When I Was Young

Editorial Reviews
Amazon.com
Vocalists Len Graham and Pádraigín Ní Uallacháin are accompanied by a number of musicians and the multitalented player and producer Garry Ó Briain on a collection of songs that kids will appreciate and love and that parents will both remember on occasion, and enjoy throughout. It's never cutesy or cloying and offers both the repetitive songs that younger children love and some clever (and once or twice scary) songs that grab the older kids' attention. Throughout the album the musicianship is high, with a special nod to accordion work of Mairtin O'Conner that's quite impressive. When I Was Young is a step above the current bumper crop of preachy or New Age children's records that masquerade as "Celtic." This one will actually have them clamoring for some of the real (adult) thing in a few years. --Louis Gibson --This text refers to the Audio CD edition.

When I Was Young, Music, Various Artists, Celtic/Irish, Int'l & World Music, Ireland, Pop, Sing-Along, Traditional Irish Folk
Instruments of the Orchestra
Average customer rating: 4.5 out of 5 stars
  • Instruments of the Orchestra - Great Reference Material!
  • Beginner or Expert
  • Very Informative and Enjoyable
  • Frank's view
  • Excellent Intro for Those Not Familiar with the Orchestra
Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
  2. The Life and Works of Ludwig van Beethoven
  3. What to Listen for in Music
  4. Study of Orchestration, Third Edition
  5. The Life and Works of Frédéric Chopin

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
When I Was Young
Average customer rating: 5 out of 5 stars
  • Get this album now, it's unbelievably great, a sure thing!!!!!!!!
  • Up there with P-Orridge's best work...
  • Amazing
  • A gem
When I Was Young
Genesis P-Orridge
Manufacturer: Important Records
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Alternative Rock | Styles | Music
Alt IndustrialAlt Industrial | Industrial | Goth & Industrial | Alternative Rock | Styles | Music
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Pop RockPop Rock | Pop | Styles | Music
Similar Items:
  1. Part Two. The Endless Not
  2. Thee Fractured Garden
  3. Part Two: The Endless Not (Special Limited Edition)
  4. Godstar: Thee Director's Cut by Psychic TV
  5. Hell Is Invisible...Heaven Is Here

ASIN: B00022TPN4
Release Date: 2004-08-03

Tracks:

  1. Final Puzzle
  2. When I Was Young
  3. Mind Is the Key
  4. Inside
  5. I.T.
  6. Truth
  7. I Want to Go
  8. I Don't Remember His Name
  9. Possession
  10. Eshu Yes You

Album Description

As the world awaits the remarkable reunion of Throbbing Gristle and a subsequent studio album from the group, this surprise full-length from Throbbing Gristle and Psychic TV founder Genesis P-Orridge, produced by Astrid Monroe, has been slowly coming to fruition and it arrives with perfect timing. The true identity of Astrid Monroe has been kept a secret from all parties involved in the release of this CD. His production work is the only indication we have of who this gifted artist could possibly be. Slow, deliberate and lushly orchestrated, the eccentric instrumentation swirls pensively around audio tracks created by Genesis P-Orridge almost as if he were the leader of a more adventurous Portishead or possibly even Massive Attack. Dark and dreamy, When I Was Young is a surprisingly unique addition to the P-Orridge catalog. It's emphasis on unique word play, vocals and annunciation create an eloquently pronounced lyrical and music journey.

Customer Reviews:

5 out of 5 stars Get this album now, it's unbelievably great, a sure thing!!!!!!!!.......2007-03-28

I have been a Throbbing Gristle / Psychic TV fan since the 80's. I have a huge collection, including most of the CD's of both, as well as alll the great "Splinter test" stuff. So I am a pretty huge fan of Genesis P-Orridge. Yet somehow, some way this release managed to fly under my radar for a couple of years - I had no idea it was out. It just popped up by chance on Amazon's search engine while looking for the new TG CD. So I ordered it, of course, but I wasn't particularly excited about it, it would come in the mail, I would listen to it but maybe only once. WOW, what a surprise I was in for. This album is a masterpiece, there is no other word for it. Words cannot describe what a great CD this is. It is extremely catchy, and extremely interesting. If you are a fan of "Infinite Beat" or "Peak Hour", then you'll really like this - even though it sounds completely different - it's slower, yet somehow no less energetic. In some respects, it is even better than those albums. And the packaging I thought was really cool as well. It's nice to see someone who still gives a damn about innovative packaging. You've GOTTA get this CD, you'll probably end up liking it at least as much as your Throbbing Gristle stuff. More than makes up for the lack of Psychic TV releases in the last 10 years. Ok, ya got it? Get it!

5 out of 5 stars Up there with P-Orridge's best work..........2006-08-19

Most solo albums by members of cult groups tend to be for completists only, but this album impresses me more with each listen. I will admit it sounded a little too much like Portishead the first time I listened to it (not that there's anything wrong with that, but I didn't expect someone as unique and visionary as P-Orridge to sound that close to anyone), but there's so much more to this album. The lyrics are very interesting, and the treated vocals sound great. Whether you're into Throbbing Gristle, Psychic TV, or Genesis P-Orridge's segment on the Disinformation TV series piqued your interest, this album belongs in your collection.

5 out of 5 stars Amazing.......2005-02-20

I was so suprised by this album... I didn't think it would be anything like what it really is.. This album is very moody and electronic and dark... Think of Doubting Thomas with a bit more flow and structure (Doubting Thomas is so great though) or even the likes of Download.... This album grooves and haunts it is really amazing...

5 out of 5 stars A gem.......2004-11-24

One of the best albums of the year. When I bought it I didn't expect to like it this much. I could tell from the song titles that it was just more rehashed samples from Gen's old spoken word pieces put to some kind of backing tracks, like that "collaboration" with Merzbow.

While that may be technically true, what we have here are trip-hop beats, spacey synth & theremin, and dubby electronica with Gen's manipulated voice. This is a seriously cool album. Perfect for getting stoned, having sex or just chilling out after a night on the town. It doesn't break any new musical ground, but it's a truly enjoyable ride...and that's a compliment for any album.
Léhar: The Land of Smiles; The Merry Widow; The Count of Luxembourg (Highlights)
Average customer rating: 5 out of 5 stars
  • Arguably "The Best" English "Merry Widow "
Léhar: The Land of Smiles; The Merry Widow; The Count of Luxembourg (Highlights)

Manufacturer: Class. for Pleas. Us
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Lehár, Franz | ( L ) | Featured Composers, A-Z | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
GeneralGeneral | Opera & Vocal | Styles | Music
OperettasOperettas | Opera & Vocal | Styles | Music
Similar Items:
  1. Johann Strauss II: Die Fledermaus; The Gypsy Baron (Highlights)
  2. Offenbach: La Belle Hélène; Orpheus in the Underworld; La Vie Parisienne (Highlights)
  3. Music of Sigmund Romberg
  4. Offenbach: Orpheus in the Underworld / Burgess, Watson, etc (Highlights)
  5. The Best of Operetta, Vol. 3

ASIN: B00009KHY2
Release Date: 2003-09-02

Customer Reviews:

5 out of 5 stars Arguably "The Best" English "Merry Widow ".......2006-09-12

This is the "Merry Widow" with English translation by Christopher Hassel sung by June Bronhill. I loved this rendition ever since I first heard it in about 1960. What's to love? First the translation is the best I've heard. The language doesn't sound "stilted" as some others. And, you can understand almost every word sung. Plus, the famous song, "Vilja" has some wording that moves me every time I hear it: The soprano sings, "Love me and I'll DIE for you!" with the word "die" somewhat emphasized. I don't know, there's just something "powerful" about someone saying they'd "die" for love! AND, at the end of "Vilja" the chorus and soprano raise to a crescendo hitting a high note together. In many renditions the chorus is heard but not the soprano on the final high note. In THIS version, the soprano, June Bronhill, can be heard rising to the final high note with an incressing crescendo and fortissimo louder than the chorus and holding the final high note---which gives a very thrilling effect as she holds that final note, I assure you!

The "problem" is that this June Bronhill, Reid, and Hassel version is hard to find on CD. For example, this CD is made in Holland and "there is one left" so it says on Amazon. But, if you can find it, I think it would be very much worth a listen. Then, after hearing it, if you think there's a "better" Merry Widow, please let ME know! Thanks. Email:boland7214@aol.
Yesterday, When I Was Young
Average customer rating: Not rated
    Yesterday, When I Was Young
    Roy Clark
    Manufacturer: Krb Music
    ProductGroup: Music
    Binding: Audio CD

    GeneralGeneral | Country | Styles | Music
    Nashville SoundNashville Sound | Traditional Country | Country | Styles | Music
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    ASIN: B000N0TPNA
    Release Date: 2007-04-16
    The John Adams Earbox: A 10-CD Retrospective
    Average customer rating: 5 out of 5 stars
    • Moved to tears
    • Nonesuch delivers.Again
    • harmonia in excelsis
    • Our greatest living composer
    • Wonderful CD
    The John Adams Earbox: A 10-CD Retrospective

    Manufacturer: Nonesuch
    ProductGroup: Music
    Binding: Audio CD

    DancesDances | Ballets & Dances | Classical | Styles | Music
    QuartetsQuartets | Chamber Music | Classical | Styles | Music
    GeneralGeneral | Chamber Music | Classical | Styles | Music
    All Works by AdamsAll Works by Adams | Adams, John | ( A ) | Featured Composers, A-Z | Classical | Styles | Music
    Ives, CharlesIves, Charles | ( I ) | Featured Composers, A-Z | Classical | Styles | Music
    GeneralGeneral | Concertos | Forms & Genres | Classical | Styles | Music
    GeneralGeneral | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
    GeneralGeneral | Ives, Charles | Composers | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
    Chamber MusicChamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
    Vocal & SongVocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
    General ContemporaryGeneral Contemporary | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
    PianoPiano | Keyboard | Instruments | Classical | Styles | Music
    ViolinViolin | Strings | Instruments | Classical | Styles | Music
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    Modern & 20th CenturyModern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music
    EnglishEnglish | Languages | Opera & Vocal | Styles | Music
    ChorusesChoruses | Vocal Non-Opera | Opera & Vocal | Styles | Music
    OratoriosOratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music
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    Similar Items:
    1. Steve Reich 1965-1995
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    3. John Adams: The Dharma at Big Sur/My Father Knew Charles Ives
    4. 25 Years: Retrospective
    5. Century Rolls

    ASIN: B00001SID1
    Release Date: 1999-10-19

    Tracks:

    1. Lollapalooza
    2. John's Book Of Alleged Dances: Judah To Ocean
    3. John's Book Of Alleged Dances: Toot Nipple
    4. John's Book Of Alleged Dances: Dogjam
    5. John's Book Of Alleged Dances: Pavane: She's So Fine
    6. John's Book Of Alleged Dances: Rag The Bone
    7. John's Book Of Alleged Dances: Habanera
    8. John's Book Of Alleged Dances: Stubble Crotchet
    9. John's Book Of Alleged Dances: Hammer & Chisel
    10. John's Book Of Alleged Dances: Alligator Escalator
    11. John's Book Of Alleged Dances: Standchen: The Little Serenade
    12. John's Book Of Alleged Dances: Judah To Ocean (Reprise)
    13. Slonimsky's Earbox

    Tracks:

    1. Two Fanfares For Orchestra - Tromba Lontana
    2. Two Fanfares For Orchestra - Short Ride In A Fast Machine
    3. Common Tones In Simple Time
    4. El Dorado - Part I. A Dream Of Gold
    5. El Dorado - Part II. Soledades

    Tracks:

    1. Harmonielehre - Part I
    2. Harmonielehre - Part II The Anfortas Wound
    3. Harmonielehre - Part III Meister Eckhardt And Quackie
    4. Violin Concerto - Part I
    5. Violin Concerto - Part II Chaconne:
    6. Violin Concerto - Part III Toccare

    Tracks:

    1. Chamber Sympony - Mongel Airs
    2. Chamber Sympony - Aria With Walking Bass
    3. Chamber Sympony
    4. Hoodo Zephyr - Tundra
    5. Hoodo Zephyr - Dissappointment Lake
    6. Hoodo Zephyr - Hoodo Zephyr
    7. Gnarly Buttons - The Perilous Shore
    8. Gnarly Buttons - Hoe-Down (Mad Cow)
    9. Gnarly Buttons - Put Your Loving Arms Around Me

    Tracks:

    1. Ensemble - I Was Looking At The Ceiling And Then I Saw The Sky
    2. A Sermon On Romance
    3. Consuelo's Dream
    4. Mike's Song About Arresting A Particular Individual
    5. Tiffany's Solo
    6. Song About The On-Site Altercation
    7. Song About The Bad Boys And The News
    8. Your Honor My Client He's A Young Black Man
    9. Leila's Song; Alone (Again Or At Last)
    10. Three Weeks And Still I'm Outta My Mind
    11. Crushed By The Rock I Been Standing On
    12. Dewain's Song Of Liberation And Surprise
    13. !Este Pais! / This Country
    14. One Last Look At The Angel In Your Eyes
    15. Finale

    Tracks:

    1. Lollapalooza
    2. John's Book Of Alleged Dances - Judah To Ocean
    3. John's Book Of Alleged Dances - Toot Nipple
    4. John's Book Of Alleged Dances - Dogjam
    5. John's Book Of Alleged Dances - Pavane: She's So Fine
    6. John's Book Of Alleged Dances - Rag The Bone
    7. John's Book Of Alleged Dances - Habenera
    8. John's Book Of Alleged Dances - Stubble Crotchet
    9. John's Book Of Alleged Dances - Hammer & Chisel
    10. John's Book Of Alleged Dances - Alligator Escalator
    11. John's Book Of Alleged Dances - Standchen: The Little Serenade
    12. John's Book Of Alleged Dances - Judah To Ocean (Reprise)
    13. Slonimsky's Earbox

    Tracks:

    1. Harmonium - Negative Love
    2. Harmonium - Becuase I Could Not Stop For Death
    3. Harmonium - Wild Nights
    4. Shaker Loops - Shaking and Trambling
    5. Shaker Loops - Hymning Slews
    6. Shaker Loops - Loops and Verses
    7. Shaker Loops - A Final Shaking

    Tracks:

    1. The Chairman Dances - Foxtrot For Orchestra
    2. Grand Pianola Music - First Movement
    3. Grand Pianola Music - Second Movement
    4. Grand Pianola Music - Third Movement: On The Dominant Divide
    5. Fearful Symmetries

    Tracks:

    1. Nixon In China - Opening
    2. Nixon In China -
    3. Nixon In China -
    4. Nixon In China - Landing Of The Spirit Of '76
    5. Nixon In China -
    6. Nixon In China -
    7. Nixon In China -
    8. Nixon In China -
    9. Nixon In China - Cheers
    10. Nixon In China -
    11. Nixon In China - Opening
    12. Nixon In China -
    13. Nixon In China -
    14. Nixon In China -
    15. Nixon In China -
    16. Nixon In China -
    17. Nixon In China -
    18. Nixon In China -
    19. Nixon In China -
    20. Nixon In China -
    21. Nixon In China -
    22. Nixon In China -

    Tracks:

    1. The Wound-Dresser
    2. Christian Zeal And Activity
    3. Five Songs - Thoreau
    4. Five Songs - Down East
    5. Five Songs - Cradle Song
    6. Five Songs - At The River
    7. Five Songs - Serenity
    8. Eros Piano

    Amazon.com

    Having earned his composing stripes after the 1960s, John Adams had the pioneering work of Steve Reich, Philip Glass, and Terry Riley close at hand as he ventured into his trade. And, while minimalism's historical continuum helps place Adams, he used Reich, Glass, and Riley (among others) only as a starting point. And here's proof: a 10-CD retrospective of nearly all Adams's recorded compositions on Nonesuch Records, the label that also issued Steve Reich 1965-1995 and Kronos Quartet: 25 Years. Adams's Harmonium, a choral work of startling energy and effervescence, appears here in a new recording, as do distillations of both The Death of Klinghoffer and Nixon in China, two path-clearing operas. Over the span of a career covered by Earbox, Adams has returned minimalism to traditional instrumental ensembles as well as to projects that at once advanced a political commentary and took that commentary back to orchestral audiences. And so, in far less time than his predecessors, Adams created works that now play like standard repertoire pieces: The Wound Dresser and Shaker Loops and the Violin Concerto--all of them are here. What these works demonstrate is a fierce creativity on the one hand and perhaps a hunger for commercial advances on the other. Adams may at times be a bustling free thinker, but he sounds ever conscious of what audiences are listening to. As for the works themselves, they remain every bit as daunting as when written.

    Some may object to particular selections. I Was Looking at the Ceiling and Then I Saw the Sky, for example, hardly ranks with Adams's best work. But this box isn't a mere best-of; it's an almost-all-of. At times terrifically American--especially in the news-aware operas and their narrative pragmatism--Adams well deserves a major box set, and its coverage is appropriate to his varied, stylistically diverse output. As with any large-scale retrospective, Earbox--which fairly bristles with Adams's new composition, Slonimsky's Earbox--has spots where fans might balk at the quality of the composer's writing. But it's got a fantastic accompanying booklet along with its many hours of inarguably modern and thoroughly listener-friendly music. --Andrew Bartlett

    Customer Reviews:

    5 out of 5 stars Moved to tears.......2004-03-18

    Never before in my life was i moved so intensely and directly by classical music. I put the first cd in my player and a few minutes later tears are flowing. I find myself dancing and moving to a rythm i already seem to know. Wow, i just have to share that.

    5 out of 5 stars Nonesuch delivers.Again.......2002-11-27

    John adams is one of the most popular living composers of"modern" classical music[I believe the cutoff point, though arbitrary is usually WWII}.I came to him late, through my husband. Modersn classical music , I said? What the hell is that?My husband kept playing bits and pieces of adams for me, and more and more i found myself amazed. and swayed. His operas have been groundbreaking{Nixon in China} controversial{Death Of klinghoffer},his compostions sublimely beautiful{shaker Loops or harmonium].HIS STATURE IS WORTHY THEN OF SUCH A MONUMENTAL CAREER SPANNING BOX SET.This 10 disc set[great value, again from NONESUCH}encompasses Adams' entire career,and though there are some misses here{I was looking at the ceiling and then i saw the sky doesnt quite fit},it is still magnificent. the Highlights are ,{for me} the Wound Dresser, Chamber symphony,Violin Concerto, of course, Shaker Loops and Harmonuim are wonderful. The true jewels here are Nixon in China,the Chairman dances and the Death of Klinghoffer,which is simply a masterpiece. The set comes with a wonderful book, which contains essay's by Robert Hurwitz {An Uncommon Man}renaud Machart[John adams as seen from europe} and Essays before an earbox by Adams himself.A Chronology and dicography are included. A wonderful study of an American original,worth the investment, Highly highly recommended

    4 out of 5 stars harmonia in excelsis.......2001-11-12

    I must agree with Mr. Bartlett, particularly with regard to "Ceiling." It may well be because his Violin Concerto and Harmonielehre are so powerful. 4.5 stars.
    Interesting, and likely intentional, is that two names in the extensive liner book fail to mention two great and glaringly obvious precursors: Carl Orff and Raymond Scott. Without "Carmina Burana," there would be no "Harmonium." Orff has his mark all over Adams's gifted and epic compositions. Similarly, though there are glib references to "cartoon music," the polymath engineer/musician Scott is a seminal figure in American music, and casts a large shadow over the witty juxtapositions and sense of play one loves in Adams's work. In all, an excellent career overview.

    5 out of 5 stars Our greatest living composer.......2001-07-22

    As a composer, I'm staggered that anyone could fail to be gripped by this music.

    That anyone can use the words "spoiled, overrated" amazes me. I emphatically disagree with "A music fan"'s review.

    I don't think it's "mind-numbing"; I think it's spiritual and exciting. To me it's the most substantial music being created in our times.

    I'm really sorry that anyone could fail to enjoy it, and really recommend others to listen for themselves.

    5 out of 5 stars Wonderful CD.......2000-04-02

    This compilation should turn even the most curmudgeonly listerner into a fan. Beautifully recorded, great notes -- and it's a heck of a bargain!
    A Victor Herbert Showcase: The Greatest Hits of the Father of American Popular Song
    Average customer rating: Not rated
      A Victor Herbert Showcase: The Greatest Hits of the Father of American Popular Song

      Manufacturer: Pearl
      ProductGroup: Music
      Binding: Audio CD

      All Works by HerbertAll Works by Herbert | Herbert, Victor | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
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      ASIN: B000000X2L
      Release Date: 1995-08-29

      Tracks:

      1. March Of The Toys - Victor Orchestra/Nathaniel Shilkret
      2. Gypsy Love Song - Alfredo Campoli And His Salon Orchestra
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      4. Ah! Sweet Mystery Of Life - Richard Crooks
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      11. Love Is Best Of All - Harry Horlick And His Orchestra
      12. President's March - USA Seventh Regimental Band
      13. Eileen - Victor Light Opera Co./Nathaniel Shilkret
      14. Punchinello - Victor Young And His Orchestra
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      16. Miss Dolly Dollars - Harry Horlick And His Orchestra
      17. When The Sunlight Dies - Reinald Werrenrath
      18. Panamericana - Adrain Schubert And His Orchestra
      19. Princess Pat - Victor Light Opera Co./Nathaniel Shilkret
      20. Fleurette - Harry Horlick And His Orchestra
      21. Victor Herbert Favourties - Anton And The Paramount Theatre Orchestra
      When I Was Young: Children's Songs From Ireland
      Average customer rating: 5 out of 5 stars
      • A gorgeous Celtic album...!
      • Children's music that adults will treasure, too
      • A must have for any childs music library
      • Great for dancing
      When I Was Young: Children's Songs From Ireland
      Various Artists
      Manufacturer: Shanachie
      ProductGroup: Music
      Binding: Audio CD

      Irish FolkIrish Folk | Traditional British & Celtic Folk | Folk | Styles | Music
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      BritainBritain | British Isles | Europe | International | Styles | Music
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      5. Seal Maiden: A Celtic Musical

      ASIN: B00000I063
      Release Date: 1999-02-16

      Tracks:

      1. Johnny When You Die
      2. Dazzledance
      3. Soldier Soldier
      4. The Field Mouse's Ball
      5. The Wheel Of Fortune
      6. As I Roved Out
      7. The Fox And The Hare
      8. Rosemary Fair
      9. Early In The Morning
      10. Henry My Son
      11. Old Roger Rum
      12. My Aunt Jane
      13. The Frost Is All Over/Daisy Chain
      14. The Magical Band
      15. The Golden Ball
      16. Do You Love An Apple
      17. The Old Woman And The Beggar
      18. Wella Wella Wella
      19. Cause He Was A Fool
      20. The Willow Tree
      21. Fair Rosa
      22. I Once Had A Granny
      23. The Pack Of Tailors/Baggy Britches
      24. The Frog's Wedding
      25. The False Knight
      26. Dreamtime
      27. Morning Willie O
      28. I Know Where I'm Going

      Amazon.com

      Vocalists Len Graham and Pádraigín Ní Uallacháin are accompanied by a number of musicians and the multitalented player and producer Garry Ó Briain on a collection of songs that kids will appreciate and love and that parents will both remember on occasion, and enjoy throughout. It's never cutesy or cloying and offers both the repetitive songs that younger children love and some clever (and once or twice scary) songs that grab the older kids' attention. Throughout the album the musicianship is high, with a special nod to accordion work of Mairtin O'Conner that's quite impressive. When I Was Young is a step above the current bumper crop of preachy or New Age children's records that masquerade as "Celtic." This one will actually have them clamoring for some of the real (adult) thing in a few years. --Louis Gibson

      Customer Reviews:

      5 out of 5 stars A gorgeous Celtic album...!.......2003-08-20

      Not actually a "various artists" release, however: Len Graham, Garry O Briain and vocalist Padraigin Ni Uallachain are all co-collaborators on this fine Celtic outing. A lovely and delightful album, featuring pretty, lavishly melodic versions of over two dozen obscure Irish children's songs. Graham's old-man voice is always a delight, while for her part Ni Uallachain fills these songs out with a classic Celtic sonorousness. The material is pleasantly unfamiliar, playful and engaging, while the arrangements are richly fleshed out and satisfying. Nice disc -- highly recommended, especially as the title might lead some Celtic music fans to pass it by.

      5 out of 5 stars Children's music that adults will treasure, too.......2001-10-19

      This is an astounding collection of songs that are so varied and beautiful, I would recommend them to anyone with children. The mood varies from lighthearted and funny to sweet and wide-eyed with even a little touching melancholy thrown in to keep things truly Irish. If these songs don't stay in your heart, I don't know what will. At the risk of sounding like a total sap, I once danced around the kitchen with my 2 year-old daughter to the song, "Magical Band" and she smiled happily, wondering why my eyes were filling with tears.

      5 out of 5 stars A must have for any childs music library.......2000-08-27

      This is a wonderful cd with excellent musical quality. The music is a much higher quality than the typical childrens cd's available. My 1 year old daughter can't help moving to the music whenever its played. Lyrical content of a few songs is rather dark, but this is a cd that the parents will enjoy as much as the children.

      5 out of 5 stars Great for dancing.......2000-08-13

      My 3 year-old daughter loves dancing to this lively, fun-filled music. The voices are beautiful and harmonious and the music up-beat and perfectly paced for a young child. While the lyrics to a couple of the songs are rather gruesome, the music itself is never dark but always light and airy. I would definately recommend this CD not only as an introduction to the delights of irish music but as a joyful experience on its own, and not only for children. This is one of my favorite irish music CDs, for the quality of the singing and the choice of songs. It ranks high up on my list of possible gifts for friends of all ages.
      A.E. Housman: A Shropshire Lad, Complete in verse and song
      Average customer rating: Not rated
        A.E. Housman: A Shropshire Lad, Complete in verse and song
        Alan Bates , Anthony Rolfe Johnson , and Graham Johnson
        Manufacturer: Hyperion UK
        ProductGroup: Music
        Binding: Audio CD

        Baroque Dance SuitesBaroque Dance Suites | Ballets & Dances | Classical | Styles | Music | Allemandes | Courantes | Gigue | Sarabande
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        Chamber MusicChamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
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        ASIN: B00005S85Q
        Release Date: 2001-12-11
        With a Song in My Heart: The Songs of Rodgers & Hart
        Average customer rating: Not rated
          With a Song in My Heart: The Songs of Rodgers & Hart

          Manufacturer: Asv Living Era
          ProductGroup: Music
          Binding: Audio CD

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          ASIN: B000059N0T
          Release Date: 2001-03-27

          Tracks:

          1. Manhattan - Ben Selvin & His Orchestra
          2. Mountain Greenery - Frank Crumit
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          Traditional Songs of England
          Average customer rating: Not rated
            Traditional Songs of England

            Manufacturer: Saydisc
            ProductGroup: Music
            Binding: Audio CD

            GeneralGeneral | Folk | Styles | Music
            GeneralGeneral | International | Styles | Music
            GeneralGeneral | Opera & Vocal | Styles | Music
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            ASIN: B00000453H
            Release Date: 1995-12-12

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            1. Winter Solstice
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