: Atoll
ProductGroup: Music
Binding: Audio CD
General
| Dance & DJ
| Styles
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ASIN: B00004SAVS
Release Date: 2000-03-06 |
Tracks:
- Anniversary Medley
- Haiti
- But I Got You
- Baby I'm Real
- You Shoulda Told Me You W
- Things We Said Today
- Patterdale Way
- Callin Out To Marlboro
- Kiss Me Before The Light
- Hold On Hold On
- To Travel Sideways
- What A Work Of Art Is Man
- Grimaldi
- Abu
- Life Is Always Good
Album Details
This Album Includes a Five Song Medley Featuring: Endicott, Annie I'm Not Your Daddy and More.
Average customer rating:
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"3 CD Rap Pack" featuring: 5th Ward Boyz, Snoop Dogg, M.C. Eiht, Daz, Spice 1, Kid Frost, Brother Lynch Hung, Mac Dre, E40, Celly Cel, Lighter Shade Of Brown, J.T The Bigga Figga, Mac Mall, Silke, The Delinquents, 187 Fac, The Mossie, L.A. Nash, Don P, Calico, L.O.G., Silkk The Shocker, Krazy, Mystikal, Master P, Sac Mafia, Mafia Click, Sporty T, Ms. Tee, Fiend, Big Ramp, Soulja Slim, Krazy, Magic, Partners-N-Crime, Fila Phil
Imagine That (Radio) / Camouflage Down / Go Down / I Still / Handle Your Business / Back Up Off Me / We Untouchable / , Dat Fire / Getting Paid / Soldier Boy / The Baddest (Radio) / Respect My Mind / Make It Happen / Fire Boyz & Girlz / , Fire / Bad M-F / Slow Down / The Hustla Returns / Murder Raw / Concrete Hell Pt.2 / Need To Move Some / Yeah / I Like / , Mind On Money / I Make Doe / On Both Knees / Freestyle / Don't Give A Fuck / Hit A Lick / And What / , Right Now / Lovin' This / Throwed In The Game / Murder Music / Hoopty / Don't Say Nothin' / Here's A Message / , Professional Stone Crooks / West Coast Parlae / Money / Gorilla Milk / 535% / , and West Coast / Spread Yo Hustle / Come Talke A Ride / What You Do / Game Tight / The Experience The Fatha Figga / East Oakland
ProductGroup: Music
Binding: Audio CD
ASIN: B000OVOKNS |
Average customer rating:
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Representing South West [47 TRACKS ON 3 CDs] Captain Save'm, Lil Big, Pimp C, Ant Banks, B-Legit, Four-Tay, 3AD, Big Bear, 5th Ward Boyz, Snoop Dogg, M.C. Eiht, Daz, Spice 1, Kid Frost, Brother Lynch Hung, Mac Dre, E40, Celly Cel, Lighter Shade Of Brown, J.T The Bigga Figga, Mac Mall, Silke, The Delinquents, 187 Fac, The Mossie, L.A. Nash, Don P
West Coast Parlae, Money, Gorilla Milk, 535%, The Fatha Figga, East Oakland, West Coast Professional Stone Crooks , Come Talke A Ride, What You Do, Game Tight, The Experience Spread Yo Hustle , Concrete Hell Pt.2, Need To Move Some, Yeah, I Like, Mind On Money, I Make Doe, On Both Knees Murder Raw , Don't Give A Fuck, Hit A Lick, And What, Right Now, Right Now Freestyle , Throwed In The Game, Murder Music, Hoopty, Don't Say Nothin', Here's A Message Lovin' This , Out to Get More, Tore It Up, Live Your Life, Burning Krypt Representing South West , Freeze Love (Skit), 3 Card Molly, Oakland, Don't Come Faulty Perfect Picture , and Savin a Hoe (Skit), If You Wanna, Wanna Ride, Money to Be Made Smooth But Deadly
ProductGroup: Music
Binding: Audio CD
ASIN: B000N4LETY |
Average customer rating:
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Holiday Light
Manufacturer: Western Wind
ProductGroup: Music
Binding: Audio CD
All Works by Rutter
| Rutter, John
| ( R )
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| Classical
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ASIN: B0002B9L8O
Release Date: 2004-09-07 |
Tracks:
- Angels and Shepherds: Angelus Ad Virginem [Radio Version] - Roma Downey, Western Wind
- Angels and Shepherds: Angels We Have Heard on High [Radio Version] - Roma Downey, Western Wind
- Angels and Shepherds: Mi FVengo de Bel[Radio Version] - Roma Downey, Western Wind
- Angels and Shepherds: Quem Vidistis Pastores, Pt. 1 [Radio Version] - Roma Downey, Western Wind
- Angels and Shepherds: Bethlehem [Radio Version] - Roma Downey, Western Wind
- Of a Rose: Mary Heard the Angel's Voice [Radio Version] - Roma Downey, Western Wind
- Of a Rose: Of a Rose [Radio Version] - Roma Downey, Western Wind
- Baby: The Cherry Tree Carol [Radio Version] - Roma Downey, Western Wind
- Baby: Lute-Book Lullaby [Radio Version] - Roma Downey, Western Wind
- Baby: There Is a Flower [Radio Version] - Roma Downey, Western Wind
- Baby: Xicochi Conetzintle [Radio Version] - Roma Downey, Western Wind
- Baby: Sweet Little Jesus Boy [Radio Version] - Roma Downey, Western Wind
- Holiday Messages: I Saw Three Ships [Radio Version] - Roma Downey, Western Wind
- Holiday Messages: The Darkest Night [Radio Version] - Roma Downey, Western Wind
- Holiday Messages: If Anybody Ask You [Radio Version] - Roma Downey, Western Wind
- Holiday Messages: Somerset Wassail [Radio Version] - Roma Downey, Western Wind
- Holiday Messages: Silver Bells [Radio Version] - Roma Downey, Western Wind
- Holiday Messages: Christmas Time Is Here [Radio Version] - Roma Downey, Western Wind
Tracks:
- Angels and Shepherds: Angelus Ad Virginem [All Music Version] - Western Wind
- Angels and Shepherds: Angels We Have Heard on High [All Music Version] - Western Wind
- Angels and Shepherds: Mi FVengo de Bel[All Music Version] - Western Wind
- Angels and Shepherds: Quem Vidistis Pastores, Pts. 1 & 2 [All Music Ve] - Western Wind
- Angels and Shepherds: Bethlehem [All Music Version] - Western Wind
- Of a Rose: Mary Heard the Angel's Voice [All Music Version] - Western Wind
- Of a Rose: Of a Rose [All Music Version] - Western Wind
- Baby: The Cherry Tree Carol [All Music Version] - Western Wind
- Baby: Lute-Book Lullaby [All Music Version] - Western Wind
- Baby: There Is a Flower [All Music Version] - Western Wind
- Baby: Xicochi Conetzintle [All Music Version] - Western Wind
- Baby: Sweet Little Jesus Boy [All Music Version] - Western Wind
- Holiday Messages: I Saw Three Ships [All Music Version] - Western Wind
- Holiday Messages: The Darkest Night [All Music Version] - Western Wind
- Holiday Messages: If Anybody Ask You [All Music Version] - Western Wind
- Holiday Messages: Somerset Wassail [All Music Version] - Western Wind
- Holiday Messages: Silver Bells [All Music Version] - Western Wind
- Holiday Messages: Christmas Time Is Here [All Music Version] - Western Wind
Album Description
A rich assortment of holiday music from the Middle Ages to the present, woven together with narration by Roma Downey (Touched By An Angel). Holiday Light features glorious new arrangements of "Angels We Have Heard," "Silver Bells" and "Christmas Time Is Here" (of Charlie Brown fame), created especially for this double CD set.
Average customer rating:
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I'm Coming Home
The Preacher's Kid
Manufacturer: Platinum
ProductGroup: Music
Binding: Audio CD
General
| Christian & Gospel
| Styles
| Music
Gospel
| Christian & Gospel
| Styles
| Music
ASIN: B0009299SS
Release Date: 2005-06-07 |
Tracks:
- Intro - The Preacher's Kid,
- I'm Coming Home
- Better Man
- Hold On
- Bless Me
- Cruise
- Patience
- I Must Tell Jesus
- Lord Please Help Me
- Coming Home (Invitation)
- Behind the Scenes [CD-ROM Track][Version]
Customer Reviews:
"THE BOMB".......2007-01-10
TRUELLY I JUST CAN'T SAY ENOUGH ABOUT THIS YOUNG MAN
ME AND MY HUSBAND LOVE IT THERE IS ONE SONG THAT WE JUST LOVE ABOUT LOSING YOUR JOB AT A TRYING TIME.
(REV). TORRANCE AND (EVANG). AZIE ABRAMS
Average customer rating:
|
I'm Glad We're Here
Manufacturer: Angeldance
ProductGroup: Music
Binding: Audio CD
ASIN: B000ABDXF8 |
Product Description
A delightful CD for Childern. A "collection of songs that will encourage your child to grow in his/her love for music. The tracks are: 1. I'm Glad We're Here Today, 2. I Like You!, 3. Frog In The Millpond (sung by Lizzy, age 4), 4. Animals Are Such Fun, 5. The Flickle Song, 6. Twinkle Twinkle little Star (sung by Kathy, age 3), 7. The Hat Song, 8. The Bubbnle Song, 9. Happy In Springtime, 10. Ose Shalom, 11. Daniel, 12. Now It's Time To Say Goodbye, 13. Bedtime IN mY pajamas, and 14. Bless This Child.
Music:
- I'm More Than What I Seem
- Juggling Babies
- Jump Up
- Learn with Vivaldi
- Let's Fill Up the House with Stories & Songs
- Little Johnny Brown & Other Songs
- Lulla-drive for the Car
- Magic Disney [Import]
- Math Music 1 [Enhanced]
- Math Music 2 [Enhanced]
Music
Music