All Right Here

Editorial Reviews
Amazon.com
Sara Groves has the voice of an angel, the heart of a devoted mother and wife, and the soul of a poet. It might sound cheesy, but it's true. And her third album, All Right Here, is an instant classic of devotional pop from this former high school history teacher. It's more upbeat and sonically fleshed-out than its predecessor, Conversations, which was one of the breakthrough releases of 2001. Among All Right Here's many treats are the baroque folk of "You Cannot Lose My Love" and the edgy, anthemic "Less Like Scars." Throughout the disc, the talented pianist and singer-songwriter's lyrics are soul-searching and achingly honest, reminiscent of the great Rich Mullins. Her songs themselves are as strong as Jennifer Knapp's, while she amply displays the heavenly vocal chops of Sarah McLachlan and Shawn Colvin. --Mike McGonigal

All Right Here, Music, Sara Groves, Alternative CCM, CCM, Christian, Contemporary Christian Music, Pop, Religious / Contemp. Christian

Add to the Beauty
Average customer rating:

Wonderful music!

Great gift

Half-way there...

Great CD! I just love it!

Shining Sara

Add to the Beauty
Sara Groves
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Conversations

All Right Here

The Other Side of Something

Past the Wishing

Brave

ASIN: B000BP2JHG
Release Date: 2005-10-04

Tracks:

When It Was Over
Just Showed Up For My Own Life
You Are The Sun
It's Going To Be Alright
Add To The Beauty
Rewrite This Tragedy
Something Changed
How Can I Tell
To The Moon
Kingdom Comes
Why It Matters
Loving A Person
When It Was Over (Reprise)

Product Description

Project Description: IN MY MIND THE NEW ALBUM IS ABOUT THE KINGDOM OF GOD, HOW IT REALLY DOES EXIST, AND IS AS REAL AS YOUR CAR OR YOUR KRISPY KREME DONUT, YOUR FAMILY, YOUR PROBLEMS. IF WE CAN FIGURE IT OUT, GOD HAS INVITED US TO LIVE in His kingdom in the midst of our regular existence. It is not a place of isolation and perfection, it is not far away where we cannot reach it. It happens at all the places where we intersect with each other. I hope the album is another reminder that the kingdom of God doesn't just come in the rally or worship event. It comes when I speak respectfully to my husband, and refrain from letting my anger spill over onto my kids, when I have an opportunity to gossip and refrain, when I open up my home, when I mess up royally, and have the stuff to go apologize, when I refuse to blame everyone else for my problems. These songs are about the beautiful character that grows out of seeing people through by loving God, and loving people. SARA GROVES Candidly truthful and compassionately hopeful, the fourth release from acclaimed singer-songwriter Sara Groves promises to be another creative expression of faith and relationships. This new project echoes Sara's first release Conversations, in its' intimate and honest lyrical journey. This is Sara's bridge building statement to fellow men pointing to the adventurous, transcending, life-changing Kingdom story. As a talented singer-songwriter, Sara offers an insightful and accessible view into the complexities of Christianity being walked out in a fallen world.

Customer Reviews:

Wonderful music!.......2007-01-22

I love all of Sara Groves cd's, but this one is definately one of her best. Every song is excellent! "Add to the Beauty" is more in the style of her first cd's. One thing I really like about her music is that she has deep, thought provoking lyrics. Her voice is very mellow as well. Simply beautiful! I wholeheartely give this 5 stars!

Great gift.......2007-01-13

I received this as a gift and have enjoyed it so much, I purchased several copies and give them as gifts as well.

Half-way there..........2006-11-21

This CD started out really great; the first five songs are excellent. And then, the next six are mediocre. The problem lies in Sara's songwriting: she co-wrote the first five, but the next six, she did on her own. They are unremarkable, searching for a melody. If she would just work consistently with another person, her efforts would be greatly enhanced. I really liked her CD - "All Right Here" - it would be a strong 4 stars; some really good tunes with a few weaker ones. Her "Other Side of Something" (only 2 or 3 decent songs; extrememly disappointing; I would give it 2 stars) really highlights her weakness as songwriter: she is entirely too wordy, too preachy, too ordinary. Songs are songs, not sermons or meandering thoughts. She really needs to work on writing songs, not prose. Prose put to music does not make for good songs (usually). Some of her stuff is like an essay or mediocre poetry put to (unmemorable)music. And her music also could benefit from co-writers as much of it is simply not memorable or catchy. Sara does have extraordinary insights, which I enjoy; she does have something to say. I just wish her songwriting would improve. I had great expectations for Sara after "All Right Here" and my negativity is a result of my disappointment. "Sara, oh, Sara, you showed me such promise, but you never came through..." With apologies to Mr. Zimmerman.

Great CD! I just love it!.......2006-07-30

I am very much a fan of this cd and it has been in my car cd player for close to a month now. I do not own any other Christian cds but I had heard Sarah's song "Kingdom Come" and LOVED IT! When I got the cd I realized I loved nearly every song on it!!!! So I bought an additional copy for my friend!

I highly recommend this cd to anyone! She is a wonderful artist with tons of talent!

Shining Sara.......2006-04-07

Confession: Sara Groves surprised me with her sound on this cd!
I have come to know and love the gentle Sara and this was quite a shock. Sara does retain her mellowness and her voice still soothes. However, this is indeed an edgier, more contemporary and sometimes rocked out Sara. Still, she manages to retain the balance. This new sound left me confused, but I LOVED it. Major standouts for me are the coolly thumping "When It Was Over" which discusses the cleansing power of love, "Just Showed Up", the reggae reminiscent "You Are The Sun", the very edgy "It's Gonna To Be Allright", she calmly rocks out on the title track; "Add To The Beauty" where she urges us to focus the little things we can do extraordinarily, and the head bobbing, true "Kingdom Comes".
Through it all, Sara delivers her message. I'm sure that's what matters most to her.

Average customer rating:

A Confirmation That I Am A Sara Groves Fan
greatstuff
Very Much All Right
what a voice, great lyrics
"All Right Here" review

All Right Here
Sara Groves
Manufacturer: Integrity Media
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Conversations
The Other Side of Something
Add to the Beauty
Past the Wishing
Beautiful

ASIN: B00006G9ZR
Release Date: 2002-08-20

Tracks:

Less Like Scars
Every Minute
Fly
You Did That for Me
Just One More Thing
All Right Here
Remember Surrender
Maybe There's a Loving God
This Peace
Tornado
First Song That I Sing
You Cannot Lose My Love
Jesus, You're Beautiful

Amazon.com

Sara Groves has the voice of an angel, the heart of a devoted mother and wife, and the soul of a poet. It might sound cheesy, but it's true. And her third album, All Right Here, is an instant classic of devotional pop from this former high school history teacher. It's more upbeat and sonically fleshed-out than its predecessor, Conversations, which was one of the breakthrough releases of 2001. Among All Right Here's many treats are the baroque folk of "You Cannot Lose My Love" and the edgy, anthemic "Less Like Scars." Throughout the disc, the talented pianist and singer-songwriter's lyrics are soul-searching and achingly honest, reminiscent of the great Rich Mullins. Her songs themselves are as strong as Jennifer Knapp's, while she amply displays the heavenly vocal chops of Sarah McLachlan and Shawn Colvin. --Mike McGonigal

Customer Reviews:

A Confirmation That I Am A Sara Groves Fan.......2007-05-11

Sometimes I may hear an item by an artist and get excited, and then hear a second and wonder what the excitement was about. I've had that experience lately. This is the second project I've heard by Sara Groves, "The Other Side Of Something" being the first. Sara Groves is not an example of what I described above.

I enjoy Groves' style. She wrote most of the songs on the project, with the exception of "You Did That For Me" (written by Jonell Moser, who I heard of for years in Nashville but never heard personally) and Pierce Pettiz) and "Jesus, You're Beautiful". But better than the music is her lyrics. They are clearly Christian. Too many Christian projects seem to be for the purpose of being a clean alternative to secular music, and there's nothing wrong with that but I want more. Groves' songs are "more".

Maybe it would be easier to tell you my least favorite songs on this project than my favorites, and there is not a bad cut on the project. But my favorites are "Less Like Scars", "Every Minute", "Just One More Thing" (I relate to that tune), "Remember Surrender", "Maybe There's A Loving God", "Tornado", "First Sung That I Sing", and "You Cannot Lose My Love".

greatstuff.......2007-01-22

My first introduction to Sarah Groves was at a Jars of Clay concert. I bought this first cd because I thought she was wonderful in concert. Very genuine and her songs were very touching and sweet. Haven't heard the others but I can't imagine I could enjoy them any more than this. If you have difficulty finding a spiritual component to each and every song... well I don't know what to say. Sometimes we speak loudest of Gods love by just telling our stories. As a believer, married for close to 30 years, mom of two grown kids...just about everything hit home. Thank you Sarah :-)

Very Much All Right.......2007-01-15

Every Sara Groves cd is outstanding, but this one rivals Conversations as the best. The title track is one of my favorite songs of all time in any genre. Sara's lyrics are outstanding, and I could swear she's talking about me most of the time. She's honest, she doesn't sugar-coat her faith and struggles, but also lets her peace shine through in the midst of it all.

In addition to "All Right Here," other standout songs on this cd include "Less Like Scars", "Every Minute", "Jesus, You're Beautiful", and "First Song that I Sing", although "First Song" does drag on a bit longer than necessary. In a way, it's pointless to mention the standout songs, because they're all great.

Sara Groves is a great talent.

what a voice, great lyrics.......2007-01-03

I love this singer and her Christian lyrics, they are not praise and worship choruses, they are lyrics that have thought and meat to them, and her voice is just lovely.

"All Right Here" review.......2006-11-10

Great CD. Many meaningful lyrics. This was my first CD of Sarah Groves and I have already purchased another one. She has a wonderful, sweet voice. It is great music for the children to hear too. I would highly recommend this CD for it's Christian content and sing-along kind of songs.

Dowland - The Collected Works / The Consort of Musicke, Rooley

Average customer rating:

A musical treasure-box
a beautiful journey into melancholy

Dowland - The Collected Works / The Consort of Musicke, Rooley
John Dowland , Anthony Rooley , Emma Kirkby , Christopher Wilson , The Consort of Musicke , Colin Tilney , Anthony Bailes , Jakob Lindberg , Nigel North , Glenda Simpson , Peter Holman , and John Donne
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Dowland: Complete Lute Works, Vol.1-5
William Byrd: Consort Songs
Bach: The Landowska Recordings
Britten Conducts Britten
Janácek: Operas

ASIN: B000004CYV
Release Date: 2007-03-13

Tracks:

First Booke Of Songes: I. Unquiet Thoughts
First Booke Of Songes: II. Who Ever Thinks Or Hopes Of Love
First Booke Of Songes: III. My Thoughts Are Wing'd With Hopes
First Booke Of Songes: IV. If My Complaints Could Passions Move
First Booke Of Songes: V. Can She Excuse My Wrongs
First Booke Of Songes: VI. Now, O Now, I Needs Must Part
First Booke Of Songes: VII. Dear, If You Change
First Booke Of Songes: VIII. Burst Fourth My Tears
First Booke Of Songes: IX. Go Crystal Tears
First Booke Of Songes: X. Think'st Thou Then By Thy Feigning
First Booke Of Songes: XI. Come Away, Come Sweet Love
First Booke Of Songes: XII. Rest Awhile, You Cruel Cares
First Booke Of Songes: XIII. Sleep, Wayward Thoughts
First Booke Of Songes: XIV. All Ye, Whom Love Or Fortune Hath Betray'd
First Booke Of Songes: XV. Wilt Thou Unkind Thus Reave Me
First Booke Of Songes: XVI. Would My Conceit
First Booke Of Songes: XVII. Come Again: Sweet Love Doth Now Invite
First Booke Of Songes: XVIII. His Golden Locks
First Booke Of Songes: XIX. Awake, Sweet Love
First Booke Of Songes: XX. Come, Heavy Sleep
First Booke Of Songes: XXI. Away With These Self-Loving Lads

Tracks:

Second Booke Of Songs: I. I Saw My Lady Weep
Second Booke Of Songs: II. Flow My Tears
Second Booke Of Songs: III. Sorrow, Stay
Second Booke Of Songs: IV. Die Not Before Thy Day
Second Booke Of Songs: V. Mourn, Mourn, Day Is With Darkness Fled
Second Booke Of Songs: VI. Time's Eldest Son
Second Booke Of Songs: VII. Then Sit Thee Down
Second Booke Of Songs: VIII. When Others Sing Venite
Second Booke Of Songs: IX. Praise Blindness Eyes
Second Booke Of Songs: X. O Sweet Woods
Second Booke Of Songs: XI. If Floods Of Tears
Second Booke Of Songs: XII. Fine Knacks For Ladies
Second Booke Of Songs: XIII. Now Cease My Wand'ring Eyes
Second Booke Of Songs: XIV. Come Ye Heavy States Of Night
Second Booke Of Songs: XV. White As Lilies Was Her Face
Second Booke Of Songs: XVI. Woeful Heart
Second Booke Of Songs: XVII. A Shepherd In A Shade
Second Booke Of Songs: XVIII. Faction That Ever Dwells
Second Booke Of Songs: XIX. Shall I Sue
Second Booke Of Songs: XX. Toss Not My Soul
Second Booke Of Songs: XXI. Clear Or Cloudy
Second Booke Of Songs: XXII. Humour Say What Mak'st Thou Here

Tracks:

Third Booke Of Songs 1603: I. Farewell, Too Fair
Third Booke Of Songs 1603: II. Time Stands Still
Third Booke Of Songs 1603: III. Behold A Wonder Here
Third Booke Of Songs 1603: IV. Daphne Was Not So Chaste
Third Booke Of Songs 1603: V. Me, Me, And None But Me
Third Booke Of Songs 1603: VI. When Phoebus First Did Daphne Love
Third Booke Of Songs 1603: VII. Say, Love, If Ever Thou Didst Find
Third Booke Of Songs 1603: VIII. Flow Not So Fast, Ye Fountains
Third Booke Of Songs 1603: IX. What If I Never Speed?
Third Booke Of Songs 1603: X. Love Stood Amazed
Third Booke Of Songs 1603: XI. Lend Your Ears To My Sorrow
Third Booke Of Songs 1603: XII. By A Fountain Where I Lay
Third Booke Of Songs 1603: XIII. O What Hath Overwrought
Third Booke Of Songs 1603: XIV. Farewell, Unkind
Third Booke Of Songs 1603: XV. Weep You No More, Sad Fountains
Third Booke Of Songs 1603: XVI. Fie On This Feigning!
Third Booke Of Songs 1603: XVII. I Must Complain
Third Booke Of Songs 1603: XVIII. It Was A Time When Silly Bees
Third Booke Of Songs 1603: XIX. The Lowest Trees Have Tops
Third Booke Of Songs 1603: XX. What Poor Astronomers Are They
Third Booke Of Songs 1603: XXI. Come When I Call

Tracks:

A Pilgrimes Solace: I. Disdain Me Still
A Pilgrimes Solace: II. Sweet Stay Awhile
A Pilgrimes Solace: III. To Ask For All Thy Love
A Pilgrimes Solace: IV. Love, Those Beams That Breed
A Pilgrimes Solace: V. Shall I Strive Wih Words To Move?
A Pilgrimes Solace: VI. Were Every Thought An Eye
A Pilgrimes Solace: VII. Stay, Time, Awhile Thy Flying
A Pilgrimes Solace: VIII. Tell Me, True Love
A Pilgrimes Solace: IX. Go Nightly Cares
A Pilgrimes Solace: X. From Silent Night
A Pilgrimes Solace: XI. Lasso vita mia
A Pilgrimes Solace: XII. In This Trembling Shadow Cast
A Pilgrimes Solace: XIII. If That A Sinner's Sights
A Pilgrimes Solace: XIV. Thou Mighty God
A Pilgrimes Solace: XV. When David's Life
A Pilgrimes Solace: XVI. When The Poor Cripple

Tracks:

A Pilgrimes Solace: XVII. Where Sin Sore Wounding
A Pilgrimes Solace: XVIII. My Heart And Tongue Were Twins
A Pilgrimes Solace: XIX. Up Merry Mates
A Pilgrimes Solace: XX. Welcome Black Night
A Pilgrimes Solace: XXI. Cease, Cease These False Sports
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Lachrimae Pavane
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can Shee
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana
Keyboard Transcriptions Of Dowland's Music By Other Musicians: The Frogge
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Frog's Galliard
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavana And Galiarda
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana Lachrymae
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can She Excuse
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavion Solus cum sola
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Dowland's Almayne
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Piper's Paven And Galliard
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavan Lachrymae

Tracks:

Mr. Henry Noell Lamentations: I. The Lamentation Of A Sinner
Mr. Henry Noell Lamentations: II. Domine ne in furore
Mr. Henry Noell Lamentations: III. Miserere mei Deus
Mr. Henry Noell Lamentations: IV. The Humble Suit Of A Sinner
Mr. Henry Noell Lamentations: V. The Humble Complaint Of A Sinner
Mr. Henry Noell Lamentations: VI. De profundis
Mr. Henry Noell Lamentations: VII. Domine exaudi
Lachrimae: Lachrimae Antiquae
Lachrimae: Lachrimae Antiquae Novae
Lachrimae: Lachrimae Gementes
Lachrimae: Lachrimae Tristes
Lachrimae: Lachrimae Coactae
Lachrimae: Lachrimae Amantis
Lachrimae: Lachrimae Verae
Lachrimae: Mr. John Langton's Pavan
Lachrimae: Mr. Nicholas Gryffith His Galiard
Lachrimae: Sir John Souch His Galiard
Lachrimae: Semper Dowland Semper Dolens
Lachrimae: Mr. Giles Hobies Galiard
Lachrimae: The King Of Denmark's Galiard
Lachrimae: Sir Henry Umpton's Funerall
Lachrimae: Mr. Henry Noell His Galiard
Lachrimae: The Earl Of Essex Galiard
Lachrimae: Mr. Bucton His Galiard
Lachrimae: Mr. George Whitehead His Almand
Lachrimae: Captain Digorie Piper His Galiard
Lachrimae: Mr. Thomas Collier His Galiard
Lachrimae: Mrs. Nichols Almand

Tracks:

Sacred Songs: Sorrow, Come!
Sacred Songs: I Shame At Mine Unworthiness
Sacred Songs: An Heart That's Broken And Contrite
Psalms: Psalm 100: All People That On Earth Do Dwell
Psalms: Psalm 38: Put Me Not To Rebuke O Lord
Psalms: Psalm 130: Lord To Thee I Make My Moan
Psalms: Psalm 104: My Soul Praise The Lord
Psalms: Psalm 100: All People That On Earth Do Dwell
Psalms: Psalm 134: Behold And Have Regard
A Prayer For The Queen's Most Excellent Majesty
Instrumental Music: Solus cum sola pavan
Instrumental Music: Lachrimae
Instrumental Music: Galliard
Instrumental Music: Pipers Pavan
Instrumental Music: Lachrimae
Instrumental Music: Lady Rich Galliard
Instrumental Music: Earl Of Essex Galliard
Instrumental Music: If My Complaints
Instrumental Music: Lachrimae Doolande
Instrumental Music: Lord Willoughbie's Welcome Home
Instrumental Music: My Lord Chamberlaine His Galliard
Instrumental Music: Comagain
Instrumental Music: Pavan Lachrymae
Instrumental Music: Sorrow Stay

Tracks:

Lute Music: Preludium
Lute Music: Lachrimae
Lute Music: Can She Excuse
Lute Music: Dr. Case's Pavan
Lute Music: Melancholy Galliard
Lute Music: Sir John Smith, His Almain
Lute Music: Fantasia
Lute Music: A Dream
Lute Music: Almain
Lute Music: The Queen's Galliard
Lute Music: Coranto
Lute Music: Resolution
Lute Music: Mrs. Vaux Galliard
Lute Music: Almain
Lute Music: Mr. Dowland's MIdnight
Lute Music: Fantasia
Lute Music: Loth To Depart
Lute Music: The Most Sacred Queen Elizabeth, Her Galliard
Lute Music: The Earl Of Essex, His Galliard
Lute Music: Pavan
Lute Music: John Dowland's Galliard
Lute Music: Aloe
Lute Music: The Lady Clifton's Spirit
Lute Music: What If A Day
Lute Music: Mr. Giles Hobie's Galliard
Lute Music: Come Away (Song arrangement)
Lute Music: Galliard
Lute Music: Fancy (Fantasia)

Tracks:

Lute Music: Lachrimae (Basic Version)
Lute Music: Galliard To Lachrimae
Lute Music: [Jig]
Lute Music: Galliard On 'Wasingham'
Lute Music: Complaint (Ballad Setting)
Lute Music: Mignarda (Galliard)
Lute Music: Semper Dowland Semper Dolens (Pavan)
Lute Music: The Frog Galliard
Lute Music: A Fancy (Fantasia)
Lute Music: Fancy (Fantasia)
Lute Music: Piper's Pavan
Lute Music: Captain Digorie Piper's Galliard
Lute Music: Lady Laiton's Almain
Lute Music: Dowland's Galliard
Lute Music: Dowland's First Galliard
Lute Music: Tarleton's Jig
Lute Music: Walsingham (ballad Setting)
Lute Music: Lord Willoughbie's Welcome Home (Ballad Setting)
Lute Music: Sir Henry Guilforde, His Almain
Lute Music: Pavan (Related To 'Lachrimae')
Lute Music: Mr. Langton's Galliard
Lute Music: Mrs. Clifton's Almain
Lute Music: Galliard
Lute Music: Lady Hunsdon's Puffe (Almain)
Lute Music: Galliard
Lute Music: Go From My Window (Ballad Setting)
Lute Music: Fancy (Fantasia)

Tracks:

Lute Music: Pavana Johan Douland
Lute Music: Mrs. Brigide Fleetwood's Pavan (Solus sine sola)
Lute Music: La mia Barbara
Lute Music: Sir Henry Umpton's Funeral (Pavan)
Lute Music: Lachrimae
Lute Music: Farewell Fancy (Chromatic Fantasia)
Lute Music: Farewell (On The 'In Nomine' Theme)
Lute Music: The King of Denmark's Galliard
Lute Music: Mrs. Vaux's Jig
Lute Music: Mrs. Nichol's Almain
Lute Music: Galliard
Lute Music: Lord Strang's March
Lute Music: Mrs. Winter's Jump
Lute Music: Can She Excuse (Galliard)
Lute Music: The Shoemaker's Wife, A Toy
Lute Music: Mrs. Norrish's Delight
Lute Music: Galliard
Lute Music: Mrs. White's Thing (Almain)
Lute Music: Mrs. White's Nothing
Lute Music: The Frog Galliard
Lute Music: Solus cum sola
Lute Music: The Lord Viscount Lisle, His Galliard
Lute Music: Orlando Sleepeth (Ballad Setting)
Lute Music: Robin (Ballad Setting)
Lute Music: Galliard (On A Galliard By Daniel Bacheler)
Lute Music: Forlorn Hope Fancy (Chromatic Fantasia)

Tracks:

Lute Music: The Lady Russell's Pavan
Lute Music: Fancy (Fantasia)
Lute Music: Sir John Langton's Pavan
Lute Music: Earl Of Derby, His Galliard
Lute Music: A Coy Toy
Lute Music: Fortune My Foe
Lute Music: [Almain]
Lute Music: Mr. Knight's Galliard
Lute Music: Sir John Souch His Galliard
Lute Music: Tarletone's Riserrectione
Lute Music: The Lady Rich, Her Galliard
Consort Music: Lachrimae Pavan
Consort Music: Can She Excuse Galliard
Consort Music: Captain Piper's Pavan And Galliard
Consort Music: The Frog Galliard
Consort Music: Round Battell Galliard
Consort Music: Fortune My Foe
Consort Music: Dowland's First Galliard
Consort Music: Katherine Darcie's Galliard
Consort Music: Tarleton's Jigge
Consort Music: Almain a 2
Consort Music: Mistress Nichols Almain a 2
Fullsack And Hildebrandt: Auserlesener Paduanen und Galliarden: Susanna Fair (Galliard)
Haussmann: Rest von polnischen und andern Tanzen: Mistress Nichols Alman a 5
Opusculum: Mr. John Langton Pavan And Galliard
Opusculum: La mia Barbara Pavan and Galliard
Opusculum: Lachrimae Antiquae Novae Pavan and Galliard

Tracks:

Consort Music: Mistress NIchols Almain
Consort Music: Volta a 4 ('Ioh. Douland')
Consort Music: Were Every Thought an Eye
Consort Music: Lady If You So Spite Me
Consort Music: Pavan a 4
A Musicall Banquet: I. My Heavy Sprite (Anthony Holborne)
A Musicall Banquet: II. Change Thy Mind Since She Doth Change (Richard Martin)
A Musicall Banquet: III. O Eyes, Leave Off Your Weeping (Robert Hales)
A Musicall Banquet: IV. Go, My Flock, Go Get You Hence (Anon.)
A Musicall Banquet: V. O Dear Life, When Shall It Be? (Anon.)
A Musicall Banquet: VI. To Plead My Faith (Daniel Bacheler)
A Musicall Banquet: VII. In A Grove Most Rich Of Shade (Guillaume Tessier)
A Musicall Banquet: VIII. Far From Triumphing Court
A Musicall Banquet: IX. Lady, If You So Spite Me
A Musicall Banquet: X. In Darkness Let Me Dwell
A Musicall Banquet: XI. Si le parler et le silence (Pierre Guedron)
A Musicall Banquet: XII. Ce penser qui sans fin tirannise ma vie (Pierre Guedron)
A Musicall Banquet: XIII. Vous que le Bonheur rappelle (Pierre Guedron)
A Musicall Banquet: XIV. Passava Amor su arco desarmado (Anon. Spanish)
A Musicall Banquet: XV. Sta notte mi sognava (Anon. Italian)
A Musicall Banquet: XVI. Vuestros ojos tienen d'Amor (Anon. Spanish)
A Musicall Banquet: XVII. Se di farmi morire (Domenico Maria Megli)
A Musicall Banquet: XVIII. Dovro dunque morire? (Giulio Caccini)
A Musicall Banquet: XIX. Amarilli mia bella (Giulio Caccini)
A Musicall Banquet: XX. O bella piu (Anon, Italian)

Customer Reviews:

A musical treasure-box.......2006-09-10

Both the music and this actual product are masterpieces. John Dowland's collected works here - covering 12 compact discs - exhibit the depth and power of this composer, a composer who many now regard as suffering from clinical depression. I doubt that the issue of the diagnosis of Dowland's depression can ever be settled, however, it is certainly obvious from his music, so completely on display here, that he was a man with very dark depths and corners in his mind. Dowland's various manifestations and "takes" on his own tune, "Flow my tears"/"Lachrimae" are here. This tune has haunted me ever since I first heard it when I was a child. It seems to sum up Dowland's feelings - at least Dowland seems to have thought so.

The First, Second, Third and Fourth Bookes of Songes, A Musicall Banquet, the keyboard transcriptions, all the lute music, consort music are here and virtually everything else written or supposedly written by John Dowland. Anthony Rooley and The Consort of Musicke perform this music with style and feeling throughout. This 12 CD set is something of a monument to the ensemble - I only wish they'd finished their collection of Monteverdi madrigals, which was equally good (La Venexiana are currently doing a magnificent job of recording all Monteverdi's books of madrigals for the GLOSSA label).

This is an expensive set, however, you will probably never need to buy another John Dowland CD again after buying and listening to this collection.

I bought this CD set on a mild Summer evening of 1998 and listened to it while sitting in my sun room - which a glorious orange sunset in progress, and a glass of wine. It brought back so many memories.

a beautiful journey into melancholy.......2001-06-15

I'm amazed at how many people tend to associate John Dowland's music with a tragic sense of drama. While no doubt this is art highly based on sadness, the "tragic" sense of it is more a legacy from the Romantic period. During the Renaissance, however, sadness was undestood as a very aesthetic way of approaching life. That is also the reason why Shakespeare's tragedies appear more sophisticated than his comedies.

Dowland, a contemporary of Shakespeare, discovered that meditating on a sad theme is, at the same time, a way of discovering a special beauty that we tend to avoid (maybe because of the "tragic" heritage of the Romantics). So, in the end, meditating on sadness is an uplifting experience! This box set is a journey into melancholy that includes songs, chamber music, pieces for lute, some rare sacred music and -as a highlight- Dowland's beautiful collection of seven pieces for viola which he called "Lachrimae" (Tears).

Right Here All Along
Average customer rating:

Right Here CD

Billy Dee, Radio Air Personality, Jammin 995FM.com

Ali is Back!

The

love the voice

Right Here All Along
Ali-Ollie Woodson
Manufacturer: Expansion UK
ProductGroup: Music
Binding: Audio CD

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To Be Continued...

FOR YOUR EARS ONLY

Even Now

All Night, All Love

4 Bruthas and a Bass

ASIN: B00005QC4C
Release Date: 2001-11-19

Tracks:

Turn out the Stars
Angel
Drama in the Bedroom
Power of a Woman
Whatever It Takes
Will You Still Love Me Tomorrow
Deeper Love
Get Next to You
Love's Not All
Believe That
Never Give Up
Down the Line
Love Is Slipping Away
Right Here All Along

Customer Reviews:

Right Here CD.......2007-07-13

Ali-Ollie Woodson. MY my my...what a great collection of smooth R & B!
The Temptations will never be the same without him.

Billy Dee, Radio Air Personality, Jammin 995FM.com.......2007-05-22

Recording Artist, Ollie Woodson's album is a must have to add to your collection. I give it five stars (if I could, I would give it ten stars). If you have not picked it up already, what are you waiting for?You must pick it up TODAY!

[...]

Ali is Back!.......2007-03-13

If you're looking for some mellow music, strong musical background,
great vocals, and just downright good music - look no further!
Ali has it all! A few years ago, I was very disappointed when I found out he no longer was with The Temptations - another "Powerhouse" was
gone! Alas, he resurfaced. He is now a solo act and he does it very well! Pick up his CD! He has the style and the voice that lasts forever!

The .......2005-02-07

Ali Woodson was one he best of the Temptations' lead singers and on "Right Here All Along" he reminds you why. He's among the best singers today! He starts you off with the gospel influenced, "Turn Out The Stars" and keeps you all listening all the way through to "My Na Na". My favorites are... Shoot, I like all of them! Ali is a true "Soul" singer. It's so good it should come with a money back guarantee.

love the voice.......2004-11-25

I do feel I got my money worth, but like the other reviews I want more of what I know Ollie can do, the range and church gospel feel I know he usually do on his songs. I love the cd and he is such a great talent deserving of many awards that others have undeserving won. Keep it up, keep touring, the fans love you and want a new cd with that old ollie old school feel that we all love ane expect from you. No one will be disappointed with this cd and it will get lots of play from you once purchased. The man can sing, he is so awesome, love the cd

Do I Hear A Waltz? (1965 Original Broadway Cast)

Average customer rating:

You always will hear a waltz from Richard Rodgers
Much better than it's reputation.
An unappreciated score by a fine cast
"Someone Woke Up....."
You MUST hear a 'Waltz'!

Do I Hear A Waltz? (1965 Original Broadway Cast)
Richard Rodgers , Jane Manning , Sergio Franchi , and Stephen Sondheim
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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No Strings (1962 Original Broadway Cast)
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Pipe Dream (1955 Original Broadway Cast)
I Do! I Do! (1966 Original Broadway Cast)
Anyone Can Whistle (1964 Original Broadway Cast)

ASIN: B0000027WA
Release Date: 1992-11-24

Tracks:

Act I: Someone Woke Up - Elizabeth Allen/Sergio Franchi/Carol Bruce/Madeleine Sherwood/Julienne Marie/Stuart Damon...
Act I: This Week, Americans - Carol Bruce
Act I: What Do We Do? We Fly! - Madeleine Sherwood/Jack Manning/Elizabeth Allen/Julienne Marie/Stuart Damon
Act I: Someone Like You - Sergio Franchi
Act I: Bargaining - Sergio Franchi/Elizabeth Allen
Act I: Here We Are Again - Carol Bruce/Madeleine Sherwood/Jack Manning/Elizabeth Allen/Julienne Marie/Stuart Damon
Act I: Thinking - Sergio Franchi/Elizabeth Allen
Act I: No Understand - Stuart Damon/Fleury D' Antonakis/Carol Bruce
Act I: Take The Moment - Sergio Franchi
Act II: Moon In My Window - Julienne Marie/Carol Bruce/Elizabeth Allen
Act II: We're Gonna Be All Right - Stuart Damon/Julienne Marie
Act II: Do I Hear A Waltz? - Elizabeth Allen/Sergio Franchi/Carol Bruce/Madeleine Sherwood/Julienne Marie/Stuart Damon...
Act II: Stay - Sergio Franchi
Act II: Perfectly Lovely Couple - Stuart Damon/Madeleine Sherwood/Julienne Marie/Carol Bruce/Jack Manning/Elizabeth Allen...
Act II: Thank You So Much - Elizabeth Allen/Sergio Franchi

Customer Reviews:

You always will hear a waltz from Richard Rodgers.......2007-01-13

An example of Rodgers trying to fit in a new contributor of lyrics, but the match wasn't there, yet even so, his melodic mastery shone through.

Much better than it's reputation........2006-11-02

Despite being considered a flop by it's creative team, this is the one of Sondheim's "lyrics only" musicals I return to most often. It's melancholy charm is underlined by Rodgers' highly hummable tunes combined with Sondheim's reluctant lyrics. They are partly bitter and partly forced "happy". I love it.

An unappreciated score by a fine cast.......2004-02-04

Even though the show was not a success and the authors have all taken their turns at trashing it, this recording makes a strong case for DO I HEAR A WALTZ.

It's another fine record production by Goddard Lieberson. Rodgers (who was from all reports drinking and quite nasty to his collaborators) came up with many of his trademark melodies and the title song won deserved popularity outside of the show. Sondheim for his part creates some crackling good lyrics ("Someone Woke Up"; "What Do We Do We Fly!") but its an odd score... you hear the romantic older style love songs from Rodgers with fairly basic (dare we say dull) lyrics then some wonderful lyrics set to atypical Rodgers tunes. Then suddenly it all comes together in the final few numbers: The Title Song, "Perfectly Lovely Couple" and "Thank You So Much." Maybe it's a show that Encores will revive someday. In the meantime we can appreciate this original cast album and thank Sony for releasing it on Cd with good notes and a synopsis in the booklet!

"Someone Woke Up.....".......2003-10-04

So begins the delightful DO I HEAR A WALTZ?, one of Richard Rodgers' most accomplished post-Hammerstein scores. Not since his days with Lorenz Hart had Rodgers written such an energetic, youthful and joyful score. Stephen Sondheim's lyrics are witty and wonderful. DO I HEAR A WALTZ? received a lukewarm response from critics and audiences, lasting only 220 performances at the 46th Street Theatre.

Based on Arthur Laurents' play THE TIME OF THE CUCKOO (which turned into the film SUMMERTIME starring Katharine Hepburn), the story concerns a teacher, Leona Samish (played by Elizabeth Allen), who's holiday in Venice is dominated by her romance with the handsome Renato di Rossi (played by Sergio Franchi). There are also a host of colorful supporting characters including the ebullient hotelier Signora Fioria (Carol Bruce - SARATOGA).

The score is delicious with the opening number perfectly setting up the scene ("Someone Woke Up"), to Fioria's big number "This Week Americans", and the 11 o'clock number "Stay". There's also the Title Song, sung for all its worth by the delicious belt of Elizabeth Allen.

For all the problems that plagued the musical during its inception, nothing shows on the sparkling cast album, where it sounds like the biggest hit of the season. For Broadway fans, this CD is a must-own.

You MUST hear a 'Waltz'!.......2003-06-16

Please,give this a chance. Forget what you've read and just sit and listen. Read the libretto, available at lots of libraries, or read "Time of the Cuckoo" which Arthur Laurents based "Waltz" on. The combo of Rodgers and Sondheim is always sneered at--maybe, like me, you will see that Rodgers romanticism and Sondheim's sort of optimistic realism are actually the perfect mismatch for the endearingly troubled characters in the play.

Tracks:

Ride Through The Night
I'm Just Taking My Time
When You Help A Friend Out
Who Knows What Might Have Been?
I Just Can't Wait
Getting Married
Be A Santa
How Can You Describe A Face?
Comes Once In A Lifetime
Now I Have Someone
I Said It And I'm Glad
What Is This Feeling In The Air?
Do I Hear A Waltz?
Here We Are Again
Moon In My Window
This Week Americans
Someone Like You
We're Gonna Be All Right
No Understand
Take The Moment
Thinking
A Perfectly Lovely Couple
Stay
Thank You So Much

Customer Reviews:

"Broadway Shows from the 1960's ~ Percy Faith".......2004-02-23

Percy Faith blends two award winning Broadway Shows together "Subways Are For Sleeping" (originally released on Columbia Records CS 8533 in 1961) and "Do I Hear A Waltz?" (originally released on Columbia Records CS 9117 in 1965), following the formula of previous albums from the vault of rare finds ~ two more winners are under the baton of the Maestro.

First twelve tracks "Subways Are For Sleeping", featuring the songs of Betty Comden, Adolph Green and Jule Styne with outstanding arrangements on very catchy tunes ~ like "BE A SANTA", "COMES ONCE IN A LIFETIME", "GETTING MARRIED", "HOW CAN YOU DESCRIBE A FACE?", "I JUST CAN'T WAIT", "I SAID IT AND I'M GLAD", "I'M JUST TAKING MY TIME", "NOW I HAVE SOMEONE", "RIDE THROUGH THE NIGHT", "WHAT IS THIS FEELING IN THE AIR?", "WHEN YOU HELP A FRIEND OUT" and "WHO KNOWS WHAT MIGHT HAVE BEEN?", all have the hallmark sound and the authentic "Percy Faith Touch" on every selections.

Second twelve tracks ~ "Do I Hear A Waltz", featuring the tunes of Richard Rodgers and Stephen Soundheim enhanced by the performances of arranger/conductor Percy Faith and his Orchestra ~ "A PERFECTLY LOVELY COUPLE", "DO I HEAR A WALTZ?", "HERE WE ARE AGAIN", "MOON IN MY WINDOW", "NO UNDERSTAND", "SOMEONE LIKE YOU", "STAY", "TAKE THE MOMENT", "THANK YOU SO MUCH", "THINKING", "THIS WEEK AMERICANS" and "WE'RE GONNA BE ALL RIGHT", enamored to the luxurious sound of Faith's string arrangements ~ you're immediately hooked on these tracks ~ marvelous performances enthralling listener's for some fifty years.

The people at Collectables should be commended for bringing back some of Maestro Faith's best works on compact disc ~ there is so much more in the vast vaults, hopefully there will be more to follow...gotta love it!

Total Time: 68:19 on 24 Tracks ~ Collectables 7480 ~ (5/21/2002)

Carmen (Sung in English)
Average customer rating:

English is an asset and a drawback

You Will Love Opera After Hearing Carmen In English

A wholly credible "Carmen" -- finally!

I love Carmen!

Carmen (Sung in English)
Bizet , Bardon , Gavin , Plazas , Magee , and Parry
Manufacturer: Chandos
ProductGroup: Music
Binding: Audio CD

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Mozart - Don Giovanni / Garry Magee · Cullagh · Banks · Plazas · Shore · Tierny · PO · David Parry

ASIN: B00007JGRN
Release Date: 2003-03-11

Tracks:

Prelude
In The Plaza
Just Look At That Delicious Morsel
Here Come Our New Soldier Boys
Jose! There Was A Girl Here Looking For You Just Now
Off With You Old Soldier Boys
Corporal! Sir!
We Have Heard The Bell Summon Us To Meet Here
Ah, Just Look!
But Why Hasn't She Come, Our Carmencita?
Love's A Bird Wild As Any Rebel
Carmen! We Will Follow You High And Low!
The Cheek Of It!
Give Me News Of My Mother!
Your Dear Mother And I Were Leaving Church This Morning
I See My Mother's Face!
Wait A Moment - I'm Going To Read The Letter
Come And Help
So, Corporal: Tell Me What Happened
Well, Carmencita: What Do You Have To Say For Yourself?
Where Are You Taking Me?
There's An Old Bar In The City
Careful - It's Lieutenant!
Entr'acte
From Far Away Mysterious Sounds
Bravo, Bravo! More! Keep Dancing!
Hurrah! Hurrah! The Torero!
Who's That? It's Escamillo, The Bullfighter From Granada
Hurrah! Hurrah! The Torero!
You're Most Kind
We'll Come With You, Senor Torero
Toreador, Be Ready!
At Last! We Got Rid Of Them As Quickly As We Could
There's A Little Job That We're Starting!
Being In Love Is Not A Reason

Tracks:

To Bid You Welcome To Our Bar
La La La La La La La La...
Back To Camp!... Go At Once!
That Flow'r You Threw To Me I Treasured
No, It's Not Love At All!
Hello! Carmen!
Lieutenant Fair, It's True
The Sky Above The Open Road
Entr'acte
Keep Going, Dear Old Friend, Kep Going!
Right! Let's Stop For A While
Shuffle! Cut Them!
In Vain You Would Avoid The Bitter Things They're Saying
You're Back!
As For That Man, It Should Be Easy!
Is This The Place?
I Say That There's Nothing To Fear
It's Him! I'm Sure It's Him Over There!
Escamillo Is My Name, And I Come From Granada
She Had A Lover Here
Hola! Hola! Jose!
You Should Take Care, Carmen
Alas! Jose, Your Mother Is Ill
Entr'acte
A Few Cuartos! A Few Cuartos!
Here They Come! Here They Come!
If You Love Me, Carmen
It's You! It's Me!
Viva! Viva! What A Corrida!

Customer Reviews:

English is an asset and a drawback.......2004-07-20

The best thing about this recording of Carmen is the libretto. Conductor David Parry penned this facile and dramatic English translation. He avoids the pitfalls of literal translation to achieve an idiomatic flow that matches the rhythm of the original lyrics. I use this as a reference libretto for any of the French Carmens.

Unfortunately, the performance suffers from being sung in English. The singers declaim their parts with such proper British diction that Carmen comes across as a school marm. The spoken dialog is delivered beat for deliberate beat and is dripping with reverb. It makes the plaza, tavern and mountain pass all sound like a sewer pipe.

This is a good first Carmen for someone trying to understand the work. The libretto itself is a good investment for further listening. For an enjoyable performance with an emphasis on character and action, I recommend Regina Resnik on the London Double Decker set.

You Will Love Opera After Hearing Carmen In English.......2004-02-09

What a perfect introduction to opera. This newly released recording will surely get you hooked into opera. Carmen, a French opera by Georges Bizet, is the most recognizable and most popular in the opera world. It's famous melodies- the overture, the Habanera, The Toreador Song have all been featured in everything from cellular phone ring tones to Superbowl Commercial (last year's Superbowl with The "Opera In English" label has been making Italian operas into English for a number of years now. Also on the market are Verdi's La Traviata in English (with soprano Valerie Masterson as Violetta) Handel's Julius Caesar with Janet Baker and even Wagner's epic Ring Of The Nibeling sung in English. This is a terrific recording and I highly recommend it if you want to get into opera. Listen to this version first and then try the real, original French version Bizet had written. Patricia Bardon is sensational, sexy and dramatic as Carmen.

The real strength of this version is the dynamic drama. With the advantage of being sung in English, we get better insight on characters' emotions and motives, and we understand the drama a lot better. Carmen is all about great drama. Bizet drew the plot from the French writer Prosper Merimee's dark short story. Carmen is the ultimate femme fatale- a devil-may-care, sexy Gypsy living in Spain, seduces the conservatively raised soldier Don Jose, stealing him away from his fiancee, the passive Micaela, living a life of underground smuggling and rowdy taverns. "Habanera" and "The Gypsy Song and Dance" are very expressive of Carmen's extraordinarily liberal lifestyle. Don Jose, however, has fallen deeply in love- as he shows us in his song/aria "The Flower Song". But Carmen soon becomes tired of his constancy. Don Jose wants a committed, monogamous relationship with Carmen. But Carmen will not submit to love, since she is first and foremost a carnal creature. Eventually, she falls for the handsome Toreador Escamillo. Don Jose, consumed by jealousy, stabs Carmen at a bullfight after Carmen declares her love for Escamillo and rejects Don Jose's love. Don Jose's crazed, obscessive personality shines through in the English version as well. This tragedy has been done in English before so don't think this is the first time. Back in the 50's, there was a film, starring black actors "Carmen Jones" which was treated the same way as this opera- more like an English Broadway musical and with the dubbed singing voice of Marilyn Horne as Carmen. All in all, this recording is excellent.

A wholly credible "Carmen" -- finally!.......2003-09-17

This recording really sells "Carmen" as a drama. Although I have two other recordings of this opera and have seen it performed several times, it never quite worked for me dramatically. But thanks to the fine performances, conducting, and translation here, I've become a "Carmen" convert. Producing a good English-language performance of a foreign opera, especially a warhorse like "Carmen," is much more difficult than it might appear. You need performers who not only can sing the parts (of course) but also can sing *English* and make it halfway intelligible and make it sound like English and make it dramatically convincing to English-speakers. The singers on this recording do an excellent job all around. Don't be put off if you don't recognize their names -- they are up to the task musically and (especially) in their acting. Admittedly, as with *all* English-language recordings, some passages are very hard to understand without reading along, but most of the time the words are clear and effective. I would recommend this recording to any opera beginner or opera lover, even those who normally turn up their noses at performances in translation.

I love Carmen!.......2003-08-15

I do. I can think of no other opera with more melodic inventiveness, and few others with so sure a dramatic pulse. Carmen is popular and it thrills me to say that it is also a very good opera - not always true of popular things.

And what of this recording? Carmen sits well in English, so it is good to hear in translation, although some of the detais in the text jar. Escamillo refers to Jose as "my dear", which sounds rather peculiar, and the guide's line to Micaela: "it's not exactly inviting, is it?" sounds distinctly Middle England rather than Rural Spain. Some of the performers, not least Carmen herself, make the words work, although there are long tracts, especially with the chorus, where the language is distinctly indistinct.

The soloists are, by and large, strong. Patricia Bardon's deep, Handel-friendly voice adapts well to Carmen and she colours the music with phenomenal detail, sounding sexy and provocative from the start with an edge of pride and anger that emerges as the show goes on. She is out of her depth above the stave, though, and some extra top notes in the second act don't show her off to her best advantage. I have previously said that Julian Gavin is poorly served by recordings, though here he sounds much more even and gives a thrilling and musical performance (but his wooden spoken lines let him down). Mary Plazas is a lovely Micaela, rich-voiced and sincere (and word-perfect), but Garry Magee sounds miscast as Escamillo, lacking the ballast at the bottom of the voice to do justice to this tricky role.

The supporting cast is good (Mary Hegarty seems to do nothing but Frasquita these days!) but the really treasurable thing is the conducting. Stepping out of Italian Ottocento, David Parry turns his hand to this French Comedie with an appropriate lightness of touch. His pacing and handling of the set pieces is exemplary and the enrtractes go with a real swing.

Tracks:

Swanee
Come To the Moon
I Was So Young (You Were So Beautiful)
Tee-Oodle-Um-bum-Bo
Nobody But You
Limehouse Nights
Drifting Along With The Tide
Rhapsody In Blue
Oh Lady Be Good!
Fascinating Rhythm
Hang On To Me
I'd Rather Charleston
The Man I Love
The Half Of It, Dearie, Blues
So Am I
Kickin' The Clouds Away
Concerto In F

Tracks:

Sweet And Low-Down (I)
That Certain Feeling (I)
Looking For A Boy
When Do We Dance?
Sweet And Low-Down (II)
That Certain Feeling (II)
Irish Waltz
Do, Do, Do
Someone To Watch Over Me
Clap Yo' Hands
Maybe
Three Preludes: I. No.1: Allegro Ben Ritmato E Deciso / II. No.2: Andante Con Moto / III No.3: Allegro Ben Ritmato E Deciso
Meadow Serenade
My One And Only
'S Wonderful/Funny Face
He Loves And She Loves
An American In Paris
Liza
Strike Up The Band
Embraceable You
I Got Rhythm (I)
I Got Rhythm (II)

Tracks:

Of Thee I Sing
Jilted
Second Rhapsody
For You, For Me, For Evermore
Cuban Overture
Isn't It A Pity?
Variations On 'I Got Rhythm'
I. Catfish Row: Introduction - Jazzbo Brown - First Chorus, 'Summertime'
II. Porgy Sings: 'I got Plenty O' Nuthin' - 'Bess, You Is My Woman Now'
III. Fugue: Murder Of Crown, Act III Scene 1
IV. Hurricane: Introduction, Act II Scene 3 - Hurricane, Act II Scene 3
V. Good Morning, Brother: Occupational Humoresque, Act III Scene 3 - 'Good Morning, Brother' - Children's Song 'Sure To Go To Heaven' - 'I'm On My Way' (Finale)
They Can't Take That Away From Me
Let's Call The Whole Thing Off
Our Love Is Here To Stay